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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Object d'art Clips</title><link>http://clipmarks.com/tags/object+d'art/</link><feedUrl>http://rss.clipmarks.com/tags/object+d'art/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Leaving Church (1928)</title><link>http://clipmarks.com/clipmark/01468CE7-E99F-4A34-A1F4-A3D565DA4850/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/catpel1/"&gt;catpel1&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Clarence Gagnon&lt;br/&gt;McMichael Canadian Art Collection&lt;br/&gt;1969.4.4 &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.virtualmuseum.ca/PM.cgi?terms=church&amp;mark=Search&amp;LM=Gallery&amp;Referer=Search&amp;LANG=English&amp;scope=Gallery&amp;start=1&amp;AP=vmc_display&amp;member=4&amp;last=2565" title="http://www.virtualmuseum.ca/PM.cgi?terms=church&amp;mark=Search&amp;LM=Gallery&amp;Referer=Search&amp;LANG=English&amp;scope=Gallery&amp;start=1&amp;AP=vmc_display&amp;member=4&amp;last=2565"&gt;www.virtualmuseum.ca&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="tellMeMoreImage"&gt;
&lt;A target="VMCAux2" href="http://www.virtualmuseum.ca/English/Gallery/index.html../../PM.cgi?LM=Gallery&amp;scope=GalleryH&amp;LANG=English&amp;AP=fullImage2&amp;k=MCCH1969.4.4" linkindex="11" set="yes"&gt;&lt;IMG border="0" src="http://media.rcip-chin.gc.ca/ac/mcch01/t1969_4_4.jpg" /&gt;&lt;/A&gt;
&lt;P&gt;For © contact McMichael Canadian Art Collection. All Rights Reserved.&lt;/P&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Object Name:&lt;B&gt; painting&lt;/B&gt;
&lt;BR /&gt;
Title:&lt;B&gt; Leaving Church&lt;/B&gt;
&lt;BR /&gt;
Artist/Maker:&lt;B&gt; Gagnon, Clarence&lt;/B&gt;
&lt;BR /&gt;
Date of Object, From:&lt;B&gt; 1928&lt;/B&gt;
&lt;BR /&gt;
Date of Object, To:&lt;B&gt; 1933&lt;/B&gt;
&lt;BR /&gt;
Support:&lt;B&gt; paper&lt;/B&gt;
&lt;BR /&gt;
Subject/Image:&lt;B&gt; Landscape; figurative&lt;/B&gt;
&lt;BR /&gt;
Dimensions:&lt;B&gt; 20.6 x 21.1 (cm) (ht x wi)&lt;/B&gt;
&lt;BR /&gt;
Institution:&lt;B&gt; &lt;A href="http://www.virtualmuseum.ca/English/Gallery/index.html../../PM.cgi?LM=Gallery&amp;scope=Gallery&amp;LANG=English&amp;mark=Search&amp;AP=M_E_display&amp;Page=MCCHI.html" linkindex="12"&gt;McMichael Canadian Art Collection&lt;/A&gt;. Kleinburg, Ontario&lt;/B&gt;
&lt;BR /&gt;
Accession Number:&lt;B&gt; 1969.4.4&lt;/B&gt;
&lt;BR /&gt;
Copyright - Object:&lt;B&gt; Contact the McMichael Canadian Art Collection&lt;/B&gt;
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.virtualmuseum.ca/PM.cgi?terms=church&amp;mark=Search&amp;LM=Gallery&amp;Referer=Search&amp;LANG=English&amp;scope=Gallery&amp;start=1&amp;AP=vmc_display&amp;member=4&amp;last=2565</clipSource><pubDate>Wed, 20 Aug 2008 21:22:55 GMT</pubDate></item><item><title>The "MacGuffin" as a plot device (this is tomorrow's word of the day)</title><link>http://clipmarks.com/clipmark/93D72856-FA09-409C-966E-A1B2BE9ADC8C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The MacGuffin (the term was popularized by Hitchcock) is the vaguely-defined object that all the characters in a thriller are trying to get -- you know, the mysterious briefcase, or the cache of jewels, or whatever. Adapted by Slavoj Zizek into his Lacanian theory of jouissance (the "objet petit a" is the MacGuffin). The first word of the day was "interpellation."  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=MacGuffin&amp;oldid=231186202" title="http://en.wikipedia.org/w/index.php?title=MacGuffin&amp;oldid=231186202"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;MacGuffin&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 id="siteSub"&gt;From Wikipedia, the free encyclopedia&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A &lt;B&gt;MacGuffin&lt;/B&gt; (sometimes &lt;B&gt;McGuffin&lt;/B&gt;) is a &lt;A title="Plot device" href="http://en.wikipedia.org/wiki/Plot_device"&gt;plot device&lt;/A&gt; that motivates the characters or advances the story, but the details of which are of little or no importance otherwise.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The element that distinguishes a MacGuffin from other types of plot devices is that it is not important what the object &lt;I&gt;specifically is&lt;/I&gt;. Anything that serves as a motivation will do. The MacGuffin might even be ambiguous. Its importance is accepted by the story's characters, but it does not actually have any effect on the story. It can be generic or left open to interpretation.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The MacGuffin is common in &lt;A title="Film" href="http://en.wikipedia.org/wiki/Film"&gt;films&lt;/A&gt;, especially &lt;A title="Thriller (genre)" href="http://en.wikipedia.org/wiki/Thriller_(genre)"&gt;thrillers&lt;/A&gt;. Commonly, though not always, the MacGuffin is the central focus of the film in the first &lt;A class="mw-redirect" title="Act (theater)" href="http://en.wikipedia.org/wiki/Act_(theater)"&gt;act&lt;/A&gt;, and later declines in importance as the struggles and motivations of characters play out. Sometimes the MacGuffin is all but forgotten by the end of the film.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/film/" rel="tag"&gt;film&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/psychology/" rel="tag"&gt;psychology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/words/" rel="tag"&gt;words&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reference/" rel="tag"&gt;reference&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/theory/" rel="tag"&gt;theory&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cool/" rel="tag"&gt;cool&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://en.wikipedia.org/w/index.php?title=MacGuffin&amp;oldid=231186202</clipSource><pubDate>Mon, 11 Aug 2008 18:37:56 GMT</pubDate></item><item><title>Invisibility is near.</title><link>http://clipmarks.com/clipmark/0E4C846E-C067-44D5-87FC-7A9D5A40DCDD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/balthazarus/"&gt;balthazarus&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A marvelous example of how that which seemed to be a Sci-Fi / Fantasy fiction; becomes real now. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.timesonline.co.uk/tol/news/uk/science/article4499914.ece" title="http://www.timesonline.co.uk/tol/news/uk/science/article4499914.ece"&gt;www.timesonline.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;University of California scientists bend light to create the invisible&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/B32BF308-162F-4C7D-A015-0DF50B0D2C7C.jpg" alt="This undated artist's depiction shows the aeroshell of NASA's Phoenix Mars Lander spacecraft as it enters the Martian atmosphere" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The art of invisibility, which enabled Harry Potter to wander unseen around Hogwarts, may be just around the corner, scientists believe. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Researchers funded by the Pentagon have managed to make material that has the potential to bend light around objects to make them invisible. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;By diverting light around an object scientists expect to be able to make tanks, buildings and even individual infantrymen disappear from view. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In tests carried out in the United States, researchers were able to construct a 
prism that bent light “the wrong way” and so would make an object appear to 
vanish. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;will be published this week in the journals Nature and Science, but the full 
papers were released early online last night. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Similar techniques using microwaves, which are much easier to control, were demonstrated two years ago, but this is the first time that they have been successfully carried out in three dimensions with visible light. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/D98A0C06-D932-4F7E-AABE-1BC61584B340.jpg" alt="Climatechange and the environment: Melting blue glacial ice and kittiwakeat Kongsfjorden, Svalbard, summer 2002 " /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/light/" rel="tag"&gt;light&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/invisibility/" rel="tag"&gt;invisibility&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.timesonline.co.uk/tol/news/uk/science/article4499914.ece</clipSource><pubDate>Mon, 11 Aug 2008 10:58:05 GMT</pubDate></item><item><title>Not for every home</title><link>http://clipmarks.com/clipmark/611CF9BB-E957-45AE-9E72-5D8D48EC44D8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kreated/"&gt;Kreated&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Functional, futuristic &amp;amp; really quite funny, these pieces of furniture would definitely be statement pieces in the home! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://weburbanist.com/2008/07/26/clever-living-room-furniture-couches-sofascoffee-tables/" title="http://weburbanist.com/2008/07/26/clever-living-room-furniture-couches-sofascoffee-tables/"&gt;weburbanist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kreated/512/AD9EF7D9-03B4-484E-819A-81CC9040FF3F.png" alt="WebUrbanist" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Unusually Clever Living Room Furniture Designs: From Coffin Bookcases to Geek Coffee Tables" href="http://weburbanist.com/2008/07/26/clever-living-room-furniture-couches-sofascoffee-tables/"&gt;Unusually Clever Living Room Furniture Designs: From Coffin Bookcases to Geek Coffee Tables&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kreated/512/EA7D3747-1F7B-4105-97A7-DF7F213CAA24.jpg" alt="Funny Couches" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Love fancy cars but can’t afford to keep a whole one around?  How about just the back end?  &lt;A href="http://www.astonmartinheritagedesigns.com/page51.html"&gt;This car couch&lt;/A&gt; (top) is nothing like the tacky versions from the 80s.  This is smooth, luxurious Aston Martin DB6 - just like James Bond would sit on if he ever sat around watching movies and eating potato chips.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kreated/512/0E226CD9-7860-4C26-BDF3-EF13CEAE7C26.jpg" alt="Strange Sofas" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kreated/512/E246AD54-22BA-40C7-A17C-8D3C9312D777.jpg" alt="unusual chairs" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The &lt;A href="http://www.tom-price.com/Meltdown_chair%20PVC.htm"&gt;Meltdown Chair&lt;/A&gt; (top left) is a fine example of art doubling as a useful object.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;When you feel like cuddling but you need to get some reading done, the &lt;A href="http://www.atelierblink.com/en/prodDesign.php?idSubsection=6"&gt;Octopus chair&lt;/A&gt; (top right) has you covered.  Literally.  Made from recycled jeans and polystyrene balls,&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;This &lt;A href="http://freshome.com/2008/03/13/the-creepiest-chair-youll-ever-see/"&gt;sheep chair&lt;/A&gt; (bottom left) might take the trophy for classy living room furniture.  With its three heads, soulful eyes and massive amounts of wool, this chair is part &lt;A href="http://en.wikipedia.org/wiki/Cerberus"&gt;hellhound&lt;/A&gt;, part lambskin rug, and part really creepy throne.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kreated/512/EDA20D99-9A89-4EE7-AC7F-2F310D91F930.jpg" alt="coffin entertainment center" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Finally, the “&lt;A href="http://www.casketfurniture.com/prod/entertainment_center_rayonnant.html"&gt;Eternaltainment Center&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;made from your future coffin&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/furniture/" rel="tag"&gt;furniture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/design/" rel="tag"&gt;design&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/recycle/" rel="tag"&gt;recycle&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/humor/" rel="tag"&gt;humor&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://weburbanist.com/2008/07/26/clever-living-room-furniture-couches-sofascoffee-tables/</clipSource><pubDate>Sun, 27 Jul 2008 05:09:07 GMT</pubDate></item><item><title>Treasures From the Mughal Empire</title><link>http://clipmarks.com/clipmark/B2288401-D306-4F8D-B784-01C7DE721BA7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arifsali/"&gt;arifsali&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/07/18/arts/design/18mugh.html?ex=1374033600&amp;en=e4c2ac5bffcb44b5&amp;ei=5124&amp;partner=permalink&amp;exprod=permalink" title="http://www.nytimes.com/2008/07/18/arts/design/18mugh.html?ex=1374033600&amp;en=e4c2ac5bffcb44b5&amp;ei=5124&amp;partner=permalink&amp;exprod=permalink"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;NYT_HEADLINE type=" " version="1.0"&gt;
An Emperors’ Art: Small, Refined, Jewel Toned
&lt;/NYT_HEADLINE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;WASHINGTON  — Muraqqa is the Persian term for a patched garment traditionally worn by Sufi mystics as a sign of poverty and humility. Yet it is also the word for a gilded and lavishly calligraphed album. This type of muraqqa, a luxury object from the Mughal empire in India, is a patchwork of imagery:  portraits of emperors and courtiers, Eastern mystics and Western religious figures;  examples of plant and animal life.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/07/18/arts/0718-MUGH_index.html" title="http://www.nytimes.com/slideshow/2008/07/18/arts/0718-MUGH_index.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/E18BCFF6-56A1-475D-989D-7F4BC45AFA83.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Akbar Fights with Raja Man Singh," from a copy of the Akbarnama. (circa 1600-03)&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/07/18/arts/0718-MUGH_2.html" title="http://www.nytimes.com/slideshow/2008/07/18/arts/0718-MUGH_2.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/7EC471E0-4A85-40DA-B671-E21BE294EF07.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Mu'in al-Din Chishti Holding a Globe"&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/07/18/arts/0718-MUGH_3.html" title="http://www.nytimes.com/slideshow/2008/07/18/arts/0718-MUGH_3.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/D8B94EF2-1635-495C-B986-5F6E8C3D9621.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"The Women at the Well of Kanchinpur,"&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/07/18/arts/0718-MUGH_4.html" title="http://www.nytimes.com/slideshow/2008/07/18/arts/0718-MUGH_4.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/B0D87CCC-48A9-4B0D-A64C-7A6A82D03039.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Raja Udai Singh (Mota Raja) in a Gold, Flowered Jama"&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/07/18/arts/0718-MUGH_5.html" title="http://www.nytimes.com/slideshow/2008/07/18/arts/0718-MUGH_5.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/9B48825E-6071-4E41-878B-A26DBA9A7B2A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Majnun in the Wilderness"&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/07/18/arts/0718-MUGH_6.html" title="http://www.nytimes.com/slideshow/2008/07/18/arts/0718-MUGH_6.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/1DC59B8C-FA64-495E-8C6F-D9526676C11C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The young Jahangir also commissioned an album called the “Shikarnama,” or “Hunting Book.”&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/07/18/arts/0718-MUGH_7.html" title="http://www.nytimes.com/slideshow/2008/07/18/arts/0718-MUGH_7.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/63F386AB-B267-4A08-A6BF-9FAADFAF3F8A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"A Garden Gathering with a Prince in a Green Jama"&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/07/18/arts/0718-MUGH_8.html" title="http://www.nytimes.com/slideshow/2008/07/18/arts/0718-MUGH_8.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/F8153386-4278-44B0-BC8C-96037E0CCF4A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Akbar, Jahangir and Shah Jahan with their Ministers,"&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/07/18/arts/0718-MUGH_9.html" title="http://www.nytimes.com/slideshow/2008/07/18/arts/0718-MUGH_9.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/3930D5A2-55A1-4889-921D-72E32951DAC8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/india/" rel="tag"&gt;india&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mughal/" rel="tag"&gt;mughal&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2008/07/18/arts/design/18mugh.html?ex=1374033600&amp;en=e4c2ac5bffcb44b5&amp;ei=5124&amp;partner=permalink&amp;exprod=permalink</clipSource><pubDate>Tue, 22 Jul 2008 22:17:35 GMT</pubDate></item><item><title>Planetoid Makemake of Sol system</title><link>http://clipmarks.com/clipmark/DB1020E3-A836-4A2B-A9E3-289A3F859EB7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/skwirlinator/"&gt;skwirlinator&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.coolscifi.com/forums/showthread.php?t=198711" title="http://www.coolscifi.com/forums/showthread.php?t=198711"&gt;www.coolscifi.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/skwirlinator/512/81AC2772-829A-4018-80D3-BB4481C68CE6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Recently discovered Makemake is one of the largest objects known in the outer Solar System. &lt;A target="_blank" href="http://www.mikebrownsplanets.com/2008/07/make-make.html"&gt;Pronounced MAH-kay MAH-kay&lt;/A&gt;, this &lt;A target="_blank" href="http://www.ifa.hawaii.edu/faculty/jewitt/kb.html"&gt;Kuiper belt&lt;/A&gt; object is only slightly smaller than Pluto, orbits the Sun only slightly further out than &lt;A target="_blank" href="http://antwrp.gsfc.nasa.gov/apod/ap060903.html"&gt;Pluto&lt;/A&gt;, and appears only slightly dimmer than Pluto. &lt;A target="_blank" href="http://en.wikipedia.org/wiki/Makemake_%28dwarf_planet%29"&gt;Makemake&lt;/A&gt;, however, has an orbit much more tilted to the &lt;A target="_blank" href="http://antwrp.gsfc.nasa.gov/apod/ap001014.html"&gt;ecliptic plane&lt;/A&gt; of the planets than Pluto. Designated &lt;A target="_blank" href="http://neo.jpl.nasa.gov/orbits/2005fy9.html"&gt;2005 FY9&lt;/A&gt; soon after its discovery by a team led by &lt;A target="_blank" href="http://www.mikebrownsplanets.com/"&gt;Mike Brown&lt;/A&gt; (&lt;A target="_blank" href="http://www.gps.caltech.edu/~mbrown/"&gt;Caltech&lt;/A&gt;) in 2005, the outer Solar System orb was recently renamed &lt;A target="_blank" href="http://en.wikipedia.org/wiki/Makemake_%28mythology%29"&gt;Makemake&lt;/A&gt; for the creator of humanity in the &lt;A target="_blank" href="http://en.wikipedia.org/wiki/Rapa_Nui_mythology"&gt;Rapa Nui mythology&lt;/A&gt; of &lt;A target="_blank" href="http://antwrp.gsfc.nasa.gov/apod/ap040524.html"&gt;Easter Island&lt;/A&gt;. Additionally, Makemake has been recently classified as a &lt;A target="_blank" href="http://en.wikipedia.org/wiki/Dwarf_planet"&gt;dwarf planet&lt;/A&gt; under the &lt;A target="_blank" href="http://www.iau.org/public_press/news/release/iau0804/"&gt;new subcategory plutoid&lt;/A&gt;, making Makemake the third cataloged &lt;A target="_blank" href="http://en.wikipedia.org/wiki/Plutoid"&gt;plutoid&lt;/A&gt; after Pluto and &lt;A target="_blank" href="http://antwrp.gsfc.nasa.gov/apod/ap070619.html"&gt;Eris&lt;/A&gt;. Makemake is known to be a world &lt;A target="_blank" href="http://adsabs.harvard.edu/abs/2007AJ....133..284B"&gt;somewhat red&lt;/A&gt; in appearance, with spectra indicating it is &lt;A target="_blank" href="http://adsabs.harvard.edu/abs/2006A%26A...445L..35L"&gt;likely covered&lt;/A&gt; with frozen &lt;A target="_blank" href="http://en.wikipedia.org/wiki/Methane"&gt;methane&lt;/A&gt;.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/planetoid/" rel="tag"&gt;planetoid&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/makemake/" rel="tag"&gt;makemake&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/of+sol+system/" rel="tag"&gt;of sol system&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/space/" rel="tag"&gt;space&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rendition/" rel="tag"&gt;rendition&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.coolscifi.com/forums/showthread.php?t=198711</clipSource><pubDate>Thu, 17 Jul 2008 01:34:04 GMT</pubDate></item><item><title>Veneration</title><link>http://clipmarks.com/clipmark/04CB4DC6-DD0C-49B1-81D7-027523D48606/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/zippunkygirl/"&gt;zippunkygirl&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.gardendigest.com/trees.htm" title="http://www.gardendigest.com/trees.htm"&gt;www.gardendigest.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT color="#0000ff"&gt;&lt;STRONG&gt;&lt;BIG&gt;In the religion of the Medes and Persians the cult of trees plays an important part, &lt;/BIG&gt;&lt;BR /&gt;&lt;BIG&gt;and with them, as with Assyrians, the symbol of eternal life was a tree with a stream&lt;/BIG&gt;&lt;BR /&gt;&lt;BIG&gt;at its roots.  Another object of veneration was the sacred miracle tree, which&lt;/BIG&gt;&lt;BR /&gt;&lt;BIG&gt;within itself contained the seeds of all.&lt;BR /&gt;&lt;/BIG&gt;&lt;/STRONG&gt;-  M. L. Gothein, &lt;EM&gt;A History of Garden Art&lt;/EM&gt;, 1928&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.gardendigest.com/trees.htm</clipSource><pubDate>Fri, 27 Jun 2008 06:24:09 GMT</pubDate></item><item><title>WDR TV Bericht</title><link>http://clipmarks.com/clipmark/719E111F-EB70-4E43-A894-0A247B1B5E52/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Axel+Schoeber/"&gt;Axel Schoeber&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Standbild des ca. 3-minutenlangen Filmes über den Kunstwettbewerb ART-spanner der Galerie ART-isotope &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.art-isotope.de/page13/page13.html" title="http://www.art-isotope.de/page13/page13.html"&gt;www.art-isotope.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Axel Schoeber/512/C750AD0E-36C6-4EF7-B6C5-58ABA0F1794C.jpg" alt="Standbild WDR Berichterstattung" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        
        Standbild der Fernsehberichterstattung 2007 des WDR
        (Sendezeit 19:54).
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;ART-spanner&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;"Object und Limited"&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art-spanner/" rel="tag"&gt;art-spanner&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art-isotope/" rel="tag"&gt;art-isotope&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/galerie/" rel="tag"&gt;galerie&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dortmund/" rel="tag"&gt;dortmund&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.art-isotope.de/page13/page13.html</clipSource><pubDate>Sat, 21 Jun 2008 09:14:57 GMT</pubDate></item><item><title>Urban Ruins - An artist's perspective</title><link>http://clipmarks.com/clipmark/B737E630-33A8-4104-8924-465616DF6EC0/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Silkweaver/"&gt;Silkweaver&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A fascinating exploration. Visit the website for many more eerie yet beautiful place &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.opacity.us/about/" title="http://www.opacity.us/about/"&gt;www.opacity.us&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Exploration and Urban
	    		Decay&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
	    	Once a building no longer serves its purpose,
	    	and all of its functionality ceases to exist, it becomes truly fascinating.
	    	Each room is transforming into something new at its own rate, yielding
	    	to the forces of nature as it reclaims man's creation.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Each
	    	object left behind becomes more significant than it has ever been, hinting
	    	at the life prior to its disuse. Floors collapse and walls cave in without
	    	care; if you get hurt, no one is here to help you.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
			This site, started in 2002, is basically an account of the
			various abandonments I have explored and the photographs I have taken.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; 
			Yes,	many	of the places on here are not named to protect their
			integrity, and to prevent this web site from becoming a "shopping
			list" of places to explore or vandalize.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/5C33A5BA-9B4B-446B-926B-469F58CAFD73.jpg" alt="collapsed floor" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/D9C5A738-8102-44D4-8FC1-04FDFEDF7A9B.jpg" alt="open door" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/FA4056EF-3E9D-4805-A988-6CD8C42D2596.jpg" alt="steel mill" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.opacity.us/image5771_the_lobby.htm" title="http://www.opacity.us/image5771_the_lobby.htm"&gt;www.opacity.us&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/2F5166DD-733C-450C-A2E2-6E4343020856.jpg" alt="The Lobby : Hotel Sterling" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.opacity.us/image5789_presidential_suite.htm" title="http://www.opacity.us/image5789_presidential_suite.htm"&gt;www.opacity.us&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/5A9E04B6-1A52-4C44-BEAE-3756DA699174.jpg" alt="Presidential Suite : Hotel Sterling" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" 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src="http://clipmarks.com/image_cache/Silkweaver/512/19504E01-E996-4902-8FB9-753E27BD45EC.jpg" alt="Toilet : York County Prison" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.opacity.us/image5616_cut.htm" title="http://www.opacity.us/image5616_cut.htm"&gt;www.opacity.us&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/790BA1D8-9719-42F3-80A4-BA587F6D3F22.jpg" alt="Cut : York County Prison" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" 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src="http://clipmarks.com/image_cache/Silkweaver/512/F6AF5949-9356-44B7-A142-529AABCBDEE1.jpg" alt="Gracefully Suspended : Mount Rose Cemetery" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.opacity.us/image5806_decrepitude.htm" title="http://www.opacity.us/image5806_decrepitude.htm"&gt;www.opacity.us&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/EA03370D-FA92-44C4-81B9-0B98106A39D9.jpg" alt="Decrepitude : Mount Rose Cemetery" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.opacity.us/image5809_receiving_vault.htm" title="http://www.opacity.us/image5809_receiving_vault.htm"&gt;www.opacity.us&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/3EA2F3A6-585D-473A-AAA4-5111B603163B.jpg" alt="Receiving Vault : Mount Rose Cemetery" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/urban+ruins/" rel="tag"&gt;urban ruins&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.opacity.us/about/</clipSource><pubDate>Fri, 13 Jun 2008 12:21:05 GMT</pubDate></item><item><title>First lamp with OLEDs</title><link>http://clipmarks.com/clipmark/FB7420A7-C02E-4E34-A1FE-CE81EBAE204E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/rj3sp/"&gt;rj3sp&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Organic Light Emitting Diode or  OLED is a new technology with some very special properties, useful for application in  TVs and in lighting. German designer Ingo Maurer and his lighting company launcred this week the first  OLED lamp, available in his studio in Manhattan. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newsvine.com/_news/2008/05/21/1503994-first-lamp-with-oleds-is-art-object" title="http://www.newsvine.com/_news/2008/05/21/1503994-first-lamp-with-oleds-is-art-object"&gt;www.newsvine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 id="articleHeadline"&gt;First lamp with OLEDs is art object&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="http://newyork.newsvine.com"&gt;NEW YORK&lt;/A&gt; — Picture it as a tilted signpost with each sign a softly glowing panel or as a metal tree with phosphorescent leaves lighting up your desk.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/rj3sp/512/52BBE4FF-366C-4233-B216-4713FCA0B724.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/rj3sp/512/EB15C6FB-FB08-4EC4-86B9-1FCED0394896.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.osram-os.com/osram_os/EN/" title="http://www.osram-os.com/osram_os/EN/"&gt;www.osram-os.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/rj3sp/512/12DFE2D8-B1C0-4CE8-BE5C-15280873662B.gif" alt="OSRAM OPTO SEMICONDUCTORS" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.osram-os.com/osram_os/EN/News_Center/Spotlights/Success_Stories/OLED-artwork-by-Ingo-Maurer-with-OLEDs-from-OSRAM.jsp" title="http://www.osram-os.com/osram_os/EN/News_Center/Spotlights/Success_Stories/OLED-artwork-by-Ingo-Maurer-with-OLEDs-from-OSRAM.jsp"&gt;www.osram-os.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;OLED Lighting - Vision becomes reality&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;OSRAM and Ingo Maurer mark lighting history&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In spring 2008, OSRAM and Ingo Maurer launch a mutual epoch-making project: &lt;EM&gt;Early Future&lt;/EM&gt; - a table light with OLED-modules will be introduced to the market in a limited edition. The futuristic design triggers images of astronautical technologies. Maurer cites satellite solar collectors as one source of inspiration.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sonystyle.com/webapp/wcs/stores/servlet/CategoryDisplay?catalogId=10551&amp;storeId=10151&amp;langId=-1&amp;identifier=S_BrandShowcase_OLED" title="http://www.sonystyle.com/webapp/wcs/stores/servlet/CategoryDisplay?catalogId=10551&amp;storeId=10151&amp;langId=-1&amp;identifier=S_BrandShowcase_OLED"&gt;www.sonystyle.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/rj3sp/512/64FEAC22-FD49-4D21-8A2E-39B3BB4FEB8E.gif" alt="SonyStyle" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;What is OLED?&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Organic Light Emitting Diode, or OLED, is a technology that uses carbon-based organic material in a process that converts electric energy into light. This light is used to illuminate the screen and produce the most astounding results ever seen on a television. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="title"&gt;What makes OLED so special?&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Incredible 3mm thinness.&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/rj3sp/512/AAA6AFAC-4DAF-4CB0-8DB4-CF39355C3F8F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/olrd/" rel="tag"&gt;olrd&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/design/" rel="tag"&gt;design&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/lamp/" rel="tag"&gt;lamp&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/innovation/" rel="tag"&gt;innovation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.newsvine.com/_news/2008/05/21/1503994-first-lamp-with-oleds-is-art-object</clipSource><pubDate>Thu, 22 May 2008 19:20:56 GMT</pubDate></item><item><title>Fabergés Eggs</title><link>http://clipmarks.com/clipmark/42951370-7DC0-4693-B719-35353E140D22/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/hitchhiker08/"&gt;hitchhiker08&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Certainly not cheaper by the dozen these?!   &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://sense4fun.com/art/faberg-s-eggs.html" title="http://sense4fun.com/art/faberg-s-eggs.html"&gt;sense4fun.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="100%" class="contentheading"&gt;
					Fabergés Eggs									&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;STRONG&gt;Alexander III Equestrian' Egg&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hitchhiker08/512/4E02284B-CC33-4B45-8FA9-B56ED2C58CF6.jpg" alt="the most expensive eggs in the world" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;They were produced by a jeweler called Peter Carl Fabergé and are made of expensive metals or gemstones decorated with combinations of enamel and gems. The term ‘Fabergé Egg’ has become a synonym of luxury and the eggs are regarded as masterpieces of the jeweler’s fine art.&lt;STRONG&gt; Peter Carl Fabergé&lt;/STRONG&gt; original name &lt;STRONG&gt;Carl Gustavovich Fabergé&lt;/STRONG&gt; (May 30, 1846–September 24, 1920) was a Russian jeweller, best known for the famous Fabergé eggs, made in the style of genuine Easter eggs, but using precious metals and gemstones rather than more mundane materials.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;STRONG&gt;The Memory of Azov Egg&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hitchhiker08/512/CACE744D-B301-4132-839D-C71D1378DECA.jpg" alt="the most expensive eggs in the world" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;STRONG&gt;The Imperical Coronation Egg&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hitchhiker08/512/008945E3-F031-4D49-8B9E-F148E1B9363C.jpg" alt="the most expensive eggs in the world" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hitchhiker08/512/749780F3-15D9-495D-9C37-F6CEA8B03C6D.jpg" alt="the most expensive eggs in the world" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hitchhiker08/512/87485E7D-5F55-4C23-9077-3D166321326A.jpg" alt="most expensive eggs in the world" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hitchhiker08/512/C1C33A95-DE22-4B8A-83D6-71C2AD230794.jpg" alt="most expensive eggs in the world" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hitchhiker08/512/AF965C23-5A96-4EAA-80C2-4C684C79EC5D.jpg" alt="the most expensive eggs in the world" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hitchhiker08/512/7FD7D731-5B6B-45F6-A26A-C8AB1EBD78D9.jpg" alt="the most expensive eggs in the world" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hitchhiker08/512/AC2C5175-8861-4422-AE03-0ABB664EA5F1.jpg" alt="the mose expensive eggs in the world" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hitchhiker08/512/9A559898-63D6-4631-AD79-FFA141FB007D.jpg" alt="the most expensive eggs in the world" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hitchhiker08/512/469BE3FC-49E7-403E-AEE6-5E2D5F1259CB.jpg" alt="the most expensive eggs in the world" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hitchhiker08/512/E1BC1E07-8F6E-496B-8F60-D4530AB19F45.jpg" alt="the most expensive eggs in the world" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 align="center"&gt;Full list  of &lt;SPAN class="mw-headline"&gt;Fabergés Eggs&lt;BR /&gt;&lt;/SPAN&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="mw-headline"&gt;List of Fabergé Imperial Easter eggs&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.geocities.com/Paris/Rue/4819/?20087" title="http://www.geocities.com/Paris/Rue/4819/?20087"&gt;www.geocities.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Faberge Eggs Collection&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hitchhiker08/512/6ED51022-7514-49B8-B90A-F5C8237ED4C3.jpg" alt="Renaissance Egg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;A kind person posted these graphics to alt.binaries.pictures.misc
in early 1995; whoever you are, thank you.  Research at the library provided
the textual information about each egg.&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://www.geocities.com/Paris/Rue/4819/feintro.html"&gt;Read the
Introduction by H.C. Bainbridge,&lt;BR /&gt;a longtime associate of Carl
Faberge&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/russia/" rel="tag"&gt;russia&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/peter+carl+faberge/" rel="tag"&gt;peter carl faberge&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/museum/" rel="tag"&gt;museum&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rarity/" rel="tag"&gt;rarity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/collection/" rel="tag"&gt;collection&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/auction/" rel="tag"&gt;auction&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/artifact/" rel="tag"&gt;artifact&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/object+d'art/" rel="tag"&gt;object d'art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/heirloom/" rel="tag"&gt;heirloom&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://sense4fun.com/art/faberg-s-eggs.html</clipSource><pubDate>Wed, 07 May 2008 05:29:54 GMT</pubDate></item><item><title>Madame Fate Download</title><link>http://clipmarks.com/clipmark/13DFA6B9-C33F-4998-977D-DE028739DEE7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/gameren/"&gt;gameren&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.itlance.com.cn/Mystery-Case-Files:-Madame-Fate/2230.php" title="http://www.itlance.com.cn/Mystery-Case-Files:-Madame-Fate/2230.php"&gt;www.itlance.com.cn&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Mystery Case Files: Madame Fate Game&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="float-left align-center"&gt;
&lt;P class="feature align-left"&gt;
&lt;A target="_blank" href="http://.php"&gt;

&lt;IMG width="175" height="150" alt="" src="http://games.bigfishgames.com/en_mystery-case-files-madame-fate/mystery-case-files-madame-fate_feature.jpg" /&gt;
&lt;/A&gt; 
&lt;SPAN&gt;&lt;/SPAN&gt;&lt;/P&gt;

&lt;P&gt;&lt;/P&gt;
&lt;P&gt;&lt;/P&gt;

&lt;P class="clear"&gt;&lt;/P&gt;

&lt;P&gt;
&lt;STRONG&gt;Free Download (110 MB)&lt;/STRONG&gt;&lt;BR /&gt;
&lt;A href="http://www.itlance.com.cn/download.php?title=Mystery%20Case%20Files:%20Madame%20Fate&amp;url=/iframe.php?do=download%26title=Mystery%20Case%20Files:%20Madame%20Fate%26url=http:%2F%2Fwww.bigfishgames.com%2Fdownload-games%2F2458%2Fmac%2Fmystery-case-files-madame-fate%2Fdownload_pnp.html?afcode=af1e1f7b897a"&gt;&lt;IMG width="136" height="34" border="0" alt="Download Mystery Case Files: Madame Fate Game" src="http://www.itlance.com.cn/images/download.gif" /&gt;&lt;/A&gt;&lt;BR /&gt;
&lt;/P&gt;
&lt;BR /&gt;
&lt;P&gt;
&lt;STRONG&gt;Full unlimited version&lt;/STRONG&gt;&lt;BR /&gt;
&lt;A href="http://www.itlance.com.cn/iframe.php?do=buy&amp;title=Mystery%20Case%20Files:%20Madame%20Fate&amp;url=http:%2F%2Fwww.bigfishgames.com%2Fdownload-games%2F2458%2Fmac%2Fmystery-case-files-madame-fate%2Fbuy_pnp.html?afcode=af1e1f7b897a"&gt;&lt;IMG width="136" height="34" border="0" alt="Buy Mystery Case Files: Madame Fate Game" src="http://www.itlance.com.cn/images/buy.gif" /&gt;&lt;/A&gt;
&lt;BR /&gt;&lt;/P&gt;

&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="float-right"&gt; WINNER! #1 Hidden Object Game of 2007
Madame Fate, a mysterious fortune teller, has foreseen her own demise at midnight this very day. She has asked for your help in investigating each quirky carnival worker to determine their whereabouts at midnight. Your investigation will include a multitude of fascinating personalities, from Art the Carny to Lucy the Bearded Beauty, while exploring the magical world of Fate`s Carnival. Each suspect has a motive, but only a Master Detective can discover the secrets hidden within Madame Fate`s crystal ball.&lt;BR /&gt;

Mystery Case Files: Madame Fate full game features:
&lt;UL&gt;
    &lt;LI&gt;More areas than ever before!&lt;/LI&gt;
    &lt;LI&gt;Multiple brain-bending puzzles.&lt;/LI&gt;
    &lt;LI&gt;Get the Strategy Guide.&lt;/LI&gt;
&lt;/UL&gt;

&lt;DIV class="clear"&gt;&lt;STRONG&gt;System Requirements:&lt;/STRONG&gt;&lt;BR /&gt;
&lt;DIV class="align-left"&gt;
Windows 2000/XP/Vista
&lt;/DIV&gt;&lt;BR /&gt;&lt;/DIV&gt;

&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="clear align-center"&gt;
&lt;H4 class="align-center"&gt;Screen shots&lt;/H4&gt;

   &lt;A id="screen1" href="http://games.bigfishgames.com/en_mystery-case-files-madame-fate/screen1.jpg"&gt;&lt;IMG width="125" height="94" border="0" alt="Mystery Case Files: Madame Fate screenshot" src="http://games.bigfishgames.com/en_mystery-case-files-madame-fate/th_screen1.jpg" /&gt;&lt;/A&gt;
   &lt;A id="screen2" href="http://games.bigfishgames.com/en_mystery-case-files-madame-fate/screen2.jpg"&gt;&lt;IMG width="125" height="94" border="0" alt="Mystery Case Files: Madame Fate screenshot2" src="http://games.bigfishgames.com/en_mystery-case-files-madame-fate/th_screen2.jpg" /&gt;&lt;/A&gt;

&lt;BR /&gt;Click images to enlarge. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.itlance.com.cn/Mystery-Case-Files:-Madame-Fate/2230.php</clipSource><pubDate>Sun, 06 Apr 2008 11:13:14 GMT</pubDate></item><item><title>Saint Orlan: ultimate body art</title><link>http://clipmarks.com/clipmark/04CEE885-DED8-4C9B-9DCD-4F030657CD4F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "If lipstick is an impression only for the Object, do feminists dream of the withering away of that second skin of make-up? But if it also carries a woman's potential for impressing/painting on the Object, the lover's lips or collar, what then? Will a feminist ever write a Milneresque tract:'On Not Being Able to Not Paint One's Lips':"&lt;br/&gt;-Kalu Singh &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://weblogs.clarin.com/itinerarte/archives/2007/06/feminismo_besos_y_balas_1.html" title="http://weblogs.clarin.com/itinerarte/archives/2007/06/feminismo_besos_y_balas_1.html"&gt;weblogs.clarin.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/6A3345AA-9321-49F3-B3CF-1E9EBDFDF6BF.jpg" alt="orlan.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.english.ucsb.edu/faculty/ecook/courses/eng114em/whoisorlan.htm" title="http://www.english.ucsb.edu/faculty/ecook/courses/eng114em/whoisorlan.htm"&gt;www.english.ucsb.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Orlan is a performance 
    artist who uses her own body and the procedures of plastic surgery to make 
    "carnal art". She is transforming her face, but her aim is not to 
    attain a commonly held standard of beauty. Orlan is the only artist working 
    so radically with her own body, asking questions about the status of the body 
    in society.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/B27C82E1-9E36-452E-B255-4BACE5DF4432.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/1AF3EBA5-7637-441B-ACBF-826D2845513A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/65E6A591-81B1-4775-8045-B9F1E32DBF0B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/3DCB6EA1-88FA-4DC0-8753-F52D2A3A1A26.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/DB958D6F-7933-4CBE-8DCD-8F8CECD032C9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/BCE6B667-CFBE-4FDD-B3ED-14A697EAF66E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/812D235C-EE16-4740-BAAA-EADDBADB9B45.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;she has since May 1990 undergone a series of plastic surgical 
    operations to transform herself into a new being, modelled on Venus, Diana, 
    Europa, Psyche and Mona Lisa.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.stanford.edu/class/history34q/readings/Orlan/Orlan.html" title="http://www.stanford.edu/class/history34q/readings/Orlan/Orlan.html"&gt;www.stanford.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/E8AF4DFD-ACE8-4813-80BA-3B155AD5B2CD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/9CD0A641-29B3-487C-981D-7BFC10060B43.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://creativetechnology.salford.ac.uk/fuchs/modules/creative_technology/body.htm" title="http://creativetechnology.salford.ac.uk/fuchs/modules/creative_technology/body.htm"&gt;creativetechnology.salford.ac.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/490B1C15-CB2B-42F4-80CB-20021A471535.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/F4E18A56-366E-4A26-8251-41A2FF40C041.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.digibodies.org/online/orlan.htm" title="http://www.digibodies.org/online/orlan.htm"&gt;www.digibodies.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/226C0747-CDDA-4F56-9D47-ACF676F43EF8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
  

Orlan is the only artist to use plastic surgery as her medium of choice.
Since 1990, she has undergone a series of choreographed "performances" during which her face is surgically morphed
through the use of plastic surgery. Her intention is not to become "beautiful" but rather to suggest that the "objective (
beauty) is unattainable and the process horrifying." &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.medienkunstnetz.de/kuenstler/orlan/biografie/" title="http://www.medienkunstnetz.de/kuenstler/orlan/biografie/"&gt;www.medienkunstnetz.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/A138C9C3-F7B0-4DFC-B458-48821387E55B.jpg" alt="Orlan »La Réincarnation de Sainte Orlan« | Vorher/Nachher - Simulation" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://oldsite.vislab.usyd.edu.au/education/schools/guests/sharon/outline.html" title="http://oldsite.vislab.usyd.edu.au/education/schools/guests/sharon/outline.html"&gt;oldsite.vislab.usyd.edu.au&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/9AFE65D6-E59F-474B-BEBA-E2067A9C7223.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artpool.hu/harmas/oszi/nevek/orlan.html" title="http://www.artpool.hu/harmas/oszi/nevek/orlan.html"&gt;www.artpool.hu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/8CA772FC-A46E-43FC-B7E8-1AA06B0AD36B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artreview.com.au/Pages/Featured.aspx?wid=7dd8fc81-f09b-40de-b401-e32a22d40f0b" title="http://www.artreview.com.au/Pages/Featured.aspx?wid=7dd8fc81-f09b-40de-b401-e32a22d40f0b"&gt;www.artreview.com.au&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/9F8A9A31-FBF1-4A2C-9F37-FC727CD33672.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bp2.blogger.com/_x4_N2JYJj3c/RfJ758UbVRI/AAAAAAAAAFk/RQ6Iz1VHeoE/s1600-h/OrlanAmericanIndian.jpg" title="http://bp2.blogger.com/_x4_N2JYJj3c/RfJ758UbVRI/AAAAAAAAAFk/RQ6Iz1VHeoE/s1600-h/OrlanAmericanIndian.jpg"&gt;bp2.blogger.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/C0B1AD4B-B2BC-43C0-AEF0-7FE59DD85373.jpg" alt="[OrlanAmericanIndian.jpg]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/body/" rel="tag"&gt;body&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/orlan/" rel="tag"&gt;orlan&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/beauty/" rel="tag"&gt;beauty&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/male+gaze/" rel="tag"&gt;male gaze&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/psychoanalysis/" rel="tag"&gt;psychoanalysis&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://weblogs.clarin.com/itinerarte/archives/2007/06/feminismo_besos_y_balas_1.html</clipSource><pubDate>Thu, 03 Apr 2008 10:29:15 GMT</pubDate></item><item><title>Early "Leaf" Photo Could Fetch Fortune</title><link>http://clipmarks.com/clipmark/8039ED1F-B673-4F9E-9718-E0F50A16221B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wiccantexan/"&gt;wiccantexan&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cbsnews.com/stories/2008/03/28/tech/main3977071.shtml" title="http://www.cbsnews.com/stories/2008/03/28/tech/main3977071.shtml"&gt;www.cbsnews.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/wiccantexan/512/8AA13655-4332-40BB-A79D-A7D120799810.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;A New York auction house is selling a primitive photograph that could be a much earlier work than originally believed. If so, it says, it would be one of the most important discoveries in the history of photography.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The work, "Leaf," to be sold at Sotheby's on April 7, is a photogenic drawing — a cameraless process in which an object is placed on silver nitrate-coated paper or leather to form a negative image.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It had previously been attributed to William Henry Fox Talbot, considered the father of photography along with Louis-Jacques-Mande Daguerre. It was thought to have been made in 1839 at what is widely accepted as the dawn of photography.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;But Sotheby's says research by a leading photo expert suggests otherwise — that several early photo experimenters could be the authors, including Thomas Wedgwood, James Watt and Humphry Davy, who worked in the medium decades earlier. If that theory is true, it means the photo could have been made as early as 1790.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/photo/" rel="tag"&gt;photo&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.cbsnews.com/stories/2008/03/28/tech/main3977071.shtml</clipSource><pubDate>Sun, 30 Mar 2008 00:09:10 GMT</pubDate></item><item><title>The Garden of Forking Paths (part 2)</title><link>http://clipmarks.com/clipmark/9A79F587-821C-40DD-9A73-C99491937168/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://etcetera.stumbleupon.com/tag/borges/" title="http://etcetera.stumbleupon.com/tag/borges/"&gt;etcetera.stumbleupon.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
A writer -- and, I believe, generally all persons -- must think that whatever happens to him or her is a resource. All things have been given to us for a purpose, and an artist must feel this more intensely. All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Conversations with Borges&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;1981-1983&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/12CEDFC2-111F-4A5A-9CA7-31F150FC9925.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL&gt;&lt;FONT color="black"&gt;
No one is anyone, one single immortal man is all men. Like Cornelius Agrippa, I am god, I am hero, I am philosopher, I am demon and I am world, which is a tedious way of saying that I do not exist.

&lt;UL&gt;&lt;UL&gt;&lt;UL&gt;&lt;UL&gt;&lt;UL&gt;&lt;FONT size="1"&gt;Jorge Luis Borges "The Immortal" (1949)
&lt;/FONT&gt;&lt;/UL&gt;&lt;/UL&gt;&lt;/UL&gt;&lt;/UL&gt;&lt;/UL&gt;&lt;/FONT&gt;&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/7DE3B42A-0849-4E22-947D-FC603788D7A4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL&gt;&lt;FONT color="black"&gt;
The exercise of letters is sometimes linked to the ambition to contruct an absolute book, a book of books that includes the others like a Platonic archetype, an object whose virtues are not diminished by the passage of time.

&lt;UL&gt;&lt;UL&gt;&lt;UL&gt;&lt;UL&gt;&lt;UL&gt;&lt;FONT size="1"&gt;Jorge Luis Borges "Note on Walt Whitman"
&lt;/FONT&gt;&lt;/UL&gt;&lt;/UL&gt;&lt;/UL&gt;&lt;/UL&gt;&lt;/UL&gt;&lt;/FONT&gt;&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/AB5CA0B6-0EAB-40A5-BEEC-EEE4EF635CF7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/AA0B03DC-21A2-40EE-90FC-D6110BB6CE83.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Borges 2.0: From Text to Virtual Worlds" by Perla Sassón-Henry&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://etcetera.stumbleupon.com/tag/borges/</clipSource><pubDate>Thu, 06 Mar 2008 01:47:25 GMT</pubDate></item></channel></rss>