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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Canon Clips</title><link>http://clipmarks.com/search/canon/sort/latest-pops/</link><feedUrl>http://rss.clipmarks.com/search/canon/sort/latest-pops/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>   Amma: The Original 'Free Hugs' Lady</title><link>http://clipmarks.com/clipmark/F01FFE36-CD2B-4438-98CA-8F0374D7AC57/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mugofcoffee/"&gt;mugofcoffee&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.gimundo.com/Articles/Daily/736/7/21/2008/Amma:_The_Original_Free_Hugs_Lady" title="http://www.gimundo.com/Articles/Daily/736/7/21/2008/Amma:_The_Original_Free_Hugs_Lady"&gt;www.gimundo.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mugofcoffee/512/A2F47B44-1CCF-433E-8DCB-499ED12E0AC7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Mata Amritanandamayi, an Indian woman known as Amma, is as canon-worthy as anyone we've ever heard of. For over 30 years, Amma has been traveling the globe, giving hugs to everyone she meets, asking nothing in return. Though she considers herself spiritual, she does not advocate any particular religion – her message is love, pure and simple.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;So why does she do it? As Amma told &lt;A href="http://news.bbc.co.uk/2/hi/uk_news/magazine/7130151.stm"&gt;&lt;SPAN&gt;BBC News&lt;/SPAN&gt;&lt;/A&gt;, "Love is a very special, very uplifting vibration. That's what I'm trying to give people. It's like visiting a perfume factory. Consciously or unconsciously you will carry that fragrance around with you."&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In each city she visits, Amma doles out hugs all day long, often until as late as two or three in the morning, until everyone's gotten a turn.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;she is the founder of a charity called Mata Amritanandamayi Math. Many of her followers contribute money to the organization in appreciation of Amma's hugs.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;SPAN&gt;By Kathryn Hawkins&lt;/SPAN&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.gimundo.com/Articles/Daily/736/7/21/2008/Amma:_The_Original_Free_Hugs_Lady</clipSource><pubDate>Sat, 11 Oct 2008 13:10:18 GMT</pubDate></item><item><title>Macro Photos</title><link>http://clipmarks.com/clipmark/CD322C00-57C5-4EEC-A46C-66BF12B310A2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kelika/"&gt;Kelika&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=1&amp;slideView=3" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=1&amp;slideView=3"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The  &lt;A href="http://www.wired.com/culture/art/news/2008/04/submissions_macro" linkindex="52"&gt;macro photo contest&lt;/A&gt; was our fiercest competition yet, with almost every entry making our eyes boggle. After two weeks of steady battle, these 10 photos have emerged victorious. Alan M won the contest with his photo "Eye of a Tokay Gecko" at left. Mr. M will be receiving a subscription to &lt;CITE&gt;Wired&lt;/CITE&gt; magazine and a digital picture frame for his desk.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/EF0FE53C-2FEF-49ED-A504-A59778AF66C5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=2&amp;slideView=4" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=2&amp;slideView=4"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/A5FA522E-B085-4C02-AD0B-E3AA775D09C0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=3&amp;slideView=5" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=3&amp;slideView=5"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/60AC076C-9CBA-4E33-A500-39E27F949C58.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"Close-up of a wet leaf ... taken with a Canon Powershot A610 :)"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=4&amp;slideView=6" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=4&amp;slideView=6"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/D3F6F397-2EF1-4B2A-B510-311E3760C7A1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=5&amp;slideView=7" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=5&amp;slideView=7"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/C25AA329-EFAF-4A40-A7F4-0B4E3069F6C9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"A close-up of the water emerging from a fountain pipe, which formed this 'head.'"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=6&amp;slideView=8" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=6&amp;slideView=8"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/5A9B2137-B509-4091-B50F-3A6D9A7860F1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"Nikon d50, 50mm f/1.8 with extension tubes. Subject is a representative of the Mantodea group."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=7&amp;slideView=9" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=7&amp;slideView=9"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/73B291A6-0DA7-4FF7-B839-EEED750879A1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"One evening I looked down at the icecubes floating in my coke and noticed the wonderful 3-dimensional structure inside. More pics on my flickr: www.flickr.com/photos/philippeholthuizen"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=8&amp;slideView=10" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=8&amp;slideView=10"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/A9973B5C-43E0-4683-B043-B7C8A3E4AE5F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"HDR photograph of a tea-light candle wick just before it burns out."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=9&amp;slideView=1" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=9&amp;slideView=1"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/A772CDF4-1DB0-44C0-ABB0-09EF0B7C984C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=10&amp;slideView=2" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=10&amp;slideView=2"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/01D9E96F-0AF1-4E6C-8318-5120B247912A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"An extreme macro photograph of my eye. Photographed with a Canon MP-65e lens and a 1DMkIII camera."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=1&amp;slideView=3</clipSource><pubDate>Sun, 28 Sep 2008 17:31:03 GMT</pubDate></item><item><title>Robotic Telepresence</title><link>http://clipmarks.com/clipmark/83F6AEB7-89DC-4E14-8AC6-E77DFFE24D97/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/balthazarus/"&gt;balthazarus&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Cool.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://robodynamics.com/index.asp" title="http://robodynamics.com/index.asp"&gt;robodynamics.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Welcome to RoboDynamics!&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/7D9523D9-2361-470B-9848-C4FCFB1558F5.jpg" alt="TiLR - World's first commercially available Robotic Telepresence Platform" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;What is Robotic Telepresence?&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Robotic Telepresence is the ability to transport yourself to a remote location without going there.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;It is similar to video conferencing but whereas video conferencing gives you only a small window into the remote world, Robotic Telepresence gives you a &lt;B&gt;presence&lt;/B&gt;, instantly &lt;B&gt;transporting you &lt;/B&gt;there and enabling you to move around, look about, and interact with people, objects, and the environment &lt;B&gt;as if you are actually there&lt;/B&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/FDE31F0B-3F4E-4953-AD22-AF44D4D3A67F.jpg" alt="TiLR - Robotic Telepresence vs. Video Conferencing" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/CCD6E248-BF76-4C13-A3E9-469CB7D7FBED.jpg" alt="TiLR - Robotic Telepresence vs. Video Conferencing" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Our robot, named TiLR (pronounced Tie Ler) has an 8" LCD screen and a powerful Canon camera - providing you with live bi-directional video and audio. As such it brings you face to face with people and objects - and gives you the freedom to move about the remote world from the convenience of your PC - wherever in the world you may be.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://robodynamics.com/robot_picsvids.asp" title="http://robodynamics.com/robot_picsvids.asp"&gt;robodynamics.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/4C804AE0-54A6-4F51-A028-A4EF7094F895.jpg" alt="TiLR_Black_HeroShot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/D14C1CEC-5D4A-4DB1-8F51-D05D4230909E.jpg" alt="TiLR_Black_FaceCloseUp_LensFlare" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/BD70E5A3-F747-4DA4-8EF3-2DA25036FE9B.jpg" alt="TiLR_Red_BaseProfile" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/162A3A66-B502-4E62-8C63-5E21BFA2389B.jpg" alt="TiLR_Red_Front_RDLogoShot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/7932250F-204A-424D-A11D-F5BCCDD9A913.jpg" alt="TiLR_Red_ResetButtonLED" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/02F3F1C4-9A8D-4FAD-A8DD-4A979CCDC5AF.jpg" alt="TiLR_Red_HeroShot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://robodynamics.com/robot.asp" title="http://robodynamics.com/robot.asp"&gt;robodynamics.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;TiLR Robotic Telepresence is comprised of three distinct components, which include a robot (TiLR), a PC application (TCC), and a Robot Server (RS). &lt;BR /&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/D9E571B3-CF7F-4C69-AB5C-1FEE34FE642E.jpg" alt="Robotic Telepresence System" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/robotics/" rel="tag"&gt;robotics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/internet/" rel="tag"&gt;internet&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://robodynamics.com/index.asp</clipSource><pubDate>Wed, 01 Oct 2008 10:40:09 GMT</pubDate></item><item><title>The Art of Sand Mandalas</title><link>http://clipmarks.com/clipmark/61AAB6B5-7E0E-49C6-9813-8EC50F8BC08E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/willhelm/"&gt;willhelm&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.colourlovers.com/blog/2008/09/30/the-colorful-art-of-sand-mandalas/" title="http://www.colourlovers.com/blog/2008/09/30/the-colorful-art-of-sand-mandalas/"&gt;www.colourlovers.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The &lt;A target="_blank" href="http://en.wikipedia.org/wiki/Sand_mandala"&gt;Sand Mandala&lt;/A&gt; is a Tibetan Buddhist tradition which symbolizes the transitory nature of things. As part of &lt;A target="_blank" href="http://en.wikipedia.org/wiki/Tibetan_Buddhist_canon"&gt;Buddhist canon&lt;/A&gt;, all things material are seen as transitory. A sand mandala is an example of this, being that once it has been built and its accompanying ceremonies and viewing are finished, it is systematically destroyed.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/willhelm/512/791ED889-B71B-483B-B825-5AC8B529712F.jpg" alt="mandalafinal.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Historically, the mandala was not created with natural, dyed sand, but granules of crushed colored stone. In modern times, plain white stones are ground down and dyed with opaque inks to achieve the same effect. Before laying down the sand, the monks assigned to the project will draw the geometric measurements associated with the mandala. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/willhelm/512/C252021B-4E0A-41B7-B300-D837C010803C.jpg" alt="2433302527_9bf5354e0d.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The sand granules are then applied using small tubes, funnels, and scrapers, until the desired pattern over-top is achieved. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/willhelm/512/2D8BDA01-CBCA-44E9-84D4-9A8F1D4A30DE.jpg" alt="4423848_4d763b90f9.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Sand mandalas traditionally take several weeks to build, &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/willhelm/512/563B31D3-869C-484C-A4A6-410DB722496A.jpg" alt="800px-sandmandalas13.JPG" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/willhelm/512/A36C1C17-DE77-45C3-9B88-6C618D7527FC.jpg" alt="2547341053_8bfc18c08a.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.colourlovers.com/blog/2008/09/30/the-colorful-art-of-sand-mandalas/</clipSource><pubDate>Wed, 01 Oct 2008 03:27:11 GMT</pubDate></item><item><title>The Colorful Art of Sand Mandalas</title><link>http://clipmarks.com/clipmark/DFB4999F-3429-4622-A9E1-A4BB52DBB69E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/spherepet/"&gt;spherepet&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.colourlovers.com/blog/2008/09/30/the-colorful-art-of-sand-mandalas/" title="http://www.colourlovers.com/blog/2008/09/30/the-colorful-art-of-sand-mandalas/"&gt;www.colourlovers.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="storytitle"&gt;&lt;A href="http://www.colourlovers.com/blog/2008/09/30/the-colorful-art-of-sand-mandalas/"&gt;The Colorful Art of Sand Mandalas&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;By &lt;A href="http://www.colourlovers.com/lover/evad/"&gt;evad&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/spherepet/512/E826E20B-8CDC-455D-B3A1-EC58AC777513.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The &lt;A target="_blank" href="http://en.wikipedia.org/wiki/Sand_mandala"&gt;Sand Mandala&lt;/A&gt; is a Tibetan Buddhist tradition which symbolizes the transitory nature of things. As part of &lt;A target="_blank" href="http://en.wikipedia.org/wiki/Tibetan_Buddhist_canon"&gt;Buddhist canon&lt;/A&gt;, all things material are seen as transitory. A sand mandala is an example of this, being that once it has been built and its accompanying ceremonies and viewing are finished, it is systematically destroyed.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/spherepet/512/B48DE24B-0CB8-4792-ACE9-E7D523F1BCA5.jpg" alt="mandalafinal.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Historically, the mandala was not created with natural, dyed sand, but granules of crushed colored stone. In modern times, plain white stones are ground down and dyed with opaque inks to achieve the same effect. Before laying down the sand, the monks assigned to the project will draw the geometric measurements associated with the mandala. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/spherepet/512/F36A31FC-5774-4151-83F2-8C21D0D4A68F.jpg" alt="2433302527_9bf5354e0d.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The sand granules are then applied using small tubes, funnels, and scrapers, until the desired pattern over-top is achieved. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/spherepet/512/ABCDBF22-ACFE-4C8D-B1FB-2F349D6529D2.jpg" alt="4423848_4d763b90f9.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Sand mandalas traditionally take several weeks to build&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a team of monks will work together on the project, creating one section of the diagram at a time&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;outwards&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/spherepet/512/80710923-8886-4DE0-9251-48DC39C33DB3.jpg" alt="800px-sandmandalas13.JPG" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/sand+mandalas/" rel="tag"&gt;sand mandalas&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.colourlovers.com/blog/2008/09/30/the-colorful-art-of-sand-mandalas/</clipSource><pubDate>Wed, 01 Oct 2008 05:47:15 GMT</pubDate></item><item><title>Robotic Telepresence</title><link>http://clipmarks.com/clipmark/A3E02E61-59E7-4D03-8B7D-ABEBC83DED4B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/rj3sp/"&gt;rj3sp&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  RoboDynamics is a company that researches and develops advanced telepresence robots. The idea is creating  robots which allow people to attend meetings remotely. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://robodynamics.com/index.asp" title="http://robodynamics.com/index.asp"&gt;robodynamics.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/rj3sp/512/E52CF5B7-5430-4321-B5E1-04AAE5AF5F1E.jpg" alt="RoboDynamics Corporation Logo" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;What is Robotic Telepresence?&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Robotic Telepresence is the ability to transport yourself 
					to a remote location without going there.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/rj3sp/512/97FC67A8-B04D-48C5-ABA9-B34E22196235.jpg" alt="TiLR - Robotic Telepresence vs. Video Conferencing" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/rj3sp/512/C2204462-7850-4A28-9A69-ACAEF028C060.jpg" alt="TiLR - Robotic Telepresence vs. Video Conferencing" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://smart-machines.blogspot.com/2008/09/tilr-telepresence-robot-in-action.html" title="http://smart-machines.blogspot.com/2008/09/tilr-telepresence-robot-in-action.html"&gt;smart-machines.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="post-title entry-title"&gt;
&lt;A href="http://smart-machines.blogspot.com/2008/09/tilr-telepresence-robot-in-action.html"&gt;TiLR: A telepresence robot in action&lt;/A&gt;
&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The following promotional video explains using a simple cartoon how the company believes their telepresence robot can be used to add value to a company.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Finally, the following Mahalo Daily video showcases the actual TiLR robot and its control software.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://robodynamics.com/robot.asp" title="http://robodynamics.com/robot.asp"&gt;robodynamics.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Introducing TiLR&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;TiLR System Overview&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
										
					TiLR Robotic Telepresence is comprised of three distinct components, which include a robot (TiLR), 
					a PC application (TCC), and a Robot Server (RS).
					
					
					&lt;BR /&gt;		
					&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/rj3sp/512/4F6B175F-3737-4777-8EFA-526CA89009C6.jpg" alt="Robotic Telepresence System" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://robodynamics.com/robot_tilr.asp" title="http://robodynamics.com/robot_tilr.asp"&gt;robodynamics.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;TiLR&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;TiLR is the main state of the art attraction of our 
					Robotic Telepresence Platform. Standing at four feet tall 
					and featuring a bright 8" LCD and powerful Canon camera, 
					TiLR is a unique blend of innovative technologies that 
					enable Robotic Telepresence in a new, affordable way.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/rj3sp/512/8DEA1B7D-BC53-4749-A6B2-CEA5E1C4D2A5.jpg" alt="TiLR Telepresence Robots - the most advanced enterprise robots on earth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://robodynamics.com/robot_tcc.asp" title="http://robodynamics.com/robot_tcc.asp"&gt;robodynamics.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;TiLR Command Center &lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/rj3sp/512/45777630-711F-47F8-93D7-E0F2B74DD1EC.jpg" alt="TiLR Command Center Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;TCC enables you to log into TiLR remotely and control its 
					movements.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/robots/" rel="tag"&gt;robots&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/telepresence/" rel="tag"&gt;telepresence&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/robodynamics/" rel="tag"&gt;robodynamics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tilr/" rel="tag"&gt;tilr&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://robodynamics.com/index.asp</clipSource><pubDate>Mon, 29 Sep 2008 21:31:45 GMT</pubDate></item><item><title>Jewish and Christian Bibles: A Comparative Chart 3</title><link>http://clipmarks.com/clipmark/78BDED7C-75D7-4280-BFA9-5E9C8E1DA80C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Efrain+Alvarado/"&gt;Efrain Alvarado&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Catholic Bible (Old Testament) &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://catholic-resources.org/Bible/Heb-Xn-Bibles.htm" title="http://catholic-resources.org/Bible/Heb-Xn-Bibles.htm"&gt;catholic-resources.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD bgcolor="#cccccc" valign="top"&gt;&lt;B&gt;CATHOLIC BIBLE &lt;BR /&gt;
  &lt;/B&gt;&lt;FONT size="2"&gt;(based on Alexandrian canon of LXX;&lt;BR /&gt;
    with seven Deuterocanonical books)&lt;/FONT&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD bgcolor="#ff8080" valign="top"&gt;&lt;FONT size="2"&gt;&lt;B&gt;&lt;U&gt;Pentateuch (Law)&lt;/U&gt;&lt;/B&gt;&lt;BR /&gt;
  1) Genesis&lt;BR /&gt;
  2) Exodus&lt;BR /&gt;
  3) Leviticus&lt;BR /&gt;
  4) Numbers&lt;BR /&gt;
  5) Deuteronomy&lt;BR /&gt;
  &lt;/FONT&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD bgcolor="#33ccff" valign="top" rowspan="2"&gt;&lt;FONT size="2"&gt;&lt;B&gt;&lt;U&gt;Historical Books&lt;/U&gt;&lt;/B&gt;&lt;BR /&gt;
  6) Joshua&lt;BR /&gt;
  7) Judges&lt;BR /&gt;
  8) &lt;SPAN&gt;Ruth&lt;/SPAN&gt;&lt;BR /&gt;
  9) 1 Samuel&lt;BR /&gt;
  10) 2 Samuel&lt;BR /&gt;
  11) 1 Kings&lt;BR /&gt;
  12) 2 Kings&lt;BR /&gt;
  13) &lt;SPAN&gt;1 Chronicles&lt;/SPAN&gt;&lt;BR /&gt;&lt;DIV&gt;
  14) &lt;SPAN&gt;2 Chronicles&lt;/SPAN&gt;&lt;/DIV&gt;&lt;BR /&gt;
  15) &lt;SPAN&gt;Ezra&lt;/SPAN&gt;&lt;BR /&gt;
  16) &lt;SPAN&gt;Nehemiah&lt;/SPAN&gt;&lt;BR /&gt;
  17) TOBIT&lt;BR /&gt;
  18) JUDITH&lt;BR /&gt;
  19) &lt;SPAN&gt;Esther&lt;/SPAN&gt; (longer version)&lt;BR /&gt;
  20) 1 MACCABEES&lt;BR /&gt;
  21) 2 MACCABEES&lt;/FONT&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD bgcolor="#ffff99" valign="top"&gt;&lt;FONT size="2"&gt;&lt;B&gt;&lt;U&gt;Wisdom Books&lt;/U&gt;&lt;/B&gt;&lt;BR /&gt;
  22) Job&lt;BR /&gt;
  23) Psalms (150)&lt;BR /&gt;
  24) Proverbs&lt;BR /&gt;
  25) Ecclesiastes&lt;BR /&gt;
  26) Song of Solomon&lt;BR /&gt;
  27) WISDOM of Solomon&lt;BR /&gt;
  28) SIRACH, a.k.a. Ecclesiasticus&lt;/FONT&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD bgcolor="#66ffff" valign="top"&gt;&lt;FONT size="2"&gt;&lt;B&gt;&lt;U&gt;Prophets&lt;/U&gt;&lt;/B&gt;&lt;BR /&gt;
  29) Isaiah&lt;BR /&gt;
  30) Jeremiah&lt;BR /&gt;
  31) &lt;SPAN&gt;Lamentations&lt;/SPAN&gt;&lt;BR /&gt;
  32) BARUCH (incl. LETTER of JER.)&lt;BR /&gt;
  33) Ezekiel&lt;BR /&gt;&lt;DIV&gt;
  34) &lt;SPAN&gt;Daniel&lt;/SPAN&gt; (14 chapters)&lt;/DIV&gt;
  &lt;BR /&gt;
  35) Hosea&lt;BR /&gt;
  36) Joel&lt;BR /&gt;
  37) Amos&lt;BR /&gt;
  38) Obadiah&lt;BR /&gt;
  39) Jonah&lt;BR /&gt;
  40) Micah&lt;BR /&gt;
  41) Nahum&lt;BR /&gt;
  42) Habakkuk&lt;BR /&gt;
  43) Zephaniah&lt;BR /&gt;
  44) Haggai&lt;BR /&gt;
  45) Zechariah&lt;BR /&gt;
  46) Malachi&lt;/FONT&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/bible/" rel="tag"&gt;bible&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/scripture/" rel="tag"&gt;scripture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://catholic-resources.org/Bible/Heb-Xn-Bibles.htm</clipSource><pubDate>Wed, 17 Sep 2008 05:45:03 GMT</pubDate></item><item><title>Enough already with the megapixels</title><link>http://clipmarks.com/clipmark/82AD7B2C-0696-4ED1-8A6E-D2841EF91F3B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/patchworkthreads/"&gt;patchworkthreads&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "So what's the take-home message?&lt;br/&gt;&lt;br/&gt;Well, if you're shopping for an ordinary digicam, bear in mind that money spent on higher resolution may actually be buying you less than nothing. A lower resolution camera can actually be a better product in every respect.&lt;br/&gt;&lt;br/&gt;Of course, the camera companies just can't sell lower res cameras any more [...] because every manufacturer knows it's hard to sell a five or six megapixel camera when your competitor's shiny new 8MP model's on the shelf for not much more money. Consumers don't know much about lens specs or autofocus speed, but they can do basic megapixel arithmetic real good." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dansdata.com/gz059.htm" title="http://www.dansdata.com/gz059.htm"&gt;www.dansdata.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;people assume that a camera with more megapixels must take better pictures 
									than one with fewer&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The truth can actually, quite often, be exactly the opposite&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Consumer digital cameras always have teeny tiny little sensor chips in them&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Sony's popular
									&lt;A href="http://www.dpreview.com/reviews/sonydscf828/"&gt;DSC-F828&lt;/A&gt;, for instance, is an "eight megapixel" camera 
									with what's known as a "2/3 inch" sensor&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;For comparison, the Canon EOS-5D, the cheapest DSLR with a full 35mm-frame-sized sensor, has a 12.7MP sensor, but 
									8.2 micron photosites.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;8MP consumer cameras &lt;B&gt;don't&lt;/B&gt; take pictures as technically good as those from the F828&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;As sensor 
									size falls, the precision of the internal focussing becomes more and more critical for a given pixel count. But bigger 
									photosites can also hold more charge than little ones&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;What this means is that the signal-to-noise ratio of bigger photosites is better.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The three megapixel DiMAGE Xt goes to ISO 400 with lower noise than the X1 at ISO 200. It is, in every important 
									department, just a better camera, despite being two years older&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/digital/" rel="tag"&gt;digital&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/camera/" rel="tag"&gt;camera&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/megapixels/" rel="tag"&gt;megapixels&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dansdata.com/gz059.htm</clipSource><pubDate>Wed, 08 Aug 2007 00:49:10 GMT</pubDate></item><item><title>Beautiful Alaskan Aurora</title><link>http://clipmarks.com/clipmark/20696EF1-3286-4D14-9842-AD98F810811D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mariana3/"&gt;mariana3&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  For a larger photo, go to original site and click on the image. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spaceweather.com/" title="http://www.spaceweather.com/"&gt;www.spaceweather.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Last 
              night (Sept. 2nd) in North Pole, Alaska, the sky turned green. "I 
              didn't expect to see any Northern Lights, but there they were," 
              says Bud Kuenzli, who opened the shutter of his &lt;A href="http://www.spaceweather.com/xtra/results_canon.php?searchTerm=Canon%20EOS%201D"&gt;Canon 
              EOS 1D&lt;/A&gt; for 15 seconds and collected this photo:&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mariana3/512/1CE557FF-487F-44E3-8F62-04F9212F9796.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In Alaska, this counts as a mild display, but it might herald a 
              bigger show in the nights ahead. A solar wind stream is approaching 
              Earth, due to hit late on Sept. 3rd or Sept. 4th. High-latitude 
              sky watchers should &lt;A href="http://spaceweatherphone.com"&gt;be alert&lt;/A&gt; 
              for auroras.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/astronomy/" rel="tag"&gt;astronomy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/climate/" rel="tag"&gt;climate&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/aurora/" rel="tag"&gt;aurora&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sky/" rel="tag"&gt;sky&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/earth/" rel="tag"&gt;earth&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.spaceweather.com/</clipSource><pubDate>Wed, 03 Sep 2008 19:41:00 GMT</pubDate></item><item><title>Ulysses Odyssey and Western Philosophy</title><link>http://clipmarks.com/clipmark/F7335F2D-992C-4CB7-8307-7C53B5FD5FA6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/klippety/"&gt;klippety&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Hard to imagine a single thought without the references to our past stories. Homer and Ulysses are embedded in endless seeming variations.    &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/08/24/books/review/Coates-t.html?8bu&amp;emc=bua2" title="http://www.nytimes.com/2008/08/24/books/review/Coates-t.html?8bu&amp;emc=bua2"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;NYT_HEADLINE _moz-userdefined="" type=" " version="1.0"&gt;
A Long, Strange Trip
&lt;/NYT_HEADLINE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/klippety/512/7231AF26-B7E3-462A-9C2A-A437AF3EDD81.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Is there anything in the Western literary canon with more abundant, potent or frolicsome offspring than Homer’s “Odyssey”? Clearly not, to judge by “The Return of Ulysses,” Edith Hall’s enlightening and entertaining cultural history. Virgil, Monteverdi, &lt;A title="More articles about James Joyce." href="http://topics.nytimes.com/top/reference/timestopics/people/j/james_joyce/index.html?inline=nyt-per"&gt;James Joyce&lt;/A&gt;, Nikos Kazantzakis, &lt;A title="More articles about Ralph Ellison." href="http://topics.nytimes.com/top/reference/timestopics/people/e/ralph_ellison/index.html?inline=nyt-per"&gt;Ralph Ellison&lt;/A&gt; and &lt;A title="More articles about Derek Walcott." href="http://topics.nytimes.com/top/reference/timestopics/people/w/derek_walcott/index.html?inline=nyt-per"&gt;Derek Walcott&lt;/A&gt; are just a few of the artists to have transformed this spellbinding and mysterious epic into powerful works of their own. But while Hall doesn’t scant such noble descendants, nor Homer’s determinant role in ancient Greek and Roman culture, she is at least as enthusiastic at tracking Odysseus-­Ulysses, the Man of Many Ways, down many a less-traveled path: the “Odyssey” is, after all, she says, “an ancestral text” for “historians, philosophers, psychologists, anthropologists, occult magicians, novelists, science-fiction writers, biographers, autobiographers, movie directors and composers of opera.” (And don’t forget magic realists.)&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2008/08/24/books/review/Coates-t.html?8bu&amp;emc=bua2</clipSource><pubDate>Sat, 23 Aug 2008 05:21:59 GMT</pubDate></item><item><title>Saakashvili: US military moving in; US: Not!</title><link>http://clipmarks.com/clipmark/ED05DEF3-24BC-485C-BD46-08D4BAACFEF1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/masbury/"&gt;masbury&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A loose cannon? &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://talkingpointsmemo.com/archives/208356.php" title="http://talkingpointsmemo.com/archives/208356.php"&gt;talkingpointsmemo.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Oh Boy&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Wouldn't want to think we've got ourselves tied up with a loose canon in the President of Georgia.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;President Saakashvili today &lt;A href="http://www.msnbc.msn.com/id/26116598/"&gt;told&lt;/A&gt; Georgians that the US military was moving in to take over control of the country's air and seaports -- which would be a pretty big deal since much of the country still appears to be an active war zone.  &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;And about five minutes later the Pentagon said he didn't know what he was talking about.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"We are not looking to, nor do we need to, take control of any air or seaports to conduct this mission," said Geoff Morrell, Pentagon press secretary.  "The role of the U.S. military is strictly to facilitate the delivery of humanitarian assistance to the victims of this conflict."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;John McCain says he's talking to Saakashvili &lt;A href="http://talkingpointsmemo.com/archives/208343.php"&gt;every day&lt;/A&gt;.  What's he telling him?  Is he confusing the situation?&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/georgia/" rel="tag"&gt;georgia&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://talkingpointsmemo.com/archives/208356.php</clipSource><pubDate>Thu, 14 Aug 2008 04:33:36 GMT</pubDate></item><item><title>Vintage Photos mixed. 1</title><link>http://clipmarks.com/clipmark/2D0CC954-3893-4BA8-863F-A68ECFB8F203/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ofcapri/"&gt;ofcapri&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://pixdaus.com/index.php?pageno=1&amp;query=VINTAGE&amp;sort=search" title="http://pixdaus.com/index.php?pageno=1&amp;query=VINTAGE&amp;sort=search"&gt;pixdaus.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/690B5702-241F-4E9A-AC4D-FB14DF8462F9.jpg" alt="in the coffeehouse" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="tags29975"&gt;tags: &lt;A href="http://pixdaus.com/?sort=tag&amp;tag=coffeehouse"&gt;coffeehouse&lt;/A&gt;  &lt;A href="http://pixdaus.com/?sort=tag&amp;tag=bar"&gt;bar&lt;/A&gt;  &lt;A href="http://pixdaus.com/?sort=tag&amp;tag=pretty"&gt;pretty&lt;/A&gt;  &lt;A href="http://pixdaus.com/?sort=tag&amp;tag=young"&gt;young&lt;/A&gt;  &lt;A href="http://pixdaus.com/?sort=tag&amp;tag=women"&gt;women&lt;/A&gt;  &lt;A href="http://pixdaus.com/?sort=tag&amp;tag=beautyful legs"&gt;beautyful legs&lt;/A&gt;  &lt;A href="http://pixdaus.com/?sort=tag&amp;tag=nylon"&gt;nylon&lt;/A&gt;  &lt;A href="http://pixdaus.com/?sort=tag&amp;tag=stockings"&gt;stockings&lt;/A&gt;  &lt;A href="http://pixdaus.com/?sort=tag&amp;tag=vintage style"&gt;vintage style&lt;/A&gt;  &lt;SPAN id="newtag29975"&gt;&lt;/SPAN&gt; | &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/F6463115-9451-464F-A51F-42C6DAB4D6AA.jpg" alt="Sue Lyon (Lolita)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"Sue Lyon (Lolita)"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/66D2DECB-23DB-4025-ADBE-41BAD7046281.jpg" alt="July 1939. Gordonton, N.C." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"July 1939. Gordonton, N.C."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/344EE008-ECFA-4391-B565-1F7FF70A267C.jpg" alt="no description" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/96CEE45B-BF4A-4991-8F37-5CC5D5943E53.jpg" alt="Actrice Jane Renouardt, 1900" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"Actrice Jane Renouardt, 1900"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/CD1B4E34-9B6B-44CC-BECB-232697192AB1.jpg" alt="Kurt Hutton -  classic photograph of two young women on the merry-go-round at Southend Fair, England, 1939." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="tags34516"&gt;tags: &lt;A href="http://pixdaus.com/?sort=tag&amp;tag=vintage"&gt;vintage&lt;/A&gt;  &lt;A href="http://pixdaus.com/?sort=tag&amp;tag=black and white"&gt;black and white&lt;/A&gt;  &lt;A href="http://pixdaus.com/?sort=tag&amp;tag=women"&gt;women&lt;/A&gt;  &lt;A href="http://pixdaus.com/?sort=tag&amp;tag=leisure"&gt;leisure&lt;/A&gt;  &lt;SPAN id="newtag34516"&gt;&lt;/SPAN&gt; | &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/6C32C7BF-663C-4606-B679-E7994BC56E40.jpg" alt="Dancing..." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"Dancing..."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/1CD37A49-26CD-47EE-A56D-EE2518F4062A.jpg" alt="no description" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/A4B92C14-118D-40D2-BBBB-DB34733F7128.jpg" alt="gangerous girl" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"gangerous girl"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/E147CC68-5A51-4200-801D-9E482DFBA5F8.jpg" alt="Children of Poland" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"Children of Poland"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/89B388D0-008E-476F-969F-D964C4FA397C.jpg" alt="zzzzzzz" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"zzzzzzz"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/8EA243D9-D73D-4F7C-B365-2CFB5F3FFC04.jpg" alt="Manhattan Bridge Construction" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"Manhattan Bridge Construction"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/A4A7C8C0-B19F-4F07-80B0-05DD83511899.jpg" alt="Thích Qu?ng Ð?c photographed during his self-immolation." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"Thích Quảng Ðức photographed during his self-immolation."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/D43EDE5C-81BD-497A-AF3B-C95C22267DEF.jpg" alt="Nazi soldiers playing with kitten" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"Nazi soldiers playing with kitten"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/B531C5CA-5D25-4F6D-AF38-4685EDAF2519.jpg" alt="the boy and the hen" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"the boy and the hen"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/72EE8A0E-AAB5-4898-BC07-088E23D5C81C.jpg" alt="Back to the sixties" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"Back to the sixties"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/9FA04F4F-EC68-4F7E-8A64-620947B6AEA0.jpg" alt="Norma-Jean, 1949" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"Norma-Jean, 1949"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/36B29D4F-2E6C-4622-B7B2-A272923D8760.jpg" alt="German Zeppelin Hindenburg (LZ-129), blowing the hell up in Lakehurst, New Jersey, 1937." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"German Zeppelin Hindenburg (LZ-129), blowing the hell up in Lakehurst, New Jersey, 1937."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://pixdaus.com/index.php?pageno=2&amp;query=VINTAGE&amp;sort=search" title="http://pixdaus.com/index.php?pageno=2&amp;query=VINTAGE&amp;sort=search"&gt;pixdaus.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/26D2DC3F-CE5F-42FF-A6A2-1FB1A948B831.jpg" alt="Rita Hayworth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"Rita Hayworth"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/40D2A710-4F37-4967-BA34-28475780996E.jpg" alt="White Angel Bread Line by Dorothea Lange.Probably  one of the most famous pictures of the Great Depression in the U.S." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"White Angel Bread Line by Dorothea Lange.Probably  one of the most famous pictures of the Great Depression in the U.S."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/B62CF397-3D31-4E39-B438-135A6300CE48.jpg" alt="A man standing in front of the tank - CzechoSlovakia 1968" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"A man standing in front of the tank - CzechoSlovakia 1968"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/03744D99-F27F-45FE-BF98-984AA7771682.jpg" alt="Vintage advert for the once in europe very popular small car Renault 4, which has gained cult status over the years" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"Vintage advert for the once in europe very popular small car Renault 4, which has gained cult status over the years"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/C7480232-D399-4AFD-8312-5606A166D091.jpg" alt="human statue of liberty" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"human statue of liberty"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/929173C3-A7D2-4A6A-B914-3CBBFFFDCC1B.png" alt="Three Chiefs Piegan (Blackfoot)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"Three Chiefs Piegan (Blackfoot)"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/9F8A38B9-8515-4986-AB72-E3F2397B7C7A.jpg" alt="Pyramids during WW2" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"Pyramids during WW2"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/7B094CC5-DFD0-4153-8B12-51B91E14DD6C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="tags6933"&gt;tags: &lt;A href="http://pixdaus.com/?sort=tag&amp;tag=vintage"&gt;vintage&lt;/A&gt;  &lt;A href="http://pixdaus.com/?sort=tag&amp;tag=gun"&gt;gun&lt;/A&gt;  &lt;A href="http://pixdaus.com/?sort=tag&amp;tag=canon"&gt;canon&lt;/A&gt;  &lt;A href="http://pixdaus.com/?sort=tag&amp;tag=rail"&gt;rail&lt;/A&gt;  &lt;SPAN id="newtag6933"&gt;&lt;/SPAN&gt; | &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/3CB23195-D2E4-4998-BA16-2E89C47FD8AB.jpg" alt="no description" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/3FE8A3D7-3320-43F4-BA44-696D1BDD3273.jpg" alt="Marilyn Monroe" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"Marilyn Monroe"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ofcapri/512/CD5669A0-A102-486D-A0D3-D587E9728F7C.jpg" alt="saddest pic ever" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="smalltext"&gt;"saddest pic ever"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/vintage/" rel="tag"&gt;vintage&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/pix/" rel="tag"&gt;pix&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://pixdaus.com/index.php?pageno=1&amp;query=VINTAGE&amp;sort=search</clipSource><pubDate>Wed, 06 Aug 2008 22:49:51 GMT</pubDate></item><item><title>refraction in snow crystals</title><link>http://clipmarks.com/clipmark/3D948801-7E20-4F29-B6C2-F9EC2809213B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mona/"&gt;mona&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  just beautiful! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.engl.paraselene.de/html/refraction_in_snow_crystals.html" title="http://www.engl.paraselene.de/html/refraction_in_snow_crystals.html"&gt;www.engl.paraselene.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mona/512/0A12E548-74D1-4088-9427-ECD8AF31225C.gif" alt="Refraction in Snow Crystals" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mona/512/D87AF5B4-74BA-4CB2-85EF-5B6BA69B3B5C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT size="-1" face="Arial%2CHelvetica%2CGeneva%2CSans-serif%2Csans-serif"&gt;&lt;DIV&gt;Defocused close-up views of sunlit snow glints showing refraction and diffraction. The polygons are formed by the camera’s iris. Canon Powershot G2 digital camera with close-up lens. Processed with Adobe Photoshop Elements.&lt;/DIV&gt;&lt;BR /&gt;© 2004 Eva Seidenfaden&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/snow/" rel="tag"&gt;snow&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photo/" rel="tag"&gt;photo&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/light/" rel="tag"&gt;light&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/refraction/" rel="tag"&gt;refraction&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.engl.paraselene.de/html/refraction_in_snow_crystals.html</clipSource><pubDate>Sat, 27 Jan 2007 15:46:28 GMT</pubDate></item><item><title>Bush Ordered Phony Letter Linking Iraq to 9/11</title><link>http://clipmarks.com/clipmark/CF77C94E-90E4-4CBB-9942-8C4251470468/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Wisco/"&gt;Wisco&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The piece goes on to quote &lt;a href="http://dyn.politico.com/printstory.cfm?uuid=90E15887-3048-5C12-00F2EE5A4BEEF1B8" rel="nofollow" target="_blank"&gt;Politico's Mike Allen&lt;/a&gt;:&lt;br/&gt;&lt;br/&gt;&lt;blockquote&gt;According to Suskind, the administration had been in contact with the director of the Iraqi intelligence service in the last years of Hussein’s regime, Tahir Jalil Habbush al-Tikriti.&lt;br/&gt;&lt;br/&gt;“The White House had concocted a fake letter from Habbush to Saddam, backdated to July 1, 2001,” Suskind writes. “It said that 9/11 ringleader Mohammad Atta had actually trained for his mission in Iraq – thus showing, finally, that there was an operational link between Saddam and al Qaeda, something the Vice President’s Office had been pressing CIA to prove since 9/11 as a justification to invade Iraq. There is no link.” [...]&lt;br/&gt;&lt;br/&gt;The author claims that such an operation, part of “false pretenses” for war, would apparently constitute illegal White House use of the CIA to influence a domestic audience, an arguably impeachable offense.&lt;/blockquote&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://rawstory.com/news/2008/Suskind_Bush_ordered_fake_letter_linking_0805.html" title="http://rawstory.com/news/2008/Suskind_Bush_ordered_fake_letter_linking_0805.html"&gt;rawstory.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;A blockbuster new book from investigative journalist Ron Suskind adds another revelation to the growing canon demonstrating the lengths to which President Bush and members of his administration lied, misled and deceived the American people to pursue its invasion of Iraq.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Wisco/512/3DB96A87-0BCA-4319-B7E5-261DC1838A42.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Bush allegedly ordered the CIA to forge a handwritten letter from the head of Iraq's intelligence service to Saddam Hussein that purported to link the Iraqi dictator to the ringleader of the hijackers who toppled the Twin Towers on 9/11, according to news accounts of Suskind's new book, &lt;A href="http://www.amazon.com/Way-World-Story-Truth-Extremism/dp/0061430625/ref=pd_bbs_1?ie=UTF8&amp;s=books&amp;qid=1217528328&amp;sr=8-1"&gt;&lt;I&gt;The Way of the World: A Story of Truth and Hope in an Age of Extremism&lt;/I&gt;&lt;/A&gt;. Such use of an intelligence service to influence domestic political debate could be an impeachable offense, Suskind writes.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/news/" rel="tag"&gt;news&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://rawstory.com/news/2008/Suskind_Bush_ordered_fake_letter_linking_0805.html</clipSource><pubDate>Wed, 06 Aug 2008 20:43:01 GMT</pubDate></item><item><title>PC graveyard or poisoning the poor of the world?</title><link>http://clipmarks.com/clipmark/8375EE33-F521-40A4-ADE4-C25E7CD306C7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mugofcoffee/"&gt;mugofcoffee&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  There are international laws banning the export of computer waste but people are getting round this by labelling the shipments "usable second-hand goods". &lt;br/&gt;&lt;br/&gt;Greenpeace is calling for an end to what it calls "poisoning the poor". It wants electronics manufacturers to stop using hazardous materials and to take responsibility for the whole lifecycle of their products. &lt;br/&gt;&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/2/hi/africa/7543489.stm" title="http://news.bbc.co.uk/2/hi/africa/7543489.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mugofcoffee/512/0FDA4E59-A62E-403B-852F-63C79A0D34B0.jpg" alt="A child running past burning cables at a computer dumpsite in Ghana (Copyright: Greenpeace)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;SPAN&gt;By Will Ross &lt;/SPAN&gt;&lt;BR /&gt;&lt;SPAN&gt;BBC West Africa correspondent &lt;/SPAN&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The United Nations believes we generate between 20m and 50m tonnes of e-waste around the world each year. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Agbobloshie dump site in Ghana's capital, Accra, is a computer graveyard. But PCs are not given a decent, safe burial - they are dumped on this expanding, toxic treasure trove. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Many of the well-known brands are there: Compaq, Dell, Gateway, Philips, Canon, Hewlett Packard. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mugofcoffee/512/90B26351-5D2F-4C5C-8AC3-38D42BAE92E8.jpg" alt=" Ibrahim Adams" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;IMG height="20" hspace="0" src="http://newsimg.bbc.co.uk/nol/shared/img/v3/start_quote_rb.gif" width="34" vspace="0" border="0" /&gt; &lt;B&gt;I'm looking in the computers for copper and iron which I can sell to pay the [school] fees&lt;/B&gt; &lt;IMG height="20" hspace="0" src="http://newsimg.bbc.co.uk/nol/shared/img/v3/end_quote_rb.gif" width="33" align="right" vspace="0" border="0" /&gt;&lt;BR clear="all" /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;They are dissected for any reusable parts like lenses from the disc drives and circuit boards, and with global scrap prices soaring, metals are in high demand. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;To gain an idea of how people in the rich countries sometimes provide inappropriate gifts, you only need to take a look at Ibrahim's footwear which he found abandoned on the same rubbish heap. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mugofcoffee/512/A0462140-9B94-47DF-87CC-FB12E594730F.jpg" alt=" Ibrahim Adams" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Ibrahim needs the moon boots to walk over a carpet of smashed glass&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"Other chemicals we found cause cancer or disrupt your hormone system."&lt;B&gt;&lt;/B&gt; &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://news.bbc.co.uk/2/hi/africa/7543489.stm</clipSource><pubDate>Wed, 06 Aug 2008 04:49:34 GMT</pubDate></item></channel></rss>