<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Stanley kubrick Clips</title><link>http://clipmarks.com/tags/stanley+kubrick/</link><feedUrl>http://rss.clipmarks.com/tags/stanley+kubrick/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>which gene are you?</title><link>http://clipmarks.com/clipmark/027CE0DD-F37A-43AB-92DC-A512E5DAF31E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/silvanaraihane/"&gt;silvanaraihane&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  guess I have only one of those genes as I do a lot of laughing!! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/news/2535221/Horror-film-gene-that-makes-some-scream-while-others-laugh.html" title="http://www.telegraph.co.uk/news/2535221/Horror-film-gene-that-makes-some-scream-while-others-laugh.html"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Horror film gene that makes some scream while others laugh &lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/silvanaraihane/512/EBA62164-6E75-4851-B6F8-6DC29E6B82AA.jpg" alt="Jack Nicholson, portraying 'Jack Torrance' in the movie " /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="caption"&gt;Jack Nicholson, portraying 'Jack Torrance' in the movie 'The Shining' directed by Stanley Kubrick&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Scientists say different versions of a single gene linked to feelings of 
  anxiety can explain the way in which some people simply cannot abide such 
  movies, while others enjoy the suspense and the gore. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
While many screamed and some even fainted in cinemas at scenes of spinning 
  heads and shaking beds, others simply laughed. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
People who have two copies of one version of the gene are more easily 
  disturbed when viewing unpleasant pictures, the scientists discovered. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
By contrast, those who had one copy of the gene and one copy of another 
  version were able to keep their emotions in check far more readily. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
The study, published today in the scientific journal Behavioural Neuroscience, 
  also found that those with two copies of the latter gene were also able to 
  keep a lid on their anxiety more easily. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.telegraph.co.uk/news/2535221/Horror-film-gene-that-makes-some-scream-while-others-laugh.html</clipSource><pubDate>Mon, 11 Aug 2008 23:46:30 GMT</pubDate></item><item><title>Is Google Making Us Stupid?</title><link>http://clipmarks.com/clipmark/65841174-0011-45EA-8B85-EE2A567304CE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.theatlantic.com/doc/200807/google" title="http://www.theatlantic.com/doc/200807/google"&gt;www.theatlantic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/wildcat/512/C15D737F-5E44-4B4B-9325-970B046D603D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P icap="on"&gt;   &lt;SPAN class="drop"&gt;"D&lt;/SPAN&gt;ave, stop. Stop, will you? Stop, Dave. Will you stop, Dave?” So the supercomputer &lt;SPAN&gt;HAL&lt;/SPAN&gt; pleads with the implacable astronaut Dave Bowman in a famous and weirdly poignant scene toward the end of Stanley Kubrick’s &lt;I&gt;2001: A Space Odyssey&lt;/I&gt;. Bowman, having nearly been sent to a deep-space death by the malfunctioning machine, is calmly, coldly disconnecting the memory circuits that control its artificial » 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;brain. “Dave, my mind is going,” &lt;SPAN&gt;HAL&lt;/SPAN&gt; says, forlornly. “I can feel it. I can feel it.” &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;I can feel it, too. Over the past few years I’ve had an uncomfortable sense that someone, or something, has been tinkering with my brain, remapping the neural circuitry, reprogramming the memory. My mind isn’t going—so far as I can tell—but it’s changing. I’m not thinking the way I used to think&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;I can feel it most strongly when I’m reading. Immersing myself in a book or a lengthy article used to be easy.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Now my concentration often starts to drift after two or three pages&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/google/" rel="tag"&gt;google&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.theatlantic.com/doc/200807/google</clipSource><pubDate>Sat, 02 Aug 2008 15:39:40 GMT</pubDate></item><item><title>kubrick, typefaces, stationery</title><link>http://clipmarks.com/clipmark/4EEF117D-0915-4366-895C-8DEEBFB801A2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/linon/"&gt;linon&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://film.guardian.co.uk/features/featurepages/0,,1177734,00.html" title="http://film.guardian.co.uk/features/featurepages/0,,1177734,00.html"&gt;film.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"I was just talking to Tony about typefaces," I say to Jan.  &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"Ah yes," says Jan. "Stanley loved typefaces." Jan pauses. "I tell you what else he loved."  &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"What?" I ask.  &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"Stationery," says Jan.  &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://film.guardian.co.uk/features/featurepages/0,,1177734,00.html</clipSource><pubDate>Mon, 14 Jul 2008 02:40:57 GMT</pubDate></item><item><title>Stanley Kubrick's  files -New archives reveal the film-maker's public and private worlds</title><link>http://clipmarks.com/clipmark/1828D66B-7800-4D6E-AD3A-C0FC0B91EBEE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/einbar/"&gt;einbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "... My main interest lies along these broad areas naturally assuming great plot and character. &lt;br/&gt;&lt;br/&gt;1. The reasons for believing in the existence of intelligent extra-terrestrial life. &lt;br/&gt;&lt;br/&gt;2. The impact (and perhaps even lack on impact in some quarters) such discovery would have on earth in the near future. &lt;br/&gt;&lt;br/&gt;3. A space probe with a landing and exploration of the Moon and Mars. &lt;br/&gt;&lt;br/&gt;Would you consider coming sooner with a view to a meeting, the purpose of which would be to determine whether an idea might exist or arise which could sufficiently interest both of us enough to want to collaborate on a screenplay?” &lt;br/&gt;&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/arts/main.jhtml?menuId=564&amp;menuItemId=-1&amp;view=SUMMARY&amp;grid=F2&amp;targetRule=10" title="http://www.telegraph.co.uk/arts/main.jhtml?menuId=564&amp;menuItemId=-1&amp;view=SUMMARY&amp;grid=F2&amp;targetRule=10"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;DIV&gt;&lt;A href="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/07/07/bfkubrick107.xml"&gt;&lt;IMG height="90" alt="Stanley Kubrick" hspace="0" src="http://www.telegraph.co.uk/arts/graphics/2008/07/07/ixkub140.jpg" width="140" vspace="0" border="0" /&gt;&lt;/A&gt;&lt;/DIV&gt;&lt;DIV&gt;&lt;A lang="en.uk" href="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/07/07/bfkubrick107.xml"&gt;The Kubrick files&lt;/A&gt;&lt;/DIV&gt;&lt;DIV&gt;New archives reveal the film-maker's public and private worlds.&lt;/DIV&gt;&lt;DIV&gt;&lt;A lang="en.uk" href="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/07/07/bf_stanleykubrickletters.xml"&gt;Kubrick's letters&lt;/A&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/07/07/bfkubrick107.xml" title="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/07/07/bfkubrick107.xml"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;&lt;I&gt;Scripts, letters, designs, props, photographs – as many as 900 boxes of 
material belonging to one of the greats of cinema have been made available to a 
wider audience.&lt;/I&gt;&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://shelberman.blogli.co.il/files/2007/11/2010-poster01.jpg" title="http://shelberman.blogli.co.il/files/2007/11/2010-poster01.jpg"&gt;shelberman.blogli.co.il&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/einbar/512/1ED1DDCA-3440-43CF-8ACB-DC4B87C83AA0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/07/07/bfkubrick107.xml" title="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/07/07/bfkubrick107.xml"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;&lt;I&gt; Stanley Kubrick's widow, Christiane, has donated the auteur's paperwork 
to the University of the Arts, and the collection, carefully sifted for this 
Kubrick retrospective by Chris Hastings, gives us a fascinating insight into the 
public and private worlds of an inspirational film-maker&lt;/I&gt; &lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/07/07/bf_stanleykubrickletters.xml&amp;page=2" title="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/07/07/bf_stanleykubrickletters.xml&amp;page=2"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;2001: A SPACE ODYSSEY, 1968 &lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;The process of collaboration between Kubrick and Arthur C Clarke begins.&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;March 31, 1964&lt;/B&gt; &lt;BR&gt;Dear Mr Clarke&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; I had been a great admirer of your books for quite a time and had always wanted 
to discuss with you the possibility of doing the proverbial really good 
science-fiction movie. &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=bdKHuyhhyuM&amp;eurl=http://content.clipmarks.com/view_clip.aspx?window=true&amp;guid=47B86458-6CF9-4228-8BB9-31E066ED9FDF" title="http://www.youtube.com/watch?v=bdKHuyhhyuM&amp;eurl=http://content.clipmarks.com/view_clip.aspx?window=true&amp;guid=47B86458-6CF9-4228-8BB9-31E066ED9FDF"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Kubrick at 2001 opening&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Kubrick talking at the 2001: A Space Odyssey opening in New York. 
&lt;BR&gt;&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A title=http://video.google.nl/videoplay?docid=8573044396498461503 
href="http://video.google.nl/videoplay?docid=8573044396498461503" target=_blank 
rel=nofollow&gt;http://video.google.nl/videoplay?doci...&lt;/A&gt;&lt;BR&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.telegraph.co.uk/arts/main.jhtml?menuId=564&amp;menuItemId=-1&amp;view=SUMMARY&amp;grid=F2&amp;targetRule=10</clipSource><pubDate>Tue, 08 Jul 2008 06:38:58 GMT</pubDate></item><item><title>Hit Iran's Oil Wells - Even If Global Economy Tanks</title><link>http://clipmarks.com/clipmark/3A394401-B109-4B17-904F-EB13A06DDEB7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/RiotRanger/"&gt;RiotRanger&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Neocons are now suggesting that hitting Iran's oil fields might be more effective in bringing Iran to its knees than hitting their nuclear facilities. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://fairuse.100webcustomers.com/itsonlyfair/latimesblog08.html" title="http://fairuse.100webcustomers.com/itsonlyfair/latimesblog08.html"&gt;fairuse.100webcustomers.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="entry-header"&gt;IRAN: Stop nukes by bombing oil wells, neocons
suggest&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Why
attack Iran's nuclear facilities when striking their oil infrastructure
would be much more effective in the scope of a US-led preventive war?
Sure, oil prices might skyrocket and the world economy might collapse.
But, hey, that's the price you pay for security.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A href="http://latimesblogs.latimes.com/.shared/image.html?/photos/uncategorized/2008/06/19/patrick_clawson_press_photo_2.jpg"&gt;&lt;IMG height="150" border="0" width="100" src="http://latimesblogs.latimes.com/babylonbeyond/images/2008/06/19/patrick_clawson_press_photo_2.jpg" alt="Patrick_clawson_press_photo_2" title="Patrick_clawson_press_photo_2" /&gt;&lt;/A&gt;Such
a scenario is not a nightmare or an outtake from a remake of Stanley
Kubrick's "Dr. Strangelove," but part of a serious recommendation made
by two neoconservatives in case sanctions fail to persuade Iran to
abandon its enrichment of uranium, a process that can be used to make
nuclear weapons or fuel for peaceful energy production. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A href="http://latimesblogs.latimes.com/.shared/image.html?/photos/uncategorized/2008/06/19/michael_eisenstadt_press_photo.jpg"&gt;&lt;IMG height="152" border="0" width="100" src="http://latimesblogs.latimes.com/babylonbeyond/images/2008/06/19/michael_eisenstadt_press_photo.jpg" alt="Michael_eisenstadt_press_photo" title="Michael_eisenstadt_press_photo" /&gt;&lt;/A&gt;And
if an attack on the oil facilities of a country with some of the
world's largest reserves leads to a huge spike in oil prices, sends gas
prices up to 10 bucks a gallon and brings economic ruin in the rest of
the world, the report continues, well, so be it: &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/neocons/" rel="tag"&gt;neocons&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/iran/" rel="tag"&gt;iran&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/oil-wells/" rel="tag"&gt;oil-wells&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/global/" rel="tag"&gt;global&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/economy/" rel="tag"&gt;economy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/oil/" rel="tag"&gt;oil&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/us-government/" rel="tag"&gt;us-government&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/usa/" rel="tag"&gt;usa&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rumor/" rel="tag"&gt;rumor&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://fairuse.100webcustomers.com/itsonlyfair/latimesblog08.html</clipSource><pubDate>Sat, 21 Jun 2008 11:58:11 GMT</pubDate></item><item><title>Is Google Making Us Stupid?</title><link>http://clipmarks.com/clipmark/728EECD6-BD64-4AFB-9A9F-37295DB104F3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/TwoLOUD/"&gt;TwoLOUD&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.theatlantic.com/doc/200807/google" title="http://www.theatlantic.com/doc/200807/google"&gt;www.theatlantic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P id="blurb"&gt;What the Internet is doing to our brains&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Is Google Making Us Stupid?&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/TwoLOUD/512/EE8717B8-239B-4ABD-B376-C8712B660F0B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P icap="on"&gt;   &lt;SPAN class="drop"&gt;"D&lt;/SPAN&gt;ave, stop. Stop, will you? Stop, Dave. Will you stop, Dave?” So the supercomputer &lt;SPAN&gt;HAL&lt;/SPAN&gt; pleads with the implacable astronaut Dave Bowman in a famous and weirdly poignant scene toward the end of Stanley Kubrick’s &lt;I&gt;2001: A Space Odyssey&lt;/I&gt;. Bowman, having nearly been sent to a deep-space death by the malfunctioning machine, is calmly, coldly disconnecting the memory circuits that control its artificial » 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/google/" rel="tag"&gt;google&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/internet/" rel="tag"&gt;internet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/stupid/" rel="tag"&gt;stupid&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/humans/" rel="tag"&gt;humans&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/society/" rel="tag"&gt;society&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.theatlantic.com/doc/200807/google</clipSource><pubDate>Mon, 16 Jun 2008 20:47:56 GMT</pubDate></item><item><title>Is Google Making Us Stupid?</title><link>http://clipmarks.com/clipmark/8059AFEC-8A4F-4910-A1DF-355D5B96CE51/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/RayWatkins/"&gt;RayWatkins&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  by Nicholas Carr &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.theatlantic.com/doc/200807/google/" title="http://www.theatlantic.com/doc/200807/google/"&gt;www.theatlantic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P icap="on"&gt;   &lt;SPAN class="drop"&gt;"D&lt;/SPAN&gt;ave, stop. Stop, will you? Stop, Dave. Will you stop, Dave?” So the supercomputer &lt;SPAN&gt;HAL&lt;/SPAN&gt; pleads with the implacable astronaut Dave Bowman in a famous and weirdly poignant scene toward the end of Stanley Kubrick’s &lt;I&gt;2001: A Space Odyssey&lt;/I&gt;. Bowman, having nearly been sent to a deep-space death by the malfunctioning machine, is calmly, coldly disconnecting the memory circuits that control its artificial » 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;brain. “Dave, my mind is going,” &lt;SPAN&gt;HAL&lt;/SPAN&gt; says, forlornly. “I can feel it. I can feel it.” &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.theatlantic.com/doc/200807/google/</clipSource><pubDate>Thu, 12 Jun 2008 12:53:00 GMT</pubDate></item><item><title>Five Science Fiction Movies That Get the Science Right</title><link>http://clipmarks.com/clipmark/F5DFFADE-9A54-4517-B54D-0BFCBCE61C9F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/nohobot/"&gt;nohobot&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "2001: A Space Odyssey" is my all-time favorite film, so I included almost all of the information from that section.  The others on the list are also interesting, though, of course. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/channel/opinion/dn13864-five-science-fiction-movies-that-get-the-science-right.html?feedId=online-news_rss20" title="http://www.newscientist.com/channel/opinion/dn13864-five-science-fiction-movies-that-get-the-science-right.html?feedId=online-news_rss20"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;&lt;A target="ns" href="http://www.imdb.com/title/tt0062622/"&gt;&lt;I&gt;2001: A Space Odyssey&lt;/I&gt;&lt;/A&gt; (1968)&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"Open the pod-bay doors, HAL."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Despite being made before the first moon landing, Stanley Kubrick and &lt;A href="http://www.newscientist.com/channel/opinion/mg19626321.800-arthur-c-clarke-still-looking-at-the-stars.html"&gt;Arthur C Clarke&lt;/A&gt;'s masterpiece is a strikingly realistic depiction of space travel.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Among the film's neater details:&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;All scenes in outer space are silent – sound does not travel in a vacuum&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;The stars do not move past the ship – for there to be a visible motion of the star field, the ship would have to be travelling at close to the speed of light&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;The crew eat &lt;XREF _moz-userdefined="" refid="mg17323352.800"&gt;paste-like food&lt;/XREF&gt; and only drink liquids through straws.&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Additionally, crew members are shown coping with the &lt;A href="http://www.newscientist.com/article/mg13818693.700-stop-the-rocket-i-want-to-get-off-it-sounded-glamorousthe-ultimate-high-but-the-stark-reality-of-life-as-an-astronaut-is-becomingincreasingly-evident-to-psychologists-in-the-runup-to-a-mission-to-mars.html"&gt;boredom and routine&lt;/A&gt; of a long, straightforward trek across empty space.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Newtonian physics is strictly obeyed in the behaviour of the ship and little "pods" that the astronauts use to travel outside it. Trouble only starts when a carefully-aligned radio transmitter, the crew's lifeline to Earth, begins to drift out of position.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.newscientist.com/channel/opinion/dn13864-five-science-fiction-movies-that-get-the-science-right.html?feedId=online-news_rss20</clipSource><pubDate>Fri, 09 May 2008 22:24:50 GMT</pubDate></item><item><title>Stanley Kubrick homage</title><link>http://clipmarks.com/clipmark/9AB89D4E-BCEE-45E3-B2CC-641400EACE5F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=p6RzJFwDE_8" title="http://www.youtube.com/watch?v=p6RzJFwDE_8"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/stanley+kubrick/" rel="tag"&gt;stanley kubrick&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/homage/" rel="tag"&gt;homage&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/films/" rel="tag"&gt;films&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=p6RzJFwDE_8</clipSource><pubDate>Fri, 09 May 2008 11:45:45 GMT</pubDate></item><item><title>The RAND Corporation - A litany of horrors</title><link>http://clipmarks.com/clipmark/6DBF9922-1A33-4BDC-ABA2-97CFC2239871/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/kenstipe/"&gt;kenstipe&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The RAND Corporation was the ur-think tank, the Cold War granddaddy of them all, and it's still with us. In the 1950s, nuclear war-gaming a conflagration for which the usual war games would have been ludicrous, it took the U.S. military into virtuality and science fiction long before there was an Internet to play with. (And it had a hand in creating the Internet, too!) In the 1960s, it helped several administrations plan and fight the Vietnam War, making antiseptic theory into an all-too-grim reality. And that's just the beginning of the work RAND did on a range of hot-button imperial issues. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.tomdispatch.com/post/174925/chalmers_johnson_teaching_imperialism_101" title="http://www.tomdispatch.com/post/174925/chalmers_johnson_teaching_imperialism_101"&gt;www.tomdispatch.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
The RAND Corporation of Santa Monica, California, was set up immediately after World War II by the U.S. Army Air Corps (soon to become the U.S. Air Force). The Air Force generals who had the idea were trying to perpetuate the wartime relationship that had developed between the scientific and intellectual communities and the American military, as exemplified by the Manhattan Project to develop and build the atomic bomb.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Soon enough, however, RAND became a key institutional building block of the Cold War American empire.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
The most notorious of RAND's writers and theorists were the nuclear war strategists, all of whom were often quoted in newspapers and some of whom were caricatured in Stanley Kubrick's 1964 film &lt;I&gt;Dr. Strangelove, Or: How I Learned to Stop Worrying and Love the Bomb&lt;/I&gt;.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.tomdispatch.com/post/174925/chalmers_johnson_teaching_imperialism_101</clipSource><pubDate>Fri, 02 May 2008 04:07:39 GMT</pubDate></item><item><title>Arthur C Clarke never lost his sense of wonder</title><link>http://clipmarks.com/clipmark/0D9D0F96-F1F4-418A-B4C4-247887DC5C41/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/invictus/"&gt;invictus&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Saluting Sir Arthur... We lost one of the most inspiring figures of our time, clippers. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/books/article3579812.ece" title="http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/books/article3579812.ece"&gt;entertainment.timesonline.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
His far-sightedness led him to write dozens of science fiction novels, of
which perhaps the most famous is 2001: A Space Odyssey — made into a
spectacular film by the late director Stanley Kubrick.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Clarke and Kubrick created a vision of outer space that was more than just
technology but had a mythic quality that probed the philosophy of the
universe.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
The original story was a short novella dealing with the idea of Man’s
evolution being inspired by the intervention of a distant god-like
extra-terrestrial civilisation.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
To the end of his life he never lost his sense of wonder, his sense of humour
or his strong Somerset accent. While sorely disappointed with the failure of
Man’s space flight to achieve the lofty goals that he had foreseen, he
always retained an optimism about the Universe and Man’s place in it.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/arthur+c+clarke/" rel="tag"&gt;arthur c clarke&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science+fiction/" rel="tag"&gt;science fiction&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/universe/" rel="tag"&gt;universe&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/philosophy/" rel="tag"&gt;philosophy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/books/article3579812.ece</clipSource><pubDate>Wed, 19 Mar 2008 17:27:06 GMT</pubDate></item><item><title>Respect, Arthur C. Clarke, 90, is gone</title><link>http://clipmarks.com/clipmark/C6CD38B2-0ADA-4117-91CA-F01D746DC3DF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  a great influence, a great mind &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/03/19/books/19clarke.html?em&amp;ex=1206072000&amp;en=e07d065124078f31&amp;ei=5087%0A" title="http://www.nytimes.com/2008/03/19/books/19clarke.html?em&amp;ex=1206072000&amp;en=e07d065124078f31&amp;ei=5087%0A"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A title="More articles about Arthur C. Clarke." href="http://topics.nytimes.com/top/reference/timestopics/people/c/arthur_c_clarke/index.html?inline=nyt-per"&gt;Arthur C. Clarke&lt;/A&gt;, a writer whose seamless blend of scientific expertise and poetic imagination helped usher in the space age, died early Wednesday in Colombo, Sri Lanka, where he had lived since 1956. He was 90.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/wildcat/512/DA7ECE56-BB69-43B7-BEDE-08949EB54DDE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The author of almost 100 books, Mr. Clarke was an ardent promoter of the idea that humanity’s destiny lay beyond the confines of Earth. It was a vision served most vividly by “2001: A Space Odyssey,” the classic 1968 science-fiction film he created with the director &lt;A title="More articles about Stanley Kubrick." href="http://topics.nytimes.com/top/reference/timestopics/people/k/stanley_kubrick/index.html?inline=nyt-per"&gt;Stanley Kubrick&lt;/A&gt; and the novel of the same title that he wrote as part of the project.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/wildcat/512/8D3A8F7E-1D09-409B-B472-3E5DAD919C69.jpg" alt="Arthur C. Clarke" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;His work was also prophetic: his detailed forecast of telecommunications satellites in 1945 came more than a decade before the first orbital rocket flight.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Mr. Clarke’s influence on public attitudes toward space was acknowledged by American astronauts and Russian cosmonauts, by scientists like the astronomer Carl Sagan and by movie and television producers&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In 1998, he was knighted by Queen Elizabeth II&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/sci-fi/" rel="tag"&gt;sci-fi&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/arthur+c.+clarke/" rel="tag"&gt;arthur c. clarke&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writer/" rel="tag"&gt;writer&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/future/" rel="tag"&gt;future&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2008/03/19/books/19clarke.html?em&amp;ex=1206072000&amp;en=e07d065124078f31&amp;ei=5087%0A</clipSource><pubDate>Wed, 19 Mar 2008 09:29:09 GMT</pubDate></item><item><title>Arthur C. Clarke, Premier Science Fiction Writer, Dies at 90</title><link>http://clipmarks.com/clipmark/5D18D8E4-C351-467F-AA59-0971AD89DEA0/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/dewitte/"&gt;dewitte&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/03/18/books/18cnd-clarke.html?hp" title="http://www.nytimes.com/2008/03/18/books/18cnd-clarke.html?hp"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A title="More articles about Arthur C. Clarke." href="http://topics.nytimes.com/top/reference/timestopics/people/c/arthur_c_clarke/index.html?inline=nyt-per"&gt;Arthur C. Clarke&lt;/A&gt;, a writer whose seamless blend of scientific expertise and poetic imagination helped usher in the space age, died early Wednesday in Colombo, Sri Lanka, where he had lived since 1956. He was 90.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Rohan de Silva, an aide to Mr. Clarke, said the author died after experiencing breathing problems, The Associated Press reported. Mr. Clarke had post-polio syndrome for the last two decades and used a wheelchair. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;From his detailed forecast of telecommunications satellites in 1945, more than a decade before the first orbital rocket flight, to his co-creation, with the director &lt;A title="More articles about Stanley Kubrick." href="http://topics.nytimes.com/top/reference/timestopics/people/k/stanley_kubrick/index.html?inline=nyt-per"&gt;Stanley Kubrick&lt;/A&gt;, of the classic science fiction film “2001: A Space Odyssey,” Mr. Clarke was both prophet and promoter of the idea that humanity’s destiny lay beyond the confines of Earth.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;He played down  his success in foretelling a globe-spanning network of communication satellites.  “No one can predict the future,” he always maintained.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/scifi/" rel="tag"&gt;scifi&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/arthur/" rel="tag"&gt;arthur&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/clarke/" rel="tag"&gt;clarke&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/space/" rel="tag"&gt;space&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/odyssey/" rel="tag"&gt;odyssey&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2008/03/18/books/18cnd-clarke.html?hp</clipSource><pubDate>Wed, 19 Mar 2008 00:59:36 GMT</pubDate></item><item><title>Arthur C. Clarke - RIP</title><link>http://clipmarks.com/clipmark/51C54F7E-F667-42DD-ABD5-B469E18C4CA7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/skwirlinator/"&gt;skwirlinator&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.coolscifi.com/forums/showthread.php?t=186526" title="http://www.coolscifi.com/forums/showthread.php?t=186526"&gt;www.coolscifi.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD class="alt2"&gt;&lt;DIV&gt;
			
				&lt;IMG vspace="3" hspace="6" border="0" align="right" alt="" src="http://i.l.cnn.net/cnn/2008/SHOWBIZ/books/03/18/obit.clarke/art.clarke.obit.gi.jpg" /&gt;Science-fiction writer Arthur C. Clarke, who co-wrote the epic film "2001: A Space Odyssey" and raised the idea of communications satellites in the 1940s, died Wednesday at age 90, an associate confirmed.&lt;/DIV&gt;
&lt;BR /&gt;&lt;DIV&gt;
 Clarke died early Wednesday at a hospital in Colombo, Sri Lanka, where he had lived since the 1950s, said Scott Chase, the secretary of the nonprofit Arthur C. Clarke Foundation.&lt;/DIV&gt;
&lt;BR /&gt;
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 "He had been taken to hospital in what we had hoped was one of the slings and arrows of being 90, but in this case it was his final visit," Chase said.&lt;/DIV&gt;
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&lt;BR /&gt;&lt;DIV&gt;
 Clarke and director Stanley Kubrick shared an Academy Award nomination for best adapted screenplay for "2001."&lt;/DIV&gt;
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 The film grew out of Clarke's 1951 short story, "The Sentinel," about an alien artifact left on the moon.
			
		&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/arthur+c.+clarke/" rel="tag"&gt;arthur c. clarke&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rip/" rel="tag"&gt;rip&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/scifi/" rel="tag"&gt;scifi&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dead/" rel="tag"&gt;dead&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.coolscifi.com/forums/showthread.php?t=186526</clipSource><pubDate>Wed, 19 Mar 2008 00:27:12 GMT</pubDate></item><item><title>Arthur C Clarke Dies at 90</title><link>http://clipmarks.com/clipmark/EC93AD64-C29C-43F4-B2B8-4E819D6A4C52/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Tylast/"&gt;Tylast&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/2/hi/uk_news/7304004.stm" title="http://news.bbc.co.uk/2/hi/uk_news/7304004.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Tylast/512/DC437CBC-2AC0-4592-A6DB-28FFAD9B254E.jpg" alt="Sir Arthur C Clarke" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;British science fiction writer Sir Arthur C Clarke has died in Sri Lanka at the age of 90.&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
He came to fame when a short story called The Sentinel was made into the film 2001: A Space Odyssey by director Stanley Kubrick in 1968.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Sir Arthur's vivid - and detailed - descriptions of space shuttles, super-computers and rapid communications systems were enjoyed by millions of readers around the world.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
He was the author of more than 100 fiction and non-fiction books, and his writings are credited by many observers with giving science fiction - a genre often accused of veering towards the fantastical - a human and practical face.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Sir Arthur was born in Minehead, Somerset. A close aide said he died after a cardio-respiratory attack.

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://news.bbc.co.uk/2/hi/uk_news/7304004.stm</clipSource><pubDate>Tue, 18 Mar 2008 23:54:05 GMT</pubDate></item></channel></rss>