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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | </title><link>http://clipmarks.com/popular/date/2008/5/2/</link><feedUrl>http://rss.clipmarks.com/popular/date/2008/5/2/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>The Earth Will Be Just Fine, Thank You</title><link>http://clipmarks.com/clipmark/D22574F0-0235-421F-B896-51D10B5EC745/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Despite its many flaws, I’m a big fan of human civilization. I marvel at our capacity to organize matter and information, at our ability to learn from mistakes and pass that learning down to subsequent generations. Civilization—writing, cities, trade, the whole lot of it—makes us unique on this planet and, as far as we can tell so far, in our part of the universe. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://ieet.org/index.php/IEET/more/2406/" title="http://ieet.org/index.php/IEET/more/2406/"&gt;ieet.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/wildcat/512/92F46C7B-CB6D-453A-90A8-50C9CB03D54F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The grand myth of environmentalism is that it’s all about saving the Earth. It’s not. The Earth will be just fine. Environmentalism is all about saving ourselves.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;That may seem a bit counter-intuitive; after all, the Earth is certainly central to the rhetoric, the memetics of environmentalism. Most environmental discussions focus on ecological dynamics, with references to human beings typically limited to enumerations of the various insults we’ve visited upon the planet. Given the degree of culpability we bear for the current state of the planet, this is entirely appropriate.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
But the rhetorical focus of environmentalism on the planet obscures the fact that what human beings have done to the Earth pales in comparison to past disasters hitting our world, from massive asteroid strikes to super-volcano eruptions killing off 90+% of the Earth’s species&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;And in every case, the Earth has recovered, and life has once again flourished.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/myth/" rel="tag"&gt;myth&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/environmentalism/" rel="tag"&gt;environmentalism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/conceptual+mistakes/" rel="tag"&gt;conceptual mistakes&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://ieet.org/index.php/IEET/more/2406/</clipSource><pubDate>Fri, 02 May 2008 09:41:45 GMT</pubDate></item><item><title>May 1, 1964: First Basic Program Runs</title><link>http://clipmarks.com/clipmark/62E025A2-2C31-4E36-91AD-0198F39729B5/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Mohir/"&gt;Mohir&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/science/discoveries/news/2008/04/dayintech_0501" title="http://www.wired.com/science/discoveries/news/2008/04/dayintech_0501"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;1964: &lt;/STRONG&gt; In the predawn hours of May Day, two professors at Dartmouth College run the first program in their new language, Basic.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/Mohir/512/8E8E66FC-270E-48BF-9AC3-314C6058722C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Mathematicians John G. Kemeny and Thomas E. Kurtz had been trying to make computing more accessible to their undergraduate students. One problem was that available computing languages like Fortran and Algol were so complex that you really had to be a professional to use them.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;So the two professors started writing easy-to-use programming languages in 1956. First came Dartmouth Simplified Code, or Darsimco. Next was the Dartmouth Oversimplified Programming Experiment, or Dope, which was too simple to be of much use. But Kemeny and Kurtz used what they learned to craft the Beginner's All-Purpose Symbolic Instruction Code, or Basic, starting in 1963.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The college's General Electric GE-225 mainframe started running a Basic compiler at 4 a.m. on May 1, 1964. The new language was simple enough to use, and powerful enough to make it desirable.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/basic/" rel="tag"&gt;basic&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/computers/" rel="tag"&gt;computers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.wired.com/science/discoveries/news/2008/04/dayintech_0501</clipSource><pubDate>Thu, 01 May 2008 19:00:29 GMT</pubDate></item><item><title>Painting with Light</title><link>http://clipmarks.com/clipmark/A185F96A-DC1C-4FFB-B8D1-59582220EB65/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/n2sooners/"&gt;n2sooners&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The last shot is a good example of why you should wear dark clothing. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://abduzeedo.com/learning-light-painting" title="http://abduzeedo.com/learning-light-painting"&gt;abduzeedo.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="title"&gt;Learning Light Painting&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;1. The tools&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;  Besides your camera you will need a&lt;B&gt; tripod&lt;/B&gt; and a torch&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;2. Light&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;I use a little light also used as a key chain. It s powerful enough to draw the characters and can be turned on/off just by pressing a button.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;3. Camera settings&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;B&gt; Shutter speed: &lt;/B&gt;As long as you need to create the scene.&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;B&gt; ISO: &lt;/B&gt;I usually put it on 100 so I can set the shutter speed on a very slow value and I don t get any noise on my photographs.&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;B&gt;Aperture:&lt;/B&gt; Set it doing a test shot without drawings, focusing on an element close to what you are going to draw.&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;B&gt;Flash:&lt;/B&gt; Can be used to fix a person or a moving element in the scene. &lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;B&gt;White balance: &lt;/B&gt;Set it doing a test shot. Street lighting is usually yellow.&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;B&gt;Focus:&lt;/B&gt; Obviously on manual if there is not enough light.&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;  4. Tips &lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; Light is your friend, you could use moving lights from cars etc.. for exemple, I did one while a train was passing under a bridge.&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; Wear dark clothes if you want to lower the chance of being visible on the photograph.   &lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/n2sooners/512/FB5C50A5-82CC-4E88-8060-E41C4237E73D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/n2sooners/512/C961E3E2-0E42-477C-AC6F-77BAC7324CFE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/n2sooners/512/D167E45C-5235-4B01-8BED-D2FE95E6077B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/n2sooners/512/D7063C88-1140-4C66-857B-1E935B3AA58A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/n2sooners/512/E4F6868B-A4A3-414F-9538-1FFD0191770A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/light/" rel="tag"&gt;light&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://abduzeedo.com/learning-light-painting</clipSource><pubDate>Thu, 01 May 2008 21:22:48 GMT</pubDate></item><item><title>ArtLex - Art Dictionary</title><link>http://clipmarks.com/clipmark/7A174E2F-E39D-4EBC-BF7B-EEC1C2A6284B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Lubaska/"&gt;Lubaska&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artlex.com/ArtLex/Intro.html" title="http://www.artlex.com/ArtLex/Intro.html"&gt;www.artlex.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/Lubaska/512/0521653C-8718-4B44-B14D-F54F6958EA71.gif" alt="ArtLex" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="Arial" color="#010773"&gt;Art Dictionary&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="Arial" color="#b61300"&gt;in art production, criticism,
history, aesthetics, and education&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT size="-1"&gt;&lt;FONT size="+1" face="Arial" color="#001e00"&gt;Welcome to &lt;B&gt;ArtLex&lt;/B&gt;.
  You'll find definitions for more than 3,600 terms used in discussing
  art / visual culture, along with thousands of supporting images, pronunciation
  notes, great quotations and cross-references.&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artlex.com/ArtLex/Fi.html" title="http://www.artlex.com/ArtLex/Fi.html"&gt;www.artlex.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/Lubaska/512/9BFDEB92-3F6C-4C66-978D-EE469CCED0A4.gif" alt="F I to F L" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+1" face="Arial"&gt;fibula&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/Lubaska/512/126DE70C-ED7E-48E7-99A1-7600C1446A5A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT size="-1"&gt;&lt;B&gt;&lt;FONT size="+1" face="Arial"&gt;figurative&lt;/FONT&gt;&lt;/B&gt;&lt;FONT size="+1" face="Arial"&gt; - Describes artwork &lt;A href="http://www.artlex.com/ArtLex/Reh.html#anchor1012198"&gt;representing&lt;/A&gt;
the &lt;A href="http://www.artlex.com/ArtLex/f/form.html"&gt;form&lt;/A&gt; of a human, an animal or a
thing; any &lt;A href="http://www.artlex.com/ArtLex/En.html#anchor2349326"&gt;expression&lt;/A&gt; of one
thing in terms of another thing. &lt;A href="http://www.artlex.com/ArtLex/a/abstraction.html"&gt;Abstract&lt;/A&gt;
artwork is the opposite of figurative art in certain ways. Roy
Lichtenstein made a series of images of a bull, demonstrating
this kind of range in ways to approach figuration and abstraction
― beginning with the most highly figurative version, and proceeding
through stages to the most abstract version:&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT size="-1"&gt;&lt;FONT face="Arial"&gt;Roy Lichtenstein (American, 1923-1997),
  the six prints in the "Bull Profile Series,"&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/Lubaska/512/34510D67-5A2B-41FB-80E9-01AFA983FC7D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/Lubaska/512/811DE354-C3A9-4F4E-ACC8-5978D2DEB644.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/Lubaska/512/F4E03AB5-A0FD-4041-ACFD-238AB4BC5D52.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/Lubaska/512/97F70E1A-6148-44F6-A87D-37588F87246D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/Lubaska/512/B18310DA-4012-406E-9FB9-FDBAEC7D5646.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/Lubaska/512/5D4E2169-835A-4746-A406-78D9067F892F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artlex.com/ArtLex/navigation_frame.html" title="http://www.artlex.com/ArtLex/navigation_frame.html"&gt;www.artlex.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/Lubaska/512/C6D98DF7-FAB6-484D-9FE2-C777BA913798.gif" alt="Links to some of the longer articles" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="Arial"&gt;&lt;A target="frame169270" href="http://www.artlex.com/ArtLex/a/african.html"&gt;&lt;FONT size="+1"&gt;African art&lt;/FONT&gt;&lt;/A&gt; &lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artlex.com/ArtLex/wxyz/watercolor.html" title="http://www.artlex.com/ArtLex/wxyz/watercolor.html"&gt;www.artlex.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+3" face="Arial"&gt;watercolour&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Any &lt;A href="http://www.artlex.com/ArtLex/wxyz/../P.html#anchor8714039"&gt;paint&lt;/A&gt;
that uses water as a &lt;A href="http://www.artlex.com/ArtLex/wxyz/../So.html#anchor1012758"&gt;&lt;FONT size="+1" face="Arial"&gt;solvent&lt;/FONT&gt;&lt;/A&gt;.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/works_of_art/collection_database/the_robert_lehman_collection/Landscape_with_Stars/ViewObject_zoom.aspx?depNm=all&amp;Title=landscape_with_stars_henri-edmond_cross_(henri-edmond_delacroix)&amp;pID=0&amp;kWd=&amp;vW=1&amp;Pg=550&amp;St=0&amp;StOd=1&amp;vT=1&amp;RID=10990" title="http://www.metmuseum.org/works_of_art/collection_database/the_robert_lehman_collection/Landscape_with_Stars/ViewObject_zoom.aspx?depNm=all&amp;Title=landscape_with_stars_henri-edmond_cross_(henri-edmond_delacroix)&amp;pID=0&amp;kWd=&amp;vW=1&amp;Pg=550&amp;St=0&amp;StOd=1&amp;vT=1&amp;RID=10990"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/Lubaska/512/8F795FC4-84CC-4922-B199-F86A07A79CCA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/dictionary/" rel="tag"&gt;dictionary&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/definitions/" rel="tag"&gt;definitions&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.artlex.com/ArtLex/Intro.html</clipSource><pubDate>Thu, 01 May 2008 13:52:23 GMT</pubDate></item><item><title>Liquid sound</title><link>http://clipmarks.com/clipmark/9FCE63D4-DB85-4BAB-BF04-18AC9C408F11/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/valann+47/"&gt;valann 47&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.been-seen.com/article.cfm?id=10662" title="http://www.been-seen.com/article.cfm?id=10662"&gt;www.been-seen.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/valann 47/512/653AE98D-AAED-4236-946B-726B3986E6E6.jpg" alt="Liquid Sound............................(2791.jpg)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Our senses absorb the world differently when we are under water. Apparently, we can absorb sound through our skin and bones while we are floating, the vibrations stimulating our senses and awakening our souls. This is the philosophy of &lt;A target="_blank" href="http://www.liquidsound.com/index2_fla_eng.html" title="Liquid Sound" class="newslink"&gt;Liquid Sound&lt;/A&gt;, a revolutionary spa technique pioneered in Germany.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Bathing in light and sound, say its creators, is as natural as the world around us: 'For thermal baths this is revolutionary, but for the oceans this is nothing new – the troubadours of the oceans, the whales, have been giving underwater poetry readings and concerts for 40 million years, live, day and night.'&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In fact this sensual experience is so profound that even the deaf and hard of hearing can feel music under water.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;If you want to float in a body-temperature salt pool while light and ambient tunes waft over you, visit the &lt;A target="_blank" href="http://www.liquidrom-berlin.de/index.html" title="Liquidrom" class="newslink"&gt;Liquidrom &lt;/A&gt;in Berlin, or one of the Toksana Thermae spas in &lt;A href="http://www.toskanaworld.net/web/en/therme_bad_sulza/home.asp" title="Bad Sulza" class="newslink"&gt;Bad Sulza&lt;/A&gt; and &lt;A target="_blank" href="http://www.toskanaworld.net/web/en/therme_bad_schandau/home.asp" title="Bad Schandau" class="newslink"&gt;Bad Schandau&lt;/A&gt;.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/valann 47/512/F8E84DB8-67FE-44FC-BD29-2A213F54A54D.jpg" alt="Liquid Sound............................(2794.jpg)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/spas/" rel="tag"&gt;spas&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bathing/" rel="tag"&gt;bathing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/senses/" rel="tag"&gt;senses&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.been-seen.com/article.cfm?id=10662</clipSource><pubDate>Fri, 02 May 2008 07:29:31 GMT</pubDate></item><item><title>5 Cats that Look Like Wilford Brimley</title><link>http://clipmarks.com/clipmark/B6D5DE93-27AE-4BE7-9CE1-294286D00DCB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Charolastra/"&gt;Charolastra&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://gatoisland.com/archive/wilfordbrimleycats/" title="http://gatoisland.com/archive/wilfordbrimleycats/"&gt;gatoisland.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/Charolastra/512/F54895CA-9B86-46BB-92AD-34E6D3F795F6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/Charolastra/512/2506910D-F1C8-46AE-AB33-C548FC929B33.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/Charolastra/512/6B8DFBC1-97BF-40D1-89AD-6FACCEF6325E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/Charolastra/512/AE60FFC0-4481-44C0-AED6-C2B0A58E54F5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/Charolastra/512/693BBB27-B74D-4A7B-BF23-641CCA6AE943.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/cats/" rel="tag"&gt;cats&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/wilford+brimley/" rel="tag"&gt;wilford brimley&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://gatoisland.com/archive/wilfordbrimleycats/</clipSource><pubDate>Fri, 02 May 2008 20:32:18 GMT</pubDate></item><item><title>Star Wars Sex</title><link>http://clipmarks.com/clipmark/1E54E6E8-0762-4D1F-B845-706F1A039E71/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/righthand/"&gt;righthand&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dayofthejedi.com/articles/2008/04/top_10_sexually_suggestive.html" title="http://www.dayofthejedi.com/articles/2008/04/top_10_sexually_suggestive.html"&gt;www.dayofthejedi.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Luke, at that speed do you think you'll be able to pull out in time?"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Get in there you big furry oaf, I don't care what you smell!"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Put that thing away before you get us all killed."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; "You've got something jammed in here real good."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"You came in that thing? You're braver than I thought."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; "Sorry about the mess..."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Look at the size of that thing!"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"That's okay, I'd like to keep it on manual control for a while."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; "I must've hit it pretty close to the mark to get her all riled up like that, huh kid?"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Possible he came in through the south entrance."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; "Hey, point that thing someplace else."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; "There is good in him, I've felt it."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Hey, Luke, thanks for coming after me -- now I owe you one."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; "Back door, huh? Good idea!" &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"I think you'll fit in nicely."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; "Wedge! Pull out! You're not doing any good back there!"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;DIV&gt;May the Force be with you!&lt;/DIV&gt;
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&lt;DIV align="center"&gt;

&lt;IMG height="314" border="0" width="500" src="http://www.dayofthejedi.com/articles/2008/04/images/top_10_sexually_suggestive/200.jpg" alt="The Force is with you, Colonel Sanders, but you are not a Jedi yet - Jedi Master Colonel Sanders with Lightsaber - KFC - UNIVERSAL DAY OF THE JEDI - MAY 25" /&gt;
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&lt;IMG height="390" border="0" width="500" src="http://www.dayofthejedi.com/articles/2008/04/images/top_10_sexually_suggestive/229.jpg" alt="GONK - Gonk Droid - UNIVERSAL DAY OF THE JEDI - MAY 25" /&gt;
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&lt;IMG height="496" border="0" width="500" src="http://www.dayofthejedi.com/articles/2008/04/images/top_10_sexually_suggestive/248.jpg" alt="Pink Floyd - Dark Side of That's No Moon - UNIVERSAL DAY OF THE JEDI - MAY 25" /&gt;
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&lt;IMG height="272" border="0" width="480" src="http://www.dayofthejedi.com/articles/2008/04/images/top_10_sexually_suggestive/402.jpg" alt="Jedi Squirrels with Lightsabers - UNIVERSAL DAY OF THE JEDI - MAY 25" /&gt;
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&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BR /&gt;
&lt;H2&gt;Top 10 Sexually Suggestive Lines in&lt;BR /&gt;
the Original Star Wars Trilogy&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Look at the size of that thing!"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"She may not look like much, but she's got it where it counts, kid."&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/sex/" rel="tag"&gt;sex&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/comic/" rel="tag"&gt;comic&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dayofthejedi.com/articles/2008/04/top_10_sexually_suggestive.html</clipSource><pubDate>Fri, 02 May 2008 14:15:43 GMT</pubDate></item><item><title>WWI posters</title><link>http://clipmarks.com/clipmark/FAA084CA-6C94-4172-A41E-57D2FC0D6823/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/boozich/"&gt;boozich&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://muzich.blogspot.com/2008/05/wwi-poster.html" title="http://muzich.blogspot.com/2008/05/wwi-poster.html"&gt;muzich.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/boozich/512/91521914-F407-433A-B49D-A19078740E27.jpg" alt="Paris Day: 1915" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE cite="http://vintagraph.com/index.php?showimage=38"&gt;A 1915 French WWI poster soliciting for a Paris Day war charities fund raiser&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://muzich.blogspot.com/2008/05/wwi-poster_02.html" title="http://muzich.blogspot.com/2008/05/wwi-poster_02.html"&gt;muzich.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/boozich/512/B0471B5F-8D6E-4D52-82DA-110F6D98D64B.jpg" alt="America Calls: 1917" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="title"&gt;America Calls: 1917&lt;/SPAN&gt;&lt;BR /&gt;&lt;TABLE width="100%"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD id="image-notes"&gt;This WWI enlistment poster shows Liberty shaking the hand of a sailor&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://muzich.blogspot.com/2008/05/wwi-poster_1468.html" title="http://muzich.blogspot.com/2008/05/wwi-poster_1468.html"&gt;muzich.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/boozich/512/4DC60651-8FB8-4678-87C2-0452E5E9B7FD.jpg" alt="Veterinary Corps: 1919" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE cite="http://vintagraph.com/index.php?showimage=32"&gt;Veterinary Corps: 1919&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://muzich.blogspot.com/2008/05/wwi-poster_1031.html" title="http://muzich.blogspot.com/2008/05/wwi-poster_1031.html"&gt;muzich.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/boozich/512/B338381E-0E13-474F-97F7-9BFEC6144363.jpg" alt="Get Behind the Girl: c. 1918" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="title"&gt;1918&lt;/SPAN&gt;&lt;BR /&gt;&lt;TABLE width="100%"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD id="image-notes"&gt;New York State Land Army Membership Committee from WWI shows a young woman tending a garden, with a drawing of a soldier in the background: "Get behind the girl he left behind him. Join the land army." During WWI the government encouraged women to participate in the Land Army to help keep farm production from declining&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://muzich.blogspot.com/2008/05/wwi-poster_942.html" title="http://muzich.blogspot.com/2008/05/wwi-poster_942.html"&gt;muzich.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/boozich/512/D8AE78C5-DA2F-4500-A2F2-60C1325D5FCE.jpg" alt="Join the Tanks: 1919" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="title"&gt;Join the Tanks: 1919&lt;/SPAN&gt;&lt;BR /&gt;&lt;TABLE width="100%"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD id="image-notes"&gt;A U.S. Army Tank Corps recruiting poster&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://muzich.blogspot.com/2008/05/wwi-poster_3240.html" title="http://muzich.blogspot.com/2008/05/wwi-poster_3240.html"&gt;muzich.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/boozich/512/9849A9B3-4D54-4112-821F-9C2709B8492C.jpg" alt="Join the Air Service: 1917" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE cite="http://vintagraph.com/index.php?showimage=1"&gt;A WWI recruitment poster from 1917 shows the Air Service insignia and a crew tending to a plane&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://muzich.blogspot.com/2008/05/wwi-poster_9354.html" title="http://muzich.blogspot.com/2008/05/wwi-poster_9354.html"&gt;muzich.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/boozich/512/57466757-3AFD-4BEB-B3DD-4705BC1C14D2.jpg" alt="The Fruits of Victory: c. 1918" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="title"&gt;The Fruits of Victory: c. 1918&lt;/SPAN&gt;&lt;BR /&gt;&lt;TABLE width="100%"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD id="image-notes"&gt;A woman dressed in stars and stripes poses with vegetables and jars of preserved food in this WWI poster&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://muzich.blogspot.com/2008/05/wwi-poster_3513.html" title="http://muzich.blogspot.com/2008/05/wwi-poster_3513.html"&gt;muzich.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/boozich/512/C69B5D42-CCDF-4035-B17F-CDB9FD35490E.jpg" alt="These Men Have Come Across: c. 1918" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;c. 1918&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://muzich.blogspot.com/2008/05/wwi-poster_02.html" title="http://muzich.blogspot.com/2008/05/wwi-poster_02.html"&gt;muzich.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/boozich/512/589AB96A-7B8B-4394-A5F1-A19966762F5B.jpg" alt="America Calls: 1917" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="title"&gt;America Calls: 1917&lt;/SPAN&gt;&lt;BR /&gt;&lt;TABLE width="100%"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD id="image-notes"&gt;This WWI enlistment poster shows Liberty shaking the hand&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://muzich.blogspot.com/2008/05/wwi-poster.html" title="http://muzich.blogspot.com/2008/05/wwi-poster.html"&gt;muzich.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/boozich/512/B7E24E4A-D759-4AF1-8A08-9F4A5DA1CF48.jpg" alt="Paris Day: 1915" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;A 1915 French WWI poster soliciting for a Paris Day war charities fund raiser&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://muzich.blogspot.com/2008/05/wwi-poster.html</clipSource><pubDate>Fri, 02 May 2008 12:55:50 GMT</pubDate></item><item><title> Keyboards 'dirtier than a toilet'</title><link>http://clipmarks.com/clipmark/CA4DE247-A28D-4AF2-8E88-4082B32AD7C7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Loganzweb/"&gt;Loganzweb&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Working in IT, I know all about this, however years of exposur have meant I've built up an immunity. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/1/hi/uk/7377002.stm" title="http://news.bbc.co.uk/1/hi/uk/7377002.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
					Keyboards 'dirtier than a toilet'
				&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Some computer keyboards harbour more harmful bacteria than a toilet seat, research has suggested.&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Consumer group Which? said tests at its London offices found equipment carrying bugs that could cause food poisoning. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Out of 33 keyboards swabbed, four were regarded as a potential health hazard and one harboured five times more germs than one of the office's toilet seats.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://news.bbc.co.uk/1/hi/uk/7377002.stm</clipSource><pubDate>Thu, 01 May 2008 12:55:03 GMT</pubDate></item></channel></rss>