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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | </title><link>http://clipmarks.com/popular/date/2007/12/15/</link><feedUrl>http://rss.clipmarks.com/popular/date/2007/12/15/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Heartbreaking Nature Story</title><link>http://clipmarks.com/clipmark/837EB832-B8F7-4095-8FA2-A7034AE837A7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/AtlLiberal/"&gt;AtlLiberal&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  We know that whales are intelligent. Whether they are self aware is another matter. Yet, there is something very poignant about this story. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.kuro5hin.org/story/2004/12/20/184723/82" title="http://www.kuro5hin.org/story/2004/12/20/184723/82"&gt;www.kuro5hin.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="12" valign="top" align="center"&gt;&lt;CENTER&gt;
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			&lt;FONT size="3" face="verdana, arial, helvetica, sans-serif"&gt;&lt;B&gt;&lt;A href="http://www.kuro5hin.org/story/2004/12/20/184723/82"&gt;&lt;FONT color="#000000"&gt;The Loneliest Mystery of the Deep&lt;/FONT&gt;&lt;/A&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="verdana, arial, helvetica, sans-serif"&gt;
			
		For the last 12 years, a single solitary whale whose vocalizations match no known living species has been tracked across the Northeast Pacific. Its wanderings match no known migratory patterns of any living whale species. Its vocalizations have also subtly deepened over the years, indicating that the whale is maturing and ageing. And, during the entire 12 year span that it has been tracked, it has been calling out for contact from others of its own kind.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="verdana, arial, helvetica, sans-serif"&gt;It has received no answer. Nor will it ever.
			&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="verdana, arial, helvetica, sans-serif"&gt;Whatever the identity of this strange unidentified alien whale, it is, for now, the very definition of poetic, existential loneliness, in both time and space. The whale is somewhere wandering the Northeast Pacific, right now, in a rudderless, aimless track. And right now the lonely beast could be calling out for others of its kind, and finding none, for over 12 years and counting.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/nature/" rel="tag"&gt;nature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/whale/" rel="tag"&gt;whale&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/lonely/" rel="tag"&gt;lonely&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sad/" rel="tag"&gt;sad&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.kuro5hin.org/story/2004/12/20/184723/82</clipSource><pubDate>Sat, 15 Dec 2007 22:41:50 GMT</pubDate></item><item><title>Steal my content, please!</title><link>http://clipmarks.com/clipmark/2B232978-C948-4DE0-963E-5BB6DACBCD60/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ericskiff/"&gt;ericskiff&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I completely agree with Scoble on this one, although I can understand why people who make their living directly from their creations have a hard time letting go of the fear of giving away at least some of the rights to their content.&lt;br/&gt;&lt;br/&gt;Cory Doctorow began releasing all of his literary work under creative commons licenses years ago, allowing people to freely download and distribute his work under some light provisos. I downloaded and read "Down and Out in the Magic Kingdom" on my palm pilot, freely and legally, and was hooked. &lt;br/&gt;&lt;br/&gt;Because of that, I've read a huge amount of his writing, become a mammoth fan, and will likely purchase every book he publishes. I've also published everything I've written, shot, and produced under a similar license.&lt;br/&gt;&lt;br/&gt;While that certainly hasn't brought me traditional commercial success, it has definitely accelerated serendipity countless times for me, and if you trace out the effects of those 'lucky' events, it's helped shape both my career and life. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://scobleizer.com/2007/12/11/steal-my-content-please/" title="http://scobleizer.com/2007/12/11/steal-my-content-please/"&gt;scobleizer.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;I was just reading feeds before heading to the second day’s events at LeWeb3 conference in Paris. Along comes Susan Mernit’s blog, &lt;A href="http://susanmernit.blogspot.com/2007/12/quote-of-day_11.html"&gt;who quotes Lane Hartwell&lt;/A&gt;, who is pissed that people steal her photographs. She’s decided to take all of her Flickr photos out of the public eye.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Me? I’m the opposite of Lane. I WANT YOU to steal my content. In fact, next year I’m going to do stuff to make all my content available via Creative Commons license so you can use it whereever and whenever, including my video shows. I’d like a credit, yes, but don’t demand it. I’d rather just add to the human experience and if that means that other people make money off of my work, so be it.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;I’ve found that the more I give away my content, the more magical stuff happens to me anyway and if that means my photos or writings or videos get used in some way that I don’t really like, well, that’s a risk I’m willing to take. Lane obviously is not.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://scobleizer.com/2007/12/11/steal-my-content-please/</clipSource><pubDate>Sat, 15 Dec 2007 14:09:31 GMT</pubDate></item><item><title>Volvo Removes the Weakest Link — You</title><link>http://clipmarks.com/clipmark/AD2651AD-C7A8-418F-B59B-6E9D8CE94B15/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://blog.wired.com/cars/2007/12/volvo-safety-te.html" title="http://blog.wired.com/cars/2007/12/volvo-safety-te.html"&gt;blog.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 id="articlehed"&gt;Volvo Safety Tech Removes the Weakest Link — You&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/wildcat/512/DFAF1DD8-402D-4A9B-BD15-25589B67B25A.jpg" alt="Autobrake_3" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/wildcat/512/13BC0F95-B2D1-4BB7-9ADE-EB21F27BE334.jpg" alt="Autosteering_4" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/wildcat/512/71605C5B-6E26-44AB-9723-1DAC2CA39A38.jpg" alt="Vtovcom_2" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;

Volvo's not kidding about safety. Apparently out to set some sort of record, the Swedish automaker has announced three new experimental vehicle safety systems at the same time:&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;Automatic braking to avoid pedestrians;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;Automatic steering to stop head-on collisions; and&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;Communication between cars to reduce traffic pile-ups&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The first system (above left), which builds on Volvo's existing &lt;B&gt;Collision Warning with Auto Brake&lt;/B&gt; system (designed to mitigate vehicle-to-vehicle collisions), uses wide-angle radar to detect objects in front of and around the car, helping the driver "see" pedestrians. When it spots one, a red warning light flashes on the windshield to alert the driver. If the driver still doesn't react to avoid our hapless pedestrian, the car will take matters into its own hands and apply the brakes automatically.

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Collision Avoidance by Auto Steering&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Vehicle-to-Vehicle Communication&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/cars/" rel="tag"&gt;cars&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/safety/" rel="tag"&gt;safety&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/volvo/" rel="tag"&gt;volvo&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/you/" rel="tag"&gt;you&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/the+weakest+link/" rel="tag"&gt;the weakest link&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://blog.wired.com/cars/2007/12/volvo-safety-te.html</clipSource><pubDate>Sat, 15 Dec 2007 12:20:40 GMT</pubDate></item><item><title>Reasons to like ClipCast according to ouyangwulong...</title><link>http://clipmarks.com/clipmark/BF1130B3-36C8-4F61-B174-9F8984248C90/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/egoldstein/"&gt;egoldstein&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I've done a lot of writing about my perspective on ClipCast, but i just read some really insightful comments by ouyangwulong that said it better than i have been able to.  Wanted to share them with everyone by clipping them.&lt;br/&gt;&lt;br/&gt;Thank you ouyangwulong.  Not just for having such a positive perspective on it, but for truly tapping into and expressing the essence of what it's all about.  It was truly a great feeling to read your comments.  &lt;br/&gt;&lt;br/&gt;By the way, i'm eric goldstein on facebook.  Would love to see the "other side" of your clips...friend me if you like &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://clipmarks.com/clipmark/766D22B0-4FB1-4D65-AEEC-AECE451766E1/" title="http://clipmarks.com/clipmark/766D22B0-4FB1-4D65-AEEC-AECE451766E1/"&gt;clipmarks.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Here's why I like clipcast: it broadens the clipmarks community. I love my clip-friends, but I have other friends out there in the real world. I also like talking with them about what I read, and although I have convinced some of them to come over to clipmarks, I have to say this makes clipmarks much more accessible and a useful tool for communication with people in the outside world.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Using the clipcast, we can spread this thoughtful medium to other sites on the web, and hopefully bring a little bit of civility as we go!&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; Another reason to put clipcasts on your websites is that it helps you manage your different internet identities. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Clip casts are the solution. I can create a separate clipcast for Facebook, one that reflects the part of my clips that fit with the social aspect of my persona that is established there. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Clipmarks brings out the best in the internet, but a few well organized clip casts will bring out the best in Clipmarks&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/clipcast/" rel="tag"&gt;clipcast&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/clipmarks/" rel="tag"&gt;clipmarks&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://clipmarks.com/clipmark/766D22B0-4FB1-4D65-AEEC-AECE451766E1/</clipSource><pubDate>Sat, 15 Dec 2007 04:24:33 GMT</pubDate></item><item><title>Top 10 Archaeological Discoveries of 2007</title><link>http://clipmarks.com/clipmark/00403A02-E371-4326-A10A-A7B072A751C8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/invictus/"&gt;invictus&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  This is Archaeology Magazine's Top 10 list - mine would be a little different. If you visit source site, there are more discoveries of 2007 which didn't make it into the magazine's list but proposed by scholars. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.archaeology.org/0801/topten/" title="http://www.archaeology.org/0801/topten/"&gt;www.archaeology.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR&gt;
	&lt;TD width="125" valign="center" align="center" class="text"&gt;&lt;A href="http://www.archaeology.org/0801/topten/solar_observatory.html" class="black"&gt;&lt;IMG border="0" alt="image" src="http://www.archaeology.org/0801/topten/thumbnails/solar_observatory_sm.gif" /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;B&gt;Solar Observatory at Chankillo, Peru&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;

	&lt;TD width="125" valign="center" align="center" class="text"&gt;&lt;A href="http://www.archaeology.org/0801/topten/cuneiform.html" class="black"&gt;&lt;IMG border="0" alt="image" src="http://www.archaeology.org/0801/topten/thumbnails/cuneiform_sm.gif" /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;B&gt;Nebo-Sarsekim Cuneiform Tablet&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;

	&lt;TD width="125" valign="center" align="center" class="text"&gt;&lt;A href="http://www.archaeology.org/0801/topten/clovis.html" class="black"&gt;&lt;IMG border="0" alt="image" src="http://www.archaeology.org/0801/topten/thumbnails/clovis_sm.gif" /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;B&gt;New Dates for Clovis Sites&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;
&lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TABLE cellspacing="5" cellpadding="5" border="0"&gt;
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	&lt;TD width="125" valign="center" align="center" class="text"&gt;&lt;A href="http://www.archaeology.org/0801/topten/squash_seeds.html" class="black"&gt;&lt;IMG border="0" alt="image" src="http://www.archaeology.org/0801/topten/thumbnails/squash_seeds_sm.gif" /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;B&gt;Early Squash Seeds, Peru&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;

	&lt;TD width="125" valign="center" align="center" class="text"&gt;&lt;A href="http://www.archaeology.org/0801/topten/chimpanzee.html" class="black"&gt;&lt;IMG border="0" alt="image" src="http://www.archaeology.org/0801/topten/thumbnails/chimpanzee_sm.gif" /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;B&gt;Ancient Chimpanzee Tool Use&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;
&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TABLE cellspacing="5" cellpadding="5" border="0"&gt;
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	&lt;TD width="125" valign="center" align="center" class="text"&gt;&lt;A href="http://www.archaeology.org/0801/topten/tell_brak.html" class="black"&gt;&lt;IMG border="0" alt="image" src="http://www.archaeology.org/0801/topten/thumbnails/tell_brak_sm.gif" /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;B&gt;Urbanization at Tell Brak, Syria&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;

	&lt;TD width="125" valign="center" align="center" class="text"&gt;&lt;A href="http://www.archaeology.org/0801/topten/tara.html" class="black"&gt;&lt;IMG border="0" alt="image" src="http://www.archaeology.org/0801/topten/thumbnails/tara_sm.gif" /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;B&gt;Lismullin Henge, Tara, Ireland&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;

	&lt;TD width="125" valign="center" align="center" class="text"&gt;&lt;A href="http://www.archaeology.org/0801/topten/chicken.html" class="black"&gt;&lt;IMG border="0" alt="image" src="http://www.archaeology.org/0801/topten/thumbnails/chicken_sm.gif" /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;B&gt;Polynesian Chickens in Chile&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;
&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TABLE cellspacing="5" cellpadding="5" border="0"&gt;
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	&lt;TD width="125" valign="center" align="center" class="text"&gt;&lt;A href="http://www.archaeology.org/0801/topten/homo.html" class="black"&gt;&lt;IMG border="0" alt="image" src="http://www.archaeology.org/0801/topten/thumbnails/homo_sm.gif" /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;B&gt;&lt;I&gt;Homo habilis&lt;/I&gt; &amp; &lt;I&gt;Homo erectus&lt;/I&gt;&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;

	&lt;TD width="125" valign="center" align="center" class="text"&gt;&lt;A href="http://www.archaeology.org/0801/topten/angkor.html" class="black"&gt;&lt;IMG border="0" alt="image" src="http://www.archaeology.org/0801/topten/thumbnails/angkor_sm.gif" /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;B&gt;Greater Angkor, Cambodia&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;
&lt;/TR&gt;
&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.archaeology.org/0801/topten/</clipSource><pubDate>Sat, 15 Dec 2007 04:31:47 GMT</pubDate></item><item><title>The gods in colour</title><link>http://clipmarks.com/clipmark/995941CF-38EB-4FC8-B828-62704CA5FE64/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.archaeology.org/0801/trenches/colorgods.html" title="http://www.archaeology.org/0801/trenches/colorgods.html"&gt;www.archaeology.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Leave your preconceived notions of ancient art at home. A groundbreaking exhibition &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;shows how marble statues actually looked in antiquity: covered from head to toe in vibrant paint.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The exhibition corrects a popular misconception,&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;people generally associate classical art with white marble sculpture. "What you would have seen when you walked through an ancient city, cemetery, or sanctuary," she explains, "would have been &lt;I&gt;colorful&lt;/I&gt; sculpture: painted marble, colorful bronze, gold and ivory cult images.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" align="center" class="caption"&gt;&lt;A href="javascript:bigImage('http://www.archaeology.org/image.php?page=0801/trenches/jpegs/colorgods1.jpg')" class="img"&gt;&lt;IMG border="0" alt="[image]" src="http://www.archaeology.org/0801/trenches/thumbnails/colorgods1.gif" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;Original (not on view in the exhibition): Greek, ca. 320 B.C.; marble, height of friezes 58 cm; Istanbul, Archaeological Museum&lt;/DIV&gt;&lt;BR /&gt;&lt;A href="javascript:bigImage('http://www.archaeology.org/image.php?page=0801/trenches/jpegs/colorgods1.jpg')" class="img"&gt;&lt;B&gt;Above:&lt;/B&gt;&lt;/A&gt; Alexander Sarcophagus, color reconstruction of part of one long side (Courtesy Stiftung Archäologie, Munich)
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/64A9E443-BA22-4AC9-B3ED-0B0610579500.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Caligula&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/7EB05075-24DD-4DB3-BD4A-CE47443C863E.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR&gt;
	&lt;TD valign="center" align="center" class="caption"&gt;&lt;A href="javascript:bigImage('http://www.archaeology.org/image.php?page=0801/trenches/jpegs/athena1.jpg')" class="img"&gt;&lt;IMG border="0" alt="[image]" src="http://www.archaeology.org/0801/trenches/thumbnails/athena1.gif" /&gt;&lt;/A&gt;&lt;/TD&gt;
	&lt;TD valign="center" align="center" class="caption"&gt;&lt;A href="javascript:bigImage('http://www.archaeology.org/image.php?page=0801/trenches/jpegs/athena2.jpg')" class="img"&gt;&lt;IMG border="0" alt="[image]" src="http://www.archaeology.org/0801/trenches/thumbnails/athena2.gif" /&gt;&lt;/A&gt;&lt;/TD&gt;
	&lt;TD valign="center" align="left" class="caption"&gt;&lt;DIV&gt;&lt;B&gt;Athena&lt;/B&gt;&lt;/DIV&gt;&lt;BR /&gt;
Original (not on view in the exhibition): Greek, ca. 490-480 B.C.; marble, overall height ca. 340 cm; Staatliche Antikensammlungen und Glyptothek, Munich
&lt;/TD&gt;&lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Aristion&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/1BD17F8C-1D2D-434F-B280-22C37592CF27.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/4EA9AD7D-7F87-47F2-8CA7-E19F814B125B.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/5C040646-625F-426B-B91E-D03C8C8A9BE5.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/9D4170EA-9A3D-42D5-AE58-2F27722B4B20.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/EBF87E5C-48B1-413F-8883-BB4C37AD4B33.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/8DABF2ED-DA55-4ABD-BE1F-516DCB4A7A55.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/E733FBC9-81FE-4F1F-A18D-F07438C16397.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/4172B307-21B8-4379-89EC-6A6D8CD79545.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/80A3B2F5-A05E-4146-B2DB-1A4B59BA68A3.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.archaeology.org/0801/trenches/colorgods.html</clipSource><pubDate>Fri, 14 Dec 2007 02:11:22 GMT</pubDate></item><item><title>Quality of Sleep = Memory storage</title><link>http://clipmarks.com/clipmark/B01EC2FC-2CEB-4D85-B4F4-90DC8D00396E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  the Belgian study shows that getting a good night’s sleep the night after learning a new fact has a direct impact on the transfer process between the hippocampus and the medial prefrontal cortex. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://physorg.com/news116759950.html" title="http://physorg.com/news116759950.html"&gt;physorg.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Quality of Sleep Determines Where the Brain Stores Memories&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/wildcat/512/6F6BAD0E-0851-4BB2-9A8C-113EBFDF7CFC.png" alt="Brain fMRI after six months of a subject who was allowed to sleep the night after learning the word pairs. Correct word recall activates the mPFC and the occipital cortex but there is no longer significant activity in the hippocampus. Image credit: S ..." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;  

As time passes, our memories are transferred to different parts of the brain in order to ideally store our past experiences. While scientists have known that sleep plays an important role in helping consolidate memories, a new study investigates the role of sleep a step further, and shows how one night of sleep can lead to changes in brain activity six months after an event has occurred.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Their research shows that a good night’s sleep after learning word pairs enhances memory processing in the hippocampus, and also induces information transfer between the hippocampus and medial prefrontal cortex (mPFC). This transfer serves to consolidate memories, helping new memories become stable and immune to interfering stimuli.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Our work shows how the development of a trace left by new memories depends on sleep&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;This is the first time we could confirm in humans a number of predictions based on animal research.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/brain/" rel="tag"&gt;brain&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mind/" rel="tag"&gt;mind&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/memory/" rel="tag"&gt;memory&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sleep/" rel="tag"&gt;sleep&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/health/" rel="tag"&gt;health&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://physorg.com/news116759950.html</clipSource><pubDate>Fri, 14 Dec 2007 10:57:23 GMT</pubDate></item><item><title>Execution as human sacrifice</title><link>http://clipmarks.com/clipmark/FAD276C9-E7DB-4527-B3FD-A098A3B03C7F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/kmcolo/"&gt;kmcolo&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A very interesting interview with historian Thomas Cahill where he argues that execution, which shows no deterrent qualities, is not punishment but is likely a deeply held, ancient behavioral need to kill that was acted out in ancient societies as human sacrifices. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.pbs.org/moyers/journal/11092007/transcript2.html" title="http://www.pbs.org/moyers/journal/11092007/transcript2.html"&gt;www.pbs.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
&lt;B&gt;BILL MOYERS:&lt;/B&gt;
I'll introduce you now to someone I've long wanted you to know.  He's steeped himself in thousands of years of history trying to figure out who we are in the 21st century.  
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Thomas Cahill.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;But what actually happened was-- and it's in an instance of how badly this is done in Texas, there were four kids.  One of them was white.  He was not charged with anything. Ever.  And you cannot interview him til this day.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
&lt;B&gt;THOMAS CAHILL:&lt;/B&gt;
I'm saying that there are certain people in our society that we are willing to offer up. And not others.  And they're the people who have no power.  We're not killing Dominique Green because he committed murder.  We're killing Dominique Green because we want to kill somebody.

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;I think that there are many things within the human soul or within the human character that we ignore.  There's a tendency to violence in all of us.  There's even, I believe, a prehistoric desire for human sacrifice.  We see it in all ancient cultures.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/podcast/" rel="tag"&gt;podcast&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/interview/" rel="tag"&gt;interview&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/death+penalty/" rel="tag"&gt;death penalty&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bill+moyers/" rel="tag"&gt;bill moyers&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.pbs.org/moyers/journal/11092007/transcript2.html</clipSource><pubDate>Sat, 15 Dec 2007 13:23:13 GMT</pubDate></item><item><title>Living People Outnumber the Dead- fact or fiction</title><link>http://clipmarks.com/clipmark/99ACBFDE-5164-4F9E-80CD-10578DB5EF8A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sciam.com/article.cfm?id=fact-or-fiction-living-outnumber-dead" title="http://www.sciam.com/article.cfm?id=fact-or-fiction-living-outnumber-dead"&gt;www.sciam.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/wildcat/512/AC0F9C79-C691-41AA-BFF8-CE3E419C9CBD.gif" alt="city crowd" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The human population has swelled so much that people alive today outnumber all those who have ever lived, says a factoid whose roots stretch back to the 1970s. Some versions of this widely circulating rumor claim that 75 percent of all people ever born are currently alive. Yet, despite a quadrupling of the population in the past century, the number of people alive today is still dwarfed by the number of people who have ever lived.

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In 2002 Carl Haub, a demographer at the Population Reference Bureau, a nongovernmental organization in Washington, D.C., updated his earlier estimate of the number of people that have ever existed. To calculate this, he studied the available population data to determine the human population growth rates during different historical periods, and used them to determine the number of people who have ever been born.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;For most of history, the population grew slowly, if at all&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;in the Middle East in 9000 B.C., Earth held an estimated five million people.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/life/" rel="tag"&gt;life&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/human/" rel="tag"&gt;human&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/population/" rel="tag"&gt;population&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/demography/" rel="tag"&gt;demography&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.sciam.com/article.cfm?id=fact-or-fiction-living-outnumber-dead</clipSource><pubDate>Fri, 14 Dec 2007 12:15:06 GMT</pubDate></item><item><title>Radical Life Extension and Religious Evolution</title><link>http://clipmarks.com/clipmark/CCFF62F4-F166-4E54-A3D0-B3285662E3B2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "Technology will inject competition into religion and force religious authorities to clarify what they mean by immortality." This is important, according to Cole-Turner because "there is currently a lot of evasiveness about what immortality means."  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.technewsworld.com/story/Radical-Life-Extension-and-Religious-Evolution-60758.html" title="http://www.technewsworld.com/story/Radical-Life-Extension-and-Religious-Evolution-60758.html"&gt;www.technewsworld.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/wildcat/512/797A01B1-84C1-4779-9196-71FE63030107.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story-summary"&gt;Professor Ron Cole-Turner of the Pittsburgh Theological Seminary discussed how life extension could benefit many religious orders.  "Technology will inject competition into religion and force religious authorities to clarify what they mean by immortality."  This is important, according to Cole-Turner because "there is currently a lot of evasiveness about what immortality means."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;to clarify what radical life extension means, biogerontologist Aubrey de Grey showed up to repeat his well-covered prediction that there is a 50/50 chance that in 25 to 30 years it will be possible to continually repair humans so they can live indefinite life spans.  Of course, even if de Grey's predictions are off, it is still the case, as Professor Mercer points out, that researchers working on areas such as genetic and tissue engineering, stem cells, telomere research, and nanotech will be pushing the human life span into the triple digits, making this particular conversation a matter of "urgent public debate&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/life+extension/" rel="tag"&gt;life extension&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/evolution/" rel="tag"&gt;evolution&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/immortality/" rel="tag"&gt;immortality&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/a+worthy+debate/" rel="tag"&gt;a worthy debate&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.technewsworld.com/story/Radical-Life-Extension-and-Religious-Evolution-60758.html</clipSource><pubDate>Sat, 15 Dec 2007 12:27:47 GMT</pubDate></item><item><title>Baghdad museum's slow recovery</title><link>http://clipmarks.com/clipmark/9D1C8E4A-7C56-4347-8F63-18236DE23C9F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/1/hi/world/middle_east/7144701.stm" title="http://news.bbc.co.uk/1/hi/world/middle_east/7144701.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The Assyrian Hall at the Iraqi National Museum is breathtaking&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;	
		&lt;TABLE width="203" cellspacing="0" cellpadding="0" border="0" align="right"&gt;
			&lt;TBODY&gt;&lt;TR&gt;&lt;TD&gt;
			&lt;DIV&gt;
				&lt;IMG width="203" vspace="0" hspace="0" height="152" border="0" alt="Assyrian statue" src="http://newsimg.bbc.co.uk/media/images/44301000/jpg/_44301724_face_203.jpg" /&gt;
				&lt;DIV class="cap"&gt;The Assyrians once ruled a large empire&lt;/DIV&gt;
			&lt;/DIV&gt;
			&lt;/TD&gt;&lt;/TR&gt;
		&lt;/TBODY&gt;&lt;/TABLE&gt;
		
	

	

Stone panels from the royal palace at Khorsabad run along the walls.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;The carvings on the friezes depict daily life in the Assyrian royal court, which at its height about 3,000 years ago controlled a region stretching across much of the modern Middle East.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/F69F7E53-B0B8-4652-96DD-41EA71609336.jpg" alt="Assyrian statue" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;Recent work in the hall has included the addition of a modern arch, which is flanked by ancient 
bulls with eagle wings and human heads.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;It forms the entrance to
 the hall, which gives you the sense of walking into an Assyrian palace.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;Perhaps the Assyrian gallery is so stunning because it is so unexpected in Baghdad.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;	
		&lt;TABLE width="203" cellspacing="0" cellpadding="0" border="0" align="right"&gt;
			&lt;TBODY&gt;&lt;TR&gt;&lt;TD&gt;
			&lt;DIV&gt;
				&lt;IMG width="203" vspace="0" hspace="0" height="152" border="0" alt="Assyrian hall at Iraqi National Museum in Baghdad" src="http://newsimg.bbc.co.uk/media/images/44301000/jpg/_44301725_hall2_203.jpg" /&gt;
				&lt;DIV class="cap"&gt;Many of Iraq's ancient treasures have been looted since 2003&lt;/DIV&gt;
			&lt;/DIV&gt;
			&lt;/TD&gt;&lt;/TR&gt;
		&lt;/TBODY&gt;&lt;/TABLE&gt;
		
	

	

That collection was devastated in the days following the US-led invasion in 2003, when looters emptied the vaults.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;Some important artefacts have been returned, including the Warka vase, which is over 5,000 years old.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/5AB875D5-4B00-4107-9E2A-E2729E884B65.jpg" alt="Assyrian frieze at Iraqi National Museum" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;Iraqis are fiercely proud of their cultural heritage.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://news.bbc.co.uk/1/hi/world/middle_east/7144701.stm</clipSource><pubDate>Sat, 15 Dec 2007 08:02:30 GMT</pubDate></item></channel></rss>