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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | wildcat's Comments</title><link>http://clipmarks.com/clipper/wildcat/comments/</link><feedUrl>http://rss.clipmarks.com/clipper/wildcat/comments/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>World As Lover; World As Self</title><link>http://clipmarks.com/clipmark/4F601EC3-18C8-476A-BF84-C11F3F3A31E4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Go read this &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.context.org/ICLIB/IC34/Macy.htm" title="http://www.context.org/ICLIB/IC34/Macy.htm"&gt;www.context.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 align="center"&gt;Seeing the world as oneself - or as a lover - transforms ordinary
reality and provides a greater sense of purpose&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;by Joanna Macy&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Spiritual traditions have tended to look at the world in four major ways:
as a battlefield, as a trap, as a lover, and as the self. The first two
- as a stage set for our moral battles or as a prison to escape - are probably
familiar, and have in many ways contributed to our lack of care for the
world. But what of the other two? Might they shed some useful light on life
in an interconnected world?&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
The way we define and delimit the self is arbitrary. We can place it between
our ears and have it looking out from our eyes, or we can widen it to include
the air we breathe, or at other moments, we can cast its boundaries farther
to include the oxygen-giving trees and plankton, our external lungs, and
beyond them the web of life in which they are sustained.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/lover/" rel="tag"&gt;lover&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/self/" rel="tag"&gt;self&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/world/" rel="tag"&gt;world&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.context.org/ICLIB/IC34/Macy.htm</clipSource><pubDate>Sat, 11 Jul 2009 22:48:09 GMT</pubDate></item><item><title>World As Lover; World As Self</title><link>http://clipmarks.com/clipmark/4F601EC3-18C8-476A-BF84-C11F3F3A31E4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Go read this &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.context.org/ICLIB/IC34/Macy.htm" title="http://www.context.org/ICLIB/IC34/Macy.htm"&gt;www.context.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 align="center"&gt;Seeing the world as oneself - or as a lover - transforms ordinary
reality and provides a greater sense of purpose&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;by Joanna Macy&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Spiritual traditions have tended to look at the world in four major ways:
as a battlefield, as a trap, as a lover, and as the self. The first two
- as a stage set for our moral battles or as a prison to escape - are probably
familiar, and have in many ways contributed to our lack of care for the
world. But what of the other two? Might they shed some useful light on life
in an interconnected world?&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
The way we define and delimit the self is arbitrary. We can place it between
our ears and have it looking out from our eyes, or we can widen it to include
the air we breathe, or at other moments, we can cast its boundaries farther
to include the oxygen-giving trees and plankton, our external lungs, and
beyond them the web of life in which they are sustained.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/lover/" rel="tag"&gt;lover&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/self/" rel="tag"&gt;self&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/world/" rel="tag"&gt;world&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.context.org/ICLIB/IC34/Macy.htm</clipSource><pubDate>Sat, 11 Jul 2009 22:48:09 GMT</pubDate></item><item><title>All-purpose tanuki testicles (prints by Kuniyoshi)</title><link>http://clipmarks.com/clipmark/46205339-59D4-487E-9539-8E030285A218/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/cakebelly/"&gt;cakebelly&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Recently finished reading Tom Robbins' "Villa Incognito" (recommended) in which, one of the main protagonists, is a Tanuki (or rather 'The' Tanuki). So I found these prints even more amusing.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.pinktentacle.com/2009/06/all-purpose-tanuki-testicles-prints-by-kuniyoshi/" title="http://www.pinktentacle.com/2009/06/all-purpose-tanuki-testicles-prints-by-kuniyoshi/"&gt;www.pinktentacle.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In the mid-1840s, ukiyo-e master &lt;A href="http://en.wikipedia.org/wiki/Utagawa_Kuniyoshi"&gt;Utagawa Kuniyoshi&lt;/A&gt; (1797-1861) created a number of woodblock prints showing legendary &lt;A href="http://en.wikipedia.org/wiki/Tanuki"&gt;tanuki&lt;/A&gt; (raccoon dogs) using their humorously large scrota in creative ways. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;IMG alt="Tanuki print by Utagawa Kuniyoshi -- " src="http://www.pinktentacle.com/images/kuniyoshi_tanuki_51.jpg" /&gt;&lt;BR /&gt;&lt;EM&gt;River fishing&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;IMG alt="Tanuki print by Utagawa Kuniyoshi -- " src="http://www.pinktentacle.com/images/kuniyoshi_tanuki_61.jpg" /&gt;&lt;BR /&gt;&lt;EM&gt;Shelter from evening showers&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;IMG alt="Tanuki print by Utagawa Kuniyoshi -- " src="http://www.pinktentacle.com/images/kuniyoshi_tanuki_141.jpg" /&gt;&lt;BR /&gt;&lt;EM&gt;&lt;A href="http://www.google.com/url?sa=t&amp;source=web&amp;ct=res&amp;cd=1&amp;url=http:%2F%2Fen.wikipedia.org%2Fwiki%2FRokurokubi&amp;ei=XKg_SrTPAsOIkAWxlsi9Dg&amp;rct=j&amp;q=%22rokurokubi&amp;usg=AFQjCNHMx3WZ6TU4amnTrBzzJ-qMRjqEwg"&gt;Rokurokubi&lt;/A&gt; (long-necked monster) disguise&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;IMG alt="Tanuki print by Utagawa Kuniyoshi -- " src="http://www.pinktentacle.com/images/kuniyoshi_tanuki_110.jpg" /&gt;&lt;BR /&gt;&lt;EM&gt;Net fishing&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;IMG alt="Tanuki print by Utagawa Kuniyoshi -- " src="http://www.pinktentacle.com/images/kuniyoshi_tanuki_71.jpg" /&gt;&lt;BR /&gt;&lt;EM&gt;Making dashi (soup stock)&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;IMG alt="Tanuki print by Utagawa Kuniyoshi -- " src="http://www.pinktentacle.com/images/kuniyoshi_tanuki_151.jpg" /&gt;&lt;BR /&gt;&lt;EM&gt;Weightlifting&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;IMG alt="Tanuki print by Utagawa Kuniyoshi -- " src="http://www.pinktentacle.com/images/kuniyoshi_tanuki_161.jpg" /&gt;&lt;BR /&gt;&lt;EM&gt;Catfish mallet&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;IMG alt="Tanuki print by Utagawa Kuniyoshi -- " src="http://www.pinktentacle.com/images/kuniyoshi_tanuki_27.jpg" /&gt;&lt;BR /&gt;&lt;EM&gt;Coming and going&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;IMG alt="Tanuki print by Utagawa Kuniyoshi -- " src="http://www.pinktentacle.com/images/kuniyoshi_tanuki_31.jpg" /&gt;&lt;BR /&gt;&lt;EM&gt;Making mochi&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;IMG alt="Tanuki print by Utagawa Kuniyoshi -- " src="http://www.pinktentacle.com/images/kuniyoshi_tanuki_41.jpg" /&gt;&lt;BR /&gt;&lt;EM&gt;Visiting Konpira, the guardian deity of seafaring&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;IMG alt="Tanuki print by Utagawa Kuniyoshi -- " src="http://www.pinktentacle.com/images/kuniyoshi_tanuki_81.jpg" /&gt;&lt;BR /&gt;&lt;EM&gt;Boy’s festival&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;IMG alt="Tanuki print by Utagawa Kuniyoshi -- " src="http://www.pinktentacle.com/images/kuniyoshi_tanuki_91.jpg" /&gt;&lt;BR /&gt;&lt;EM&gt;Cause of chronic abdominal pain&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;IMG alt="Tanuki print by Utagawa Kuniyoshi -- " src="http://www.pinktentacle.com/images/kuniyoshi_tanuki_101.jpg" /&gt;&lt;BR /&gt;&lt;EM&gt;Shichifukujin (the Seven Lucky Gods) disguise&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;IMG alt="Tanuki print by Utagawa Kuniyoshi -- " src="http://www.pinktentacle.com/images/kuniyoshi_tanuki_111.jpg" /&gt;&lt;BR /&gt;&lt;EM&gt;Fortune-telling tent&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;IMG alt="Tanuki print by Utagawa Kuniyoshi -- " src="http://www.pinktentacle.com/images/kuniyoshi_tanuki_121.jpg" /&gt;&lt;BR /&gt;&lt;EM&gt;Shop signs&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;IMG alt="Tanuki print by Utagawa Kuniyoshi -- " src="http://www.pinktentacle.com/images/kuniyoshi_tanuki_131.jpg" /&gt;&lt;BR /&gt;&lt;EM&gt;River crossing&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;IMG alt="Tanuki print by Utagawa Kuniyoshi -- " src="http://www.pinktentacle.com/images/kuniyoshi_tanuki_241.jpg" /&gt;&lt;BR /&gt;&lt;EM&gt;Towboat&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;IMG alt="Tanuki print by Utagawa Kuniyoshi -- " src="http://www.pinktentacle.com/images/kuniyoshi_tanuki_261.jpg" /&gt;&lt;BR /&gt;&lt;EM&gt;Seine fishing&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;See more of Kuniyoshi’s tanuki images at Kuniyoshi Project (&lt;A href="http://www.kuniyoshiproject.com/raccoon%20Dogs%20(R209).htm"&gt;1&lt;/A&gt;, &lt;A href="http://www.kuniyoshiproject.com/More%20Fun%20with%20Raccoon%20Dogs.htm"&gt;2&lt;/A&gt;).&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/testicles/" rel="tag"&gt;testicles&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tanuki/" rel="tag"&gt;tanuki&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/kuniyoshi/" rel="tag"&gt;kuniyoshi&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.pinktentacle.com/2009/06/all-purpose-tanuki-testicles-prints-by-kuniyoshi/</clipSource><pubDate>Thu, 02 Jul 2009 08:33:57 GMT</pubDate></item><item><title>Understanding does not diminish Awe</title><link>http://clipmarks.com/clipmark/07A477D7-6F6F-45A5-A316-1C3B9CCDEC0F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/balthazarus/"&gt;balthazarus&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "The religious experience is, at best, a stunted variety of this feeling. Awe without understanding, or at least the desire for understanding, degenerates into mysticism: viewing a mystery not as a challenge to be solved, but something to be worshipped for its own sake. Mysticism states that ignorance is a desirable condition, a state we should glory in. This attitude only keeps us frightened and ignorant, and worst of all, robs us of the deeper and more genuine awe that comes with comprehension. I say, let us explore. There may be problems too high or too deep for us, mysteries we cannot penetrate - but so far, we haven't found any, and if there are any, they will not need to be protected from our investigations." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.daylightatheism.org/2009/06/moving-beyond-awe.html" title="http://www.daylightatheism.org/2009/06/moving-beyond-awe.html"&gt;www.daylightatheism.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="header"&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="post-title"&gt;
    Moving Beyond Awe&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The nineteenth-century German theologian Rudolf Otto, in his book &lt;I&gt;The Idea of the Holy&lt;/I&gt;, popularized the term "numinous", an adjective describing the sense of mystery and wonder that purportedly stems from the presence of a deity. According to Otto, the sense of the numinous had two main characteristics: the &lt;I&gt;mysterium tremendum&lt;/I&gt;, the sense of fear and trembling that comes from the presence of that which is wholly other, and the &lt;I&gt;mysterium fascinas&lt;/I&gt;, the sense of fascination and curiosity that such an experience evokes.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Otto's theology concisely sums up the categories of religious experience. But the problem with his conception of the numinous is that it lacks one very important quality - &lt;I&gt;understanding&lt;/I&gt;. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;For Otto, as for many theists, the numinous is not something we should seek to comprehend.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; there is no mention of &lt;I&gt;penetrating&lt;/I&gt; the mystery&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;pulling back the curtain of our ignorance&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;what humanity has been doing throughout its history: piercing the mysteries that surround us&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/atheism/" rel="tag"&gt;atheism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/understanding/" rel="tag"&gt;understanding&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/awe/" rel="tag"&gt;awe&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.daylightatheism.org/2009/06/moving-beyond-awe.html</clipSource><pubDate>Thu, 02 Jul 2009 09:52:50 GMT</pubDate></item><item><title>The Great Designer Baby Controversy of ’09</title><link>http://clipmarks.com/clipmark/67366541-0DA7-45C4-A2F8-04D41BA15717/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  This will probably become in the coming yrs one of the most heated controversaries we will come across as a species. we do not yet have the philosophy (and by implication ethics) to go with such technological advancements. having said that, the motion is inexorable and we need prepare our arguments. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.hplusmagazine.com/articles/bio/great-designer-baby-controversy-%E2%80%9909" title="http://www.hplusmagazine.com/articles/bio/great-designer-baby-controversy-%E2%80%9909"&gt;www.hplusmagazine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="deck-title"&gt;The Fertility Institutes Back Away From Making History&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/wildcat/512/3BEB4D5D-76B5-4893-8040-6D8F6EC18EB5.jpg" alt="Embroyo - The Great Designer Baby Controversy OF ’09" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;You may not know it, but gender selection based on pre-implantation genetic diagnosis (PGD) has been available to paying couples since at least 2001. One of the world leaders in providing this service is the Fertility Institutes, with branches in Los Angeles, New York, and Guadalajara in Mexico. According to their website, they’ve had over 3,800 cases of gender selection with a 100% success rate. Besides offering gender selection, they screen embryos for genetic defects such as breast cancer, cystic fibrosis, and over 70 other diseases. The Institutes are directed by Dr. Jeff Steinberg, a pioneer of IVF (in vitro fertilization) in the 1970s, and a successful scientist-businessman today.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;James Hughes said, “the term ‘designer babies’ is an insult to parents, because it basically says parents don’t have their kids’ best interests at heart.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/designer+babies/" rel="tag"&gt;designer babies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fertility/" rel="tag"&gt;fertility&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/human+reproduction/" rel="tag"&gt;human reproduction&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/traits/" rel="tag"&gt;traits&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.hplusmagazine.com/articles/bio/great-designer-baby-controversy-%E2%80%9909</clipSource><pubDate>Mon, 22 Jun 2009 11:16:44 GMT</pubDate></item><item><title>The Great Designer Baby Controversy of ’09</title><link>http://clipmarks.com/clipmark/67366541-0DA7-45C4-A2F8-04D41BA15717/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  This will probably become in the coming yrs one of the most heated controversaries we will come across as a species. we do not yet have the philosophy (and by implication ethics) to go with such technological advancements. having said that, the motion is inexorable and we need prepare our arguments. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.hplusmagazine.com/articles/bio/great-designer-baby-controversy-%E2%80%9909" title="http://www.hplusmagazine.com/articles/bio/great-designer-baby-controversy-%E2%80%9909"&gt;www.hplusmagazine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="deck-title"&gt;The Fertility Institutes Back Away From Making History&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/wildcat/512/3BEB4D5D-76B5-4893-8040-6D8F6EC18EB5.jpg" alt="Embroyo - The Great Designer Baby Controversy OF ’09" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;You may not know it, but gender selection based on pre-implantation genetic diagnosis (PGD) has been available to paying couples since at least 2001. One of the world leaders in providing this service is the Fertility Institutes, with branches in Los Angeles, New York, and Guadalajara in Mexico. According to their website, they’ve had over 3,800 cases of gender selection with a 100% success rate. Besides offering gender selection, they screen embryos for genetic defects such as breast cancer, cystic fibrosis, and over 70 other diseases. The Institutes are directed by Dr. Jeff Steinberg, a pioneer of IVF (in vitro fertilization) in the 1970s, and a successful scientist-businessman today.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;James Hughes said, “the term ‘designer babies’ is an insult to parents, because it basically says parents don’t have their kids’ best interests at heart.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/designer+babies/" rel="tag"&gt;designer babies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fertility/" rel="tag"&gt;fertility&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/human+reproduction/" rel="tag"&gt;human reproduction&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/traits/" rel="tag"&gt;traits&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.hplusmagazine.com/articles/bio/great-designer-baby-controversy-%E2%80%9909</clipSource><pubDate>Mon, 22 Jun 2009 11:16:44 GMT</pubDate></item><item><title>Worry is a misuse of the imagination.</title><link>http://clipmarks.com/clipmark/E138DCAB-D561-44D3-BD8F-17172F4A5E4C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/tidbit2/"&gt;tidbit2&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://twitter.com/PIcommunity" title="http://twitter.com/PIcommunity"&gt;twitter.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="entry-content"&gt;Worry is a misuse of the imagination.&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://twitter.com/PIcommunity</clipSource><pubDate>Fri, 19 Jun 2009 17:12:46 GMT</pubDate></item><item><title>"WATCHMEN": THE CURIOUS CASE OF A GRAPHIC NOVEL</title><link>http://clipmarks.com/clipmark/CB3BFE25-C7FB-41C4-A15A-20C7967C29B4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  loved the movie.. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.moreintelligentlife.com/story/watchmen-graphic-novel" title="http://www.moreintelligentlife.com/story/watchmen-graphic-novel"&gt;www.moreintelligentlife.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/wildcat/512/7AED1FC0-513B-40FE-89CA-524D2517FB06.jpg" alt="Watchmen3.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"Returning to men in tights after a 15-year world-literature binge, I was almost overwhelmed by Alan Moore's 'Watchmen'," writes Garth Risk Hallberg. He's startled by the comic's complexity, but stumbles over the term "graphic novel" ...&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;If fiction can be likened to a high–a “vivid, continuous dream,” as John Gardner put it–comic books were my gateway drug. I discovered the Marvel and DC Universes at age 13, and spent hundreds of hours (and dollars) exploring them. This was the early 1990s, a heady era for superhero enthusiasts. There was Todd McFarlane's "Spider-Man", Rob Liefield's "New Mutants", Peter David's under-appreciated "X-Factor" and the pitch-black Batman book "Legends of the Dark Knight". Surveying these offerings at my local comic shop, I felt lucky to be alive in my time. The clerks told me I had an Englishman named Alan Moore to thank. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/comics/" rel="tag"&gt;comics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/graphic+novel/" rel="tag"&gt;graphic novel&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/watchmen/" rel="tag"&gt;watchmen&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.moreintelligentlife.com/story/watchmen-graphic-novel</clipSource><pubDate>Mon, 18 May 2009 12:37:01 GMT</pubDate></item><item><title>For the best risotto, you SHOULDN'T stir constantly?</title><link>http://clipmarks.com/clipmark/31837841-BCCA-47BD-A9BA-CA46680C338D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Lexica/"&gt;Lexica&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I've never made risotto, in part because the "you must stir CONSTANTLY or it will be RUINED" seemed unappealing. According to Mark Bittman, that's not necessary. Hm.` &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2007/05/02/dining/02mini.html#" title="http://www.nytimes.com/2007/05/02/dining/02mini.html#"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Almost every cook believes (incorrectly) that risotto must be stirred constantly while you’re making it. So it was with joy that I discovered that I could follow my own tendency to walk away from the simmering rice for minutes at a time and still get great risotto.  You need to stir no more than occasionally. For example, after each addition of liquid and then once or twice more before that liquid evaporates. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This risotto is notable because it contains sufficient quantities of fat and is finished with a puree of asparagus, which heightens both color and flavor. It is served quite loose and soupy: the creamy brothiness is lovely. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; Start with asparagus no less than a quarter-inch thick. Peel the stalks first. Don’t forget the butter. And remember not to stir too much. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;I had the opportunity last year to see it made by the chef Mario Batali. (Mr. Batali is a frequent guest on “The Best Recipes in the World,” a television show of which I am the host and The New York Times is a producer.)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/food/" rel="tag"&gt;food&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cooking/" rel="tag"&gt;cooking&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/recipes/" rel="tag"&gt;recipes&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mark-bittman/" rel="tag"&gt;mark-bittman&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rice/" rel="tag"&gt;rice&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/risotto/" rel="tag"&gt;risotto&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2007/05/02/dining/02mini.html#</clipSource><pubDate>Mon, 06 Apr 2009 02:59:34 GMT</pubDate></item><item><title>car2go Daimler's Rent-by-Mobile-Phone Car-Sharing Concept</title><link>http://clipmarks.com/clipmark/E12F2BFC-97D2-44A1-9A5F-30A6831DA87E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/rj3sp/"&gt;rj3sp&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=eBnLa4OBCEI&amp;hl=nl" title="http://www.youtube.com/watch?v=eBnLa4OBCEI&amp;hl=nl"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;smart car2go&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.prnewswire.com/mnr/daimler/37615/" title="http://www.prnewswire.com/mnr/daimler/37615/"&gt;www.prnewswire.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/rj3sp/512/51427874-1FC8-49A2-ADCC-24C6F12F74E9.png" alt="car2go logo" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;car2go goes USA - Daimler introduces innovative mobility concept in Austin, Texas&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;SPAN id="dateline"&gt;Ulm, Germany / Austin, TX (March 26, 2009) /PRNewswire/ — &lt;/SPAN&gt;Daimler will bring its innovative car2go mobility concept to the U.S. by fall of this year. The first international pilot will start in the Texas capital Austin with an initial fleet of about 200 fuel-efficient smart fortwo cars. car2go provides a simple, flexible, and cost-effective solution for city driving. The U.S. introduction coincides with the expansion of the pilot in Ulm, Germany, where the company opens the service to the public on March 26 after the internal test which started last October.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The car2go concept is based on a fleet of smart fortwo vehicles which are available for rent to registered members at any time, 24/7, making city driving as easy as using a mobile phone.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://reviews.cnet.com/8301-13746_7-10205446-48.html" title="http://reviews.cnet.com/8301-13746_7-10205446-48.html"&gt;reviews.cnet.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/rj3sp/512/0976C455-E797-4312-A675-00496B7162E2.gif" alt="CNET.com" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/rj3sp/512/E1863FEB-244B-46F1-90EC-DB7988E5B10E.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/rj3sp/512/F18D0BBA-027E-41FC-B62A-68C85DA34CD8.jpg" alt="Renting a smart Fortwo by the minute, hour, or day is one of the newest forms of transportation heading to Austin, Texas." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="image-caption"&gt;Renting a smart Fortwo for by the minute, hour, or day is one of the newest forms of transportation heading to Austin, Texas.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://blog.wired.com/cars/2009/03/mercedes-car2go.html" title="http://blog.wired.com/cars/2009/03/mercedes-car2go.html"&gt;blog.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 id="articlehed"&gt;Smart car2go, From Ulm to Austin&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/rj3sp/512/275EBBF0-3048-4A43-AC23-98F7ADC75BD2.jpg" alt="707344_1277969_5616_3744_09a370" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/rj3sp/512/46992E21-1A56-4670-A82E-814095C419C5.jpg" alt="707067_1277485_3888_2592_09c346_21" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/rj3sp/512/640331AE-C7B2-42F8-9C6C-FD4340FBF7B9.jpg" alt="707060_1277464_3888_2592_09c346_05" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/car2go/" rel="tag"&gt;car2go&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/daimler/" rel="tag"&gt;daimler&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mobile/" rel="tag"&gt;mobile&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/phone/" rel="tag"&gt;phone&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/car/" rel="tag"&gt;car&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/transport/" rel="tag"&gt;transport&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cars/" rel="tag"&gt;cars&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=eBnLa4OBCEI&amp;hl=nl</clipSource><pubDate>Sun, 29 Mar 2009 18:46:19 GMT</pubDate></item><item><title>Think about the future - Quotes  - Natasha vita-more</title><link>http://clipmarks.com/clipmark/7DB6DEB1-E34C-4EA0-BB79-BFC868DFCDF0/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/einbar/"&gt;einbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "Death is only for those who tire easily, bore quickly, and are over satiated with living. The rest of us just want to stick around". &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.natasha.cc/index.htm" title="http://www.natasha.cc/index.htm"&gt;www.natasha.cc&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="English111 Vivace BT" size="6"&gt;
      Think about the future&lt;BR /&gt;
		&lt;IMG height="288" border="0" width="163" src="http://www.natasha.cc/images/Natasha%20Vita-More%202008.jpg" /&gt;&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="Tahoma" color="#333333" size="2"&gt;n a t a s h a   v i t a - m o r e&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the first female philosopher of transhumanism"&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.natasha.cc/quotes.htm" title="http://www.natasha.cc/quotes.htm"&gt;www.natasha.cc&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="#DNA"&gt;Quotes in print&lt;/A&gt;.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/einbar/512/19DB68C5-61B5-47F3-8DD9-782ED176D2B0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Death 
is only for those who tire easily, bore quickly, and are over satiated with 
living. The rest of us just want to stick around.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN lang="en-us"&gt;'&lt;/SPAN&gt;Age 
before beauty&lt;SPAN lang="en-us"&gt;'&lt;/SPAN&gt; is 
one of my favorite myths because I love to defy it. Catherine Deneuve, in her 
late 50s looks beautiful and classy. Raquel Welch was the hit of the 1996 
Academy Awards party at Spago’s in West Hollywood. Sophia Loren, in her 60s, 
looks glamorous and elegant. I know, I sat near her at the Palm Springs Film 
Festival tribute in her honor. These women are more than celebrities and idols — 
they are myth breakers&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN lang="en-us"&gt;&lt;FONT face="Arial" size="2"&gt;&lt;FONT face="Arial" size="2"&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;FONT face="Arial" size="2"&gt;&lt;FONT face="Arial" size="2"&gt;Whenever 
I hear the words, &lt;SPAN lang="en-us"&gt;'&lt;/SPAN&gt;How old are you,&lt;SPAN lang="en-us"&gt;'
&lt;/SPAN&gt;I stutter for an answer: My chronological age is a matter of years in 
existence, my biological age is vital, my psychological age is growing, my 
emotional age is mature, my functional age is young.&lt;SPAN lang="en-us"&gt;"&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.natasha.cc/index.htm</clipSource><pubDate>Tue, 17 Mar 2009 07:19:00 GMT</pubDate></item><item><title>The Vision of Total Personality Unfoldment in Web 3.0</title><link>http://clipmarks.com/clipmark/DA72DB8C-AA67-4DC3-A77A-E8CA6EBE940D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  An important take on the coming future of education &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://twiningvines.wordpress.com/2009/03/10/the-vision-of-total-personality-unfoldment-in-web-30/#comment-4" title="http://twiningvines.wordpress.com/2009/03/10/the-vision-of-total-personality-unfoldment-in-web-30/#comment-4"&gt;twiningvines.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The vision of Web 3.0, better known as the Semantic Web, is one in which humanity’s search for meaning (not just information) is governed by machine intelligences—and these machines—intelligent agents—not only locate relevant information, but coordinate and unify it according to our individual needs.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;At the time of this writing, a number of preliminary technologies have already appeared, harbingers of the third decade of the web to come.  (See the &lt;A target="_blank" href="http://web3ln.ning.com/"&gt;Web3 Learning Network&lt;/A&gt; for examples.)  Educators had better pay attention to this.  If technologists succeed in reframing the utility of the web so that “search” is resolved to near-instantaneous “answer,” the&lt;SPAN&gt; &lt;/SPAN&gt;roles of the teacher and student in our planetary educational culture will undergo the most dramatic shift since the extinction of the Neanderthals. This shift will be both disruptive and liberating.&lt;SPAN&gt; &lt;/SPAN&gt;It will be a shift that we can, and should, prepare for.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/learning/" rel="tag"&gt;learning&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/semantic+web/" rel="tag"&gt;semantic web&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/web+3.0/" rel="tag"&gt;web 3.0&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/education/" rel="tag"&gt;education&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://twiningvines.wordpress.com/2009/03/10/the-vision-of-total-personality-unfoldment-in-web-30/#comment-4</clipSource><pubDate>Sun, 15 Mar 2009 15:35:07 GMT</pubDate></item><item><title>Readability </title><link>http://clipmarks.com/clipmark/63434F2A-EF7B-481C-A6F2-F23AF30AC522/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  An easy to use &amp;amp; configure bookmarklet that strips unnecessary content from a webpage (sidebars, ads, etc.) and presents you with an easy-to-read text (larger font, etc). &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.basement.org/2009/03/an_arc90_lab_experiment_readab.html" title="http://www.basement.org/2009/03/an_arc90_lab_experiment_readab.html"&gt;www.basement.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; &lt;A href="http://lab.arc90.com/2009/03/readability.php" target="_blank"&gt;Readability&lt;/A&gt;, a small but powerful little bookmarklet that cleans up Web pages worth reading:&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Readability was created because prose on the Web is becoming increasingly painful to read. It cleans up a page and presents only the content worth reading in a customizable “reading view.”&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The reception so far &lt;A href="http://search.twitter.com/search?q=readability" target="_blank"&gt;has been great&lt;/A&gt;. People are clearly frustrated with all the insanity that surrounds posts and articles these days. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;You can install Readability in your Safari, Firefox or IE7+ browsers by &lt;A href="http://lab.arc90.com/experiments/readability/" target="_blank"&gt;visiting the setup page&lt;/A&gt;. It takes just a few seconds.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/readability/" rel="tag"&gt;readability&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reading/" rel="tag"&gt;reading&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/web/" rel="tag"&gt;web&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.basement.org/2009/03/an_arc90_lab_experiment_readab.html</clipSource><pubDate>Mon, 09 Mar 2009 15:09:28 GMT</pubDate></item><item><title>God or Multiverse?</title><link>http://clipmarks.com/clipmark/978D1902-BDDA-4EA9-81F0-F702750A78A5/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/commentisfree/belief/2008/dec/08/religion-philosophy-cosmology-multiverse" title="http://www.guardian.co.uk/commentisfree/belief/2008/dec/08/religion-philosophy-cosmology-multiverse"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Is there a God or a &lt;A href="http://en.wikipedia.org/wiki/Multiverse"&gt;multiverse&lt;/A&gt;? Does modern cosmology force us to choose? Is it the case that the apparent fine-tuning of constants and forces to make the universe just right for life means there is either a need for a "tuner" or else a cosmos in which every possible variation of these constants and forces exists somewhere?&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Even strongly atheistic physicists seem to believe the choice is unavoidable&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the choice&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;is false&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;If divinity is an explanation for anything, it is not a scientific explanation&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;another alternative, so-called "&lt;A href="http://www.newscientist.com/article/mg19025481.300-exploring-stephen-hawkings-flexiverse.html"&gt;top-down&lt;/A&gt;" cosmology. The idea here is that observation is needed to bring the universe into full being&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;highly speculative&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;what is meant by observation in this context&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; In the early stages of the universe&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;it might be that the interactions of subatomic particles would function as observations&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;conscious observers finally emerge&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;human consciousness itself will come to be seen as but part of the story&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;introduce into physics phenomena like mind, purpose and intentionality&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/commentisfree/belief/2008/dec/08/religion-philosophy-cosmology-multiverse</clipSource><pubDate>Mon, 08 Dec 2008 19:36:32 GMT</pubDate></item><item><title>It's been 3 years, guys...</title><link>http://clipmarks.com/clipmark/174FC647-E1C4-4B21-9A71-2AFAD253A41D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/invictus/"&gt;invictus&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://omega.wordpress.com/2008/11/10/my-third-clippiversary/" title="http://omega.wordpress.com/2008/11/10/my-third-clippiversary/"&gt;omega.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/invictus/512/28454B8E-77E7-4329-B8F6-F91C48129A6E.png" alt="Clipmarks1" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Yes guys, time runs really fast. Three years ago today, I joined &lt;STRONG&gt;&lt;A href="http://clipmarks.com/"&gt;Clipmarks&lt;/A&gt;&lt;/STRONG&gt; and my online experience has never been the same since the very first day I start clipping. No other web site, online service or community could give me so much valuable things that Clipmarks and the “clippiverse” generously offered. I enjoyed every single day very much and I learned so many things here, following your clips or reading your comments. More important than this, I have many good friends now all around the world - some of them have already become “old pals” for me.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;So, thank you again &lt;STRONG&gt;EricG&lt;/STRONG&gt;, &lt;STRONG&gt;Adam&lt;/STRONG&gt;, &lt;STRONG&gt;EricSkiff&lt;/STRONG&gt;, &lt;STRONG&gt;Derek&lt;/STRONG&gt; and &lt;STRONG&gt;EricW&lt;/STRONG&gt;: I owe all these to you. Hope to celebrate my 4th, 5th, 6th ….. clippiversaries here together!&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;And dear clippers, my friends, thank you for sharing your knowledge, feelings, recommendations and friendship.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/clipmarks/" rel="tag"&gt;clipmarks&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://omega.wordpress.com/2008/11/10/my-third-clippiversary/</clipSource><pubDate>Mon, 10 Nov 2008 20:30:17 GMT</pubDate></item></channel></rss>