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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Redbone Clips</title><link>http://clipmarks.com/tags/redbone/</link><feedUrl>http://rss.clipmarks.com/tags/redbone/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>R.I.P. E. Lynn Harris author of novels about black male sexual identify conflict</title><link>http://clipmarks.com/clipmark/735D7DDA-AE7D-4042-BA09-83AEE7239F2D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/zizzy/"&gt;zizzy&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Photo of E. Lynn Harris at clip source.&lt;br/&gt;&lt;blockquote&gt;Mr. Harris clearly tapped a rich vein of reader interest with his racy and sometimes graphic tales of affluent, ambitious, powerful black men  ... who nonetheless struggled with their attraction to both men and women. ... “His writing, and his incredible mainstream success, encouraged a league of black gay and lesbian writers to follow in his footsteps,” says Lisa C. Moore, the publisher of the black lesbian publishing house, Redbone Press. “His words helped make black gay life accessible and worthy of open discussion to black readers, gay and straight—something much, much needed in black communities. I am grateful to him for opening those doors. He definitely made a powerful impact on the publishing business for black gay folks.”[/quote}&lt;br/&gt;&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.racialicious.com/2009/07/29/open-thread-remembering-e-lynn-harris/" title="http://www.racialicious.com/2009/07/29/open-thread-remembering-e-lynn-harris/"&gt;www.racialicious.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;E. Lynn Harris, whose novels about successful and glamorous black men with sexual identity conflicts (and the women and men who love them) made him one of the nation’s most popular writers, died in Los Angeles on Thursday. He was 54 and lived in Atlanta. […]&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;From the beginning, when he first self-published Invisible Life in 1994—it would later be picked up by Doubleday—Harris made it OK for black folks to talk about gay issues, from the beauty parlor to the barbershop. His gay male characters were macho men who just happened to love other macho men: football players, basketball players, highly paid executives. Churchgoing folk. He normalized gay life for a community that’s long been in denial about the non-straight folks in the family, and in the process, launched a genre of black gay literature. Publishers looked at the extraordinary selling power of his books, and looked at other black writers—straight or gay—and saw gold in them thar hills.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.racialicious.com/2009/07/29/open-thread-remembering-e-lynn-harris/</clipSource><pubDate>Wed, 29 Jul 2009 23:40:19 GMT</pubDate></item><item><title>redbone doggystyle porn thick</title><link>http://clipmarks.com/clipmark/84F91F31-485B-4587-B992-4BE17DAFD466/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/camerondiva/"&gt;camerondiva&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  It is a 100% free redbone black porn video site that provides ebony videos, redbone sex movies and black amateur porn. 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&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/thick+redbone+girl+ass/" rel="tag"&gt;thick redbone girl ass&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/porn+redbone+bitches/" rel="tag"&gt;porn redbone bitches&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.topfreaks.com/tag/redbone/</clipSource><pubDate>Fri, 05 Jun 2009 11:57:49 GMT</pubDate></item><item><title>le</title><link>http://clipmarks.com/clipmark/7CD7F997-75CA-4E53-A070-1DD6AADA74A8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/juillerat/"&gt;juillerat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  leon redbone &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://unclegil.blogspot.com/2007/10/crazy-over-dixie.html" title="http://unclegil.blogspot.com/2007/10/crazy-over-dixie.html"&gt;unclegil.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/juillerat/512/A2E4029D-E35E-48D6-BE63-FF8CFCB5D6AD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://unclegil.blogspot.com/2007/10/crazy-over-dixie.html</clipSource><pubDate>Fri, 27 Jun 2008 20:44:50 GMT</pubDate></item><item><title>Leon Redbone No Regret  Cover photo</title><link>http://clipmarks.com/clipmark/9288BD7E-77C6-4081-BFB3-0E14642D3E42/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/dbvans/"&gt;dbvans&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cduniverse.com/images.asp?pid=6739395&amp;cart=719455554&amp;style=music&amp;image=front&amp;title=Redbone%2C+Leon+%2D+No+Regrets+CD" title="http://www.cduniverse.com/images.asp?pid=6739395&amp;cart=719455554&amp;style=music&amp;image=front&amp;title=Redbone%2C+Leon+%2D+No+Regrets+CD"&gt;www.cduniverse.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/dbvans/512/F689E54C-1EB6-4DAC-B9E5-F26BBE587EB7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.cduniverse.com/images.asp?pid=6739395&amp;cart=719455554&amp;style=music&amp;image=front&amp;title=Redbone%2C+Leon+%2D+No+Regrets+CD</clipSource><pubDate>Thu, 15 May 2008 01:40:01 GMT</pubDate></item><item><title>Redneck Mansion - Take 2</title><link>http://clipmarks.com/clipmark/619B21E3-D928-497E-859F-D1DB6F0C6650/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/BartendingBear/"&gt;BartendingBear&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Redbone clipped the Redneck Mansion first, but it instantly reminded me of Habitat 67 in Montreal, and the two contrasted side by side show why. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.westland.net/expo67/map-docs/habitat67.htm" title="http://www.westland.net/expo67/map-docs/habitat67.htm"&gt;www.westland.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/BartendingBear/512/D35F44C3-9F78-4D01-B66D-0E3E11D5E1E9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
	Habitat 67, an experiment in apartment living, became the
permanent symbol of Expo 67 after it closed. It was Canadian architect
Moshe Safdie's experiment to make a fundamentally better and cheaper
housing for the masses. He attempted to make a revolution in the way
homes were built - by the industrialization of the building process;
essentially factory mass production. He felt that it was more efficient
to make buildings in factories and deliver them prefabricated to the
site.
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
	As Habitat was designed, it resembled a curious concrete mountain
 of dwelling places, strikingly modern, yet reminiscent of a Taos Indian
 pueblo village, or an Italian hill town. Its units were built on the ground,
 then hoisted by crane into place five, six or more stories above the ground.
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/BartendingBear/512/A5DAF082-1E82-49F6-A884-A58FA1C1276C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sonnyradio.com/redneckmansion.htm" title="http://www.sonnyradio.com/redneckmansion.htm"&gt;www.sonnyradio.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/BartendingBear/512/42D0C130-6BDF-4D9E-BA29-CF95418B0138.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="6" face="Arial Black" color="#ffffff"&gt;
        Redneck Mansion&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.westland.net/expo67/map-docs/habitat67.htm</clipSource><pubDate>Tue, 04 Mar 2008 16:17:31 GMT</pubDate></item><item><title>RIP Joel Dorn</title><link>http://clipmarks.com/clipmark/C2CAD245-570E-4772-956B-C1B4B4031CFB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/echines/"&gt;echines&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Dorn probably wasn't as well known as he should have been--he produced and recorded LOADS of great records, including some by Les McCann, Eddie Harris, Rahsaan Roland Kirk, Max Roach, Freddie Hubbard, Herbie Mann, Keith Jarrett, Yusef Lateef, Jimmy Scott, Fathead Newman, Hank Crawford, Ray Bryant, Oscar Brown Jr, &amp;amp; Mongo Santamaria.&lt;br/&gt;&lt;br/&gt;He was a huge force at Atlantic Records and founded 32 Jazz, Label M and Hyena.&lt;br/&gt;&lt;br/&gt;He also produced classic records by Leon Redbone and Roberta Flack. And he wasn't one of those bean counter producers: he loved great music, and he helped to make it happen.&lt;br/&gt;&lt;br/&gt;He spent an hour with us here at the station and did a couple of excellent pledge drive drops for us--all the while dispensing advice on music and programming and letting us know that great music mattered.&lt;br/&gt;&lt;br/&gt;He was a cool cat, and he cut his teeth in Philly, so he was my boy and I'm real sorry to see him go.&lt;br/&gt;&lt;br/&gt;You can find a good interview with him here: &lt;a href="http://www.allaboutjazz.com/iviews/joeldorn" rel="nofollow" target="_blank"&gt;http://www.allaboutjazz.com/iviews/joeldorn&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.hyenarecords.com/" title="http://www.hyenarecords.com/"&gt;www.hyenarecords.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;IMG border="0" src="http://www.hyenarecords.com/files/images/joeldorn_04071942_to_12172007.jpg" /&gt;
&lt;/P&gt;
&lt;H1 align="center"&gt;JOEL DORN&lt;BR /&gt; 
(April 7, 1942 - December 17, 2007)&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.hyenarecords.com/</clipSource><pubDate>Mon, 17 Dec 2007 22:15:47 GMT</pubDate></item></channel></rss>