<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Futurism Clips</title><link>http://clipmarks.com/search/futurism/sort/most-pops/</link><feedUrl>http://rss.clipmarks.com/search/futurism/sort/most-pops/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>The Guide to Great Art on the Internet</title><link>http://clipmarks.com/clipmark/65998362-F8AE-4A47-93B6-00EC4CBEFD31/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Pretty classy methinks. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artcyclopedia.com/index.html" title="http://www.artcyclopedia.com/index.html"&gt;www.artcyclopedia.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD align="center"&gt; &lt;BR /&gt;&lt;B&gt;&lt;I&gt;The Guide to Great Art on the Internet&lt;/I&gt;&lt;/B&gt;&lt;BR /&gt;
&lt;IMG width="418" vspace="5" height="37" border="0" alt="Artcyclopedia%20Guide%20to%20Fine%20Art" src="http://www.artcyclopedia.com/images/artcyclopedia.gif" /&gt;&lt;BR /&gt;
 
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/F9A0EB4B-55BF-4BB6-AE17-13077B9D7807.jpg" alt="The Hay Wain" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;B&gt;&lt;A href="http://www.artcyclopedia.com/feature-societe-anonyme.html"&gt;Stop, See, and Soar&lt;/A&gt;&lt;/B&gt;&lt;BR /&gt;
&lt;IMG width="1" height="5" border="0" alt="" src="http://www.artcyclopedia.com/images/dot.gif" /&gt;&lt;BR /&gt;
By K. Kimberly King&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/41FEE334-4D77-4624-8E17-F12D36D5F485.jpg" alt="The Hay Wain" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;B&gt;&lt;A href="http://www.artcyclopedia.com/feature.html"&gt;Constable's Great Landscapes&lt;/A&gt;&lt;/B&gt;&lt;BR /&gt;
&lt;IMG width="1" height="5" border="0" alt="" src="http://www.artcyclopedia.com/images/dot.gif" /&gt;&lt;BR /&gt;
By Joseph Phelan&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Artcyclopedia's new online forum:


&lt;NOSCRIPT&gt;&amp;lt;BR&amp;gt;&lt;/NOSCRIPT&gt;

&lt;A href="http://www.artconversation.com/"&gt;ArtConversation&lt;/A&gt;&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD bgcolor="%23ffffff" align="center"&gt;&lt;B&gt;&lt;A href="http://www.artcyclopedia.com/masterscans/index.html"&gt;MasterScans: The Very Best Art Images Online&lt;/A&gt;&lt;/B&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD bgcolor="%23333333" align="center"&gt;&lt;NOBR&gt;&lt;A href="http://www.artcyclopedia.com/masterscans/l283.html"&gt;&lt;IMG width="105" vspace="5" hspace="5" height="94" border="0" align="absmiddle" title="unknown%20artist:%20St.%20John%20on%20Patmos" alt="unknown%20artist:%20St.%20John%20on%20Patmos" src="http://www.artcyclopedia.com/masterscans/20061006.jpg" /&gt;&lt;/A&gt;&lt;A href="http://www.artcyclopedia.com/masterscans/l282.html"&gt;&lt;IMG width="105" vspace="5" hspace="5" height="85" border="0" align="absmiddle" title="Carl%20Holsoe:%20Vilostunden" alt="Carl%20Holsoe:%20Vilostunden" src="http://www.artcyclopedia.com/masterscans/20061005.jpg" /&gt;&lt;/A&gt;&lt;A href="http://www.artcyclopedia.com/masterscans/l281.html"&gt;&lt;IMG width="105" vspace="5" hspace="5" height="78" border="0" align="absmiddle" title="Jan%20Bruegel%20the%20Elder:%20Large%20Fish%20Market" alt="Jan%20Bruegel%20the%20Elder:%20Large%20Fish%20Market" src="http://www.artcyclopedia.com/masterscans/20061002.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;A href="http://www.artcyclopedia.com/masterscans/l280.html"&gt;&lt;IMG width="105" vspace="5" hspace="5" height="102" border="0" align="absmiddle" title="K%E4the%20Kollwitz:%20Selbstbildnis" alt="K%E4the%20Kollwitz:%20Selbstbildnis" src="http://www.artcyclopedia.com/masterscans/20061001.jpg" /&gt;&lt;/A&gt;&lt;A href="http://www.artcyclopedia.com/masterscans/l279.html"&gt;&lt;IMG width="87" vspace="5" hspace="5" height="102" border="0" align="absmiddle" title="Alfred%20Stevens%201823-1906:%20Sunset%20at%20Sea" alt="Alfred%20Stevens%201823-1906:%20Sunset%20at%20Sea" src="http://www.artcyclopedia.com/masterscans/20060919.jpg" /&gt;&lt;/A&gt;&lt;A href="http://www.artcyclopedia.com/masterscans/l278.html"&gt;&lt;IMG width="83" vspace="5" hspace="5" height="105" border="0" align="absmiddle" title="Dominguez%20Becquer:%20Gustavo%20Adolfo%20Becquer" alt="Dominguez%20Becquer:%20Gustavo%20Adolfo%20Becquer" src="http://www.artcyclopedia.com/masterscans/20060911.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;A href="http://www.artcyclopedia.com/masterscans/l277.html"&gt;&lt;IMG width="105" vspace="5" hspace="5" height="97" border="0" align="absmiddle" title="Juan%20de%20Vald%E9s%20Leal:%20Flagelaci%F3n%20de%20San%20Jer%F3nimo" alt="Juan%20de%20Vald%E9s%20Leal:%20Flagelaci%F3n%20de%20San%20Jer%F3nimo" src="http://www.artcyclopedia.com/masterscans/20060910.jpg" /&gt;&lt;/A&gt;&lt;A href="http://www.artcyclopedia.com/masterscans/l276.html"&gt;&lt;IMG width="105" vspace="5" hspace="5" height="76" border="0" align="absmiddle" title="Alfred%20de%20Breanski%20Sr.:%20The%20Perthshire%20Hills" alt="Alfred%20de%20Breanski%20Sr.:%20The%20Perthshire%20Hills" src="http://www.artcyclopedia.com/masterscans/20060825.jpg" /&gt;&lt;/A&gt;&lt;A href="http://www.artcyclopedia.com/masterscans/l275.html"&gt;&lt;IMG width="85" vspace="5" hspace="5" height="102" border="0" align="absmiddle" title="John%20Wonnacott:%20Admiral%20of%20the%20Fleet%20Terence%20Thornton%20Lewin" alt="John%20Wonnacott:%20Admiral%20of%20the%20Fleet%20Terence%20Thornton%20Lewin" src="http://www.artcyclopedia.com/masterscans/20060820.jpg" /&gt;&lt;/A&gt;&lt;/NOBR&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;


&lt;TABLE width="337" cellspacing="0" cellpadding="2" border="0"&gt;
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&lt;TD bgcolor="%23ffffff"&gt;
 &lt;BR /&gt;&lt;B&gt;&lt;I&gt;New for Fall 2006:&lt;/I&gt;&lt;/B&gt;&lt;BR /&gt;&lt;IMG width="1" height="10" border="0" alt="" src="http://www.artcyclopedia.com/images/dot.gif" /&gt;&lt;BR /&gt;
&lt;IMG width="17" vspace="0" hspace="6" height="16" border="0" alt="" valign="absmiddle" src="http://www.artcyclopedia.com/images/iu-check.gif" /&gt;&lt;A href="http://www.artcyclopedia.com/imageusenews.html"&gt;Image Use Guidelines&lt;/A&gt;&lt;BR /&gt;
We've begun highlighting sites that allow their art images to be used for your projects. &lt;A href="http://www.artcyclopedia.com/imageusenews.html"&gt;Read more...&lt;/A&gt;&lt;BR /&gt;&lt;IMG width="1" height="10" border="0" alt="" src="http://www.artcyclopedia.com/images/dot.gif" /&gt;&lt;BR /&gt;

&lt;A href="http://www.artcyclopedia.com/researchnews.html"&gt;Advanced Research Tools&lt;/A&gt;&lt;BR /&gt;
New powerful search tools for every artist.&lt;BR /&gt;&lt;IMG width="1" height="10" border="0" alt="" src="http://www.artcyclopedia.com/images/dot.gif" /&gt;&lt;BR /&gt;

&lt;A href="http://www.artcyclopedia.com/unionlistnews.html"&gt;Union List of Artist Names (ULAN)&lt;/A&gt;&lt;BR /&gt;
Database of artist names and basic information.&lt;BR /&gt;&lt;IMG width="1" height="10" border="0" alt="" src="http://www.artcyclopedia.com/images/dot.gif" /&gt;&lt;BR /&gt;

&lt;A href="http://www.artcyclopedia.com/ebnews.html"&gt;Encyclopedia Britannica Full Text&lt;/A&gt;&lt;BR /&gt;
Free access to complete Britannica articles.&lt;BR /&gt; 
&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/TD&gt;&lt;/TR&gt;
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&lt;TBODY&gt;&lt;TR valign="middle"&gt;&lt;TD bgcolor="%23ffffff"&gt;&lt;CENTER&gt;&lt;IMG width="1" height="5" border="0" alt="" src="http://www.artcyclopedia.com/images/dot.gif" /&gt;&lt;BR /&gt;&lt;B&gt;Search Artcyclopedia:&lt;/B&gt;&lt;/CENTER&gt;

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&lt;TD&gt;&lt;IMG width="32" vspace="0" hspace="0" height="30" align="bottom" alt="Artist" src="http://www.artcyclopedia.com/images/searcha.gif" /&gt;&lt;/TD&gt;
&lt;TD&gt;&lt;NOBR&gt;&lt;FORM name="searchbox" method="get" action="http://www.artcyclopedia.com/scripts/tsearch.pl"&gt; &lt;INPUT type="text" value="enter%20artist%20name" maxlength="50" size="20" name="t" /&gt; &lt;INPUT type="hidden" value="1" name="type" /&gt;&lt;INPUT type="submit" value="Artists%20by%20Name" /&gt;&lt;/FORM&gt;&lt;/NOBR&gt;&lt;/TD&gt;
&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/TD&gt;&lt;/TR&gt;

&lt;TR valign="middle"&gt;&lt;TD bgcolor="%23ccd6e0"&gt;&lt;TABLE cellspacing="0" cellpadding="5" border="0"&gt;&lt;TBODY&gt;&lt;TR valign="middle"&gt;
&lt;TD&gt;&lt;IMG width="32" vspace="2" hspace="0" height="22" align="bottom" alt="Title" src="http://www.artcyclopedia.com/images/searcht.gif" /&gt;&lt;/TD&gt;
&lt;TD&gt;&lt;NOBR&gt;&lt;FORM name="searchbox" method="get" action="http://www.artcyclopedia.com/scripts/tsearch.pl"&gt; &lt;INPUT type="text" value="enter%20words%20in%20title" maxlength="50" size="20" name="t" /&gt; &lt;INPUT type="hidden" value="2" name="type" /&gt;&lt;INPUT type="submit" value="Artworks%20by%20Title" /&gt;&lt;/FORM&gt;&lt;/NOBR&gt;&lt;/TD&gt;
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&lt;TR valign="middle"&gt;&lt;TD bgcolor="%23ffcccc"&gt;&lt;TABLE cellspacing="0" cellpadding="5" border="0"&gt;&lt;TBODY&gt;&lt;TR valign="middle"&gt;
&lt;TD&gt;&lt;IMG width="32" vspace="3" hspace="0" height="20" align="bottom" alt="Museum" src="http://www.artcyclopedia.com/images/searchm.gif" /&gt;&lt;/TD&gt;
&lt;TD&gt;&lt;NOBR&gt;&lt;FORM name="searchbox" method="get" action="http://www.artcyclopedia.com/scripts/tsearch.pl"&gt; &lt;INPUT type="text" value="enter%20name%20or%20location" maxlength="50" size="20" name="t" /&gt; &lt;INPUT type="hidden" value="3" name="type" /&gt;&lt;INPUT type="submit" value="Art%20Museums" /&gt;&lt;/FORM&gt;&lt;/NOBR&gt;&lt;/TD&gt;
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&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;


 


&lt;TABLE cellspacing="0" cellpadding="2" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD bgcolor="%23cccccc"&gt;&lt;TABLE cellspacing="0" cellpadding="8" border="0"&gt;
&lt;TBODY&gt;&lt;TR valign="middle"&gt;&lt;TD bgcolor="%23ffffff"&gt;&lt;CENTER&gt;
&lt;B&gt;  Browse artists by...&lt;BR /&gt;&lt;IMG width="1" height="5" border="0" alt="" src="http://www.artcyclopedia.com/images/dot.gif" /&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/alphabetic.html"&gt;Name&lt;/A&gt;  &lt;A href="http://www.artcyclopedia.com/media/"&gt;Medium&lt;/A&gt;  &lt;A href="http://www.artcyclopedia.com/subjects/"&gt;Subject&lt;/A&gt;   
&lt;A href="http://www.artcyclopedia.com/nationalities/"&gt;Nationality&lt;/A&gt;  &lt;A href="http://www.artcyclopedia.com/artists/women.html"&gt;Women Artists&lt;/A&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;BR /&gt;&lt;B&gt;Art Movements&lt;/B&gt;&lt;BR /&gt;&lt;IMG width="1" height="5" border="0" alt="" src="http://www.artcyclopedia.com/images/dot.gif" /&gt;&lt;BR /&gt;

&lt;TABLE cellspacing="0" cellpadding="1" border="0"&gt;&lt;TBODY&gt;&lt;TR valign="top"&gt;&lt;TD&gt;&lt;P class="smtext"&gt;
&lt;A href="http://www.artcyclopedia.com/history/abstract-expressionism.html"&gt;Abstract Expressionism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/academic-art.html"&gt;Academic Art&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/american-scene.html"&gt;The American Scene&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/art-deco.html"&gt;Art Deco&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/art-nouveau.html"&gt;Art Nouveau&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/arte-povera.html"&gt;Arte Povera&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/arts-and-crafts.html"&gt;The Arts &amp; Crafts Movement&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/ashcan-school.html"&gt;The Ashcan School&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/barbizon-school.html"&gt;The Barbizon School&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/baroque.html"&gt;Baroque Art&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/bauhaus.html"&gt;Bauhaus&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/byzantine.html"&gt;Byzantine Art&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/camden-town-group.html"&gt;Camden Town Group&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/victorian-classicism.html"&gt;Classicism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/contemporary-realism.html"&gt;Contemporary Realism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/cubism.html"&gt;Cubism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/dada.html"&gt;Dada&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/derblauereiter.html"&gt;Der Blaue Reiter&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/diebrucke.html"&gt;Die Brücke&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/dieneuesachlichkeit.html"&gt;Die Neue Sachlichkeit&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/expressionism.html"&gt;Expressionism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/fauvism.html"&gt;Fauvism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/subjects/Fantasy.html"&gt;Fantasy Art&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/futurism.html"&gt;Futurism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/golden-age.html"&gt;Golden Age of Illustration&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/gothic.html"&gt;Gothic Art&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/group-of-seven.html"&gt;The Group Of Seven&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/harlem-renaissance.html"&gt;The Harlem Renaissance&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/subjects/Historical_Subjects.html"&gt;History Painting&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/hudson-river-school.html"&gt;The Hudson River School&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/impressionism.html"&gt;Impressionism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/magic-realism.html"&gt;Magic Realism&lt;/A&gt;&lt;BR /&gt;

&lt;/P&gt;&lt;/TD&gt;&lt;TD&gt;         &lt;/TD&gt;&lt;TD&gt;&lt;P class="smtext"&gt;

&lt;A href="http://www.artcyclopedia.com/history/mannerism.html"&gt;Mannerism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/minimalism.html"&gt;Minimalism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/les-nabis.html"&gt;Les Nabis&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/neoclassicism.html"&gt;Neoclassicism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/neo-plasticism.html"&gt;Neo-Plasticism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/optical.html"&gt;Op Art&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/subjects/Orientalism.html"&gt;Orientalism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/photorealism.html"&gt;Photorealism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/pointillism.html"&gt;Pointillism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/pop.html"&gt;Pop Art&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/post-impressionism.html"&gt;Post-Impressionism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/precisionism.html"&gt;Precisionism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/pre-raphaelite.html"&gt;The Pre-Raphaelites&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/realism.html"&gt;Realism&lt;/A&gt;&lt;BR /&gt;&lt;DIV&gt;
&lt;A href="http://www.artcyclopedia.com/history/regionalism.html"&gt;Regionalism&lt;/A&gt;&lt;/DIV&gt;
&lt;BR /&gt;&lt;B&gt;The Renaissance&lt;/B&gt;&lt;BR /&gt;
    &lt;A href="http://www.artcyclopedia.com/history/early-renaissance.html"&gt;Early Renaissance&lt;/A&gt;&lt;BR /&gt;
    &lt;A href="http://www.artcyclopedia.com/history/high-renaissance.html"&gt;High Renaissance&lt;/A&gt;&lt;BR /&gt;
    &lt;A href="http://www.artcyclopedia.com/history/mannerism.html"&gt;Mannerism&lt;/A&gt;&lt;BR /&gt;&lt;DIV&gt;
    &lt;A href="http://www.artcyclopedia.com/history/northern-renaissance.html"&gt;Northern Renaissance&lt;/A&gt;&lt;/DIV&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/rococo.html"&gt;The Rococo Style&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/romanticism.html"&gt;Romanticism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/sensation.html"&gt;The Sensation Show&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/social-realism.html"&gt;Social Realism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/surrealism.html"&gt;Surrealism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/history/symbolism.html"&gt;Symbolism&lt;/A&gt;&lt;BR /&gt;
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&lt;A href="http://www.artcyclopedia.com/history/ukiyo-e.html"&gt;Ukiyo-e Printmaking&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/subjects/the_American_West.html"&gt;Western Art&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.artcyclopedia.com/subjects/Animals.html"&gt;Wildlife Art&lt;/A&gt;&lt;BR /&gt;
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&lt;TBODY&gt;&lt;TR valign="top"&gt;&lt;TD&gt;•&lt;/TD&gt;&lt;TD&gt;&lt;B&gt;&lt;A title="View%20artworks%20at%20their%20actual%20size" href="http://www.artcyclopedia.com/truesize.php?screenw=1024%26screenh=768"&gt;ActualSize&lt;/A&gt;&lt;/B&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;TR valign="top"&gt;&lt;TD&gt;•&lt;/TD&gt;&lt;TD&gt;&lt;B&gt;&lt;A title="This%20Date%20in%20Art%20History%20%28Art-4-2day%29" href="http://www.safran-arts.com/42day/art/art4dec/art1223.html"&gt;&lt;B&gt;December 23 in Art History&lt;/B&gt;&lt;/A&gt;&lt;B&gt;&lt;/B&gt;&lt;/B&gt;&lt;/TD&gt;&lt;/TR&gt;
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&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/museums/" rel="tag"&gt;museums&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.artcyclopedia.com/index.html</clipSource><pubDate>Sat, 23 Dec 2006 17:21:00 GMT</pubDate></item><item><title>Singularity by 2045 - incredible life in a tamed world</title><link>http://clipmarks.com/clipmark/14D713DC-1918-4849-9BF5-504A228171D2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Silkweaver/"&gt;Silkweaver&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Other possible advancements from 2050 to 2100 could include colonies on Moon, Mars and beyond, finding and harnessing wormholes that break “light speed” barriers in extraterrestrial travel, and whisking information through time to meet ourselves at an earlier age, or go forward and see what the future has in store for us. It may even become possible to gather scanned minds from lost loved ones before their death enabling them to continue living in our time. How wild would that be? &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://memebox.com/futureblogger/show/762-singularity-by-2045-incredible-life-in-a-tamed-world" title="http://memebox.com/futureblogger/show/762-singularity-by-2045-incredible-life-in-a-tamed-world"&gt;memebox.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/857ADCB6-D0C3-409A-968A-A818BDF701C4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Imagine living in an ageless, disease-free body with youthful looks, superhuman strength and a brain that can out-think computers. Now further imagine an affluent, happy, crime-free population residing in a world terraformed for comfort without dangerous storms, tsunamis, or unbearable weather.
&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;This is the vision many forward-thinkers believe humanity can achieve during this century. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; Author James John Bell, in his &lt;A href="http://www.mindfully.org/Technology/2003/Singularity-Bell1may03.htm" target="_blank" linkindex="147" set="yes"&gt;Exploring the Singularity&lt;/A&gt; article in &lt;A href="http://www.wfs.org/futurist.htm" target="_blank" linkindex="148" set="yes"&gt;The Futurist&lt;/A&gt; says, “We won’t just experience 100 years of progress in the 21st century – it will be more like 20,000 years&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Forward-thinkers believe by 2050, explosive information growth created by the Singularity could thrust our world into what astronomer &lt;A href="http://en.wikipedia.org/wiki/Nikolai_Kardashev" target="_blank" linkindex="150" set="yes"&gt;Nikolai Kardashev&lt;/A&gt; describes as a “Type 1” civilization – 150 years earlier than some have predicted – giving us abilities to terraform our planet making it free from earthquakes, hurricanes, tsunamis and dangerous weather.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/singularity/" rel="tag"&gt;singularity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/futurism/" rel="tag"&gt;futurism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/utopia/" rel="tag"&gt;utopia&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://memebox.com/futureblogger/show/762-singularity-by-2045-incredible-life-in-a-tamed-world</clipSource><pubDate>Wed, 06 Aug 2008 13:07:54 GMT</pubDate></item><item><title>New You By 2018</title><link>http://clipmarks.com/clipmark/22040AC8-C66E-403F-970C-70DCF249910C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Silkweaver/"&gt;Silkweaver&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Therapeutic: Cloning for tissue replacement is already happening, as stem cells have successfully grown new heart tissues in patients. Researchers believe replacing muscle, bone, skin; even neurons, teeth, eyes, and other organs could be in beginning stages by 2018.&lt;br/&gt;&lt;br/&gt;Augmentation: Procedures expected to be in place by as early as 2015 include improved memory recall, simultaneous language translation, long range and microscopic vision on demand, wide spectrum hearing, distinctive voice projection, and stronger muscles. And by mid-to-late-2020s, “nanobots” monitoring each of our cells could keep us ageless and forever healthy.&lt;br/&gt;&lt;br/&gt;Designed Evolution: These could include memory, intelligence, speed, agility, and other behavioral and physical attributes. Eliminating undesired genes that might pre-dispose a child to cancer, heart disease or alcoholism could be possible by about 2015. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://aftermathnews.wordpress.com/2008/07/11/will-a-computer-%E2%80%9Csymbiote%E2%80%9D-be-implanted-in-future-human-brains/" title="http://aftermathnews.wordpress.com/2008/07/11/will-a-computer-%E2%80%9Csymbiote%E2%80%9D-be-implanted-in-future-human-brains/"&gt;aftermathnews.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/E94A312E-6372-4757-BF9D-EB555A9E9F2D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.positivefuturist.com/default-blog.asp?Display=772" title="http://www.positivefuturist.com/default-blog.asp?Display=772"&gt;www.positivefuturist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In just ten short years, you may be looking into the mirror and wondering, “Who is that gorgeous creature?” Your reflection would reveal a much younger and healthier you; with natural hair color, youthful skin, perfect vision, real teeth, a spring in your step, and an incredibly sharp mind and memory.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Welcome to tomorrow’s futuristic world of biotech enhancements, which forward thinkers believe will be widely available and affordable by 2018.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;The Institute for Global Future’s&lt;/EM&gt; Dr. James Canton believes a trillion dollar health enhancement market will evolve in the next decade.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Enhancements fall into three categories: &lt;STRONG&gt;Therapeutic, Augmentation, &lt;/STRONG&gt;and&lt;STRONG&gt; Designed Evolution&lt;/STRONG&gt;.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Therapeutic&lt;/STRONG&gt; refers to restoring normal capabilities to disabled or dysfunctional patients. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;&lt;/SPAN&gt;&lt;STRONG&gt;Augmentation&lt;/STRONG&gt; means enhancing performance levels beyond the norm.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Designed Evolution&lt;/STRONG&gt; refers to modifying our children prior to conception and after birth&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;thoughts of improving humans beyond what some consider “natural” will evoke controversy&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/futurism/" rel="tag"&gt;futurism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/augmentation/" rel="tag"&gt;augmentation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/future+medicine/" rel="tag"&gt;future medicine&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/singularity/" rel="tag"&gt;singularity&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://aftermathnews.wordpress.com/2008/07/11/will-a-computer-%E2%80%9Csymbiote%E2%80%9D-be-implanted-in-future-human-brains/</clipSource><pubDate>Sat, 26 Jul 2008 22:53:24 GMT</pubDate></item><item><title>US war on the Future: From Alvin Toffler to Sarah Palin</title><link>http://clipmarks.com/clipmark/897299A7-1DE1-4DD1-AABB-87CE88A17F78/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Silkweaver/"&gt;Silkweaver&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  This is a must read commentary by Adam Greenfield.&lt;br/&gt;&lt;br/&gt;"What you get when you swallow too much change too quickly isn’t a mass outbreak of twitching, hebephrenic breakdown, nor some neo-Amish wave of technological renunciation. You wanna know what it looks like? A hockey mom and former beauty queen with an upswept ‘do and a pregnant daughter in high school. Sarah Palin is future shock personified." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://speedbird.wordpress.com/2008/09/11/thoughts-for-an-eleventh-september-alvin-toffler-hirohito-sarah-palin/" title="http://speedbird.wordpress.com/2008/09/11/thoughts-for-an-eleventh-september-alvin-toffler-hirohito-sarah-palin/"&gt;speedbird.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;I think we actually had two paperback copies of Alvin Toffler’s &lt;EM&gt;&lt;A href="http://en.wikipedia.org/wiki/Future_Shock" linkindex="15"&gt;Future Shock&lt;/A&gt;&lt;/EM&gt; floating around the house when I was a kid&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Most of it sailed over my head at that age. What I do remember sticking with me was the notion of accelerating change, an idea which did then and still does make the hairs at the back of my neck tingle.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;to suffer from future shock was simply to be paralyzed by “too much change experienced in too short a period of time&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Mainstream Americans, by contrast, where they were once called to dream and to believe that their best days as a community still lay ahead, are now at war with the future. And this is one war situation that is definitely not developing necessarily to their advantage.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;among fully-developed nations, the US stands out as having generally rejected “futuristic” interventions in everyday urban life, to the point that what I’m bound to present as innovative to US audiences is almost laughably banal elsewhere.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/futurism/" rel="tag"&gt;futurism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/us+politics/" rel="tag"&gt;us politics&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://speedbird.wordpress.com/2008/09/11/thoughts-for-an-eleventh-september-alvin-toffler-hirohito-sarah-palin/</clipSource><pubDate>Fri, 12 Sep 2008 03:22:48 GMT</pubDate></item><item><title>Robots will surpass human intelligence by 2030, scientists say</title><link>http://clipmarks.com/clipmark/A3C246C6-063C-403F-8EE0-F8CB5837DF59/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Silkweaver/"&gt;Silkweaver&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Immortal silicon bodies? I am taking one (or two) and off to the stars !! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://memebox.com/futureblogger/show/541-robots-will-surpass-human-intelligence-by-2030-scientists-say" title="http://memebox.com/futureblogger/show/541-robots-will-surpass-human-intelligence-by-2030-scientists-say"&gt;memebox.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/6B0E598F-2559-458B-B421-742C0E64052F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Personal robots have been a long time coming, but scientists now
say we can expect revolutionary machines that surpass human
physical and intellectual abilities within 22 years.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Today’s robots are mostly industrial types found in factories.
An example would be an arm that inserts a product into a box and
places it on a conveyor belt.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Robo-pets like Sony’s &lt;A href="http://en.wikipedia.org/wiki/AIBO" target="_blank" linkindex="148"&gt;Aibo&lt;/A&gt; and &lt;SPAN class="caps"&gt;NEC&lt;/SPAN&gt;’s &lt;A href="http://www.nec.co.jp/robot/english/robotcenter_e.html" target="_blank" linkindex="149"&gt;PaPeRo&lt;/A&gt;,
priced from $2,000 to $5,000, are pleasing children and providing
companionship for handicapped and elderly people around the globe.
&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Available soon in the $10,000 to $30,000 range will be human-like
robots such as Sony &lt;A href="http://en.wikipedia.org/wiki/QRIO" target="_blank" linkindex="150" set="yes"&gt;Qrio&lt;/A&gt;, Honda &lt;A href="http://world.honda.com/ASIMO/" target="_blank" linkindex="151"&gt;Asimo&lt;/A&gt;, and Toyota
&lt;A href="http://www.youtube.com/watch?v=mk7Lq-aLCwY" target="_blank" linkindex="152" set="yes"&gt;Personal Robot&lt;/A&gt;.
&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;These realistic marvels can speak and understand crude language,
recognize family members by sight, and perform many butler, chef,
and maid services.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Could we evolve into a human-cyber being? Absolutely, say
futurists. By mid-2030s, we could be swapping frail biological
bodies for powerful, immortal silicon versions.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/robotics/" rel="tag"&gt;robotics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/futurism/" rel="tag"&gt;futurism&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://memebox.com/futureblogger/show/541-robots-will-surpass-human-intelligence-by-2030-scientists-say</clipSource><pubDate>Wed, 28 May 2008 00:16:13 GMT</pubDate></item><item><title>Must-know terms for the 21st Century intellectual</title><link>http://clipmarks.com/clipmark/A5420843-3683-40C5-B13B-01AA213D023C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  One author's mostly optimistic prediction of the ideas that will come to define our collective future. Nicely done.&lt;blockquote&gt;&lt;b&gt;Open Source&lt;/b&gt;: This is a term that most people are familiar with, but it’s worth re-stating. The open source revolution, where information is freely distributed and editable, is already reshaping a number of industries and upsetting traditional economic and intellectual property models. Wikipedia has very quickly become the world’s largest repository of encyclopedic information. Linux and other open source software continue to rival the big players. And looking further down the line, there’s the potential for open source science, culture, and the disturbing potential for open source warfare. &lt;/blockquote&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://ieet.org/index.php/IEET/more/1101/" title="http://ieet.org/index.php/IEET/more/1101/"&gt;ieet.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt; &lt;A href="http://lifeboat.com/ex/law.of.accelerating.returns"&gt;Accelerating Change&lt;/A&gt;: That the pace of technological development is accelerating is now undeniable. The steady onslaught of &lt;A href="http://en.wikipedia.org/wiki/Moore%27s_law"&gt;Moore’s Law&lt;/A&gt; and its eerie regularity is the most profound example. As thinkers like &lt;A href="http://www.kurzweilai.net/"&gt;Ray Kurzweil&lt;/A&gt; and others have shown, the onslaught of accelerating change throws commonly held time-frames out the window. And that this rate of change is exponential implies radical social disruption around the mid-point of the 21st Century.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt; &lt;A href="http://www.nickbostrom.com/existential/risks.html"&gt;Existential Risks&lt;/A&gt;: The development of nuclear weapons marked a disturbing turning point for the human species: we are increasingly coming into the possession of apocalyptic technologies. Soon to join the list are such problems as a malevolent superintelligence, deliberate or accidental misuse of nanotech, runaway global warming, a killer artificial virus, an antimatter holocaust, or a particle accelerator disaster. Read more &lt;A href="http://www.acceleratingfuture.com/michael/blog/?p=274"&gt;here&lt;/A&gt; and &lt;A href="http://www.openthefuture.com/2006/12/an_eschatological_taxonomy.html"&gt;here&lt;/A&gt;. Adding insult to injury is the &lt;A href="http://www.anthropic-principle.com/primer1.html"&gt;Doomsday Argument&lt;/A&gt;. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt; &lt;A href="http://en.wikipedia.org/wiki/Fermi_paradox"&gt;Fermi&lt;/A&gt; &lt;A href="http://www.amazon.com/Universe-Aliens-Everybody-Solutions-Extraterrestrial/dp/0387955011"&gt;Paradox&lt;/A&gt;: The FP is the disturbing realization that, given the extreme age of the galaxy and the radical potential for post-&lt;A href="http://en.wikipedia.org/wiki/Technological_singularity"&gt;Singularity&lt;/A&gt; intelligences (including their ability to disseminate &lt;A href="http://en.wikipedia.org/wiki/Von_Neumann_probe"&gt;Von Neumann replicators&lt;/A&gt;), &lt;A href="http://sentientdevelopments.blogspot.com/2006/06/when-did-intelligence-first-emerge-in.html"&gt;our galaxy should be saturated&lt;/A&gt; with advanced civilizations and megaprojects by now. Yet, we see no signs of ETI’s. Consequently, any predictions about the future of human intelligence must seek to reconcile this observation. Key theories to date include the &lt;A href="http://hanson.gmu.edu/greatfilter.html"&gt;Great Filter&lt;/A&gt; hypothesis, the &lt;A href="http://www.aob.bg.ac.yu/%7Emcirkovic/paper_v4.pdf"&gt;migration&lt;/A&gt; hypothesis (pdf), and the &lt;A href="http://www.accelerating.org/articles/answeringfermiparadox.html"&gt;transcension hypothesis&lt;/A&gt; (the idea of inward migration into increasingly sophisticated and complex &lt;A href="http://www.accelerationwatch.com/laws.html"&gt;MEST&lt;/A&gt; space (Matter, Energy, Space, and Time)).&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/terms/" rel="tag"&gt;terms&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ideas/" rel="tag"&gt;ideas&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/21st+century/" rel="tag"&gt;21st century&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/intellectual/" rel="tag"&gt;intellectual&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/intellectuals/" rel="tag"&gt;intellectuals&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/future/" rel="tag"&gt;future&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/futurism/" rel="tag"&gt;futurism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/modernism/" rel="tag"&gt;modernism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/prediction/" rel="tag"&gt;prediction&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/society/" rel="tag"&gt;society&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/humanity/" rel="tag"&gt;humanity&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://ieet.org/index.php/IEET/more/1101/</clipSource><pubDate>Fri, 19 Jan 2007 02:12:47 GMT</pubDate></item><item><title>"Artchive"</title><link>http://clipmarks.com/clipmark/D0F94A7A-59BF-4B5E-8D76-3F59A8DE5AA6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Deepti/"&gt;Deepti&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  this site is a treasure trove of information regarding art....I have so much to learn &amp;amp; explore here &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://artchive.com/artchive/ftp.html" title="http://artchive.com/artchive/ftp.html"&gt;artchive.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;New Additions&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Abstract Expressionism&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Ancient Art&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Baroque&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Contemporary / Postmodern&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Dada / Surrealism&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Futurism&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Impressionism&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Photographers&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Post-Impressionism&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Renaissance&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Romanticism&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Spanish&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Women&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;American Art&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Art Nouveau&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Bauhaus&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Cubism&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Expressionism&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Hudson River School&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Neo-Classical&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Pop Art&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Pre-Raphaelites&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Rococo&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Sculptors&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Symbolism&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Artchive Tours&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sculpture/" rel="tag"&gt;sculpture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/paintings/" rel="tag"&gt;paintings&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/artists/" rel="tag"&gt;artists&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/painters/" rel="tag"&gt;painters&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sculptors/" rel="tag"&gt;sculptors&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/interesting/" rel="tag"&gt;interesting&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/information/" rel="tag"&gt;information&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://artchive.com/artchive/ftp.html</clipSource><pubDate>Tue, 17 Apr 2007 07:35:22 GMT</pubDate></item><item><title>The Evolving AI Ecosystem</title><link>http://clipmarks.com/clipmark/07BB0B77-5111-4B72-A48E-27FEF7E84E3E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Silkweaver/"&gt;Silkweaver&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  He takes his theory further, all the way in to the tubes of the internet. In collaboration with Professor Tim Berners-Lee – the co-inventor of the World Wide Web – the pair have been investigating the next generation Web. “What is emerging now is a digital ecosystem,’ says Professor Shadbolt, ‘involving lots of simple systems which connect millions of complex ones – humans!”&lt;br/&gt;&lt;br/&gt;And there begins to be a certain amount of logic and a lessening of the fear I feel for the day when I am some robots whipping boy. We see such developments already in websites such as Facebook and Flickr, and programs such as Google Earth and World of Warcraft. We are being linked together, ever so slowly by a collective consciousness. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dailygalaxy.com/my_weblog/2008/09/the-evolving-mi.html" title="http://www.dailygalaxy.com/my_weblog/2008/09/the-evolving-mi.html"&gt;www.dailygalaxy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/CB51828A-F2B9-4130-A196-7C1DAFB399EF.jpg" alt="Artificial_intelligence" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;One of the greatest fears of many is the underlying knowledge that of all the wonderful advances of technology, the internet and robotics is simply bringing us closer to being subservient to our robotic overlords.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;However British Computer Society President and ECS Professor of Artificial Intelligence Nigel Shadbolt, believes differently.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Shadbolt believes that the future of artificial intelligence will be
much different, though no less exciting, than previously expected.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Instead of intelligence that is a “brain in a box”, we are seeing
intelligence that is assistive, adaptive and flexible.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In other words, instead of an intelligence that is “…agonizing
about their existence or whether we are about to switch them off” we
are seeing the growth of intelligence that, in years to come, will
immerse us and center around humans, rather than feel the need to
enslave humans.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;There will be micro-intelligences all around us – systems that are
very good and adaptive at particular tasks&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/ai/" rel="tag"&gt;ai&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/the+web/" rel="tag"&gt;the web&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/futurism/" rel="tag"&gt;futurism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/man+machine+interface/" rel="tag"&gt;man machine interface&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dailygalaxy.com/my_weblog/2008/09/the-evolving-mi.html</clipSource><pubDate>Fri, 05 Sep 2008 01:13:38 GMT</pubDate></item><item><title>Teaching futurism to children and teens</title><link>http://clipmarks.com/clipmark/C433AD37-CFDD-4AE7-8BC0-27EE0AB50F3E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.depressedmetabolism.com/2008/07/02/teaching-futurism-to-children-and-teens/" title="http://www.depressedmetabolism.com/2008/07/02/teaching-futurism-to-children-and-teens/"&gt;www.depressedmetabolism.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/wildcat/512/1A1D19CD-018A-416B-B55F-83535969882B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Do not train a child to learn by force or harshness; but direct them to it by what amuses their minds, so that you may be better able to discover with accuracy the peculiar bent of the genius of each.”&lt;/EM&gt; &lt;A target="_blank" href="http://en.wikipedia.org/wiki/Plato" linkindex="97" set="yes"&gt;Plato&lt;/A&gt; (BC 427-BC 347) Greek philosopher.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;For the most part the education systems of the industrialized nations are functional in that they cover the basics: reading, writing, science, and arithmetic.  There is systematic guidance in the form of counselors in schools once a child becomes an adolescent and help is given for the child to develop into their adult career.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;What is a futurist to do to inspire the next generation?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;A futurist can share sci-fi books such as Stephen Hawking’s new book for children &lt;A target="_blank" href="http://www.amazon.com/dp/1416954627/?tag=depressedmetabolism-20" linkindex="98" set="yes"&gt;“George’s Secret Key to the Universe”,&lt;/A&gt; or a transhumanist adventure based on what is seen as possible by scientists now –like my book &lt;A target="_blank" href="http://www.amazon.com/dp/1886057001/?tag=depressedmetabolism-20" linkindex="99" set="yes"&gt;“21st Century Kids”&lt;/A&gt;,&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; but they still must encourage the child’s own loves, even if they are radically different.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/teaching/" rel="tag"&gt;teaching&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/learning/" rel="tag"&gt;learning&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/open+mind/" rel="tag"&gt;open mind&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/future/" rel="tag"&gt;future&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.depressedmetabolism.com/2008/07/02/teaching-futurism-to-children-and-teens/</clipSource><pubDate>Fri, 04 Jul 2008 10:10:07 GMT</pubDate></item><item><title>The Future of 2057 - A Chat with Michio Kaku</title><link>http://clipmarks.com/clipmark/58DD9914-AD18-404C-A4F6-D8038BF03826/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Worth reading the whole transcript. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://dsc.discovery.com/convergence/2057/chat/transcript_print.html" title="http://dsc.discovery.com/convergence/2057/chat/transcript_print.html"&gt;dsc.discovery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/7122EA21-5670-4783-8D67-1379B318738B.gif" alt="Discovery Channel" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Michio Kaku Chat Transcript&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;Discovery&lt;/STRONG&gt;: What would you see and experience if the clocks rolled forward 50 years? Physicist and &lt;EM&gt;2057&lt;/EM&gt; host Michio Kaku is here for the next hour to answer your questions about our possible futures. So ask away!&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;DIV&gt;&lt;STRONG&gt;andres:&lt;/STRONG&gt; What about advances in neurotechnology? Will we be able to achieve technological telepathy?&lt;/DIV&gt;
&lt;BR /&gt;
&lt;STRONG&gt;Dr. Kaku:&lt;/STRONG&gt; I think a limited form of telepathy may be possible in the coming decades. At the very minimum, we should be able to create a dictionary of thought. That is, a one to one correspondence between certain MRI and EEG patterns, and certain specific thought patterns. However, at the present time, we cannot even reliably detect when a person is telling a lie. But in the next decade, we will be able to establish that certain thoughts like love, hate, lying, or telling the truth, correspond to certain neural pathways as detected by MRI and EEG scans. So I don't think we will have perfect telepathy, but I do think we will eventually construct a dictionary of thought.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/kaku/" rel="tag"&gt;kaku&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/michio+kaku/" rel="tag"&gt;michio kaku&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/future/" rel="tag"&gt;future&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/futurism/" rel="tag"&gt;futurism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/futurology/" rel="tag"&gt;futurology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sf/" rel="tag"&gt;sf&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/scifi/" rel="tag"&gt;scifi&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/chat/" rel="tag"&gt;chat&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/transcript/" rel="tag"&gt;transcript&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/brain/" rel="tag"&gt;brain&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/quantum+physics/" rel="tag"&gt;quantum physics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://dsc.discovery.com/convergence/2057/chat/transcript_print.html</clipSource><pubDate>Sat, 03 Feb 2007 12:39:01 GMT</pubDate></item><item><title>LucyandBart- Future human shapes </title><link>http://clipmarks.com/clipmark/1A9CE94C-3C9E-45C1-972C-961D2C91F71D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/shunyax/"&gt;shunyax&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Suggest check also :&lt;br/&gt;&lt;a href="http://www.lucyandbart.com" rel="nofollow" target="_blank"&gt;http://www.lucyandbart.com&lt;/a&gt;/ &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.preik.no/08/05/05/lucyandbart-18107" title="http://www.preik.no/08/05/05/lucyandbart-18107"&gt;www.preik.no&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;'&lt;A target="_blank" href="http://www.lucyandbart.blogspot.com/"&gt;LucyandBart&lt;/A&gt; is a collaboration between &lt;A target="_blank" href="http://www.lucymcrae.blogspot.com/"&gt;Lucy McRae&lt;/A&gt; and &lt;A target="_blank" href="http://www.barthess.nl/"&gt;Bart Hess&lt;/A&gt; described as an instinctual stalking of fashion, architecture, performance and the body. They share a fascination with genetic manipulation and beauty expression. Unconsciously their work touches upon these themes, however it is not their intention to communicate this. They work in a primitive and limitless way creating future human shapes, blindly discovering low – tech prosthetic ways for human enhancement.'&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/shunyax/512/C5A6029C-272F-42F7-B8B5-5698766A32B2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/shunyax/512/BB16E4E4-FC4F-4D61-93F1-30306CFEB280.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://shapeandcolour.wordpress.com/2008/05/12/lucy-mcrae-bart-hess-lucyandbart/" title="http://shapeandcolour.wordpress.com/2008/05/12/lucy-mcrae-bart-hess-lucyandbart/"&gt;shapeandcolour.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/shunyax/512/AD5D3C96-FC7B-44B9-B05D-D3D0911F5DD3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/shunyax/512/32C3079B-4B07-49F1-90B4-B4ED4A219C1E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/shunyax/512/51F347C4-FC0B-490D-921E-E74A7EF0E774.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/shunyax/512/759A4BE6-F89F-4EEC-89BF-9C75D51DE75C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/shunyax/512/0F4DF07F-03C7-487D-955A-CF0F93C71D43.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/futurism/" rel="tag"&gt;futurism&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.preik.no/08/05/05/lucyandbart-18107</clipSource><pubDate>Thu, 12 Jun 2008 08:21:12 GMT</pubDate></item><item><title>The future is here right now, if you can read the signs</title><link>http://clipmarks.com/clipmark/A8C89C10-5805-40E1-8077-A4845E751688/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/shunyax/"&gt;shunyax&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.theage.com.au/news/business/the-future-is-here-right-now-if-you-can-read-the-signs/2007/10/21/1192940901417.html" title="http://www.theage.com.au/news/business/the-future-is-here-right-now-if-you-can-read-the-signs/2007/10/21/1192940901417.html"&gt;www.theage.com.au&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Mr Hammond, a European author and futurologist&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;I
use Google a metaphor for an emerging intelligence. Every single
day that I use Google, and I use it constantly, I notice that it's
getting a little bit more capable at understanding what I mean when
I don't say precisely what I mean.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"Now, if brainpower in the computer is doubling every 12 months
and Google is gathering every single minute of every day the
intentions of all the humans in the planet, imagine where that
might lead in 10 years. And if we accept that Moore's law (that the
number of transistors on a chip should double every 18 months to
two years) will continue, somewhere between the years 2020 to 2035,
artificial intelligence will equal human intelligence and by
definition, it will then double it."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/futurism/" rel="tag"&gt;futurism&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.theage.com.au/news/business/the-future-is-here-right-now-if-you-can-read-the-signs/2007/10/21/1192940901417.html</clipSource><pubDate>Wed, 24 Oct 2007 08:28:58 GMT</pubDate></item><item><title>Environmental Threats of the Future</title><link>http://clipmarks.com/clipmark/BE90FBFF-3F4C-4649-9BD2-09701CE6C49F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Silkweaver/"&gt;Silkweaver&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Every technological breakthrough will bring with it new problems and dangers, but also the means to deal with them. We just have to tread carefully and responsibly. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dailygalaxy.com/my_weblog/2008/07/greatest-enviro.html" title="http://www.dailygalaxy.com/my_weblog/2008/07/greatest-enviro.html"&gt;www.dailygalaxy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/0D394413-B790-4685-9996-CECD0352F81F.jpg" alt="Swarm" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Forget about rising global water levels: Researchers, policymakers and environmental campaigners have identified 25 potential future threats to the environment&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;• Biomimetic robots that could become new invasive species.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;• Experiments involving climate engineering, for instance ocean 'fertilization' and deploying solar shields&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;• Increased demand for the biomass needed to make biofuel.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;• Disruption to marine ecosystems caused by offshore power generation.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;• Experiments to control invasive species using genetically engineered viruses.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Some of the threats identified are more speculative, such as robots
that imitate animal behavior and microbes made from synthetic
molecules and might eventually behave like invasive species.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/futurism/" rel="tag"&gt;futurism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/environment/" rel="tag"&gt;environment&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dailygalaxy.com/my_weblog/2008/07/greatest-enviro.html</clipSource><pubDate>Fri, 25 Jul 2008 13:11:49 GMT</pubDate></item><item><title>2063 A.D.</title><link>http://clipmarks.com/clipmark/114CD890-837D-472F-900E-15FB21DA9042/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.paleofuture.com/2008/04/2063-ad-book-1963.html" title="http://www.paleofuture.com/2008/04/2063-ad-book-1963.html"&gt;www.paleofuture.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Due to popular demand, I have uploaded a free &lt;A target="_blank" href="http://www.lulu.com/content/2277078"&gt;PDF&lt;/A&gt; of the book &lt;I&gt;&lt;A target="_blank" href="http://www.paleofuture.com/2007/07/general-dynamics-astronautics-time.html"&gt;2063 A.D.&lt;/A&gt;&lt;/I&gt; in its entirety. To purchase a print copy of the book you can find it at my &lt;A target="_blank" href="http://stores.lulu.com/paleofuture"&gt;Lulu storefront&lt;/A&gt;.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/D56982FD-6694-4C12-AB72-0A34281EA984.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;For those just joining us, &lt;I&gt;2063 A.D.&lt;/I&gt; was a book published in 1963 by General Dynamics Astronautics. The book asked politicians, military commanders and scientists to speculate as to where humanity would be, a hundred years hence, in the great push towards space.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;A copy of the limited print book (only 200 are believed to have been produced) was included in the time capsule at General Dynamics Astronautics headquarters in San Diego. The building was torn down in the late 1990s and the time capsule is believed to have perished. The book gives some great insight into the general sense of optimism that so typifies 1960s futurism. Space colonies? Sure! Martian life? Why not! Teleportation? Easier than &lt;A target="_blank" href="http://www.paleofuture.com/2008/02/james-b-utt-on-space-travel-1963.html"&gt;commercial space flight&lt;/A&gt;!&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.paleofuture.com/2008/04/2063-ad-book-1963.html</clipSource><pubDate>Tue, 15 Apr 2008 11:43:57 GMT</pubDate></item><item><title>Nazi Paleo-Futurism (1941)</title><link>http://clipmarks.com/clipmark/56A24B78-9903-4A44-B1F0-187BB20657DD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://paleo-future.blogspot.com/2007/08/nazi-paleo-futurism-1941.html" title="http://paleo-future.blogspot.com/2007/08/nazi-paleo-futurism-1941.html"&gt;paleo-future.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;A target="_blank" href="http://flickr.com/photos/martinkappler/"&gt;Martin Kappler&lt;/A&gt; has scanned and uploaded a German poster from 1941 which shows &lt;A target="_blank" href="http://flickr.com/photos/martinkappler/sets/72157600337199835/"&gt;Third Reich images of the paleo-future&lt;/A&gt;. The poster was in a book called &lt;I&gt;Durch die weite Welt vol. XIX&lt;/I&gt;, one in a series of books for boys.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/D9E416E3-7176-4568-A028-9306197ED262.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Heliport/Railway Station&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/F6807C7D-6C79-4C66-81D6-98DEEB2E7850.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The headline and main text read:&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;What new things will the technology of tomorrow bring?&lt;/B&gt;&lt;BR /&gt;&lt;DIV&gt;Today still a venturous plan - tomorrow maybe reality&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Technology and economy in the Greater German Reich have gone into an unexpected upswing. The largest network of Autobahn highways has been constructed in just a few years, whole new industries were created and great architectural and urbanistic tasks are about to be realised. Although the war, that was forced upon us, makes it necessary to concentrate our economy on the war efforts, the great plans for the buildup are drawn with the certitude of our victory in mind. Many keen inventions and many thoughts that still seem fantastic today will then be realised&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/CFA200AA-D17C-4EF0-9C93-BC72F363D344.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/B6EFFCE8-C08A-4303-B9A0-82FF6085512F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/6221D600-4177-4B63-B51C-9D9654EF2FCA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/30129F81-7FF6-4BCA-832C-30FF48DFE7DA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/56431BD7-AD7A-4BFD-8507-36500A054739.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/2312C5DC-1B0F-491F-B603-8D6DA4146263.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/5C3028D2-28F4-403B-AE3C-96DD35C5C0B5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/futurism/" rel="tag"&gt;futurism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nazism/" rel="tag"&gt;nazism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nazi/" rel="tag"&gt;nazi&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://paleo-future.blogspot.com/2007/08/nazi-paleo-futurism-1941.html</clipSource><pubDate>Fri, 03 Aug 2007 22:55:37 GMT</pubDate></item></channel></rss>