<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Sculpture Clips</title><link>http://clipmarks.com/search/sculpture/sort/latest-comments/</link><feedUrl>http://rss.clipmarks.com/search/sculpture/sort/latest-comments/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Byzantine Art</title><link>http://clipmarks.com/clipmark/7D86B169-2C18-4711-AD8E-9CDDD9ED2C9F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hi/te_index.asp?i=13" title="http://www.metmuseum.org/toah/hi/te_index.asp?i=13"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/6BB29EC6-026E-44A8-A3DA-9BEA56847731.jpg" alt="The Age of Justinian I (527–565)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/hd_just.htm"&gt;The Age of Justinian I (527–565)&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/just/hd_just.htm" title="http://www.metmuseum.org/toah/hd/just/hd_just.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The nearly forty-year reign of Emperor Justinian I (527–65) heralded extensive territorial expansion and military success for the &lt;A href="http://www.metmuseum.org/toah/hd/just/../byza/hd_byza.htm"&gt;Byzantine state&lt;/A&gt;.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;distinguished by an exceptional record of architectural and artistic production&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/ho/06/wae/ho_1998.69,1999.99.htm" title="http://www.metmuseum.org/toah/ho/06/wae/ho_1998.69,1999.99.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/70E937CF-6B4E-4EB2-A73B-FE5BF0CC2D85.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Fragment of a Floor Mosaic with a Personification of Ktisis&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/just/ho_17.190.1670-1671.htm" title="http://www.metmuseum.org/toah/hd/just/ho_17.190.1670-1671.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/D1E587C9-4D63-4490-8F8E-FB71830E5021.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/ho/06/eusb/ho_17.190.52,53.htm" title="http://www.metmuseum.org/toah/ho/06/eusb/ho_17.190.52,53.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="objImage"&gt;&lt;A href="javascript:toggleEnlarge('altViewParent','17.190.52,53','0');"&gt;&lt;IMG border="0" class="mainObjImage" src="http://www.metmuseum.org/toah/ho/06/eusb/../../../images/h2/h2_17.190.52,53.jpg" /&gt;&lt;/A&gt;&lt;A class="magnify" href="javascript:toggleEnlarge('altViewParent','17.190.52,53');"&gt;&lt;IMG border="0" src="http://www.metmuseum.org/toah/ho/06/eusb/../../../art/magnify_sm.gif" /&gt;&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Two Panels of an Ivory Diptych Announcing the Consulship of Justinian&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/just/hd_just.htm" title="http://www.metmuseum.org/toah/hd/just/hd_just.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="thematicIcons"&gt;
&lt;LI id="objthumb8"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/waa/ho_66.25.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge8" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Portrait Bust of a Woman with a Scroll [Byzantine]" alt="Portrait Bust of a Woman with a Scroll [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_66.25.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb1"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/wae/ho_1998.69,1999.99.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge1" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Fragment of a Floor Mosaic with a Personification of Ktisis [Byzantine]" alt="Fragment of a Floor Mosaic with a Personification of Ktisis [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_1998.69,1999.99.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb7"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/ho_17.190.1670-1671.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge7" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pair of Jeweled Bracelets [Byzantine]" alt="Pair of Jeweled Bracelets [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_17.190.1670-1671.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb6"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/ho_1984.196.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge6" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Flask with Adoration of the Magi [Byzantine]" alt="Flask with Adoration of the Magi [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_1984.196.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb3"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/eusb/ho_17.190.52,53.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge3" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Two Panels of an Ivory Diptych Announcing the Consulship of Justinian [Byzantine]" alt="Two Panels of an Ivory Diptych Announcing the Consulship of Justinian [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_17.190.52,53.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb5"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/ho_99.35.7406.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge5" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Solidus of Justinian I [Byzantine]" alt="Solidus of Justinian I [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_99.35.7406.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb4"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/eusb/ho_17.190.1664.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge4" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pectoral with Coins and Pseudo-Medallion [Byzantine]" alt="Pectoral with Coins and Pseudo-Medallion [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_17.190.1664.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb2"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/waa/ho_50.4.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge2" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="'Antioch Chalice', The [Byzantine]" alt="'Antioch Chalice', The [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_50.4.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;


		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/bzis/hd_bzis.htm" title="http://www.metmuseum.org/toah/hd/bzis/hd_bzis.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Byzantine Art under Islam&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The &lt;A href="http://www.metmuseum.org/toah/hd/bzis/../byza/hd_byza.htm"&gt;Byzantine empire&lt;/A&gt;'s interaction with Islamic culture had a profound effect on its art. Islam's rise and military success were the greatest threat to the stability of the empire and its territories&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/ho/08/sfe/ho_1999.103.htm" title="http://www.metmuseum.org/toah/ho/08/sfe/ho_1999.103.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/AE36FE48-35AE-4335-901E-CB60E64F019D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/bzis/hd_bzis.htm" title="http://www.metmuseum.org/toah/hd/bzis/hd_bzis.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="thematicIcons"&gt;
&lt;LI id="objthumb1"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/bzis/../../ho/07/sfe/ho_1998.66.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge1" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Page from an Illuminated Gospel [Ethiopia]" alt="Page from an Illuminated Gospel [Ethiopia]" src="http://www.metmuseum.org/toah/hd/bzis/../../images/ht/ht_1998.66.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb2"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/bzis/../../ho/08/sfe/ho_1999.103.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge2" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Processional Cross [Ethiopia, Tigray region; Amharic]" alt="Processional Cross [Ethiopia, Tigray region; Amharic]" src="http://www.metmuseum.org/toah/hd/bzis/../../images/ht/ht_1999.103.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb3"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/bzis/ho_14.137.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge3" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Batrashil [Syria]" alt="Batrashil [Syria]" src="http://www.metmuseum.org/toah/hd/bzis/../../images/ht/ht_14.137.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;


		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/ivor/ho_17.190.239.htm" title="http://www.metmuseum.org/toah/hd/ivor/ho_17.190.239.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/A4CBBC5D-A38A-4BB1-ABF0-FCFCCC1A9987.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hi/te_index.asp?i=13" title="http://www.metmuseum.org/toah/hi/te_index.asp?i=13"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/hd_ivor.htm"&gt;Byzantine Ivories&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/ivor/hd_ivor.htm" title="http://www.metmuseum.org/toah/hd/ivor/hd_ivor.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="thematicIcons"&gt;
&lt;LI id="objthumb2"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/../litu/ho_17.190.57.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge2" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pyxis Depicting Women at the Tomb of Christ [Byzantine]" alt="Pyxis Depicting Women at the Tomb of Christ [Byzantine]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.57.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb3"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/../../ho/06/eusb/ho_17.190.52,53.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge3" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Two Panels of an Ivory Diptych Announcing the Consulship of Justinian [Byzantine]" alt="Two Panels of an Ivory Diptych Announcing the Consulship of Justinian [Byzantine]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.52,53.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb1"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/../../ho/06/eusb/ho_17.190.44.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge1" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Plaque with the Crucifixion and the Defeat of Hades [Byzantine]" alt="Plaque with the Crucifixion and the Defeat of Hades [Byzantine]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.44.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb4"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/ho_17.190.103.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge4" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Icon with the Virgin and Child [Byzantine; Probably made in Constantinople]" alt="Icon with the Virgin and Child [Byzantine; Probably made in Constantinople]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.103.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb5"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/ho_17.190.239.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge5" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Casket with Warriors and Dancers [Byzantine; Probably made in Constantinople]" alt="Casket with Warriors and Dancers [Byzantine; Probably made in Constantinople]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.239.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;


		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/byza/hd_byza.htm" title="http://www.metmuseum.org/toah/hd/byza/hd_byza.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Byzantium (ca. 330–1453)&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/ho/08/eusb/ho_31.67.8.htm" title="http://www.metmuseum.org/toah/ho/08/eusb/ho_31.67.8.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="objImage"&gt;&lt;A href="javascript:toggleEnlarge('altViewParent','31.67.8','0');"&gt;&lt;IMG border="0" class="mainObjImage" src="http://www.metmuseum.org/toah/ho/08/eusb/../../../images/h2/h2_31.67.8.jpg" /&gt;&lt;/A&gt;&lt;A class="magnify" href="javascript:toggleEnlarge('altViewParent','31.67.8');"&gt;&lt;IMG border="0" src="http://www.metmuseum.org/toah/ho/08/eusb/../../../art/magnify_sm.gif" /&gt;&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/byza/hd_byza.htm" title="http://www.metmuseum.org/toah/hd/byza/hd_byza.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="thematicIcons"&gt;
&lt;LI id="objthumb14"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/05/waa/ho_04.35.18.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge14" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Solidus of Constantius II (Sole Emperor, 350-361) [Byzantine]" alt="Solidus of Constantius II (Sole Emperor, 350-361) [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_04.35.18.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb12"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/05/wae/ho_1984.32.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge12" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pendant Plaque [Byzantine]" alt="Pendant Plaque [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1984.32.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb8"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/ho_67.107.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge8" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Head of Constans [Byzantine]" alt="Head of Constans [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_67.107.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb11"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../gaul/ho_47.100.42.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge11" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Chariot Mount with Three Figures [Byzantine]" alt="Chariot Mount with Three Figures [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_47.100.42.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb10"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../gaul/ho_47.100.40.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge10" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Statuette of the Personification of Constantinople [Byzantine]" alt="Statuette of the Personification of Constantinople [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_47.100.40.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb13"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/05/waa/ho_1980.416ab.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge13" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Steelyard Weight with a Bust of a Byzantine Princess [Byzantine]" alt="Steelyard Weight with a Bust of a Byzantine Princess [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1980.416ab.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb1"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/06/wae/ho_1998.69,1999.99.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge1" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Fragment of a Floor Mosaic with a Personification of Ktisis [Byzantine]" alt="Fragment of a Floor Mosaic with a Personification of Ktisis [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1998.69,1999.99.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb3"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/06/eusb/ho_17.190.1664.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge3" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pectoral with Coins and Pseudo-Medallion [Byzantine]" alt="Pectoral with Coins and Pseudo-Medallion [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_17.190.1664.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb9"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/ho_17.190.147,1991.136.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge9" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Girdle with Coins and Medallions [Byzantine]" alt="Girdle with Coins and Medallions [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_17.190.147,1991.136.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;DIV class="clearImages"&gt;&lt;/DIV&gt;

&lt;LI id="objthumb17"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/06/eusb/ho_2006.569.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge17" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pectoral Cross [Byzantine  (Constantinople?)]" alt="Pectoral Cross [Byzantine  (Constantinople?)]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_2006.569.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb4"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/06/eusb/ho_17.190.1674-1712.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge4" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Avar Treasure [Found in Vrap, eastern Albania]" alt="Avar Treasure [Found in Vrap, eastern Albania]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_17.190.1674-1712.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb5"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/07/eusb/ho_1970.324.3.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge5" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Icon with Saint Demetrios [Byzantine]" alt="Icon with Saint Demetrios [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1970.324.3.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb7"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/ho_1998.542.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge7" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Cross Pendant [Byzantine]" alt="Cross Pendant [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1998.542.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb18"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/07/eusb/ho_2007.9.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge18" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pendant Brooch with Cameo of Enthroned Virgin and Child [Byzantine (Constantinople)]" alt="Pendant Brooch with Cameo of Enthroned Virgin and Child [Byzantine (Constantinople)]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_2007.9.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb2"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/07/waa/ho_17.190.678.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge2" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Medallion from an Icon Frame [Byzantine]" alt="Medallion from an Icon Frame [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_17.190.678.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb6"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../arch/ho_1983.167.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge6" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Capital with Bust of the Archangel Michael [Byzantine]" alt="Capital with Bust of the Archangel Michael [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1983.167.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb16"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/07/sfe/ho_2006.100.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge16" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Double-Sided Gospel Leaf [Ethiopia; Tigray region]" alt="Double-Sided Gospel Leaf [Ethiopia; Tigray region]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_2006.100.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb15"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/08/eusb/ho_31.67.8.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge15" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Icon with the Presentation of Christ in the Temple [Byzantine]" alt="Icon with the Presentation of Christ in the Temple [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_31.67.8.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;


		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hi/te_index.asp?i=13" title="http://www.metmuseum.org/toah/hi/te_index.asp?i=13"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/cnst/hd_cnst.htm"&gt;Constantinople after 1261&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/crus/hd_crus.htm"&gt;The Crusades (1095–1291)&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/virg/hd_virg.htm"&gt;The Cult of the Virgin Mary in the Middle Ages&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/face/hd_face.htm"&gt;The Face in Medieval Sculpture&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/fwbz/hd_fwbz.htm"&gt;Frescoes and Wall Painting in Late Byzantine Art&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/haso/hd_haso.htm"&gt;Hagia Sophia, 532–37&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/icon/hd_icon.htm"&gt;Icons and Iconoclasm in Byzantium&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/mona/hd_mona.htm"&gt;Monasticism in Medieval Christianity&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/popu/hd_popu.htm"&gt;Popular Religion: Magical Uses of Imagery in Byzantine Art&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.metmuseum.org/toah/hi/te_index.asp?i=13</clipSource><pubDate>Sat, 30 Aug 2008 18:38:29 GMT</pubDate></item><item><title>He died, his wife commissioned this sculpture</title><link>http://clipmarks.com/clipmark/C341DE09-42B4-4AA7-B140-FE04D5FBE806/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/milmufmas/"&gt;milmufmas&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://moonlime.com/when-he-died-his-wife-commissioned-this-sculpture-as-an-expression-of-her-love-for-him" title="http://moonlime.com/when-he-died-his-wife-commissioned-this-sculpture-as-an-expression-of-her-love-for-him"&gt;moonlime.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/milmufmas/512/6BCBF0F9-F547-4AC9-8D39-25EE046585E4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/milmufmas/512/C4A915EA-AADD-448B-810B-AF6550690748.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://moonlime.com/when-he-died-his-wife-commissioned-this-sculpture-as-an-expression-of-her-love-for-him</clipSource><pubDate>Sat, 23 Aug 2008 14:02:07 GMT</pubDate></item><item><title>Voice on the Mountains : Yours?</title><link>http://clipmarks.com/clipmark/5CE02613-017C-4C6D-AAEA-7C63DE4D767F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/thefoxalmighty/"&gt;thefoxalmighty&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  nice idea...  might find some takers...  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://oddstrument.com/2008/08/06/call-this-number/" title="http://oddstrument.com/2008/08/06/call-this-number/"&gt;oddstrument.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Call &lt;STRONG&gt;+4790369389&lt;/STRONG&gt; to have your voice blasted into the luscious lands of Norway.  Open for business August 02 - September 06, 2008!&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thefoxalmighty/512/B24EDD94-DF82-404A-96F1-B097FE0F3242.jpg" alt="telemagaphone norway sound sculpture" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Telemegaphone Dale is a 23-foot-tall wind-powered loudspeaker sculpture that picks up incoming calls and projects them into the nearby surroundings.  This Telemegaphone, created by the Swedish designers at &lt;A href="http://www.unsworn.org/"&gt;Unsworn Industries&lt;/A&gt;, is located on a mountain overlooking the village of Dalsfjord in Western Norway.  Apparently, a “massive” amount of people have been calling.  The sculpture is only “available” when the wind is blowing and the line isn’t busy.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thefoxalmighty/512/E1E32BD6-6B35-4365-9170-0E1C6DC3F69E.jpg" alt="telemegaphone norway music sound telephone sculpture" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;“When you dial the Telemegaphone’s phone number the sound of your voice is projected out across the fjord, the valley and the village of Dale below.  No answer? Telemegaphone Dale is wind powered and self-reliant. Recently however, the weather has been exceptionally calm in Dale and there has been a massive amount of people calling.”&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/funny/" rel="tag"&gt;funny&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://oddstrument.com/2008/08/06/call-this-number/</clipSource><pubDate>Tue, 19 Aug 2008 17:42:09 GMT</pubDate></item><item><title>Calligraphy Exhibition</title><link>http://clipmarks.com/clipmark/0BCE4F58-452A-4461-AEE6-5964517A7E98/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliodyssey.blogspot.com/2008/08/calligraphy-exhibition.html" title="http://bibliodyssey.blogspot.com/2008/08/calligraphy-exhibition.html"&gt;bibliodyssey.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/89E38A96-840C-4E3D-8A61-85A153707572.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Gennadiy Vasilyevich Pavlov - Earth and Sky&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/71C837FD-859A-4BA2-99CD-9BA4EA09973C.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Jean Larcger - Latin Alphabet&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/167264ED-40DC-40BC-9DC3-D0D7F8C1811F.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Karen Ackoff - Aardwolf&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/17360AAA-35C1-449D-98B2-8BA6788A6919.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Çevik Savaş - Thuluth Basmala.&lt;BR /&gt;Signed. In the name of God, most gracious, most merciful&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/68BD5776-D6BF-4092-8F79-92A37E9DD3B2.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Victor Egorovich Saliev - A script sketch&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/80185855-6384-4387-84E1-ACC45B2C3BA9.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Vsevolod Petrovich Sventokhovsky - The Terratological Alphabet&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/1501E661-2E6A-4AFE-BCC8-615BBB952F21.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Claudio Gil&lt;BR /&gt;(Alterated uncial. Flora Graphica silk screen poster.&lt;BR /&gt;Vinilic gold and black ink on paper)&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/8C7A89F9-51D1-4289-8CC0-3A67FFDA9EEF.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Gennadiy Vasilyevich Pavlov - Ognevoushki&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/492670E1-18F1-4266-B4F3-D78FF47ECF64.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Georgy Ivanovitch Kozubov - Dance of letters&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/DA9DAE10-6AB8-42FA-850C-389D52818F9B.jpg" alt="calligraphy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Hans Maierhofer - The Golden Sphere&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;All illustrations are © the respective artist.&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Click on any picture above to go through to the artist's page.&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.calligraphy.mvk.ru/en/"&gt;From 16-21 September 2008, St Petersburg State Academic Institute of Painting, Sculpture and Architecture will host an international calligraphy exhibition&lt;/A&gt;.&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.calligraphy.mvk.ru/en/?idx=8"&gt;Participants' gallery page&lt;/A&gt; (there is more to see around the site)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://bibliodyssey.blogspot.com/2008/08/calligraphy-exhibition.html</clipSource><pubDate>Mon, 18 Aug 2008 20:12:41 GMT</pubDate></item><item><title>The Most Beautiful Public Sculpture : A Drop of Mercury</title><link>http://clipmarks.com/clipmark/C390DEE6-487B-42C8-96EE-EAC079D57FC3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/amgumen/"&gt;amgumen&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://freshome.com/2008/08/04/the-most-beautiful-public-sculpture-a-drop-of-mercury/" title="http://freshome.com/2008/08/04/the-most-beautiful-public-sculpture-a-drop-of-mercury/"&gt;freshome.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Here on Freshome I try to gather all kind of inspiring things for homes from around the internet, and today I’ve found something that is really beautiful and also inspiring but not related to home design or interior design. What I’ve found is a public sculpture by Anish Kapoor in Millennium Park, Chicago, that is called Cloud Gate. The sculpture is shaped like an ellipse, and its legume-like appearance has caused it to be nicknamed “&lt;STRONG&gt;The Bean&lt;/STRONG&gt;”. It is made of 168 highly polished stainless steel plates, and stands at 33 feet high, 66 feet long, and 42 feet wide, weighing 110 tons.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/amgumen/512/4964A222-73A1-45A4-B2DC-FE08A1CD5863.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;From a distance it could be mistaken for a huge drop of mercury, while up close its highly reflective surface captures and transforms the skyline, the downtown cityscape and even the passers-by into a wonderfully warped new vista. The artist, Anish Kapoor, has referred to the sculpture as “a gate to Chicago, a poetic idea about the city it reflects.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/amgumen/512/949FEE4A-AC98-4404-9CBE-7E61AD7EF1E8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/amgumen/512/3D3088BF-4A05-4CD9-A805-2339D03BC57E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/amgumen/512/FEF84F37-3590-4F61-95E9-682C6B50E0CD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/amgumen/512/ED16E446-DEEA-42DB-990A-E522E3A2048D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/amgumen/512/FCDC1D54-95ED-4CB0-8E55-98B6FDD0FCCB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/amgumen/512/8C4BFEEB-F7D8-4A15-801A-9B0CFDFF008D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/amgumen/512/C448E955-32A3-455C-AE0F-8CF126FC5D58.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/amgumen/512/E106FB62-60A5-4262-9EC7-DAF95EEDC3FA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://freshome.com/2008/08/04/the-most-beautiful-public-sculpture-a-drop-of-mercury/</clipSource><pubDate>Mon, 11 Aug 2008 03:37:26 GMT</pubDate></item><item><title>'Elvis' carving</title><link>http://clipmarks.com/clipmark/B8DBAF59-5E25-43E1-9063-F6CDAF578C27/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/cakebelly/"&gt;cakebelly&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Lord almighty! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://mysterytopia.com/2008/07/statue-of-elvis-chiselled-1800-years.html" title="http://mysterytopia.com/2008/07/statue-of-elvis-chiselled-1800-years.html"&gt;mysterytopia.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
The Roman Elvis is in fact a genuine marble acroterion - a kind of architectural ornament often found for decoration on the corners of a sarcophagus, a stone tomb or burial chamber.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
The 'Elvis’ sculpture is 2nd Century AD and is estimated to make £25,000 to £30,000.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/cakebelly/512/B8C0E5AD-DF1E-44ED-9066-E86E8A216FC0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://mysterytopia.com/2008/07/statue-of-elvis-chiselled-1800-years.html</clipSource><pubDate>Wed, 06 Aug 2008 02:04:46 GMT</pubDate></item><item><title>Statue of 'Elvis' chiselled 1800 years before his birth</title><link>http://clipmarks.com/clipmark/0F49F958-0565-4DFF-80AB-556BED300FBD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/amgumen/"&gt;amgumen&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dailymail.co.uk/news/article-1037205/Are-Roman-tonight-Statue-Elvis-chiselled-1800-years-birth-goes-hammer.html" title="http://www.dailymail.co.uk/news/article-1037205/Are-Roman-tonight-Statue-Elvis-chiselled-1800-years-birth-goes-hammer.html"&gt;www.dailymail.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; this carving of Elvis Presley was created around 1800 years before the King of Rock and Roll first warbled his first note.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The amazing likeness has come to light as part of a sale of ancient antiques by the auction house Bonhams.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/amgumen/512/59922DBE-94B7-4F79-BCF6-B6DB41F8CC96.jpg" alt="elvis" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The Roman Elvis is in fact a genuine marble acroterion  -  a kind of architectural ornament often found for decoration on the corners of a sarcophagus, a stone tomb or burial chamber.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The 'Elvis’ sculpture is 2nd Century AD and is estimated to make £25,000 to £30,000.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/amgumen/512/3EDF6549-4C02-40B3-A893-D943239044FC.jpg" alt=" Elvis" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="imageCaption"&gt;The real thing: Elvis in concert in 1968
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.dailymail.co.uk/news/article-1037205/Are-Roman-tonight-Statue-Elvis-chiselled-1800-years-birth-goes-hammer.html</clipSource><pubDate>Sat, 26 Jul 2008 03:16:05 GMT</pubDate></item><item><title>Roman statue of Elvis - chiselled 1800 years before his birth!</title><link>http://clipmarks.com/clipmark/336CB22D-E440-471E-8851-8DA38082CB63/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/hitchhiker08/"&gt;hitchhiker08&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The King lives...longer than you can imagine?!  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dailymail.co.uk/news/article-1037205/Are-Roman-tonight-Statue-Elvis-chiselled-1800-years-birth-goes-hammer.html" title="http://www.dailymail.co.uk/news/article-1037205/Are-Roman-tonight-Statue-Elvis-chiselled-1800-years-birth-goes-hammer.html"&gt;www.dailymail.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Are you Roman tonight? Statue of 'Elvis' chiselled 1800 years before his birth goes under the hammer&lt;BR /&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="imageCaption"&gt;Classic Elvis: The statue bears an unmistakeable resemblance to the real King&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hitchhiker08/512/1A1CEE53-2508-40B1-A0F8-D68E5B5D771C.jpg" alt="elvis" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;With his dashing chiselled features, swept back hair and perky bouffant the resemblance is unmistakable.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;But incredibly this carving of Elvis Presley was created around 1800 years before the King of Rock and Roll first warbled his first note.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The amazing likeness has come to light as part of a sale of ancient antiques by the auction house Bonhams.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="imageCaption"&gt;The real thing: Elvis in concert in 1968
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/hitchhiker08/512/9C8DBA6E-E34E-4364-BED1-55E3C768F8BB.jpg" alt=" Elvis" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;It forms part of a collection owned by Melbourne-based Graham Geddes  - one of the world's most foremost collectors - which is estimated to sell for more than £1m when it goes on sale in October.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A spokesman for Bonhams said: "It is perhaps the strangest item in the sale, certainly to modern eyes.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The 'Elvis’ sculpture is 2nd Century AD and is estimated to make £25,000 to £30,000.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/elvis+presley/" rel="tag"&gt;elvis presley&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rock-n-roll/" rel="tag"&gt;rock-n-roll&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/roman/" rel="tag"&gt;roman&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/statue/" rel="tag"&gt;statue&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bonhams/" rel="tag"&gt;bonhams&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/auction/" rel="tag"&gt;auction&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dailymail.co.uk/news/article-1037205/Are-Roman-tonight-Statue-Elvis-chiselled-1800-years-birth-goes-hammer.html</clipSource><pubDate>Fri, 25 Jul 2008 18:59:47 GMT</pubDate></item><item><title>Garbage Art</title><link>http://clipmarks.com/clipmark/3E5F0047-62CE-421E-ABF4-D6DDEE2D69A6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://weburbanist.com/2008/06/15/7-more-awesome-trash-artists/" title="http://weburbanist.com/2008/06/15/7-more-awesome-trash-artists/"&gt;weburbanist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/71BFD91F-0976-48FA-A9B8-768B783B634F.jpg" alt="Amazing Trash Art" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Why waste money and add to the world’s waste by buying art materials when there are &lt;A href="http://weburbanist.com/2008/06/04/recycled-art-from-trash/" title="Even More Recycled Trash Art"&gt;so many strange and interesting objects&lt;/A&gt; out there to &lt;A href="http://weburbanist.com/2007/10/23/5-kinds-of-creative-recycled-architecture-cans-bottles-and-other-unusual-building-materials/" title="Recycled Architectural Designs"&gt;use for design projects&lt;/A&gt; instead? From small found objects to entire abandoned houses, the sky is the limit when it comes to the palettes of these amazing trash artists. Their subject matter is about as varied as their material choices, ranging from self-portraiture and crushed can paintings to imitations of Monet’s masterpieces and gigantic sculpture parks.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/C3918DE6-6B4A-4089-A69A-9122C2209F37.jpg" alt="Found Art Sculptures" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/B74ABDAB-2421-449E-9436-6032EE01B4E0.jpg" alt="Trash Art House" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/62226CD3-5DCA-4B88-AF42-5107A7E7C9C3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/B305D050-12CE-45F9-8041-0D592217A8D1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/D34220BE-D463-4E47-8026-DC8D0573A5E7.jpg" alt="Activist Art" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/56AF8BD0-BD88-4421-A24A-2B0AF33096E8.jpg" alt="Newspaper Portraits" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/garbage+art/" rel="tag"&gt;garbage art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://weburbanist.com/2008/06/15/7-more-awesome-trash-artists/</clipSource><pubDate>Wed, 23 Jul 2008 18:17:28 GMT</pubDate></item><item><title>Mosaics, mosaics, mosaics...</title><link>http://clipmarks.com/clipmark/6D6AA800-A0B0-4546-AD09-B06D74459FC6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I've got a bit of a thing about mosaics and have done a few clips on the subject before. This site is just packed with amazing stuff and is a must see. I've clipped a few of the more unusual items (catflaps, would you believe?) But the site is well worth a visit. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/index.shtml" title="http://www.thejoyofshards.co.uk/index.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="first"&gt;
Discover the world of mosaics through step by step projects, and guided tours of mosaics and tiles&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/london/hitch/" title="http://www.thejoyofshards.co.uk/london/hitch/"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Alfred Hitchcock mosaics, Leytonstone&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/london/hitch/01.shtml" title="http://www.thejoyofshards.co.uk/london/hitch/01.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Rebecca mosaic&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/CB282BB1-A853-490F-97D8-721D44E593D2.jpg" alt="scene from "rebecca"" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/london/hitch/08.shtml" title="http://www.thejoyofshards.co.uk/london/hitch/08.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Psycho mosaic&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/BFD3C82D-6066-48F5-970C-50CC8F8D1A10.jpg" alt="psycho shower scene" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/london/hitch/13.shtml" title="http://www.thejoyofshards.co.uk/london/hitch/13.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;The Birds mosaic&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/5205AB09-3A77-4852-83D8-BBBC98070648.jpg" alt="the birds mosaic" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/london/hitch/15.shtml" title="http://www.thejoyofshards.co.uk/london/hitch/15.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Vertigo mosaic&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/A44B9927-0245-484E-8E4D-C357F5C2CD86.jpg" alt="Vertigo mosaic Leytonstone" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/london/hitch/12.shtml" title="http://www.thejoyofshards.co.uk/london/hitch/12.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;"To Catch a Thief" mosaic&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/7D73F02F-A22B-4AB1-8F59-B2433AAE8F12.jpg" alt="roof top scene from movie" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/london/hitch/13.shtml" title="http://www.thejoyofshards.co.uk/london/hitch/13.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;The Birds mosaic&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/5C4C7C6A-5F02-44DA-9BE6-C14A87A96F5D.jpg" alt="the birds mosaic" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/gallery/catflaps/index.shtml" title="http://www.thejoyofshards.co.uk/gallery/catflaps/index.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;On the outside door, this first of four cat flaps was made
      out of tiles, smoked mirror (which cousin Miranda and Mark stripped
      out of their bathroom), and offcuts of stained glass, all acting
      as a homing beacon for today's cat in a hurry.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/8DA31469-3097-4652-AD76-1048B1BB4D5B.jpg" alt="mosaic catflap" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/gallery/catflaps/cflap2.shtml" title="http://www.thejoyofshards.co.uk/gallery/catflaps/cflap2.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Still heading indoors, this is smaller than the previous one,
      but with similar materials.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/08E28805-FC5E-4553-85BD-B753F0DCC474.jpg" alt="mosaic catflap" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/gallery/catflaps/cflap3.shtml" title="http://www.thejoyofshards.co.uk/gallery/catflaps/cflap3.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/156A150E-0543-4F7E-A856-039AF78A578C.jpg" alt="mosaic cat flap" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/2FD6A42F-4FF9-4029-89B7-A909B5C53EC6.jpg" alt="mosaic catflap" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/gallery/catflaps/cflap4.shtml" title="http://www.thejoyofshards.co.uk/gallery/catflaps/cflap4.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/29ADBEB6-ED62-48B3-AF92-714546B6689B.jpg" alt="mosaic catflap" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/picassiette/index.shtml" title="http://www.thejoyofshards.co.uk/picassiette/index.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;La Maison Picassiette is the extraordinary result of one man's
work between 1938 and 1964. The monument he left behind is a house
and garden covered with intricate mosaics of broken crockery,
painting and sculpture.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/ADA3758A-7852-4CF2-87DD-DFFC3D189878.jpg" alt="la maison picassiette" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/picassiette/wall.shtml" title="http://www.thejoyofshards.co.uk/picassiette/wall.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/47A6E44B-562F-4298-90B2-7ED25F2A08DB.jpg" alt="la maison picassiette vase" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/F52A602A-702A-480A-A794-F469AA929BD6.jpg" alt="la maison picassiette wall" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/picassiette/yard.shtml" title="http://www.thejoyofshards.co.uk/picassiette/yard.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/25233F00-0FA3-4076-A675-D0107D32846B.jpg" alt="the black tomb" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/picassiette/animals.shtml" title="http://www.thejoyofshards.co.uk/picassiette/animals.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/72C1AC5B-2B01-4906-96D8-41DD272DE3E7.jpg" alt="cat and rabbit mosaic" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/EC036DD6-9EF3-45D7-8B21-E9C7EFD8A849.jpg" alt="elephant and donkey mosaic" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/visits.shtml" title="http://www.thejoyofshards.co.uk/visits.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A href="http://www.thejoyofshards.co.uk/visits/southtrip/index.shtml"&gt;A road trip to the
south of England&lt;/A&gt; Includes medieval tiles, pebble mosaics
and Roman examples.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/visits/southtrip/dorchmus.shtml" title="http://www.thejoyofshards.co.uk/visits/southtrip/dorchmus.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/D5ADEBCB-C017-4521-8666-081C2AC83157.jpg" alt="marine parade thiasos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/EC14F3AA-0E83-4D6C-8EDB-466BA9455341.jpg" alt="pelta Roman mosaic" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/1B4FB20D-D68B-4905-9025-6F5F97A2615F.jpg" alt="pavement mosaic" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/visits/southtrip/fish.shtml" title="http://www.thejoyofshards.co.uk/visits/southtrip/fish.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/868ADA5F-BA5F-4C66-B589-48A8B9E0B533.jpg" alt="Maggie Howarth pebble mosaic" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/EAA8E3EE-6D0A-442A-A17C-FFE27EA8EB93.jpg" alt="fish pebble mosaic" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/visits/southtrip/pebble1.shtml" title="http://www.thejoyofshards.co.uk/visits/southtrip/pebble1.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/12562243-419B-4DB8-8E70-5C52DA69B33E.jpg" alt="Bournemouth pebble mosaic" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/63A7545F-21CB-45FE-8EB8-F6E2CED140D2.jpg" alt="neptune and seahorse" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.thejoyofshards.co.uk/index.shtml</clipSource><pubDate>Sun, 20 Jul 2008 19:57:08 GMT</pubDate></item><item><title>Cloud Gate - "The Bean"</title><link>http://clipmarks.com/clipmark/39C58D2C-4583-46E1-8FFD-48772FAE966C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Lovely &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.soothbrush.com/cloud-gate-chicago-sculpture/" title="http://www.soothbrush.com/cloud-gate-chicago-sculpture/"&gt;www.soothbrush.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Cloud Gate is a public sculpture by Anish Kapoor in Millennium Park, Chicago. The sculpture is shaped like an ellipse, and its legume-like appearance has caused it to be nicknamed “The Bean”. It is made of 168 highly polished stainless steel plates, and stands at 33 feet high, 66 feet long, and 42 feet wide, weighing 110 tons.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/E71226A2-2DCA-4F8E-93FC-CC5B8F8815EE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;From a distance it could be mistaken for a huge drop of mercury, while up close its highly reflective surface captures and transforms the skyline, the downtown cityscape and even the passers-by into a wonderfully warped new vista. The artist, Anish Kapoor, has referred to the sculpture as “a gate to Chicago, a poetic idea about the city it reflects.” The 12-foot underbelly is called the “omphalos” or navel and multiplies reflections in a vortex.&lt;SPAN id="more-15"&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/E8C40CF9-9BF3-4309-BFAD-D4C409A81B62.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/BA8E96EB-F77D-45E9-86DF-52692A439593.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/713C1489-DF26-4862-ABD9-E57AAA3738E1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/F0B2D9D4-B98D-439B-9F1F-40C8EE860938.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/9E1DA132-D841-4F1A-ACCC-2750AAE14889.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/E41939F5-ECF2-4D3E-8EB1-3B454C16517A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/7E0AF806-C01B-44B6-80AC-F907B00110BA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/82EEAFCD-E45C-4A44-8385-54AC9676BECE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/2F8F02A4-AE4D-42D6-A160-85B68EF8A46B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Image Sources : &lt;A target="_blank" title="Flickr:Go get your morning bean" href="http://www.flickr.com/photos/iceman9294/2365554877/"&gt;1&lt;/A&gt;, &lt;A target="_blank" title="Flickr : Cloud Gate" href="http://www.flickr.com/photos/iceman9294/2368787728/"&gt;2&lt;/A&gt;, &lt;A target="_blank" href="http://mogadala.wordpress.com"&gt;3&lt;/A&gt;, &lt;A target="_blank" title="Flickr: Chicago Lays an Egg" href="http://www.flickr.com/photos/stuckincustoms/216248156/"&gt;4&lt;/A&gt;, &lt;A target="_blank" title="Flickr: Peeking through the Bean" href="http://www.flickr.com/photos/7799821@N02/2474205880/"&gt;5&lt;/A&gt;, &lt;A target="_blank" title="Flickr:Ohhhh Chicago" href="http://www.flickr.com/photos/7799821@N02/2473343691/in/photostream/"&gt;6&lt;/A&gt;, &lt;A target="_blank" title="The Bean, Millennium Park" href="http://www.flickr.com/photos/kaplanbr/1537249553/"&gt;7&lt;/A&gt;, &lt;A target="_blank" title="The Bean, Millennium Park" href="http://www.flickr.com/photos/kaplanbr/1537249553/"&gt;8&lt;/A&gt;, &lt;A target="_blank" title="the bean" href="http://www.flickr.com/photos/richietown/1162006696/"&gt;9&lt;/A&gt;, &lt;A target="_blank" title="i guess this is like a giant shiny bean" href="http://www.flickr.com/photos/mchasesteely/2370185870/"&gt;10&lt;/A&gt;&lt;A target="_blank" title="the bean" href="http://www.flickr.com/photos/richietown/1162006696/"&gt; &lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.soothbrush.com/cloud-gate-chicago-sculpture/</clipSource><pubDate>Sat, 19 Jul 2008 22:18:14 GMT</pubDate></item><item><title>24 hours in pictures - July 18</title><link>http://clipmarks.com/clipmark/92D38927-AA85-4DCB-BE1A-B6CB3F3DF4AD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/righthand/"&gt;righthand&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804291" title="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804291"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/righthand/512/57286BF6-3404-4DA3-AD4F-2069FB4B3756.jpg" alt="Sydney, Australia: Actors perform 'Stations of the Cross', a travelling dramatised re-enactment of the last days of Jesus' life" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; Australia: Actors perform Stations of the Cross&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804288" title="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804288"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/righthand/512/520F924B-891B-46CD-A6D8-1356608C08D1.jpg" alt="Los Angeles, US: Strange Fruit, an Australian performing arts company, performs 'Swoon'" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Los Angeles, US: Strange Fruit, an Australian performing arts company, performs Swoon&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804356" title="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804356"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/righthand/512/03773833-FFF1-472F-9B7D-172854574498.jpg" alt="Berlin, Germany: A model during Sisi Wasabi's spring/summer 2009 collection" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Berlin, Germany: A model during Sisi Wasabi's spring/summer 2009 collection&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804309" title="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804309"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/righthand/512/3E530421-DA1D-4E28-9268-0F13DF74949D.jpg" alt="Prague, Czech Republic: A visitor's silhouette at newly discovered tunnel beneath the city" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Prague, Czech Republic: A visitor's silhouette in a newly discovered tunnel beneath the city&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804318" title="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804318"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/righthand/512/B7DDDD5A-584C-4BC8-9C31-70502D37D17E.jpg" alt="Beijing, China: A journalist stands on a glass floor displaying models of the air monitoring stations in the city" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;models of the air monitoring stations in the city at the Beijing Environmental Protection Monitoring Centre&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804294" title="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804294"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/righthand/512/5E28FC7B-589F-43DD-A7E1-722B9EEADAE9.jpg" alt="Zaragoza, Spain: A sculpture called 'Splash' which represents the fall of a water drop at the interior of the Water Tower at the International Exposition of Zaragoza" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Spain: A sculpture called Splash&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804306" title="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804306"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/righthand/512/798AE6D1-994E-4FF3-8FBF-2E256B12B333.jpg" alt="Liverpool, UK: A figure from Antony Gormley's 'Another Place'. One of the Tall Ships can be seen in the background" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Tall Ships &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804312" title="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804312"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/righthand/512/EFE7BEC6-EFF5-48EB-A5B8-C8EB69997782.jpg" alt="Amritsar city, India: A wrestler gets a massage as part of his daily exercise routine" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Amritsar city, India: A wrestler gets a massage as part of his daily exercise routine&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804315" title="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804315"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/righthand/512/5E1C84CA-9A16-499D-BEF5-6A697E635410.jpg" alt="Gaza Strip: A Palestinian boy stands outside a makeshift tent" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Gaza Strip: A Palestinian boy stands outside a makeshift tent&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804341" title="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804341"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/righthand/512/052FDFD7-8E0C-49B0-900F-1A1264A304F3.jpg" alt="Hong Kong: Members of the press visit the air-conditioned stables of the Shatin Olympic Equestrian venue" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;ir-conditioned stables of the Shatin Olympic Equestrian venue&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804279" title="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804279"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/righthand/512/93C69EF3-9E16-4DB3-8A8B-F3F0502FC62B.jpg" alt="Royal Birkdale, UK: Fans watch play at the 2008 British Open Golf Championship" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; 2008 Open golf&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804282" title="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804282"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/righthand/512/33049445-B9E7-47DA-B3D2-FF99663283A9.jpg" alt="Seoul, South Korea: Riot police blast water at radical anti-goverment protesters" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Seoul, South Korea: Riot police blast water at anti-government protesters&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804285" title="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804285"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/righthand/512/2AB098E1-7189-46F3-A2DA-A50B6DC2D01E.jpg" alt="Tokyo, Japan: People wear replicas of gas masks during the premiere of the movie 'The Happening'" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Tokyo, Japan: People wear replica gas masks at the premiere of the movie The Happening&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804303" title="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804303"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/righthand/512/7821F3C6-42AF-4DCB-8A8A-8E802AAD3642.jpg" alt="Srinagar, India: A Kashmiri Muslim woman prays at the shrine of Sheikh Hamza Makhdoomi, a Sufi saint" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Srinagar, India: A Kashmiri Muslim woman prays at the shrine of Sheikh Hamza Makhdoomi, a Sufi saint&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804297" title="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804297"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/righthand/512/C05BBF6E-72C7-461C-9A98-1C1DC355C7D5.jpg" alt="Islamabad, Pakistan: A girl at a food distribution centre" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Islamabad, Pakistan: A girl at a food distribution centre&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804300" title="http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804300"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/righthand/512/7BCA6120-EE7C-4F20-A078-48F8936C6E50.jpg" alt="Bangkok, Thailand: Monks pray outside the Marble temple on Asarnha Bucha Day" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Thailand:&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/photos/" rel="tag"&gt;photos&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/world/gallery/2008/jul/18/1?picture=335804291</clipSource><pubDate>Fri, 18 Jul 2008 18:06:36 GMT</pubDate></item><item><title>The Web Gallery of Art </title><link>http://clipmarks.com/clipmark/8F27B8E0-AF9D-4886-8D93-F9E2BC00534D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Another vast cornucopia of visual delights.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wga.hu/support/header/header.html" title="http://www.wga.hu/support/header/header.html"&gt;www.wga.hu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/28C989F9-8560-4590-822D-357865C44C9C.gif" alt="Title page" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/7CBA125E-5368-45DD-A207-4DE8352BE209.gif" alt="Welcome page of the Web Gallery of Art." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/FC8E176B-CD8D-4254-A026-9FB39FF1FE96.gif" alt="Look for artists, create sorted lists of artists by setting conditions for nationality, stylistic periods and time-line." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/BA4FD8E2-34DF-4F28-ACFA-9F8D10296F1A.gif" alt="Simple and advanced search for images." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/0A546A88-BE62-4294-B0A0-C6EE74138589.gif" alt="Take one of the 16 guided tours, including a virtual visit to the Sistine Chapel in the Vatican." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/0ABA9DF5-F1D4-479D-B260-77DBF31E7F16.gif" alt="Dual-window view for running side by side two independent copies of the collection. Useful for comparing pictures." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/A5A08F73-9E53-46D4-80F6-2D32A071ADA0.gif" alt="Glossary of art and history terms." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/B90077FE-06DC-4189-8C08-77D317FA3549.gif" alt="Period music of choice played in the background." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/A8E1ED95-27BB-442C-99CA-0B1CA884F8AF.gif" alt="Send postcard with preselected images." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/D040B730-C387-4865-8A05-156B00B2C0EB.gif" alt="Database of museums, church collections, art centres, popes, historical personages and families." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/48AD7925-EED0-468F-A5FC-E8970405935C.gif" alt="Sources used for compiling the biographies, picture commentaries and data." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/92B5251A-70B0-4472-93DF-1C7E8596B9FA.gif" alt="Read and sign the guestbook of the Gallery." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/9E96DBAE-440E-4C0D-B901-E90F36658727.gif" alt="Send comment and/or put questions by e-mail." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/236BD4C0-142E-4EC4-95CC-26FF1F911E14.gif" alt="Mission statement; What's new in the Gallery; Catalogue to download; Technical information; Credits." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wga.hu/welcome.html" title="http://www.wga.hu/welcome.html"&gt;www.wga.hu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="WELCOME"&gt;Welcome to the Gallery!&lt;HR width="425" color="#489393" height="1" /&gt;&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The Web Gallery of Art is a virtual museum and searchable database of European painting and sculpture from 12th to mid-19th centuries. It was started in 1996 as a topical site of the Renaissance art, originated in the Italian city-states of the 14th century and spread to other countries in the 15th and 16th centuries. Intending to present Renaissance art as comprehensively as possible, the scope of the collection was later extended to show its Medieval roots as well as its evolution to Baroque and Rococo via Mannerism. More recently the periods of Neoclassicism and Romanticism were also included.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wga.hu/support/panel/panel.html" title="http://www.wga.hu/support/panel/panel.html"&gt;www.wga.hu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/0F5466E4-7EDD-48BC-8E0C-A5147B9A4BA2.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/8C1B67C6-E5EA-417A-BEEC-9DFFABFECC87.gif" alt="A" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/E8B1D395-B9EF-483C-8552-2C2F2B9A13CB.gif" alt="B" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/81DDAC80-F4B3-4507-9979-7E9DEC9DFACC.gif" alt="C" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/B8BDAE49-E15F-48B6-AC59-7B53C8FB784F.gif" alt="D" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/AB09882E-E305-47C0-97BC-417CA8F0780B.gif" alt="E" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/65A75A64-8FFD-4A97-B6CB-C4802D365D3D.gif" alt="F" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/8D28881E-DAC9-448B-BBFA-13DF0D2DE450.gif" alt="G" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/E76102D9-8A0B-4111-8C72-41B0EE711D41.gif" alt="H" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/1D7FA8D2-93EF-4EA6-B176-59512C148874.gif" alt="I" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/717D6164-6325-4103-8357-1F494FACFE95.gif" alt="J" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/D3B6FA2E-7C5B-4F36-82B2-D9DAD377B3C4.gif" alt="K" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/03A67678-6416-43CA-B525-7910CC4D0530.gif" alt="L" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/68A76955-68DE-4D44-B462-80AD240808B7.gif" alt="M" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/80E80AAE-C70D-4696-A580-5EA5997571DB.gif" alt="N" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/04AE93AE-A91E-49C2-8D77-6157A9DB8DA2.gif" alt="O" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/A1346AF5-F1F2-4E1D-88FA-9FE000685B19.gif" alt="P" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/5C59494C-3881-4B67-987D-CBBE3EB19A14.gif" alt="Q" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/A6BDD926-E617-44C5-9983-08011E7A73AF.gif" alt="R" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/A597CB91-73F4-4232-9FEF-425C96F6BEAE.gif" alt="S" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/EF42B6BD-BBB7-49C4-9FD0-7AA7F5956804.gif" alt="T" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/FE48C89A-4E1E-4620-8BDC-5C0DBEA1AD6E.gif" alt="U" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/8883AFE8-AA28-496F-AE40-42CADA1E5A7D.gif" alt="V" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/F93B28D6-1897-4E2A-A497-F0C6F0AE2E0C.gif" alt="W" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/9434B50E-34FB-412E-BE94-E7EC64B60B0E.gif" alt="X" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/30F48924-67B4-4976-9E42-410C17C2EC40.gif" alt="Y" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/DD9E16A1-7015-4B87-93DF-A7826D17E29C.gif" alt="Z" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/32755510-0CCD-46DC-B78F-7CED96B7228D.gif" alt="MEDIEVAL" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/2C1C0551-AD75-4931-8880-7170821F1250.gif" alt="DECORATIVE" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wga.hu/welcome.html" title="http://www.wga.hu/welcome.html"&gt;www.wga.hu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;browsing the collection from the alphabetic &lt;B&gt;&lt;A href="http://www.wga.hu/support/list/a.html"&gt;Artist Index&lt;/A&gt;&lt;/B&gt; giving basic information on artists,&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;browsing from sorted &lt;B&gt;&lt;A href="http://www.wga.hu/art/index.html"&gt;&lt;IMG border="0" alt="Useful new feature!" src="http://www.wga.hu/support/gif/new.gif" /&gt;Lists of Artists&lt;/A&gt;&lt;/B&gt; which visitors can create by setting conditions for nationality, stylistic period and time-line,&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;using the &lt;A  href="http://www.wga.hu/index_co.html"&gt;&lt;B&gt;Dual-Window Mode&lt;/B&gt;&lt;/A&gt; which allows to run simultaneously two independent copies of two collection for more effective browsing and comparison,&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.wga.hu/support/header/header.html</clipSource><pubDate>Wed, 16 Jul 2008 01:39:42 GMT</pubDate></item><item><title>The Colorful Art of Paper Sculpture</title><link>http://clipmarks.com/clipmark/9A37EAF3-48DF-4323-90F1-5FBCA0E35B89/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/willhelm/"&gt;willhelm&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.colourlovers.com/blog/2008/07/02/the-colorful-art-of-paper-sculpture/" title="http://www.colourlovers.com/blog/2008/07/02/the-colorful-art-of-paper-sculpture/"&gt;www.colourlovers.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/willhelm/512/327FAECC-5460-4C34-B999-D64B7341AED0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/willhelm/512/7A872EA6-8994-4024-A1B6-6ECE8AEA9ABA.jpg" alt="fs4.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/willhelm/512/D3118EC8-F986-422D-921B-805DC2BF186C.jpg" alt="fs3.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/willhelm/512/3B3D7A1F-4062-4BAD-987D-23D8885AC630.jpg" alt="stark-4.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/willhelm/512/EF18522F-A2F8-43C6-A3A2-99CD843EB3FA.jpg" alt="stark-1.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/willhelm/512/E1794C84-019A-41FB-9D2F-3C680F911474.jpg" alt="stark-again.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/willhelm/512/D1512903-B63C-466A-948D-07268D5F9AD2.jpg" alt="briandettmer1.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/willhelm/512/7DBB471B-9520-4924-8D2F-6A389035E036.jpg" alt="dettmer-1.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/willhelm/512/D675E9D7-59A4-4ACA-ABF1-DD029329ACE0.jpg" alt="dettmer-2.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/willhelm/512/616A2387-7C6A-4D17-BA56-2463FAD5504C.jpg" alt="book-art-1.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/willhelm/512/5C6BF617-C988-4512-AC57-A5571D522686.jpg" alt="favouritepiece.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.colourlovers.com/blog/2008/07/02/the-colorful-art-of-paper-sculpture/</clipSource><pubDate>Sat, 12 Jul 2008 17:37:36 GMT</pubDate></item><item><title>When he died, his wife commissioned this sculpture, as an expression of her love for him.</title><link>http://clipmarks.com/clipmark/2309E570-4EC8-4712-80D6-CD35208DD873/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Betty-43/"&gt;Betty-43&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://frostfirezoo.com/when-he-died-his-wife-commissioned-this-sculpture-as-an-expression-of-her-love-for-him" title="http://frostfirezoo.com/when-he-died-his-wife-commissioned-this-sculpture-as-an-expression-of-her-love-for-him"&gt;frostfirezoo.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Betty-43/512/CD76E9AC-4488-4F35-875C-7BEE4D9E6B7C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Betty-43/512/31188572-3811-4FD2-8966-A67C90D1118A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/sculpture/" rel="tag"&gt;sculpture&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://frostfirezoo.com/when-he-died-his-wife-commissioned-this-sculpture-as-an-expression-of-her-love-for-him</clipSource><pubDate>Tue, 08 Jul 2008 22:38:11 GMT</pubDate></item></channel></rss>