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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Actuality Clips</title><link>http://clipmarks.com/tags/actuality/</link><feedUrl>http://rss.clipmarks.com/tags/actuality/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>The Portrayal Of Paganism In The Media </title><link>http://clipmarks.com/clipmark/74759FEB-E430-4EFB-9650-8BAEF57B4345/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wiccantexan/"&gt;wiccantexan&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.informativepost.com/2008/05/20/The-Portrayal-of-Paganism-in-the-Media-772.htm" title="http://www.informativepost.com/2008/05/20/The-Portrayal-of-Paganism-in-the-Media-772.htm"&gt;www.informativepost.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Hi.  I'm a Pagan.  Yes, you heard me right.  What image jumps into your head right now?  Is it a person dressed all in black, with large pentacles, dragons and ankhs hanging around their necks?  Did you picture me as a hippie who can't seem to escape the Swinging 60s?&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Guess what?  I'm a normal person.  I wear jeans and t-shirts, I have a 9-5 job, and I'm studying to achieve my high school diploma at a mature-age level.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
The media has done a fantastic job at portraying Pagans (including &lt;A href="#" class="kLink"  id="KonaLink1"&gt;&lt;FONT color="#cc5a00"&gt;&lt;SPAN class="kLink"&gt;Wiccans&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/A&gt; and Witches) as these ugly women with long fingernails, warts and green skin, tall pointy hats and all dressed in black.  Look at the popular film, 'The Craft' - it's portrayal of young witches, all in black, with supernatural powers.  What about 'The Wicker Man'? Makes us all out to be lovers of sacrifice, huh?&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
In all actuality, we're normal people, and my personal mission (as I've come to discover) is to break down this stereotype of modern Pagans.  So let's start with the basics...&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/pagan/" rel="tag"&gt;pagan&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/faith/" rel="tag"&gt;faith&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/media/" rel="tag"&gt;media&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/wicca/" rel="tag"&gt;wicca&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/witchcraft/" rel="tag"&gt;witchcraft&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/witch/" rel="tag"&gt;witch&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.informativepost.com/2008/05/20/The-Portrayal-of-Paganism-in-the-Media-772.htm</clipSource><pubDate>Sun, 25 May 2008 04:43:18 GMT</pubDate></item><item><title>Mount Fear - Sculptures Created from Data Sets of Violent Crimes in London</title><link>http://clipmarks.com/clipmark/3A9F1DEE-66D6-4743-B07F-ED611462FB62/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/alanocu/"&gt;alanocu&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  ( thanks, reflex!) The terrain of Mount Fear is generated by data sets relating to the frequency and position of urban crimes in South London, Manchester,. East London, and Eindhoven.  Precise statistics are provided by the police. Each individual incident adds to the height of the model, forming a mountainous terrain. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.abigailreynolds.com/mntF/mntFmain.html" title="http://www.abigailreynolds.com/mntF/mntFmain.html"&gt;www.abigailreynolds.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD valign="top" rowspan="3" colspan="5"&gt;&lt;IMG width="454" height="340" src="http://www.abigailreynolds.com/mntF/../imagelibrary/EVH98-wire.jpg" /&gt;&lt;/TD&gt;
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        terrain of &lt;EM&gt;Mount Fear&lt;/EM&gt; is generated by data sets relating to the 
        frequency and position of urban crimes. Precise statistics are provided 
        by the police. Each individual incident adds to the height of the model, 
        forming a mountainous terrain.&lt;/FONT&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif" color="#333333"&gt;All 
        Mount Fear models are built on the same principals. The imaginative fantasy 
        space seemingly proposed by the scupture is subverted by the hard facts 
        and logic of the criteria that shape it. The object does not describe 
        an ideal other-worldly space separated from lived reality, but conversely 
        describes in relentless detail the actuality of life on the city streets. 
        &lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.abigailreynolds.com/mntF/mntFSth.html" title="http://www.abigailreynolds.com/mntF/mntFSth.html"&gt;www.abigailreynolds.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;
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      FEAR&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;FONT size="2" color="#333333"&gt;&lt;B&gt; &lt;I&gt;Statistics for 
      Crimes with Offensive Weapon South London 2001-2002&lt;/I&gt;&lt;/B&gt;&lt;I&gt;&lt;/I&gt;&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.abigailreynolds.com/mntF/mntFManc.html" title="http://www.abigailreynolds.com/mntF/mntFManc.html"&gt;www.abigailreynolds.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD valign="top" rowspan="10" colspan="4"&gt;&lt;IMG width="378" height="567" src="http://www.abigailreynolds.com/mntF/manc.jpg" /&gt;&lt;/TD&gt;
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        FEAR &lt;/EM&gt;&lt;/B&gt;&lt;EM&gt;Statistics for Violent offences 2001-02 Central Manchester 
        &lt;/EM&gt;(2003)&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.abigailreynolds.com/mntF/mntFEast.html" title="http://www.abigailreynolds.com/mntF/mntFEast.html"&gt;www.abigailreynolds.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD height="16"&gt;&lt;/TD&gt;
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        FEAR East London Police Statistics for violent crimes 2002-3 &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.abigailreynolds.com/mntF/mntFEVH.html" title="http://www.abigailreynolds.com/mntF/mntFEVH.html"&gt;www.abigailreynolds.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD valign="top" colspan="2"&gt;&lt;FONT size="1" face="Geneva, Arial, Helvetica, sans-serif" color="#663300"&gt;&lt;A href="http://www.abigailreynolds.com/mntF/mntFmain.html"&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/TD&gt;
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    &lt;TD valign="top" rowspan="5" colspan="5"&gt;&lt;IMG width="510" height="367" src="http://www.abigailreynolds.com/mntF/EVH-2003.gif" /&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;&lt;FONT color="#666666"&gt;&lt;EM&gt;&lt;FONT color="#333333"&gt;MOUNT 
      FEAR &lt;/FONT&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;/B&gt;&lt;FONT color="#333333"&gt;&lt;EM&gt;Statistics for Sex 
      Crimes Eindhoven 1998 and 2003 &lt;/EM&gt;(2004)&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/data/" rel="tag"&gt;data&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/statistics/" rel="tag"&gt;statistics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/crime/" rel="tag"&gt;crime&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/london/" rel="tag"&gt;london&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.abigailreynolds.com/mntF/mntFmain.html</clipSource><pubDate>Fri, 02 May 2008 15:00:06 GMT</pubDate></item><item><title>NOAA 2007/2008 Winter Prediction</title><link>http://clipmarks.com/clipmark/F55FA7D6-A191-4093-85BC-F785C3195925/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Rustee/"&gt;Rustee&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A look back at their prediction versus the actuality.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sciencedaily.com/releases/2007/10/071010131931.htm" title="http://www.sciencedaily.com/releases/2007/10/071010131931.htm"&gt;www.sciencedaily.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="story"&gt;Warm Winter Predicted For United States&lt;/H1&gt;
			
			&lt;DIV id="story"&gt;
				&lt;P id="first"&gt;&lt;SPAN class="date"&gt;ScienceDaily (Oct. 11, 2007)&lt;/SPAN&gt; — NOAA forecasters are calling for above-average temperatures over most of the country and a continuation of drier-than-average conditions across already drought-stricken parts of the Southwest and Southeast in its winter outlook for the United States, announced at the 2007-2008 Winter Fuels Outlook Conference in Washington, D.C October 9, 2007.&lt;/P&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sciencedaily.com/releases/2008/03/080314175834.htm" title="http://www.sciencedaily.com/releases/2008/03/080314175834.htm"&gt;www.sciencedaily.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="story"&gt;Coolest Winter Since 2001 For U.S., Globe, According To NOAA Data&lt;/H1&gt;
			
			&lt;DIV id="story"&gt;
				&lt;P id="first"&gt;&lt;SPAN class="date"&gt;ScienceDaily (Mar. 15, 2008)&lt;/SPAN&gt; — The average temperature across both the contiguous U.S. and the globe during climatological winter (December 2007-February 2008) was the coolest since 2001, according to scientists at NOAA’s National Climatic Data Center in Asheville, N.C. In terms of winter precipitation, Pacific storms, bringing heavy precipitation to large parts of the West, produced high snowpack that will provide welcome runoff this spring.&lt;/P&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/meteorology/" rel="tag"&gt;meteorology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/climate+change/" rel="tag"&gt;climate change&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.sciencedaily.com/releases/2007/10/071010131931.htm</clipSource><pubDate>Mon, 17 Mar 2008 00:33:34 GMT</pubDate></item><item><title>Weird Statues and Sculptures around the World</title><link>http://clipmarks.com/clipmark/A1E0044D-A30E-47C1-8CF8-7630CBC89645/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/hawgwild/"&gt;hawgwild&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.toroller.com/2008/01/03/amazing-weired-statues-manuments-sculptures-of-the-world/" title="http://www.toroller.com/2008/01/03/amazing-weired-statues-manuments-sculptures-of-the-world/"&gt;www.toroller.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;33 Weird Statues and Sculptures Around The World&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Probably you have seen some of these wonderful statues before,but I think it’s worthy to have a collection of these 33 weired art works in one single page.So here they come:&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="justify"&gt;Magic tap, which appears to float in the sky with an endless supply of water. In actuality, there is a pipe hidden in the stream of water.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; Location: Aqualand, Cadiz.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/E682AEC5-6196-4AC4-8F34-6E7FF985B403.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt; Madame Chapeau:&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="justify"&gt;Designed to create a dynamics between two streets, this sculpture beams with its presence in the space that was allocated to the artist.The lady is fearlessly counting her money in an area of Brussels that is famous for its pickpockets. She even teases them with her unsnatchable bronze wallet!&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; Location: Brussels , Belgium.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/91F8EA33-9D94-47DF-8F0B-943F3CCB774F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;La Trobe :&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="justify"&gt;A contemporary representation of Charles La Trobe in central Melbourne (This temporary installation was removed at the end of June 2006 and has been acquired by La Trobe University).&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="justify"&gt;Location: Melbourne&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/AC607606-7C80-495F-A29E-A9947C63E2C9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;The Hanging Rhino :&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/B96D07C4-E02C-42C3-9C56-D2E49A832057.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;The Thumb :&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/0C3BB6F7-D1DF-4DD1-89D5-C3D67FBB6DC6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Man at work :&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/8B2A5C71-31C9-4045-B6A0-ABF63C695A7B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;De Vaartkapoen :&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/36761017-051B-460E-83BF-641A73CD5EE8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/8F775D1E-441B-4677-A945-B44DE28B2075.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/8FCE467A-A62B-43DB-9621-1203014A4A8E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/C8B74184-6D50-44A9-9763-45C5B571BA0A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/F1AD89D2-82B3-4B79-9C91-2AF1EB868C8A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/382BEE49-6E78-431A-BDC0-874FA983A488.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/AD15BF52-9D65-4BE3-8BB8-B05555BDEFDD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/519F2E4A-00E9-4FF3-90F5-7BDE836B44EA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/192219E9-7C8D-425C-ABE6-7CC18A647484.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/B962901D-ACF8-45D2-B778-98C971FE2F81.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/3D3F7F49-E03D-4D1B-82C4-53F150711EA8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/BC6E4DDD-28C9-42C4-89B5-19689FF0C7AB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/102B3707-6E78-48F9-830A-E792A71E4717.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/376B7CED-CB47-4967-B1CB-55AB1E922944.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/05FF2009-0475-4EC1-B76B-40CFD95ECC98.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/0A9ACDE6-F512-4491-A4ED-04E3927F02BD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/0F4FF322-E9A7-4A48-A4CB-20379CA70C95.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/984EA858-3A6E-4702-8930-EC0E38D75A99.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/878971E3-DB02-44CD-AAA3-28D3F2AC0F94.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/AA0B0DD0-12D6-4230-B55E-8C55AF9C36D3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/B32715B3-A347-4F46-86A2-B50760C41DB9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/2683F72A-DFFC-4B18-A665-D1ABB4F66E89.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/CC8EC336-4847-48E8-908F-6347F03C71BE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/60CBDFBF-1E32-43DE-BC33-F55F95377DC9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/84550F29-7FA9-47EA-871B-25A00796B6CA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/0432BBB5-414F-4BFE-8558-B3FFD9106905.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/7FE9EA97-9DED-4F60-8AA8-066AA9C3CF08.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/6B4F41BB-C0B7-43D8-B5DB-17C613250FF9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/6BF33185-5491-4EE1-8156-A54E3EC3C6F3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/386E6141-9B0D-4456-87E0-FE9F0F89D596.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/DF224620-39D8-419D-98E5-246A4D47ACB8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/4436CA5F-0224-475E-A173-97ACEDAEFA1A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hawgwild/512/E449E081-DCA5-4366-BBDB-F14216128AA1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.toroller.com/2008/01/03/amazing-weired-statues-manuments-sculptures-of-the-world/</clipSource><pubDate>Mon, 21 Jan 2008 04:03:44 GMT</pubDate></item><item><title>Words Without Borders</title><link>http://clipmarks.com/clipmark/E144F3A5-0226-4BD2-A3D5-2E0CC1FAB181/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A chance to read English translations of authors from around the world.&lt;br/&gt;&lt;br/&gt;Intriguing methinks.  &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wordswithoutborders.org/" title="http://www.wordswithoutborders.org/"&gt;www.wordswithoutborders.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/1125B21F-AE57-4D8A-9B2D-3FB2C508E550.gif" alt="Words Without Borders. The Online Magazine for International Literature" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="contMain" name="contMain"&gt;
               &lt;DIV class="rule"&gt;&lt;P&gt;&lt;IMG class="imageLeft" alt="image" src="http://www.wordswithoutborders.org/images/homepage2.jpg" /&gt;&lt;/P&gt;&lt;H1&gt;January 2008&lt;/H1&gt;Vice and virtue clash daily round the world, and while the definition of sin may vary, its literary allure is universal. Perhaps that’s because no matter how  easy we think moral failings are to finger, in actuality their elusiveness on the page is what makes for the stuff of great literature. “It’s so easy to forget . . . ” says a  former student of an envious teacher; yet do moral failings arise because it’s  easy to forget, or because it’s even easier to harbor and remember? Maya Arad,  Roberto Bolaño, Lars Saabye Christensen, Doris Kareva, Danilo Kiš , Mathieu  Lindon, Sérgio Rodrigues, Kjell Westo, and Yan Lianke put envy, greed, pride,  sloth, gluttony, anger, and lust to thought-provoking ends for the New Year.&lt;/DIV&gt;&lt;BR /&gt;            &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="featured"&gt;&lt;H1&gt;NEW ON THE BOOKSHELF&lt;/H1&gt; &lt;IMG align="left" src="http://www.wordswithoutborders.org/images/Nine.Stasiuktn" /&gt;
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This month, there's solace in words at &lt;A href="http://www.wordswithoutborders.org/?lab=Bookshelf"&gt; Dorothea Dieckmann's &lt;EM&gt;Guantanamo&lt;/EM&gt;, allusions fill Aharon Megged's &lt;EM&gt;The Flying Camel and the Golden Hump&lt;/EM&gt;  and Eastern Europe writhes under capitalism in Andrzej Stasiuk's &lt;EM&gt;Nine&lt;/EM&gt;&lt;/A&gt;.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.wordswithoutborders.org/</clipSource><pubDate>Tue, 08 Jan 2008 23:16:30 GMT</pubDate></item><item><title>More Prisoner Abuse Claims @ Harrison County, MS</title><link>http://clipmarks.com/clipmark/7A8B9E09-FAD0-405C-83C7-892A3CA08E0D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/KimbleKency1683/"&gt;KimbleKency1683&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I realize that people who commit crimes need to be punished, but no one deserves treatment like that. I am so glad Harrison County got a new sheriff. I hope he will clean up that jail! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sunherald.com/278/story/236575.html" title="http://www.sunherald.com/278/story/236575.html"&gt;www.sunherald.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/KimbleKency1683/512/401D0B4F-E2BC-48E4-8E93-422F8C618564.jpg" alt="The jail booking mug of Only Al-Khidhr taken in October 2005 after Al-Khidhr was jailed on charges including public drunk, was posted around the Harrison County jail booking area as a 'trophy picture.'" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="imageCaption"&gt;The jail booking mug of Only Al-Khidhr taken in October 2005 after Al-Khidhr was jailed on charges including public drunk, was posted around the Harrison County jail booking area as a 'trophy picture.'&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Attorneys Jim Halliday and Robert Harenski have filed a civil lawsuit on Al-Khidhr's behalf. The lawsuit is one of two similar lawsuits they have filed in the past two weeks. They seek no specified amounts, but want compensation for physical and emotional damage. And they expect to file others soon.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"All of their stories are similar," Halliday said. "So many people never complained officially because they didn't think anyone would believe the atrocities actually happened.&lt;/P&gt;&lt;P&gt;"The jail hid behind the shield of accreditation and touted itself as meeting national standards. In actuality, the atrocities were covered up and the abused were taunted and threatened with criminal charges of assaulting an officer."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The lawsuit for Al-Khidhr and one for Marguerite Carrubba name many of the same defendant&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/harrison+county/" rel="tag"&gt;harrison county&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mississippi/" rel="tag"&gt;mississippi&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/prisoner+abuse/" rel="tag"&gt;prisoner abuse&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/jail/" rel="tag"&gt;jail&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/jailers/" rel="tag"&gt;jailers&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.sunherald.com/278/story/236575.html</clipSource><pubDate>Mon, 10 Dec 2007 15:46:47 GMT</pubDate></item><item><title>Peak oil: BP, Conoco CEOs say it's here - also IEA's Fatih Birol really freaks out</title><link>http://clipmarks.com/clipmark/B999630C-54FC-48E8-8E50-8A3BC94D2CB6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JICWyllie/"&gt;JICWyllie&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.theoildrum.com/node/3226" title="http://www.theoildrum.com/node/3226"&gt;www.theoildrum.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;After the CEO of Total (the French oil major) &lt;A rel="nofollow" href="http://www.eurotrib.com/story/2007/11/1/7339/31806"&gt;last week&lt;/A&gt;, two more CEOs of an oil major came out this Thursday to give stark warnings that mean that peak oil is happening right now. In addition, the chief economist of the International Energy Agency (the IEA), one of the main cheerleaders of the "there's more than enough oil" camp until now,  is giving an extraordinarily pessimistic interview in the Financial Times,&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Where is the oil going to come from?" This is the CEO of the third biggest oil major in the USA, admitting that we no longer know where we can get access to oil. And he's repeating exactly what Christophe de Margerie, the boss of energy giant Total said a few days before: that IEA's projections, that everybody uses, are completely absurd&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/energy/" rel="tag"&gt;energy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/oil/" rel="tag"&gt;oil&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/i-peak+oil/" rel="tag"&gt;i-peak oil&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/i-actuality/" rel="tag"&gt;i-actuality&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.theoildrum.com/node/3226</clipSource><pubDate>Sun, 11 Nov 2007 19:00:33 GMT</pubDate></item><item><title>Diamond Cuts 101</title><link>http://clipmarks.com/clipmark/7895E41D-D9C1-4FD1-84EE-6E0452173715/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/amybennett/"&gt;amybennett&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Good information on diamond cuts. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.weddings.sc/blog/?p=13" title="http://www.weddings.sc/blog/?p=13"&gt;www.weddings.sc&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="MsoNormal"&gt;Let’s focus on diamonds for a bit.&lt;SPAN&gt;  &lt;/SPAN&gt;Every girl knows about the four C’s of Diamond buying, but it can be hard to remember what all the cuts look like.&lt;SPAN&gt;   &lt;/SPAN&gt;The cut of a diamond directly effects the amount of sparkle a diamond has.&lt;SPAN&gt;  &lt;/SPAN&gt;Cut can also affect how big your diamond looks.&lt;SPAN&gt;  &lt;/SPAN&gt;Carat is actuality the weight of the diamond, so depending on the cut a diamond can look bigger or smaller than a diamond with the same carat weight.&lt;SPAN&gt;  &lt;/SPAN&gt;A well cut diamond will look bigger than many diamonds of a heavier carat weight.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="MsoNormal"&gt;“What makes a good cut,” you may ask.&lt;SPAN&gt;  &lt;/SPAN&gt;The quality of a diamonds cut is affected by many factors.&lt;SPAN&gt;  &lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="MsoNormal"&gt;Okay, so we’ve &lt;SPAN&gt;established&lt;/SPAN&gt; what makes a good cut, but what do the cuts look like. &lt;SPAN&gt;  &lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;SPAN&gt;                &lt;/SPAN&gt;&lt;STRONG&gt;Baguettes:&lt;SPAN&gt;  &lt;/SPAN&gt;&lt;/STRONG&gt;Are long thin oblong asscher cuts.
&lt;P align="center"&gt; &lt;/P&gt;
&lt;P align="center"&gt; &lt;/P&gt;
&lt;P align="center"&gt; &lt;/P&gt;
&lt;P align="center"&gt; &lt;/P&gt;
&lt;P align="center"&gt; &lt;/P&gt;
&lt;P align="center"&gt; &lt;/P&gt;
&lt;P align="center"&gt; &lt;/P&gt;
&lt;P align="center"&gt; &lt;/P&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/amybennett/512/560422BC-E23A-4EC2-947F-B5D5D4E09F54.jpg" alt="gloves" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;STRONG&gt;Single Cut Diamonds:&lt;SPAN&gt;  &lt;/SPAN&gt;&lt;/STRONG&gt;A single cut diamond consist of 18 facets.&lt;SPAN&gt;  &lt;/SPAN&gt;Single cut diamonds are normally very small stones, like the stones you would see in a channel&lt;SPAN&gt;  &lt;/SPAN&gt;setting.
&lt;P align="center"&gt; &lt;/P&gt;
&lt;P align="center"&gt; &lt;/P&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/amybennett/512/63E32C39-A50D-4300-A84A-224676F89218.jpg" alt="gloves" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/wedding/" rel="tag"&gt;wedding&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/diamond/" rel="tag"&gt;diamond&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/gem/" rel="tag"&gt;gem&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/jewelry/" rel="tag"&gt;jewelry&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/weddings/" rel="tag"&gt;weddings&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rings/" rel="tag"&gt;rings&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.weddings.sc/blog/?p=13</clipSource><pubDate>Wed, 07 Nov 2007 18:14:11 GMT</pubDate></item><item><title>YOU'RE ON THE AIR WITH RUSH LIMBAUGH.</title><link>http://clipmarks.com/clipmark/BC7E42BC-FAB0-48B4-AA41-29E42D0CFCC5/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/thinkingblue/"&gt;thinkingblue&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  On the website &lt;a href="http://www.thethinkingblue.com/limbaughcomments.html" rel="nofollow" target="_blank"&gt;http://www.thethinkingblue.com/limbaughcomments.html&lt;/a&gt;  is a remake of the Rush Limbaugh video from YOUTUBE The only changes I made were the pictures. The original film had images of the devastation of war, on all people involved, the men, women and children caught in the horrors of war. I don't know why YOUTUBE pulled the video but I thought perhaps it was because of those sad pictures. We Americans get a WHITEWASHED version of the war and maybe YOUTUBE wanted to keep it that way. But if it was because of what Rush Limbaugh said on the uncut audio of his show and YOUTUBE was protecting him... THE SHAME IS ON YOUTUBE, who like so many on the right spin, twist and cajole TRUTH until it no longer resembles actuality, just so it will fit their account of reality. &lt;br/&gt;&lt;br/&gt;You can also view the video on the camaroz28 server: &lt;a href="http://videos.camaroz28.com/video/6ebe1dc3-e5e0-4a3a-bcc4-99d401031775.htm" rel="nofollow" target="_blank"&gt;http://videos.camaroz28.com/video/6ebe1dc3-e5e0-4a3a-bcc4-99d401031775.htm&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thethinkingblue.com/limbaughcomments.html" title="http://www.thethinkingblue.com/limbaughcomments.html"&gt;www.thethinkingblue.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;I received this email from youtube today...&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;After being flagged by members of the YouTube community and reviewed by YouTube staff, the video below has been removed due to its inappropriate nature. &lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;PHONEY SOLDIERS by Rush Limbaugh:&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;The &lt;A href="http://www.youtube.com/t/contact_us"&gt;YouTube Team&lt;/A&gt;&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face=Arial size=4&gt;This was my response back to them:&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT face="Arial" size="4"&gt;I was very saddened to receive an email telling me you removed a video I uploaded... You did not tell me why, just a vague reference that it was flagged by members as being inappropriate. Did you read the comments on that particular video? The negative ones were all Rush Limbaugh supporters but there were many positive ones also.  I know it is your server and you can do as you please with any video but it sure seems unfair that members can flag a video that doesn't agree with their ideology as inappropriate and thus its removed, without rebuttal.  Sad but true fact of life in what we think is a democracy. Thanks, thinkingblue&lt;BR /&gt;&lt;/FONT&gt;&lt;IMG height="10" hspace="0" src="http://www.thethinkingblue.com/bar29.jpg" width="549" vspace="0" border="0" /&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face=Arial size=4&gt;Below is a remake of the Rush Limbaugh phony soldiers 
video&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;ON THE AIR WITH RUSH&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face=Arial size=4&gt;LIMBAUGH&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/rush/" rel="tag"&gt;rush&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/limbaugh/" rel="tag"&gt;limbaugh&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/youtube/" rel="tag"&gt;youtube&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/phony/" rel="tag"&gt;phony&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/phoney/" rel="tag"&gt;phoney&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/soldiers/" rel="tag"&gt;soldiers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/thinkingblue/" rel="tag"&gt;thinkingblue&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.thethinkingblue.com/limbaughcomments.html</clipSource><pubDate>Sat, 27 Oct 2007 22:09:55 GMT</pubDate></item><item><title>Kasparov vs. Putin</title><link>http://clipmarks.com/clipmark/41EE2392-E7AD-4DC4-B5C5-6BF9ACB23893/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sylviadafox/"&gt;sylviadafox&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newyorker.com/reporting/2007/10/01/071001fa_fact_remnick" title="http://www.newyorker.com/reporting/2007/10/01/071001fa_fact_remnick"&gt;www.newyorker.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 id="articlehed"&gt;The Tsar’s Opponent&lt;/H1&gt;
        
        

        
            
            
                
                
                
                    &lt;H2 id="articleintro"&gt;Garry Kasparov takes aim at the power of Vladimir Putin.&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Kasparov is forty-four. He was the world chess champion for fifteen years. Until his retirement, two years ago, his dominance was unprecedented.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Now he has volunteered for grim and, very likely, futile duty. As the most conspicuous leader of &lt;I&gt;Drugaya Rossiya&lt;/I&gt; (the Other Russia), an umbrella group of liberals, neo-Bolsheviks, and just about anyone else wishing to speak ill of Vladimir Putin, he is in nominal charge of opposition politics in a country that, in actuality, has no real politics except for that which takes place in the narrow and inscrutable space between the ears of its President.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="img-shadow"&gt;&lt;IMG alt="Kasparov says, “I have to be careful not to become cruel, because I became a soldier too early.” Photograph by Mary Ellen Mark." src="http://www.newyorker.com/images/2007/10/01/p233/071001_r16415_p233.jpg" /&gt;&lt;/DIV&gt;




                        
                            &lt;P class="caption"&gt;Kasparov says, “I have to be careful not to become cruel, because I became a soldier too early.” &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newyorker.com/reporting/2007/10/01/071001fa_fact_remnick?currentPage=3" title="http://www.newyorker.com/reporting/2007/10/01/071001fa_fact_remnick?currentPage=3"&gt;www.newyorker.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Putin sees himself as the new tsar, who, after suffering the humiliation of a lost empire, has restored strength and confidence to Russia. With the price of oil at eighty-two dollars a barrel, there is a sense of global reordering.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/russia/" rel="tag"&gt;russia&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.newyorker.com/reporting/2007/10/01/071001fa_fact_remnick</clipSource><pubDate>Tue, 16 Oct 2007 22:08:33 GMT</pubDate></item><item><title>Philosophy and Depression</title><link>http://clipmarks.com/clipmark/2EA5D709-1006-419E-9E16-4B206CA8F99A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.philosophicalsociety.com/Archives/Philosophy%20And%20Depression.htm" title="http://www.philosophicalsociety.com/Archives/Philosophy%20And%20Depression.htm"&gt;www.philosophicalsociety.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT size="5" color="#000066"&gt;&lt;B&gt;Philosophy And Depression&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
      &lt;P align="center"&gt;&lt;B&gt;&lt;FONT size="3" color="#000000"&gt;&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT size="2" color="#000000"&gt;"The vanity of existence is revealed in the whole 
      form existence assumes: in the infiniteness of time and space contrasted 
      with the finiteness of the individual in both; in the fleeting present as 
      the sole form in which actuality exists; in the contingency and relativity 
      of all things; in continual becoming without being; in continual desire 
      without satisfaction; in the continual frustration of striving of which 
      life consists."&lt;/FONT&gt;&lt;/P&gt;
      &lt;P align="center"&gt;&lt;FONT size="2" color="#000000"&gt;-- Arthur Schopenhauer, "On The Vanity Of 
      Existence"&lt;/FONT&gt;&lt;/P&gt;
      &lt;P align="center"&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT size="2" color="#000000"&gt;"There is little conjunction of truth and social 
      'reality'. Around us are pseudo-events, to which we adjust with a false 
      consciousness adapted to see these events as true and real, and even as 
      beautiful. In the society of men the truth resides now less in what things 
      are than in what they are not. Our social realities are so ugly if seen in 
      the light of exiled truth, and beauty is almost no longer possible if it 
      is not a lie."&lt;/FONT&gt;&lt;/P&gt;
      &lt;P align="center"&gt;&lt;FONT size="2" color="#000000"&gt;-- R.D. Laing, &lt;B&gt;&lt;I&gt;The Politics Of 
      Experience&lt;/I&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/philosophy/" rel="tag"&gt;philosophy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/depression/" rel="tag"&gt;depression&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.philosophicalsociety.com/Archives/Philosophy%20And%20Depression.htm</clipSource><pubDate>Fri, 14 Sep 2007 12:34:43 GMT</pubDate></item><item><title>we are always living in an ideational world</title><link>http://clipmarks.com/clipmark/45FA3184-872F-4A00-832E-46059F2365AA/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/tidbit2/"&gt;tidbit2&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.jkrishnamurti.org/" title="http://www.jkrishnamurti.org/"&gt;www.jkrishnamurti.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="vat_quote"&gt;One has an idea, a symbol of oneself, an image of oneself, what one should be, what one is, or what one should not be. Why does one create an image about oneself? Because one has never studied what one is, actually. We think we should be this or that: the ideal, the hero, the example. What awakens anger is that our ideal, the idea we have of ourselves, is attacked. And our idea about ourselves is our escape from the fact of what we are. But when you are observing the actual fact of what you are, no one can hurt you. Then, if one is a liar and is told that one is a liar, it does not mean that one is hurt: it is a fact. But when you are pretending you are not a liar and are told that you are, then you get angry, violent. So we are always living in an ideational world, a world of myth, and never in the world of actuality. To observe &lt;I&gt;what is&lt;/I&gt;, to see it, actually be familiar with it, there must be no judgement, no evaluation, no opinion, no fear.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/spirituality/" rel="tag"&gt;spirituality&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/life/" rel="tag"&gt;life&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/wisdom/" rel="tag"&gt;wisdom&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.jkrishnamurti.org/</clipSource><pubDate>Mon, 27 Aug 2007 23:17:06 GMT</pubDate></item><item><title>White sands and pink thongs</title><link>http://clipmarks.com/clipmark/A0F5B5C6-D166-4AF4-ADE7-8BAC0D0A38E4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/swampfoxz/"&gt;swampfoxz&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Question: Does the model make the shot &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://flickrbikini.com/babes/?p=104" title="http://flickrbikini.com/babes/?p=104"&gt;flickrbikini.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Permanent Link to Pretty in Pink" rel="bookmark" href="http://flickrbikini.com/babes/?p=104"&gt;Pretty in Pink »&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/swampfoxz/512/3A8E8B83-F2D0-4B66-992F-A1AED3C2F855.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;White sands and pink thongs.Tan and tone female forms basking in the warm sun while admirers cruise the shore like tiger sharks for groupers.&lt;BR /&gt;&lt;DIV&gt;
Question: Does the model make the shot or does the photographer make the model.One micro bikini second in time is all it takes to immortalize the subject for all time in our hearts and fantasies,which,surprisingly enough are not all geared to sex.The sensual illusion of freedom from care and worry overpowers the viewer who,given the right motivation,now turns his surfing attention to travel blogs where he may realize his fantasies in actuality.Happy surfing.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/microkini/" rel="tag"&gt;microkini&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bikini/" rel="tag"&gt;bikini&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/beach/" rel="tag"&gt;beach&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://flickrbikini.com/babes/?p=104</clipSource><pubDate>Fri, 17 Aug 2007 01:37:14 GMT</pubDate></item><item><title>You can't estimate a month</title><link>http://clipmarks.com/clipmark/2AA38BB7-FD13-4F8B-92BA-2B52B71068AF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/travislaborde/"&gt;travislaborde&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I'm sitting on exactly this problem right now.  My "hours" estimate was about 60, so I figured a month worth of ETA, given that I'm not full-time on the one project....&lt;br/&gt;&lt;br/&gt;Of course, in a month's time, a lot of other stuff can come up...&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://ayende.com/Blog/archive/2007/08/09/You-cant-estimate-a-month.aspx" title="http://ayende.com/Blog/archive/2007/08/09/You-cant-estimate-a-month.aspx"&gt;ayende.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
			&lt;A href="http://ayende.com/Blog/archive/2007/08/09/You-cant-estimate-a-month.aspx" title="Title of this entry." class="TitleLinkStyle" id="viewpost_ascx_TitleUrl"&gt;You can't estimate a month&lt;/A&gt;
		&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A href="http://udidahan.weblogs.us/"&gt;Udi&lt;/A&gt; is talking about &lt;A href="http://udidahan.weblogs.us/2007/08/06/dont-trust-developers-with-project-management/"&gt;not trusting a developer's estimate&lt;/A&gt;:&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Developers don’t know how to estimate. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Or more specifically, the variance in the actual completion time of a feature from the estimate given by a developer increases probably exponentially with time. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;For example, if the estimate is a day, you can expect it to be finished in around a day. If the estimate is a week (5 works days), it will probably vary between 4-10 work days. If the estimate is a month, in all actuality the developer probably doesn’t know enough to say but will answer when pressed.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;I agree, but I think that he is taking it in the wrong direction. The problem is that you &lt;EM&gt;can't&lt;/EM&gt; estimate a month, or a year. The reason for that is that you have too many variables to juggle, and once you break it down to tasks, even the slightest delay at any of those, spread over a month, can cause significant pain for the schedule.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/programming/" rel="tag"&gt;programming&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://ayende.com/Blog/archive/2007/08/09/You-cant-estimate-a-month.aspx</clipSource><pubDate>Thu, 09 Aug 2007 13:02:52 GMT</pubDate></item><item><title>Best of Photojournalism 2007</title><link>http://clipmarks.com/clipmark/970C908C-9A09-4A95-AE65-9513C572125E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Bluephoenix4/"&gt;Bluephoenix4&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bp3.blogger.com/_TMlQo_69v-0/Rp2hui_iL1I/AAAAAAAALKo/Qq69FN6vlpc/s1600-h/01.jpg" title="http://bp3.blogger.com/_TMlQo_69v-0/Rp2hui_iL1I/AAAAAAAALKo/Qq69FN6vlpc/s1600-h/01.jpg"&gt;bp3.blogger.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Bluephoenix4/512/C9B92DF1-8066-4EC9-BC58-6C3B762819AE.jpg" alt="[01.jpg]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bp2.blogger.com/_TMlQo_69v-0/Rp2huS_iLzI/AAAAAAAALKY/FE1Wh4ZZzmI/s1600-h/03.jpg" title="http://bp2.blogger.com/_TMlQo_69v-0/Rp2huS_iLzI/AAAAAAAALKY/FE1Wh4ZZzmI/s1600-h/03.jpg"&gt;bp2.blogger.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Bluephoenix4/512/363FCE47-ACAB-4DEB-BAA2-D686A825396D.jpg" alt="[03.jpg]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bp0.blogger.com/_TMlQo_69v-0/Rp2hNy_iLtI/AAAAAAAALJo/N4fuAK9Pl_c/s1600-h/09.jpg" title="http://bp0.blogger.com/_TMlQo_69v-0/Rp2hNy_iLtI/AAAAAAAALJo/N4fuAK9Pl_c/s1600-h/09.jpg"&gt;bp0.blogger.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Bluephoenix4/512/FEEAF31F-BC29-4E22-8F09-39D2CFA4760B.jpg" alt="[09.jpg]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" 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