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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Cello Clips</title><link>http://clipmarks.com/tags/cello/</link><feedUrl>http://rss.clipmarks.com/tags/cello/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Judgement Day: Heavy metal trio with strings</title><link>http://clipmarks.com/clipmark/046DD649-439F-4500-9592-724125E0FD26/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Lexica/"&gt;Lexica&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/10/01/NSDE19R2LP.DTL&amp;type=music" title="http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/10/01/NSDE19R2LP.DTL&amp;type=music"&gt;www.sfgate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Young Americans have embraced metal as part of their rebellion sound tracks for decades. The Patzner brothers - violinist Anton, 28, and Lewis, 24, - have taken part in this legacy and pushed it a step further.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;With their metal band, Judgement Day, they loudly rebel against the typical path set out for classically trained instrumentalists by turning their talents to this unorthodox musical genre.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/Lexica/512/3940B246-7E4D-4EC9-B430-6C4540F1E376.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The brothers, the spawn of two classical musicians, have been breathing music since birth.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In Judgement Day, Lewis' cello replaces the typical bass and Anton's violin fills in for lead guitar. The unholy trinity was completed when they added drummer Jon Bush.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;at first, live performances incurred technical difficulties: "It was a challenge to get the strings to work, because they're hollow&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;They feedback really easily&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Judgement Day melds a range of influences from Finland's four-cello metal band Apocalyptica to rockers Led Zeppelin and Tool to contemporary classical composers Béla Bartók and Arvo Pärt&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/heavy-metal/" rel="tag"&gt;heavy-metal&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sf-bay-area/" rel="tag"&gt;sf-bay-area&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/string-instruments/" rel="tag"&gt;string-instruments&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/10/01/NSDE19R2LP.DTL&amp;type=music</clipSource><pubDate>Thu, 01 Oct 2009 18:56:46 GMT</pubDate></item><item><title>3D Medical Animation: Birth of Baby</title><link>http://clipmarks.com/clipmark/3AA1F116-23C7-4327-BD3D-17320CFAA990/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/infidel70/"&gt;infidel70&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Nucleus Medical Art's &lt;a href="http://www.nucleusinc.com" rel="nofollow" target="_blank"&gt;http://www.nucleusinc.com&lt;/a&gt; 3D medical animation of a baby's birth shows a time lapse view of labor and delivery during normal vaginal birth in a simplified form with only the mother's skeletal structures and the baby in the uterus. Also shown in detail is dilatation (dilation or dilating) and effacement (thinning) of the cervix during childbirth contractions.&lt;br/&gt;&lt;br/&gt;Music: Prelude from Bach's Cello Suite No. 1&lt;br/&gt;&lt;br/&gt;See more 3D medical, surgery and health animations from Nucleus Medical Art at &lt;a href="http://www.nucleusinc.com/youtube" rel="nofollow" target="_blank"&gt;http://www.nucleusinc.com/youtube&lt;/a&gt;  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=Xath6kOf0NE" title="http://www.youtube.com/watch?v=Xath6kOf0NE"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;xul:toolbarbutton image="http://www.downloadhelper.net/favicon.ico" type="menu-button"&gt;&lt;xul:menupopup position="end_before"&gt;&lt;xul:menuitem label="Download" tooltiptext="Download file and eventually apply conversion rules"&gt;&lt;/xul:menuitem&gt;&lt;xul:menuitem label="Quick Download" tooltiptext="Download file and eventually apply conversion rules without prompting for the target file/directory"&gt;&lt;/xul:menuitem&gt;&lt;xul:menuitem label="Download &amp; Convert" tooltiptext="Prompt for conversion parameters, download file and apply conversion"&gt;&lt;/xul:menuitem&gt;&lt;xul:menuitem label="Tweet this video" tooltiptext="Send a tweet about the video"&gt;&lt;/xul:menuitem&gt;&lt;xul:menuitem label="Copy URL" tooltiptext="Copy the media URL to the clipboard"&gt;&lt;/xul:menuitem&gt;&lt;xul:menuitem label="Add to black list" tooltiptext="Add the domain hosting the media to the black list so next hits from there will be ignored"&gt;&lt;/xul:menuitem&gt;&lt;xul:menuitem label="Send to mobile phone" tooltiptext="Send media to your mobile phone through MP3tunes services"&gt;&lt;/xul:menuitem&gt;&lt;xul:menuitem label="Send to locker" tooltiptext="Send media to your MP3tunes private locker so it can be accessed from anywhere"&gt;&lt;/xul:menuitem&gt;&lt;/xul:menupopup&gt;&lt;/xul:toolbarbutton&gt;3D Medical Animation: Birth of Baby (Vaginal Childbirth)&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=Xath6kOf0NE</clipSource><pubDate>Mon, 24 Aug 2009 00:09:36 GMT</pubDate></item><item><title>Phil Woods: The Children's Suite</title><link>http://clipmarks.com/clipmark/D33FF4F2-68B1-463D-B70A-9E3129D849E1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/pg111213/"&gt;pg111213&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.philwoods.com/component/page,shop.product_details/category_id,8/flypage,shop.flypage_modern/product_id,188/option,com_virtuemart/Itemid,67/" title="http://www.philwoods.com/component/page,shop.product_details/category_id,8/flypage,shop.flypage_modern/product_id,188/option,com_virtuemart/Itemid,67/"&gt;www.philwoods.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/pg111213/512/029F8A10-9B56-46E1-B233-D578925758D7.jpg" alt="PHIL WOODS - THE CHILDREN'S SUITE" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" align="left" class="tdrow1" rowspan="1" colspan="2"&gt;&lt;P&gt;Performers:&lt;/P&gt;
&lt;P&gt;Phil Woods, Conductor, Alto Saxophone&lt;BR /&gt;
Vicki Doney, Vocals&lt;BR /&gt;
Bob Dorough, Vocals, Keyboards&lt;BR /&gt;
Peter Dennis, Narrator (http://www.pooh-corner.com/)&lt;BR /&gt;
Nelson Hill, Alto Sax, Flute&lt;BR /&gt;
Tom Hamilton, Tenor Sax, Calrinet&lt;BR /&gt;
Roger Rosenberg, Baritone Sax, Bass Clarinet&lt;BR /&gt;
Ken Brader III, Trumpet, Flugelhorn&lt;BR /&gt;
Bobby Routch, French Horn, Flugelhorn&lt;BR /&gt;
Rick Chamberlain, Trombone&lt;BR /&gt;
Eric Doney, Piano&lt;BR /&gt;
Mark Williams, Guitar&lt;BR /&gt;
Steve Gilmore, Bass&lt;BR /&gt;
Bill Goodwin, Drums&lt;BR /&gt;
Paul Peabody, Violin&lt;BR /&gt;
Joanna Farrer, Violin&lt;BR /&gt;
Juliet Haffner, Viola&lt;BR /&gt;
Mary Wooten, Cello&lt;/P&gt;
&lt;P&gt;Compositions and Arrangements by Phil Woods&lt;BR /&gt;
Poems by A. A. Milne&lt;BR /&gt;
Produced by Phil Woods, Rick Chamberlain, Peter Dennis and Eric Doney&lt;BR /&gt;
Recorded at Red Rock Studio, Saylorsburg, PA&lt;BR /&gt;
August 6 and 7, 2007&lt;BR /&gt;
Engineered by Kent Heckman&lt;/P&gt;
&lt;P&gt;JazzedMedia JM1040&lt;/P&gt;&lt;BR /&gt;
  &lt;BR /&gt;
    &lt;SPAN&gt;&lt;/SPAN&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cds/" rel="tag"&gt;cds&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/saxophone/" rel="tag"&gt;saxophone&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/jazz/" rel="tag"&gt;jazz&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.philwoods.com/component/page,shop.product_details/category_id,8/flypage,shop.flypage_modern/product_id,188/option,com_virtuemart/Itemid,67/</clipSource><pubDate>Wed, 05 Aug 2009 20:00:54 GMT</pubDate></item><item><title>Harry Gorodetzer, my first cello teacher</title><link>http://clipmarks.com/clipmark/2C166F5B-FD49-40AC-BC7B-5BF84625341D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/dugraves/"&gt;dugraves&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.psychologytoday.com/blog/beautiful-minds/200806/innate-talent-0" title="http://www.psychologytoday.com/blog/beautiful-minds/200806/innate-talent-0"&gt;www.psychologytoday.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/dugraves/512/F025C3BE-CBAB-4750-B643-6C2A64322E7F.jpg" alt="Harry Gorodetzer" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;As for my Philadelphia Orchestra &lt;A title="Psychology Today looks at Dreams" class="glossify_term" href="http://www.psychologytoday.com/basics/dreaming"&gt;dreams&lt;/A&gt;, things fared better for me. I started to take &lt;A target="_blank" href="http://www.cello.org/" class="ext"&gt;cello&lt;/A&gt;&lt;SPAN class="ext"&gt;&lt;/SPAN&gt; lessons with my Grandfather, Harry Gorodetzer, who was associate principle cellist of the Philadelphia Orchestra for 50 years (the record). After a month of daily lessons with gramps, I had joined my high school orchestra. I even beat the lowest cellist at the first seating auditions, an individual who had been playing for at least 5 years.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;While I put in the same amount of intense practice in both basketball and cello, I struggled to stand out in basketball (don't get me wrong, I wasn't bad!), and learned cello with an ease that shocked everyone around me, including myself.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;From these two experiences, I became convinced that people really do have certain proclivities, and while deliberate practice certainly matters, genes facilitate the rate of learning to a considerable degree.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.psychologytoday.com/blog/beautiful-minds/200806/innate-talent-0</clipSource><pubDate>Sun, 26 Jul 2009 16:56:54 GMT</pubDate></item><item><title>Musical training sharpens the ability to sense emotions</title><link>http://clipmarks.com/clipmark/9B4D6345-DD2A-4EE6-A1D8-2A4275A69770/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/einbar/"&gt;einbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  study showed that years of musical training leave the brains of musicians better attuned to the emotional content, like anger, of vocal sounds &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.scientificamerican.com/article.cfm?id=the-sound-of-passion" title="http://www.scientificamerican.com/article.cfm?id=the-sound-of-passion"&gt;www.scientificamerican.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/einbar/512/7EFD0844-C60C-4C58-A6E3-87FD537D6D3A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;The Sound of Passion&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Musical training sharpens the ability to sense emotions.&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A 
href="http://www3.interscience.wiley.com/journal/121675723/abstract?CRETRY=1&amp;amp;SRETRY=0"&gt;study&lt;/A&gt; 
showed that years of musical training leave the brains of musicians better 
attuned to the emotional content, like anger, of vocal sounds&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Ten years of cello, say, can make a person more emotionally intelligent, in some 
sense. So the alarm carried in a baby’s cry make a deeper impression; your 
spouse wins the race&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The new work is part of an emerging portrait of the broader &lt;A 
href="http://psycnet.apa.org/index.cfm?fa=search.displayRecord&amp;amp;uid=2003-99991-007"&gt;connections&lt;/A&gt; 
between music, emotion and speech. &lt;A 
href="http://www.springerlink.com/content/p304404208005814/"&gt;These&lt;/A&gt; &lt;A 
href="http://cat.inist.fr/?aModele=afficheN&amp;amp;cpsidt=16900960"&gt;studies&lt;/A&gt; are 
finding that musicians are more accurate in detecting emotion -- such as joy, 
sadness and anger -- in speech samples. The effect has been found even in 
children as young as 7 years old, with as little as one year of music training. 
It is a fascinating example of how experience in one domain (music) benefits 
another (emotion perception). &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;However, it is not until very recently, with the publication of the new study &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;that the biological foundation of the effect has been demonstrated&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.scientificamerican.com/article.cfm?id=the-sound-of-passion</clipSource><pubDate>Sat, 25 Jul 2009 07:01:00 GMT</pubDate></item><item><title>The Sleeping Years: Setting Fires to Sleepy Towns</title><link>http://clipmarks.com/clipmark/15F38181-C89C-4045-91E2-9D1411EB3405/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/rwalz/"&gt;rwalz&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Check out this rendition of "Setting Fires to Sleepy Towns," shot in a quaint little coffee shop.  It will most certainly get you through your Monday, or at least give you five minutes of calm. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://unicornsightings.com/2009/06/22/the-sleeping-years-setting-fires-to-sleepy-towns/" title="http://unicornsightings.com/2009/06/22/the-sleeping-years-setting-fires-to-sleepy-towns/"&gt;unicornsightings.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;The Sleeping Years: Setting Fires to Sleepy Towns&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Here we meet again on this lovely Monday afternoon.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;I'm a big fan of acoustic folk bands from the UK....there's something about an unplugged guitar, a cello, and a British accent that really gets me.  It won't surprise you then to find that The Sleeping Years, a folk group of out the UK, is one of my favorites.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Check out this rendition of "Setting Fires to Sleepy Towns," shot in a quaint little coffee shop.  It will most certainly get you through your Monday, or at least give you five minutes of calm.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://unicornsightings.com/2009/06/22/the-sleeping-years-setting-fires-to-sleepy-towns/</clipSource><pubDate>Mon, 06 Jul 2009 21:47:21 GMT</pubDate></item><item><title>Under Byen: Mission</title><link>http://clipmarks.com/clipmark/6F095EFE-2DD1-4996-B78A-5191FD8255CB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/rwalz/"&gt;rwalz&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Nice folk sound &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://unicornsightings.com/2009/05/18/under-byen-mission/" title="http://unicornsightings.com/2009/05/18/under-byen-mission/"&gt;unicornsightings.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Under Byen: Mission&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A href="http://www.projectunicorn.com/theyshootmusic"&gt;Under Byen&lt;/A&gt;, Danish for "Below the City," was founded in 1995.  I would categorize the group as experimental folk; infused with violin, cello, and piano, the group has a seriously unique sound.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Their most recent album, &lt;EM&gt;Samme Stof Som Stoff&lt;/EM&gt; (in English, Same Fabric as Fabric) comes highly recommended...a recommendation which I absolutely second...but today I thought I'd bring you this rendition of "Mission" which comes from their 2002 Album entitled &lt;EM&gt;Det Er Mig Der Holder Traeerne Sammen &lt;/EM&gt;(translated, "It is Me Who Keeps the Trees Together"...lovely, right?)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://unicornsightings.com/2009/05/18/under-byen-mission/</clipSource><pubDate>Mon, 01 Jun 2009 21:42:29 GMT</pubDate></item><item><title>Making Monsters for My Friends Print</title><link>http://clipmarks.com/clipmark/ED7B1D4A-6BA9-46DB-BDE5-14BE3FCFF1D6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/bigboots/"&gt;bigboots&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  spooky &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://shanalogic.com/item.php?item_id=2438" title="http://shanalogic.com/item.php?item_id=2438"&gt;shanalogic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Making Monsters for My Friends Print&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="manname"&gt;by &lt;A href="http://shanalogic.com/category.php?manufacturer_id=279"&gt;Sara Wilson&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="price"&gt;$25.00&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/bigboots/512/CA253987-30CA-4A7B-9758-3A6DF89281AD.jpg" alt="Making Monsters for My Friends Print" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="itemlongdesc"&gt;&lt;P&gt;&lt;DIV&gt;ShanaLogic is proud to present to you the fine artworks of Sara Wilson from Fly, okay!&lt;/DIV&gt;
&lt;BR /&gt;
&lt;SPAN&gt;Title: &lt;/SPAN&gt;Making Monsters for My Friends&lt;/P&gt;
&lt;P&gt;&lt;SPAN&gt;About the artist: &lt;/SPAN&gt;Sara Wilson is a Michigan artist whose&lt;STRONG&gt; whimsical pieces&lt;/STRONG&gt; take inspiration from &lt;STRONG&gt;dreams and fairy-tales&lt;/STRONG&gt;.&lt;STRONG&gt; &lt;/STRONG&gt;Her pieces are &lt;STRONG&gt;endearing and unique&lt;/STRONG&gt;&lt;SPAN&gt; with a mixture of mystery and the innocence of childhood.&lt;/SPAN&gt;&lt;STRONG&gt;&lt;BR /&gt;
&lt;/STRONG&gt;&lt;BR /&gt;
&lt;SPAN&gt;About this print:&lt;/SPAN&gt; This piece is a reproduction of an original illustration. The 5x9." image is printed on a high quality 5.375x9.3125" heavy stock paper and is &lt;STRONG&gt;signed by the artist on the back.&lt;BR /&gt;
&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;Shipped flat in a protective sleeve.&lt;/STRONG&gt;&lt;STRONG&gt;&lt;BR /&gt;
&lt;/STRONG&gt;&lt;BR /&gt;
&lt;SPAN&gt;Size:&lt;/SPAN&gt; 5x9" inches with 1/4" border for framing - Shipped flat&lt;BR /&gt;
&lt;SPAN&gt;Materials:&lt;/SPAN&gt; Heavy stock paper, shipped with love in a cello sleeve.&lt;/P&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/print/" rel="tag"&gt;print&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/shanalogic/" rel="tag"&gt;shanalogic&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://shanalogic.com/item.php?item_id=2438</clipSource><pubDate>Sun, 24 May 2009 11:11:42 GMT</pubDate></item><item><title>Evolution of Human Consciousness, With Words, Music and Brain Imagery </title><link>http://clipmarks.com/clipmark/6F0677E3-B490-4E57-985D-A3D326717F16/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/einbar/"&gt;einbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Self Comes To Mind is a collaboration between composer Bruce Adolphe and neuroscientist Antonio Damasio, known for his research and writing on the evolution of human consciousness.&lt;br/&gt;&lt;br/&gt;"My view is that we evolved mind first, in a very broad sense," Damasio explains. "And eventually we also evolved the possibility of knowing that we have a mind. That is a process that begins with the construction of the self … and it is out of that which comes our sense of discovery — of our own existence, of our surroundings, and eventually of our own condition." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2009/05/05/arts/music/05ma.html?partner=rss&amp;emc=rss#" title="http://www.nytimes.com/2009/05/05/arts/music/05ma.html?partner=rss&amp;emc=rss#"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
&lt;NYT_HEADLINE type=" " version="1.0"&gt;
Evolution of Human Consciousness, With Words, Music and Brain Imagery
&lt;/NYT_HEADLINE&gt;
&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/einbar/512/71E752C5-1141-4ADF-8AD9-380A889A9DAC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Just how the human brain works remains one of the greatest mysteries in science. In his program note Mr. Adolphe suggests that music itself may be an expression of our physical minds, though, he adds, composing is never a matter of musical illustration, but of finding “technical and expressive parallels to extra-musical ideas.” &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Self Comes to Mind,” a 30-minute work for cello and two percussionists, with video imagery based on brain scans and with texts by Mr. Damasio. The piece had its premiere on Sunday night at the &lt;A title="More articles about American Museum of Natural History" href="http://topics.nytimes.com/top/reference/timestopics/organizations/a/american_museum_of_natural_history/index.html?inline=nyt-org"&gt;American Museum of Natural History&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Mr. Adolphe asked Mr. Damasio to collaborate on a work that would combine text, music and imagery of brain activity to evoke the evolution of the human mind. Mr. Adolphe also recruited &lt;A title="More articles about Yo-Yo Ma." href="http://topics.nytimes.com/top/reference/timestopics/people/m/yoyo_ma/index.html?inline=nyt-per"&gt;Yo-Yo Ma&lt;/A&gt;, an old friend from his &lt;A title="More articles about Juilliard School" href="http://topics.nytimes.com/top/reference/timestopics/organizations/j/juilliard_school/index.html?inline=nyt-org"&gt;Juilliard School&lt;/A&gt; days, for the collaboration&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.npr.org/templates/story/story.php?storyId=103713700" title="http://www.npr.org/templates/story/story.php?storyId=103713700"&gt;www.npr.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="listentab"&gt;
                    &lt;A class="play" href="javascript:NPR.Player.openPlayer(103713700, 103749277, null, NPR.Player.Action.PLAY_NOW, NPR.Player.Type.STORY, '0')"&gt;Listen Now&lt;/A&gt;
                &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="listentab"&gt;&lt;A class="play" href="javascript:NPR.Player.openPlayer(103713700, 103713653, null, NPR.Player.Action.PLAY_NOW, NPR.Player.Type.STORY, '0')"&gt;1. When Mind First in the Body Bloomed&lt;/A&gt;
                &lt;/P&gt;
                &lt;P class="listenlinks"&gt;
                    &lt;SPAN class="duration"&gt;[9&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="listenblock"&gt;
                &lt;P class="listentab"&gt;
                    &lt;A class="play" href="javascript:NPR.Player.openPlayer(103713700, 103713654, null, NPR.Player.Action.PLAY_NOW, NPR.Player.Type.STORY, '0')"&gt;2. Self Came to Mind&lt;/A&gt;
                &lt;/P&gt;
                &lt;P class="listenlinks"&gt;
                    &lt;SPAN class="duration"&gt;[5 min 0 sec]&lt;/SPAN&gt;
                    &lt;A class="add" href="javascript:NPR.Player.openPlayer(103713700, 103713654, null, NPR.Player.Action.ADD_TO_PLAYLIST, NPR.Player.Type.STORY, '0')"&gt;add&lt;/A&gt;                &lt;/P&gt;
            &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="listentab"&gt;&lt;A class="play" href="javascript:NPR.Player.openPlayer(103713700, 103713698, null, NPR.Player.Action.PLAY_NOW, NPR.Player.Type.STORY, '0')"&gt;3. Discovery&lt;/A&gt;
                &lt;/P&gt;
                &lt;P class="listenlinks"&gt;
                    &lt;SPAN class="duration"&gt;[&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/einbar/512/122909D0-E763-4DEF-B035-929947C598AE.jpg" alt="Brain Image by Hanna Damasio" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2009/05/05/arts/music/05ma.html?partner=rss&amp;emc=rss#</clipSource><pubDate>Mon, 11 May 2009 21:24:13 GMT</pubDate></item><item><title>LOVE STORY (Taylor Swift) meets VIVA LA VIDA (Coldplay) - Piano Cello - by Jon Schmidt</title><link>http://clipmarks.com/clipmark/A209EA75-41E5-4F01-B1C8-B766B6CF850D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/epilepsi/"&gt;epilepsi&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=0v3d6SFcDys" title="http://www.youtube.com/watch?v=0v3d6SFcDys"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=0v3d6SFcDys</clipSource><pubDate>Thu, 07 May 2009 12:49:32 GMT</pubDate></item><item><title>Pachelbel Rant</title><link>http://clipmarks.com/clipmark/F8C4DA4B-7A19-4F04-935B-F34914E12EEC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Lexica/"&gt;Lexica&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Comedian Rob Paravonian rants about how much it sucks to play Pachelbel's Canon in D on a cello. Very funny.&lt;br/&gt;&lt;br/&gt;...y'know, I had forgotten all about this until I watched this. Gee, thanks, Rob. &lt;img src="http://clipmarks.com/images/icons/smilies/tongue.gif" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=JdxkVQy7QLM" title="http://www.youtube.com/watch?v=JdxkVQy7QLM"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/classical-music/" rel="tag"&gt;classical-music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/funny/" rel="tag"&gt;funny&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cello/" rel="tag"&gt;cello&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rob-paravonian/" rel="tag"&gt;rob-paravonian&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=JdxkVQy7QLM</clipSource><pubDate>Wed, 06 May 2009 03:28:50 GMT</pubDate></item><item><title>learn to play guitar with fun and excitement</title><link>http://clipmarks.com/clipmark/67BF4BFC-5F44-44D7-A127-E8D8434BB320/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/guitarscls78/"&gt;guitarscls78&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A desire to play an instrument that, barring unforeseen circumstances, you will derive much pleasure from for the rest of your life. Here are some of the best online guitar lessons free all the way for you- guitar aspirants. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://guitarists.net/lessons/view.php?id=77" title="http://guitarists.net/lessons/view.php?id=77"&gt;guitarists.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
In the soul of every musician whether you play guitar, drums, violin, flute, cello, bassoon, piano, organ, or a washboard and big round tub, you have a desire. A desire to play an instrument that, barring unforeseen circumstances, you will derive much pleasure from for the rest of your life.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/guitar+scale/" rel="tag"&gt;guitar scale&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/guitar+scales/" rel="tag"&gt;guitar scales&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/guitar+tablature/" rel="tag"&gt;guitar tablature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/guitar+chords/" rel="tag"&gt;guitar chords&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/guitar+lessons/" rel="tag"&gt;guitar lessons&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/guitar+tablature+free/" rel="tag"&gt;guitar tablature free&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://guitarists.net/lessons/view.php?id=77</clipSource><pubDate>Mon, 04 May 2009 11:21:37 GMT</pubDate></item><item><title>the soloist</title><link>http://clipmarks.com/clipmark/75C56118-9839-4334-87D2-23F782E2CEC2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/djenne/"&gt;djenne&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.slate.com/id/2216788/?from=rss" title="http://www.slate.com/id/2216788/?from=rss"&gt;www.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Cello Shots&lt;SPAN class="h1_subhead"&gt;Jamie Foxx and Robert Downey Jr. in &lt;EM&gt;The Soloist&lt;/EM&gt;.&lt;EM&gt; &lt;/EM&gt;&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="byline"&gt;By Dana Stevens&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;It seems awful to say this when Jamie Foxx worked so hard for this role—he even had his piano-key teeth &lt;A target="_blank" href="http://www.starpulse.com/news/index.php/2008/11/16/jamie_foxx_chiseled_his_perfect_teeth_to"&gt;chiseled&lt;/A&gt; to change their shape—but his generally fine performance as Ayers betrays moments of flashy Oscar-baiting, the kind of calculated uplift Ben Stiller satirized (with Robert Downey Jr.'s help) in &lt;EM&gt;&lt;A href="http://www.slate.com/id/2196991/"&gt;Tropic Thunder&lt;/A&gt;&lt;/EM&gt;. Playing our heartstrings like a busted violin, Foxx veers dangerously close to violating the acting law that Downey's character laid down in that movie: "Never go full retard."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/djenne/512/829A02A3-B65C-4917-9DFA-A3C1C149BB1B.jpg" alt="The Soloist." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/movie+reviews/" rel="tag"&gt;movie reviews&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.slate.com/id/2216788/?from=rss</clipSource><pubDate>Mon, 27 Apr 2009 00:47:34 GMT</pubDate></item><item><title>Pachelbel Rant, A Real Classical Laugh</title><link>http://clipmarks.com/clipmark/9603C421-0E1A-44E5-8BD2-55DFC58AFEBB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/murieleileen/"&gt;murieleileen&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=JdxkVQy7QLM&amp;feature=channel" title="http://www.youtube.com/watch?v=JdxkVQy7QLM&amp;feature=channel"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Pachelbel Rant&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;A comedian rants about how much it sucks to play Pachelbel's Canon in D on a cello.  Recorded live at Penn State, this piece by comedian/musician Rob Paravonian has been a favorite on the Dr. Demento Show. &lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/pachelbel/" rel="tag"&gt;pachelbel&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cannon/" rel="tag"&gt;cannon&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/canon/" rel="tag"&gt;canon&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/comedy/" rel="tag"&gt;comedy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rant/" rel="tag"&gt;rant&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/guitar/" rel="tag"&gt;guitar&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cello/" rel="tag"&gt;cello&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/paravonian/" rel="tag"&gt;paravonian&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rob/" rel="tag"&gt;rob&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dr++demento/" rel="tag"&gt;dr  demento&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=JdxkVQy7QLM&amp;feature=channel</clipSource><pubDate>Fri, 24 Apr 2009 21:29:30 GMT</pubDate></item><item><title>Sheet music download</title><link>http://clipmarks.com/clipmark/C646E226-EC8F-4C27-BEBC-29486DCB2A75/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ericjdoering/"&gt;ericjdoering&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Sheet music download, World's largest classical sheet music digital library, 40000 scores. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://everynote.com/" title="http://everynote.com/"&gt;everynote.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD nowrap="" align="right" class="h1"&gt;April top sheet music download &lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="text"&gt;
Sheet music downloads have become the preferred method of acquiring classical music repertoire. Created by professional musicians, EveryNote.com presents classical sheet music download of over 20.000 popular and hard-to-find music scores over 1000 composers. A major Internet provider of classical sheet music files download online, EveryNote.com offers the largest and most complete digital sheet music download library on the Web in the world. Instantly download, view and print your favorite classical music score. Everynote.com currently offers thousands of classical music compositions for Piano, Violin, Cello, Flute, Classical Guitar, Voice, Chamber and Choral music.Many more instruments, composers, genres added every day! EveryNote.com has been featured in The New York Times, Globe and Mail, Musical America and many other publications.
          &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="top2"&gt;Sheet music download from the world's largest digital music library&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/sheet+music+download/" rel="tag"&gt;sheet music download&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/downloadable+music+sheets/" rel="tag"&gt;downloadable music sheets&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sheet+music+downloadable/" rel="tag"&gt;sheet music downloadable&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/downloading+sheet+music/" rel="tag"&gt;downloading sheet music&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://everynote.com/</clipSource><pubDate>Thu, 09 Apr 2009 14:11:50 GMT</pubDate></item></channel></rss>