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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Sculpture Clips</title><link>http://clipmarks.com/search/sculpture/sort/newest-clips/</link><feedUrl>http://rss.clipmarks.com/search/sculpture/sort/newest-clips/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Odd Sculptures</title><link>http://clipmarks.com/clipmark/ACCCF52C-B37A-4591-AC7E-2E320A621961/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sunnysideup/"&gt;sunnysideup&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Interesting sculptures foumd throughtout the world &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://haha.nu/funny/strange-statues-around-the-world/" title="http://haha.nu/funny/strange-statues-around-the-world/"&gt;haha.nu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/0C515307-4609-4A0C-9DD6-1050294C46CE.jpg" alt="1 - sweden.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/3CFCC3F7-487A-4513-8371-A2542E5B181B.jpg" alt="2 - sweden.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/0253CBFE-29E1-4169-BEA7-CFA21849DE53.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/8A7509F2-2207-4699-AF9A-86429D43C532.jpg" alt="1 - czech" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/F19DB67C-364F-4EE4-904F-4EB8BB45C1C0.jpg" alt="belgium 1" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/08B20FF4-AD06-484B-ACD2-22BBE6C70EE4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/7AAC5A6F-5436-491A-A7FF-F5A5EA4688A7.jpg" alt="39.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/E8172F47-53CE-451E-8A12-6D26257BBE4D.jpg" alt="126.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/557D8CA2-23C9-4483-9E12-139C2B00C739.jpg" alt="3.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/985F825A-DCD7-44A7-B7B6-93C8B860B8A4.jpg" alt="12.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/3068B760-4DE2-488A-8AA7-61B1204CB730.jpg" alt="13.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/EDEFD6A4-8BF5-46C8-B9CE-2DD803776D1F.jpg" alt="43.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/36194105-EDBA-432B-9377-F73ECAB6C007.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/1288B01C-9A22-4A8A-8D8A-EDDF981F3034.jpg" alt="9.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/8464EB96-4B54-4D36-BCE4-74ABE42422EB.jpg" alt="137.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/3ACA4963-4FC6-487D-B199-F87825E66285.jpg" alt="134.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/265B76E0-B0E9-41FB-B562-882EB7A5C018.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/8E80E047-2CF7-4873-BB7D-7093FBD30F50.jpg" alt="41.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/4707E15B-7700-43FA-8BDF-AF68BB67CFE3.jpg" alt="74.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/D073E9DD-92FB-4B50-A6EC-63B7B47AD816.jpg" alt="116.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/165D728D-9AD3-4254-A64D-00F082325857.jpg" alt="106.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/E05E54AC-55FB-4F60-B0DF-50160A3CF5D3.jpg" alt="35.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/D0AA336E-E3D9-4E5B-AE10-7B4E4A48D09A.jpg" alt="45.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/45601FD3-6F47-4870-9FD6-F8A6C90B6CAE.jpg" alt="52.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/AB4D321E-56AC-4E40-BFC4-0F10E9A5ED4F.jpg" alt="69.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/D157E11E-6273-4745-856D-4A32FA8C0E69.jpg" alt="84.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sunnysideup/512/8CA031E6-2B4A-42A7-8667-41D7D1379F9B.jpg" alt="87.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/sculpture/" rel="tag"&gt;sculpture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/odd/" rel="tag"&gt;odd&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/city/" rel="tag"&gt;city&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://haha.nu/funny/strange-statues-around-the-world/</clipSource><pubDate>Mon, 01 Sep 2008 23:43:43 GMT</pubDate></item><item><title>Byzantine Art</title><link>http://clipmarks.com/clipmark/7D86B169-2C18-4711-AD8E-9CDDD9ED2C9F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hi/te_index.asp?i=13" title="http://www.metmuseum.org/toah/hi/te_index.asp?i=13"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/6BB29EC6-026E-44A8-A3DA-9BEA56847731.jpg" alt="The Age of Justinian I (527–565)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/hd_just.htm"&gt;The Age of Justinian I (527–565)&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/just/hd_just.htm" title="http://www.metmuseum.org/toah/hd/just/hd_just.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The nearly forty-year reign of Emperor Justinian I (527–65) heralded extensive territorial expansion and military success for the &lt;A href="http://www.metmuseum.org/toah/hd/just/../byza/hd_byza.htm"&gt;Byzantine state&lt;/A&gt;.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;distinguished by an exceptional record of architectural and artistic production&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/ho/06/wae/ho_1998.69,1999.99.htm" title="http://www.metmuseum.org/toah/ho/06/wae/ho_1998.69,1999.99.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/70E937CF-6B4E-4EB2-A73B-FE5BF0CC2D85.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Fragment of a Floor Mosaic with a Personification of Ktisis&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/just/ho_17.190.1670-1671.htm" title="http://www.metmuseum.org/toah/hd/just/ho_17.190.1670-1671.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/D1E587C9-4D63-4490-8F8E-FB71830E5021.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/ho/06/eusb/ho_17.190.52,53.htm" title="http://www.metmuseum.org/toah/ho/06/eusb/ho_17.190.52,53.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="objImage"&gt;&lt;A href="javascript:toggleEnlarge('altViewParent','17.190.52,53','0');"&gt;&lt;IMG border="0" class="mainObjImage" src="http://www.metmuseum.org/toah/ho/06/eusb/../../../images/h2/h2_17.190.52,53.jpg" /&gt;&lt;/A&gt;&lt;A class="magnify" href="javascript:toggleEnlarge('altViewParent','17.190.52,53');"&gt;&lt;IMG border="0" src="http://www.metmuseum.org/toah/ho/06/eusb/../../../art/magnify_sm.gif" /&gt;&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Two Panels of an Ivory Diptych Announcing the Consulship of Justinian&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/just/hd_just.htm" title="http://www.metmuseum.org/toah/hd/just/hd_just.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="thematicIcons"&gt;
&lt;LI id="objthumb8"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/waa/ho_66.25.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge8" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Portrait Bust of a Woman with a Scroll [Byzantine]" alt="Portrait Bust of a Woman with a Scroll [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_66.25.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb1"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/wae/ho_1998.69,1999.99.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge1" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Fragment of a Floor Mosaic with a Personification of Ktisis [Byzantine]" alt="Fragment of a Floor Mosaic with a Personification of Ktisis [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_1998.69,1999.99.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb7"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/ho_17.190.1670-1671.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge7" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pair of Jeweled Bracelets [Byzantine]" alt="Pair of Jeweled Bracelets [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_17.190.1670-1671.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb6"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/ho_1984.196.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge6" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Flask with Adoration of the Magi [Byzantine]" alt="Flask with Adoration of the Magi [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_1984.196.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb3"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/eusb/ho_17.190.52,53.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge3" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Two Panels of an Ivory Diptych Announcing the Consulship of Justinian [Byzantine]" alt="Two Panels of an Ivory Diptych Announcing the Consulship of Justinian [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_17.190.52,53.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb5"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/ho_99.35.7406.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge5" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Solidus of Justinian I [Byzantine]" alt="Solidus of Justinian I [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_99.35.7406.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb4"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/eusb/ho_17.190.1664.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge4" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pectoral with Coins and Pseudo-Medallion [Byzantine]" alt="Pectoral with Coins and Pseudo-Medallion [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_17.190.1664.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb2"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/waa/ho_50.4.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge2" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="'Antioch Chalice', The [Byzantine]" alt="'Antioch Chalice', The [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_50.4.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;


		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/bzis/hd_bzis.htm" title="http://www.metmuseum.org/toah/hd/bzis/hd_bzis.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Byzantine Art under Islam&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The &lt;A href="http://www.metmuseum.org/toah/hd/bzis/../byza/hd_byza.htm"&gt;Byzantine empire&lt;/A&gt;'s interaction with Islamic culture had a profound effect on its art. Islam's rise and military success were the greatest threat to the stability of the empire and its territories&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/ho/08/sfe/ho_1999.103.htm" title="http://www.metmuseum.org/toah/ho/08/sfe/ho_1999.103.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/AE36FE48-35AE-4335-901E-CB60E64F019D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/bzis/hd_bzis.htm" title="http://www.metmuseum.org/toah/hd/bzis/hd_bzis.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="thematicIcons"&gt;
&lt;LI id="objthumb1"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/bzis/../../ho/07/sfe/ho_1998.66.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge1" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Page from an Illuminated Gospel [Ethiopia]" alt="Page from an Illuminated Gospel [Ethiopia]" src="http://www.metmuseum.org/toah/hd/bzis/../../images/ht/ht_1998.66.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb2"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/bzis/../../ho/08/sfe/ho_1999.103.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge2" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Processional Cross [Ethiopia, Tigray region; Amharic]" alt="Processional Cross [Ethiopia, Tigray region; Amharic]" src="http://www.metmuseum.org/toah/hd/bzis/../../images/ht/ht_1999.103.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb3"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/bzis/ho_14.137.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge3" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Batrashil [Syria]" alt="Batrashil [Syria]" src="http://www.metmuseum.org/toah/hd/bzis/../../images/ht/ht_14.137.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;


		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/ivor/ho_17.190.239.htm" title="http://www.metmuseum.org/toah/hd/ivor/ho_17.190.239.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/A4CBBC5D-A38A-4BB1-ABF0-FCFCCC1A9987.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hi/te_index.asp?i=13" title="http://www.metmuseum.org/toah/hi/te_index.asp?i=13"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/hd_ivor.htm"&gt;Byzantine Ivories&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/ivor/hd_ivor.htm" title="http://www.metmuseum.org/toah/hd/ivor/hd_ivor.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="thematicIcons"&gt;
&lt;LI id="objthumb2"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/../litu/ho_17.190.57.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge2" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pyxis Depicting Women at the Tomb of Christ [Byzantine]" alt="Pyxis Depicting Women at the Tomb of Christ [Byzantine]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.57.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb3"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/../../ho/06/eusb/ho_17.190.52,53.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge3" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Two Panels of an Ivory Diptych Announcing the Consulship of Justinian [Byzantine]" alt="Two Panels of an Ivory Diptych Announcing the Consulship of Justinian [Byzantine]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.52,53.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb1"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/../../ho/06/eusb/ho_17.190.44.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge1" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Plaque with the Crucifixion and the Defeat of Hades [Byzantine]" alt="Plaque with the Crucifixion and the Defeat of Hades [Byzantine]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.44.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb4"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/ho_17.190.103.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge4" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Icon with the Virgin and Child [Byzantine; Probably made in Constantinople]" alt="Icon with the Virgin and Child [Byzantine; Probably made in Constantinople]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.103.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb5"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/ho_17.190.239.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge5" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Casket with Warriors and Dancers [Byzantine; Probably made in Constantinople]" alt="Casket with Warriors and Dancers [Byzantine; Probably made in Constantinople]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.239.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;


		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/byza/hd_byza.htm" title="http://www.metmuseum.org/toah/hd/byza/hd_byza.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Byzantium (ca. 330–1453)&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/ho/08/eusb/ho_31.67.8.htm" title="http://www.metmuseum.org/toah/ho/08/eusb/ho_31.67.8.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="objImage"&gt;&lt;A href="javascript:toggleEnlarge('altViewParent','31.67.8','0');"&gt;&lt;IMG border="0" class="mainObjImage" src="http://www.metmuseum.org/toah/ho/08/eusb/../../../images/h2/h2_31.67.8.jpg" /&gt;&lt;/A&gt;&lt;A class="magnify" href="javascript:toggleEnlarge('altViewParent','31.67.8');"&gt;&lt;IMG border="0" src="http://www.metmuseum.org/toah/ho/08/eusb/../../../art/magnify_sm.gif" /&gt;&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/byza/hd_byza.htm" title="http://www.metmuseum.org/toah/hd/byza/hd_byza.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="thematicIcons"&gt;
&lt;LI id="objthumb14"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/05/waa/ho_04.35.18.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge14" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Solidus of Constantius II (Sole Emperor, 350-361) [Byzantine]" alt="Solidus of Constantius II (Sole Emperor, 350-361) [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_04.35.18.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb12"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/05/wae/ho_1984.32.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge12" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pendant Plaque [Byzantine]" alt="Pendant Plaque [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1984.32.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb8"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/ho_67.107.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge8" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Head of Constans [Byzantine]" alt="Head of Constans [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_67.107.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb11"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../gaul/ho_47.100.42.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge11" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Chariot Mount with Three Figures [Byzantine]" alt="Chariot Mount with Three Figures [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_47.100.42.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb10"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../gaul/ho_47.100.40.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge10" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Statuette of the Personification of Constantinople [Byzantine]" alt="Statuette of the Personification of Constantinople [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_47.100.40.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb13"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/05/waa/ho_1980.416ab.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge13" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Steelyard Weight with a Bust of a Byzantine Princess [Byzantine]" alt="Steelyard Weight with a Bust of a Byzantine Princess [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1980.416ab.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb1"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/06/wae/ho_1998.69,1999.99.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge1" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Fragment of a Floor Mosaic with a Personification of Ktisis [Byzantine]" alt="Fragment of a Floor Mosaic with a Personification of Ktisis [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1998.69,1999.99.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb3"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/06/eusb/ho_17.190.1664.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge3" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pectoral with Coins and Pseudo-Medallion [Byzantine]" alt="Pectoral with Coins and Pseudo-Medallion [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_17.190.1664.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb9"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/ho_17.190.147,1991.136.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge9" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Girdle with Coins and Medallions [Byzantine]" alt="Girdle with Coins and Medallions [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_17.190.147,1991.136.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;DIV class="clearImages"&gt;&lt;/DIV&gt;

&lt;LI id="objthumb17"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/06/eusb/ho_2006.569.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge17" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pectoral Cross [Byzantine  (Constantinople?)]" alt="Pectoral Cross [Byzantine  (Constantinople?)]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_2006.569.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb4"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/06/eusb/ho_17.190.1674-1712.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge4" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Avar Treasure [Found in Vrap, eastern Albania]" alt="Avar Treasure [Found in Vrap, eastern Albania]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_17.190.1674-1712.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb5"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/07/eusb/ho_1970.324.3.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge5" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Icon with Saint Demetrios [Byzantine]" alt="Icon with Saint Demetrios [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1970.324.3.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb7"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/ho_1998.542.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge7" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Cross Pendant [Byzantine]" alt="Cross Pendant [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1998.542.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb18"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/07/eusb/ho_2007.9.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge18" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pendant Brooch with Cameo of Enthroned Virgin and Child [Byzantine (Constantinople)]" alt="Pendant Brooch with Cameo of Enthroned Virgin and Child [Byzantine (Constantinople)]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_2007.9.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb2"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/07/waa/ho_17.190.678.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge2" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Medallion from an Icon Frame [Byzantine]" alt="Medallion from an Icon Frame [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_17.190.678.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb6"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../arch/ho_1983.167.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge6" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Capital with Bust of the Archangel Michael [Byzantine]" alt="Capital with Bust of the Archangel Michael [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1983.167.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb16"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/07/sfe/ho_2006.100.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge16" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Double-Sided Gospel Leaf [Ethiopia; Tigray region]" alt="Double-Sided Gospel Leaf [Ethiopia; Tigray region]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_2006.100.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb15"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/08/eusb/ho_31.67.8.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge15" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Icon with the Presentation of Christ in the Temple [Byzantine]" alt="Icon with the Presentation of Christ in the Temple [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_31.67.8.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;


		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hi/te_index.asp?i=13" title="http://www.metmuseum.org/toah/hi/te_index.asp?i=13"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/cnst/hd_cnst.htm"&gt;Constantinople after 1261&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/crus/hd_crus.htm"&gt;The Crusades (1095–1291)&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/virg/hd_virg.htm"&gt;The Cult of the Virgin Mary in the Middle Ages&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/face/hd_face.htm"&gt;The Face in Medieval Sculpture&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/fwbz/hd_fwbz.htm"&gt;Frescoes and Wall Painting in Late Byzantine Art&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/haso/hd_haso.htm"&gt;Hagia Sophia, 532–37&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/icon/hd_icon.htm"&gt;Icons and Iconoclasm in Byzantium&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/mona/hd_mona.htm"&gt;Monasticism in Medieval Christianity&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/popu/hd_popu.htm"&gt;Popular Religion: Magical Uses of Imagery in Byzantine Art&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.metmuseum.org/toah/hi/te_index.asp?i=13</clipSource><pubDate>Sat, 30 Aug 2008 18:38:29 GMT</pubDate></item><item><title>Public sculpture, mainly Koons's work</title><link>http://clipmarks.com/clipmark/21F6227E-3364-450D-A0C9-0E3969CA96E3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/balthazarus/"&gt;balthazarus&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  It certainly does not leave you indifferent... &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_index.html" title="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_index.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Public Sculpture Steps Up&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Over the past 15 years public sculpture has become one of contemporary art’s 
more exciting areas of endeavor and certainly its most dramatically improved 
one. &lt;BR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/48DB718B-A73A-4EBA-9517-1271E8A18B5A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Mark Wallinger’s 1999 “Ecce Homo,” a life-size figure of Jesus in London&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_2.html" title="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_2.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/C3C9B825-94AB-42FB-B551-026D3218759A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The Kapoor Bean&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;reflective surfaces into an enveloping experience that is both humorous and 
almost sublime&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_3.html" title="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_3.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/6C0B7173-95C0-4B22-9158-888B74D68E86.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;No one has been more important to the revival of public art than Jeff Koons&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_4.html" title="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_4.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/1985BE54-2581-42F7-BBB9-EBC072D3A69F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“Puppy” (1992) by Jeff Koons at the Guggenheim Museum in Bilbao, Spain&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_5.html" title="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_5.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/CB3A66BB-A857-4FA8-95B7-4B447B719FAA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“Puppy” was intensely loveable, triggering a laugh-out-loud visual delight that 
expanded your sense of the human capacity for joy&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_6.html" title="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_6.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/DACB1683-D46C-4B5E-A456-BAA980204828.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Richard Serra’s “Tilted Arc”&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_7.html" title="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_7.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/686FB7FD-CFBD-4503-887C-B0405E4EEAC9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Richard Serra’s sculptures at the Museum of Modern Art in 2007.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_8.html" title="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_8.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/CFFA3703-06CF-4D03-8FB1-966B6FE425D7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;prim yet erotic “Balloon Dog” sculptures&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_9.html" title="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_9.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/D2D6ACAF-4D42-4F2C-935A-4A4D84DA6D76.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;you are drawn toward them by their familiarity only to realize that they are 
unprecedented&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_10.html" title="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_10.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/AFA0B37B-9337-4FDE-9E08-624CEA277844.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“Cracked Egg (Magenta),” &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_11.html" title="http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_11.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/2225FABC-1749-43C0-BBE5-8DAE1C889434.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Koons’s “Rabbit” was part of the Macy's Thanksgiving day parade in 2007&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;see ourselves in his alluring reflective surfaces&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/design/" rel="tag"&gt;design&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/koons/" rel="tag"&gt;koons&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/slideshow/2008/08/24/arts/0824-KOONS_index.html</clipSource><pubDate>Sat, 30 Aug 2008 10:16:55 GMT</pubDate></item><item><title>Born Bionic</title><link>http://clipmarks.com/clipmark/CCA7648D-3FB4-481E-AF19-C269D1F3728C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/balthazarus/"&gt;balthazarus&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Welcome to the future.... &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spectrum.ieee.org/jun08/6329" title="http://www.spectrum.ieee.org/jun08/6329"&gt;www.spectrum.ieee.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;Slideshow: Born Bionic &lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/5A9A541D-6A74-40B1-B812-7445F9A9EF2A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class=captiontitle&gt;BABBLING BOT&lt;/SPAN&gt;: Osaka University researchers built 
the CB2 robot to mimic the appearance and behavior of an infant&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spectrum.ieee.org/jun08/6329/2" title="http://www.spectrum.ieee.org/jun08/6329/2"&gt;www.spectrum.ieee.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/72B18CD4-C253-421F-BEEA-68A503E13EF7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;tele-operated mechanical servants like Monty, a two-armed wheeled robot equipped 
with gyroscopes&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spectrum.ieee.org/jun08/6329/3" title="http://www.spectrum.ieee.org/jun08/6329/3"&gt;www.spectrum.ieee.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/A8B10F04-FA02-4E2F-9727-F009748EC998.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Twendy-One is a 47-degrees-of-freedom, 1.5-meter tall humanoid&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;to help disabled people with household tasks&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spectrum.ieee.org/jun08/6329/4" title="http://www.spectrum.ieee.org/jun08/6329/4"&gt;www.spectrum.ieee.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/AD0BBABB-B310-4FD8-83D6-428CA09096A7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class=captiontitle&gt;WHO’S WHO?&lt;/SPAN&gt;: Chinese roboticist Zou Ren Ti, of 
the Xi’an Chaoren Sculpture Research Institute, sits next to his android twin 
[right&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spectrum.ieee.org/jun08/6329/5" title="http://www.spectrum.ieee.org/jun08/6329/5"&gt;www.spectrum.ieee.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/BF9E82E5-0D39-44EC-8A90-A186F5CF689C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class=captiontitle&gt;GENIUS HEAD&lt;/SPAN&gt;: Albert Hubo is 1.4-meter-tall 
battery-powered walking humanoid with realistic, humanlike facial expressions. &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spectrum.ieee.org/jun08/6329/6" title="http://www.spectrum.ieee.org/jun08/6329/6"&gt;www.spectrum.ieee.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/61155F22-EE44-4C68-988D-BAC7D3FBA315.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;i-1 is a 50-degrees-of-freedom, freestanding, full-body humanoid&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spectrum.ieee.org/jun08/6329/7" title="http://www.spectrum.ieee.org/jun08/6329/7"&gt;www.spectrum.ieee.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/3AF2E11C-952A-4DB7-A9EF-8CD85C25AE2B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class=captiontitle&gt;MECHANICAL MAESTRO&lt;/SPAN&gt;: Honda keeps improving its 
famed Asimo humanoid. The latest version can dance, climb stairs, and has even 
conducted the Detroit Symphony Orchestra&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spectrum.ieee.org/jun08/6329/8" title="http://www.spectrum.ieee.org/jun08/6329/8"&gt;www.spectrum.ieee.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/635ED099-19ED-4E77-B494-76F69218AEAB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;play the trumpet and the violin&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spectrum.ieee.org/jun08/6329/9" title="http://www.spectrum.ieee.org/jun08/6329/9"&gt;www.spectrum.ieee.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/DCEEB66B-7865-4D73-A9DF-417F2DB76EF1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The Actroid DER2 female humanoid &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spectrum.ieee.org/jun08/6329/10" title="http://www.spectrum.ieee.org/jun08/6329/10"&gt;www.spectrum.ieee.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/0BE65B0C-6CBF-498C-B8E1-96F2C09A961D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;ARMAR III humanoid to closely mimic the sensory and motor capabilities of humans&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/robotics/" rel="tag"&gt;robotics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/future/" rel="tag"&gt;future&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.spectrum.ieee.org/jun08/6329</clipSource><pubDate>Sat, 30 Aug 2008 09:46:53 GMT</pubDate></item><item><title>jesus</title><link>http://clipmarks.com/clipmark/74D8799C-BA33-4BF0-BF9E-D2D9C151676B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/clipolicious/"&gt;clipolicious&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.msnbc.msn.com/id/26435994/" title="http://www.msnbc.msn.com/id/26435994/"&gt;www.msnbc.msn.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Piece portraying amphibian holding beer mug is blasphemous, pontiff says&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Pope angry over crucified green frog sculpture&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/clipolicious/512/F1EA2529-6363-488F-9153-AEFF6E544574.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="textBodyBlack"&gt;&lt;SPAN id="byLine"&gt;&lt;/SPAN&gt;ROME - A modern art sculpture portraying a crucified green frog holding a beer mug and an egg that Pope Benedict has condemned as blasphemous may have its days numbered.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.msnbc.msn.com/id/26435994/</clipSource><pubDate>Fri, 29 Aug 2008 15:03:55 GMT</pubDate></item><item><title>HOW ELEPHANTS COPE WITH GLOBAL WARMING !</title><link>http://clipmarks.com/clipmark/A32BF8EA-2C86-4B74-998A-CC45BEFA2981/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/jt3600/"&gt;jt3600&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Elephants claim it's just a matter of balance ! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://flickr.com/photos/shadycam/2799764426/" title="http://flickr.com/photos/shadycam/2799764426/"&gt;flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/jt3600/512/0693A0FD-7C18-4E2B-8C1E-6713727CEF7C.jpg" alt="Würsa (18 000 Km from earth) by shadycam." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 property="dc:title" id="title_div2799764426"&gt;Würsa (18 000 Km from earth)&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="photoDescription" id="description_div2799764426"&gt;Sculpture by &lt;A rel="nofollow" href="http://www.danielfirman.com"&gt;Daniel Firman&lt;/A&gt; for the exhibition &lt;A rel="nofollow" href="http://www.palaisdetokyo.com/superdome"&gt;Superdome&lt;/A&gt; at the Palais de Tokyo.&lt;BR /&gt;
In my opinion the rest of the exhibition's rubbish but this piece is spectacular. That's what an elephant can do at 18 000 Km from earth gravity.&lt;BR /&gt;
It's worth checking out the photos of how the taxidermist prepared this sculpture (the catalogue is free with the exhibition but I couldn't find the pictures online). &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://flickr.com/photos/shadycam/2799764426/</clipSource><pubDate>Thu, 28 Aug 2008 08:04:06 GMT</pubDate></item><item><title>Huge statue of Roman ruler found</title><link>http://clipmarks.com/clipmark/6A88D467-764A-40F5-AF6A-BF22D0B316E6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/tabsey/"&gt;tabsey&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Seems an early habit among politicians was to hang round these baths. &lt;br/&gt;Nothing changes. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/1/hi/sci/tech/7580745.stm" title="http://news.bbc.co.uk/1/hi/sci/tech/7580745.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Parts of a giant, exquisitely carved marble sculpture depicting the Roman emperor Marcus Aurelius have been found at an archaeological site in Turkey.&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/tabsey/512/EF2CD497-732B-40FE-B880-93B32C7C1B07.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="pva"&gt;Marcus Aurelius ruled over the empire for 19 years&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Fragments of the statue were unearthed at the ancient city of Sagalassos.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
So far the statue's head, right arm and lower legs have been discovered, high in the mountains of southern Turkey.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Marcus Aurelius was portrayed by Richard Harris in the Oscar-winning 2000 film Gladiator and was one of the so-called "Five Good Emperors".

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
He reigned from 161AD until his death in 180AD.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
In addition to his deeds as emperor, Marcus Aurelius is remembered for his writings, and is considered one of the foremost Stoic philosophers.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
The partial statue was unearthed in the largest room at Sagalassos's Roman baths. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
The cross-shaped room measures 1,250 sq m (13,500 sq ft), is covered in mosaics and was probably used as a &lt;I&gt;frigidarium&lt;/I&gt; - a room with a cold pool which Romans could sink into after a hot bath. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://news.bbc.co.uk/1/hi/sci/tech/7580745.stm</clipSource><pubDate>Wed, 27 Aug 2008 14:18:35 GMT</pubDate></item><item><title>He died, his wife commissioned this sculpture</title><link>http://clipmarks.com/clipmark/C341DE09-42B4-4AA7-B140-FE04D5FBE806/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/milmufmas/"&gt;milmufmas&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://moonlime.com/when-he-died-his-wife-commissioned-this-sculpture-as-an-expression-of-her-love-for-him" title="http://moonlime.com/when-he-died-his-wife-commissioned-this-sculpture-as-an-expression-of-her-love-for-him"&gt;moonlime.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/milmufmas/512/6BCBF0F9-F547-4AC9-8D39-25EE046585E4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/milmufmas/512/C4A915EA-AADD-448B-810B-AF6550690748.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://moonlime.com/when-he-died-his-wife-commissioned-this-sculpture-as-an-expression-of-her-love-for-him</clipSource><pubDate>Sat, 23 Aug 2008 14:02:07 GMT</pubDate></item><item><title>Butter Me Up</title><link>http://clipmarks.com/clipmark/67A617A2-3A4D-4AD8-BF73-35BB40658E34/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/tebvox/"&gt;tebvox&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.syracuse.com/cayuga/index.ssf?/base/news-13/1219136181116820.xml&amp;coll=1" title="http://www.syracuse.com/cayuga/index.ssf?/base/news-13/1219136181116820.xml&amp;coll=1"&gt;www.syracuse.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="red"&gt;Recycling Spreads&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Butter that creamy, sweet bovine creation most often is
seen dripping from corn on the cob, perking up popcorn or
nestled snugly in a mound of mashed potatoes. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; But when the curtain falls on this year's New York
State Fair, the 900 or so pounds of butter making up the
famous butter sculpture will not end up on a plate anywhere,
or in the garbage. Instead, it will be powering vehicles at
a Syracuse college. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; This year's butter will be turned into biodiesel fuel
by students and faculty at the State University College of
Environmental Science and Forestry. The biodiesel will fuel
cars and buses at ESF. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; "Butter is 80 percent fat and oil and 20 percent water
and protein," Nicholson said. "What we have to do
is render it heat it to separate the fats and oils from the
water and protein." &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; The water and protein is thrown away. Then the oil and fat
is clarified making it pure and clean. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/butter/" rel="tag"&gt;butter&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/biofuel/" rel="tag"&gt;biofuel&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fuel/" rel="tag"&gt;fuel&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.syracuse.com/cayuga/index.ssf?/base/news-13/1219136181116820.xml&amp;coll=1</clipSource><pubDate>Wed, 20 Aug 2008 22:33:14 GMT</pubDate></item><item><title>Examples of trompe-l'œil paintings</title><link>http://clipmarks.com/clipmark/9C00D8E9-95E1-4C76-9603-C647AC56740C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Smillie/"&gt;Smillie&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Trompe-l%27%C5%93il&amp;oldid=230385387" title="http://en.wikipedia.org/w/index.php?title=Trompe-l%27%C5%93il&amp;oldid=230385387"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;
&lt;DIV class="gallerybox"&gt;
&lt;DIV class="thumb"&gt;
&lt;DIV&gt;&lt;A title="Petrus Christus 007.jpg" class="image" href="http://en.wikipedia.org/wiki/Image:Petrus_Christus_007.jpg"&gt;&lt;IMG height="120" border="0" width="70" src="http://upload.wikimedia.org/wikipedia/commons/thumb/c/c6/Petrus_Christus_007.jpg/70px-Petrus_Christus_007.jpg" alt="" /&gt;&lt;/A&gt;&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;DIV class="gallerytext"&gt;
&lt;P&gt;&lt;I&gt;Portrait of a Carthusian&lt;/I&gt; by &lt;A title="Petrus Christus" href="http://en.wikipedia.org/wiki/Petrus_Christus"&gt;Petrus Christus&lt;/A&gt; (1446). Note the fly near the bottom.&lt;/P&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;
&lt;DIV class="gallerybox"&gt;
&lt;DIV class="thumb"&gt;
&lt;DIV&gt;&lt;A title="Jacopo de' Barbari 001.jpg" class="image" href="http://en.wikipedia.org/wiki/Image:Jacopo_de%27_Barbari_001.jpg"&gt;&lt;IMG height="120" border="0" width="99" src="http://upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Jacopo_de%27_Barbari_001.jpg/99px-Jacopo_de%27_Barbari_001.jpg" alt="" /&gt;&lt;/A&gt;&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;DIV class="gallerytext"&gt;
&lt;P&gt;&lt;A title="Jacopo de' Barbari" href="http://en.wikipedia.org/wiki/Jacopo_de%27_Barbari"&gt;Jacopo de' Barbari&lt;/A&gt;, 1504. The first &lt;A class="mw-redirect" title="Still-life" href="http://en.wikipedia.org/wiki/Still-life"&gt;still-life&lt;/A&gt; trompe l'oeil since antiquity&lt;/P&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;
&lt;DIV class="gallerybox"&gt;
&lt;DIV class="thumb"&gt;
&lt;DIV&gt;&lt;A title="Painter with a pipe and book by Gerard Dou.jpg" class="image" href="http://en.wikipedia.org/wiki/Image:Painter_with_a_pipe_and_book_by_Gerard_Dou.jpg"&gt;&lt;IMG height="120" border="0" width="90" src="http://upload.wikimedia.org/wikipedia/commons/thumb/5/54/Painter_with_a_pipe_and_book_by_Gerard_Dou.jpg/90px-Painter_with_a_pipe_and_book_by_Gerard_Dou.jpg" alt="" /&gt;&lt;/A&gt;&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;DIV class="gallerytext"&gt;
&lt;P&gt;&lt;I&gt;Painter with a Pipe and Book&lt;/I&gt; by &lt;A title="Gerard Dou" href="http://en.wikipedia.org/wiki/Gerard_Dou"&gt;Gerard Dou&lt;/A&gt; (c.1654)&lt;/P&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;
&lt;DIV class="gallerybox"&gt;
&lt;DIV class="thumb"&gt;
&lt;DIV&gt;&lt;A title="Johann Heinrich Füssli 066.jpg" class="image" href="http://en.wikipedia.org/wiki/Image:Johann_Heinrich_F%C3%BCssli_066.jpg"&gt;&lt;IMG height="119" border="0" width="87" src="http://upload.wikimedia.org/wikipedia/commons/thumb/5/5c/Johann_Heinrich_F%C3%BCssli_066.jpg/87px-Johann_Heinrich_F%C3%BCssli_066.jpg" alt="" /&gt;&lt;/A&gt;&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;DIV class="gallerytext"&gt;
&lt;P&gt;&lt;I&gt;Trompe l'œil&lt;/I&gt; by &lt;A title="Henry Fuseli" href="http://en.wikipedia.org/wiki/Henry_Fuseli"&gt;Henry Fuseli&lt;/A&gt; (1750)&lt;/P&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;
&lt;DIV class="gallerybox"&gt;
&lt;DIV class="thumb"&gt;
&lt;DIV&gt;&lt;A title="Kennedy PM Rudelle.JPG" class="image" href="http://en.wikipedia.org/wiki/Image:Kennedy_PM_Rudelle.JPG"&gt;&lt;IMG height="90" border="0" width="120" src="http://upload.wikimedia.org/wikipedia/en/thumb/d/d7/Kennedy_PM_Rudelle.JPG/120px-Kennedy_PM_Rudelle.JPG" alt="" /&gt;&lt;/A&gt;&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;DIV class="gallerytext"&gt;
&lt;P&gt;&lt;I&gt;Trompe l'œil in Jackie Kennedy dressing room&lt;/I&gt; by &lt;A title="Pierre-Marie Rudelle" href="http://en.wikipedia.org/wiki/Pierre-Marie_Rudelle"&gt;Pierre-Marie Rudelle&lt;/A&gt; (1970)&lt;/P&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;
&lt;DIV class="gallerybox"&gt;
&lt;DIV class="thumb"&gt;
&lt;DIV&gt;&lt;A title="Bboard.jpg" class="image" href="http://en.wikipedia.org/wiki/Image:Bboard.jpg"&gt;&lt;IMG height="120" border="0" width="98" src="http://upload.wikimedia.org/wikipedia/en/thumb/e/ec/Bboard.jpg/98px-Bboard.jpg" alt="" /&gt;&lt;/A&gt;&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;DIV class="gallerytext"&gt;
&lt;P&gt;A trompe l'oeil black board.&lt;/P&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;
&lt;DIV class="gallerybox"&gt;
&lt;DIV class="thumb"&gt;
&lt;DIV&gt;&lt;A title="Edward Collier's trompe l'oeil painting.jpg" class="image" href="http://en.wikipedia.org/wiki/Image:Edward_Collier%27s_trompe_l%27oeil_painting.jpg"&gt;&lt;IMG height="88" border="0" width="120" src="http://upload.wikimedia.org/wikipedia/commons/thumb/0/07/Edward_Collier%27s_trompe_l%27oeil_painting.jpg/120px-Edward_Collier%27s_trompe_l%27oeil_painting.jpg" alt="" /&gt;&lt;/A&gt;&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;DIV class="gallerytext"&gt;
&lt;P&gt;A painting of papers and tools held by straps&lt;/P&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;
&lt;DIV class="gallerybox"&gt;
&lt;DIV class="thumb"&gt;
&lt;DIV&gt;&lt;A title="Char side vieuw.jpg" class="image" href="http://en.wikipedia.org/wiki/Image:Char_side_vieuw.jpg"&gt;&lt;IMG height="119" border="0" width="106" src="http://upload.wikimedia.org/wikipedia/commons/thumb/0/0b/Char_side_vieuw.jpg/106px-Char_side_vieuw.jpg" alt="" /&gt;&lt;/A&gt;&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;DIV class="gallerytext"&gt;
&lt;P&gt;The "sculpture" is a flat cutout&lt;/P&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://en.wikipedia.org/w/index.php?title=Trompe-l%27%C5%93il&amp;oldid=230385387</clipSource><pubDate>Wed, 20 Aug 2008 02:19:24 GMT</pubDate></item><item><title>Voice on the Mountains : Yours?</title><link>http://clipmarks.com/clipmark/5CE02613-017C-4C6D-AAEA-7C63DE4D767F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/thefoxalmighty/"&gt;thefoxalmighty&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  nice idea...  might find some takers...  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://oddstrument.com/2008/08/06/call-this-number/" title="http://oddstrument.com/2008/08/06/call-this-number/"&gt;oddstrument.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Call &lt;STRONG&gt;+4790369389&lt;/STRONG&gt; to have your voice blasted into the luscious lands of Norway.  Open for business August 02 - September 06, 2008!&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thefoxalmighty/512/B24EDD94-DF82-404A-96F1-B097FE0F3242.jpg" alt="telemagaphone norway sound sculpture" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Telemegaphone Dale is a 23-foot-tall wind-powered loudspeaker sculpture that picks up incoming calls and projects them into the nearby surroundings.  This Telemegaphone, created by the Swedish designers at &lt;A href="http://www.unsworn.org/"&gt;Unsworn Industries&lt;/A&gt;, is located on a mountain overlooking the village of Dalsfjord in Western Norway.  Apparently, a “massive” amount of people have been calling.  The sculpture is only “available” when the wind is blowing and the line isn’t busy.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thefoxalmighty/512/E1E32BD6-6B35-4365-9170-0E1C6DC3F69E.jpg" alt="telemegaphone norway music sound telephone sculpture" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;“When you dial the Telemegaphone’s phone number the sound of your voice is projected out across the fjord, the valley and the village of Dale below.  No answer? Telemegaphone Dale is wind powered and self-reliant. Recently however, the weather has been exceptionally calm in Dale and there has been a massive amount of people calling.”&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/funny/" rel="tag"&gt;funny&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://oddstrument.com/2008/08/06/call-this-number/</clipSource><pubDate>Tue, 19 Aug 2008 17:42:09 GMT</pubDate></item><item><title>Calligraphy Exhibition</title><link>http://clipmarks.com/clipmark/0BCE4F58-452A-4461-AEE6-5964517A7E98/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliodyssey.blogspot.com/2008/08/calligraphy-exhibition.html" title="http://bibliodyssey.blogspot.com/2008/08/calligraphy-exhibition.html"&gt;bibliodyssey.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/89E38A96-840C-4E3D-8A61-85A153707572.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Gennadiy Vasilyevich Pavlov - Earth and Sky&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/71C837FD-859A-4BA2-99CD-9BA4EA09973C.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Jean Larcger - Latin Alphabet&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/167264ED-40DC-40BC-9DC3-D0D7F8C1811F.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Karen Ackoff - Aardwolf&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/17360AAA-35C1-449D-98B2-8BA6788A6919.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Çevik Savaş - Thuluth Basmala.&lt;BR /&gt;Signed. In the name of God, most gracious, most merciful&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/68BD5776-D6BF-4092-8F79-92A37E9DD3B2.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Victor Egorovich Saliev - A script sketch&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/80185855-6384-4387-84E1-ACC45B2C3BA9.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Vsevolod Petrovich Sventokhovsky - The Terratological Alphabet&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/1501E661-2E6A-4AFE-BCC8-615BBB952F21.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Claudio Gil&lt;BR /&gt;(Alterated uncial. Flora Graphica silk screen poster.&lt;BR /&gt;Vinilic gold and black ink on paper)&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/8C7A89F9-51D1-4289-8CC0-3A67FFDA9EEF.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Gennadiy Vasilyevich Pavlov - Ognevoushki&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/492670E1-18F1-4266-B4F3-D78FF47ECF64.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Georgy Ivanovitch Kozubov - Dance of letters&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/DA9DAE10-6AB8-42FA-850C-389D52818F9B.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Hans Maierhofer - The Golden Sphere&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;All illustrations are © the respective artist.&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Click on any picture above to go through to the artist's page.&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.calligraphy.mvk.ru/en/"&gt;From 16-21 September 2008, St Petersburg State Academic Institute of Painting, Sculpture and Architecture will host an international calligraphy exhibition&lt;/A&gt;.&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.calligraphy.mvk.ru/en/?idx=8"&gt;Participants' gallery page&lt;/A&gt; (there is more to see around the site)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://bibliodyssey.blogspot.com/2008/08/calligraphy-exhibition.html</clipSource><pubDate>Mon, 18 Aug 2008 20:12:41 GMT</pubDate></item><item><title>Who let the giant inflatable dog poo out?</title><link>http://clipmarks.com/clipmark/0B3BAF01-3C6A-4DAC-99A0-3A12F5C3B49D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Karzdan/"&gt;Karzdan&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  This is what happens when you don't clean up after your giant inflatable dog. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/1/hi/entertainment/7558129.stm" title="http://news.bbc.co.uk/1/hi/entertainment/7558129.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
					Inflatable faeces raises a stink
				&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;A giant inflatable dog turd brought down a power line after being blown away from a Swiss museum.&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Karzdan/512/DA2D9201-1B67-429B-8C50-E7A35E749C24.jpg" alt="Complex Shit by Paul McCarthy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The artwork, entitled Complex Shit, was carried 200 metres on the night of 31 July, reportedly breaking a greenhouse window before it landed again.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The sculpture, by American artist Paul McCarthy, was equipped with a safety system that should have deflated it.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The fake faeces has been returned and will remain on display at the Zentrum Paul Klee in Bern until October.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;McCarthy is well known for his inflatable artworks, two of which - Blockhead and Daddies Bighead - were displayed outside the Tate Modern in London in 2003.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The Zentrum Paul Klee, which opened in 2005, houses a collection of about 4,000 works by the noted Swiss painter.

&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="cap"&gt;McCarthy is renowned for his giant inflatable artworks&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/funny+news/" rel="tag"&gt;funny news&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dog+poo/" rel="tag"&gt;dog poo&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/inflatable+poo/" rel="tag"&gt;inflatable poo&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/paul+mccarthy/" rel="tag"&gt;paul mccarthy&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://news.bbc.co.uk/1/hi/entertainment/7558129.stm</clipSource><pubDate>Mon, 18 Aug 2008 10:48:04 GMT</pubDate></item><item><title>Frank's on NYTimes</title><link>http://clipmarks.com/clipmark/1D1BBB3F-0428-4E72-8965-F70608FF96B3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/faitdodo/"&gt;faitdodo&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/08/17/arts/design/17bloo.html?pagewanted=all" title="http://www.nytimes.com/2008/08/17/arts/design/17bloo.html?pagewanted=all"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A giant ice sculpture of the word “Democracy” weighing more than 900 pounds that will melt over the course of eight to 12 hours. &lt;A title="More articles about YouTube." href="http://topics.nytimes.com/top/news/business/companies/youtube/index.html?inline=nyt-org"&gt;YouTube&lt;/A&gt; public service announcements created by ordinary citizens about what it means to participate in an election. The chance to take the microphone in a bar and perform a speech by &lt;A title="More articles about Barack Obama" href="http://topics.nytimes.com/top/reference/timestopics/people/o/barack_obama/index.html?inline=nyt-per"&gt;Barack Obama&lt;/A&gt; or &lt;A title="More articles about John McCain." href="http://topics.nytimes.com/top/reference/timestopics/people/m/john_mccain/index.html?inline=nyt-per"&gt;John McCain&lt;/A&gt;, karaoke-style. An acoustic set by D J Spooky about the changing continent of Antarctica. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The New York artist Fang Lin has contributed another media project, “Political Science 101,” which will be shown at Intermedia Arts beginning on Aug. 31. The piece transforms one of the galleries into a traditional classroom with rows of desks and chairs set up around a slide projector. Mr. Fang has created a custom program that can scan 400 political blogs in real time for key words, like “security” or “McCain.” The program is able to then grab data from those blogs and present them through graphs and charts that are then projected onto a screen. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2008/08/17/arts/design/17bloo.html?pagewanted=all</clipSource><pubDate>Mon, 18 Aug 2008 02:53:45 GMT</pubDate></item><item><title>Gone With The Wind</title><link>http://clipmarks.com/clipmark/06F2D871-C8ED-428C-8117-AEA60A1F3A18/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/tebvox/"&gt;tebvox&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I'm thinkin' we can categorize this as an act of God and definitely a breathe of fresh air. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.app.com/apps/pbcs.dll/section?category=PluckPersona&amp;U=cce7c5f9d55442c7b8aeafa5e07cafe5&amp;plckController=PersonaBlog&amp;plckScript=personaScript&amp;plckElementId=personaDest&amp;plckPersonaPage=BlogViewPost&amp;plckPostId=Blog%3acce7c5f9d55442c7b8aeafa5e07" title="http://www.app.com/apps/pbcs.dll/section?category=PluckPersona&amp;U=cce7c5f9d55442c7b8aeafa5e07cafe5&amp;plckController=PersonaBlog&amp;plckScript=personaScript&amp;plckElementId=personaDest&amp;plckPersonaPage=BlogViewPost&amp;plckPostId=Blog%3acce7c5f9d55442c7b8aeafa5e07"&gt;www.app.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="Times New Roman" size="3"&gt;An inflatable dog feces sculpture the size of a house from a modern art exhibition in a Swiss museum has blown away.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="Times New Roman" size="3"&gt;The sculpture title “Complex S--t” by American Artist Paul McCarthy was lifted by a sudden gust of wind this week from the Paul Klee center in Berne and carried 200 yards, but not before knocking down electricity lines and smashing a greenhouse window.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/tebvox/512/7C2C55E1-075A-48F9-9295-76BF4C385ACD.jpg" alt="blog post photo" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="Times New Roman" size="3"&gt;The automatic safety device that was supposed to deflate the sculpture in case of a storm malfunctioned. The blow-up sculpture came to rest on the grounds of an area children’s home. &lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Museum directors have not yet decided whether to reinstall it at the “East of Eden. A Garden Show” exhibit.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="Times New Roman" size="3"&gt;Now, that stinks!&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="PersonaHeader_Title"&gt;      dianafasanella's page           &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/tebvox/512/FC6B5788-D7ED-4E3A-ABC9-3A8244AB2347.jpg" alt="User Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/feces/" rel="tag"&gt;feces&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.app.com/apps/pbcs.dll/section?category=PluckPersona&amp;U=cce7c5f9d55442c7b8aeafa5e07cafe5&amp;plckController=PersonaBlog&amp;plckScript=personaScript&amp;plckElementId=personaDest&amp;plckPersonaPage=BlogViewPost&amp;plckPostId=Blog%3acce7c5f9d55442c7b8aeafa5e07</clipSource><pubDate>Thu, 14 Aug 2008 01:00:56 GMT</pubDate></item></channel></rss>