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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Art Clips</title><link>http://clipmarks.com/search/art/sort/latest-comments/</link><feedUrl>http://rss.clipmarks.com/search/art/sort/latest-comments/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>13 of the Coolest Art Installations in the History of Burning Man</title><link>http://clipmarks.com/clipmark/BEB10835-1AC2-43B2-B41B-C739B1D597CD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Silkweaver/"&gt;Silkweaver&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  From spiritual enlightenment to experimental collaboration to sheer mind-tripping revelry, numerous motivations drive Burners to make the yearly pilgrimage to Black Rock City, NV. But one core principle unites them all: radical self-expression.&lt;br/&gt;&lt;br/&gt;Read more details on site. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://matadornights.com/12-coolest-art-installations-in-the-history-of-burning-man/" title="http://matadornights.com/12-coolest-art-installations-in-the-history-of-burning-man/"&gt;matadornights.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/1CF5FA75-974C-40E7-B616-9A05193F9A28.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/09AB0DCD-32D7-4994-AD01-C79E2A5A73EC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/F9F358AD-4CFB-4C11-84D9-B1FB4E2DEEAD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/EABDB419-CD74-4C0D-8249-E401EA5BB958.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/D770E9F5-3DC7-4F59-8A82-2C415CE05606.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/E211B6B7-F06D-4B26-A777-2F52D1D217EB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/C742842F-2601-4324-975E-4099448A6E8F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/BB33D9B2-4008-4428-92F6-C34ACAB114C1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/190F0F65-4858-4B6E-A8C4-527F2B1BB69C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/114A81AC-5EEB-4E9A-B78E-0624F7C59767.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/AB486F73-B6C3-4065-8612-DAC472DC4757.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/9FD4C376-E319-4448-BF4C-97524E4CBE59.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/05030248-3DE4-46D1-9C00-B24C442E6E11.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/76028CB0-AA89-44CA-8CD6-E0F555DB00C0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/burning+man/" rel="tag"&gt;burning man&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://matadornights.com/12-coolest-art-installations-in-the-history-of-burning-man/</clipSource><pubDate>Thu, 04 Sep 2008 03:17:21 GMT</pubDate></item><item><title>Buddhist Cave Art</title><link>http://clipmarks.com/clipmark/AB7890A1-FD84-4514-A3EC-7CA103CEFB54/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arifsali/"&gt;arifsali&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.paulstravelblog.com/2008/08/buddhist-cave-art.html" title="http://www.paulstravelblog.com/2008/08/buddhist-cave-art.html"&gt;www.paulstravelblog.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The Ajanta caves, set in a bend in the Waghur River, a day's travel east of Bombay&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/5649BE6B-B12C-496E-8263-AE532A485B8C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/41DC96BD-AFC7-47E0-BF28-B3DCE64D6D59.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The Ajanta caves are cut out of the cliff itself, with rock chiseled away to form spectacular interiors of monasteries and shrines&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/F8F1451A-AC41-45E4-8E37-3E2FFB675ECB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/4BA95500-B163-452F-87F0-07997B62E24C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;High relief composition at Ajanta&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/3599E879-0643-439A-8C7E-B6B81C4F44DF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Paintings at Ajanta&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/084DFB9D-7196-4D0C-BD87-EF27F81E41B0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/15967E09-1B03-4341-AF0B-D1BFC04D5B34.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/8E303BDB-E830-4383-80CB-C13E36E8726D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Ellora Caves&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/46B20DA2-F69F-4A52-9C46-5C9E742B4AF4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Statuary, Ellora&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/BB4E5DBE-4B61-4087-A1F8-53253445EF8B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/D3834167-DC41-4FFD-A231-EFF6EA95DE41.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/CA04C843-8D6D-49F9-9CE4-CEC008974D32.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/FAC5D0AB-9D90-41C1-93EA-5FC7F229B16D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/2CC73AB3-0F0F-4F73-9C96-5922EF87F646.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/542AC607-E7F5-429E-864D-436688EFEFE6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/E4319D2A-3E1A-41CC-9A66-C41336C9C4B3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/buddhism/" rel="tag"&gt;buddhism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/india/" rel="tag"&gt;india&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.paulstravelblog.com/2008/08/buddhist-cave-art.html</clipSource><pubDate>Wed, 03 Sep 2008 16:49:58 GMT</pubDate></item><item><title>Art design for the masses, chosen by the masses</title><link>http://clipmarks.com/clipmark/933BEAA4-6ACC-45E0-A9DC-4DBBA456F881/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.cnet.com/8301-11386_3-10028643-76.html?part=rss&amp;tag=feed&amp;subj=News-CuttingEdge" title="http://news.cnet.com/8301-11386_3-10028643-76.html?part=rss&amp;tag=feed&amp;subj=News-CuttingEdge"&gt;news.cnet.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/wildcat/512/07DA8468-2FE7-47C9-ACC5-A7792E960835.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Tim Roberts' black Audi A3 has something called green bandana funk.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;It's not slang for a mechanical problem or lingering bad smell, but rather, lime-green graffiti art in bandana patterns that dot the exterior of his otherwise shiny urban sedan. Roberts, a longtime tech executive who previously helped Twitter get off the ground, sometimes forgets the vinyl stickers are there, until they prompt a nearby driver to roll down a window and ask about his artwork. Once he even found a pack of young skateboarders surrounding his car in a parking lot taking pictures with their cell phones.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"It's this totally social experience," Roberts said from the office of Infectious.com in San Francisco's Mission District.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;It's hard to predict whether car art will sweep the nation (most likely, not), but Infectious is just one of a new generation of graphic designer collectives that are finding new avenues to sell their artwork--from car graffiti to stationery to sneakers and skateboards.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/wildcat/512/BB705AFC-106F-4715-8A79-71424DC506E1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/masses/" rel="tag"&gt;masses&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/design/" rel="tag"&gt;design&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://news.cnet.com/8301-11386_3-10028643-76.html?part=rss&amp;tag=feed&amp;subj=News-CuttingEdge</clipSource><pubDate>Mon, 01 Sep 2008 13:16:24 GMT</pubDate></item><item><title>Art Nouveau</title><link>http://clipmarks.com/clipmark/C9432260-59A7-47D2-AC59-5F04D75212DA/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nga.gov/education/tchan_1.shtm" title="http://www.nga.gov/education/tchan_1.shtm"&gt;www.nga.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;A critic at the beginning of the nineteenth century complained about the term 
  &lt;I&gt;art nouveau,&lt;/I&gt; pointing out that every style was "nouveau" (new) in the 
  beginning. But in fact it was art nouveau's newness&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;or more exactly its modernity&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;that defined it&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the whiplash curve and fin-de-siècle decadence&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nga.gov/feature/nouveau/exhibit_audio.shtm" title="http://www.nga.gov/feature/nouveau/exhibit_audio.shtm"&gt;www.nga.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Select from the list below to hear excerpts from the &lt;I&gt;Art Nouveau&lt;/I&gt; audio 
			tour.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Introduction to &lt;I&gt;Art Nouveau&lt;/I&gt; by Earl A. Powell III, Director, National Gallery of Art&lt;BR /&gt;
	    &lt;A href="#"&gt;full view and text&lt;/A&gt;&lt;BR /&gt;
	    &lt;A href="http://stream.realimpact.net/rihurl.ram?file=realimpact/nationalgallery/nouveau/intro.rm"&gt;&lt;IMG height="10" width="10" border="0" align="top" src="http://www.nga.gov/feature/nouveau/images/speaker.gif" alt="" /&gt; play audio segment&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nga.gov/feature/nouveau/teach/slide_04fs.htm" title="http://www.nga.gov/feature/nouveau/teach/slide_04fs.htm"&gt;www.nga.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/286CF94A-255D-4F7F-A063-CDABD5B02426.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nga.gov/feature/nouveau/exhibit_audio.shtm" title="http://www.nga.gov/feature/nouveau/exhibit_audio.shtm"&gt;www.nga.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;René Lalique&lt;BR /&gt;
	    &lt;I&gt;Dragonfly woman&lt;BR /&gt;corsage ornament&lt;/I&gt;&lt;BR /&gt;
    	&lt;A href="#"&gt;full view and text&lt;/A&gt;&lt;BR /&gt;
	    &lt;A href="http://stream.realimpact.net/rihurl.ram?file=realimpact/nationalgallery/nouveau/lalique.rm"&gt;play audio segment &lt;IMG height="10" width="10" border="0" align="bottom" src="http://www.nga.gov/feature/nouveau/images/speaker.gif" alt="" /&gt;&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nga.gov/feature/nouveau/teach/slide_17fs.htm" title="http://www.nga.gov/feature/nouveau/teach/slide_17fs.htm"&gt;www.nga.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/E411D166-F05B-42FB-9838-EA03EA0FB6A7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nga.gov/feature/nouveau/exhibit_audio.shtm" title="http://www.nga.gov/feature/nouveau/exhibit_audio.shtm"&gt;www.nga.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD align="right"&gt;&lt;P&gt;&lt;A href="http://stream.realimpact.net/rihurl.ram?file=realimpact/nationalgallery/nouveau/zsolnay.rm"&gt;&lt;IMG height="10" width="10" border="0" align="top" src="http://www.nga.gov/feature/nouveau/images/speaker.gif" alt="" /&gt; play audio segment&lt;/A&gt;&lt;/P&gt;&lt;/TD&gt;
          &lt;TD align="right"&gt;&lt;A href="#"&gt;
          &lt;/A&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.moma.org/collection/browse_results.php?object_id=78734" title="http://www.moma.org/collection/browse_results.php?object_id=78734"&gt;www.moma.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/6CEC3458-0FEA-49EC-81E9-9E1983280BE1.jpg" alt="Paul Signac. Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890. 1890" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nga.gov/feature/nouveau/exhibit_audio.shtm" title="http://www.nga.gov/feature/nouveau/exhibit_audio.shtm"&gt;www.nga.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD align="right"&gt;&lt;P&gt;&lt;A href="http://stream.realimpact.net/rihurl.ram?file=realimpact/nationalgallery/nouveau/feneon.rm"&gt;&lt;IMG height="10" width="10" border="0" align="top" src="http://www.nga.gov/feature/nouveau/images/speaker.gif" alt="" /&gt; play audio segment&lt;/A&gt;&lt;/P&gt;&lt;/TD&gt;
          &lt;TD align="right"&gt;&lt;A href="#"&gt;
          &lt;/A&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nga.gov/feature/nouveau/teach/slide_07fs.htm" title="http://www.nga.gov/feature/nouveau/teach/slide_07fs.htm"&gt;www.nga.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/91B8691A-D54C-4D47-ABBB-231896B6BC8B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nga.gov/feature/nouveau/exhibit_audio.shtm" title="http://www.nga.gov/feature/nouveau/exhibit_audio.shtm"&gt;www.nga.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;play audio segment &lt;IMG height="10" width="10" border="0" align="top" src="http://www.nga.gov/feature/nouveau/images/speaker.gif" alt="" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://pagesperso-orange.fr/artnouveau/img/gingins/Galle%20-%20coupe%20libellules-dragonfly%20-%201904_l.jpg" title="http://pagesperso-orange.fr/artnouveau/img/gingins/Galle%20-%20coupe%20libellules-dragonfly%20-%201904_l.jpg"&gt;pagesperso-orange.fr&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/8051EDF0-AA33-41D9-A905-0410D6383734.jpg" alt="http://pagesperso-orange.fr/artnouveau/img/gingins/Galle%20-%20coupe%20libellules-dragonfly%20-%201904_l.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nga.gov/feature/nouveau/exhibit_audio.shtm" title="http://www.nga.gov/feature/nouveau/exhibit_audio.shtm"&gt;www.nga.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD align="right"&gt;&lt;P&gt;Émile Gallé&lt;BR /&gt;
          &lt;I&gt;Dragonfly coupe&lt;/I&gt;&lt;BR /&gt;
          &lt;A href="#"&gt;full view and text&lt;/A&gt;&lt;BR /&gt;
          &lt;A href="http://stream.realimpact.net/rihurl.ram?file=realimpact/nationalgallery/nouveau/bowl.rm"&gt;&lt;IMG height="10" width="10" border="0" align="top" src="http://www.nga.gov/feature/nouveau/images/speaker.gif" alt="" /&gt; play audio segment&lt;/A&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.tiffany-lamps.de/TIFFANY_LAMPS/10IN_WISTERIA_BL_PINK/AA.html" title="http://www.tiffany-lamps.de/TIFFANY_LAMPS/10IN_WISTERIA_BL_PINK/AA.html"&gt;www.tiffany-lamps.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/6A06EB50-B886-4B0E-82B2-7A931D8BA474.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nga.gov/feature/nouveau/exhibit_audio.shtm" title="http://www.nga.gov/feature/nouveau/exhibit_audio.shtm"&gt;www.nga.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;P&gt;Tiffany Studios&lt;BR /&gt;
          &lt;I&gt;Wisteria table lamp&lt;/I&gt;&lt;BR /&gt;
          &lt;A href="#"&gt;full view and text&lt;/A&gt;&lt;BR /&gt;
          &lt;A href="http://stream.realimpact.net/rihurl.ram?file=realimpact/nationalgallery/nouveau/wisteria.rm"&gt;play audio segment &lt;IMG height="10" width="10" border="0" align="top" src="http://www.nga.gov/feature/nouveau/images/speaker.gif" alt="" /&gt;&lt;/A&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nga.gov/feature/nouveau/teach/slide_18fs.htm" title="http://www.nga.gov/feature/nouveau/teach/slide_18fs.htm"&gt;www.nga.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/1F9B5D9F-D956-4A9C-A6D1-001C4C56C63D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nga.gov/feature/nouveau/exhibit_audio.shtm" title="http://www.nga.gov/feature/nouveau/exhibit_audio.shtm"&gt;www.nga.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;William H. Bradley&lt;BR /&gt;
          &lt;I&gt;Thanksgiving No.&lt;/I&gt; from &lt;I&gt;The Chap-Book&lt;/I&gt;&lt;BR /&gt;
          &lt;A href="#"&gt;full view and text&lt;/A&gt;&lt;BR /&gt;
          &lt;A href="http://stream.realimpact.net/rihurl.ram?file=realimpact/nationalgallery/nouveau/thanks.rm"&gt;play audio segment &lt;IMG height="10" width="10" border="0" align="top" src="http://www.nga.gov/feature/nouveau/images/speaker.gif" alt="" /&gt;&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/7EA54987-AF39-4509-A415-B92B6D7B625D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Tiffany Studios&lt;BR /&gt;
          &lt;I&gt;Jack-in-the-pulpit vase&lt;/I&gt;&lt;BR /&gt;
          &lt;A href="#"&gt;full view and text&lt;/A&gt;&lt;BR /&gt;
          &lt;A href="http://stream.realimpact.net/rihurl.ram?file=realimpact/nationalgallery/nouveau/tiffanyvase.rm"&gt;&lt;IMG height="10" width="10" border="0" align="top" src="http://www.nga.gov/feature/nouveau/images/speaker.gif" alt="" /&gt; play audio segment&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/9E6A0C9B-019E-4C5B-9CF0-F2F29970F274.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Otto Eckmann&lt;BR /&gt;
          &lt;I&gt;Five Swans&lt;/I&gt;&lt;BR /&gt;
          &lt;A href="#"&gt;full view and text&lt;/A&gt;&lt;BR /&gt;
          &lt;A href="http://stream.realimpact.net/rihurl.ram?file=realimpact/nationalgallery/nouveau/swans.rm"&gt;&lt;IMG height="10" width="10" border="0" align="top" src="http://www.nga.gov/feature/nouveau/images/speaker.gif" alt="" /&gt; play audio segment&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/885B9C6B-AA95-4829-8A2E-D9AD0A9D4BD5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/0D6B19A4-0B89-4B4C-9763-038929C62D3D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/695E59EE-0B03-465D-ACD1-5BCDE6A9B84C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 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/&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nga.gov/feature/nouveau/teach/slide_02fs.htm" title="http://www.nga.gov/feature/nouveau/teach/slide_02fs.htm"&gt;www.nga.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/2009FFA0-7C15-4CD7-8339-2CDD06693FF8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.colourlovers.com/blog/2008/08/28/classic-colors-art-nouveau/" title="http://www.colourlovers.com/blog/2008/08/28/classic-colors-art-nouveau/"&gt;www.colourlovers.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/45399DD2-47E8-46A0-89AF-97E413F83966.jpg" alt="die_jugend1896.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/43A5BF4B-B410-44AE-BA15-0B56EA86E891.png" alt="Jugend Cover" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/CA95E901-6253-4570-87BC-02086606B924.jpg" alt="372px-the_holy_city.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/24D33A6A-B670-4C77-85EB-ED8FC9797AEC.png" alt="The Holy City" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/D1EAC8C3-B5E6-4B47-A946-2AEA58D65859.jpg" alt="383px-lautrec_moulin_rouge_la_goulue_poster_1891.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/4DAA616C-1F6C-402E-A4C6-DC67D444BB2D.png" alt="La Goulue at..." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/ACD24EB2-B956-420C-91E0-F309D66D8544.jpg" alt="483px-gustav_klimt_014.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/5E3E857A-E37A-4FF6-BC94-74B26D338D65.png" alt="Beethoven Frieze" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/89CA7AEE-AA17-4770-AC18-C7F8C5C5CEE8.jpg" alt="tifftree.JPG" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/2899D19F-8BFC-42A8-9F15-829338C6194A.png" alt="Tree of Life" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/9658325F-518A-406C-A821-0C50A3E3E607.jpg" alt="584px-adele_bloch-bauer_i_gustav_klimt01.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/ACC9613E-4AC8-4D07-BDE8-4CE138FF2DFE.png" alt="Adele Bloch-Bauer I" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/681871DA-3FAA-4CC0-A75E-113CDA7419EF.jpg" alt="800px-image-wienzeile40_c.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/EA719CA7-4F81-4A45-A3FB-526D4BC90310.png" alt="Majolicahaus" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/4C1467FE-D65C-4060-B3C4-A54E465743FC.jpg" alt="800px-tiffany_dragonfly_hg.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/A391C461-DE71-4B53-AF9D-9FC3683AB987.png" alt="Dragonfly" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/44F2E0B8-F591-4ECD-AA00-E7B43BFB219D.jpg" alt="dadon_shemakha.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/ABA2AF19-CBC9-4748-9A3B-5B96C94FBB70.png" alt="the Golden Cockerel." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/04A0C1CA-C0D0-4DBC-B62E-28C0A9CFDCAD.jpg" alt="kopiec_8.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/561FF8E4-0B7F-4BE6-BEB8-E9C6B116C37C.png" alt="View of Kosciuszko" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/6CACA895-5DEB-4A38-A31F-73E571FB7FCD.jpg" alt="wyspianski_planty_o_swicie_1894.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/1F0B8626-56AE-461F-A913-66B76510A89A.png" alt="Planty Park at Dawn" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.nga.gov/education/tchan_1.shtm</clipSource><pubDate>Sat, 30 Aug 2008 14:39:55 GMT</pubDate></item><item><title>Yelapa Paradise lost and found</title><link>http://clipmarks.com/clipmark/B4051447-3276-425A-A34E-D67958A9710D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/zalisan/"&gt;zalisan&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Already thinking about the next break? Well, Jalisco way, wintertime is the best time to vacation. This little village, YELAPA,  nestled in the Bay of Banderas on Mexico's west coast is a treasure waiting rediscovery. I had the good fortune finding this gem by chance. After one week was ready to pack up and relocate. This is not a place for those seeking creature conforts (they can also be found) rather, this is where you go to be a part of the community or just to RELAX. Electricity only arrived a couple of years ago, no automobiles to be found. All transportation is by foot, horse, mule or boat. No street lights, no streets. Flashlights needed. This is where you go to contemplate the possibilities, to reevaluate, to find that inner child and let her/him go free. The locals are warm, friendly, open, reseptive to ALL only asking that you in turn respect and enjoy this haven. Isabel is a remarkable woman and reason alone to visit Yelapa. &lt;br/&gt;&lt;br/&gt;&lt;br/&gt;  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.yelapa.info/isabel.html" title="http://www.yelapa.info/isabel.html"&gt;www.yelapa.info&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/zalisan/512/114A4C42-0080-4DB4-9D65-B5F2A0C202C5.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="style186"&gt;The &lt;STRONG&gt;&lt;SPAN class="style235"&gt;Women's Sacred Circle &lt;/SPAN&gt;&lt;/STRONG&gt;retreats held at Casa Isabel in past years have been so rewarding that Linda Wolf has agreed to facilitate one here again from March 24th, to April 2nd, 2009. Any women interested in sharing life experiences,insights,struggles,and joys with a small group of like minded women in a safe,&amp; honest atmosphere may go to &lt;A target="_blank" href="http://womenscircle8.eventbrite.com"&gt;http://womenscircle8.eventbrite.com&lt;/A&gt; to read more about it.Compassionate listening is almost a lost art among many, including most of our world leaders, but not here!&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/zalisan/512/C6C322C9-0019-4C3F-B988-416E5E37A36C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/zalisan/512/012914EA-10A1-4EBB-8ADF-144EF9F5E014.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.yelapa.info/yolocalli.html" title="http://www.yelapa.info/yolocalli.html"&gt;www.yelapa.info&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/zalisan/512/EE2CB4BF-28FA-4ACC-B87B-84ED7CC0ACFD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/zalisan/512/59AE7744-7C99-4D03-97E0-5FF07AD73892.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/zalisan/512/4FF37874-5871-43DC-B638-AFC94A18C933.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/zalisan/512/BFB5F9BB-8AB1-41E7-973B-96C558D73AEA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.yelapa.info/huichol.html" title="http://www.yelapa.info/huichol.html"&gt;www.yelapa.info&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="style243"&gt;Huichol Art Gallery&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/zalisan/512/C06F6A53-51F9-40C5-8944-A15C32B6A86D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/zalisan/512/A67AE883-3DFC-4354-8F64-0F1E744BFA54.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/zalisan/512/8133AB56-D84B-4686-B2B1-487085DEA38F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/zalisan/512/48CF8E37-5032-4563-B3B6-9932BEA13C09.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="style2"&gt;Isabel is visited regularly by Huichol Artists, and keeps the gallery well stocked. Included are yarn paintings, and beaded masks&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.yelapa.info/isabel.html" title="http://www.yelapa.info/isabel.html"&gt;www.yelapa.info&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="style239"&gt;Click on the names below for photos, and a brief description of each of the rental units. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR valign="top"&gt;&lt;TD height="81" colspan="4"&gt;&lt;/TD&gt;&lt;TD height="81" colspan="5"&gt;&lt;TABLE cellspacing="1" cellpadding="0" border="2" bgcolor="#009933"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD height="18" bgcolor="#ffff99" width="212" valign="middle"&gt;&lt;P class="style51"&gt;&lt;A  href="http://www.yelapa.info/pepe.html"&gt;Casa Pepe&lt;/A&gt;&lt;/P&gt;&lt;/TD&gt;&lt;TD bgcolor="#ffff99" width="212" valign="middle"&gt;&lt;P class="style2"&gt;&lt;A  href="http://www.yelapa.info/gate.html"&gt;The Gatehouse&lt;/A&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD height="18" bgcolor="#ffff99" width="212" valign="middle"&gt;&lt;P class="style51"&gt;&lt;A  href="http://www.yelapa.info/yolocalli.html"&gt;Casa Yolocalli&lt;/A&gt;&lt;/P&gt;&lt;/TD&gt;&lt;TD bgcolor="#ffff99" width="212" valign="middle"&gt;&lt;P class="style2"&gt;&lt;A  href="http://www.yelapa.info/camp.html"&gt;Camping&lt;/A&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD height="18" bgcolor="#ffff99" width="212" valign="middle"&gt;&lt;P class="style6"&gt;&lt;A  href="http://www.yelapa.info/deeanne.html"&gt;Casa Deeanne&lt;/A&gt;&lt;/P&gt;&lt;/TD&gt;&lt;TD bgcolor="#ffff99" width="212" valign="middle"&gt;&lt;P class="style6"&gt;&lt;A  href="http://www.yelapa.info/huichol.html"&gt;Huichol Art Gallery&lt;/A&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD height="18" bgcolor="#ffff99" width="212" valign="middle"&gt;&lt;P class="style2"&gt;&lt;A  href="http://www.yelapa.info/gaia.html"&gt;Casa Gaia&lt;/A&gt;&lt;/P&gt;&lt;/TD&gt;&lt;TD bgcolor="#ffff99" width="212" valign="top"&gt;&lt;IMG height="1" border="0" width="1" alt="" src="http://www.yelapa.info/Resources/_clear.gif" /&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/TD&gt;&lt;TD height="81" colspan="4"&gt;&lt;/TD&gt;&lt;TD height="81"&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="style301"&gt;&lt;SPAN class="style27"&gt;For R&lt;/SPAN&gt;ental &lt;SPAN class="style27"&gt;I&lt;/SPAN&gt;nquiries contact Isabel at ,  &lt;SPAN class="style222"&gt;&lt;A href="http://www.yelapa.info/mailto:casadeisabel@yahoo.com"&gt;casadeisabel@yahoo.com&lt;/A&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.yelapa.info/isabel.html</clipSource><pubDate>Thu, 07 Aug 2008 00:28:48 GMT</pubDate></item><item><title>Micro Sculptures</title><link>http://clipmarks.com/clipmark/9BBF726E-6970-4F61-A11E-54420C24FD60/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Silkweaver/"&gt;Silkweaver&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.willard-wigan.com/" title="http://www.willard-wigan.com/"&gt;www.willard-wigan.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="rightbox"&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Willard whose work has been  described by many as ‘the eighth wonder of the world’ received his MBE for services to art from HRH the Prince of Wales in July 2007.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Thereafter, Willard was commisioned by Lloyds of London to replicate the iconic   Lloyd’s of London Building as designed by the award winning architect, Lord Richard  Rogers. The difference however being that Willard's masterpiece was on a pinhead, which was then sold by Eric  Knowles (Bonham’s Fine Art) for £94,000.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://badcontrol.com/?p=1554" title="http://badcontrol.com/?p=1554"&gt;badcontrol.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/A803BF0A-AF53-488B-A806-9299797CBC0E.jpg" alt="Mini Art" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/4DBD8D47-71E2-437E-B224-1E28D5725931.jpg" alt="Mini Art" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/DE7D4094-A32D-45B4-BAEA-21C5DB56C0C6.jpg" alt="Mini Art" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/9E376BDD-9E86-447C-8146-E7319DCAF3B9.jpg" alt="Mini Art" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/13CB2AF6-0290-4E8C-BCA2-58EFFABBDD29.jpg" alt="Mini Art" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/2D21C209-67DA-437B-98C8-F63AAF481DB1.jpg" alt="Mini Art" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/3C6D9A08-7DB7-4A1F-A115-A5C90C4CFD16.jpg" alt="Mini Art" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.willard-wigan.com/</clipSource><pubDate>Mon, 01 Sep 2008 00:21:08 GMT</pubDate></item><item><title>Byzantine Art</title><link>http://clipmarks.com/clipmark/7D86B169-2C18-4711-AD8E-9CDDD9ED2C9F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hi/te_index.asp?i=13" title="http://www.metmuseum.org/toah/hi/te_index.asp?i=13"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/6BB29EC6-026E-44A8-A3DA-9BEA56847731.jpg" alt="The Age of Justinian I (527–565)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/hd_just.htm"&gt;The Age of Justinian I (527–565)&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/just/hd_just.htm" title="http://www.metmuseum.org/toah/hd/just/hd_just.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The nearly forty-year reign of Emperor Justinian I (527–65) heralded extensive territorial expansion and military success for the &lt;A href="http://www.metmuseum.org/toah/hd/just/../byza/hd_byza.htm"&gt;Byzantine state&lt;/A&gt;.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;distinguished by an exceptional record of architectural and artistic production&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/ho/06/wae/ho_1998.69,1999.99.htm" title="http://www.metmuseum.org/toah/ho/06/wae/ho_1998.69,1999.99.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/70E937CF-6B4E-4EB2-A73B-FE5BF0CC2D85.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Fragment of a Floor Mosaic with a Personification of Ktisis&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/just/ho_17.190.1670-1671.htm" title="http://www.metmuseum.org/toah/hd/just/ho_17.190.1670-1671.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/D1E587C9-4D63-4490-8F8E-FB71830E5021.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/ho/06/eusb/ho_17.190.52,53.htm" title="http://www.metmuseum.org/toah/ho/06/eusb/ho_17.190.52,53.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="objImage"&gt;&lt;A href="javascript:toggleEnlarge('altViewParent','17.190.52,53','0');"&gt;&lt;IMG border="0" class="mainObjImage" src="http://www.metmuseum.org/toah/ho/06/eusb/../../../images/h2/h2_17.190.52,53.jpg" /&gt;&lt;/A&gt;&lt;A class="magnify" href="javascript:toggleEnlarge('altViewParent','17.190.52,53');"&gt;&lt;IMG border="0" src="http://www.metmuseum.org/toah/ho/06/eusb/../../../art/magnify_sm.gif" /&gt;&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Two Panels of an Ivory Diptych Announcing the Consulship of Justinian&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/just/hd_just.htm" title="http://www.metmuseum.org/toah/hd/just/hd_just.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="thematicIcons"&gt;
&lt;LI id="objthumb8"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/waa/ho_66.25.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge8" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Portrait Bust of a Woman with a Scroll [Byzantine]" alt="Portrait Bust of a Woman with a Scroll [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_66.25.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb1"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/wae/ho_1998.69,1999.99.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge1" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Fragment of a Floor Mosaic with a Personification of Ktisis [Byzantine]" alt="Fragment of a Floor Mosaic with a Personification of Ktisis [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_1998.69,1999.99.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb7"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/ho_17.190.1670-1671.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge7" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pair of Jeweled Bracelets [Byzantine]" alt="Pair of Jeweled Bracelets [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_17.190.1670-1671.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb6"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/ho_1984.196.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge6" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Flask with Adoration of the Magi [Byzantine]" alt="Flask with Adoration of the Magi [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_1984.196.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb3"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/eusb/ho_17.190.52,53.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge3" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Two Panels of an Ivory Diptych Announcing the Consulship of Justinian [Byzantine]" alt="Two Panels of an Ivory Diptych Announcing the Consulship of Justinian [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_17.190.52,53.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb5"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/ho_99.35.7406.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge5" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Solidus of Justinian I [Byzantine]" alt="Solidus of Justinian I [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_99.35.7406.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb4"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/eusb/ho_17.190.1664.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge4" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pectoral with Coins and Pseudo-Medallion [Byzantine]" alt="Pectoral with Coins and Pseudo-Medallion [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_17.190.1664.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb2"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/just/../../ho/06/waa/ho_50.4.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge2" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="'Antioch Chalice', The [Byzantine]" alt="'Antioch Chalice', The [Byzantine]" src="http://www.metmuseum.org/toah/hd/just/../../images/ht/ht_50.4.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;


		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/bzis/hd_bzis.htm" title="http://www.metmuseum.org/toah/hd/bzis/hd_bzis.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Byzantine Art under Islam&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The &lt;A href="http://www.metmuseum.org/toah/hd/bzis/../byza/hd_byza.htm"&gt;Byzantine empire&lt;/A&gt;'s interaction with Islamic culture had a profound effect on its art. Islam's rise and military success were the greatest threat to the stability of the empire and its territories&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/ho/08/sfe/ho_1999.103.htm" title="http://www.metmuseum.org/toah/ho/08/sfe/ho_1999.103.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/AE36FE48-35AE-4335-901E-CB60E64F019D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/bzis/hd_bzis.htm" title="http://www.metmuseum.org/toah/hd/bzis/hd_bzis.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="thematicIcons"&gt;
&lt;LI id="objthumb1"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/bzis/../../ho/07/sfe/ho_1998.66.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge1" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Page from an Illuminated Gospel [Ethiopia]" alt="Page from an Illuminated Gospel [Ethiopia]" src="http://www.metmuseum.org/toah/hd/bzis/../../images/ht/ht_1998.66.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb2"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/bzis/../../ho/08/sfe/ho_1999.103.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge2" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Processional Cross [Ethiopia, Tigray region; Amharic]" alt="Processional Cross [Ethiopia, Tigray region; Amharic]" src="http://www.metmuseum.org/toah/hd/bzis/../../images/ht/ht_1999.103.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb3"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/bzis/ho_14.137.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge3" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Batrashil [Syria]" alt="Batrashil [Syria]" src="http://www.metmuseum.org/toah/hd/bzis/../../images/ht/ht_14.137.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;


		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/ivor/ho_17.190.239.htm" title="http://www.metmuseum.org/toah/hd/ivor/ho_17.190.239.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/A4CBBC5D-A38A-4BB1-ABF0-FCFCCC1A9987.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hi/te_index.asp?i=13" title="http://www.metmuseum.org/toah/hi/te_index.asp?i=13"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/hd_ivor.htm"&gt;Byzantine Ivories&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/ivor/hd_ivor.htm" title="http://www.metmuseum.org/toah/hd/ivor/hd_ivor.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="thematicIcons"&gt;
&lt;LI id="objthumb2"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/../litu/ho_17.190.57.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge2" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pyxis Depicting Women at the Tomb of Christ [Byzantine]" alt="Pyxis Depicting Women at the Tomb of Christ [Byzantine]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.57.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb3"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/../../ho/06/eusb/ho_17.190.52,53.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge3" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Two Panels of an Ivory Diptych Announcing the Consulship of Justinian [Byzantine]" alt="Two Panels of an Ivory Diptych Announcing the Consulship of Justinian [Byzantine]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.52,53.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb1"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/../../ho/06/eusb/ho_17.190.44.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge1" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Plaque with the Crucifixion and the Defeat of Hades [Byzantine]" alt="Plaque with the Crucifixion and the Defeat of Hades [Byzantine]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.44.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb4"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/ho_17.190.103.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge4" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Icon with the Virgin and Child [Byzantine; Probably made in Constantinople]" alt="Icon with the Virgin and Child [Byzantine; Probably made in Constantinople]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.103.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb5"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/ivor/ho_17.190.239.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge5" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Casket with Warriors and Dancers [Byzantine; Probably made in Constantinople]" alt="Casket with Warriors and Dancers [Byzantine; Probably made in Constantinople]" src="http://www.metmuseum.org/toah/hd/ivor/../../images/ht/ht_17.190.239.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;


		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/byza/hd_byza.htm" title="http://www.metmuseum.org/toah/hd/byza/hd_byza.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Byzantium (ca. 330–1453)&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/ho/08/eusb/ho_31.67.8.htm" title="http://www.metmuseum.org/toah/ho/08/eusb/ho_31.67.8.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="objImage"&gt;&lt;A href="javascript:toggleEnlarge('altViewParent','31.67.8','0');"&gt;&lt;IMG border="0" class="mainObjImage" src="http://www.metmuseum.org/toah/ho/08/eusb/../../../images/h2/h2_31.67.8.jpg" /&gt;&lt;/A&gt;&lt;A class="magnify" href="javascript:toggleEnlarge('altViewParent','31.67.8');"&gt;&lt;IMG border="0" src="http://www.metmuseum.org/toah/ho/08/eusb/../../../art/magnify_sm.gif" /&gt;&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/byza/hd_byza.htm" title="http://www.metmuseum.org/toah/hd/byza/hd_byza.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="thematicIcons"&gt;
&lt;LI id="objthumb14"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/05/waa/ho_04.35.18.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge14" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Solidus of Constantius II (Sole Emperor, 350-361) [Byzantine]" alt="Solidus of Constantius II (Sole Emperor, 350-361) [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_04.35.18.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb12"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/05/wae/ho_1984.32.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge12" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pendant Plaque [Byzantine]" alt="Pendant Plaque [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1984.32.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb8"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/ho_67.107.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge8" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Head of Constans [Byzantine]" alt="Head of Constans [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_67.107.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb11"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../gaul/ho_47.100.42.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge11" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Chariot Mount with Three Figures [Byzantine]" alt="Chariot Mount with Three Figures [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_47.100.42.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb10"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../gaul/ho_47.100.40.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge10" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Statuette of the Personification of Constantinople [Byzantine]" alt="Statuette of the Personification of Constantinople [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_47.100.40.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb13"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/05/waa/ho_1980.416ab.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge13" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Steelyard Weight with a Bust of a Byzantine Princess [Byzantine]" alt="Steelyard Weight with a Bust of a Byzantine Princess [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1980.416ab.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb1"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/06/wae/ho_1998.69,1999.99.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge1" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Fragment of a Floor Mosaic with a Personification of Ktisis [Byzantine]" alt="Fragment of a Floor Mosaic with a Personification of Ktisis [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1998.69,1999.99.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb3"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/06/eusb/ho_17.190.1664.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge3" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pectoral with Coins and Pseudo-Medallion [Byzantine]" alt="Pectoral with Coins and Pseudo-Medallion [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_17.190.1664.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb9"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/ho_17.190.147,1991.136.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge9" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Girdle with Coins and Medallions [Byzantine]" alt="Girdle with Coins and Medallions [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_17.190.147,1991.136.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;DIV class="clearImages"&gt;&lt;/DIV&gt;

&lt;LI id="objthumb17"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/06/eusb/ho_2006.569.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge17" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pectoral Cross [Byzantine  (Constantinople?)]" alt="Pectoral Cross [Byzantine  (Constantinople?)]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_2006.569.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb4"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/06/eusb/ho_17.190.1674-1712.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge4" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Avar Treasure [Found in Vrap, eastern Albania]" alt="Avar Treasure [Found in Vrap, eastern Albania]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_17.190.1674-1712.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb5"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/07/eusb/ho_1970.324.3.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge5" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Icon with Saint Demetrios [Byzantine]" alt="Icon with Saint Demetrios [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1970.324.3.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb7"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/ho_1998.542.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge7" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Cross Pendant [Byzantine]" alt="Cross Pendant [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1998.542.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb18"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/07/eusb/ho_2007.9.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge18" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Pendant Brooch with Cameo of Enthroned Virgin and Child [Byzantine (Constantinople)]" alt="Pendant Brooch with Cameo of Enthroned Virgin and Child [Byzantine (Constantinople)]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_2007.9.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb2"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/07/waa/ho_17.190.678.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge2" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Medallion from an Icon Frame [Byzantine]" alt="Medallion from an Icon Frame [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_17.190.678.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb6"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../arch/ho_1983.167.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge6" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Capital with Bust of the Archangel Michael [Byzantine]" alt="Capital with Bust of the Archangel Michael [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_1983.167.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb16"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/07/sfe/ho_2006.100.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge16" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Double-Sided Gospel Leaf [Ethiopia; Tigray region]" alt="Double-Sided Gospel Leaf [Ethiopia; Tigray region]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_2006.100.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;

&lt;LI id="objthumb15"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/byza/../../ho/08/eusb/ho_31.67.8.htm"&gt;&lt;IMG src="http://www.metmuseum.org/toah/images/spacer.gif" class="objThumb" id="objThumbEnlarge15" /&gt;&lt;IMG height="72" width="72" border="0" class="darkBorder" title="Icon with the Presentation of Christ in the Temple [Byzantine]" alt="Icon with the Presentation of Christ in the Temple [Byzantine]" src="http://www.metmuseum.org/toah/hd/byza/../../images/ht/ht_31.67.8.jpg" /&gt;&lt;/A&gt;&lt;/LI&gt;


		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hi/te_index.asp?i=13" title="http://www.metmuseum.org/toah/hi/te_index.asp?i=13"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/cnst/hd_cnst.htm"&gt;Constantinople after 1261&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/crus/hd_crus.htm"&gt;The Crusades (1095–1291)&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/virg/hd_virg.htm"&gt;The Cult of the Virgin Mary in the Middle Ages&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/face/hd_face.htm"&gt;The Face in Medieval Sculpture&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/fwbz/hd_fwbz.htm"&gt;Frescoes and Wall Painting in Late Byzantine Art&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/haso/hd_haso.htm"&gt;Hagia Sophia, 532–37&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/icon/hd_icon.htm"&gt;Icons and Iconoclasm in Byzantium&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/mona/hd_mona.htm"&gt;Monasticism in Medieval Christianity&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="essayTitle"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/popu/hd_popu.htm"&gt;Popular Religion: Magical Uses of Imagery in Byzantine Art&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.metmuseum.org/toah/hi/te_index.asp?i=13</clipSource><pubDate>Sat, 30 Aug 2008 18:38:29 GMT</pubDate></item><item><title>Artificial Sand Dune to House New Museum</title><link>http://clipmarks.com/clipmark/AE1DDD1D-52AF-4641-9465-652710EC8161/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Rebecca+Ruiz/"&gt;Rebecca Ruiz&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  According to this blog post on Gizmodo, the new Museum of Modern Arab Art in Doha, Qatar is being built in an artificial 350,000 square foot sand dune. It won't be completed until 2011, but in the meantime take a look at the mock-up.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://gizmodo.com/5041069/enormous-artificial-sand-dune-to-house-museum-of-modern-arab-art" title="http://gizmodo.com/5041069/enormous-artificial-sand-dune-to-house-museum-of-modern-arab-art"&gt;gizmodo.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;If you happen to be driving through the desert near Doha, Qatar and notice an unusual number of Bentleys and Ferraris parked in front of a sand dune, you may find you're actually looking at the Museum of Modern Arab Art, a two-level, air-conditioned 350,000-square-foot facility celebrating over 10,000 works of art.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The museum, designed by architect Rafael Viñoly in NYC, will be completed by 2011, and will &lt;A href="http://www.mozahbintnasser.qa/output/Page48.asp"&gt;show off a collection&lt;/A&gt; of 5,000 paintings, 700 antiques, sculptures, metalwork and ceramics, a calligraphy section—not fancy party invitations, mind you, but elaborately ornate murals and manuscripts ranging from the early Qur'anic period to modern times—and other areas will include photography and applied arts. It may not surprise you to know that this collection is actually entirely owned by one dude, Sheikh Hassan Bin Mohammed Al-Thani, which he started amassing 10 short years ago.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG width="494" height="174" class="center" src="http://gizmodo.com/assets/images/gizmodo/2008/08/Museum_Modern_Arab_Art.jpg" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://gizmodo.com/5041069/enormous-artificial-sand-dune-to-house-museum-of-modern-arab-art</clipSource><pubDate>Thu, 28 Aug 2008 19:30:36 GMT</pubDate></item><item><title>Art on Art: Brilliant Typography and Print</title><link>http://clipmarks.com/clipmark/58C48311-654E-44B8-8998-FC43294557F6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The Bald Soprano by Eugene Ionesco set to print / graphics by Robert Massin. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.typogabor.com/ionesco_massin/index.html" title="http://www.typogabor.com/ionesco_massin/index.html"&gt;www.typogabor.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;La Cantatrice Chauve d'Eugene Ionesco, mise en scène par Robert Massin
													&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.typogabor.com/ionesco_massin/pages/Massin_Ionseco_01.html" title="http://www.typogabor.com/ionesco_massin/pages/Massin_Ionseco_01.html"&gt;www.typogabor.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/81BF6333-151A-4E97-89A7-FAD4042E4A60.jpg" alt="Massin_Ionseco_01" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.typogabor.com/ionesco_massin/pages/Massin_Ionseco_02.html" 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href="http://www.typogabor.com/ionesco_massin/pages/Massin_Ionseco_24.html" title="http://www.typogabor.com/ionesco_massin/pages/Massin_Ionseco_24.html"&gt;www.typogabor.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/6B1921CC-A7CC-41EB-99C5-923F342D4F62.jpg" alt="Massin_Ionseco_24" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Verdana"&gt;&lt;A target="_blank" href="http://www.typogabor.com/portfolio/index.html"&gt;©design et typo, photos peter gabor;&lt;/A&gt; étude académique; reproduction interdite; réservée à usage strictement pédagogique&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/typography/" rel="tag"&gt;typography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/book/" rel="tag"&gt;book&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ionesco/" rel="tag"&gt;ionesco&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/massin/" rel="tag"&gt;massin&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/design/" rel="tag"&gt;design&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/drama/" rel="tag"&gt;drama&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/theatre/" rel="tag"&gt;theatre&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/print/" rel="tag"&gt;print&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ink/" rel="tag"&gt;ink&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.typogabor.com/ionesco_massin/index.html</clipSource><pubDate>Wed, 27 Aug 2008 13:13:06 GMT</pubDate></item><item><title>Fear Makes The Wolf Look Bigger</title><link>http://clipmarks.com/clipmark/9887462C-8DCD-4C1A-B614-A6B5B4F90DC6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/derektorscut/"&gt;derektorscut&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/alanbee/2789207201/sizes/o/in/set-72157606908726183/" title="http://www.flickr.com/photos/alanbee/2789207201/sizes/o/in/set-72157606908726183/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/derektorscut/512/3054AF65-75CA-4736-A83E-BDF88D3FD91F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/street+art/" rel="tag"&gt;street art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.flickr.com/photos/alanbee/2789207201/sizes/o/in/set-72157606908726183/</clipSource><pubDate>Wed, 27 Aug 2008 07:57:48 GMT</pubDate></item><item><title>Nail Art </title><link>http://clipmarks.com/clipmark/3084BA4A-A292-424A-9A02-6FBA2D631151/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/milmufmas/"&gt;milmufmas&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://franksemails.com/pics/nail-art/" title="http://franksemails.com/pics/nail-art/"&gt;franksemails.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/milmufmas/512/D53AC63D-D3B0-446A-A7EB-A315E276820E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/milmufmas/512/45F12F09-01DF-4FC4-89AE-4247C560A74D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/milmufmas/512/E7A9EA76-787B-4EFA-8B1C-7C694469F692.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/milmufmas/512/46FA9609-03A5-446D-8372-DBFC41FBF7C5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/milmufmas/512/569919CD-861B-458A-87FE-48811F000D5D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/milmufmas/512/F06BF931-07B7-4AF5-BCC5-277CB61576F2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/milmufmas/512/4AE629D8-57F6-436D-B11F-B95FCF901287.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/milmufmas/512/E22A8C6F-28E0-409E-92B4-C8C9883721CF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/milmufmas/512/5E3AFC27-0A58-4CEB-8A62-46B2828ED906.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://franksemails.com/pics/nail-art/</clipSource><pubDate>Mon, 25 Aug 2008 23:59:46 GMT</pubDate></item><item><title>Gutter Art</title><link>http://clipmarks.com/clipmark/448FF551-DCE6-4547-9997-A239617F9D5F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/n2sooners/"&gt;n2sooners&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://abduzeedo.com/amazing-gutter-art" title="http://abduzeedo.com/amazing-gutter-art"&gt;abduzeedo.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Most of us would never think that a gutter could be a piece of art. Here in Brazil, some people are using these parts of urban scenery to bring a little bit of color to the commomly grey sidewalks. They are Anderson Augusto and Leonardo Delafuente from &lt;A href="http://www.6emeia.com/" target="_blank" linkindex="19"&gt;6emei&lt;/A&gt;a&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;And it's fantastic that they don't just paint anything, random faces and all, but they even make some pieces inspired by classic paintings and movies. And of course, they're like ninjas... they adapt to any gutter situation. Hope you all enjoy these! Cheers. ;)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/n2sooners/512/4794B12D-7022-4CD4-BAA3-EAFCABC8E0BF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/n2sooners/512/7E93824E-10DF-4A9C-86E3-B701CCFAF38C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/n2sooners/512/9F9C2B97-D39E-49BB-A62C-A7892CF864C1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/n2sooners/512/AA7DA31A-DC61-47DE-AA77-7AAF6B09DD3E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/n2sooners/512/C133CAAE-5087-456C-BF2D-6BA363A4D7F0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/n2sooners/512/52527082-88F0-4F09-A250-D39D80A359CF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/n2sooners/512/8468071E-3E8B-47B1-BC17-72312EF4FFBF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/n2sooners/512/5B7B507B-242A-4024-A78C-8B18E1CE2906.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/n2sooners/512/DB92CEB8-6774-42A4-A799-F7238569CF17.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/n2sooners/512/1997EBCF-92A9-438E-B311-5AF8988E727A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/n2sooners/512/869789FD-4DF6-4AA4-8012-E71FEED0B597.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/n2sooners/512/02F215A0-B7BC-41AB-90D3-D41B39C0D683.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/n2sooners/512/BEA526D8-3B65-4E58-A047-A500F127BBFD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/n2sooners/512/289A8B49-5730-48A5-9A6F-C17F2347B021.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/n2sooners/512/7084D69B-50D8-43BD-8CF4-D17E9BDC47CC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/n2sooners/512/DF557E60-D9F1-4374-8DC6-98629DD36054.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/n2sooners/512/DD2CD591-6F1F-44E7-AB74-7ADFC9AEC163.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;For more information and images visit their website at &lt;A href="http://www.6emeia.com/" target="_blank" linkindex="20"&gt;http://www.6emeia.com/&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/urban/" rel="tag"&gt;urban&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/gutter/" rel="tag"&gt;gutter&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://abduzeedo.com/amazing-gutter-art</clipSource><pubDate>Fri, 22 Aug 2008 16:39:35 GMT</pubDate></item><item><title>Painting on leaves</title><link>http://clipmarks.com/clipmark/8F75652C-0D3E-4E87-8937-09069FE07F84/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/valann+47/"&gt;valann 47&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bestpicsaround.com/pic-1664-Painting-on-Leaves" title="http://bestpicsaround.com/pic-1664-Painting-on-Leaves"&gt;bestpicsaround.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;" &lt;A href="http://bestpicsaround.com/pic-1664-Painting-on-Leaves"&gt;Painting on Leaves&lt;/A&gt; "&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/valann 47/512/79ED7FD1-1C4F-4F0C-9D61-CDB96F7450F4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/valann 47/512/8BBCFDF4-0C39-4E54-B966-A6C26E52C3BC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/valann 47/512/ED43358E-C97D-4A74-894B-FDEDAA219C2F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/valann 47/512/1DABADAA-C775-41D5-8DE6-05F490722B16.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/valann 47/512/08631402-6E32-4714-B003-19F311F2E6AC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/valann 47/512/8F47352A-E5DD-485E-A7D4-C912700C12E0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/valann 47/512/3C865F71-479F-404F-B245-48DEC936369F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/valann 47/512/944B3E81-B66A-4A7B-9528-D2311E60446F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/valann 47/512/E9C3524C-DF9A-469C-B6A3-DECE2F7AC2BA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/leaves/" rel="tag"&gt;leaves&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/painting/" rel="tag"&gt;painting&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://bestpicsaround.com/pic-1664-Painting-on-Leaves</clipSource><pubDate>Sun, 24 Aug 2008 08:44:40 GMT</pubDate></item><item><title>African Masks</title><link>http://clipmarks.com/clipmark/36F386F6-67B5-4B93-8EC8-F67E5348A5D4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nmafa.si.edu/exhibits/africanvision/masks/index.html" title="http://www.nmafa.si.edu/exhibits/africanvision/masks/index.html"&gt;www.nmafa.si.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/E5F7807E-1868-4D46-A353-9A5E1FF5EE7F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nmafa.si.edu/exhibits/africanvision/masks/pages/2005-6-1/index.html" title="http://www.nmafa.si.edu/exhibits/africanvision/masks/pages/2005-6-1/index.html"&gt;www.nmafa.si.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BR /&gt;

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				&lt;IMG alt="Photo: Couloir" src="http://www.nmafa.si.edu/exhibits/africanvision/masks/pages/2005-6-1/photos/2005-6-1.jpg" id="Photo" /&gt;
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				    &lt;A title="Previous Photo" id="PrevLink" href="#2"&gt;&lt;SPAN&gt;Previous&lt;/SPAN&gt;&lt;/A&gt;
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&lt;P align="left"&gt;Possibly Efik peoples, lower Cross River region, Calabar area, Nigeria &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nmafa.si.edu/exhibits/africanvision/masks/pages/2005-6-54/index.html" title="http://www.nmafa.si.edu/exhibits/africanvision/masks/pages/2005-6-54/index.html"&gt;www.nmafa.si.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="OuterContainer"&gt;&lt;DIV id="Container"&gt;
				&lt;IMG alt="Photo: Couloir" src="http://www.nmafa.si.edu/exhibits/africanvision/masks/pages/2005-6-54/photos/2005-6-54.jpg" id="Photo" /&gt;
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&lt;P align="left"&gt;Bassa peoples, Liberia&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nmafa.si.edu/exhibits/africanvision/masks/pages/2005-6-57/index.html" title="http://www.nmafa.si.edu/exhibits/africanvision/masks/pages/2005-6-57/index.html"&gt;www.nmafa.si.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="OuterContainer"&gt;&lt;DIV id="Container"&gt;
				&lt;IMG alt="Photo: Couloir" src="http://www.nmafa.si.edu/exhibits/africanvision/masks/pages/2005-6-57/photos/2005-6-57.jpg" id="Photo" /&gt;
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&lt;P align="left"&gt;Wee peoples, Côte d'Ivoire&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nmafa.si.edu/exhibits/africanvision/masks/ThumbnailFrame.html" title="http://www.nmafa.si.edu/exhibits/africanvision/masks/ThumbnailFrame.html"&gt;www.nmafa.si.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" align="middle"&gt;
&lt;BR /&gt;

&lt;TABLE width="75" cellspacing="0" cellpadding="0" border="0" bgcolor="#ffffff"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;A href="http://www.nmafa.si.edu/exhibits/africanvision/masks/pages/2005-6-1/index.html" target="TopFrame" name="1"&gt;&lt;IMG height="48" width="75" alt="2005-6-1" src="http://www.nmafa.si.edu/exhibits/africanvision/masks/thumbnails/2005-6-1.jpg" /&gt;&lt;BR /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD width="75" align="center"&gt;&lt;DIV class="indexInfo2"&gt;&lt;SPAN&gt;Mask&lt;/SPAN&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;BR /&gt;


&lt;TABLE width="75" cellspacing="0" cellpadding="0" border="0" bgcolor="#ffffff"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;A href="http://www.nmafa.si.edu/exhibits/africanvision/masks/pages/2005-6-101/index.html" target="TopFrame" name="2"&gt;&lt;IMG height="75" width="64" alt="2005-6-101" src="http://www.nmafa.si.edu/exhibits/africanvision/masks/thumbnails/2005-6-101.jpg" /&gt;&lt;BR /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD width="75" align="center"&gt;&lt;DIV class="indexInfo2"&gt;&lt;SPAN&gt;Mask&lt;/SPAN&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;BR /&gt;

&lt;TABLE width="75" cellspacing="0" cellpadding="0" border="0" bgcolor="#ffffff"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;A href="http://www.nmafa.si.edu/exhibits/africanvision/masks/pages/2005-6-11/index.html" target="TopFrame" name="3"&gt;&lt;IMG height="75" width="52" alt="2005-6-11" src="http://www.nmafa.si.edu/exhibits/africanvision/masks/thumbnails/2005-6-11.jpg" /&gt;&lt;BR /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD width="75" align="center"&gt;&lt;DIV class="indexInfo2"&gt;&lt;SPAN&gt;Mask&lt;/SPAN&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;BR /&gt;

&lt;TABLE width="75" cellspacing="0" cellpadding="0" border="0" bgcolor="#ffffff"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;A href="http://www.nmafa.si.edu/exhibits/africanvision/masks/pages/2005-6-137/index.html" target="TopFrame" name="4"&gt;&lt;IMG height="35" width="75" alt="2005-6-137" src="http://www.nmafa.si.edu/exhibits/africanvision/masks/thumbnails/2005-6-137.jpg" /&gt;&lt;BR /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD width="75" align="center"&gt;&lt;DIV class="indexInfo2"&gt;&lt;SPAN&gt;Mask&lt;/SPAN&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;BR /&gt;

&lt;TABLE width="75" cellspacing="0" cellpadding="0" border="0" bgcolor="#ffffff"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;A href="http://www.nmafa.si.edu/exhibits/africanvision/masks/pages/2005-6-157/index.html" target="TopFrame" name="5"&gt;&lt;IMG height="75" width="45" alt="2005-6-157" src="http://www.nmafa.si.edu/exhibits/africanvision/masks/thumbnails/2005-6-157.jpg" /&gt;&lt;BR /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD width="75" align="center"&gt;&lt;DIV class="indexInfo2"&gt;&lt;SPAN&gt;Mask&lt;/SPAN&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;BR /&gt;

&lt;TABLE width="75" cellspacing="0" cellpadding="0" border="0" bgcolor="#ffffff"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;A href="http://www.nmafa.si.edu/exhibits/africanvision/masks/pages/2005-6-2/index.html" target="TopFrame" name="6"&gt;&lt;IMG height="75" width="44" alt="2005-6-2" src="http://www.nmafa.si.edu/exhibits/africanvision/masks/thumbnails/2005-6-2.jpg" /&gt;&lt;BR /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD width="75" align="center"&gt;&lt;DIV class="indexInfo2"&gt;&lt;SPAN&gt;Mask&lt;/SPAN&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;BR /&gt;

&lt;TABLE width="75" cellspacing="0" cellpadding="0" border="0" bgcolor="#ffffff"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;A href="http://www.nmafa.si.edu/exhibits/africanvision/masks/pages/2005-6-214/index.html" target="TopFrame" name="7"&gt;&lt;IMG height="75" width="53" alt="2005-6-214" src="http://www.nmafa.si.edu/exhibits/africanvision/masks/thumbnails/2005-6-214.jpg" /&gt;&lt;BR /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD width="75" align="center"&gt;&lt;DIV class="indexInfo2"&gt;&lt;SPAN&gt;Mask&lt;/SPAN&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;BR /&gt;

&lt;TABLE width="75" cellspacing="0" cellpadding="0" border="0" bgcolor="#ffffff"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;A href="http://www.nmafa.si.edu/exhibits/africanvision/masks/pages/2005-6-239/index.html" target="TopFrame" name="8"&gt;&lt;IMG height="36" width="75" alt="2005-6-239" src="http://www.nmafa.si.edu/exhibits/africanvision/masks/thumbnails/2005-6-239.jpg" /&gt;&lt;BR /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD width="75" align="center"&gt;&lt;DIV class="indexInfo2"&gt;&lt;SPAN&gt;Mask&lt;/SPAN&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;BR /&gt;

&lt;TABLE width="75" cellspacing="0" cellpadding="0" border="0" bgcolor="#ffffff"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;A href="http://www.nmafa.si.edu/exhibits/africanvision/masks/pages/2005-6-47/index.html" target="TopFrame" name="9"&gt;&lt;IMG height="37" width="75" alt="2005-6-47" src="http://www.nmafa.si.edu/exhibits/africanvision/masks/thumbnails/2005-6-47.jpg" /&gt;&lt;BR /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD width="75" align="center"&gt;&lt;DIV class="indexInfo2"&gt;&lt;SPAN&gt;Mask&lt;/SPAN&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;BR /&gt;

&lt;TABLE width="75" cellspacing="0" cellpadding="0" border="0" bgcolor="#ffffff"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;A href="http://www.nmafa.si.edu/exhibits/africanvision/masks/pages/2005-6-49/