<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Stagecoach Clips</title><link>http://clipmarks.com/tags/stagecoach/</link><feedUrl>http://rss.clipmarks.com/tags/stagecoach/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Blackpool not disabled friendly.</title><link>http://clipmarks.com/clipmark/0AE20CA3-DB86-47E2-B819-4B9AA8531D3C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/notareargunner/"&gt;notareargunner&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The evidence is overwhelming.  Carrying on from the woeful Labour regime, this soporific administration has done nothing for the disabled.  When the National Servicemen told the Council that the organisation for their disabled members was inadequate, they were attacked.&lt;br/&gt;Try getting an 18 stone former regular soldier onto a bur with his wheel chair.  As often as not you cannot, because their is a pram already on the bus.  The Disabilities Act requires the Transport Authorities to make available disabled spaces.  Only Stagecoach in this area enforces the Law and requires young adults to fold away their carriages and sit their children on their laps.  I would love to be able to do this with the 18 stone gentleman, but I cannot.  &lt;br/&gt;All the disabled ask for is their RIGHTS underwritten in Law.  Unfortunately, it is not the young parent who is the pariah, but it is usually the elderly who have no conception of what it is like to be imprisoned in a wheel-chair, the problems that carers have  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.blackpoolgazette.co.uk/blackpoolnews/Blackpool-Council-39chucks-out39-disabled.4301467.jp" title="http://www.blackpoolgazette.co.uk/blackpoolnews/Blackpool-Council-39chucks-out39-disabled.4301467.jp"&gt;www.blackpoolgazette.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Blackpool Council 'chucks out' disabled daughters&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/notareargunner/512/2AF211DE-9429-43C4-B335-A19F1D09A543.jpg" alt="Mrs Jean Smith (left) and her daughter Joanne, with Mrs Denise Ashton and daughter Dawn, outside the Whitegate Resource Centre, Whitegate Drive, Blackpool" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Dawn Ashton, 40, who suffers from cerebral palsy, and Joanne Smith, 38, who has been diagnosed with spina bifida, spend two to three days a week at the facility on Whitegate Drive.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;For around 20 years, Dawn and Joanne have enjoyed going to the day centre for lunch and to take part in craft and pottery sessions – giving their mothers a much needed break.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/disabled/" rel="tag"&gt;disabled&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/freindly/" rel="tag"&gt;freindly&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/blackpool/" rel="tag"&gt;blackpool&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.blackpoolgazette.co.uk/blackpoolnews/Blackpool-Council-39chucks-out39-disabled.4301467.jp</clipSource><pubDate>Fri, 18 Jul 2008 09:27:51 GMT</pubDate></item><item><title>Wells Fargo banks on virtual worlds to gather real-world interest</title><link>http://clipmarks.com/clipmark/5C1F371D-2534-42BD-B872-0461C9531132/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/dewitte/"&gt;dewitte&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dmnews.com/Wells-Fargo-banks-on-virtual-worlds-to-gather-real-world-interest/article/109710/?DCMP=EMC-DMN_iMktingNewsDaily" title="http://www.dmnews.com/Wells-Fargo-banks-on-virtual-worlds-to-gather-real-world-interest/article/109710/?DCMP=EMC-DMN_iMktingNewsDaily"&gt;www.dmnews.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;If you don't think virtual worlds can mirror reality, imagine losing your cool new virtual car because you haven't made your virtual payments. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;That's the idea behind on Stagecoach Island, a private virtual world created by financial services com­pany Wells Fargo to teach basic financial skills to the age 14-24 demographic. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;“We wanted to stay focused on our mis­sion to provide financial education and we decided the best way to do that while protecting our brand is to build our own island,” said Gina Fung, VP of experiential marketing at Wells Fargo. “Young adults find themselves facing a lot of firsts, and we felt Stagecoach Island could give them hands-on practice in financial responsibil­ity in an entertaining and safe format.”&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/dewitte/512/4F2CB71B-4962-40D8-8515-D5AA2281953A.jpg" alt="Wells Fargo minimizes in-world branding" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/wells+fargo/" rel="tag"&gt;wells fargo&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/second+life/" rel="tag"&gt;second life&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/stagecoach+island/" rel="tag"&gt;stagecoach island&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/virtual/" rel="tag"&gt;virtual&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reality/" rel="tag"&gt;reality&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dmnews.com/Wells-Fargo-banks-on-virtual-worlds-to-gather-real-world-interest/article/109710/?DCMP=EMC-DMN_iMktingNewsDaily</clipSource><pubDate>Fri, 09 May 2008 13:59:08 GMT</pubDate></item><item><title>Car that truly runs on 'horse power'! </title><link>http://clipmarks.com/clipmark/452AE6D6-2644-41C1-BD90-9E5BB8210CAA/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/hitchhiker08/"&gt;hitchhiker08&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  No shit?! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://fleethorse.com/" title="http://fleethorse.com/"&gt;fleethorse.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hitchhiker08/512/435B247B-9094-42E7-969B-A115E1A78C2C.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hitchhiker08/512/CCB889F9-3156-4793-BB09-4C11DFD8DC29.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="6"&gt;Why was it really invented?!&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://fleethorse.com/gallery.php?start=21" title="http://fleethorse.com/gallery.php?start=21"&gt;fleethorse.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hitchhiker08/512/B06C9DED-6A50-441D-9B05-8494EA588EFD.gif" alt="ex-21.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://fleethorse.com/whatis.php" title="http://fleethorse.com/whatis.php"&gt;fleethorse.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
 What is NATURMOBILNatur is the Latin root of the word ‘nature’. Drop the ‘e’, add a bit of what it does and there you have it – Naturmobil.

It looks a bit like a modern stagecoach, in that, just like in the olden days, it’s run by a horse. But we haven’t added an engine, or any other fancy technology. The horse runs along on a conveyor belt, which then powers the vehicle. You still need a human at the steering wheel, of course!

Essentially, Naturmobil could act as an advertising tool.  Imagine your business or logo on the sides of such an eye-catching mode of transport!&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/horse/" rel="tag"&gt;horse&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/stagecoach/" rel="tag"&gt;stagecoach&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/eco-friendly/" rel="tag"&gt;eco-friendly&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/transport/" rel="tag"&gt;transport&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/conveyor/" rel="tag"&gt;conveyor&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/treadmill/" rel="tag"&gt;treadmill&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://fleethorse.com/</clipSource><pubDate>Thu, 08 May 2008 06:35:28 GMT</pubDate></item><item><title>Historical Haunted Ye Kendall Inn</title><link>http://clipmarks.com/clipmark/E6040A5B-9D65-4090-A8DD-6B59F9DA27CD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/freakSqueeker/"&gt;freakSqueeker&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  i grew up in boerne, tx and this building was always the talk of the town....Boo! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ghostsoftexas.com/ghost/ghost-stories/ghost-stories-and-haunted-places.php?pid=7&amp;sid=33" title="http://www.ghostsoftexas.com/ghost/ghost-stories/ghost-stories-and-haunted-places.php?pid=7&amp;sid=33"&gt;www.ghostsoftexas.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;YE KENDALL INN, BOERNE, TEXAS&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;(Entered in the National Register of Historic Places, 1976)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
In the picturesque hilling country town of Boerne, Texas stands the Ye Kendall Inn.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Built in the 1859 as the stagecoach stop in town and known as the Ye Kendall Inn since the early twentieth century, this elegent home has recently seen a marked increase in the supernatural.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Multiple rooms, including the Marcella Booth room, are home to very active spirits. Doors occasionally swing open and slam shut. The rattling of doorknobs is often seen and heard from inside an empty room. On more than one occasion shards from a chandelier have fallen to the floor unexpectedly at an alarming rate. The ghost of an elderly woman, known as Sara, dressed in Victorian clothing has been seen and even spoken to.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
The Ye Kendall Inn, a state and national historic landmark with a beautiful view of Cibolo Creek and Boerne's Main Plaza will not dissapoint those in search of Hill Country charm and ghostly allure.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/scary/" rel="tag"&gt;scary&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/haunted/" rel="tag"&gt;haunted&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/halloween/" rel="tag"&gt;halloween&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/boerne/" rel="tag"&gt;boerne&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/texas/" rel="tag"&gt;texas&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/historic/" rel="tag"&gt;historic&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.ghostsoftexas.com/ghost/ghost-stories/ghost-stories-and-haunted-places.php?pid=7&amp;sid=33</clipSource><pubDate>Thu, 01 Nov 2007 04:03:05 GMT</pubDate></item><item><title>Branson gives $3bn to fight global warming</title><link>http://clipmarks.com/clipmark/72EB8BA6-A515-4707-BE80-ED286575EC37/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/zephyr1/"&gt;zephyr1&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.philanthropyguide.com/2006/09/22/branson-gives-3bn-to-fight-global-warming/" title="http://www.philanthropyguide.com/2006/09/22/branson-gives-3bn-to-fight-global-warming/"&gt;www.philanthropyguide.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;“The billionaire said business had a duty to future generations and the money would come from the profits of his Virgin Group’s airline and train operations, making it one of the most significant investments by a private firm in green initiatives.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The funds will be invested in schemes to develop new renewable energy technologies, including new biofuels for aircraft which could cut down on damaging CO2 gases.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;“As part of the investment, more than half of the profits of Virgin Trains - of which Sir Richard’s Virgin Group owns 51% - will be allocated to the environment.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;“Perth-based Stagecoach, which has the remaining 49% stake in Virgin Trains, said it had no plans to match Branson’s pledge.&lt;BR /&gt;
A Stagecoach spokesman said it had been aware of the Virgin Group’s announcement, and it hoped to pilot some of the renewable energy initiatives financed by Sir Richard.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/global+warming/" rel="tag"&gt;global warming&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/branson/" rel="tag"&gt;branson&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/renewable+energy/" rel="tag"&gt;renewable energy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/biofuels/" rel="tag"&gt;biofuels&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.philanthropyguide.com/2006/09/22/branson-gives-3bn-to-fight-global-warming/</clipSource><pubDate>Sat, 19 May 2007 16:38:22 GMT</pubDate></item><item><title>100 Greatest American Movies of All Time</title><link>http://clipmarks.com/clipmark/9C4C63AB-10ED-4772-9C02-57CFC409E6CF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/k9riley99/"&gt;k9riley99&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Please visit site for the last 31 movies (out of 100). &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.afi.com/tvevents/100years/movies.aspx" title="http://www.afi.com/tvevents/100years/movies.aspx"&gt;www.afi.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;SPAN class="subheadTVEVENTS"&gt;&lt;B&gt;AFI ANNOUNCES 100 GREATEST AMERICAN MOVIES OF ALL TIME CITIZEN KANE -- #1 &lt;/B&gt;&lt;/SPAN&gt;
						&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B class="subheadTVEVENTS"&gt;The Complete List:&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						
						1. CITIZEN KANE (1941)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						2. CASABLANCA (1942)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						3. THE GODFATHER (1972)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						4. GONE WITH THE WIND (1939)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						5. LAWRENCE OF ARABIA (1962)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						6. THE WIZARD OF OZ (1939)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						7. THE GRADUATE (1967)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						8. ON THE WATERFRONT (1954)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						9. SCHINDLER'S LIST (1993)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						10. SINGIN' IN THE RAIN (1952)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						11. IT'S A WONDERFUL LIFE (1946)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						12. SUNSET BOULEVARD (1950)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						13. THE BRIDGE ON THE RIVER KWAI (1957)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						14. SOME LIKE IT HOT (1959)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						15. STAR WARS (1977)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						16. ALL ABOUT EVE (1950)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						17. THE AFRICAN QUEEN (1951)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						18. PSYCHO (1960)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						19. CHINATOWN (1974)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						20. ONE FLEW OVER THE CUCKOO'S NEST (1975)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						21. THE GRAPES OF WRATH (1940)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						22. 2001: A SPACE ODYSSEY (1968)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						23. THE MALTESE FALCON (1941)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						24. RAGING BULL (1980)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						25. E.T. THE EXTRA-TERRESTRIAL (1982)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						26. DR. STRANGELOVE (1964)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						27. BONNIE AND CLYDE (1967)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						28. APOCALYPSE NOW (1979)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						29. MR. SMITH GOES TO WASHINGTON (1939)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						30. THE TREASURE OF THE SIERRA MADRE (1948)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						31. ANNIE HALL (1977)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						32. THE GODFATHER PART II (1974)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						33. HIGH NOON (1952)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						34. TO KILL A MOCKINGBIRD (1962)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						35. IT HAPPENED ONE NIGHT (1934)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						36. MIDNIGHT COWBOY (1969)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						37. THE BEST YEARS OF OUR LIVES (1946)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						38. DOUBLE INDEMNITY (1944)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						39. DOCTOR ZHIVAGO (1965)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						40. NORTH BY NORTHWEST (1959)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						41. WEST SIDE STORY (1961)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						42. REAR WINDOW (1954)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						43. KING KONG (1933)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						44. THE BIRTH OF A NATION (1915)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						45. A STREETCAR NAMED DESIRE (1951)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						46. A CLOCKWORK ORANGE (1971)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						47. TAXI DRIVER (1976)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						48. JAWS (1975)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						49. SNOW WHITE AND THE SEVEN DWARFS (1937)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						50. BUTCH CASSIDY AND THE SUNDANCE KID (1969)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						51. THE PHILADELPHIA STORY (1940)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						52. FROM HERE TO ETERNITY (1953)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						53. AMADEUS (1984)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						54. ALL QUIET ON THE WESTERN FRONT (1930)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						55. THE SOUND OF MUSIC (1965)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						56. M*A*S*H (1970)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						57. THE THIRD MAN (1949)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						58. FANTASIA (1940)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						59. REBEL WITHOUT A CAUSE (1955)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						60. RAIDERS OF THE LOST ARK (1981)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						61. VERTIGO (1958)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						62. TOOTSIE (1982)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						63. STAGECOACH (1939)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						64. CLOSE ENCOUNTERS OF THE THIRD KIND (1977)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						65. THE SILENCE OF THE LAMBS (1991)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						66. NETWORK (1976)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						67. THE MANCHURIAN CANDIDATE (1962)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
						68. AN AMERICAN IN PARIS (1951)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/greatest+american+movies/" rel="tag"&gt;greatest american movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/black+%26+white/" rel="tag"&gt;black &amp; white&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/color/" rel="tag"&gt;color&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/hollywood/" rel="tag"&gt;hollywood&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/actors/" rel="tag"&gt;actors&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/actress/" rel="tag"&gt;actress&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.afi.com/tvevents/100years/movies.aspx</clipSource><pubDate>Fri, 16 Feb 2007 16:12:44 GMT</pubDate></item></channel></rss>