<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Alexandrian Clips</title><link>http://clipmarks.com/tags/alexandrian/</link><feedUrl>http://rss.clipmarks.com/tags/alexandrian/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>The Alexandrian Library : Digital Resources</title><link>http://clipmarks.com/clipmark/56D510F8-A61E-4758-9563-BE6F36887414/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Antara/"&gt;Antara&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Very cool site, take a look:&lt;br/&gt;&lt;br/&gt;&lt;a href="http://www.bibalex.org/Libraries/Presentation/Static/12600.aspx?d=0" rel="nofollow" target="_blank"&gt;http://www.bibalex.org/Libraries/Presentation/Static/12600.aspx?d=0&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bibalex.org/Libraries/Presentation/Static/12600.aspx?d=0" title="http://www.bibalex.org/Libraries/Presentation/Static/12600.aspx?d=0"&gt;www.bibalex.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="_ctl0_divBanner"&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Antara/512/7BE49709-ED3E-4098-9192-313157CFE750.jpg" alt="Digital Collection" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;As a library of the 21 st Century, the Bibliotheca Alexandrina (BA), along with its affiliated academic and cultural centers, is committed to digitization as a means of preserving, managing, and disseminating information and knowledge. The BA sets out to share them with a worldwide audience via the internet, thus promoting greater understanding and tolerance between cultures. To achieve this goal, the BA has formed partnerships with various cultural, academic, governmental, and corporate organizations for the creation of many significant and compelling digital projects. These projects cover a wide array of cultural and educational themes.&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/egypt/" rel="tag"&gt;egypt&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/library/" rel="tag"&gt;library&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/alexandrian/" rel="tag"&gt;alexandrian&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/restored/" rel="tag"&gt;restored&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.bibalex.org/Libraries/Presentation/Static/12600.aspx?d=0</clipSource><pubDate>Thu, 17 Apr 2008 10:12:44 GMT</pubDate></item><item><title>Origen on the Heart</title><link>http://clipmarks.com/clipmark/D730C25B-C697-481F-AFDF-08DD5E924CDD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Efrain+Alvarado/"&gt;Efrain Alvarado&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.catholic-forum.com/saints/ncd06175.jpg" title="http://www.catholic-forum.com/saints/ncd06175.jpg"&gt;www.catholic-forum.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Efrain Alvarado/512/8DCFDB29-7B69-45A3-B706-8A18D912EF47.jpg" alt="The image “http://www.catholic-forum.com/saints/ncd06175.jpg” cannot be displayed, because it contains errors." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://us.mg1.mail.yahoo.com/dc/blank.html?bn=902.35&amp;.intl=us" title="http://us.mg1.mail.yahoo.com/dc/blank.html?bn=902.35&amp;.intl=us"&gt;us.mg1.mail.yahoo.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;No one understands in heart … unless he be open-minded and completely attentive.
&lt;BR /&gt;
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;Origen (185-254AD) on the Heart&lt;BR /&gt;
&lt;EM&gt;Mini-Bio&lt;/EM&gt;: Alexandrian; philosopher, theologian, writer&lt;/FONT&gt;&lt;/FONT&gt;&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/heart/" rel="tag"&gt;heart&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/origen/" rel="tag"&gt;origen&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.catholic-forum.com/saints/ncd06175.jpg</clipSource><pubDate>Sun, 09 Mar 2008 23:41:41 GMT</pubDate></item><item><title>Possible life portrait of Alexander the Great</title><link>http://clipmarks.com/clipmark/5255B01B-1655-45FF-A533-A2825A415C6C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/tpq62/"&gt;tpq62&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Alexandrian coinage and ideology, for those who like that sort of thing. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.saudiaramcoworld.com/issue/200606/ptolemy.s.alexandrian.postscript.htm" title="http://www.saudiaramcoworld.com/issue/200606/ptolemy.s.alexandrian.postscript.htm"&gt;www.saudiaramcoworld.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/tpq62/512/5E645DAF-1513-496E-B438-1AD06B418882.gif" alt="Ptolemy's Alexandrian Postscript" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;SPAN class="pageTemplateBody"&gt;&lt;IMG width="179" height="43" alt="The%20Marvels%20of%20Mir%20Zakah" src="http://www.saudiaramcoworld.com/issue/200606/images/ptolemy/marvlesofmirzakah.gif" /&gt; &lt;EM&gt;The tiny village of Mir Zakah lies about 50 kilometers (30 mi) northeast of Gardez along the ancient trail from Ghazni (in today’s Afghanistan) to Gandhara (Pakistan). Countless pilgrims, criminals, warlords and refugees have passed through these badlands from Alexander’s era till today. In the third century, one or more such travelers—for reasons still unknown—dumped into a roadside watering hole what can only be described as the most amazing hoard in history. &lt;/EM&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/tpq62/512/32012C27-0F3F-42D9-AE59-6F6CEFF9A5E0.jpg" alt="The Mir Zakah coin, believed to be the only lifetime portrait of Alexander the Great, clearly shows both the horn of Amon—indicating his status as a god—and the elephant scalp and the aegis that symbolized the divine intervention that won him victory at the Hydaspes River. With this artifact, for the very first time, we in the modern world can see Alexander as he saw himself. Ptolemy merely copied what his former sovereign had already coined." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;The Mir Zakah coin, believed to be the only lifetime portrait of Alexander the Great, clearly shows both the horn of Amon—indicating his status as a god—and the elephant scalp and the aegis that symbolized the divine intervention that won him victory at the Hydaspes River. With this artifact, for the very first time, we in the modern world can see Alexander as he saw himself. Ptolemy merely copied what his former sovereign had already coined.&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;For the very first time, we in the modern world can see Alexander as he saw himself. This is the only official &lt;EM&gt;lifetime&lt;/EM&gt; portrait of the conqueror that has survived the ages, though just barely. It is, as well, the actual “rock” whose religious and artistic splash has rippled across the centuries—and now we know  it was thrown not by Ptolemy, but by Alexander himself. This fact also explains at last the elephant scalp on the coins issued by Ptolemy, who faithfully rendered the prototype.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/archaeology/" rel="tag"&gt;archaeology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.saudiaramcoworld.com/issue/200606/ptolemy.s.alexandrian.postscript.htm</clipSource><pubDate>Thu, 16 Nov 2006 16:32:58 GMT</pubDate></item><item><title>Four theo-ontological models of the Divine</title><link>http://clipmarks.com/clipmark/9EC643E2-D297-4967-AD8B-054EF6F30D76/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arifsali/"&gt;arifsali&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The site is very interesting, for those who may not have seen this before. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sofiatopia.org/equiaeon/henotheism.htm" title="http://www.sofiatopia.org/equiaeon/henotheism.htm"&gt;www.sofiatopia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="justify"&gt;&lt;FONT face="Verdana"&gt;
        Historically, distinction is made between four theo-ontological models of 
        the Divine :&lt;/FONT&gt;&lt;/P&gt;
        &lt;OL&gt;
        &lt;LI&gt;
        &lt;P align="justify"&gt;&lt;FONT color="%23800000"&gt;&lt;FONT face="Verdana"&gt;Semitic 
        model &lt;/FONT&gt;: &lt;/FONT&gt;&lt;FONT color="%23000000"&gt;God is One and Alone. He, 
        the sole God, is an 
        unknown and unknowable Divine Person, Who Wills good and evil alike (cf.
        &lt;A href="http://www.sofiatopia.org/equiaeon/juda.htm"&gt;&lt;FONT color="%23008080"&gt;Judaism&lt;/FONT&gt;&lt;/A&gt; &amp; 
        &lt;A href="http://www.sofiatopia.org/equiaeon/islam.htm"&gt;&lt;FONT color="%23008080"&gt;Islam&lt;/FONT&gt;&lt;/A&gt;) ;&lt;/FONT&gt;
        &lt;/P&gt;&lt;/LI&gt;&lt;LI&gt;
        &lt;P align="justify"&gt;&lt;FONT color="%23800000"&gt;&lt;FONT face="Verdana"&gt;Greek 
        model &lt;/FONT&gt;: &lt;/FONT&gt;&lt;FONT color="%23000000"&gt;God is a Principle of 
        principles, the best of the best (Plato), the unmoved mover (Aristotle), 
        the One even ecstasy does not reveal, impersonal and in no way evil or 
        tainted by 
        absence or privation of being (Plotinus), the First Intellect (Ibn 
        Sina), a "God of the philosophers" (Whitehead). This abstract God 
        figures in intellectual theologies, humanism &amp; atheism. In the latter, 
        by the "&lt;I&gt;alpha privativum&lt;/I&gt;" of the Divine, as in&lt;I&gt; a&lt;/I&gt;-theism, 
        an absolute term is produced, but this time by negation instead of by 
        affirmation. God is reduced to an abstract &amp; absolute "no-absolute" - in 
        popular Greek religion, the deities are anthropomorphic ;&lt;/FONT&gt;
        &lt;/P&gt;&lt;/LI&gt;&lt;LI&gt;
        &lt;P align="justify"&gt;&lt;FONT face="Verdana"&gt;&lt;FONT color="%23800000"&gt;Christian 
        model :&lt;/FONT&gt; &lt;FONT color="%23000000"&gt;God is One essence in Three Persons 
        : God the Father revealed by God's incarnated Son, Jesus Christ, 
        because, in and with God the deifying 
        Holy 
        Spirit. A God of Love, never impersonal, always without evil (pure of 
        heart) and sole cause of goodness 
        (&lt;A href="http://www.sofiatopia.org/equiaeon/christ.htm"&gt;&lt;FONT color="%23008080"&gt;Christianity&lt;/FONT&gt;&lt;/A&gt;) ;&lt;/FONT&gt;&lt;/FONT&gt;
        &lt;/P&gt;&lt;/LI&gt;&lt;LI&gt;
        &lt;P align="justify"&gt;&lt;FONT color="%23800000"&gt;Or&lt;FONT face="Verdana"&gt;iental 
        model &lt;/FONT&gt;: &lt;/FONT&gt; &lt;FONT color="%23000000"&gt;God, The All, is One sheer 
        Being present in every part of creation in terms of a manifold of impersonal 
        &amp; personal Divine Self-manifestations (theophanies), as we see in 
        &lt;A href="http://www.sofiatopia.org/equiaeon/../maat/welcome.htm"&gt;
        &lt;FONT color="%23008080"&gt;Ancient Egypt&lt;/FONT&gt;&lt;/A&gt;,  
        Alexandrian&lt;FONT color="%23008080"&gt;&lt;A href="http://www.sofiatopia.org/equiaeon/../maat/hermes.htm"&gt;&lt;FONT color="%23008080"&gt; 
        Hermetism&lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt; 
        (&lt;I&gt;gnosis&lt;/I&gt;), Paganism, 
        &lt;A href="http://www.sofiatopia.org/equiaeon/hindu.htm"&gt;&lt;FONT color="%23008080"&gt;Hinduism&lt;/FONT&gt;&lt;/A&gt; 
        (Vedanta), Jainism,
        &lt;A href="http://www.sofiatopia.org/equiaeon/buddha.htm"&gt;
        &lt;FONT color="%23008080"&gt;Buddhism&lt;/FONT&gt;&lt;/A&gt;, Taoism,
        &lt;A href="http://www.sofiatopia.org/equiaeon/../enoch/enoch.htm"&gt;
        &lt;FONT color="%23008080"&gt;Hermeticism&lt;/FONT&gt;&lt;/A&gt;.&lt;/FONT&gt;&lt;/P&gt;&lt;/LI&gt;&lt;/OL&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/god/" rel="tag"&gt;god&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/theology/" rel="tag"&gt;theology&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.sofiatopia.org/equiaeon/henotheism.htm</clipSource><pubDate>Tue, 07 Nov 2006 22:40:32 GMT</pubDate></item><item><title>The Revision of Ancient History - A Perspective</title><link>http://clipmarks.com/clipmark/8C02D307-5F4C-42A7-848A-8C8DE672B7FA/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/invictus/"&gt;invictus&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;Ancient History as taught today is a disaster area. Nothing fits convincingly together. The development of the arts, cultures and technologies from earliest times shows inexplicable incongruities. Art historians and archaeologists are in disarray. Why? Because the chronology of the first and second millennium BC is badly wrong.&lt;/blockquote&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.knowledge.co.uk/sis/ancient.htm" title="http://www.knowledge.co.uk/sis/ancient.htm"&gt;www.knowledge.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;The Revision of Ancient History - A Perspective&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor="white"&gt;&lt;tr&gt;&lt;TD&gt;
&lt;center&gt;&lt;h3&gt;Contents&lt;/h3&gt;&lt;/center&gt;
&lt;hr noshade="noshade" width="100%"&gt;

&lt;p&gt;

&lt;/p&gt;&lt;ol&gt;
&lt;b&gt;&lt;/b&gt;&lt;li&gt;&lt;b&gt;&lt;a href="#sec-1"&gt;Introduction&lt;/a&gt;&lt;/b&gt;&lt;p&gt;&lt;/p&gt;

&lt;p&gt;

&lt;/p&gt;&lt;p&gt;
&lt;b&gt;&lt;/b&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;b&gt;&lt;a href="#sec-2"&gt;An Outline History of Revising Ancient History - Up to 1952.&lt;/a&gt;&lt;/b&gt;&lt;p&gt;&lt;/p&gt;

&lt;p&gt;
2.1   Exaggerating
Antiquity.  2.2 The Early Greek and
Alexandrian Historians.  2.3 The Early
Christian Chronologists.  2.4 Sir Isaac
Newton, First of the Major Revisionists. 2.5 The Birth of Egyptology and the
Chronological Debate. 2.6 The Invention of the Dark Ages, and Resulting
Disputes.&lt;/p&gt;

&lt;p&gt;

&lt;/p&gt;&lt;p&gt;
&lt;b&gt;&lt;/b&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;b&gt;&lt;a href="#sec-3"&gt;Immanuel Velikovsky and Other Revisionists 1952-1974&lt;/a&gt;&lt;/b&gt;&lt;p&gt;&lt;/p&gt;

&lt;p&gt;
3.1   Velikovsky and &lt;i&gt;Ages In Chaos.&lt;/i&gt;  3.2 Donovan
Courville.  3.3 Pensée, and E Schorr on
Dark Age Mythology.  3.4 Schorr and the
Stratigraphy of Troy&lt;/p&gt;

&lt;p&gt;

&lt;/p&gt;&lt;p&gt;
&lt;b&gt;&lt;/b&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;b&gt;&lt;a href="#sec-4"&gt;SIS and the Pro-&lt;i&gt;Ages in Chaos&lt;/i&gt; Era 1974-1982&lt;/a&gt;&lt;/b&gt;&lt;p&gt;&lt;/p&gt;

&lt;p&gt;
4.1 1974 to 1978 The SIS Early Years. 4.2 Velikovsky's &lt;i&gt;Peoples of the Sea&lt;/i&gt; and &lt;i&gt;Rameses
II and his Time&lt;/i&gt;  4.3 J Dayton and &lt;i&gt;'Minerals, Metals, Glazing and Man'&lt;/i&gt;  4.4   Glaring Glazing Anachronisms.  4.5 Glazing Anomalies Resolved by The Glasgow Chronology&lt;/p&gt;

&lt;p&gt;

&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;/b&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;b&gt;&lt;a href="#sec-5"&gt;1982-1990.  P. James, D. Rohl, and G. Heinsohn lead in New Directions.&lt;/a&gt;&lt;/b&gt;&lt;p&gt;&lt;/p&gt;

&lt;p&gt;
5.1  The James-Rohl Chronology.  5.2 The Formation of ISIS.  5.3 D Rohl and the New Chronology; Will It
Stand the Test of Time?  5.4 P James, &lt;i&gt;Centuries of Darkness&lt;/i&gt;, and an
Alternative Revision.   5.5 G Heinsohn
and the Evidence of Stratigraphy.&lt;/p&gt;

&lt;p&gt;

&lt;/p&gt;&lt;p&gt;
&lt;b&gt;&lt;/b&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;b&gt;&lt;a href="#sec-6"&gt;The 1990's - Open Season for Revisionists&lt;/a&gt;&lt;/b&gt;&lt;p&gt;&lt;/p&gt;

&lt;p&gt;
6.1 An Overview.  6.2 
Mainstream Revisionists. 
6.3  &lt;i&gt;Ages in Chaos&lt;/i&gt; Revisionists. 
6.4 More Radical Revisionists. 
6.5 'Significant Others'.&lt;/p&gt;

&lt;p&gt;

&lt;/p&gt;&lt;p&gt;
&lt;b&gt;&lt;/b&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;b&gt;&lt;a href="#sec-7"&gt;The Revisionist Outlook for the New Millennium&lt;/a&gt;&lt;/b&gt;&lt;p&gt;&lt;/p&gt;

&lt;p&gt;
7.1   Revisionists Are Still Needed.  7.2 Archaeology to the Rescue?  7.3 Scientific and Astronomical Dating.  7.4  
Catastrophic Dating.   7.5 Israel
or Greece as the Flash-points?  7.6.
Proof beyond Reasonable Doubt.  7.7
Vested Interests and the Deaf Establishment.&lt;/p&gt;

&lt;p&gt;

&lt;/p&gt;&lt;p&gt;
&lt;b&gt;&lt;/b&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;b&gt;&lt;a href="#sec-8"&gt;Concluding Comments&lt;/a&gt;&lt;/b&gt;&lt;p&gt;&lt;/p&gt;

&lt;p&gt;
8.1  Velikovsky's
Pillars Supporting Conventional Chronology Have Changed.  8.2 The Shishak = Shoshenk Equation in
Focus.  8.3 Manetho Revisited.  8.4 Which of the Competing Revisions will
Win?&lt;/p&gt;

&lt;p&gt;
&lt;b&gt;&lt;/b&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;b&gt;&lt;a href="#sec-9"&gt;References&lt;/a&gt;&lt;/b&gt;&lt;p&gt;&lt;/p&gt;

&lt;/li&gt;&lt;/ol&gt;
&lt;p&gt;
&lt;/p&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/ancient+history/" rel="tag"&gt;ancient history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/chronologies/" rel="tag"&gt;chronologies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/revision+of+history/" rel="tag"&gt;revision of history&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.knowledge.co.uk/sis/ancient.htm</clipSource><pubDate>Tue, 13 Jun 2006 01:56:11 GMT</pubDate></item></channel></rss>