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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | urbanlife's 'culture' clips</title><link>http://clipmarks.com/clipper/urbanlife/tag/culture/</link><feedUrl>http://rss.clipmarks.com/clipper/urbanlife/tag/culture/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>The Throw-Away Culture: Do you Own your Stuff? </title><link>http://clipmarks.com/clipmark/F61DD8D7-1519-4907-90E9-73F60B4E4D15/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/urbanlife/"&gt;urbanlife&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Our new economy may be just the motivation people need to stop and think before they toss.&lt;br/&gt;&lt;br/&gt;If something breaks our first instinct is to throw it away and buy it new, instead of trying to fix it. &lt;br/&gt;&lt;br/&gt;But even if we wanted to fix it, manufacturers have made it difficult for us to repair, re-use or upgrade our stuff.&lt;br/&gt;&lt;br/&gt;Mr. Jalopy urges technology companies to create forums for consumers to share ideas, and pushes car companies to sell patterns so people can create accessories like seat covers....he wants companies to make schematics readily available so consumers can fix and re-imagine the objects they buy. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://makezine.com/magazine/" title="http://makezine.com/magazine/"&gt;makezine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/4378CEA4-9FA1-471F-9D1F-0B361E65F330.gif" alt="Important please read" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.danramsey.com/fixit.jpg" title="http://www.danramsey.com/fixit.jpg"&gt;www.danramsey.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/E35AEF20-1F77-4075-B5B7-811F60401AE8.jpg" alt="http://www.danramsey.com/fixit.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.npr.org/templates/story/story.php?storyId=92508461" title="http://www.npr.org/templates/story/story.php?storyId=92508461"&gt;www.npr.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/0C951950-6B7F-414B-A947-EC9ACAE3EE39.jpg" alt="Mr. Jalopy rewired an old stereo with an iPod and a computer screen" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a push to re-imagine the objects we own rather than throw them away&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the movement is about reusing and repairing objects, rather than discarding them to buy more&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a philosophical idea about what ownership really is.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The terms of ownership are still dictated by the company that assembled it&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;If you're not able to open and replace the batteries in your iPod or replace the fuel-sender switch on your Chevy truck, you don't really own it&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;preaching the gospel of open source manufacturing&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;some corporations have shown interest&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;He tells them to use screws instead of glue, and to make schematics readily available so consumers can fix and re-imagine the objects they buy.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the economy may soon force people to alter their approach to objects&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;He yearns for the 1950s, he says, when people held onto their things for many years, fixing rather than discarding them.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/reuse/" rel="tag"&gt;reuse&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/repair/" rel="tag"&gt;repair&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reduce+waste/" rel="tag"&gt;reduce waste&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/treasure/" rel="tag"&gt;treasure&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/you+can+do+it/" rel="tag"&gt;you can do it&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/own+your+stuff+forever/" rel="tag"&gt;own your stuff forever&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cost+of+replacement/" rel="tag"&gt;cost of replacement&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://makezine.com/magazine/</clipSource><pubDate>Wed, 16 Jul 2008 16:38:18 GMT</pubDate></item><item><title>Visual Alchemist &amp; Psychedelic Artist Defined A Generation</title><link>http://clipmarks.com/clipmark/8C5F3C84-BBD2-4AE3-B15F-56C482FC4880/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/urbanlife/"&gt;urbanlife&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Alton Kelley, whose psychedelic concert posters for artists like the Grateful Dead, Jimi Hendrix, and Big Brother and the Holding Company helped define the visual style of the 1960s counterculture, died on Sunday at his home in Petaluma, Calif. He was 67.&lt;br/&gt;&lt;br/&gt;Mr. Kelley and Stanley Mouse, combined sinuous Art Nouveau lettering and outré images plucked from sources near and far to create the visual equivalent of an acid trip. They formed Mouse Studios: Mouse said they could work for hours in silence. "We knew what to do, we didn't have to talk."&lt;br/&gt;&lt;br/&gt;Kelley had the unique ability to translate the music being played into these amazing images that captured the spirit of who we were and what the music was all about. He was a visual alchemist — skulls and roses, skeletons in full flight, cryptic alphabets, nothing was too strange for his imagination to conjure. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_index.html" title="http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_index.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/B3ED41EA-DFE8-4E86-810A-6850FFAA9F54.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_2.html" title="http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_2.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/D5EB962A-FF4E-4F52-8610-6024504AF162.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_3.html" title="http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_3.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/4B9E27D9-FEDA-4A25-9347-14AA801FDE51.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_4.html" title="http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_4.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/169FCE06-D406-41A0-9A0E-65676C604783.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_5.html" title="http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_5.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/EC1984AD-D974-48FF-A592-D3163BD6D9E8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_6.html" title="http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_6.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/2E1E4354-7EBD-4EC6-820E-4E629A3F2D6B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.npr.org/templates/story/story.php?storyId=91208912" title="http://www.npr.org/templates/story/story.php?storyId=91208912"&gt;www.npr.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; If the Summer of Love had a visual, it probably came from the drawing pad of artist Alton Kelley.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Kelley's work graced album covers and concert posters, and has been described as art that defined a generation.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The 67-year-old artist died this week in California from complications&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Kelley arrived in Haight Ashbury in 1964 with a sketchbook full of hot-rod drawings&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Kelley met a fellow hot-rod artist from Detroit named Stanley Miller&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;who goes by the name "Mouse,"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The two started making posters for dance concerts featuring up-and-coming groups&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Some call the art a visual extension of the music&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Others call it the visual for a psychedelic experience.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Mouse says it was both, and that the joke between the two of them was that you had to be under the influence to understand it&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;he and Kelley developed a work style that allowed them to stand side-by-side at the same art table&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The pair worked together for more than four decades&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;cranking out their elaborate posters once a week&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_7.html" title="http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_7.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/2BFB56C6-68DE-4F20-A122-645D048765C9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_8.html" title="http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_8.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/8D5B8185-1F3B-43F8-B8A7-134F820EB489.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_9.html" 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style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_11.html" title="http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_11.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/B8E9DBC4-08C3-4240-892F-3F1A88C438D7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://dehne.cc/image2/terrapin.gif" title="http://dehne.cc/image2/terrapin.gif"&gt;dehne.cc&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/426FEC11-B788-420F-9FF2-D1C747A86E8F.gif" alt="The image “http://dehne.cc/image2/terrapin.gif” cannot be displayed, because it contains errors." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.rizoma.net/interna.php?id=140&amp;secao=artefato" title="http://www.rizoma.net/interna.php?id=140&amp;secao=artefato"&gt;www.rizoma.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/4B0B2BE5-2136-42E1-8C41-9F280B59ADA4.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/5C15D364-5D99-4B0F-83AB-880E09C91EED.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/CABF0AC7-83D1-42AE-BE18-0FEE8FE9DFA1.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/171DD0A9-2F3B-47BE-BF63-18F61D3D9F4E.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/43B6F9BB-9519-4A7F-AE2B-4171190AC2C8.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/81324260-B2CC-4E9B-99B2-E2F18E8DBF18.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/summer+of+love/" rel="tag"&gt;summer of love&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/san+francisco/" rel="tag"&gt;san francisco&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/avalon+ballroom/" rel="tag"&gt;avalon ballroom&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/slideshow/2008/06/04/arts/20080605_KELLEY_SLIDESHOW_index.html</clipSource><pubDate>Fri, 06 Jun 2008 16:40:31 GMT</pubDate></item><item><title>What Ideas Will Shape our Future? The 10 Ideas of the 21st Century</title><link>http://clipmarks.com/clipmark/4AF242BB-A384-4926-9A92-B95F7102116B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/urbanlife/"&gt;urbanlife&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "More than money, more than politics, ideas are the secret power that this planet runs on."&lt;br/&gt;&lt;br/&gt;"The 21st century will overturn many of our basic assumptions about economic life. The 20th century saw the end of European dominance of global politics and economics. The 21st century will see the end of American dominance too, as new powers make their voices heard on the world stage."&lt;br/&gt;&lt;br/&gt;"The challenges of sustainable development—protecting the environment, stabilizing the world's population, narrowing the gaps of rich and poor and ending extreme poverty—will render passé the very idea of competing nation-states that scramble for markets, power and resources."&lt;br/&gt;&lt;br/&gt;"The defining challenge of the 21st century will be to face the reality that humanity shares a common fate on a crowded planet." &lt;br/&gt;&lt;br/&gt;"6.6 billion people living in an interconnected global economy producing an astounding $60 trillion of output each year." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.time.com/time/specials/2007/0,28757,1720049,00.html" title="http://www.time.com/time/specials/2007/0,28757,1720049,00.html"&gt;www.time.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/10E343C7-C08C-47BA-B9E3-2E21B1AB6746.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;ideas are the secret power that this planet runs on&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1721663,00.html" title="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1721663,00.html"&gt;www.time.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/D088C735-444B-45D3-8E95-0FD8331C4962.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;10. Re-Judaizing Jesus&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;if you get the [Jewish] context wrong, you will certainly get Jesus wrong&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1721661,00.html" title="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1721661,00.html"&gt;www.time.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/D4AE371F-20D5-4070-B392-3F9A89D520EC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;9. Mandatory Health&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a crackdown on workers' poor health habits&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1721656,00.html" title="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1721656,00.html"&gt;www.time.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/9C0A4C6C-8C4F-46AC-8E05-653AA7DF2F13.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;8. The New Austerity&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Americans have kept piling on more and more debt&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1722070,00.html" title="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1722070,00.html"&gt;www.time.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/CE0A4CFF-FF86-4A21-BB21-633D8EA36013.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;7. Synthetic Authenticity&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the virtualization of life&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;has led to a deep consumer yearning for the authentic&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1721653,00.html" title="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1721653,00.html"&gt;www.time.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/44100A73-3024-4225-A464-E0E10150F07B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;6. Geoengineering&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; compensate for an intensified greenhouse effect by reducing the amount of solar radiation reaching the earth&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1721651,00.html" title="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1721651,00.html"&gt;www.time.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/DA68CF26-F90E-4D7F-84DC-79C0E79D2350.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;5. Kitchen Chemistry&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;remaining brave cooks are going a little mad scientist&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;easier through gadgetry&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1722062,00.html" title="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1722062,00.html"&gt;www.time.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/322198E6-ACC5-4FCE-9062-6393D8932B8F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;4. Reverse Radicalism&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Why do people leave terrorist groups?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;disenchantment&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1721687,00.html" title="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1721687,00.html"&gt;www.time.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/38B60A0C-FE34-4E63-9F31-D4FF88F61D53.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;3. The Post-Movie-Star Era&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;big names no longer mean big grosses&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1721684,00.html" title="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1721684,00.html"&gt;www.time.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/CF14D3B5-EC9E-45FA-BD03-8E132828084D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;2. The End of Customer Service&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the need to interact
with human beings is quickly disappearing&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1722057,00.html" title="http://www.time.com/time/specials/2007/article/0,28804,1720049_1720050_1722057,00.html"&gt;www.time.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/396E0578-46FC-470E-9BCD-2E460E7216C5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;1. Common Wealth&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;ending our misguided view of the world as an enduring struggle of "us" vs. "them"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;our fate, our common wealth, is in our hands&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;to save the world for all&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/globalization/" rel="tag"&gt;globalization&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/economy/" rel="tag"&gt;economy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/planet/" rel="tag"&gt;planet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/common/" rel="tag"&gt;common&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/humanity/" rel="tag"&gt;humanity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.time.com/time/specials/2007/0,28757,1720049,00.html</clipSource><pubDate>Tue, 13 May 2008 19:38:59 GMT</pubDate></item><item><title>Italy Works To Relieve Stress: 2008 Roman Pillow Fight</title><link>http://clipmarks.com/clipmark/C0A19436-970B-4F08-B879-4CD3B6022962/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/urbanlife/"&gt;urbanlife&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Do you ever have one of those days where all you want to do is smack someone? &lt;br/&gt;&lt;br/&gt;Rome, Italy - April 27, 2008: Over 300 people met in Piazza Santa Maria, in the Trastevere neighborhood, to celebrate the 3rd annual Roman Pillow Fight. Of course, to make all things fair, this pillow fight started exactly when the piazza’s clock tower chimed 6 pm… and then BAM! Feathers everywhere! The purpose of the annual Pillow Fight is to relieve stress and anxiety…and have some fun!&lt;br/&gt;&lt;br/&gt;Pillow Fight Fever is spreading and becoming a worldwide phenomena so if you want to start your own pillow fight next year, International Pillow Fight Day is March 22!  Or visit &lt;a href="http://www.pillowfightday.com/index.php" rel="nofollow" target="_blank"&gt;http://www.pillowfightday.com/index.php&lt;/a&gt; to see is your city already participates!  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://romanpillowfight.blogspot.com/2007/04/gli-ultimi-scatti-della-battaglia-ii.html" title="http://romanpillowfight.blogspot.com/2007/04/gli-ultimi-scatti-della-battaglia-ii.html"&gt;romanpillowfight.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/B8E9081C-59F5-4C5D-9A5C-E3C274F7E17B.jpg" alt="pillow fight" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/9706F6FD-48F3-4B36-98FD-69FC8BF1B0D0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/F76B9491-180D-4E7F-BF61-B271A721F215.jpg" alt="Pillow fighter" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/B73391D9-40B5-4C2E-91C3-E916C01D3D84.jpg" alt="THIS IS CELTAAAAAAAAAAAAAAA!!!!" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/2EFE6506-AACF-42CC-BD8E-C5B49006E595.jpg" alt="La disfatta della Jakuza" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/ED61DA77-5CC4-49FE-9881-578E7889321E.jpg" alt="Roman Pillow Fight II" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/BF99A952-0252-4D4A-B86E-4284DDC7EF46.jpg" alt="roman pillow fight" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/0ADF012B-DD4B-4FAE-9BCC-48CDBC663DF1.jpg" alt="roman pillow fight" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/E89896C0-8FA8-4AFB-A2F0-AED3ED2694CB.jpg" alt="Pillow fighter" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/601EFA5C-A2BF-4E51-9F32-A1CDABD97FB1.jpg" alt="pillowfight" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/5437B76C-18E6-4DDE-9F4D-8118A6610EDE.jpg" alt="RPF3" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/EF45468D-C51A-4289-BA5C-9C54C9B85C98.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://romanpillowfight.blogspot.com/2007/04/i-primi-scatti-della-battaglia-ii.html" title="http://romanpillowfight.blogspot.com/2007/04/i-primi-scatti-della-battaglia-ii.html"&gt;romanpillowfight.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/990AB13A-8042-4778-AB30-9F57B4A583D3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/39F0F703-B805-4D0A-BD57-6F6DEF346D17.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/98D8EAAC-07B6-4673-BE42-CA370B10956F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/31C26832-360D-4717-8C0B-6710068D01E9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/99D7BE8E-55AF-4564-8CF1-1E8D8D9F2836.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/10CC62E1-B018-4BB2-98EE-3B85881A3960.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/B9261D60-42DA-480E-8FBF-6FBBBA978664.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/74919D3E-68F5-45EE-A562-FA3313A8B6DF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/5534708F-3085-47B5-B8D9-8B0CED52D191.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://romanpillowfight.blogspot.com/2007/04/gli-ultimi-scatti-della-battaglia-ii.html" title="http://romanpillowfight.blogspot.com/2007/04/gli-ultimi-scatti-della-battaglia-ii.html"&gt;romanpillowfight.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/01C8AE78-EC0B-48BA-89BC-D7F36435CB21.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/ACE175AA-AEE6-4429-B54C-9B75F2621523.jpg" alt="il cuscino rosso" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/0082848B-18D6-426D-B2B3-373C5BA9FDEF.jpg" alt="Killing Me Softly" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/8AD5DFBF-AEAE-4659-A5E0-C76E3A470147.jpg" alt="Roman Pillow Fight #9" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/502AB375-19A0-4AD7-A25B-C45BE165435A.jpg" alt="Roman Pillow Fight #25" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://romanpillowfight.blogspot.com/2008/04/roman-pillow-fight-2008-iii-edizione.html" title="http://romanpillowfight.blogspot.com/2008/04/roman-pillow-fight-2008-iii-edizione.html"&gt;romanpillowfight.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/6D258918-3719-45C3-81B8-0BAD8B8D0281.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://romanpillowfight.blogspot.com/2007/04/gli-ultimi-scatti-della-battaglia-ii.html" title="http://romanpillowfight.blogspot.com/2007/04/gli-ultimi-scatti-della-battaglia-ii.html"&gt;romanpillowfight.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/B1EBB659-EF2B-4FF8-9039-9D1190A0E2F1.jpg" alt="Ambriaca" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/9F3474D8-7790-46F3-A330-6AAE9DAF2984.jpg" alt="Killing Me Softly" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/7911E9DF-F886-4E9F-BAF7-BBBB1414BE9A.jpg" alt="Pillow Fight Colors" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/CBE0174E-ACB8-4AEB-AE7E-912CF9D7EFFA.jpg" alt="American Beauty" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/52E8EE8A-4D33-417C-8CAF-85014E9DFE2B.jpg" alt="ridere e rilassarsi" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/community/" rel="tag"&gt;community&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/public+square/" rel="tag"&gt;public square&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/italy/" rel="tag"&gt;italy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/why+not+have+a+little+fun%3f/" rel="tag"&gt;why not have a little fun?&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://romanpillowfight.blogspot.com/2007/04/gli-ultimi-scatti-della-battaglia-ii.html</clipSource><pubDate>Wed, 07 May 2008 14:06:46 GMT</pubDate></item><item><title>"A Camera, 2 Kids, &amp; A Camel" The Work of Annie Griffiths Belt</title><link>http://clipmarks.com/clipmark/56154079-DEBA-46AF-9309-C8012A9BCC45/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/urbanlife/"&gt;urbanlife&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "As a photographer I have learned that women really do hold up half the sky; that language isn't always necessary, but touch usually is; that all people are not alike, but they do mostly have the same hopes and fears; that judging others does great harm but listening to them enriches; that it is impossible to hate a group of people once you get to know one of them as an individual." (Annie Griffiths Belt)&lt;br/&gt;&lt;br/&gt;"A Camera, Two Kids and a Camel" is a photo memoir of her life, that discloses the secrets of a peripatetic life...revealing in often hilarious detail how she managed to juggle two children, bulky cases of camera equipment and everything needed for a nurturing family life as she traveled to far-flung destinations around the world.&lt;br/&gt;&lt;br/&gt;An award-winning photojournalist and mother of two has lived a life we only dream about...to see and share the world with your family.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_1.html" title="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_1.html"&gt;www.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/8E68480E-EE84-4DBB-B2BB-194DC2F937A4.jpg" alt="Photo: girl peeking behind robes" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Pakistan&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_2.html" title="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_2.html"&gt;www.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/C2D5150A-C0D6-4ED7-A188-CC6011486CE4.jpg" alt="Photo: sand dunes" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Namibia&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_3.html" title="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_3.html"&gt;www.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/DD4B8D0C-AE55-4863-AB17-DA2DA2549C77.jpg" alt="Photo: dolphins" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Doubtful Sound, New Zealand&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_4.html" title="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_4.html"&gt;www.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/A28C381C-AEB1-4A15-9F3F-6EF093EA5C2C.jpg" alt="Photo: children posing for a picture" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Dominican Republic&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_6.html" title="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_6.html"&gt;www.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/72C4C0F9-4546-4107-B6BD-02F7D5A86E7A.jpg" alt="Photo: women praying" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Jerusalem&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Dome of the Rock&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_7.html" title="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_7.html"&gt;www.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/78795CE7-155D-4764-8F6C-297C37CA3FE7.jpg" alt="Photo: man standing at the edge of a waterfall" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Zambia&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Victoria Falls&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_8.html" title="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_8.html"&gt;www.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/90B69F92-2520-40DE-8A96-F579ECE676BF.jpg" alt="Photo: prairie grasses" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;South Dakota&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;prairie grasses&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_9.html" title="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_9.html"&gt;www.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/45FE3A5F-20EE-48C3-A06F-89C4B10528D8.jpg" alt="Photo: priestess" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Brazil&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;city of Salvador&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_10.html" title="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_10.html"&gt;www.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/7DE666AC-6656-4777-BDDA-0983A7D4F26D.jpg" alt="Photo: woman with her children" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Rwanda&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_5.html" title="http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_5.html"&gt;www.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/8B676D9C-A9D6-4D87-8A4C-C3BCDFA0DBF9.jpg" alt="Photo: white pelicans " /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Gulf of Mexico&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the coast of Louisiana&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.npr.org/templates/story/story.php?storyId=89924908" title="http://www.npr.org/templates/story/story.php?storyId=89924908"&gt;www.npr.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Annie Griffiths Belt was one of the first female photographers to be hired at &lt;EM&gt;National Geographic&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Belt documents her peripatetic life as a photographer and mother in a new book, &lt;EM&gt;A Camera, Two Kids, and a Camel: My Journey in Photographs&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Belt, who was hired in 1978, and her husband, Don, a writer at the magazine, decided that their children should accompany Belt on most of her photo assignments&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;she has carried them to places around the globe during her 30-year career at the magazine&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;There were bear encounters at Yellowstone National Park and brushes with sharks in the Galapagos&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;She found that even in the most remote parts of the planet, her role as a mother opened doors&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;I've been in a culture that's divided by gender, to me it's a huge advantage&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/B7A24330-2AA8-49CE-8058-D0D6E8E9CA8D.jpg" alt="Annie Griffiths Belt" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/494F6989-B110-4358-8B14-6328322EC674.jpg" alt="Don Belt with Lily and Charlie" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Belt's husband, Don, poses with their children&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/9BD0AEE1-B60D-46CC-A0F9-63E6CA56F95A.jpg" alt="An opera star applies makeup in Hong Kong." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/B47DFE18-11B9-44B6-9964-57C0870E19E9.jpg" alt="Model on South Beach, Miami" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/world/" rel="tag"&gt;world&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/motherhood/" rel="tag"&gt;motherhood&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dream/" rel="tag"&gt;dream&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/adventure/" rel="tag"&gt;adventure&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nationalgeographic.com/bestbuy/annies_gallery/gallery_1.html</clipSource><pubDate>Wed, 30 Apr 2008 14:56:19 GMT</pubDate></item><item><title>Turquoise Mountain: Invest in Afghan Arts To Save Kabul</title><link>http://clipmarks.com/clipmark/79B9EA58-2A42-4647-BECC-DD06D0F3C2F1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/urbanlife/"&gt;urbanlife&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Battered by over two decades of war, limited access to new materials and cheaper imports from China and Pakistan, there is an urgent need to support the rural craft communities of Afghanistan.&lt;br/&gt;&lt;br/&gt;The Foundation has developed a Sustainable and Authentic Crafts Standard, which guarantees the authenticity and ethical value of any Afghan products it promotes.&lt;br/&gt;&lt;br/&gt;The Foundation will establish a permanent resource and research center where it plans to build a gas kiln, a workshop, a laboratory for testing glazes, and a library. This improvement in training and resources will be matched with valuable access to the visiting tourist market.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.turquoisemountain.org/index.php?actionid=!@ZD7R.LGnQX6&amp;pageid=88&amp;viewtype=normal" title="http://www.turquoisemountain.org/index.php?actionid=!@ZD7R.LGnQX6&amp;pageid=88&amp;viewtype=normal"&gt;www.turquoisemountain.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.turquoisemountain.org/sitestyle/templates/1001_client/images/headera.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.turquoisemountain.org/basic/imageview.php?imagestoreid=91&amp;filename=STSUT_Restoration_02.jpg&amp;viewWidth=247&amp;viewHeight=300&amp;imagetype=image/jpeg" alt="about" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Turquoise Mountain is investing in the regeneration of the historic commercial centre of Kabul, providing basic services, saving historic buildings and constructing a new bazaar and galleries for traditional craft businesses&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; It has established Afghanistan’s first Centre for Traditional Afghan Arts and Architecture, gathering some of the greatest Masters in Afghanistan and training students to produce masterpieces in wood, calligraphy and ceramics&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.turquoisemountain.org/index.php?actionid=!@CztK64WZVGQ&amp;pageid=89&amp;viewtype=normal" title="http://www.turquoisemountain.org/index.php?actionid=!@CztK64WZVGQ&amp;pageid=89&amp;viewtype=normal"&gt;www.turquoisemountain.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.turquoisemountain.org/basic/imageview.php?imagestoreid=72&amp;filename=MK_from_Kabul_River.jpg&amp;viewWidth=250&amp;viewHeight=188&amp;imagetype=image/jpeg" alt="mk from river" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.turquoisemountain.org/basic/imageview.php?imagestoreid=70&amp;filename=Khalil_in_Peacock_House.jpg&amp;viewWidth=250&amp;viewHeight=167&amp;imagetype=image/jpeg" alt="mk khalil in house" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.turquoisemountain.org/index.php?actionid=!@35fSU6feZPA&amp;pageid=95&amp;viewtype=normal" title="http://www.turquoisemountain.org/index.php?actionid=!@35fSU6feZPA&amp;pageid=95&amp;viewtype=normal"&gt;www.turquoisemountain.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Turquoise Mountain plans to restore the ancient bazaar of Murad Khane into a unique historic centre for Kabul&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It will provide infrastructure; levelling and paving the streets, installing water and sewage and delivering additional services to the community.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.turquoisemountain.org/basic/imageview.php?imagestoreid=93&amp;filename=STSUT_Old_Kabul_69.jpg&amp;viewWidth=212&amp;viewHeight=250&amp;imagetype=image/jpeg" alt="old kabul" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.turquoisemountain.org/basic/imageview.php?imagestoreid=89&amp;filename=Ustad_Suratgar_with_Nasser.JPG.jpg&amp;viewWidth=211&amp;viewHeight=250&amp;imagetype=image/jpeg" alt="wood usted" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.turquoisemountain.org/index.php?actionid=!@NXjTrYc9Scc&amp;pageid=97&amp;viewtype=normal" title="http://www.turquoisemountain.org/index.php?actionid=!@NXjTrYc9Scc&amp;pageid=97&amp;viewtype=normal"&gt;www.turquoisemountain.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.turquoisemountain.org/basic/imageview.php?imagestoreid=79&amp;filename=Water_Pump.jpg&amp;viewWidth=250&amp;viewHeight=188&amp;imagetype=image/jpeg" alt="mk water pump" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.turquoisemountain.org/basic/imageview.php?imagestoreid=68&amp;filename=Drainage.jpg&amp;viewWidth=250&amp;viewHeight=188&amp;imagetype=image/jpeg" alt="mk drainage" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Turquoise Mountain has completed a rubbish clearance project that has seen the street level drop by two meters and uncovered building foundations submerged for over 60 years&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.turquoisemountain.org/index.php?actionid=!@FAy07dXCJbQ&amp;pageid=92&amp;viewtype=normal" title="http://www.turquoisemountain.org/index.php?actionid=!@FAy07dXCJbQ&amp;pageid=92&amp;viewtype=normal"&gt;www.turquoisemountain.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.turquoisemountain.org/basic/imageview.php?imagestoreid=87&amp;filename=Abdul_Hedy.JPG.jpg&amp;viewWidth=225&amp;viewHeight=300&amp;imagetype=image/jpeg" alt="wood abdul hedy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.turquoisemountain.org/index.php?actionid=!@GOuIIfFVev.&amp;pageid=91&amp;viewtype=normal" title="http://www.turquoisemountain.org/index.php?actionid=!@GOuIIfFVev.&amp;pageid=91&amp;viewtype=normal"&gt;www.turquoisemountain.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.turquoisemountain.org/basic/imageview.php?imagestoreid=84&amp;filename=Malik_glaze_ceremony.JPG.jpg&amp;viewWidth=250&amp;viewHeight=226&amp;imagetype=image/jpeg" alt="ist glaze ceremony" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.turquoisemountain.org/basic/imageview.php?imagestoreid=85&amp;filename=Manan.JPG.jpg&amp;viewWidth=250&amp;viewHeight=188&amp;imagetype=image/jpeg" alt="ist manan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="4" face="Arial, Helvetica, sans-serif" color="#333333"&gt;Rural Livelihoods Project&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;There is an urgent need to support the rural craft communities of Afghanistan&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/afghanistan/" rel="tag"&gt;afghanistan&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/kabul/" rel="tag"&gt;kabul&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/turquoise+mountain/" rel="tag"&gt;turquoise mountain&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/arts/" rel="tag"&gt;arts&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/preserve/" rel="tag"&gt;preserve&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rebuild/" rel="tag"&gt;rebuild&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ceramics/" rel="tag"&gt;ceramics&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.turquoisemountain.org/index.php?actionid=!@ZD7R.LGnQX6&amp;pageid=88&amp;viewtype=normal</clipSource><pubDate>Tue, 22 Jan 2008 20:28:23 GMT</pubDate></item><item><title>A Green Utopia: World's First Zero-Carbon &amp; Zero-Waste City</title><link>http://clipmarks.com/clipmark/51601C63-714F-4714-85F7-8C59EBF26EB7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/urbanlife/"&gt;urbanlife&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Abu Dhabi: Masdar City aims to be the world's greenest city....and the most sustainable city.&lt;br/&gt;&lt;br/&gt;The Masdar development is a 6 km sq, car-free “walled-city” scheme. A challenging design that promises to question conventional urban wisdom at a fundamental level. Masdar promises to set new benchmarks for the sustainable city of the future &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.outnext.com/on/2007/05/masdar_city_gre.html" title="http://www.outnext.com/on/2007/05/masdar_city_gre.html"&gt;www.outnext.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/A474C95E-CF8D-44B8-9932-49698B2BEECC.jpg" alt="Masdarcity21050702" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.enn.com/pollution/article/29161" title="http://www.enn.com/pollution/article/29161"&gt;www.enn.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;WWF and the government of Abu Dhabi today launched a Sustainability tStrategy to deliver the world’s greenest city&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Masdar City will be the world’s first zero-carbon, zero-waste, car-free city, meeting or exceeding a set of stringent sustainability goals established under the “One Planet Livingâ„¢” programme established by WWF&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.outnext.com/on/2007/05/masdar_city_gre.html" title="http://www.outnext.com/on/2007/05/masdar_city_gre.html"&gt;www.outnext.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/A1F8E906-9504-4FCC-830E-C7E6F64FD33D.jpg" alt="Masdarcity21050701" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.enn.com/pollution/article/29161" title="http://www.enn.com/pollution/article/29161"&gt;www.enn.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;These targets are to be achieved by the time the Masdar City is completed and fully functioning in 2012.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;ZERO CARBON 100 per cent of energy supplied by renewable energy&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;ZERO WASTE 99 per cent diversion of waste from landfill &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;SUSTAINABLE TRANSPORT Zero carbon emissions from transport within the city&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;SUSTAINABLE MATERIALS Specifying high recycled materials content within building products&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;SUSTAINABLE FOOD&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;SUSTAINABLE WATER&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;HABITATS AND WILDLIFE All valuable species to be conserved or relocated&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;EQUITY AND FAIR TRADE Fair wages and working conditions for all workers&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;HEALTH AND HAPPINESS Facilities and events for every demographic group&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;CULTURE AND HERITAGE&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.outnext.com/on/2007/05/masdar_city_gre.html" title="http://www.outnext.com/on/2007/05/masdar_city_gre.html"&gt;www.outnext.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/820FB8E2-DBB1-4622-9C35-4B5D1203DD33.jpg" alt="Masdarcity21050703" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/utopia/" rel="tag"&gt;utopia&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/green/" rel="tag"&gt;green&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/city/" rel="tag"&gt;city&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/masdar/" rel="tag"&gt;masdar&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sustainable/" rel="tag"&gt;sustainable&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/wwf/" rel="tag"&gt;wwf&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.outnext.com/on/2007/05/masdar_city_gre.html</clipSource><pubDate>Tue, 15 Jan 2008 17:53:16 GMT</pubDate></item><item><title>Indian Artists Free to Express Their Own Culture: Virgin Comics</title><link>http://clipmarks.com/clipmark/A60B4F00-C70F-461C-9A9B-B17026384355/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/urbanlife/"&gt;urbanlife&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  After decades of outsourcing and emulating the West, artists finally feel free to do what they want and share their culture with the rest of the world.&lt;br/&gt;&lt;br/&gt;"You can't handle that kind of freedom all of a sudden. So it takes about three to four months of time to adjust." &lt;br/&gt;&lt;br/&gt;"Because it's been built upon an outsourcing model...we do a tremendous amount of unlearning." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.npr.org/templates/story/story.php?storyId=17187840" title="http://www.npr.org/templates/story/story.php?storyId=17187840"&gt;www.npr.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/B86EF3AC-487F-44AD-8FF2-CE77752A4589.jpg" alt="An image from 'Ramayan'" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="date"&gt;&lt;/SPAN&gt;                         Bangalore, India: To many Americans, the name evokes call centers and colorless office parks, anonymous places to which U.S. companies export work&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;downtown, an army of Indian animators is working to export their culture to the rest of the world&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Their source material: The elaborate pantheon of Hindu mythology&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Less than two years old, Virgin Comics has already published dozens of titles&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;All of them are classic figures, and the staff here knows these stories from childhood&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;named Virgin Comics&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;because the main investor is Richard Branson, of Virgin Airlines and Virgin Records&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;partners are the filmmaker &lt;A target="_blank" href="http://www.shekharkapur.com/blog/welcome.htm"&gt;Shekhar Kapur&lt;/A&gt; (&lt;EM&gt;Elizabeth&lt;/EM&gt;) and entrepreneur &lt;A target="_blank" href="http://www.intentblog.com/author.php?author=Gotham%20Chopra"&gt;Gotham Chopra&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;create our own properties that really could stand at the forefront of the world&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;champion a lot of this young, dynamic Indian creativity&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;most-gifted young people had grown used to doing back-end animation for American studios&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;When artists first arrive at Virgin, they are used to repressing their own culture&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Then, "it's like letting loose a nuke."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/38FC0FF1-C3AD-4C76-A450-6FEF04B71C17.jpg" alt="A frame from Virgin Comics' 'Devi'" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/outsourcing/" rel="tag"&gt;outsourcing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/comics/" rel="tag"&gt;comics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/myths/" rel="tag"&gt;myths&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/india/" rel="tag"&gt;india&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/animation/" rel="tag"&gt;animation&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.npr.org/templates/story/story.php?storyId=17187840</clipSource><pubDate>Fri, 21 Dec 2007 15:42:41 GMT</pubDate></item><item><title>To Create a Stree-Free Generation in a Stress-Full World</title><link>http://clipmarks.com/clipmark/5A17DF9B-787B-4C6C-A2DD-4E52C1B87D8B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/urbanlife/"&gt;urbanlife&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Less Homework, More Yoga &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2007/10/29/education/29stress.html?_r=1&amp;adxnnl=1&amp;oref=slogin&amp;pagewanted=all&amp;adxnnlx=1195672158-mDJjnvaAsIEzGYM0AbUVPQ" title="http://www.nytimes.com/2007/10/29/education/29stress.html?_r=1&amp;adxnnl=1&amp;oref=slogin&amp;pagewanted=all&amp;adxnnlx=1195672158-mDJjnvaAsIEzGYM0AbUVPQ"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/BA8561E4-4DA5-4536-B1E2-43511D01E4B1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Less Homework, More Yoga, From a Principal Who Hates Stress&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Needham High School, here in the affluent Boston suburbs&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the Stress Reduction Committee&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;to train students in relaxation techniques&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“It’s very important to protect the part of the culture that leads to all the achievement,”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“It’s more about bringing the culture to a healthier place.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; a movement to push back against an ethos of super-achievement at affluent suburban high schools amid the extreme competition over college admissions&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;administrators from 44 other high schools and middle schools&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;form a group known as S.O.S., for Stressed Out Students&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the book, “Doing School: How We Are Creating a Generation of Stressed Out, Materialistic and Miseducated Students”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;to try to help students become more resilient&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;to help students learn to cope better with the inevitable setbacks&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“A lot of these kids,”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“are being held hostage to the culture.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a certain amount of stress is necessary for learning and growth, too much interferes&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/4CB4984E-15F9-418B-8A2E-C4487CB40F4E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/stress/" rel="tag"&gt;stress&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/yoga/" rel="tag"&gt;yoga&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/highschool/" rel="tag"&gt;highschool&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/school/" rel="tag"&gt;school&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2007/10/29/education/29stress.html?_r=1&amp;adxnnl=1&amp;oref=slogin&amp;pagewanted=all&amp;adxnnlx=1195672158-mDJjnvaAsIEzGYM0AbUVPQ</clipSource><pubDate>Wed, 21 Nov 2007 19:17:28 GMT</pubDate></item><item><title>Immigrant meets Hippie - Kensington Market, Toronto</title><link>http://clipmarks.com/clipmark/116F17B7-3B8C-4407-BF3C-3E1AA1AB63AC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/urbanlife/"&gt;urbanlife&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.theglobeandmail.com/servlet/story/RTGAM.20071109.wflorida10/BNStory/Front/?page=rss&amp;id=RTGAM.20071109.wflorida10" title="http://www.theglobeandmail.com/servlet/story/RTGAM.20071109.wflorida10/BNStory/Front/?page=rss&amp;id=RTGAM.20071109.wflorida10"&gt;www.theglobeandmail.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“where people were actively engaged, politically speaking, through protest activities, those were cities that were more innovative, more creative, more exciting. If you don't have activism in your city, you've killed its soul.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Neighbourhoods like this survived because of the energy and collective force of its people. The bigger challenge now is how does a neighbourhood like this survive in the wake of the opposite force – central cities coming back.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Its grit, its bohemian quotient, its kind of urban messiness&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“If you look at the groups of people who are very committed to their place, one group that's obvious is immigrants. They come to a neighbourhood, they become part of a neighbourhood, because their culture is in that neighbourhood. And [the other is] artists and bohemians – whether that's a designer or a sculptor or a painter – who are somehow inspired, like the people who colonized SoHo.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
“What you need is the energy of new people, of new interests, of new clashes.”&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/creative+class/" rel="tag"&gt;creative class&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/neighborhood/" rel="tag"&gt;neighborhood&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/hippie/" rel="tag"&gt;hippie&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/city/" rel="tag"&gt;city&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/immigrant/" rel="tag"&gt;immigrant&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.theglobeandmail.com/servlet/story/RTGAM.20071109.wflorida10/BNStory/Front/?page=rss&amp;id=RTGAM.20071109.wflorida10</clipSource><pubDate>Fri, 16 Nov 2007 19:58:24 GMT</pubDate></item><item><title>Connecting Artists and Spaces </title><link>http://clipmarks.com/clipmark/670BA3CD-14CA-44C3-8D50-6C1FBE356ECF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/urbanlife/"&gt;urbanlife&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artistlink.org/?q=aboutus" title="http://www.artistlink.org/?q=aboutus"&gt;www.artistlink.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/urbanlife/512/7612C731-2056-416A-98CF-614F94DE4DE9.png" alt="Home" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;ArtistLink is a new collaborative effort to create a stable yet dynamic environment for Massachusetts artists. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Through partnerships with other organizations in New England and across the country, ArtistLink shares best practices and participates in the development and execution of new models of artist assistance.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The effort is part of a national ten-year campaign spearheaded by &lt;A href="http://www.lincnet.net/"&gt;&lt;U&gt;LINC (Leveraging Investments in Creativity)&lt;/U&gt;&lt;/A&gt; to improve conditions for artists in all disciplines by addressing artist needs for space, health insurance, financial support, and business planning. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;LINC’s agenda is four-fold: 1) increase direct support for artists' work; 2) improve necessary life supports in areas such as live/work space, insurance and financial services; 3) enhance artists’ networks and the policy environment that support artists; and 4) explore the impact of artists on communities and community redevelopment.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/artist/" rel="tag"&gt;artist&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/neighborhood/" rel="tag"&gt;neighborhood&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/home/" rel="tag"&gt;home&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/economic/" rel="tag"&gt;economic&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/city/" rel="tag"&gt;city&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.artistlink.org/?q=aboutus</clipSource><pubDate>Fri, 16 Nov 2007 17:29:02 GMT</pubDate></item></channel></rss>