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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | </title><link>http://clipmarks.com/popular/date/2008/6/17/</link><feedUrl>http://rss.clipmarks.com/popular/date/2008/6/17/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Of Two Minds, One Consciousness</title><link>http://clipmarks.com/clipmark/7D84955A-32B8-4FC0-AB71-FB1513499B15/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Mohir/"&gt;Mohir&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  But perhaps even more profound, he explains how, even though split-brain patients have isolated hemispheres, they experience a unified consciousness—that is, feel as though they are of one mind. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sciam.com/podcast/episode.cfm?id=93474982-0BBC-B7E8-34D917D42909AB06&amp;sc=rss" title="http://www.sciam.com/podcast/episode.cfm?id=93474982-0BBC-B7E8-34D917D42909AB06&amp;sc=rss"&gt;www.sciam.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Studies of split-brain patients provide insight into how we form thoughts?specifically how the left brain will create its own narrative based on information it never received. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;We know from neuroscientists that the right brain deals with the immediate moment—the facts and details—whereas the left brain attempts to interpret those facts, events, observations.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;  Most intriguing is how the left brain, in its need to interpret, will make up stories even without any information.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;  Michael Gazzaniga of the University of California, Santa Barbara, affected the mood of a split-brain patient. He influenced their right brain with a stimulus to laugh, and then asked why they were cracking up.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;  The speech center, located in the left brain (which never received the humorous stimuli), had no idea why the patient was laughing—but still, came up with an explanation: "You guys are so funny!"&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/mind/" rel="tag"&gt;mind&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/brain/" rel="tag"&gt;brain&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/consciousness/" rel="tag"&gt;consciousness&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.sciam.com/podcast/episode.cfm?id=93474982-0BBC-B7E8-34D917D42909AB06&amp;sc=rss</clipSource><pubDate>Tue, 17 Jun 2008 11:47:28 GMT</pubDate></item><item><title>Is the Universe Actually Made of Math?</title><link>http://clipmarks.com/clipmark/BD0441FB-0E47-48A5-9C85-7DF76AB561AC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/einbar/"&gt;einbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;   "he explores not what the laws of nature say but why there are any laws at all."&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://discovermagazine.com/2008/jul/16-is-the-universe-actually-made-of-math" title="http://discovermagazine.com/2008/jul/16-is-the-universe-actually-made-of-math"&gt;discovermagazine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Is the Universe Actually Made of Math?&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/einbar/512/85CD55CB-A36E-4D49-A772-6254AD79243D.jpg" alt="Max Tegmark" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Unconventional cosmologist Max Tegmark says mathematical formulas create reality.&lt;BR /&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;he explores not what the laws of nature say but why there are any laws at all.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“there is only mathematics; that is all that exists.” In his theory, the 
mathematical universe hypothesis, he updates quantum physics and cosmology with 
&lt;A href="http://www.slate.com/id/2087206/" target=_blank&gt;the concept of many 
parallel universes&lt;/A&gt; inhabiting multiple levels of space and time. By posing 
his hypothesis at the crossroads of philosophy and physics, Tegmark is harking 
back to the ancient Greeks with the oldest of the old questions: What is real?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;P&gt;Tegmark has pursued this work despite some risk to his career. It took four tries before he could get an early version of the mathematical universe hypothesis published,&lt;/P&gt;&lt;P&gt;&lt;/P&gt; and when the article finally appeared, an older colleague warned that his “crackpot ideas” could damage his reputation. But propelled by optimism and passion, he pushed on.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://discovermagazine.com/2008/jul/16-is-the-universe-actually-made-of-math</clipSource><pubDate>Tue, 17 Jun 2008 07:11:18 GMT</pubDate></item><item><title>Artificial Islands of the Dead Sea</title><link>http://clipmarks.com/clipmark/B39B9108-5B3E-4CC3-BCDA-03C1CAD21151/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Mohir/"&gt;Mohir&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://io9.com/5016862/artificial-islands-of-the-dead-sea" title="http://io9.com/5016862/artificial-islands-of-the-dead-sea"&gt;io9.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/Mohir/512/7C458204-04A0-416B-B1F4-E8080569FFF3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; The &lt;A href="http://io9.com/tag/dead-sea/" title="Click here to read more posts tagged DEAD SEA" rel="nofollow" class="autolink" linkindex="50"&gt;Dead Sea&lt;/A&gt;, a body of water that sits at the nexus of several political hot spots in the Middle East, has been a source of contention for decades. Now a New York City architecture firm called Phu Hoang Office has proposed a way to turn the sea into a thriving center for tourism and eco-research. The firm proposed the creation of artificial islands (pictured) called No Man's Land that would house hotels, create energy, and harvest clean water from the atmosphere. Check out more pictures and a schematic below.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/Mohir/512/6EF85A42-D387-4587-97B0-C64C5E53A113.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE&gt;Salinity gradient solar ponds, water purification tanks, and water filtering processes will all be integrated into the designated “water islands” of the chain. The other two island designs will be for tourists and solar energy production, providing self sufficient power as well as creating revenue.&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/geo-enginering/" rel="tag"&gt;geo-enginering&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/architecture/" rel="tag"&gt;architecture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dead+sea/" rel="tag"&gt;dead sea&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://io9.com/5016862/artificial-islands-of-the-dead-sea</clipSource><pubDate>Tue, 17 Jun 2008 12:54:55 GMT</pubDate></item><item><title>Why You Should Download Firefox 3 Right Now</title><link>http://clipmarks.com/clipmark/47E7B214-F5EF-4B57-B6A8-4416E362C3A0/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.webmonkey.com/blog/Why_You_Should_Download_Firefox_3_Right_Now" title="http://www.webmonkey.com/blog/Why_You_Should_Download_Firefox_3_Right_Now"&gt;www.webmonkey.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;IMG title="Firefox" alt="Firefox" src="http://howto.wired.com/mediawiki/images/Ff-logo200px.jpg" /&gt;Firefox 3 — available for download at 10am PDT Tuesday — is the culmination of a two-year quest to build the best browser ever. And while it’s not perfect, it comes pretty close.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The open-source web browser is the fastest and most secure version of Firefox yet. Significant improvements have been made to the way it uses your computer’s resources, so the memory leaks and other performance problems found in Firefox 2 have been stamped out. Text and image rendering have also been improved, and the underlying code for Gecko, the engine that draws the actual web pages on the screen, has been updated. There are also heaps of useful features that have been added for both power users and newcomers alike.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Here’s why we think Firefox 3 is one of the most kick-ass software releases of 2008.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;History, bookmarks and discovery&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Speed and performance&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;Security&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Native look and feel&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;A better fit for your workflow&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;IMG class="full" title="The Awesomebar" alt="The Awesomebar" src="http://howto.wired.com/mediawiki/images/Awesomebar.jpg" /&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/firefox3/" rel="tag"&gt;firefox3&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/best/" rel="tag"&gt;best&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/open+source/" rel="tag"&gt;open source&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.webmonkey.com/blog/Why_You_Should_Download_Firefox_3_Right_Now</clipSource><pubDate>Tue, 17 Jun 2008 11:40:48 GMT</pubDate></item><item><title>Quadriplegic sailor sets sail... using only her breath to power her boat</title><link>http://clipmarks.com/clipmark/EBA46374-45A5-42DC-A184-A87CBA4FF159/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Fast+T+friend/"&gt;Fast T friend&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Mrs Lister's progress will be posted on her website &lt;a href="http://www.hilarylister.com" rel="nofollow" target="_blank"&gt;www.hilarylister.com&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dailymail.co.uk/news/article-1026875/Quadriplegic-sailor-sets-sail-record-breaking-challenge---using-breath-power-boat.html" title="http://www.dailymail.co.uk/news/article-1026875/Quadriplegic-sailor-sets-sail-record-breaking-challenge---using-breath-power-boat.html"&gt;www.dailymail.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A record-breaking quadriplegic sailor is set to sail solo round the British Isles using controls powered by her breath after technical problems forced her to postpone her challenge.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Hilary Lister, 36, from Canterbury, Kent, will today embark on her journey sailing clockwise around the British coast from Dover, seven days after she initially hoped.&lt;BR /&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Despite having no movement below her neck, she will use a sip-and-puff system of straws to control the sails and tiller of her state-of-the-art boat, an Artemis 20, with just her breath.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/Fast T friend/512/B2D275CE-1451-4035-AB64-5E3D20AC3B35.jpg" alt="Hilary Lister" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Mrs Lister, who is only able to move her head, eyes and mouth, first entered the record books in August 2005 when she became the first quadriplegic to sail solo across the English Channel.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In a second record-breaking challenge, she solo circumnavigated the Isle of Wight in July last year, becoming the first female quadriplegic to do so.&lt;BR /&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/able/" rel="tag"&gt;able&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/quadriplegic/" rel="tag"&gt;quadriplegic&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sailing/" rel="tag"&gt;sailing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/respect!/" rel="tag"&gt;respect!&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dailymail.co.uk/news/article-1026875/Quadriplegic-sailor-sets-sail-record-breaking-challenge---using-breath-power-boat.html</clipSource><pubDate>Tue, 17 Jun 2008 08:13:43 GMT</pubDate></item><item><title>Humor Shown To Be Fundamental To Our Success As A Species</title><link>http://clipmarks.com/clipmark/65539B7B-4C92-401B-878B-572EA2BB9CA2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Mohir/"&gt;Mohir&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sciencedaily.com/releases/2008/06/080612150144.htm" title="http://www.sciencedaily.com/releases/2008/06/080612150144.htm"&gt;www.sciencedaily.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;First universal theory of humour answers how and why we find things funny. Published June 12, The Pattern Recognition Theory of Humour by Alastair Clarke answers the centuries old question of what is humour. Clarke explains how and why we find things funny and identifies the reason humour is common to all human societies, its fundamental role in the evolution of homo sapiens and its continuing importance in the cognitive development of infants.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“For some time now it’s been assumed that a global theory of humour is impossible. This theory changes thousands of years of incorrect analyses and mini-theories that have applied to only a small proportion of instances of humour. It offers a vital answer as to why humour exists in every human society.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Humour is not about comedy it is about a fundamental cognitive function.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“An ability to recognize patterns instantly and unconsciously has proved a fundamental weapon in the cognitive arsenal of human beings.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/humor/" rel="tag"&gt;humor&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.sciencedaily.com/releases/2008/06/080612150144.htm</clipSource><pubDate>Mon, 16 Jun 2008 16:57:26 GMT</pubDate></item><item><title>Lightmark - painting with light.</title><link>http://clipmarks.com/clipmark/84382209-611C-4225-8750-37190D0CC7C7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Very cool images &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.lightmark.de/lightmark_49.htm" title="http://www.lightmark.de/lightmark_49.htm"&gt;www.lightmark.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/9F13F850-1554-45C2-9F06-C17BC9FC5FB0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.lightmark.de/lightmark_45.htm" title="http://www.lightmark.de/lightmark_45.htm"&gt;www.lightmark.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/F10CE6D7-64EB-45D8-B8F6-2590D6C6DCD5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.lightmark.de/lightmark_52.htm" title="http://www.lightmark.de/lightmark_52.htm"&gt;www.lightmark.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img 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          &lt;TD class="klein"&gt;&lt;DIV align="left"&gt;&lt;A target="_blank" href="http://www.globetrotter.de"&gt;&lt;IMG border="0" name="danke" alt="träume leben. danke globetrotter!" src="http://www.lightmark.de/pics/grafik/danke.gif" /&gt;&lt;/A&gt;&lt;/DIV&gt;&lt;/TD&gt;
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      &lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.lightmark.de/lightmark_49.htm</clipSource><pubDate>Mon, 16 Jun 2008 20:21:53 GMT</pubDate></item><item><title>why you should carry a camera</title><link>http://clipmarks.com/clipmark/D6BCA3B1-86FA-4E45-A2FB-490130C18DE1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/boozich/"&gt;boozich&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://gizmodo.com/5016814/why-you-should-carry-a-digital-camera-at-all-times" title="http://gizmodo.com/5016814/why-you-should-carry-a-digital-camera-at-all-times"&gt;gizmodo.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/boozich/512/49B64C48-1CAC-4FAD-B3CB-4F6E2A04E68D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Last Tuesday, Lori Mehmen looked out her front door in Orchard, Iowa and this is what she saw. She had a digital camera handy, and somehow managed to take this photo before crapping her pants and taking cover. This, my friends, is why always having a camera nearby is helpful. Oh, and no one was injured during this tornado, fortunately&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://gizmodo.com/5016814/why-you-should-carry-a-digital-camera-at-all-times</clipSource><pubDate>Tue, 17 Jun 2008 12:28:54 GMT</pubDate></item><item><title>Earth Erotica</title><link>http://clipmarks.com/clipmark/4112CD00-DFDE-4E31-8810-1D5CAC477155/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arifsali/"&gt;arifsali&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.linkinn.com/_Earth_Erotica_Fine_art_photography_by_Heather_Firth" title="http://www.linkinn.com/_Earth_Erotica_Fine_art_photography_by_Heather_Firth"&gt;www.linkinn.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/arifsali/512/BB73B9B7-1C56-4A15-B969-B69C60535687.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/arifsali/512/073DCBEA-F6E4-47BE-8452-8A3C37232761.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/arifsali/512/F148435E-68FB-47CA-89C5-188863884D41.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/arifsali/512/757673C6-FCAB-4C5C-A629-8D3ACAD83767.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/arifsali/512/B7D2AF2D-9174-4FCD-8470-7DD2070F73E4.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/arifsali/512/B0137921-4CE1-4DA4-ADC9-2D617CE96ECB.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/arifsali/512/5EFA95FD-0AD7-4EF0-A2DD-6972C58878B6.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/arifsali/512/D9B2C483-4D0F-4579-A93C-8E710639680B.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/arifsali/512/3254F1F8-9D3A-4DCD-95D4-EDA09BD6392E.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/arifsali/512/61B68653-EF3F-4638-BBD8-4B5DF9708C2A.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/arifsali/512/D6E2882C-FDAD-4D7C-BF94-9E865C40326B.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/arifsali/512/16BDE526-5977-4C77-8E96-186E9B263B9A.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/arifsali/512/3550B42B-45AA-4E22-908A-963C0BCE4F0A.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/arifsali/512/0F9DDAFD-550A-4D88-8213-CC4064FF57EE.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/arifsali/512/ADDFBE63-7529-40B5-AE1F-2165DE1A5831.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/arifsali/512/AF2ADF82-C9A3-455F-9809-776B5C30FC7C.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/arifsali/512/7ED580D5-8658-4337-9F02-D0C34F1621F7.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/arifsali/512/279A7FC1-2CD2-4EA0-A7B5-1630027B54E6.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/arifsali/512/323B3BB2-4A33-4C79-BBDC-B5D82502EB4B.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/arifsali/512/32BBF581-CE58-4B77-8BB0-144CA3638E2B.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/arifsali/512/4F5D6940-AE4B-4BF0-9C30-47193CA2233D.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/arifsali/512/B96C2676-594C-4AEA-B134-344304E3451C.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/arifsali/512/8DB5B6E6-804F-4041-A896-883B574A74DE.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/arifsali/512/D10563D1-3F75-47BE-8A84-90F8F48FB76D.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/arifsali/512/1E07FA4B-2091-4788-ABA4-48933C4E3E13.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/arifsali/512/13817397-067A-4A62-AF33-DAF2BD404C5B.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/arifsali/512/4163D418-6DF9-49FF-B12B-CEF42C58993D.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/arifsali/512/A21DA047-EC68-4E6A-9D9A-F6452E3776B0.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/arifsali/512/A39D5658-AA85-41B4-A665-1251269CE60B.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/arifsali/512/78FE61E9-4F64-4908-A9B3-02B9A9F4996E.jpg" alt="Earth Erotica - Fine art photography by Heather Firth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/earth/" rel="tag"&gt;earth&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.linkinn.com/_Earth_Erotica_Fine_art_photography_by_Heather_Firth</clipSource><pubDate>Mon, 16 Jun 2008 21:53:48 GMT</pubDate></item><item><title>The Web Time Forgot</title><link>http://clipmarks.com/clipmark/5566B295-8273-4A11-831C-AB4B7DECAB66/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  NYT article on Paul Otlet&lt;br/&gt;&lt;br/&gt;see source for the full article. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/06/17/science/17mund.html?_r=1&amp;oref=slogin" title="http://www.nytimes.com/2008/06/17/science/17mund.html?_r=1&amp;oref=slogin"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
&lt;NYT_HEADLINE _moz-userdefined="" type=" " version="1.0"&gt;
The Web Time Forgot
&lt;/NYT_HEADLINE&gt;
&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="story first"&gt;







&lt;A href="javascript:pop_me_up2('http://www.nytimes.com/imagepages/2008/06/17/science/20080617_MUND_GRAPHIC.html', '605_1319', 'width=605,height=1319,location=no,scrollbars=yes,toolbars=no,resizable=yes')"&gt;
&lt;IMG width="190" height="126" border="0" alt="Index Cards and Electric Telescopes" src="http://graphics8.nytimes.com/images/2008/06/17/science/munc19.0126.jpg" /&gt;&lt;SPAN class="mediaType graphic"&gt;Graphic&lt;/SPAN&gt;
&lt;/A&gt;


&lt;H2&gt;

&lt;A href="javascript:pop_me_up2('http://www.nytimes.com/imagepages/2008/06/17/science/20080617_MUND_GRAPHIC.html', '605_1319', 'width=605,height=1319,location=no,scrollbars=yes,toolbars=no,resizable=yes')"&gt;Index Cards and Electric Telescopes&lt;/A&gt; 

&lt;/H2&gt;
&lt;DIV class="clear"&gt;&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="image"&gt;
&lt;DIV class="enlargeThis"&gt;&lt;A href="javascript:pop_me_up2('http://www.nytimes.com/imagepages/2008/06/17/science/17mund.span.ready.html', '17mund_span_ready', 'width=720,height=600,scrollbars=yes,toolbars=no,resizable=yes')"&gt;Enlarge This Image&lt;/A&gt;&lt;/DIV&gt;
&lt;A href="javascript:pop_me_up2('http://www.nytimes.com/imagepages/2008/06/17/science/17mund.span.ready.html', '17mund_span_ready', 'width=720,height=600,scrollbars=yes,toolbars=no,resizable=yes')"&gt;
&lt;IMG width="190" height="143" border="0" alt="" src="http://graphics8.nytimes.com/images/2008/06/17/science/17mund.4-190.jpg" /&gt;
&lt;/A&gt;
&lt;DIV class="credit"&gt;Mundaneum&lt;/DIV&gt;
&lt;P class="caption"&gt;
&lt;STRONG&gt;PAPER TRAIL &lt;/STRONG&gt;The telegraph room at the original Mundaneum in Brussels. 
&lt;/P&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In 1934, Otlet sketched out plans for a global network of computers (or “electric telescopes,” as he called them) that would allow people to search and browse through millions of interlinked documents, images, audio and video files. He described how people would use the devices to send messages to one another, share files and even congregate in online social networks. He called  the whole thing a “réseau,” which might be translated as “network”  — or arguably, “web.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Although Otlet’s proto-Web relied on a patchwork of analog technologies like index cards and telegraph machines, it nonetheless anticipated the hyperlinked structure of today’s Web. “This was a Steampunk version of hypertext,”&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/web/" rel="tag"&gt;web&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/internet/" rel="tag"&gt;internet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/www/" rel="tag"&gt;www&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/information/" rel="tag"&gt;information&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/otlet/" rel="tag"&gt;otlet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/paul+otlet/" rel="tag"&gt;paul otlet&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2008/06/17/science/17mund.html?_r=1&amp;oref=slogin</clipSource><pubDate>Tue, 17 Jun 2008 12:58:17 GMT</pubDate></item><item><title>Extreme Music: Top 15 Free Music Websites That You Will Want to Visit</title><link>http://clipmarks.com/clipmark/6C0AFE55-76C8-4B5D-A11D-6F0175A5141A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Silkweaver/"&gt;Silkweaver&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  It need no words, just explore and listen &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.musicouch.com/Musicouching/Extreme-Music-Top-15-Free-Music-Websites-That-You-Will-Want-to-Visit.124549" title="http://www.musicouch.com/Musicouching/Extreme-Music-Top-15-Free-Music-Websites-That-You-Will-Want-to-Visit.124549"&gt;www.musicouch.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 class="articleSubtitle"&gt;Music is a powerful creation. By its very design, it invokes a storm of stirred emotions, moving seas of unbridled passion within the core of our very soul.&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Connecting to the world on a global scale.&lt;BR /&gt;Seeking the journey into the mysterious unexplored.&lt;BR /&gt;Unearthing a trove of treasures that are unlike anything known before.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.thesixtyone.com" linkindex="4" set="yes"&gt;The Sixtyone&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://spinjay.com" linkindex="5" set="yes"&gt;Spinjay&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://songza.com" linkindex="6" set="yes"&gt;Songza&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://grooveshark.com" linkindex="7" set="yes"&gt;Grooveshark&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.itbreaks.com" linkindex="8" set="yes"&gt;It Breaks&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://mp34u.muzic.com" linkindex="9" set="yes"&gt;MP3 4U&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.newgrounds.com/audio" linkindex="10" set="yes"&gt;New Grounds&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.ruckusnetwork.com" linkindex="11" set="yes"&gt;Ruckus&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://musicovery.com" linkindex="12" set="yes"&gt;Musicovery&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.archive.org/details/etree" linkindex="13" set="yes"&gt;Live Music Archive&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.mybloop.com" linkindex="14" set="yes"&gt;My Bloop&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.deezer.com" linkindex="15" set="yes"&gt;Deezer&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.tagoo.ru" linkindex="16" set="yes"&gt;Tagoo&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.jamwave.com" linkindex="17" set="yes"&gt;Jamwave&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.last.fm" linkindex="18" set="yes"&gt;Last.FM&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/web/" rel="tag"&gt;web&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.musicouch.com/Musicouching/Extreme-Music-Top-15-Free-Music-Websites-That-You-Will-Want-to-Visit.124549</clipSource><pubDate>Mon, 16 Jun 2008 19:21:27 GMT</pubDate></item><item><title>The web that time forgot</title><link>http://clipmarks.com/clipmark/04F4C459-A55B-4DE0-A372-D1FDB3510854/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/iskandar/"&gt;iskandar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "Today, Otlet and his work have been largely forgotten, even in his native Belgium. Although Otlet enjoyed considerable fame during his lifetime, his legacy fell victim to a series of historical misfortunes — not least of which involved the Nazis marching into Belgium and destroying much of his life's work.&lt;br/&gt;&lt;br/&gt;But in recent years, a small group of researchers has begun to resurrect Otlet's reputation, republishing some of his writing and raising money to establish the museum and archive in Mons." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.iht.com/articles/2008/06/17/healthscience/17mund.php" title="http://www.iht.com/articles/2008/06/17/healthscience/17mund.php"&gt;www.iht.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="headline"&gt;
					
					The web that time forgot&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/iskandar/512/A3F70BF3-21C6-446C-9D1F-A243A2037C55.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In 1934, Otlet sketched out plans for a global network of computers (or "electric telescopes," as he called them) that would allow people to search and browse through millions of interlinked documents, images, audio and video files. He described how people would use the devices to send messages to one another, share files and even congregate in online social networks. He called the whole thing a "réseau," which might be translated as "network" — or arguably, "web."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Historians typically trace the origins of the World Wide Web through a lineage of Anglo-American inventors like Vannevar Bush, Doug Engelbart and Ted Nelson. But more than half a century before Tim Berners-Lee released the first Web browser in 1991, Otlet (pronounced ot-LAY) described a networked world where "anyone in his armchair would be able to contemplate the whole of creation."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/web/" rel="tag"&gt;web&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/paul+otle/" rel="tag"&gt;paul otle&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.iht.com/articles/2008/06/17/healthscience/17mund.php</clipSource><pubDate>Tue, 17 Jun 2008 16:56:56 GMT</pubDate></item><item><title>Science: why we scream ???</title><link>http://clipmarks.com/clipmark/E64F1ECA-2B0E-4478-9784-926C776F4285/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/einbar/"&gt;einbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "there are up to 19 muscles present in the face, and many people do not possess all of them  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/earth/main.jhtml?view=DETAILS&amp;grid=&amp;xml=/earth/2008/06/17/sciscream117.xml" title="http://www.telegraph.co.uk/earth/main.jhtml?view=DETAILS&amp;grid=&amp;xml=/earth/2008/06/17/sciscream117.xml"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;&lt;B&gt;Apes play a key role in human evolution. But our facial muscles also have 
a stor&lt;/B&gt;&lt;B&gt;&lt;/B&gt;&lt;B&gt;&lt;/B&gt;y to tell,&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/einbar/512/4EF80C4E-1845-444A-B313-A9EBFFD4CF5D.jpg" alt="A woman screaming" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;making a particular face contributes to feeling the related emotion&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Moving your face into certain configurations changes the blood flow to the brain 
and the way you feel &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;But in another recent study&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;P&gt;&lt;/P&gt;&lt;P&gt;&lt;/P&gt;&lt;P&gt;&lt;/P&gt;We all have a core set of five facial muscles that control our ability to produce standard expressions which convey anger, happiness, surprise, fear, sadness and disgust. But there are up to 19 muscles present in the face, and many people do not possess all of them&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;P&gt;&lt;/P&gt;&lt;P&gt;&lt;/P&gt;&lt;P&gt;&lt;/P&gt;.The risorius muscle, which controls expressions of extreme fear, is found in only two thirds of people.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Everyone communicates using a set of common signals," &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"so we would expect to find that the muscles do not vary. The results are 
surprising. Some less common facial expressions may be unique to certain 
people."&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.telegraph.co.uk/earth/main.jhtml?view=DETAILS&amp;grid=&amp;xml=/earth/2008/06/17/sciscream117.xml</clipSource><pubDate>Tue, 17 Jun 2008 05:23:26 GMT</pubDate></item><item><title>In the Art of a DNA Graph, the Colors of Uniqueness </title><link>http://clipmarks.com/clipmark/12C73D4D-8F9A-41C9-81CD-863087B37401/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/einbar/"&gt;einbar&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/06/17/health/research/17dna.html?ref=science" title="http://www.nytimes.com/2008/06/17/health/research/17dna.html?ref=science"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;NYT_HEADLINE type=" " version="1.0"&gt;&lt;/NYT_HEADLINE&gt;In the Art of a DNA Graph, the Colors of Uniqueness &lt;/NYT_HEADLINE&gt;&lt;//NYT_HEADLINE&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/einbar/512/975E71EF-E6E0-4039-9EBC-DEEA55B99880.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Being biologists and doctors, red is our blood, red is our fluid&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;All people have in common more than 99 percent of our gene sequences. Yet the type of sequence variation portrayed here, caused by a single altered nucleotide, accounts for most of the genetic differences among humans.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The colors show the DNA type inherited from a father, mother or both parents. Red signals a “genetic mosaic” of the parents, with different sequence variants from each. Black and white rectangles show that a person inherited the same sequence variant from both parents. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;“We wanted to synthesize variability into a clear pattern,” said Dr. Ruaño, who is president of Genomas Inc., which is developing genomics-based tools for diagnosis and drug prescription. “The eye is the most important pattern recognition instrument that humans have.”&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2008/06/17/health/research/17dna.html?ref=science</clipSource><pubDate>Tue, 17 Jun 2008 06:37:07 GMT</pubDate></item><item><title>If there was any doubt about alternative energy</title><link>http://clipmarks.com/clipmark/4F1D4FDE-BF62-41D8-8D69-3AFE62ECA274/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/egoldstein/"&gt;egoldstein&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  This sector is picking up momentum at an incredible pace.  Feel like i have front row sites to the most exciting game in town - watching the world evolve to new, clean, renewable sources of energy is awesome! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://biz.yahoo.com/ap/080616/intel_spectrawatt.html?.v=1" title="http://biz.yahoo.com/ap/080616/intel_spectrawatt.html?.v=1"&gt;biz.yahoo.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Chip maker Intel Corp. said Monday it is spinning off assets to create a company, to be known as SpectraWatt Inc., that will make solar cells.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/alternative+energy/" rel="tag"&gt;alternative energy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/solar/" rel="tag"&gt;solar&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/intel/" rel="tag"&gt;intel&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://biz.yahoo.com/ap/080616/intel_spectrawatt.html?.v=1</clipSource><pubDate>Mon, 16 Jun 2008 22:00:59 GMT</pubDate></item></channel></rss>