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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | </title><link>http://clipmarks.com/popular/date/2008/2/9/</link><feedUrl>http://rss.clipmarks.com/popular/date/2008/2/9/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>The Lie of Memory</title><link>http://clipmarks.com/clipmark/F2CAB2AC-54E7-46E2-91A8-59469024132E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Eric D. Lehman &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.entelechyjournal.com/ericdlehman.htm" title="http://www.entelechyjournal.com/ericdlehman.htm"&gt;www.entelechyjournal.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Memory works in strange ways. Scientists are 
			still unsure how it is stored, and even more baffled by the fact 
			that it seems to change over time. How do events we perceive as 
			objective reality become muddled fantasy? Why do people forget 
			something for years, and then suddenly it pops into their minds? 
			What makes certain neurons fire and not others? Where? When? 
			Scientists don’t like chaos.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The worst element of 
			our unreliable neural nets is their seeming ability to lie to us&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;fluctuation depends on the 
			everchanging perspective and mood of the mapmaker.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="style260"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document4"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document5"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document6"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document7"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document8"&gt;&lt;FONT size="3" class="style91"&gt;Why could two people possibly have 
			the same perspective? &lt;I&gt;How&lt;/I&gt; could they? We do not step into the 
			same river twice, and the infinite deceits that memory practices 
			could lead to infinite divergences between people. &lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;FONT size="2" face="Arial" color="#000000" id="role_document4"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document5"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document6"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document7"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document8"&gt;			&lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;P class="style259"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document4"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document5"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document6"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document7"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document8"&gt; &lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;FONT size="2" face="Arial" color="#000000" id="role_document4"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document5"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document6"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document7"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document8"&gt;			&lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;P class="style258"&gt;&lt;SPAN class="style91"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document4"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document5"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document6"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document7"&gt;&lt;FONT size="2" face="Arial" color="#000000" id="role_document8"&gt;But they do not. And those 
			slight adjustments we make, those subtle fictions that dispute the 
			lie of memory, &lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/memory/" rel="tag"&gt;memory&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.entelechyjournal.com/ericdlehman.htm</clipSource><pubDate>Sat, 09 Feb 2008 08:09:07 GMT</pubDate></item><item><title>The Biology of Imagination</title><link>http://clipmarks.com/clipmark/4BC6B177-302C-4A9D-9867-C21F7430BBBB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.entelechyjournal.com/simonbaroncohen.htm" title="http://www.entelechyjournal.com/simonbaroncohen.htm"&gt;www.entelechyjournal.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In what sense might 
		something as intrinsically human as the imagination be biological? How 
		could the products of the imagination – a novel, a painting, a sonata, a 
		theory – be thought of as the result of biological matter? After all, 
		such artefacts are what &lt;I&gt;culture&lt;/I&gt; is made of. So why invoke 
		biology? In this essay, I will argue that the &lt;I&gt;content&lt;/I&gt; of the 
		imagination is of course determined more by culture than biology. But 
		the &lt;I&gt;capacity&lt;/I&gt; to imagine owes more to biology than culture.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;by Simon Baron-Cohen&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/imagination/" rel="tag"&gt;imagination&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/brain+hardwiring/" rel="tag"&gt;brain hardwiring&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.entelechyjournal.com/simonbaroncohen.htm</clipSource><pubDate>Sat, 09 Feb 2008 08:05:08 GMT</pubDate></item><item><title>The female brain:Facts about the neurochemical make-up of women</title><link>http://clipmarks.com/clipmark/967A8D40-1D9A-42C5-AD91-B2190A07BB0D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.divinecaroline.com/article/22079/42873-size-matter/2" title="http://www.divinecaroline.com/article/22079/42873-size-matter/2"&gt;www.divinecaroline.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;The female brain is much more adept at reading subtle facial and verbal emotional expressions.&lt;/STRONG&gt; Men, on the other hand, cannot read emotions—it’s only when they see actual tears that they realize that something is wrong. This is why women have evolved to cry four times more than men do, to signal distress that men cannot ignore.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.divinecaroline.com/article/22079/42873-size-matter" title="http://www.divinecaroline.com/article/22079/42873-size-matter"&gt;www.divinecaroline.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The switch from the giddy intensity of romance to the calmer, less passionate long-term relationship state is nature’s way of decreasing a couple’s focus on each other so that they can care for a new child.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.divinecaroline.com/article/22079/42873-size-matter/2" title="http://www.divinecaroline.com/article/22079/42873-size-matter/2"&gt;www.divinecaroline.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Love hurts—literally.&lt;/STRONG&gt; Romantic rejection triggers the same circuits in the brain, as does physical pain.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.divinecaroline.com/article/22079/42873-size-matter" title="http://www.divinecaroline.com/article/22079/42873-size-matter"&gt;www.divinecaroline.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Women are not prone to fidelity any more than men are.&lt;/STRONG&gt; &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.divinecaroline.com/article/22079/42873-size-matter/2" title="http://www.divinecaroline.com/article/22079/42873-size-matter/2"&gt;www.divinecaroline.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Women are only half as likely to be gay as men. &lt;/STRONG&gt;An estimated 5-10 percent of the female population is estimated to have same-sex attraction, but the female brain is only half as likely to be wired for same sex attraction as the male brain.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.divinecaroline.com/article/22079/42873-size-matter/2</clipSource><pubDate>Fri, 08 Feb 2008 07:53:22 GMT</pubDate></item><item><title>Poverty and Hardship</title><link>http://clipmarks.com/clipmark/2D630352-7AAE-4FA8-8551-DD7AA12CC413/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/dmegivern/"&gt;dmegivern&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cbpp.org/12-20-07pov.htm" title="http://www.cbpp.org/12-20-07pov.htm"&gt;www.cbpp.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Arial"&gt;POVERTY AND HARDSHIP AFFECT TENS OF MILLIONS OF AMERICANS&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Arial"&gt;&lt;B&gt;15.4 million Americans live in &lt;I&gt;extreme &lt;/I&gt;poverty&lt;/B&gt;.  In other words, their family’s cash income is less than &lt;I&gt;half&lt;/I&gt; of the poverty line, or less than about $10,000 a year for a family of four.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Food:&lt;/B&gt;  Some 12.6 million households, containing 35.5 million people, lacked access to adequate food at some point during the year because they didn’t have enough money for groceries.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Shelter: &lt;/B&gt;16 million low-income households either paid more for rent and utilities than the federal government says is affordable or lived in overcrowded or substandard housing.  &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Nearly 9 million children are uninsured, and the number of uninsured children has risen for two straight years.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Assistance Programs Reduce Poverty and Hardship, But Serious Gaps Remain&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Many households do not qualify.&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Some people are eligible for programs but do not participate.&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Some programs provide inadequate benefits.&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Programs that can improve employment and earnings receive inadequate funding.&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.cbpp.org/12-20-07pov.htm</clipSource><pubDate>Fri, 08 Feb 2008 01:49:44 GMT</pubDate></item><item><title>B&amp;W Ancient HOLLYWOOD STARS</title><link>http://clipmarks.com/clipmark/DC11BA2A-1448-4388-A2BB-8DA096E389A6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/righthand/"&gt;righthand&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Specially for us old fogies.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.younggalleryphoto.com/photography/azoulay/azoulay.html" title="http://www.younggalleryphoto.com/photography/azoulay/azoulay.html"&gt;www.younggalleryphoto.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;IMG width="279" height="405" border="0" alt="" src="http://www.younggalleryphoto.com/photography/azoulay/images/photo01.jpg" /&gt;&lt;/TD&gt;
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									&lt;TD valign="top" height="40" align="center"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular" color="#c8c8c8"&gt;Brigitte Bardot, St. Tropez, Juillet 1958&lt;/FONT&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;IMG width="405" height="284" border="0" alt="" src="http://www.younggalleryphoto.com/photography/azoulay/images/photo02.jpg" /&gt;&lt;/TD&gt;
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									&lt;TD valign="top" height="40" align="center"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular" color="#c8c8c8"&gt;Marylin Monroe, Jerry Strasberg (Actor's Studio), New York, Mars 1961&lt;/FONT&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;IMG width="282" height="405" border="0" alt="" src="http://www.younggalleryphoto.com/photography/azoulay/images/photo03.jpg" /&gt;&lt;/TD&gt;
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									&lt;TD valign="top" height="40" align="center"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular" color="#c8c8c8"&gt;Caroll Baker, Cannes, Mai 1965&lt;/FONT&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;IMG width="405" height="277" border="0" alt="" src="http://www.younggalleryphoto.com/photography/azoulay/images/photo04.jpg" /&gt;&lt;/TD&gt;
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									&lt;TD valign="top" height="40" align="center"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular" color="#c8c8c8"&gt;Claudia Cardinale, St. Germain des Prés, "Aux 2 Magots", Paris, Septembre 1961&lt;/FONT&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;IMG width="405" height="282" border="0" alt="" src="http://www.younggalleryphoto.com/photography/azoulay/images/photo05.jpg" /&gt;&lt;/TD&gt;
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									&lt;TD valign="top" height="40" align="center"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular" color="#c8c8c8"&gt;Jane Fonda et Michael Caine, Baton Rouge, Louisiane, USA, Août 1966&lt;/FONT&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;IMG width="405" height="278" border="0" alt="" src="http://www.younggalleryphoto.com/photography/azoulay/images/photo06.jpg" /&gt;&lt;/TD&gt;
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									&lt;TD valign="top" height="40" align="center"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular" color="#c8c8c8"&gt;Serge Gainsbourg, Jane Birkin avec Charlotte et Kate, chez eux, Verneuil, Paris, Septembre 1976&lt;/FONT&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;IMG width="288" height="405" border="0" alt="" src="http://www.younggalleryphoto.com/photography/azoulay/images/photo07.jpg" /&gt;&lt;/TD&gt;
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									&lt;TD valign="top" height="40" align="center"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular" color="#c8c8c8"&gt;Frederico Fellini et Marcello Mastroiani, Cine Cita, Rome, Juin 1962&lt;/FONT&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;IMG width="405" height="287" border="0" alt="" src="http://www.younggalleryphoto.com/photography/azoulay/images/photo08.jpg" /&gt;&lt;/TD&gt;
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									&lt;TD valign="top" height="15" align="center"&gt;&lt;/TD&gt;
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									&lt;TD valign="top" height="40" align="center"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular" color="#c8c8c8"&gt;De Gaule et J.F. Kennedy, Palais De L' Elysée, Paris, Mai 1961&lt;/FONT&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;IMG width="278" height="405" border="0" alt="" src="http://www.younggalleryphoto.com/photography/azoulay/images/photo09.jpg" /&gt;&lt;/TD&gt;
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									&lt;TD valign="top" height="15" align="center"&gt;&lt;/TD&gt;
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									&lt;TD valign="top" height="40" align="center"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular" color="#c8c8c8"&gt;Peter O' Toole, Paris, Avril 1963&lt;/FONT&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;IMG width="405" height="285" border="0" alt="" src="http://www.younggalleryphoto.com/photography/azoulay/images/photo10.jpg" /&gt;&lt;/TD&gt;
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									&lt;TD valign="top" height="15" align="center"&gt;&lt;/TD&gt;
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									&lt;TD valign="top" height="65" align="center"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular" color="#c8c8c8"&gt;Jane Fonda, Baton Rouge, Louisiane, USA, Août 1966&lt;/FONT&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;IMG width="278" height="405" border="0" alt="" src="http://www.younggalleryphoto.com/photography/azoulay/images/photo11.jpg" /&gt;&lt;/TD&gt;
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												&lt;TD valign="top" height="15" align="center"&gt;&lt;/TD&gt;
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												&lt;TD valign="top" height="40" align="center"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular" color="#c8c8c8"&gt;Jane Mansfield, Nice, Octobre 1957&lt;/FONT&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD valign="top" align="center"&gt;&lt;IMG width="287" height="405" border="0" alt="" src="http://www.younggalleryphoto.com/photography/azoulay/images/photo12.jpg" /&gt;&lt;/TD&gt;
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												&lt;TD valign="top" height="15" align="center"&gt;&lt;/TD&gt;
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												&lt;TD valign="top" height="40" align="center"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular" color="#c8c8c8"&gt;Yves Saint Laurent, Paris, Juillet 1963&lt;/FONT&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;For an access to the entire collection please &lt;A target="_blank" href="http://www.younggalleryphoto.com/photography/azoulay/../../azoulay/index.html"&gt;click here&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photos/" rel="tag"&gt;photos&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.younggalleryphoto.com/photography/azoulay/azoulay.html</clipSource><pubDate>Thu, 07 Feb 2008 16:04:36 GMT</pubDate></item><item><title>Penelope &amp; Scarlett Play Lesbians In New Woody Allen Film</title><link>http://clipmarks.com/clipmark/C1F3A641-13D7-4EEE-B0A1-04D00D762E46/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/BartendingBear/"&gt;BartendingBear&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I thought debbyski might enjoy this. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.topsocialite.com/aaaand-you-know-who-else-is-recording-an-album/" title="http://www.topsocialite.com/aaaand-you-know-who-else-is-recording-an-album/"&gt;www.topsocialite.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;God bless Woody Allen.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;His new movie features &lt;STRONG&gt;Scarlett Johansson&lt;/STRONG&gt; and &lt;STRONG&gt;Penelope Cruz&lt;/STRONG&gt; engaging in a &lt;STRONG&gt;steamy lesbian sex scene&lt;/STRONG&gt; that &lt;A href="http://www.nypost.com/seven/02072008/gossip/pagesix/sapphic_steam_441536.htm" linkindex="6" set="yes"&gt;Page Six&lt;/A&gt; says is “extremely erotic. People will be blown away and even shocked. Penelope and Scarlett go at it in a red-tinted photography dark room, and it will leave the audience gasping.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;IMG alt="Scarlett Johansson Lesbian Scene" src="http://www.topsocialite.com/wp-content/uploads/2008/02/scarlett-johanss-lesbian.jpg" /&gt;&lt;IMG alt="Penelope Cruz Lesbian Scene" src="http://www.topsocialite.com/wp-content/uploads/2008/02/penelope_cruz_lesbian.jpg" /&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;We all pretty much owe a debt to Woody Allen that can never be repaid. His new movie is called &lt;EM&gt;Vicky Cristina Barcelona&lt;/EM&gt; and will be out early next year according to IMDB. Pretty sure I’ll be seeing this one on release day.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.topsocialite.com/aaaand-you-know-who-else-is-recording-an-album/</clipSource><pubDate>Fri, 08 Feb 2008 14:37:38 GMT</pubDate></item></channel></rss>