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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Expressionism Clips</title><link>http://clipmarks.com/tags/expressionism/</link><feedUrl>http://rss.clipmarks.com/tags/expressionism/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Minimalist Art</title><link>http://clipmarks.com/clipmark/33758474-A4D8-4DFC-AA2C-98F1F073378D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mannan4net/"&gt;mannan4net&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is stripped down to its most fundamental features. As a specific movement in the arts it is identified with developments in post-World War II Western Art, most strongly with American visual arts in the late 1960s and early 1970s. Prominent artists associated with this movement include Donald Judd, Carl Andre and Richard Serra. It is rooted in the reductive aspects of Modernism, and is often interpreted as a reaction against Abstract Expressionism and a bridge to Postmodern art practices.&lt;br/&gt;&lt;br/&gt;The term has expanded to encompass a movement in music which features repetition and iteration, as in the compositions of Steve Reich, Philip Glass, John Adams, and Terry Riley. (See also Postminimalism).&lt;br/&gt;&lt;br/&gt;The term "minimalist" is often applied colloquially to designate anything which is spare or stripped to its essentials. It has also been used to describe the plays of Samuel Beckett &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://in.mg50.mail.yahoo.com/dc/blank.html?bn=1042.40&amp;.intl=au" title="http://in.mg50.mail.yahoo.com/dc/blank.html?bn=1042.40&amp;.intl=au"&gt;in.mg50.mail.yahoo.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://in.mg50.mail.yahoo.com/ya/download?mid=1%5f129880%5fAMMRaMsAAVYISH7tZw0nVkW%2faDQ&amp;pid=8&amp;fid=Inbox&amp;inline=1" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://in.mg50.mail.yahoo.com/ya/download?mid=1%5f129880%5fAMMRaMsAAVYISH7tZw0nVkW%2faDQ&amp;pid=7&amp;fid=Inbox&amp;inline=1" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://in.mg50.mail.yahoo.com/ya/download?mid=1%5f129880%5fAMMRaMsAAVYISH7tZw0nVkW%2faDQ&amp;pid=4&amp;fid=Inbox&amp;inline=1" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://in.mg50.mail.yahoo.com/ya/download?mid=1%5f129880%5fAMMRaMsAAVYISH7tZw0nVkW%2faDQ&amp;pid=3&amp;fid=Inbox&amp;inline=1" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://in.mg50.mail.yahoo.com/ya/download?mid=1%5f129880%5fAMMRaMsAAVYISH7tZw0nVkW%2faDQ&amp;pid=2&amp;fid=Inbox&amp;inline=1" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://in.mg50.mail.yahoo.com/ya/download?mid=1%5f129880%5fAMMRaMsAAVYISH7tZw0nVkW%2faDQ&amp;pid=6&amp;fid=Inbox&amp;inline=1" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://in.mg50.mail.yahoo.com/dc/blank.html?bn=1042.40&amp;.intl=au</clipSource><pubDate>Fri, 18 Jul 2008 05:24:02 GMT</pubDate></item><item><title>Art of Jamali</title><link>http://clipmarks.com/clipmark/C98E9ADF-617B-4426-9E5F-85EC17C94B1F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Fast+T+friend/"&gt;Fast T friend&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Thanks to  Gul Agha  for clipping about this artist in the first place.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.jamali.com/online_gallery_section.cfm?catID=3&amp;sentCatName=Bronze%20Sculpture&amp;subcatId=0" title="http://www.jamali.com/online_gallery_section.cfm?catID=3&amp;sentCatName=Bronze%20Sculpture&amp;subcatId=0"&gt;www.jamali.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="logo"&gt;&lt;SPAN&gt;Jamali - Mystical Expressionism&lt;/SPAN&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Fast T friend/512/7A971DDB-910E-41CF-A250-F4167868B6B2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.jamali.com/online_gallery_section.cfm?catID=2&amp;sentCatName=Pigmentation%20on%20Cork&amp;subcatId=2" title="http://www.jamali.com/online_gallery_section.cfm?catID=2&amp;sentCatName=Pigmentation%20on%20Cork&amp;subcatId=2"&gt;www.jamali.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Pigmentation on Cork&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Fast T friend/512/50EB7FD4-7DEB-45CF-8257-0A129BC94816.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.jamali.com/online_gallery.cfm?thisPage=1&amp;itemID=463&amp;sentcatname=Photography" title="http://www.jamali.com/online_gallery.cfm?thisPage=1&amp;itemID=463&amp;sentcatname=Photography"&gt;www.jamali.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="title"&gt;
					Photography
				&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Fast T friend/512/86AE3289-F612-40C9-A26C-3CD8D761A55F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.jamali.com/online_gallery.cfm?thisPage=2&amp;itemid=464&amp;sentcatname=Photography" title="http://www.jamali.com/online_gallery.cfm?thisPage=2&amp;itemid=464&amp;sentcatname=Photography"&gt;www.jamali.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Fast T friend/512/E1B6396B-6FAB-4DB2-9AD8-8DC273FAB968.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.jamali.com/online_gallery.cfm?thisPage=3&amp;itemid=467&amp;sentcatname=Photography" title="http://www.jamali.com/online_gallery.cfm?thisPage=3&amp;itemid=467&amp;sentcatname=Photography"&gt;www.jamali.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Fast T friend/512/BA017144-E281-4D46-B3B5-3D2D007F923C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/jamali/" rel="tag"&gt;jamali&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mysticism/" rel="tag"&gt;mysticism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/beauty/" rel="tag"&gt;beauty&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.jamali.com/online_gallery_section.cfm?catID=3&amp;sentCatName=Bronze%20Sculpture&amp;subcatId=0</clipSource><pubDate>Sun, 15 Jun 2008 13:02:10 GMT</pubDate></item><item><title>Art and Peace</title><link>http://clipmarks.com/clipmark/C8381D75-4612-4D64-9177-7B6BC3C1CE83/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Gul+Agha/"&gt;Gul Agha&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.emediawire.com/releases/2008/6/prweb1022644.htm" title="http://www.emediawire.com/releases/2008/6/prweb1022644.htm"&gt;www.emediawire.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;Jamali, a contemporary artist based out of Winter Park, Florida, was recently featured in Florida International Magazine as one of its People of Like Mind 2008 for his innovative methods used in to create art.&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Jamali, whose artwork focuses on mystical expressionism, was featured as one of the Designing Minds, who are pushing the expectations of artistic methods being used by artists in the Florida and throughout. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Obeying the dream guide who set him on the path to art, Jamali himself has named his life's work Art &amp; Peace.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
The source of Jamali's art and his life lies in the primordial spiritual traditions of the East. In his birthplace Peshawar, the Asian crossroads city, Jamali was influenced by Buddhist, Hindu, and Sufi ideas of the sacredness of being. Jamali is the first to incorporate the paradoxes of quantum mechanics into contemporary art.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
For more information about Jamali Fine Arts, go to &lt;A target="_blank" title="www.jamali.com" href="http://www.jamali.com"&gt;www.jamali.com&lt;/A&gt;. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sufism/" rel="tag"&gt;sufism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/buddhism/" rel="tag"&gt;buddhism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/hinduism/" rel="tag"&gt;hinduism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/painting/" rel="tag"&gt;painting&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.emediawire.com/releases/2008/6/prweb1022644.htm</clipSource><pubDate>Sun, 15 Jun 2008 02:06:59 GMT</pubDate></item><item><title>The Dawn of the Horror Film</title><link>http://clipmarks.com/clipmark/7E513EDC-9E39-4B25-A3AC-1DFBFB873ADF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/CarnivalBorn/"&gt;CarnivalBorn&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://horrorfilms.suite101.com/article.cfm/the_dawn_of_the_horror_film" title="http://horrorfilms.suite101.com/article.cfm/the_dawn_of_the_horror_film"&gt;horrorfilms.suite101.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Mankind has always been fascinated by stories of the dark and unnatural. Artists depicted macabre images on cave walls and canvas&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The horror movie genre is nearly as old as film itself. The first "monster movies" were silent shorts in the late 1890’s. The earliest horror-themed feature films were created by German filmmakers in the early 1900s.&lt;I&gt; The Cabinet of Dr. Caligari&lt;/I&gt;, &lt;I&gt;Destiny (Der Müde Tod)&lt;/I&gt;, &lt;I&gt;Nosfertatu &lt;/I&gt;and &lt;I&gt;Metropolis &lt;/I&gt;are classic horror films from this era&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;German Expressionism as an art form was an answer to the grim reality of daily life. It was a way to represent a reality few could imagine&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Following World War I, German Expressionism was recreated within the German film industry&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Expressionist films often dealt with madness, clinical insanity, betrayal and other intellectual topics&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Light and dark contrasts, exaggeration and tilted angles created a dread -like atmosphere&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;German Expressionism set the groundwork for horror films in the coming decades&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://horrorfilms.suite101.com/article.cfm/the_dawn_of_the_horror_film</clipSource><pubDate>Fri, 30 May 2008 05:44:26 GMT</pubDate></item><item><title>Robert Rauschenberg Dies at 82- Respect</title><link>http://clipmarks.com/clipmark/5BECD43B-8D15-4555-9244-AB64DFE80391/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.efluxmedia.com/news_Revolutionary_Artist_Robert_Rauschenberg_Dies_at_82_17578.html" title="http://www.efluxmedia.com/news_Revolutionary_Artist_Robert_Rauschenberg_Dies_at_82_17578.html"&gt;www.efluxmedia.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/wildcat/512/FF1A1A60-6FEF-43D8-80C0-0A0232DAB7DC.jpg" alt="Revolutionary Artist Robert Rauschenberg Dies at 82" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="MsoNormal"&gt;Robert Rauschenberg, one of the American artists who made
significant changes in art during the 1950 transition from Abstract
Expressionism to Pop Art, died on Monday night at his home on Captiva Island,
Fla., at the age of 82.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="MsoNormal"&gt;According to his New York gallery, PaceWildenstein, the
cause of his death was heart failure.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="MsoNormal"&gt;A painter, printmaker, choreographer, sculptor,
photographer, onstage performer, set designer and even composer, Mr.
Rauschenberg encouraged the idea that an artist should not only stick to one
environment or style. If one has a mind as creative as Rauschenberg’s, he cannot
be confined to only one domain.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="MsoNormal"&gt;With Rauschenberg, the lines between painting, sculpture,
technology, printmaking, dancing and photography become really thin, almost
invisible.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="MsoNormal"&gt;“I really feel sorry for people who think things like soap
dishes or mirrors or Coke bottles are ugly,” Rauschenberg once said, “because
they’re surrounded by things like that all day long, and it must make them
miserable.”&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/robert+rauschenberg/" rel="tag"&gt;robert rauschenberg&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/revolutionary/" rel="tag"&gt;revolutionary&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.efluxmedia.com/news_Revolutionary_Artist_Robert_Rauschenberg_Dies_at_82_17578.html</clipSource><pubDate>Thu, 15 May 2008 09:45:42 GMT</pubDate></item><item><title>David Lehmann Paintings</title><link>http://clipmarks.com/clipmark/FB3B166E-D3B8-4CBA-97B3-6E06C6ED99B5/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sitegeist/"&gt;sitegeist&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  modern expressionism by the very gifted David Lehmann. I think is as good as Beckmann. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://fineartamerica.com/featured/anna-o-and-adolf-h-david-lehmann.html" title="http://fineartamerica.com/featured/anna-o-and-adolf-h-david-lehmann.html"&gt;fineartamerica.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Anna O. and Adolf H. - David Lehmann&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sitegeist/512/C51BCCCF-81B2-4494-B74C-A312E4A42A2E.jpg" alt="David Lehmann - Anna O. and Adolf H. Painting " /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/expressionism/" rel="tag"&gt;expressionism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/lehmann+paintings+galery/" rel="tag"&gt;lehmann paintings galery&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://fineartamerica.com/featured/anna-o-and-adolf-h-david-lehmann.html</clipSource><pubDate>Fri, 09 May 2008 12:58:28 GMT</pubDate></item><item><title>Abstract Expressionism: An Experiment</title><link>http://clipmarks.com/clipmark/008328CB-5909-4850-A0A5-006A66C358A2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/digits/"&gt;digits&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A friend relays her experiement through abstract expressionism to see if she could paint her mood. This is the result. I think it's fabulous!! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://brendamayer.newsvine.com/_news/2008/02/13/1298629-abstract-expressionism-an-experiment?last=1203092018" title="http://brendamayer.newsvine.com/_news/2008/02/13/1298629-abstract-expressionism-an-experiment?last=1203092018"&gt;brendamayer.newsvine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 id="articleHeadline"&gt;Abstract Expressionism: An Experiment&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;When I began painting a few months ago I also began trying to learn about various artists, periods, and movements. It's tough to learn about this stuff on your own, I think, because you don't have the enforced discipline of a classroom and grading nor the instructor or other group to help in clearing up any confusion. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/digits/512/04053DE4-B3C1-4D09-A532-B03DB1FFF356.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;For me the experiment was an unqualified success, regardless of what the final painting looks like. In this case I happen to like the result, but that's just a bonus. I consider it to be a success because if I could see what I feel on a relatively good day this is what it would look like, given the style constraint I placed on myself. Further, the act of painting this did bring out more of my non-depressed self. The reality became the expression and the expression enhanced the reality. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/expressionism/" rel="tag"&gt;expressionism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/newsvine/" rel="tag"&gt;newsvine&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://brendamayer.newsvine.com/_news/2008/02/13/1298629-abstract-expressionism-an-experiment?last=1203092018</clipSource><pubDate>Fri, 15 Feb 2008 22:11:51 GMT</pubDate></item><item><title>Toddler fools art world with tomato ketchup</title><link>http://clipmarks.com/clipmark/DE7E98B4-CB81-41C3-A50E-A7A799CFDFAE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Experts - LOL!! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dailymail.co.uk/pages/live/articles/news/news.html?in_article_id=499240&amp;in_page_id=1770" title="http://www.dailymail.co.uk/pages/live/articles/news/news.html?in_article_id=499240&amp;in_page_id=1770"&gt;www.dailymail.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; To the untrained eye, they appear to be simple daubs that could have been created by a two year old. Which is precisely what they are.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
But that didn't stop the supposed experts falling over themselves to acclaim them. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The toddler in question is Freddie Linsky, who has fooled the art world into buying and asking to exhibit his paintings. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Freddie's efforts, which include works using tomato ketchup composed while sitting on his high chair, were posted by his mother Estelle Lovatt on collector Charles Saatchi's online gallery. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/D7DC9E6C-81E2-4C90-9EA0-22FA0B3FF1AF.jpg" alt="toddler painter" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Freddie is said to favour the "spot and blotch" technique pioneered by the American abstract expressionism movement in the 1950s. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
One creation&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;was captioned: "A bold use of colour. Inspired by the 'plein air' habit of painting by Monet, drawing on the natural world that surrounds us all."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/BEFCF9B7-C8BD-422E-A92D-DB64D8D1FF1B.jpg" alt="toddler painter" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Freddie's mother, a lecturer at Hampstead School of Art and a freelance art critic, said she never dreamt anyone would be duped by her over-the-top descriptions. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/014FE9FA-74AE-4ACB-AC58-22760DB9ECDC.jpg" alt="toddler painter" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/076910B9-7040-4CEA-A982-5075BBA43612.jpg" alt="toddler painter" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Freddie gets very excited&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/35954E3E-10E5-4811-8DDF-CC784AC41FCB.jpg" alt="toddler painter" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/D36ABD6F-BF3F-413B-AED8-A1017B772C45.jpg" alt="toddler painter" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/CC4D8344-E897-4F84-AE48-5536292665E6.jpg" alt="toddler painter" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/child/" rel="tag"&gt;child&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dailymail.co.uk/pages/live/articles/news/news.html?in_article_id=499240&amp;in_page_id=1770</clipSource><pubDate>Mon, 03 Dec 2007 11:31:18 GMT</pubDate></item><item><title>Bleaking Clay Figures</title><link>http://clipmarks.com/clipmark/8F3847DC-5BB5-4174-8E3D-D2F1DCFE42C6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/axelsenzon/"&gt;axelsenzon&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bored-todeath.com/?p=997" title="http://www.bored-todeath.com/?p=997"&gt;www.bored-todeath.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/axelsenzon/512/FD971932-FA8F-4898-9D44-415C1CE291DF.jpg" alt="01.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/axelsenzon/512/B2270CE9-899C-42C2-B712-6392671F467F.jpg" alt="02.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/axelsenzon/512/7E3C1D78-676A-4294-9F9A-FBA391CB529A.jpg" alt="03.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/axelsenzon/512/EEB0CC12-96EE-4595-BC50-FC4AE8B3FA58.jpg" alt="03b.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/axelsenzon/512/F2429606-816C-4EAD-A1BF-9557B977DD03.jpg" alt="04.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/axelsenzon/512/F695C64E-4F5F-4EAA-B27D-11BD79CEFE17.jpg" alt="05.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/axelsenzon/512/80955215-2BAC-4D92-B7B9-16F2B1ABBD9F.jpg" alt="06.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/axelsenzon/512/D17DC06C-177C-410C-A667-02C3868B187A.jpg" alt="07.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/axelsenzon/512/36BD7A03-928D-44DD-949D-357AE40305FE.jpg" alt="08.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sclupture/" rel="tag"&gt;sclupture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/expressionism/" rel="tag"&gt;expressionism&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.bored-todeath.com/?p=997</clipSource><pubDate>Mon, 19 Nov 2007 19:01:28 GMT</pubDate></item><item><title>Mystical Expressionism</title><link>http://clipmarks.com/clipmark/DE544A93-F483-4881-B88B-A0D9124A066A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Gul+Agha/"&gt;Gul Agha&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.medindia.net/news/view_main_print_new.asp" title="http://www.medindia.net/news/view_main_print_new.asp"&gt;www.medindia.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Two works by Jamali, an acclaimed US-based artist of Pakistani origin, will be auctioned for an AIDS charity at a private dinner he is hosting at his Manhattan gallery Sep 27. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;

He came in contact with Sufism early in his life and also acknowledges the influences of Buddhism and Hinduism on his art. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;

Now going by the name Jamali, the prolific artist runs two galleries for display and sale of his works in Florida besides the one in New York &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;

Jamali's artistic style called Mystical Expressionism - blending contemporary consciousness with art's ancient traditions - and charismatic persona have attracted a select circle of prestigious collectors including Raquel Welch, Oprah Winfrey, Elton John and Jack Welch. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;

"My objective is to raise one quarter of a million dollars from the two works," Jamali, who has been supporting many charities, told IANS. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BR /&gt;&lt;DIV&gt;

His co-host for the event with an exclusive guest list will be Sheila C. Johnson, an African-American billionaire philanthropist.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/sufism/" rel="tag"&gt;sufism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/buddhism/" rel="tag"&gt;buddhism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/aids/" rel="tag"&gt;aids&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/charity/" rel="tag"&gt;charity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/hinduism/" rel="tag"&gt;hinduism&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.medindia.net/news/view_main_print_new.asp</clipSource><pubDate>Fri, 21 Sep 2007 17:05:27 GMT</pubDate></item><item><title>  POOSTEERS</title><link>http://clipmarks.com/clipmark/7D9177D1-F702-4B09-BA28-B94090AC79DD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/shankargallery/"&gt;shankargallery&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.poosteers.com/" title="http://www.poosteers.com/"&gt;www.poosteers.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD nowrap="" align="left"&gt;   &lt;A href="http://www.Poosteers.com/"&gt;&lt;IMG border="0" src="http://www.poosteers.com/P.nsf/Logo.gif" /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/shankargallery/512/2B2A6DB3-1AE9-4B4A-AE47-0424EB324258.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="center"&gt; Fine Art Print and original art from living artists! &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD class="MGT"&gt;Subjects&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD align="center" class="MGTD"&gt;&lt;CENTER&gt;&lt;TABLE border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="top"&gt;&lt;A rel="nofollow" href="http://www.poosteers.com/P.nsf/AW?Open&amp;Query=[Champ2]+contains+%22Abstract%22"&gt;Abstract&lt;/A&gt; - &lt;A rel="nofollow" href="http://www.poosteers.com/P.nsf/AW?Open&amp;Query=[Champ2]+contains+%22Abstract Visions%22"&gt;Abstract Visions&lt;/A&gt; - &lt;A rel="nofollow" href="http://www.poosteers.com/P.nsf/AW?Open&amp;Query=[Champ2]+contains+%22Abstracted%22"&gt;Abstracted&lt;/A&gt; 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				Our Partners&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/prints/" rel="tag"&gt;prints&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/artscad/" rel="tag"&gt;artscad&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.poosteers.com/</clipSource><pubDate>Sat, 15 Sep 2007 15:32:47 GMT</pubDate></item><item><title>gallerytoday.com</title><link>http://clipmarks.com/clipmark/1A3B0F9D-E141-4BD6-BB87-BAEA57AEE557/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/shankargallery/"&gt;shankargallery&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.gallerytoday.com/index.php" title="http://www.gallerytoday.com/index.php"&gt;www.gallerytoday.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/shankargallery/512/FB5AFB95-CA59-4040-B9B1-4B7AD1B54A33.gif" alt="Fine Art Gallery - Original oil paintings for sale. Buy/Sell Landscape paintings - Abstract paintings, still life, flowers, religious icons...and more&gt;&gt;" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" height="59" align="center" colspan="3"&gt;&lt;FONT color="#677d94"&gt;&lt;B&gt;Welcome to Gallery Today.com&lt;/B&gt;&lt;BR /&gt;&lt;IMG width="283" height="44" src="http://www.gallerytoday.com/img/quote.gif" /&gt;&lt;/FONT&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;TABLE cellspacing="0" cellpadding="0" border="0" align="center"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD width="20"&gt;&lt;/TD&gt;&lt;TD&gt;&lt;A  class="link_mic" href="http://www.gallerytoday.com/index.php?categ_id=3&amp;subcateg=28"&gt;&lt;/A&gt;&lt;LI&gt;&lt;A  class="link_mic" href="http://www.gallerytoday.com/index.php?categ_id=3&amp;subcateg=28"&gt;abstract&lt;/A&gt;&lt;/LI&gt;&lt;/TD&gt;&lt;TD 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href="http://www.gallerytoday.com/index.php?paginameniu=pagini/best_artists.html"&gt;&lt;FONT size="2" face="Arial" color="#006666"&gt;They Successfully Sold&lt;/FONT&gt;&lt;/A&gt;&lt;FONT size="2" face="Arial"&gt; |  	 &lt;A target="_blank" href="http://www.gallerytoday.info"&gt;&lt;FONT color="#006666"&gt;Art Directory&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt; | 	 &lt;A href="http://www.gallerytoday.com/index.php?paginameniu=pagini/links_exchange.html"&gt;&lt;FONT color="#006666"&gt;Add a Site&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt; | 	 &lt;A  href="http://www.gallerytoday.com/index.php?paginameniu=pagini/sell.html"&gt;&lt;FONT color="#006666"&gt;Services for Painters&lt;/FONT&gt;&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="center"&gt;&lt;A  href="http://www.gallerytoday.com/index.php?paginameniu=pagini/religious_icon.html"&gt;&lt;FONT size="2" color="#006666"&gt;Buying 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color="#006666"&gt;Investing in Surrealist Artworks&lt;/FONT&gt;&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="center"&gt;&lt;A  href="http://www.gallerytoday.com/index.php?paginameniu=pagini/landscape_paintings.html"&gt;&lt;FONT size="2" color="#006666"&gt;Decorative Landscapes&lt;/FONT&gt;&lt;/A&gt; | &lt;A  href="http://www.gallerytoday.com/index.php?paginameniu=pagini/watercolor_paintings.html"&gt;&lt;FONT size="2" color="#006666"&gt;Watercolors&lt;/FONT&gt;&lt;/A&gt; | &lt;A  href="http://www.gallerytoday.com/index.php?paginameniu=pagini/nude_painting.html"&gt;&lt;FONT size="2" color="#006666"&gt;Experience the Beauty of Nude Paintings&lt;/FONT&gt;&lt;/A&gt; | &lt;A  href="http://www.gallerytoday.com/index.php?paginameniu=pagini/still_life_paintings.html"&gt;&lt;FONT size="2" color="#006666"&gt;Still Life&lt;/FONT&gt;&lt;/A&gt; | &lt;A  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    &lt;TD align="center" class="link"&gt;&lt;A  class="link" href="http://www.gallerytoday.com/index.php?categ_id=3&amp;subcateg=21"&gt;&lt;FONT size="1"&gt;Nude paintings&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;

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    &lt;TD align="center" class="link"&gt;&lt;A  class="link" href="http://www.gallerytoday.com/index.php?categ_id=3&amp;subcateg=21"&gt;&lt;/A&gt;&lt;A  class="link" href="http://www.gallerytoday.com/index.php?categ_id=3&amp;subcateg=28"&gt;&lt;FONT size="1"&gt;Abstract art&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;

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    &lt;TD align="center" class="link"&gt;&lt;A  class="link" href="http://www.gallerytoday.com/index.php?categ_id=3&amp;subcateg=26"&gt;&lt;FONT size="1"&gt;Still life&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;

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    &lt;TD align="center" class="link"&gt;&lt;A  class="link" href="http://www.gallerytoday.com/index.php?categ_id=4&amp;subcateg=4"&gt;&lt;FONT size="1"&gt;Oils&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;

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	&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.gallerytoday.com/index.php</clipSource><pubDate>Thu, 16 Aug 2007 16:29:45 GMT</pubDate></item><item><title>Kafka's Metamorphosis Illustrated</title><link>http://clipmarks.com/clipmark/2B297A43-F4A0-4A3D-9E6B-09ABF216AA5A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Since I have no way of lending my copy to most of you, I thought I'd just clip about it. This is especially for &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;, &lt;a href="http://clipmarks.com/clipper/Brimstone/"&gt;Brimstone&lt;/a&gt;, and other fans of German Expressionism. *This is where I shamelessly encourage you to get a copy: I got my copy of the book two years ago and I've never grown tired of it. Adaptations are rarely this great.&lt;img src="http://clipmarks.com/images/icons/smilies/grin.gif" alt="" /&gt; Visit the official site &lt;a href="http://www.randomhouse.com/crown/metamorphosis/" rel="nofollow" target="_blank"&gt;here&lt;/a&gt;. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.peterkuper.com/whatsnew/whatsnew_4.html" title="http://www.peterkuper.com/whatsnew/whatsnew_4.html"&gt;www.peterkuper.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/734990A9-9B81-40C7-BBB7-A50E717E7474.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Arial, Helvetica, sans-serif"&gt;&lt;BR /&gt;
        A brilliant, darkly comic reimagining of Franz Kafka’s classic
        tale of family, alienation, and a giant bug. &lt;BR /&gt;
        Kuper’s electric drawings – where
        American cartooning meets German expressionism – bring Kafka’s
        prose to vivid life, reviving the original story’s humor and poignancy
        in a way that will surprise and delight readers of Kafka and graphic
      novels alike.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE&gt;
        &lt;P&gt;&lt;FONT size="2" face="Arial, Helvetica, sans-serif"&gt;&lt;STRONG&gt;&lt;A  href="http://www.randomhouse.com/catalog/display.pperl?1400047951"&gt;Buy the Book&lt;/A&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;
        &lt;P&gt;&lt;STRONG&gt;&lt;FONT size="2" face="Arial, Helvetica, sans-serif"&gt;&lt;A  href="http://www.randomhouse.com/crown/metamorphosis/"&gt;See the
              Animation&lt;/A&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;
      &lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/illustration/" rel="tag"&gt;illustration&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reading/" rel="tag"&gt;reading&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/books/" rel="tag"&gt;books&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/franz+kafka/" rel="tag"&gt;franz kafka&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/peter+kuper/" rel="tag"&gt;peter kuper&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fiction/" rel="tag"&gt;fiction&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/graphic+novel/" rel="tag"&gt;graphic novel&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/expressionism/" rel="tag"&gt;expressionism&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.peterkuper.com/whatsnew/whatsnew_4.html</clipSource><pubDate>Thu, 05 Jul 2007 05:30:06 GMT</pubDate></item><item><title>Collection of German Expressionist Prints</title><link>http://clipmarks.com/clipmark/C5EF5B74-8F32-4445-9B0B-1FA4C62BE2EC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  More at the site: &lt;a href="http://web.grinnell.edu/art/gexp/" rel="nofollow" target="_blank"&gt;1&lt;/a&gt;, &lt;a href="http://web.grinnell.edu/art/gexp/catalogue/index2.html" rel="nofollow" target="_blank"&gt;2&lt;/a&gt;, &lt;a href="http://web.grinnell.edu/art/gexp/catalogue/index3.html" rel="nofollow" target="_blank"&gt;3&lt;/a&gt;. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/" title="http://web.grinnell.edu/art/gexp/catalogue/"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;1904-1928 (The Goldman Collection)&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The following catalogue lists the German Expressionist prints exhibited 
      in "Walking a Tightrope." Click on the artist's name (in&lt;BR /&gt;
      in most cases) for a gallery of thumbnails.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/cat68.jpg" title="http://web.grinnell.edu/art/gexp/catalogue/cat68.jpg"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/607B6191-C040-4E8D-A600-5B37DE270333.jpg" alt="http://web.grinnell.edu/art/gexp/catalogue/cat68.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/index3.html" title="http://web.grinnell.edu/art/gexp/catalogue/index3.html"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat68.jpg"&gt;Max 
      Pechstein&lt;/A&gt; &lt;BR /&gt;
      &lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat68.jpg"&gt;&lt;I&gt;Dein Reich komme&lt;/I&gt; (&lt;I&gt;Thy Kingdom Come&lt;/I&gt;), 1921&lt;/A&gt; 
      &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/cat32-1.jpg" title="http://web.grinnell.edu/art/gexp/catalogue/cat32-1.jpg"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/E09719E1-6266-4A69-8AEF-54C5EAC93446.jpg" alt="http://web.grinnell.edu/art/gexp/catalogue/cat32-1.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/index2.html" title="http://web.grinnell.edu/art/gexp/catalogue/index2.html"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat32-1.jpg"&gt;Max 
      Beckman, Tanzende (Dancing)&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/cat36.jpg" title="http://web.grinnell.edu/art/gexp/catalogue/cat36.jpg"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/AF0CC693-2D86-405C-8ADC-DE2DD25F9BCC.jpg" alt="http://web.grinnell.edu/art/gexp/catalogue/cat36.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/index2.html" title="http://web.grinnell.edu/art/gexp/catalogue/index2.html"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat36.jpg"&gt;Erich 
      Heckel&lt;/A&gt; &lt;BR /&gt;
      &lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat36.jpg"&gt;&lt;I&gt;Junges Mädchen&lt;/I&gt; (&lt;I&gt;Young Girl&lt;/I&gt;), 1913&lt;/A&gt; 
      &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/cat32-2.jpg" title="http://web.grinnell.edu/art/gexp/catalogue/cat32-2.jpg"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/0B941F14-3810-4039-AE22-2D1E8A8C1C15.jpg" alt="http://web.grinnell.edu/art/gexp/catalogue/cat32-2.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/index2.html" title="http://web.grinnell.edu/art/gexp/catalogue/index2.html"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat32-2.jpg"&gt;Heinrich 
      Campendonk, The Beggar, after Bruegel&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/cat23.jpg" title="http://web.grinnell.edu/art/gexp/catalogue/cat23.jpg"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/D5AD5D22-518B-4DCA-9272-23438C42F9B0.jpg" alt="http://web.grinnell.edu/art/gexp/catalogue/cat23.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/" title="http://web.grinnell.edu/art/gexp/catalogue/"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat23.jpg"&gt;Lovis 
      Corinth&lt;/A&gt; &lt;BR /&gt;
      &lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat23.jpg"&gt;&lt;I&gt;Tod bei Strucks&lt;/I&gt; (&lt;I&gt;Death and the Strucks&lt;/I&gt;), 
      1921&lt;/A&gt; &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/cat28.jpg" title="http://web.grinnell.edu/art/gexp/catalogue/cat28.jpg"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/CCA04CE4-A243-4C5E-B1DB-5237C1BC763E.jpg" alt="http://web.grinnell.edu/art/gexp/catalogue/cat28.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/index2.html" title="http://web.grinnell.edu/art/gexp/catalogue/index2.html"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat28.jpg"&gt;Lyonel 
      Feininger&lt;/A&gt; &lt;BR /&gt;
      &lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat28.jpg"&gt;&lt;I&gt;Kleinstadt&lt;/I&gt; (&lt;I&gt;Small Town&lt;/I&gt;), 1918&lt;/A&gt; &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/cat67.jpg" title="http://web.grinnell.edu/art/gexp/catalogue/cat67.jpg"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/633B1C31-36FF-4BD8-A54B-EC1B5CFABBE8.jpg" alt="http://web.grinnell.edu/art/gexp/catalogue/cat67.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/index3.html" title="http://web.grinnell.edu/art/gexp/catalogue/index3.html"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat67.jpg"&gt;Max 
      Pechstein&lt;/A&gt; &lt;BR /&gt;
      &lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat67.jpg"&gt;&lt;I&gt;Kopf eines bärtigen Fischers&lt;/I&gt; (&lt;I&gt;Head of a Bearded 
      Fisherman&lt;/I&gt;), 1921&lt;/A&gt; &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/cat63.jpg" title="http://web.grinnell.edu/art/gexp/catalogue/cat63.jpg"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/9236D5AB-67B0-4EE1-A8BF-108315463737.jpg" alt="http://web.grinnell.edu/art/gexp/catalogue/cat63.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/index3.html" title="http://web.grinnell.edu/art/gexp/catalogue/index3.html"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat63.jpg"&gt;&lt;IMG width="48" height="72" border="0" align="left" src="http://web.grinnell.edu/art/gexp/catalogue/cat63-stamp.jpg" /&gt;Richard 
      Müller&lt;/A&gt; &lt;BR /&gt;
      &lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat63.jpg"&gt;&lt;I&gt;Auf Freiersfüssen&lt;/I&gt; (&lt;I&gt;Courting&lt;/I&gt;), 1914&lt;/A&gt; 
      &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/cat47.jpg" title="http://web.grinnell.edu/art/gexp/catalogue/cat47.jpg"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/FA00E441-8CB7-4B7B-AD10-957A0F0E732E.jpg" alt="http://web.grinnell.edu/art/gexp/catalogue/cat47.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/index2.html" title="http://web.grinnell.edu/art/gexp/catalogue/index2.html"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat47.jpg"&gt;Käthe 
      Kollwitz&lt;/A&gt; &lt;BR /&gt;
      &lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat47.jpg"&gt;&lt;I&gt;Tod mit Frau im Schoss&lt;/I&gt; (&lt;I&gt;Death with Woman on 
      Lap&lt;/I&gt;), 1921&lt;/A&gt; &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/cat45.jpg" title="http://web.grinnell.edu/art/gexp/catalogue/cat45.jpg"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/428BAF4F-28FF-473B-B738-DDEEE3CF57A9.jpg" alt="http://web.grinnell.edu/art/gexp/catalogue/cat45.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/index2.html" title="http://web.grinnell.edu/art/gexp/catalogue/index2.html"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat45.jpg"&gt;Oskar 
      Kokoschka&lt;/A&gt; &lt;BR /&gt;
      &lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat45.jpg"&gt;&lt;I&gt;Ivar von Lücken&lt;/I&gt; (&lt;I&gt;Portrait of Ivar von Lücken&lt;/I&gt;), 
      1918&lt;/A&gt; &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/cat13.jpg" title="http://web.grinnell.edu/art/gexp/catalogue/cat13.jpg"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/12212329-B365-48E4-A37B-8C252E623119.jpg" alt="http://web.grinnell.edu/art/gexp/catalogue/cat13.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/" title="http://web.grinnell.edu/art/gexp/catalogue/"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat13.jpg"&gt;Max 
      Beckmann&lt;/A&gt; &lt;BR /&gt;
      &lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat13.jpg"&gt;&lt;I&gt;Der grosse Mann&lt;/I&gt; (&lt;I&gt;The Tall Man&lt;/I&gt;), 1921 &lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/cat62.jpg" title="http://web.grinnell.edu/art/gexp/catalogue/cat62.jpg"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/3DD5F8BE-7E98-414A-A0B7-67D6DB29DDC6.jpg" alt="http://web.grinnell.edu/art/gexp/catalogue/cat62.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.grinnell.edu/art/gexp/catalogue/index3.html" title="http://web.grinnell.edu/art/gexp/catalogue/index3.html"&gt;web.grinnell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat62.jpg"&gt;Otto 
      Mueller&lt;/A&gt; &lt;BR /&gt;
      &lt;A href="http://web.grinnell.edu/art/gexp/catalogue/cat62.jpg"&gt;&lt;I&gt;Ein sitzendes und ein kniendes Mädchen unter Blättern&lt;/I&gt; 
      (&lt;I&gt;One Seated and One Kneeling Girl Among Foliage&lt;/I&gt;), 1920&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/german/" rel="tag"&gt;german&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/expressionism/" rel="tag"&gt;expressionism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/collection/" rel="tag"&gt;collection&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/prints/" rel="tag"&gt;prints&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://web.grinnell.edu/art/gexp/catalogue/</clipSource><pubDate>Thu, 05 Jul 2007 05:29:18 GMT</pubDate></item><item><title>Themes in German Expressionist Prints</title><link>http://clipmarks.com/clipmark/2AAA5131-122A-4064-BD47-2221DB0609AB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;a href="http://www.moma.org/brucke/" rel="nofollow" target="_blank"&gt;View exhibit here&lt;/a&gt;. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.commarts.com/ca/interactive_d/cai02/03_ia02.html" title="http://www.commarts.com/ca/interactive_d/cai02/03_ia02.html"&gt;www.commarts.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/3398423F-A31B-4123-BB7C-5EC4D673F404.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/E1F46483-2529-4D3B-81CD-93128625368F.gif" alt="launch" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/F766C40D-9955-4E98-9872-C68D17D1D897.jpg" alt="Artists of Brucke Graphic" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.secondstory.com/collection.php?id=41&amp;mode=on" title="http://www.secondstory.com/collection.php?id=41&amp;mode=on"&gt;www.secondstory.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="boxText"&gt;&lt;IMG vspace="0" hspace="0" border="0" align="left" alt="T" src="http://www.secondstory.com/images/cap_t.gif" /&gt;his site is The Museum of Modern Art’s first, exclusively created “virtual” exhibition and showcases its unparalleled collection of German Expressionist prints and illustrated books. The Brücke group, formed in 1905 in Dresden by four revolutionary architectural students including Ernst Ludwig Kirchner and Erich Heckel, strove to achieve a new synthesis between art and life, bringing meaning back to what they considered the superficial bourgeois existence of German life under Kaiser Wilhelm II. They organized exhibitions and publicized their own work by issuing annual portfolios of prints. Printmaking, and the woodcut in particular, became one of their most important modes of expression. This site presents more than 110 prints arranged into thematic groupings that highlight the issues and motifs central to this seminal movement in the history of modern prints. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/german/" rel="tag"&gt;german&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/expressionism/" rel="tag"&gt;expressionism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/prints/" rel="tag"&gt;prints&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/themes/" rel="tag"&gt;themes&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/books/" rel="tag"&gt;books&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/collection/" rel="tag"&gt;collection&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/online/" rel="tag"&gt;online&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/museum/" rel="tag"&gt;museum&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.commarts.com/ca/interactive_d/cai02/03_ia02.html</clipSource><pubDate>Thu, 05 Jul 2007 05:28:55 GMT</pubDate></item></channel></rss>