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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Complexity Clips</title><link>http://clipmarks.com/tags/complexity/</link><feedUrl>http://rss.clipmarks.com/tags/complexity/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>C# Web Mapping Service</title><link>http://clipmarks.com/clipmark/DE66017B-90E0-4E88-8126-DE4FC5CC360C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mbrush/"&gt;mbrush&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.codeproject.com/KB/graphics/wmsoverviewall.aspx" title="http://www.codeproject.com/KB/graphics/wmsoverviewall.aspx"&gt;www.codeproject.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Free Maps from the Web Using Web Mapping Service&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This tutorial introduces the Web Mapping Service (WMS) protocol standardized by the OpenGIS Consortium for retrieving geographic maps over the internet. The tutorial provides C# examples of progressively increasing complexity to illustrate use of the protocol and programmatic access from Windows .Net applications. Several utility classes for accessing WMS servers and information are provided and described.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/maps/" rel="tag"&gt;maps&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/c%23/" rel="tag"&gt;c#&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/wms/" rel="tag"&gt;wms&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/web+service/" rel="tag"&gt;web service&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/gis/" rel="tag"&gt;gis&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.codeproject.com/KB/graphics/wmsoverviewall.aspx</clipSource><pubDate>Mon, 18 Aug 2008 06:08:28 GMT</pubDate></item><item><title>Ten paradoxical traits of the creative personality</title><link>http://clipmarks.com/clipmark/4B62E14F-2D2C-4D2A-BE40-7A910ADB3E75/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/a_chink_in_ur_armor/"&gt;a_chink_in_ur_armor&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.psychologytoday.com/articles/pto-19960701-000033.html" title="http://www.psychologytoday.com/articles/pto-19960701-000033.html"&gt;www.psychologytoday.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="text"&gt;When we're creative, we feel we are living more fully than during
    the rest of life. The excitement of the artist at the easel or the
    scientist in the lab comes dose to the ideal fulfillment we all hope to
    get from life, and so rarely do. Perhaps only sex, sports, music, and
    religious ecstasy--even when these experiences remain fleeting and leave
    no trace--provide a profound sense of being part of an entity greater
    than ourselves. But creativity also leaves an outcome that adds to the
    richness and complexity of the future.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/creativity/" rel="tag"&gt;creativity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/arts/" rel="tag"&gt;arts&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/imagination/" rel="tag"&gt;imagination&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.psychologytoday.com/articles/pto-19960701-000033.html</clipSource><pubDate>Sun, 17 Aug 2008 00:57:21 GMT</pubDate></item><item><title>Messy Truth about Georgia</title><link>http://clipmarks.com/clipmark/1A95EBAE-90B1-405D-9AE0-C76B8AC44D0B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Article deals with US foreign policy. What's horribly remarkable about this human tragedy is how utterly predictable have been many responses by those unwilling (or unable?) to consider the situation in its full historical complexity.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spiked-online.com/index.php?/site/earticle/5568/" title="http://www.spiked-online.com/index.php?/site/earticle/5568/"&gt;www.spiked-online.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;It is remarkable how quickly other people’s bloody tragedies can be transformed into simple morality tales by Western observers sitting in cushioned, air-conditioned offices.&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
The problem with this fairytale script that is being cut-and-pasted on to the horrendous massacres of people in South Ossetia and Georgia is that it is almost entirely wrong.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;As one columnist says, ‘The history behind Georgia’s “frozen conflicts” is long and complex… but complexity is no excuse for abdicating moral judgement in situations of this importance.’ &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In short? Don’t let the facts – pesky complexity – get in the way of a good morality tale. People in South Ossetia and Georgia have suffered the double horror of being attacked, maimed and killed in a conflict unleashed by new post-Cold War instabilities, and then being marshalled like political ghosts in a morality tale that is likely to make things worse.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/georgia/" rel="tag"&gt;georgia&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.spiked-online.com/index.php?/site/earticle/5568/</clipSource><pubDate>Fri, 15 Aug 2008 19:39:14 GMT</pubDate></item><item><title>UBS Universal Bank Model Breaks</title><link>http://clipmarks.com/clipmark/5DFB345F-0E4F-4A11-813F-A0DF6D980F6F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Forbes+Markets/"&gt;Forbes Markets&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  More UBS's risk controls than its model that broke, me thinks. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.reuters.com/article/ousiv/idUSLC49736620080812" title="http://www.reuters.com/article/ousiv/idUSLC49736620080812"&gt;www.reuters.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;UBS's (UBSN.VX: &lt;A href="http://www.reuters.com/stocks/quote?symbol=UBSN.VX"&gt;Quote&lt;/A&gt;, &lt;A href="http://www.reuters.com/stocks/companyProfile?symbol=UBSN.VX"&gt;Profile&lt;/A&gt;, &lt;A href="http://www.reuters.com/stocks/researchReports?symbol=UBSN.VX"&gt;Research&lt;/A&gt;, &lt;A href="http://reuters.socialpicks.com/stock/r/UBSN"&gt;Stock Buzz&lt;/A&gt;) blunt admission that its universal banking model blurs risk, adds complexity and can eat up capital will put pressure on rivals with a similar strategy to reassess their future.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;UBS -- Europe's biggest casualty of the credit crunch -- said on Tuesday it will separate its wealth management arm from its troubled investment bank, which analysts expect to lead to a spin-off or sale of the latter. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/ubs/" rel="tag"&gt;ubs&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/banking/" rel="tag"&gt;banking&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/credit+crisis/" rel="tag"&gt;credit crisis&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.reuters.com/article/ousiv/idUSLC49736620080812</clipSource><pubDate>Tue, 12 Aug 2008 23:28:25 GMT</pubDate></item><item><title>Handle With Care</title><link>http://clipmarks.com/clipmark/F482E6C8-D41E-4DF5-A366-03D715817C85/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/debbyski/"&gt;debbyski&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "Last year, a private company proposed “fertilizing” parts of the ocean with iron, in hopes of encouraging carbon-absorbing blooms of plankton. Meanwhile, researchers elsewhere are talking about injecting chemicals into the atmosphere, launching sun-reflecting mirrors into stationary orbit above the earth or taking other steps to reset the thermostat of a warming planet.&lt;br/&gt;This technology might be useful, even life-saving. But it would inevitably produce environmental effects impossible to predict and impossible to undo. So a growing number of experts say it is time for broad discussion of how and by whom it should be used, or if it should be tried at all." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/08/12/science/12ethics.html?_r=1&amp;th&amp;emc=th&amp;oref=slogin" title="http://www.nytimes.com/2008/08/12/science/12ethics.html?_r=1&amp;th&amp;emc=th&amp;oref=slogin"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;There are even those who suggest humanity should collectively decide to turn away from some new technologies as inherently dangerous.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; “The complexity of newly engineered systems coupled with their potential impact on lives, the environment, etc., raise a set of ethical issues that engineers had not been thinking about,” said William A. Wulf, a computer scientist who until last year headed the National Academy of Engineering. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; Rachelle Hollander, a philosopher who directs the center, said the new technologies were so powerful that “our saving grace, our inability to affect things at a planetary level, is being lost to us,” as human-induced &lt;A title="Recent and archival news about global warming." href="http://topics.nytimes.com/top/news/science/topics/globalwarming/index.html?inline=nyt-classifier"&gt;climate change&lt;/A&gt; is demonstrating. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“It leaves the door open for people to do something that is going to cause long-term problems.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;But he added that progress in robotics was so “insidious” that people might not realize they had  ventured into ethically challenging territory until too late. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2008/08/12/science/12ethics.html?_r=1&amp;th&amp;emc=th&amp;oref=slogin</clipSource><pubDate>Tue, 12 Aug 2008 13:21:45 GMT</pubDate></item><item><title>Beyond Web 2.0: How Tech will Change the World (video)</title><link>http://clipmarks.com/clipmark/4641D6A4-8E1D-43C9-A294-7DCAC83C7CB1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The video (1h40m) can't be clipped, but you can watch it online at the source.&lt;br/&gt;&lt;br/&gt;&lt;blockquote&gt;Dr. Hiroshi Tasaka discusses Beyond Web 2.0: How the Next Tech Revolution will Change the World.&lt;br/&gt;&lt;br/&gt;Dr. Hiroshi Tasaka, Professor at Tama University in Tokyo, and President of Thinktank SophiaBank, has authored numerous books on the philosophy of working, management theory, business strategy, the Internet revolution and knowledge society, as well as paradigm shifts in human society.&lt;br/&gt;&lt;br/&gt;A specialist in complexity systems, Dr. Tasaka will explore how next technology revolution will further empower the individual, blending the monetary and voluntary economies to create a new system of Capitalism. Dr. Tasaka will also discuss ways in which technology will help build bridges between the U.S. and Japan, as well as among countries in Asia in the emerging post-knowledge society - Imagining Global Asia&lt;/blockquote&gt; He talks about Dialectic Philosophy, Complexity Sciences &amp;amp; Collective Psychology among other th &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://fora.tv/2007/11/29/Beyond_Web_2_0_How_Tech_will_Change_the_World" title="http://fora.tv/2007/11/29/Beyond_Web_2_0_How_Tech_will_Change_the_World"&gt;fora.tv&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="program_title"&gt;Beyond Web 2.0: How Tech will Change the World&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TABLE&gt;
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                            &lt;TD align="right"&gt;&lt;A target="download" name="" href="http://fora.tv/fora/fora_download?cid=2033&amp;fid=7010"&gt;Audio (Mp3)&lt;/A&gt;&lt;/TD&gt;
                            &lt;TD&gt;48 MB&lt;/TD&gt;
                            &lt;TD&gt;&lt;SPAN rel="" id="media_0" class="media_time"&gt;12 min&lt;/SPAN&gt;&lt;/TD&gt;
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                            &lt;TD align="right"&gt;&lt;A target="download" name="" href="http://fora.tv/fora/fora_download?cid=2033&amp;fid=7009"&gt;Video (Mp4)&lt;/A&gt;&lt;/TD&gt;
                            &lt;TD&gt;364 MB&lt;/TD&gt;
                            &lt;TD&gt;&lt;SPAN rel="" id="media_1" class="media_time"&gt;1.5 hr&lt;/SPAN&gt;&lt;/TD&gt;
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                      &lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/society/" rel="tag"&gt;society&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/future/" rel="tag"&gt;future&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/web+2.0/" rel="tag"&gt;web 2.0&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/internet/" rel="tag"&gt;internet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/web/" rel="tag"&gt;web&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/complexity/" rel="tag"&gt;complexity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/psychology/" rel="tag"&gt;psychology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/philosophy/" rel="tag"&gt;philosophy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/innovation/" rel="tag"&gt;innovation&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://fora.tv/2007/11/29/Beyond_Web_2_0_How_Tech_will_Change_the_World</clipSource><pubDate>Tue, 12 Aug 2008 12:05:52 GMT</pubDate></item><item><title>Playing With Complexity</title><link>http://clipmarks.com/clipmark/3DAAE351-BFDF-45CE-99B7-3C0AEBC9E586/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://leapfrog.nl/blog/archives/2008/07/09/playing-with-complexity/" title="http://leapfrog.nl/blog/archives/2008/07/09/playing-with-complexity/"&gt;leapfrog.nl&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Playing With Complexity&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;In brief, in the presentation I argue two things: one — that the more sophisticated applications of interactive data visualization resemble games and toys in many ways, and two — that game design can contribute to the solutions to several design issues I have detected in the field of data visualization.&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Below are the notes for the talk, slightly edited, and with references included. The &lt;A href="http://www.slideshare.net/kaeru/playing-with-complexity-nlgd-festival-of-games-2008/"&gt;full deck of slides&lt;/A&gt;, which includes credits for all the images used, is up on SlideShare.&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In my work I focus on three areas: mobility, social interactions, and play. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;My talk is roughly divided in three parts. First, I will briefly describe what I think data visualization is. Next, I will look at some applications beyond the very obvious. Third and last, I will discuss some design issues involved with data visualization. For each of these issues, I will show how game design can contribute.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/visualization/" rel="tag"&gt;visualization&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/data+visualization/" rel="tag"&gt;data visualization&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/game/" rel="tag"&gt;game&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/games/" rel="tag"&gt;games&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/interaction/" rel="tag"&gt;interaction&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/complexity/" rel="tag"&gt;complexity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/design/" rel="tag"&gt;design&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/information+design/" rel="tag"&gt;information design&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://leapfrog.nl/blog/archives/2008/07/09/playing-with-complexity/</clipSource><pubDate>Sun, 10 Aug 2008 07:35:56 GMT</pubDate></item><item><title>One more game has been won</title><link>http://clipmarks.com/clipmark/1DE97C92-FE77-4C19-B8EA-BBA8482DC4C3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/balthazarus/"&gt;balthazarus&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Go, played by placing stones on a uniform 19x19 grid, does not allow for that kind of shortcut. The strategy that's proved most effective for computer Go is the Monte Carlo method, in which possible moves are assembled in a tree structure, and given statistical weight based on how likely they are to lead to a win."&lt;br/&gt;&lt;br/&gt;&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.popsci.com/entertainment-%2526-gaming/article/2008-08/rise-game-playing-machines" title="http://www.popsci.com/entertainment-%2526-gaming/article/2008-08/rise-game-playing-machines"&gt;www.popsci.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Rise of the Game-Playing Machines &lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;We humans are no longer undefeated in the classic game of Go. Next year: the first computer poet laureate &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/510430AA-116A-4329-B8CD-5DB4AB21FD10.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The game of Go has long been a bastion of human brilliance. While computers have gotten steadily better at playing chess and poker, they've had a harder time wrapping their silicon minds around the elegant Japanese strategy game. That's why it's a big deal that a computer Go player known as MoGo &lt;A href="http://www.usgo.org/index.php?%23_id=4602"&gt;beat&lt;/A&gt; a top-ranked human, Myungwan Kim, yesterday.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;While the complexity of chess is quite high -- there are an estimated 
10&lt;SUP&gt;123&lt;/SUP&gt; possible ways a chess game can play out -- the systematic 
nature of that game is susceptible to the sorts of strategies computers are good 
at, with libraries of endgames and simple heuristics for eliminating possible 
but nonsensical plays.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;For yesterday's game, the &lt;A href="http://senseis.xmp.net/?MoGo"&gt;MoGo&lt;/A&gt; 
software ran on a supercomputer with 800 parallel processors&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It's starting to seem as though it won't be long before computers can reliably 
beat human &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/computer/" rel="tag"&gt;computer&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/games/" rel="tag"&gt;games&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ai/" rel="tag"&gt;ai&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.popsci.com/entertainment-%2526-gaming/article/2008-08/rise-game-playing-machines</clipSource><pubDate>Sat, 09 Aug 2008 11:50:02 GMT</pubDate></item><item><title>searching for Oakland's signature cocktail</title><link>http://clipmarks.com/clipmark/DF3E058D-E069-4A47-9E3D-F12D9844A385/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Lexica/"&gt;Lexica&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The VanOakhatten sounds good (Bulleit bourbon and four bitters? yum!), but vodka martini? Pabst Blue Ribbon? Long Island Iced Tea?&lt;br/&gt;&lt;br/&gt;Come on, people, let's use SOME creativity here.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.insidebayarea.com/news/ci_10132628" title="http://www.insidebayarea.com/news/ci_10132628"&gt;www.insidebayarea.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="bodytext"&gt;Finding a signature cocktail that represents Oakland is turning out to be more of a challenge than I expected when the seemingly bright idea struck me a few months ago. How to pin down a city as diverse and multifaceted as Oakland in just a few ingredients? &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Peter Van Kleef, the chief of Cafe Van Kleef&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;nominated the VanOakhatten&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Van Kleef substituted Makers Mark and Bulleit bourbons for the rye whiskey conventionally used in a Manhattan. Then he added four bitters that he said make magic with the cocktail, giving it "a nose and high-end complexity like a fine wine."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"The taste," he said, is very Oaklandish and strikes a chord with the diverse, ethnically mixed residents of Oakland, whether they are the Courvoisier cognac-sippers or Jameson whiskey-drinkers.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/cocktails/" rel="tag"&gt;cocktails&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/oakland/" rel="tag"&gt;oakland&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/for%3aspiritualmonkey/" rel="tag"&gt;for:spiritualmonkey&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.insidebayarea.com/news/ci_10132628</clipSource><pubDate>Fri, 08 Aug 2008 20:10:49 GMT</pubDate></item><item><title>Strong password rules #1</title><link>http://clipmarks.com/clipmark/0612D06A-8137-4812-A5DE-7223BC95B03E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/cyberwiz/"&gt;cyberwiz&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thegeekstuff.com/2008/06/the-ultimate-guide-for-creating-strong-passwords/" title="http://www.thegeekstuff.com/2008/06/the-ultimate-guide-for-creating-strong-passwords/"&gt;www.thegeekstuff.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;I. Two essential password rules:&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Following two rules are bare minimal that you should follow while creating a password.&lt;BR /&gt;
&lt;SPAN id="more-30"&gt;&lt;/SPAN&gt;&lt;BR /&gt;
&lt;STRONG&gt;Rule 1 - Password Length:&lt;/STRONG&gt; Stick with passwords that are at least 8 characters in length. The more character in the passwords is better, as the time taken to crack the password by an attacker will be longer. 10 characters or longer are better.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;Rule 2 - Password Complexity:&lt;/STRONG&gt; Should contain at least one character from each of the following group. At least 4 characters in your passwords should be each one of the following.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;Lower case alphabets&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;Upper case alphabets&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;Numbers&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;Special Characters&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;I call the above two rules combined as &lt;STRONG&gt;“8 4 Rule”&lt;/STRONG&gt; (Eight Four Rule):&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;STRONG&gt;8&lt;/STRONG&gt; = 8 characters minimum length&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;STRONG&gt;4&lt;/STRONG&gt; = 1 lower case + 1 upper case + 1 number + 1 special character.&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; If your banking and any financially sensitive website passwords doesn’t follow the “8 4 Rule”, I strongly suggest that you stop everything now and change those passwords immediately to follow the “8 4 Rule”.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.thegeekstuff.com/2008/06/the-ultimate-guide-for-creating-strong-passwords/</clipSource><pubDate>Fri, 08 Aug 2008 09:46:22 GMT</pubDate></item><item><title>Walmart goes local</title><link>http://clipmarks.com/clipmark/648B6CC7-AC56-416D-9058-A6A368755E9F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/lindabeekeeper/"&gt;lindabeekeeper&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  They've always had a brilliant distribution system.  It is great that they're able to add this layer of complexity to it.  I hope it does benefit local organic growers and does not turn them into one crop wonders. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/08/06/dining/06local.html" title="http://www.nytimes.com/2008/08/06/dining/06local.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Last month Wal-Mart announced that it plans to spend $400 million this year on locally grown produce, making it the largest player in that market.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/local+eating/" rel="tag"&gt;local eating&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/wal-mart/" rel="tag"&gt;wal-mart&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2008/08/06/dining/06local.html</clipSource><pubDate>Thu, 07 Aug 2008 12:49:03 GMT</pubDate></item><item><title>Richard Dawkins branded 'secularist bigot' by veteran philosopher</title><link>http://clipmarks.com/clipmark/EE1D1CC9-8B36-4A3A-9577-45D1269E83A4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/suckmyclip/"&gt;suckmyclip&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "The fault of Dawkins as an academic was his scandalous and apparently deliberate refusal to present the doctrine which he appears to think he has refuted in its strongest form."&lt;br/&gt;&lt;br/&gt;He says there are five references to Einstein in the index to The God Delusion, but no mention of his belief that the complexity of physics led him to conclude that there must be a divine intelligence behind it.&lt;br/&gt;&lt;br/&gt;"An academic attacking some ideological position which he believes to be mistaken must of course attack that position in its strongest form. This Dawkins does not do in the case of Einstein and his failure is the crucial index of his insincerity of academic purpose and therefore warrants me in charging him with having become, what he has probably believed to be an impossibility, a secularist bigot."&lt;br/&gt;&lt;br/&gt;He went on: "The whole enterprise of The God Delusion was not, as it at least pretended to be, an attempt to discover and spread knowledge of the existence or non-existence of God but rather an att &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/earth/main.jhtml?view=DETAILS&amp;grid=&amp;xml=/earth/2008/08/01/scidawkin101.xml" title="http://www.telegraph.co.uk/earth/main.jhtml?view=DETAILS&amp;grid=&amp;xml=/earth/2008/08/01/scidawkin101.xml"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;The prominent scientist Richard Dawkins has been denounced as a "secularist bigot" by a philosopher who was himself once renowned for being an atheist.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;He is accused by Prof Antony Flew of being more interested in promoting his personal views than finding the truth, in the latest controversy over his best-selling book The God Delusion.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;Prof Dawkins, professor of the Public Understanding of Science at Oxford University, is also said to have "scandalously" selected particular quotes from Einstein to back up his claims that God does not exist and that people who believe in a divine creator despite an abundance of contradictory evidence are delusional.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;In an article for the Christian website Bethinking.org, he writes: "The fault of Dawkins as an academic was his scandalous and apparently deliberate refusal to present the doctrine which he appears to think he has refuted in its strongest form."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/supercilious/" rel="tag"&gt;supercilious&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.telegraph.co.uk/earth/main.jhtml?view=DETAILS&amp;grid=&amp;xml=/earth/2008/08/01/scidawkin101.xml</clipSource><pubDate>Wed, 06 Aug 2008 23:21:09 GMT</pubDate></item><item><title>David Deutsch: Quantum physicist</title><link>http://clipmarks.com/clipmark/8BB72365-D2A5-4BF3-A710-B472BE6023FB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/zalisan/"&gt;zalisan&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ted.com/index.php/speakers/david_deutsch.html" title="http://www.ted.com/index.php/speakers/david_deutsch.html"&gt;www.ted.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="clearfix"&gt;
					&lt;DIV&gt;
					&lt;IMG alt="" src="http://images.ted.com/images/ted/1323_253x190.jpg" /&gt;					&lt;/DIV&gt;
					&lt;P&gt;David Deutsch's 1997 book &lt;EM&gt;The Fabric of Reality&lt;/EM&gt; laid the groundwork for an all-encompassing Theory of Everything, and galvanized interest in the idea of a quantum computer, which could solve problems of hitherto unimaginable complexity.&lt;/P&gt;
				&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;
						Why you should listen to him:						&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;More than any other thinker, David Deutsch will force you to reconsider your place in the world. This legendary Oxford physicist is the leading proponent of the multiverse (or "many worlds") interpretation of quantum theory -- &lt;STRONG&gt;the astounding idea that our universe is constantly spawning countless numbers of &lt;A target="_blank" href="http://www.qubit.org/people/david/index.php?path=Parallel%20Universes"&gt;parallel worlds&lt;/A&gt;&lt;/STRONG&gt;. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In his own words: "Everything in our universe -- including you and me, every atom and every galaxy -- has counterparts in these other universes." If that doesn't alter your consciousness, then the other implications he's derived from his study of subatomic physics -- including &lt;STRONG&gt;the possibility of time travel&lt;/STRONG&gt; -- just might. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/quantum+theory/" rel="tag"&gt;quantum theory&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/parallel+worlds/" rel="tag"&gt;parallel worlds&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/subatomic+physics/" rel="tag"&gt;subatomic physics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/evolution/" rel="tag"&gt;evolution&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.ted.com/index.php/speakers/david_deutsch.html</clipSource><pubDate>Tue, 05 Aug 2008 02:01:47 GMT</pubDate></item><item><title>Top 10 Concepts That Every Software Engineer Should Know</title><link>http://clipmarks.com/clipmark/9127B253-9526-415C-A791-EE46E94544F5/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/houpeicn/"&gt;houpeicn&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  1. Interfaces接口&lt;br/&gt;2. Conventions and Templates设计模式&lt;br/&gt;3. Layering分层&lt;br/&gt;4. Algorithmic Complexity算法&lt;br/&gt;5. Hashing哈希&lt;br/&gt;6. Caching缓存&lt;br/&gt;7. Concurrency多线程并发&lt;br/&gt;8. Cloud Computing云计算&lt;br/&gt;9. Security安全&lt;br/&gt;10. Relational Databases关系数据库 &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.readwriteweb.com/archives/top_10_concepts_that_every_software_engineer_should_know.php" title="http://www.readwriteweb.com/archives/top_10_concepts_that_every_software_engineer_should_know.php"&gt;www.readwriteweb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A &lt;A href="http://www.readwriteweb.com/archives/top_10_software_engineer_traits.php"&gt;successful software engineer&lt;/A&gt; knows and uses design patterns, actively refactors code, writes unit tests and religiously seeks simplicity. Beyond the basic methods, there are concepts that good software engineers know about. These transcend programming languages and projects - they are not design patterns, but rather broad areas that you need to be familiar with. The top 10 concepts are:&lt;/P&gt; 

&lt;OL&gt;
&lt;LI&gt;Interfaces&lt;/LI&gt;
&lt;LI&gt;Conventions and Templates&lt;/LI&gt;
&lt;LI&gt;Layering&lt;/LI&gt;
&lt;LI&gt;Algorithmic Complexity&lt;/LI&gt;
&lt;LI&gt;Hashing&lt;/LI&gt;
&lt;LI&gt;Caching&lt;/LI&gt;
&lt;LI&gt;Concurrency&lt;/LI&gt;
&lt;LI&gt;Cloud Computing&lt;/LI&gt;

&lt;LI&gt;Security&lt;/LI&gt;
&lt;LI&gt;Relational Databases&lt;/LI&gt;&lt;/OL&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/web+2.0/" rel="tag"&gt;web 2.0&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.readwriteweb.com/archives/top_10_concepts_that_every_software_engineer_should_know.php</clipSource><pubDate>Mon, 04 Aug 2008 09:23:38 GMT</pubDate></item><item><title> Camilla d'Errico Release: "Malificent"</title><link>http://clipmarks.com/clipmark/DC400475-49D4-4FCD-8F9B-3EB4A454E800/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/stvbee/"&gt;stvbee&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  can't get this bit to clip - but here is the intro from juxtapoz:&lt;br/&gt;&lt;br/&gt;Fresh off a sold out solo exhibition at LA's Copro Nason gallery, Camilla d'Errico is gearing up for so much more - starting with a new print release from Paper Tiger. Titled Malificent, this beauty is an edition of only 25, and is sure to be a collectors dream.&lt;br/&gt;Already a comic industry veteran, Camilla realized she could expand her style into a variety of other industries; snowboards, magazine covers, toys, clothes. Camilla has begun to carve out a niche for herself in the fine art field thanks to her fiery nature, high level of ambition and persistence in following her dream.&lt;br/&gt;Her work is characterized by an emotional complexity that spans the full array of human emotions and touches the soul. She is part of what may be the first art movement in Western history where women are not second-class citizens, but may even have an edge in the mind of the public, especially when it comes to capturing the essence that is wo &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.juxtapoz.com/" title="http://www.juxtapoz.com/"&gt;www.juxtapoz.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/stvbee/512/6349DB85-17B8-41ED-9962-46347E1E095E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="100%" class="contentheading"&gt;
					&lt;A class="contentpagetitle" href="http://www.juxtapoz.com/index.php?option=com_content&amp;task=view&amp;id=3990&amp;Itemid=1"&gt;
						Camilla d'Errico Release: "Malificent"&lt;/A&gt;
									&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/drawing/" rel="tag"&gt;drawing&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.juxtapoz.com/</clipSource><pubDate>Mon, 04 Aug 2008 06:06:03 GMT</pubDate></item></channel></rss>