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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Virgin mary Clips</title><link>http://clipmarks.com/tags/virgin+mary/</link><feedUrl>http://rss.clipmarks.com/tags/virgin+mary/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Bishops' synod will pave the way for Biblical studies, says Benedict XVI</title><link>http://clipmarks.com/clipmark/BFCE90B6-4DBC-4015-BF2E-4F7DFA3BBD1D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Efrain+Alvarado/"&gt;Efrain Alvarado&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.catholicnewsagency.com/new.php?n=13982" title="http://www.catholicnewsagency.com/new.php?n=13982"&gt;www.catholicnewsagency.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Efrain Alvarado/512/10446AD4-5549-4D17-9AF8-40CE1E580AC3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;SPAN class="noticia_byline"&gt;Vatican City, Oct 5, 2008 / 09:50 am (&lt;A  href="http://www.catholicnewsagency.com"&gt;CNA&lt;/A&gt;)&lt;/SPAN&gt;.- After celebrating the opening Mass for the 12th general assembly of the Synod of Bishops at the Basilica of St. Paul's Outside the Walls, Pope Benedict XVI made the synod the focus of his words before the recitation of the Angelus. The Holy Father invited his audience to support the work of the synod on the Bible with their prayers, invoking in a special way "the maternal intercession of the Virgin Mary, the perfect Disciple of the Divine Word." &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The current synod on the Bible will last for three weeks and includes 253 "synod fathers": 51 from Africa, 62 from the Americas, 41 from Asia, 90 from Europe and 9 from Oceania, who will study and discuss the “working document” alongside numerous experts and auditors, men and women. There will also be "fraternal delegates" from other Churches and ecclesial communities present. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/scripture/" rel="tag"&gt;scripture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bible/" rel="tag"&gt;bible&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/pope/" rel="tag"&gt;pope&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.catholicnewsagency.com/new.php?n=13982</clipSource><pubDate>Tue, 07 Oct 2008 05:01:19 GMT</pubDate></item><item><title>OMG! well, i guess it is time for a little humor</title><link>http://clipmarks.com/clipmark/8496B7F5-AFAB-427C-B1FF-3EF68D136F7C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/prin1/"&gt;prin1&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.opednews.com/articles/Image-of-Virgin-Mary-Found-by-steve-young-080923-749.html" title="http://www.opednews.com/articles/Image-of-Virgin-Mary-Found-by-steve-young-080923-749.html"&gt;www.opednews.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="Verdana" size="2"&gt;(Tampa, Fla) During a campaign appearance by Vice presidential nominee Sarah Palin at a retirement village in Tampa, Florida, onlookers were stunned to see what they believed to be an image of the Blessed Mother Mary embedded in Palin’s wrapped puffed-up do.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="Verdana" size="2"&gt;“At first I thought it was just one of those Love Bugs y’get caught in the car grill, ” said 82-year-old Hubert Henry. “But then it started glowin’ like the baby Jesus I seen last year in the window at the Stuckey’s just of Route 1 in Hulmville. Damn miracle, I tellya.”&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="Verdana" size="2"&gt;McCain spokesman, Tucker &lt;SPAN&gt;&lt;/SPAN&gt;Bounds, said that while the selection of Palin was a miracle for the campaign, the viability of Palin being chosen by the Virgin Mary to appear in her hair was something he’d rather leave up to the voter.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT face="Verdana" size="2"&gt;“People, and that includes Christians, are going to make up their mind on the issues,” said Bounds. “If the fact that some people believe that the Blessed Mother of Jesus and Sarah being somehow intertwined is an issue, so be it.”&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.opednews.com/articles/Image-of-Virgin-Mary-Found-by-steve-young-080923-749.html</clipSource><pubDate>Tue, 23 Sep 2008 22:36:51 GMT</pubDate></item><item><title>'Miracle Toast' with Scan Toaster</title><link>http://clipmarks.com/clipmark/85DEC5B0-9C26-4D57-A2A5-24B506215B9A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JediKnut/"&gt;JediKnut&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  heh, another cool but absolutely useless invention! &lt;img src="http://clipmarks.com/images/icons/smilies/tongue.gif" alt="" /&gt;&lt;br/&gt;&lt;br/&gt;Sure wouldn't mind one of these! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.engadget.com/2008/09/12/scan-toaster-puts-the-power-of-miracle-toast-into-the-hands-of/" title="http://www.engadget.com/2008/09/12/scan-toaster-puts-the-power-of-miracle-toast-into-the-hands-of/"&gt;www.engadget.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN id="ppt1312016"&gt;Scan Toaster puts the power of 'miracle toast' into the hands of mere mortals&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JediKnut/512/55D99E25-6D65-4418-8DC7-07B1F259E799.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Industrial designer Sung Bae Chang has finally given us mortals the ability to do that which was once considered a bona-fide miracle. Using the "Scan Toaster," anyone with a PC and a USB cable can burn the likeness of the Blessed Virgin Mary (or any image or text that you wish) onto a slice of bread. The toaster utilizes a network of toasting "modules" -- hot wires that rotate within a 30 degree radius -- that burn the image or text you have selected onto the delicious slice of your choice. The peripheral is a finalist in a design competition run by the appliance manufacturer Electrolux, so as-of-yet there aren't any plans to manufacture it on a mass scale. We're guessing that Mr. Sun Bae Chang probably wants to keep the awesome power of the Scan Toaster for himself anyway.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/toaster/" rel="tag"&gt;toaster&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/usb/" rel="tag"&gt;usb&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.engadget.com/2008/09/12/scan-toaster-puts-the-power-of-miracle-toast-into-the-hands-of/</clipSource><pubDate>Mon, 15 Sep 2008 08:32:33 GMT</pubDate></item><item><title>3 Day Novena</title><link>http://clipmarks.com/clipmark/B2AFA273-A26B-43BA-B97E-D3768842A66A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/747+angel/"&gt;747 angel&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://charlottetown.kijiji.ca/c-community-other-Novena-to-the-Blessed-Virgin-Mary-Never-Known-To-Fail-W0QQAdIdZ69096368" title="http://charlottetown.kijiji.ca/c-community-other-Novena-to-the-Blessed-Virgin-Mary-Never-Known-To-Fail-W0QQAdIdZ69096368"&gt;charlottetown.kijiji.ca&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
									Novena to the Blessed Virgin Mary (Never Known To Fail)&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Oh, most beautiful flower of Mount Carmel, fruitful vine, splendor of Heaven. &lt;BR /&gt;Blessed Mother of the Son of God; Immaculate Virgin, assist me in my necessity. &lt;BR /&gt;Oh, Star of the Sea, help me and show me you are my Mother. &lt;BR /&gt;Oh, Holy Mary, Mother of God, Queen of Heaven and Earth, I humbly beseech you from the bottom of my heart to succour me in my necessity. (Mention your request here). &lt;BR /&gt;There are none that can withstand your power. &lt;BR /&gt;Oh, Mary, conceived without sin, pray for us who have recourse to thee. (3 times). &lt;BR /&gt;Holy Mary, I place this prayer in your hands. (3 times). &lt;BR /&gt;Amen. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Say this prayer for 3 consecutive days and then you must publish it and it will be granted to you.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://charlottetown.kijiji.ca/c-community-other-Novena-to-the-Blessed-Virgin-Mary-Never-Known-To-Fail-W0QQAdIdZ69096368</clipSource><pubDate>Fri, 05 Sep 2008 00:48:25 GMT</pubDate></item><item><title>Important Quotations Explained - Quote 1</title><link>http://clipmarks.com/clipmark/3CCE7E27-3133-4F1F-A34A-5E97E2AA7A78/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/yaziquex/"&gt;yaziquex&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sparknotes.com/lit/purple/answers/quoteexp_1.html" title="http://www.sparknotes.com/lit/purple/answers/quoteexp_1.html"&gt;www.sparknotes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="content_txt"&gt;This passage is from Celie's forty-first
letter. Squeak has just returned from an unsuccessful attempt to
release Sofia from prison. The prison warden raped Squeak, and she
returns home battered and torn. However, Squeak is not defeated,
and she makes an important act of resistance when she decides to
reject the belittling nickname, Squeak, that Harpo has given her.
She insists on being called by her given name, Mary Agnes. By renaming
herself, Mary Agnes resists the patriarchal words and symbols that
Harpo has imposed upon her. Walker repeatedly stresses the importance
of language and storytelling as ways of controlling situations and
as the first steps toward liberation. Just as Shug renames Celie
a virgin, and just as Celie reverses Mr. ______'s words to say,
“I'm pore, I'm black, I may be ugly and can't cook. . . . But I'm
here,” Mary Agnes renames herself to show her refusal to let the
man in her life gain interpretive control over her.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.sparknotes.com/lit/purple/answers/quoteexp_1.html</clipSource><pubDate>Sun, 31 Aug 2008 07:38:07 GMT</pubDate></item><item><title>Byzantine Art</title><link>http://clipmarks.com/clipmark/7D86B169-2C18-4711-AD8E-9CDDD9ED2C9F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hi/te_index.asp?i=13" title="http://www.metmuseum.org/toah/hi/te_index.asp?i=13"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/6BB29EC6-026E-44A8-A3DA-9BEA56847731.jpg" alt="The Age of Justinian I (527–565)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/hd_just.htm"&gt;The Age of Justinian I (527–565)&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/just/hd_just.htm" title="http://www.metmuseum.org/toah/hd/just/hd_just.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The nearly forty-year reign of Emperor Justinian I (527–65) heralded extensive territorial expansion and military success for the &lt;A href="http://www.metmuseum.org/toah/hd/just/../byza/hd_byza.htm"&gt;Byzantine state&lt;/A&gt;.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;distinguished by an exceptional record of architectural and artistic production&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/ho/06/wae/ho_1998.69,1999.99.htm" title="http://www.metmuseum.org/toah/ho/06/wae/ho_1998.69,1999.99.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/70E937CF-6B4E-4EB2-A73B-FE5BF0CC2D85.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Fragment of a Floor Mosaic with a Personification of Ktisis&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/just/ho_17.190.1670-1671.htm" title="http://www.metmuseum.org/toah/hd/just/ho_17.190.1670-1671.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/D1E587C9-4D63-4490-8F8E-FB71830E5021.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/ho/06/eusb/ho_17.190.52,53.htm" title="http://www.metmuseum.org/toah/ho/06/eusb/ho_17.190.52,53.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="objImage"&gt;&lt;A href="javascript:toggleEnlarge('altViewParent','17.190.52,53','0');"&gt;&lt;IMG border="0" class="mainObjImage" src="http://www.metmuseum.org/toah/ho/06/eusb/../../../images/h2/h2_17.190.52,53.jpg" /&gt;&lt;/A&gt;&lt;A class="magnify" href="javascript:toggleEnlarge('altViewParent','17.190.52,53');"&gt;&lt;IMG border="0" src="http://www.metmuseum.org/toah/ho/06/eusb/../../../art/magnify_sm.gif" /&gt;&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Two Panels of an Ivory Diptych Announcing the Consulship of Justinian&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/just/hd_just.htm" title="http://www.metmuseum.org/toah/hd/just/hd_just.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="thematicIcons"&gt;
&lt;LI id="objthumb8"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/waa/ho_66.25.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge8" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Portrait Bust of a Woman with a Scroll [Byzantine]" alt="Portrait Bust of a Woman with a Scroll [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_66.25.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb1"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/wae/ho_1998.69,1999.99.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge1" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Fragment of a Floor Mosaic with a Personification of Ktisis [Byzantine]" alt="Fragment of a Floor Mosaic with a Personification of Ktisis [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_1998.69,1999.99.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb7"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/ho_17.190.1670-1671.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge7" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pair of Jeweled Bracelets [Byzantine]" alt="Pair of Jeweled Bracelets [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_17.190.1670-1671.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb6"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/ho_1984.196.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge6" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Flask with Adoration of the Magi [Byzantine]" alt="Flask with Adoration of the Magi [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_1984.196.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb3"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/eusb/ho_17.190.52,53.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge3" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Two Panels of an Ivory Diptych Announcing the Consulship of Justinian [Byzantine]" alt="Two Panels of an Ivory Diptych Announcing the Consulship of Justinian [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_17.190.52,53.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb5"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/ho_99.35.7406.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge5" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Solidus of Justinian I [Byzantine]" alt="Solidus of Justinian I [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_99.35.7406.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb4"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/eusb/ho_17.190.1664.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge4" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pectoral with Coins and Pseudo-Medallion [Byzantine]" alt="Pectoral with Coins and Pseudo-Medallion [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_17.190.1664.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb2"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/waa/ho_50.4.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge2" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="'Antioch Chalice', The [Byzantine]" alt="'Antioch Chalice', The [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_50.4.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;


		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/bzis/hd_bzis.htm" title="http://www.metmuseum.org/toah/hd/bzis/hd_bzis.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Byzantine Art under Islam&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The &lt;A href="http://www.metmuseum.org/toah/hd/bzis/../byza/hd_byza.htm"&gt;Byzantine empire&lt;/A&gt;'s interaction with Islamic culture had a profound effect on its art. Islam's rise and military success were the greatest threat to the stability of the empire and its territories&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/ho/08/sfe/ho_1999.103.htm" title="http://www.metmuseum.org/toah/ho/08/sfe/ho_1999.103.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/AE36FE48-35AE-4335-901E-CB60E64F019D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/bzis/hd_bzis.htm" title="http://www.metmuseum.org/toah/hd/bzis/hd_bzis.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="thematicIcons"&gt;
&lt;LI id="objthumb1"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/bzis/../../ho/07/sfe/ho_1998.66.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge1" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Page from an Illuminated Gospel [Ethiopia]" alt="Page from an Illuminated Gospel [Ethiopia]" src="http://www.metmuseum.org/toah/hd/bzis/../../images/ht/ht_1998.66.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb2"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/bzis/../../ho/08/sfe/ho_1999.103.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge2" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Processional Cross [Ethiopia, Tigray region; Amharic]" alt="Processional Cross [Ethiopia, Tigray region; Amharic]" src="http://www.metmuseum.org/toah/hd/bzis/../../images/ht/ht_1999.103.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb3"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/bzis/ho_14.137.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge3" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Batrashil [Syria]" alt="Batrashil [Syria]" src="http://www.metmuseum.org/toah/hd/bzis/../../images/ht/ht_14.137.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;


		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/ivor/ho_17.190.239.htm" title="http://www.metmuseum.org/toah/hd/ivor/ho_17.190.239.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/A4CBBC5D-A38A-4BB1-ABF0-FCFCCC1A9987.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hi/te_index.asp?i=13" title="http://www.metmuseum.org/toah/hi/te_index.asp?i=13"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/hd_ivor.htm"&gt;Byzantine Ivories&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/ivor/hd_ivor.htm" title="http://www.metmuseum.org/toah/hd/ivor/hd_ivor.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="thematicIcons"&gt;
&lt;LI id="objthumb2"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/../litu/ho_17.190.57.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge2" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pyxis Depicting Women at the Tomb of Christ [Byzantine]" alt="Pyxis Depicting Women at the Tomb of Christ [Byzantine]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.57.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb3"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/../../ho/06/eusb/ho_17.190.52,53.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge3" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Two Panels of an Ivory Diptych Announcing the Consulship of Justinian [Byzantine]" alt="Two Panels of an Ivory Diptych Announcing the Consulship of Justinian [Byzantine]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.52,53.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb1"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/../../ho/06/eusb/ho_17.190.44.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge1" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Plaque with the Crucifixion and the Defeat of Hades [Byzantine]" alt="Plaque with the Crucifixion and the Defeat of Hades [Byzantine]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.44.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb4"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/ho_17.190.103.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge4" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Icon with the Virgin and Child [Byzantine; Probably made in Constantinople]" alt="Icon with the Virgin and Child [Byzantine; Probably made in Constantinople]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.103.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb5"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/ho_17.190.239.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge5" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Casket with Warriors and Dancers [Byzantine; Probably made in Constantinople]" alt="Casket with Warriors and Dancers [Byzantine; Probably made in Constantinople]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.239.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;


		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/byza/hd_byza.htm" title="http://www.metmuseum.org/toah/hd/byza/hd_byza.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Byzantium (ca. 330–1453)&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/ho/08/eusb/ho_31.67.8.htm" title="http://www.metmuseum.org/toah/ho/08/eusb/ho_31.67.8.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="objImage"&gt;&lt;A href="javascript:toggleEnlarge('altViewParent','31.67.8','0');"&gt;&lt;IMG border="0" class="mainObjImage" src="http://www.metmuseum.org/toah/ho/08/eusb/../../../images/h2/h2_31.67.8.jpg" /&gt;&lt;/A&gt;&lt;A class="magnify" href="javascript:toggleEnlarge('altViewParent','31.67.8');"&gt;&lt;IMG border="0" src="http://www.metmuseum.org/toah/ho/08/eusb/../../../art/magnify_sm.gif" /&gt;&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/byza/hd_byza.htm" title="http://www.metmuseum.org/toah/hd/byza/hd_byza.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="thematicIcons"&gt;
&lt;LI id="objthumb14"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/05/waa/ho_04.35.18.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge14" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Solidus of Constantius II (Sole Emperor, 350-361) [Byzantine]" alt="Solidus of Constantius II (Sole Emperor, 350-361) [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_04.35.18.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb12"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/05/wae/ho_1984.32.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge12" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pendant Plaque [Byzantine]" alt="Pendant Plaque [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1984.32.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb8"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/ho_67.107.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge8" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Head of Constans [Byzantine]" alt="Head of Constans [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_67.107.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb11"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../gaul/ho_47.100.42.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge11" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Chariot Mount with Three Figures [Byzantine]" alt="Chariot Mount with Three Figures [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_47.100.42.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb10"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../gaul/ho_47.100.40.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge10" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Statuette of the Personification of Constantinople [Byzantine]" alt="Statuette of the Personification of Constantinople [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_47.100.40.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb13"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/05/waa/ho_1980.416ab.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge13" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Steelyard Weight with a Bust of a Byzantine Princess [Byzantine]" alt="Steelyard Weight with a Bust of a Byzantine Princess [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1980.416ab.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb1"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/06/wae/ho_1998.69,1999.99.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge1" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Fragment of a Floor Mosaic with a Personification of Ktisis [Byzantine]" alt="Fragment of a Floor Mosaic with a Personification of Ktisis [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1998.69,1999.99.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb3"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/06/eusb/ho_17.190.1664.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge3" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pectoral with Coins and Pseudo-Medallion [Byzantine]" alt="Pectoral with Coins and Pseudo-Medallion [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_17.190.1664.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb9"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/ho_17.190.147,1991.136.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge9" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Girdle with Coins and Medallions [Byzantine]" alt="Girdle with Coins and Medallions [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_17.190.147,1991.136.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;DIV class="clearImages"&gt;&lt;/DIV&gt;

&lt;LI id="objthumb17"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/06/eusb/ho_2006.569.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge17" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pectoral Cross [Byzantine  (Constantinople?)]" alt="Pectoral Cross [Byzantine  (Constantinople?)]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_2006.569.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb4"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/06/eusb/ho_17.190.1674-1712.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge4" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Avar Treasure [Found in Vrap, eastern Albania]" alt="Avar Treasure [Found in Vrap, eastern Albania]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_17.190.1674-1712.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb5"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/07/eusb/ho_1970.324.3.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge5" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Icon with Saint Demetrios [Byzantine]" alt="Icon with Saint Demetrios [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1970.324.3.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb7"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/ho_1998.542.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge7" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Cross Pendant [Byzantine]" alt="Cross Pendant [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1998.542.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb18"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/07/eusb/ho_2007.9.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge18" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pendant Brooch with Cameo of Enthroned Virgin and Child [Byzantine (Constantinople)]" alt="Pendant Brooch with Cameo of Enthroned Virgin and Child [Byzantine (Constantinople)]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_2007.9.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb2"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/07/waa/ho_17.190.678.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge2" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Medallion from an Icon Frame [Byzantine]" alt="Medallion from an Icon Frame [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_17.190.678.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb6"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../arch/ho_1983.167.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge6" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Capital with Bust of the Archangel Michael [Byzantine]" alt="Capital with Bust of the Archangel Michael [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1983.167.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb16"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/07/sfe/ho_2006.100.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge16" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Double-Sided Gospel Leaf [Ethiopia; Tigray region]" alt="Double-Sided Gospel Leaf [Ethiopia; Tigray region]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_2006.100.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb15"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/08/eusb/ho_31.67.8.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge15" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Icon with the Presentation of Christ in the Temple [Byzantine]" alt="Icon with the Presentation of Christ in the Temple [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_31.67.8.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;


		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hi/te_index.asp?i=13" title="http://www.metmuseum.org/toah/hi/te_index.asp?i=13"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/cnst/hd_cnst.htm"&gt;Constantinople after 1261&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/crus/hd_crus.htm"&gt;The Crusades (1095–1291)&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/virg/hd_virg.htm"&gt;The Cult of the Virgin Mary in the Middle Ages&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/face/hd_face.htm"&gt;The Face in Medieval Sculpture&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/fwbz/hd_fwbz.htm"&gt;Frescoes and Wall Painting in Late Byzantine Art&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/haso/hd_haso.htm"&gt;Hagia Sophia, 532–37&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/icon/hd_icon.htm"&gt;Icons and Iconoclasm in Byzantium&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/mona/hd_mona.htm"&gt;Monasticism in Medieval Christianity&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/popu/hd_popu.htm"&gt;Popular Religion: Magical Uses of Imagery in Byzantine Art&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.metmuseum.org/toah/hi/te_index.asp?i=13</clipSource><pubDate>Sat, 30 Aug 2008 18:38:29 GMT</pubDate></item><item><title>st mary</title><link>http://clipmarks.com/clipmark/1C4ADCA8-0A78-410B-BE07-3A554D28BF1D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/TubularOne/"&gt;TubularOne&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://thenewliturgicalmovement.blogspot.com/2008/08/announcements.html" title="http://thenewliturgicalmovement.blogspot.com/2008/08/announcements.html"&gt;thenewliturgicalmovement.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="post-title"&gt;&lt;FONT size="5"&gt;Announcements&lt;/FONT&gt;
     
    &lt;/H3&gt;
    
    &lt;EM&gt;by Shawn Tribe&lt;/EM&gt;
    &lt;HR size="1" /&gt;       
    &lt;DIV class="post-body"&gt;
    &lt;P&gt;
      &lt;/P&gt;&lt;DIV&gt;&lt;/DIV&gt;&lt;P class="dropcap"&gt;&lt;DIV&gt;The following announcement came in from one of our readers, and I am sure some of you will like to use this opportunity to use the comments to list your own upcoming events.&lt;/DIV&gt;&lt;BR /&gt;&lt;/P&gt;&lt;CENTER&gt;Saint Mary’s Roman Catholic Church &lt;BR /&gt;Founded 1795 &lt;BR /&gt;310 South Royal Street &lt;BR /&gt;&lt;DIV&gt;Alexandria, Virginia 22314 &lt;/DIV&gt; &lt;BR /&gt;In celebration of the Solemnity of the Assumption of the  &lt;BR /&gt;Most Blessed Virgin Mary, &lt;BR /&gt;August 15th, 2008, &lt;BR /&gt;A High Mass in the Extraordinary Form  &lt;BR /&gt;will be sung at 7:30 PM. &lt;BR /&gt;The Rev. John De Celle, Parochial Vicar, &lt;BR /&gt;Celebrant and Preacher. &lt;BR /&gt;Music by the Parish Choir, &lt;BR /&gt;Dr. Charles Saik, Director.&lt;/CENTER&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://thenewliturgicalmovement.blogspot.com/2008/08/announcements.html</clipSource><pubDate>Sat, 16 Aug 2008 08:04:53 GMT</pubDate></item><item><title>He who prays never loses hope</title><link>http://clipmarks.com/clipmark/0BDDC587-6D7C-4720-B428-098F60BA2305/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Efrain+Alvarado/"&gt;Efrain Alvarado&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.catholicnewsagency.com/new.php?n=13511" title="http://www.catholicnewsagency.com/new.php?n=13511"&gt;www.catholicnewsagency.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Efrain Alvarado/512/4D90199D-8E76-4EC5-BE3A-0E8AFBAFEA33.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;SPAN class="noticia_byline"&gt;Castelgandolfo, Aug 13, 2008 / 03:17 pm (&lt;A  href="http://www.catholicnewsagency.com"&gt;CNA&lt;/A&gt;)&lt;/SPAN&gt;.- In Wednesday's general audience, celebrated in Castel Gandolfo, Pope Benedict XVI spoke about St. Teresa Benedict of the Cross, also known as St. Edith Stein, and St. Maximilian Mary Kolbe, whose feast days the Church celebrates in August. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“He who prays never loses hope, even when he finds himself in difficult situations.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Pope Benedict added: St. Teresa Benedict of the Cross, whose feast the Church celebrated on August 9, and St. Maximilian Mary Kolbe, whose feast is tomorrow, the vigil of the Solemnity of the Assumption of the Blessed Virgin Mary, are such examples in our time. The Pontiff reminded his audience that both saints were martyrs in the Auschwitz Concentration Camp, witnesses of the love which “defeats the darkness of egoism and hatred.” The Holy Father recalled words attributed St. Maximilian Mary Kolbe: “Hatred is not a creative force: only love is.” On August 14, 1941, the saint died in place of a fellow prisoner. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/hope/" rel="tag"&gt;hope&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/prayer/" rel="tag"&gt;prayer&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mystics/" rel="tag"&gt;mystics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/church/" rel="tag"&gt;church&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/saints/" rel="tag"&gt;saints&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.catholicnewsagency.com/new.php?n=13511</clipSource><pubDate>Fri, 15 Aug 2008 04:15:26 GMT</pubDate></item><item><title>Interreligious dialogue</title><link>http://clipmarks.com/clipmark/19099100-2B48-4FF3-A573-DC840E37C411/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/hayesstw/"&gt;hayesstw&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  When the goddess Bhagavati calls on the virgin Mary, is it interreligious dialogue at a higher level? Or is it inculturation, or syncretism? &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/travel/2008/jun/28/india" title="http://www.guardian.co.uk/travel/2008/jun/28/india"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"Yes, yes, the Virgin Mary is Bhagavati's younger sister," explained Vasudeva, the head priest, matter of factly, as if stating the obvious. &lt;/P&gt;&lt;P&gt;"But, for sisters, don't they look rather different from each other?" I asked. A calendar image of the goddess, pinned up behind him, showed Bhagavati as a wizened hag wreathed in skulls and crowned with an umbrella of cobra hoods. In her hand she wielded a giant sickle.&lt;/P&gt;&lt;P&gt;"Sisters are often a little different from each other," he replied. "Mary is another form of the Devi. They have equal power." He paused: "At our annual festival the priests take the goddess around the village on top of an elephant to receive sacrifices from the people. She visits all the places, and one stop is the church. There she sees her sister."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/inculturation/" rel="tag"&gt;inculturation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/syncretism/" rel="tag"&gt;syncretism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/interreligious+dialogue/" rel="tag"&gt;interreligious dialogue&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/travel/2008/jun/28/india</clipSource><pubDate>Thu, 14 Aug 2008 18:38:42 GMT</pubDate></item><item><title>The Mysteries of Guadalupe</title><link>http://clipmarks.com/clipmark/BE9D34CF-691D-4770-A84C-3BC8FC428979/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Efrain+Alvarado/"&gt;Efrain Alvarado&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A great sign appeared in the sky, a woman clothed with the sun, with the moon under her feet, and on her head a crown of twelve stars..Revelation 12:1  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=-Cha-cE8lBI&amp;feature=email" title="http://www.youtube.com/watch?v=-Cha-cE8lBI&amp;feature=email"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The ayate fibers used by the Aztecs at that time deteriorated after 20 years. Richard Kuhn (1900--1967), a Nobel Prize winner in chemistry, stated in his report of the tilma that it had not been painted with natural, animal, or mineral colorings.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;She had clearly crushed Quetzalcoatl, the feathered serpent god.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;She was greater than the stars of heaven which they worshipped.  She was a virgin and the Queen of the heavens for Virgo rests over her womb and the northern crown upon her head. She appeared on December 12, 1531 and the stars that she wears on her mantle are the constellations of the stars that appeared in the sky that day.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Her God was that of the Spanish Missionaries, Jesus Christ her son who died on the cross.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;she wears the Aztec black Maternity lace around her belly.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;She was the Mother of God because the flower was a special symbol of life, movement and deity. The center of the universe. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;She is not God, but clearly there is one greater than Her.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/mother+of+god/" rel="tag"&gt;mother of god&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mary/" rel="tag"&gt;mary&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/guadalupe/" rel="tag"&gt;guadalupe&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/aztec/" rel="tag"&gt;aztec&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=-Cha-cE8lBI&amp;feature=email</clipSource><pubDate>Thu, 14 Aug 2008 03:18:25 GMT</pubDate></item><item><title>lovebirds</title><link>http://clipmarks.com/clipmark/7778EDC5-244E-469A-AC89-554A31690D71/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/canadian+limey/"&gt;canadian limey&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.whats-your-sign.com/love-symbol-animal.html" title="http://www.whats-your-sign.com/love-symbol-animal.html"&gt;www.whats-your-sign.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;B&gt;Swan:&lt;/B&gt; The Swan holds a multitude of representations including love, grace, purity, beauty and sincerity.  Another attribute of Aphrodite, the Swan also symbolized chastity.  The Celts believed the Swans were benevolent dieties and legend has it that their images were forged into silver medallions worn around the neck for protection.  In Hinduism, the Swan is known as the Hamsa bird and signifies the divine mind and the breath of spirit.  The Swan is also another symbol of the Virgin Mary and the purity and love she symbolizes.  &lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/canadian limey/512/15CA4334-ABCA-420B-9CF8-20675CBE37F1.jpg" alt="animal love symbol meaning for swan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.whats-your-sign.com/love-symbol-animal.html</clipSource><pubDate>Sun, 03 Aug 2008 02:22:04 GMT</pubDate></item><item><title>Dozens blinded in India looking for Virgin Mary in the sun</title><link>http://clipmarks.com/clipmark/D6A63459-EA61-48AC-B31C-202A663765CB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wiccantexan/"&gt;wiccantexan&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/news/worldnews/1581424/Dozens-blinded-in-India-looking-for-Virgin-Mary.html" title="http://www.telegraph.co.uk/news/worldnews/1581424/Dozens-blinded-in-India-looking-for-Virgin-Mary.html"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.telegraph.co.uk/telegraph/multimedia/archive/00658/news-graphics-2008-_658735a.jpg" alt="A statue of the Virgin Mary." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;At least 50 people have lost their sight after staring at the sun hoping to see an image of the Virgin Mary, according to reports.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Alarmed health authorities in India's  Kottayam district have set up a sign dispelling rumours of a miraculous image in the sky and warning of the dangers of looking into direct sunlight. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Forty-eight cases of sight-loss, allegedly caused by photochemical burns on the retina, have been recorded at St Joseph's ENT and Eye hospital in the region since Friday.    &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Despite warnings, and the potentially harmful effects of their actions, believers are allegedly still flocking to a hotelier's house in Erumeli near where the divine image is said to have appeared.   &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; The hotelier, who has since moved, had claimed that statues of the Virgin Mary in his house have been crying honey and bleeding oils and perfumes.  &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/india/" rel="tag"&gt;india&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/christian/" rel="tag"&gt;christian&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/health/" rel="tag"&gt;health&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sun/" rel="tag"&gt;sun&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/medical/" rel="tag"&gt;medical&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.telegraph.co.uk/news/worldnews/1581424/Dozens-blinded-in-India-looking-for-Virgin-Mary.html</clipSource><pubDate>Thu, 31 Jul 2008 03:47:42 GMT</pubDate></item><item><title>10 Unconventional Religious Artifacts</title><link>http://clipmarks.com/clipmark/344517C5-9601-4FD1-8531-E9E5AFDA7B90/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wiccantexan/"&gt;wiccantexan&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.foxnews.com/story/0,2933,389761,00.html" title="http://www.foxnews.com/story/0,2933,389761,00.html"&gt;www.foxnews.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt; Religious images seem to have appeared over the years in everything from a sliced potato to 400-year-old granite, and some lucky finds from around the world have sold for thousands of dollars on eBay and reportedly delivered divine messages.&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The following is a list of the top 10 improbable relics — which may or may not be worth their weight in gold.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;1. Virgin Mary on Rye&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;2. Nun Bun&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;3. Holy Cow&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;4. Potato-Salad Jesus&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;5. Cooking-Pan Jesus&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;6. Fish-Stick Jesus&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;7. Fish-Bone Jesus&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;8. Granite Jesus&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;9. Miraculous Melon&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;10. Virgin Mary in a Tree&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;• &lt;A href="http://www.foxnews.com/photoessay/0,4644,4633,00.html"&gt;Click here to see photos of the unlikely religious icons.&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/belief/" rel="tag"&gt;belief&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/christian/" rel="tag"&gt;christian&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.foxnews.com/story/0,2933,389761,00.html</clipSource><pubDate>Fri, 25 Jul 2008 01:41:46 GMT</pubDate></item><item><title>Vatican to stage “Mary,” the musical</title><link>http://clipmarks.com/clipmark/B1D58B08-EDBA-4AE6-A90C-D59A6901B269/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wiccantexan/"&gt;wiccantexan&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.woai.com/entertainment/story.aspx?content_id=27aaae5c-56b7-42e8-9a2a-3508930af5eb" title="http://www.woai.com/entertainment/story.aspx?content_id=27aaae5c-56b7-42e8-9a2a-3508930af5eb"&gt;www.woai.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
The Vatican is set to stage its first ever musical next week about the life of the Virgin Mary.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Alma Manera, a former Miss Italy contestant, will play the lead role in &lt;SPAN&gt;Mary of Nazareth, A Story that Goes On, &lt;/SPAN&gt;the first ever musical to be performed in the Holy See's Paul VI Auditorium, which has previously only hosted classical concerts.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The production, which traces the life story of Jesus' virgin mother, has been officially blessed by Cardinal Tarcisio Bertone, the Vatican secretary of state. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/vatican/" rel="tag"&gt;vatican&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/catholic/" rel="tag"&gt;catholic&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/church/" rel="tag"&gt;church&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/musical/" rel="tag"&gt;musical&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/theater/" rel="tag"&gt;theater&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/belief/" rel="tag"&gt;belief&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.woai.com/entertainment/story.aspx?content_id=27aaae5c-56b7-42e8-9a2a-3508930af5eb</clipSource><pubDate>Sat, 14 Jun 2008 00:13:09 GMT</pubDate></item><item><title>24 hours in pictures (20 pics) June 6</title><link>http://clipmarks.com/clipmark/B37665A2-177D-45C6-B94C-CF08899C226B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/righthand/"&gt;righthand&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/arts/gallery/2008/jun/06/photography?picture=334643412" title="http://www.guardian.co.uk/arts/gallery/2008/jun/06/photography?picture=334643412"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="?picture=334643409"&gt;&lt;IMG height="390" width="533" alt="Bagdad, Iraq: Mass wedding" src="http://image.guim.co.uk/Guardian/world/gallery/2008/jun/06/photography/GD7550653@Iraqi-brides-walk-wit-1813.jpg" id="main-picture" /&gt;&lt;/A&gt;
											&lt;P class="number"&gt;&lt;STRONG&gt;5&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Bagdad, Iraq: Brides walk with their grooms during a mass wedding of more than 100 couples in a hotel&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/arts/gallery/2008/jun/06/photography?picture=334643394" title="http://www.guardian.co.uk/arts/gallery/2008/jun/06/photography?picture=334643394"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="?picture=334643412"&gt;&lt;IMG height="390" width="543" alt="Church of Al-adra: Cairo, Egypt" src="http://image.guim.co.uk/Guardian/world/gallery/2008/jun/06/photography/GD7548170@A-Muslim-woman-walks--9580.jpg" id="main-picture" /&gt;&lt;/A&gt;
											&lt;P class="number"&gt;&lt;STRONG&gt;4&lt;/STRONG&gt; &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Egypt: A Muslim woman walks in the Church of Al-adra (the Virgin) at the end of an eight-day celebration in the city. A priest said 2 million Christians and Muslims attended hoping the Virgin Mary would appear&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/arts/gallery/2008/jun/06/photography?picture=334643350" title="http://www.guardian.co.uk/arts/gallery/2008/jun/06/photography?picture=334643350"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="?picture=334643394"&gt;&lt;IMG height="390" width="524" alt="Afghan returnee: Kabul" src="http://image.guim.co.uk/Guardian/world/gallery/2008/jun/06/photography/GD7547989@An-Afghan-returnee-gi-4561.jpg" id="main-picture" /&gt;&lt;/A&gt;
											&lt;P class="number"&gt;&lt;STRONG&gt;3&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Afghanistan: A girl watches as her parents wind thread in their mud house built with help from the Norwegian Refugee Council in Ghorian district, west of Kabu&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/arts/gallery/2008/jun/06/photography?picture=334643347" title="http://www.guardian.co.uk/arts/gallery/2008/jun/06/photography?picture=334643347"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="?picture=334643350"&gt;&lt;IMG height="390" width="578" alt="Abatoir, dead pig: Novgorod, Russia" src="http://image.guim.co.uk/Guardian/world/gallery/2008/jun/06/photography/GD7542725@Workers-slaughters-pi-3973.jpg" id="main-picture" /&gt;&lt;/A&gt;
											&lt;P class="number"&gt;&lt;STRONG&gt;2&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Russia: Workers slaughter pigs at an abattoir&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/arts/gallery/2008/jun/06/photography?picture=334643353" title="http://www.guardian.co.uk/arts/gallery/2008/jun/06/photography?picture=334643353"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="?picture=334643347"&gt;&lt;IMG height="383" width="630" alt="Ministry troops training: Belarus" src="http://image.guim.co.uk/Guardian/world/gallery/2008/jun/06/photography/GD7541859@Belarus-Interior-Mi-1-4954.jpg" id="main-picture" /&gt;&lt;/A&gt;
											&lt;P class="number"&gt;&lt;STRONG&gt;1&lt;/STRONG&gt; &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Belarus: An interior ministry soldier goes through an assault course to qualify for the Madder Beret of the special forces&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/arts/gallery/2008/jun/06/photography?picture=334643400" title="http://www.guardian.co.uk/arts/gallery/2008/jun/06/photography?picture=334643400"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="?picture=334643421"&gt;&lt;IMG height="390" width="577" alt="Hair stylist Richard Thompson at Hair Expo 2008: Sydney" src="http://image.guim.co.uk/Guardian/world/gallery/2008/jun/06/photography/GD7548382@Hair-stylist-Richard--389.jpg" id="main-picture" /&gt;&lt;/A&gt;
											&lt;P class="number"&gt;&lt;STRONG&gt;19&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Sydney&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Hair Expo 2008&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/arts/gallery/2008/jun/06/photography?picture=334643397" title="http://www.guardian.co.uk/arts/gallery/2008/jun/06/photography?picture=334643397"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="?picture=334643400"&gt;&lt;IMG height="390" width="586" alt="Guantanamo Bay U.S. Naval Base: Cuba" src="http://image.guim.co.uk/Guardian/world/gallery/2008/jun/06/photography/GD7548181@In-this-image-reviewe-9920.jpg" id="main-picture" /&gt;&lt;/A&gt;
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											&lt;P class="number"&gt;&lt;STRONG&gt;6&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/photos/" rel="tag"&gt;photos&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/arts/gallery/2008/jun/06/photography?picture=334643412</clipSource><pubDate>Fri, 06 Jun 2008 20:50:27 GMT</pubDate></item></channel></rss>