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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | syncopath's 'art' clips</title><link>http://clipmarks.com/clipper/syncopath/tag/art/</link><feedUrl>http://rss.clipmarks.com/clipper/syncopath/tag/art/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>flooded London 2090 - art imaginary scenario</title><link>http://clipmarks.com/clipmark/4FF30963-5DA9-482A-91FD-0534B82C2918/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "The installations are optimistic and reveal that far from being a tragedy, the floods have brought about a much-improved way of life to the capital city."&lt;br/&gt;&lt;br/&gt;one of the comments on this story says: "Can’t wait for global warming to improve the London weather." &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dezeen.com/2008/06/18/flooded-london-by-squintopera/" title="http://www.dezeen.com/2008/06/18/flooded-london-by-squintopera/"&gt;www.dezeen.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Film and media studio &lt;A href="http://www.squintopera.com"&gt;Squint/Opera&lt;/A&gt; has created a series of images depicting imaginary scenes in London in 2090, when rising sea levels have inundated the city.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/45784932-43F9-481B-A918-BA007274C3FA.jpg" alt="3_officesq.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/1147C105-DF2E-4D45-8C7A-5EC2F5ED42B8.jpg" alt="2_tate.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/868E8D32-5EBC-4FA4-8FEC-43A42C511F28.jpg" alt="1_st_pauls.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The general scenario is set 80 or so years into the future, long after the sea levels have risen. The catastrophe side of the sea coming in has long since past and the five images are snapshots of people going about their lives, long since having adapted to the worlds new circumstance.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The scenes shown through light boxes present London as a tranquil utopia&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The people in each scene appear to be relaxed and happy in their environment and in the first we see a man who has rowed into St Pauls and is preparing to dive off the ledge of the whispering gallery into the dimly lit ‘swimming pool’.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Another sees the upper reaches of a once famous art gallery where people have collected pre flood artifacts and are rigging them up to get makeshift machinery going to power a light bulb.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dezeen.com/2008/06/22/flooded-london-by-squintopera-2/" title="http://www.dezeen.com/2008/06/22/flooded-london-by-squintopera-2/"&gt;www.dezeen.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/33E93768-342D-4538-93C4-058EFB3FA4C9.jpg" alt="4_honour_oaklowressq.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/C01EFE76-FF0D-495B-AD67-CDD8D670CDB1.jpg" alt="5_st_maryslowressq.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/installation/" rel="tag"&gt;installation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/future/" rel="tag"&gt;future&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/london/" rel="tag"&gt;london&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dezeen.com/2008/06/18/flooded-london-by-squintopera/</clipSource><pubDate>Sun, 07 Sep 2008 23:59:01 GMT</pubDate></item><item><title>Digital Blasphemy</title><link>http://clipmarks.com/clipmark/66F6CAE9-B1B6-4DA4-A55C-A9E07D1E2D09/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ChaosSyren/"&gt;ChaosSyren&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Amazing Art &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://digitalblasphemy.com/" title="http://digitalblasphemy.com/"&gt;digitalblasphemy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD align="left" class="columnlink2"&gt;&lt;FONT size="+1"&gt;&lt;B class="year"&gt;Welcome to Digital Blasphemy!&lt;/B&gt;&lt;/FONT&gt;&lt;P&gt;

       &lt;B&gt;&lt;A href="http://digitalblasphemy.com/dbhome.shtml"&gt;Inside:&lt;/A&gt;&lt;/B&gt; Hi-res original 3d rendered computer desktop wallpapers and links to some of the best computer art sites on the web. 
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	 	&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/digital/" rel="tag"&gt;digital&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/graphics/" rel="tag"&gt;graphics&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://digitalblasphemy.com/</clipSource><pubDate>Mon, 18 Aug 2008 18:32:13 GMT</pubDate></item><item><title>Top 100 Liberal Arts Professors' Blogs</title><link>http://clipmarks.com/clipmark/1991754D-E347-4CB4-942C-B39D6FA401D3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.universityreviewsonline.com/2005/10/the-top-100-lib.html" title="http://www.universityreviewsonline.com/2005/10/the-top-100-lib.html"&gt;www.universityreviewsonline.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Academics are flocking to the Internet like never before, particularly to start a blog. Faculty members in colleges across the world are connecting with people on a whole new level. Let's face it – academia can actually be very lonely at times. Not only can a blog be cathartic for professors, it can allow for valuable feedback from students and/or colleagues.&lt;/P&gt; 



 


&lt;A id="more"&gt;&lt;/A&gt;
&lt;P&gt;Liberal arts subjects are wildly varied. From art to science, the major disciplines have long been considered part of the liberal arts. Below are 100 of the most interesting and popular blogs written by liberal arts professors.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Art&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Economics&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Education&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;English&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;History&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Math&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Media / Technology&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Music&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Philosophy&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Psycholog&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Political science&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Science&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Sociology&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Theology&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/humanities/" rel="tag"&gt;humanities&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.universityreviewsonline.com/2005/10/the-top-100-lib.html</clipSource><pubDate>Sun, 13 Jul 2008 08:36:44 GMT</pubDate></item><item><title>SYNTHETIC TIMES – Media Art China 2008</title><link>http://clipmarks.com/clipmark/1E2DF803-B207-489B-9FCC-D619C74D1F8C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "Works in the exhibition explore the trajectory of unruly visions from the desire to transcend the corporal to the construction of synthetic worlds, from telematic dreaming to transgenic hybrids, challenging the very notion of what we know as reality and what is perceived as being human." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mediartchina.org/introduction" title="http://www.mediartchina.org/introduction"&gt;www.mediartchina.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/606551AF-096A-4F97-B800-959F49058C08.jpg" alt="namoc2.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;During the 2008 Beijing Olympic Games, the National Art Museum of China will present &lt;B&gt;“SYNTHETIC TIMES – Media Art China 2008”&lt;/B&gt; in its current location at the center of Beijing. NAMOC is the only national art museum in China that is dedicated to research, presentation and promotion of modern and contemporary arts.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://mediartchina.org/exhibition_test" title="http://mediartchina.org/exhibition_test"&gt;mediartchina.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The exhibition is organized around four distinctive yet interrelated themes that testify to the bittersweetness of man’s incessant and obsessive pursuit of an ideal world through artistic intervention into media and communications technologies as well as bio-cultural spheres.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/C0C38BEA-FF81-4E9C-95CC-E93B7703FB43.jpg" alt="kama.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mediartchina.org/?q=recomb/op_era" title="http://www.mediartchina.org/?q=recomb/op_era"&gt;www.mediartchina.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;OP_ERA: Sonic Dimension is an immersive and interactive installation designed as a music box.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/18D0FBC4-C493-41C7-8BC7-8526F88693F5.png" alt="opera.png" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mediartchina.org/?q=hte/newsbin" title="http://www.mediartchina.org/?q=hte/newsbin"&gt;www.mediartchina.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Urgently! is an info-sculpture that explores such phenomena as information overload, Web 2.0 and information aesthetics&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/CC574411-1BB8-4B52-96FC-0BBCD138F2C8.png" alt="newsbin.png" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mediartchina.org/?q=recomb/anagram" title="http://www.mediartchina.org/?q=recomb/anagram"&gt;www.mediartchina.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;anagrams&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/ACA85DA6-F6E1-4AB4-8610-887E71A14505.png" alt="anagram.png" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mediartchina.org/?q=recomb/between" title="http://www.mediartchina.org/?q=recomb/between"&gt;www.mediartchina.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;You and I, Horizontal &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/11568F76-E235-423F-8268-A7D00A0D412C.png" alt="btuNi.png" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mediartchina.org/?q=beyond/fear9" title="http://www.mediartchina.org/?q=beyond/fear9"&gt;www.mediartchina.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;sweat of a body who fear nobod&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/4EC3B660-848A-4884-B2F3-6C42C997A84A.png" alt="?? 3.png" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mediartchina.org/?q=emotive/alexitimia" title="http://www.mediartchina.org/?q=emotive/alexitimia"&gt;www.mediartchina.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“Alexitimia” &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a deficit in emotional cognition.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/D96964FD-38FA-4E93-8706-AE1BCB55C672.jpg" alt="Alexitimia.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mediartchina.org/?q=recomb/trekking" title="http://www.mediartchina.org/?q=recomb/trekking"&gt;www.mediartchina.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Cloud" carries a strong expressive force that transcends over the time and space&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/13C42486-13F7-4D0E-A240-B495ABC90BA2.png" alt="mountain.png" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/international+exhibition/" rel="tag"&gt;international exhibition&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/beijing/" rel="tag"&gt;beijing&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.mediartchina.org/introduction</clipSource><pubDate>Mon, 23 Jun 2008 12:48:57 GMT</pubDate></item><item><title>Coco Chanel: mobile Art meets Fashion ...</title><link>http://clipmarks.com/clipmark/CCCF90B6-E53A-449A-8B30-4DC3FE90D885/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Chanel required all the artists to produce work inspired by the quilted handbag, the "2.55," for "February 1955" when it was designed by Coco Chanel.&lt;br/&gt;&lt;br/&gt;The container will travel from Hong Kong to Tokyo, New York, Los Angeles, London, Moscow and Paris over the course of two years. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.iht.com/articles/2008/03/24/arts/chanelart.php" title="http://www.iht.com/articles/2008/03/24/arts/chanelart.php"&gt;www.iht.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="headline"&gt;It's all in the (Chanel) bag: Art meets fashion&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/15E1F73F-5280-43B3-BC82-89DC4771F9E4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;A few weeks ago, the squat, white structure, designed by the architect Zaha Hadid, took shape on a car park rooftop. Word quickly spread that the unusual-looking building would house a major international art show.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;As a visual punch line set against the Hong Kong cityscape, Chanel Mobile Art - financed by the French luxury goods company - is irresistible.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;One of the most dramatic and impressive pieces in the show is titled "at the bottom" by the Japanese artist Tabaimo. Visitors go up steps to look down a "well" where walls are covered with mysterious, seemingly floating objects, representing the dreams of Chanel customers.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wallpaper.com/newgallery/17050145/6" title="http://www.wallpaper.com/newgallery/17050145/6"&gt;www.wallpaper.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/0179C36B-36A4-46EE-822F-B012FFDF396F.jpg" alt="A digital rendering of Chanel's 'Mobile Art' container, by Zaha Hadid" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wallpaper.com/art/mobile-art-exclusive/1828" title="http://www.wallpaper.com/art/mobile-art-exclusive/1828"&gt;www.wallpaper.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
			‘I want to be part of what’s happening’ Coco Chanel used to say. So she’d no doubt wholeheartedly approve of Karl Lagerfeld’s latest venture whereby the charismatic creative at the helm of &lt;A target="_blank" href="http://www.chanel.com"&gt;Chanel&lt;/A&gt; has teamed up with &lt;A target="_blank" href="http://www.zahahadid.com"&gt;Zaha Hadid&lt;/A&gt; and twenty cutting-edge artists from around the globe for Mobile Art Exhibit. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wallpaper.com/newgallery/17050145/1" title="http://www.wallpaper.com/newgallery/17050145/1"&gt;www.wallpaper.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/00CE4E04-8322-4054-83EE-9DB6AC76F075.jpg" alt="A digital rendering of Chanel's 'Mobile Art' container, by Zaha Hadid" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wallpaper.com/newgallery/17050145/5" title="http://www.wallpaper.com/newgallery/17050145/5"&gt;www.wallpaper.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/2611C8DC-EA6B-4F68-B6F0-4E3646712DB3.jpg" alt="A digital rendering of Chanel's 'Mobile Art' container, by Zaha Hadid" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.iht.com/articles/2008/03/24/arts/chanelart.php</clipSource><pubDate>Mon, 02 Jun 2008 20:37:53 GMT</pubDate></item><item><title>Tate Modern first time presents six Street Artists</title><link>http://clipmarks.com/clipmark/DB269EFB-F20A-411F-ABF3-7ED04AEB779E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  much more on street art at source &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.lifeinthefastlane.ca/" title="http://www.lifeinthefastlane.ca/"&gt;www.lifeinthefastlane.ca&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;In an anti-establishment movement that’s taking the art world by storm, 6 of the world’s most famous Street Artists whose work is intricately connected to the urban environment were commissioned to paint the iconic river façade of Tate Modern exterior walls with 45 foot (15 meter) high towering artworks for the first major public museum display of Street Art in London. &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/6F2997DC-971F-4CC2-9535-4C8579E12743.gif" alt="Street Artist Nunca Tate Modern 1" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt; Work of Brazilian artist Nunca exhibited on the facade of the Tate Modern. Photo Getty&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;All 6 artists are represented in major collections around the world and regularly shown in gallery exhibitions but their work began in public urban spaces and remains indebted to Street Art and graffiti traditions.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/4ADFB1C4-DB7A-44F3-B72D-7041A4561697.gif" alt="Street Artist JR Tate Modern 2" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt; JR from Paris, France. Photo &lt;A href="http://www.flickr.com/photos/jasondelport/2511275582/in/photostream/"&gt;Jason Delport&lt;/A&gt;&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“It is the first time that the Tate Modern is using the outside walls of the building to do an exhibition, and it is the first time this institution is working with ‘Street Art’ too.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/FE1C7815-F54A-445E-8E28-1CC5B105A8DE.gif" alt="Street Artists Tate Modern 7" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/C3C925F6-F0B4-4EDB-AD5D-CEBBD492C5E5.gif" alt="Street Artist Blu Tate Modern 60" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; Street Artist Blu&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/15AFCC7C-CBC3-4EEC-BE1E-0ADC31D41E96.gif" alt="Street Atists Os Gemeos Tate Modern 61" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; Os Gemeos from Sao Paulo&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/9A6EF6CC-0071-479E-9B17-256DA991296E.gif" alt="Street Artist Blu 8" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Blu&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/D535A8B3-5F85-4D07-9925-F63A3A753EFA.gif" alt="Street Artist JR 10" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Artist JR&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/4C3C447E-CCD0-4C24-9CD8-4895B34BA69E.gif" alt="Street Artist Blu 22" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/D4EFE2F4-BFAA-4CF4-83D8-B9CB7315C2EE.gif" alt="Street Artist Blu 23" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“Color Spread”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/C3900CCE-152E-4D43-BE29-BA7B8E1B3FCC.gif" alt="Street Artist Blu 27" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/AFC0491D-A86E-4FDC-96CF-968EB9A0F156.gif" alt="Street Artist Blu 28" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/1862DA91-CE7D-4D77-A53C-1F01B94CF0ED.gif" alt="Street Artist Blu 35" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/556467B3-CC03-400D-99C4-43BCCD8AFB42.gif" alt="Street Artist JR 38" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/22AD58F3-3B69-4CCF-839D-58342B1A42B6.gif" alt="Street Artist JR 39" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/BFB09BCA-3CC0-4446-A18E-6915F95FAD63.gif" alt="Street Artist JR 40" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/E8E91966-BD93-447B-89D9-43C8F1F1E41A.gif" alt="Street Artist JR 42" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Project WOMEN ARE HEROES. Photo JR&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/588591D8-E11A-416D-965F-DC9ACCFAA033.gif" alt="Street Artist JR 49" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.lifeinthefastlane.ca/</clipSource><pubDate>Tue, 27 May 2008 00:42:28 GMT</pubDate></item><item><title>Art of Memetics (download)</title><link>http://clipmarks.com/clipmark/0734AD8D-B002-4584-AB0C-3ECFC71DFD2A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://greylodge.org/gpc/?p=1357" title="http://greylodge.org/gpc/?p=1357"&gt;greylodge.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="storycontent"&gt;
		&lt;P&gt;&lt;IMG width="165" height="250" align="left" src="http://www.aelturnity.com/wesunruh/wp-content/uploads/2008/03/artofmemeticscover.JPG" /&gt;by &lt;A href="http://wu.sauceruney.com/"&gt;Wes Unruh&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.google.com/url?sa=t&amp;ct=res&amp;cd=1&amp;url=http:%2F%2Ffenris23.wordpress.com%2F&amp;ei=j2fuR9S1NoOKpwTSoMVt&amp;usg=AFQjCNEvdDBc8DrMxv99YlOVshNOaS37Pg&amp;sig2=XVTNM1yheqgouAT63RAfFw"&gt;Edward Wilson&lt;/A&gt;&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;Description&lt;/STRONG&gt;:&lt;BR /&gt;
We are all part of social networks that are communicating, interacting. And this allows us to start applying cybernetic principles to psychological and social issues. Memes are not about “communication” or transfer of data. Memes are programming instructions. They are tied to actions. Memes are just the packet on this network. And the packets are usually programs which get installed on the system that accepts them. That system is you and I. Because we are components in a very large system and made up of smaller systems and components the percentage of control we are generally capable of at least at first is really small because we are constrained both by our constituting components and the system of interactions within which we are embedded.&lt;/P&gt;
&lt;P&gt;With a forward by &lt;A href="http://taylorellwood.chaosmagic.com/"&gt;Taylor Ellwood&lt;/A&gt; and introduction by &lt;A href="http://joseph.matheny.com"&gt;Joseph Matheny&lt;/A&gt;.&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://www.greylodge.org/tracker/gettorrent.php?info_hash=557052ea524791b9ceead86328c8b8295f03226a"&gt;Download Torrent&lt;/A&gt;&lt;/STRONG&gt;- PDF- 4.3 mb.
&lt;/P&gt;
&lt;DIV class="podPress_content"&gt;&lt;DIV id="podPressPlayerSpace_1357"&gt;
&lt;/DIV&gt;
&lt;A target="new" href="http://greylodge.org/torrents/drgrey/TheArtOfMemetics_PirateEdition.pdf"&gt;&lt;IMG border="0" align="top" alt="icon for podpress" class="podPress_imgicon" src="http://greylodge.org/gpc/wp-content/plugins/podpress/images/ebook_pdf_button.png" /&gt;&lt;/A&gt;  The Art of Memetics: Pirate Edition: &lt;A target="new" href="http://greylodge.org/torrents/drgrey/TheArtOfMemetics_PirateEdition.pdf"&gt;Download&lt;/A&gt;&lt;BR /&gt;
&lt;/DIV&gt;&lt;P class="akst_link"&gt;&lt;A rel="nofollow" class="akst_share_link" id="akst_link_1357" title="E-mail this, post to del.icio.us, etc." href="http://greylodge.org/gpc/?p=1357&amp;akst_action=share-this"&gt;Share This&lt;/A&gt;
&lt;/P&gt;	&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art+of+memetics/" rel="tag"&gt;art of memetics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/memetics/" rel="tag"&gt;memetics&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://greylodge.org/gpc/?p=1357</clipSource><pubDate>Sat, 29 Mar 2008 20:55:14 GMT</pubDate></item><item><title>Painting - calligraphy - graffiti - word &amp; image</title><link>http://clipmarks.com/clipmark/0E2EC7AF-286B-4771-B420-70CE45DE2CFD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.heliomag.com/the-documentation-of-memory-the-art-of-jose-parla.html" title="http://www.heliomag.com/the-documentation-of-memory-the-art-of-jose-parla.html"&gt;www.heliomag.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A href="http://www.heliomag.com/the-documentation-of-memory-the-art-of-jose-parla.html"&gt;THE DOCUMENTATION OF MEMORY: The Art of Jose Parla&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Combining the elegance of calligraphy with the energy of the urban streets, Jose Parla has evolved from graffiti writer to fine artist, in the process creating his own unique vision.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/21625CD1-5298-4F2C-A2EC-AF5B32D2649D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/18544033-F11E-4E0C-813F-91A058F827A5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;On a subconscious level my work was initiated when I was 9 years old in Miami, Florida&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;My professors&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;stressed that a good painting must contain much history&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;I interpreted that what they meant by history was a history told through a procedure of layering, a kind of storytelling.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/ECEF2D9E-53E6-4B53-B3F4-4B1A098F2812.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/700617E7-2711-4FD5-BE8D-F4A726671781.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/72AC1B69-BB11-4C80-A4AD-F034B0535AC4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.graffiti.org/index/parla_electropositive.jpg" title="http://www.graffiti.org/index/parla_electropositive.jpg"&gt;www.graffiti.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/3562666D-C24B-45E1-817A-AB0C9B1616FA.jpg" alt="http://www.graffiti.org/index/parla_electropositive.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.coolhunting.com/archives/2007/03/jos_parl.php" title="http://www.coolhunting.com/archives/2007/03/jos_parl.php"&gt;www.coolhunting.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Our video about Brooklyn-based artist &lt;A target="_blank" href="http://www.joseparla.com/"&gt;José Parlá's&lt;/A&gt; work explores the thought and process behind his densely-layered graffiti paintings. Perhaps more than any other artist, José blurs the lines between word and image and graffiti and "fine art."&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.heliomag.com/the-documentation-of-memory-the-art-of-jose-parla.html</clipSource><pubDate>Sat, 16 Feb 2008 03:32:43 GMT</pubDate></item><item><title>Reading Poetry - Dylan Thomas</title><link>http://clipmarks.com/clipmark/36593429-E3BC-48BD-B97B-BB8D0AB6E285/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "do not believe everything you hear ..&lt;br/&gt;it says i wrote it in the night ..&lt;br/&gt;but i wrote it in the afternoon,&lt;br/&gt;like everyone else .... " &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=qUi3Q6k6c0Y" title="http://www.youtube.com/watch?v=qUi3Q6k6c0Y"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Dylan Thomas&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=P71sPc--ZMM" title="http://www.youtube.com/watch?v=P71sPc--ZMM"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In my craft or sullen art&lt;BR /&gt;Exercised in the still night&lt;BR /&gt;When only the moon rages&lt;BR /&gt;And the lovers lie abed&lt;BR /&gt;With all their griefs in their arms,&lt;BR /&gt;I labour by singing light&lt;BR /&gt;Not for ambition or bread&lt;BR /&gt;Or the strut and trade of charms&lt;BR /&gt;On the ivory stages&lt;BR /&gt;But for the common wages&lt;BR /&gt;&lt;DIV&gt;Of their most secret heart.&lt;/DIV&gt;&lt;BR /&gt;Not for the proud man apart&lt;BR /&gt;From the raging moon I write&lt;BR /&gt;On these spindrift pages&lt;BR /&gt;Nor for the towering dead&lt;BR /&gt;With their nightingales and psalms&lt;BR /&gt;But for the lovers, their arms&lt;BR /&gt;Round the griefs of the ages,&lt;BR /&gt;Who pay no praise or wages&lt;BR /&gt;Nor heed my craft or art. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=qUi3Q6k6c0Y</clipSource><pubDate>Sun, 03 Feb 2008 11:37:51 GMT</pubDate></item><item><title>The most creative(and/or sexy) hotel rooms in the world</title><link>http://clipmarks.com/clipmark/97DCD960-5EF9-4729-9EBF-22CCEFB9B400/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://weburbanist.com/2008/01/21/16-of-the-most-creative-and-sexy-hotel-rooms-in-the-world-from-upside-down-to-local-art/" title="http://weburbanist.com/2008/01/21/16-of-the-most-creative-and-sexy-hotel-rooms-in-the-world-from-upside-down-to-local-art/"&gt;weburbanist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;16 of the Most Creative (and/or Sexy) Hotel Rooms in the World: From Upside-Down to Local Urban Art&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://weburbanist.com/wp-content/uploads/2008/01/upside-down-creative-art-hotel-room.jpg" alt="Upside Down Creative Art Hotel Room" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Ever wonder what it would be like to live upside-down, sleep like a vampire or break out of prison? More and more hotels are breaking out of the tradition of cookie-cutter rooms and are moving toward unique one-of-a-kind artist-driven room designs. Here are sixteen such rooms that span the spectrum from clever and kitchy to sexy and surreal. Even though some may look uncomfortable, unusual or downright freakish at least they aren’t among the &lt;A title="7 of the Worlds Smallest Hotels and Hotel Rooms" href="http://weburbanist.com/2007/12/20/7-of-the-smallest-hotels-and-hotel-rooms-in-the-world-from-pipe-rooms-to-capsule-hotels/" linkindex="10"&gt;7 tiniest hotel rooms in the world&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://weburbanist.com/wp-content/uploads/2008/01/vampire-hotel-room-with-coffins.jpg" alt="Vampire Hotel Room with Coffins" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;vampire room&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://weburbanist.com/wp-content/uploads/2008/01/fully-mirrored-art-hotel-room.jpg" alt="Fully Mirrored Art Hotel Room" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;mirror room&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://weburbanist.com/wp-content/uploads/2008/01/art-concept-hotel-room-with-erotic-dance-cages.jpg" alt="Art Concept Hotel Room with Erotic Dance Cages" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;How about a room with elegant furnishings and also complete with not one but two cages&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://weburbanist.com/wp-content/uploads/2008/01/jail-cell-bizarre-art-hotel-room.jpg" alt="Jail Cell Bizarre Art Hotel Room" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;One room is outfitted as a surrealistically colored jail cell reminiscent of a cartoon lockup&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://weburbanist.com/wp-content/uploads/2008/01/hotel-room-with-crazy-symbols.jpg" alt="Hotel Room with Crazy Symbols" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;symbol room&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://weburbanist.com/wp-content/uploads/2008/01/kunsthotel-art-hotel-in-berlin-germany.jpg" alt="Kunsthotel Art Hotel in Berlin Germany" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Art Hotel&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Berlin&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;with a variety of rooms that are the unique&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://weburbanist.com/wp-content/uploads/2008/01/creative-canadian-artistic-hotel-rooms.jpg" alt="Creative Canadian Artistic Hotel Rooms" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the &lt;A title="Gladstone Hotel" href="http://www.gladstonehotel.com/artistdesignedrooms.htm" linkindex="13" set="yes"&gt;Gladstone Hotel&lt;/A&gt; in Toronto, Canada relies on one artist per room with remarkably varied results&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://weburbanist.com/wp-content/uploads/2008/01/seattle-max-art-and-photography-hotel.jpg" alt="Seattle Max Art and Photography Hotel" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://weburbanist.com/wp-content/uploads/2008/01/art-museum-and-hotel-combined-1.jpg" alt="Art Museum and Hotel Combined 1" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://weburbanist.com/wp-content/uploads/2008/01/art-museum-and-hotel-combined-2.jpg" alt="Art Museum and Hotel Combined 2" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://weburbanist.com/wp-content/uploads/2008/01/art-museum-and-hotel-combined-4.jpg" alt="Art Museum and Hotel Combined 4" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://weburbanist.com/wp-content/uploads/2008/01/art-museum-and-hotel-combined-3.jpg" alt="Art Museum and Hotel Combined 3" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://weburbanist.com/2008/01/21/16-of-the-most-creative-and-sexy-hotel-rooms-in-the-world-from-upside-down-to-local-art/</clipSource><pubDate>Wed, 23 Jan 2008 11:15:16 GMT</pubDate></item><item><title>Wash line art</title><link>http://clipmarks.com/clipmark/14D82D3B-923F-4C5D-AE76-BADA08EDFA93/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/NonStatQuo/"&gt;NonStatQuo&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  cool. simple. provocative. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.curbly.com/DIY-Maven/posts/3432-Wash-line-Art" title="http://www.curbly.com/DIY-Maven/posts/3432-Wash-line-Art"&gt;www.curbly.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/NonStatQuo/512/955A6DC9-1B6F-40C3-8AB8-621A428C1901.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;
                  &lt;A href="http://www.curbly.com/DIY-Maven/posts/3432-Wash-line-Art"&gt;Wash-line Art&lt;/A&gt;
                &lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Proving that even the most pedestrian things–like clothes hanging on a wash-line–can be reinterpreted into something extraordinary is this art installation by &lt;A href="http://www.artists.fi/sculptors/kuvanveistajat/kaikkonenkaarina/teoksia.htm"&gt;Kaarina Kaikkonen&lt;/A&gt; as seen on the streets of Helsinki. &lt;A href="http://deputy-dog.com/2008/01/02/2nd-hand-clothing-never-looked-so-good/"&gt;Via deputy-dog&lt;/A&gt;. (Photo credit of ‘Shadow’: &lt;A href="http://flickr.com/photos/garibaldi/"&gt;Gari Baldi&lt;/A&gt;)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.curbly.com/DIY-Maven/posts/3432-Wash-line-Art</clipSource><pubDate>Tue, 15 Jan 2008 15:18:53 GMT</pubDate></item><item><title>The lost art of letter-writing - Lakshmi Pratury - TED Talk</title><link>http://clipmarks.com/clipmark/B0D036FC-C05A-4400-B85F-10B8E46A00F7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  in order not 2 lose touch with some cardinal perceptive organs .... -))  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=rG6xlKzFFrI&amp;feature=user" title="http://www.youtube.com/watch?v=rG6xlKzFFrI&amp;feature=user"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Lakshmi Pratury: The lost art of letter-writing&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
			www.ted.com    Lakshmi Pratury talks about letter-writing, and shares a series of notes her father wrote her before he died. This short talk may inspire you to set pen to paper too.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=rG6xlKzFFrI&amp;feature=user</clipSource><pubDate>Mon, 14 Jan 2008 08:31:56 GMT</pubDate></item><item><title>Timeline Of Art History</title><link>http://clipmarks.com/clipmark/E8E90E16-DE76-4D69-B0DE-B61105A5A71B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Here ya go, a little treat to start off the New Year in good taste. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/splash.htm" title="http://www.metmuseum.org/toah/splash.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/70D0A0E7-60F2-4CD7-B2CE-81F72B121636.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/BE14BBAC-6032-4DC1-BD7A-579983DD1E81.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/B804848C-CB14-4E47-A22E-EB90386CF131.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/71C6ABF2-7B48-4A0B-A54B-8FCB1137C59F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/0F4C4F4E-708F-4590-9A93-2861660BF3FC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/F0EA589B-4C1A-44D1-B9FB-BAC8D04E29B8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/3F32AB4E-26F7-4278-91E8-675BA38A5618.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/EF834DD0-03DD-4887-8D74-30E8A29A4D35.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/C780A8FE-6AB5-49DE-AE74-60174861A75E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/33FB2D96-A707-40F0-845E-54B1C5BDB6F0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/7549A6F0-5DAE-42BF-A920-8EA27A040435.gif" alt="features header" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/477F677D-40CA-4568-9191-AE3DD379F19D.gif" alt="left navigation links" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/04C107B2-C08D-4CD4-9FCC-245136763C93.gif" alt="Timelines" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/D5505A3B-50EB-451C-91E8-9707941F0997.jpg" alt="Maya Area, 1-500 A.D." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/7D2A346F-90A8-4E06-8FD8-AD266050917F.gif" alt="Special Topics" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/E7EA9744-CF07-4E91-A61B-CC20D51BA614.jpg" alt="Symbolism" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/07129519-7B35-4A04-93DA-832C22D723C2.gif" alt="Timeline Periods" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A class="litext" href="http://www.metmuseum.org/toah/intro/atr/01sm.htm"&gt;20,000–8000 &lt;SPAN class="smallcapsb"&gt;B.C.&lt;/SPAN&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A class="litext" href="http://www.metmuseum.org/toah/intro/atr/02sm.htm"&gt;8000–2000 &lt;SPAN class="smallcapsb"&gt;B.C.&lt;/SPAN&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A class="litext" href="http://www.metmuseum.org/toah/intro/atr/03sm.htm"&gt;2000–1000 &lt;SPAN class="smallcapsb"&gt;B.C.&lt;/SPAN&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A class="litext" href="http://www.metmuseum.org/toah/intro/atr/04sm.htm"&gt;1000 &lt;SPAN class="smallcapsb"&gt;B.C.&lt;/SPAN&gt;–1 &lt;SPAN class="smallcapsb"&gt;A.D.&lt;/SPAN&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A class="litext" href="http://www.metmuseum.org/toah/intro/atr/05sm.htm"&gt;1–500 &lt;SPAN class="smallcapsb"&gt;A.D.&lt;/SPAN&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A class="litext" href="http://www.metmuseum.org/toah/intro/atr/06sm.htm"&gt;500–1000 &lt;SPAN class="smallcapsb"&gt;A.D.&lt;/SPAN&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A class="litext" href="http://www.metmuseum.org/toah/intro/atr/07sm.htm"&gt;1000–1400 &lt;SPAN class="smallcapsb"&gt;A.D.&lt;/SPAN&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A class="litext" href="http://www.metmuseum.org/toah/intro/atr/08sm.htm"&gt;1400–1600 &lt;SPAN class="smallcapsb"&gt;A.D.&lt;/SPAN&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A class="litext" href="http://www.metmuseum.org/toah/intro/atr/09sm.htm"&gt;1600–1800 &lt;SPAN class="smallcapsb"&gt;A.D.&lt;/SPAN&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A class="litext" href="http://www.metmuseum.org/toah/intro/atr/10sm.htm"&gt;1800–1900 &lt;SPAN class="smallcapsb"&gt;A.D.&lt;/SPAN&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A class="litext" href="http://www.metmuseum.org/toah/intro/atr/11sm.htm"&gt;1900 &lt;SPAN class="smallcapsb"&gt;A.D.&lt;/SPAN&gt;–&lt;SPAN class="smallcapsb"&gt;Present&lt;/SPAN&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/01946896-FE28-4F47-B27B-595C109F8CBD.gif" alt="Special Topics Categories" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A href="http://www.metmuseum.org/toah/hi/te_index.asp?i=Africa" class="litext"&gt;African Art&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A href="http://www.metmuseum.org/toah/hi/te_index.asp?i=America" class="litext"&gt;American Art&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A href="http://www.metmuseum.org/toah/hi/te_index.asp?i=7" class="litext"&gt;Ancient Near Eastern Art&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A href="http://www.metmuseum.org/toah/hi/te_index.asp?i=8" class="litext"&gt;Art of the Americas&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A href="http://www.metmuseum.org/toah/hi/te_index.asp?i=Asia" class="litext"&gt;Asian Art&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A href="http://www.metmuseum.org/toah/hi/te_index.asp?i=13" class="litext"&gt;Byzantine Art&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A href="http://www.metmuseum.org/toah/hi/te_index.asp?i=14" class="litext"&gt;Egyptian Art&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A href="http://www.metmuseum.org/toah/hi/te_index.asp?i=Europe" class="litext"&gt;European Art&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A href="http://www.metmuseum.org/toah/hi/te_index.asp?i=20" class="litext"&gt;Greek and Roman Art&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A href="http://www.metmuseum.org/toah/hi/te_index.asp?i=Islamic" class="litext"&gt;Islamic Art&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A href="http://www.metmuseum.org/toah/hi/te_index.asp?i=15" class="litext"&gt;Medieval Art&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A href="http://www.metmuseum.org/toah/hi/te_index.asp?i=24" class="litext"&gt;Oceanic/Pacific Art&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A href="http://www.metmuseum.org/toah/hi/te_index.asp?i=25" class="litext"&gt;Prehistory&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;IMG alt="transparent bullet" src="http://www.metmuseum.org/toah/images/transbullet.gif" /&gt;&lt;A href="http://www.metmuseum.org/toah/hi/te_index.asp?i=26" class="litext"&gt;Rulers, Lists&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.metmuseum.org/toah/splash.htm</clipSource><pubDate>Tue, 01 Jan 2008 00:05:22 GMT</pubDate></item><item><title>The gods in colour</title><link>http://clipmarks.com/clipmark/995941CF-38EB-4FC8-B828-62704CA5FE64/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.archaeology.org/0801/trenches/colorgods.html" title="http://www.archaeology.org/0801/trenches/colorgods.html"&gt;www.archaeology.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Leave your preconceived notions of ancient art at home. A groundbreaking exhibition &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;shows how marble statues actually looked in antiquity: covered from head to toe in vibrant paint.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The exhibition corrects a popular misconception,&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;people generally associate classical art with white marble sculpture. "What you would have seen when you walked through an ancient city, cemetery, or sanctuary," she explains, "would have been &lt;I&gt;colorful&lt;/I&gt; sculpture: painted marble, colorful bronze, gold and ivory cult images.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" align="center" class="caption"&gt;&lt;A href="javascript:bigImage('http://www.archaeology.org/image.php?page=0801/trenches/jpegs/colorgods1.jpg')" class="img"&gt;&lt;IMG border="0" alt="[image]" src="http://www.archaeology.org/0801/trenches/thumbnails/colorgods1.gif" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;Original (not on view in the exhibition): Greek, ca. 320 B.C.; marble, height of friezes 58 cm; Istanbul, Archaeological Museum&lt;/DIV&gt;&lt;BR /&gt;&lt;A href="javascript:bigImage('http://www.archaeology.org/image.php?page=0801/trenches/jpegs/colorgods1.jpg')" class="img"&gt;&lt;B&gt;Above:&lt;/B&gt;&lt;/A&gt; Alexander Sarcophagus, color reconstruction of part of one long side (Courtesy Stiftung Archäologie, Munich)
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/64A9E443-BA22-4AC9-B3ED-0B0610579500.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Caligula&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/7EB05075-24DD-4DB3-BD4A-CE47443C863E.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR&gt;
	&lt;TD valign="center" align="center" class="caption"&gt;&lt;A href="javascript:bigImage('http://www.archaeology.org/image.php?page=0801/trenches/jpegs/athena1.jpg')" class="img"&gt;&lt;IMG border="0" alt="[image]" src="http://www.archaeology.org/0801/trenches/thumbnails/athena1.gif" /&gt;&lt;/A&gt;&lt;/TD&gt;
	&lt;TD valign="center" align="center" class="caption"&gt;&lt;A href="javascript:bigImage('http://www.archaeology.org/image.php?page=0801/trenches/jpegs/athena2.jpg')" class="img"&gt;&lt;IMG border="0" alt="[image]" src="http://www.archaeology.org/0801/trenches/thumbnails/athena2.gif" /&gt;&lt;/A&gt;&lt;/TD&gt;
	&lt;TD valign="center" align="left" class="caption"&gt;&lt;DIV&gt;&lt;B&gt;Athena&lt;/B&gt;&lt;/DIV&gt;&lt;BR /&gt;
Original (not on view in the exhibition): Greek, ca. 490-480 B.C.; marble, overall height ca. 340 cm; Staatliche Antikensammlungen und Glyptothek, Munich
&lt;/TD&gt;&lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Aristion&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/1BD17F8C-1D2D-434F-B280-22C37592CF27.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/4EA9AD7D-7F87-47F2-8CA7-E19F814B125B.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/5C040646-625F-426B-B91E-D03C8C8A9BE5.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/9D4170EA-9A3D-42D5-AE58-2F27722B4B20.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/EBF87E5C-48B1-413F-8883-BB4C37AD4B33.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/8DABF2ED-DA55-4ABD-BE1F-516DCB4A7A55.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/E733FBC9-81FE-4F1F-A18D-F07438C16397.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/4172B307-21B8-4379-89EC-6A6D8CD79545.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/80A3B2F5-A05E-4146-B2DB-1A4B59BA68A3.gif" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.archaeology.org/0801/trenches/colorgods.html</clipSource><pubDate>Fri, 14 Dec 2007 02:11:22 GMT</pubDate></item><item><title>Caution: Art Afoot</title><link>http://clipmarks.com/clipmark/B729C1FE-5A42-4865-9F48-AB084F7AF43C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/iskandar/"&gt;iskandar&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2007/12/11/arts/design/11crac.html?ref=arts" title="http://www.nytimes.com/2007/12/11/arts/design/11crac.html?ref=arts"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
&lt;NYT_HEADLINE _moz-userdefined="" type=" " version="1.0"&gt;
Caution: Art Afoot
&lt;/NYT_HEADLINE&gt;
&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;LONDON, Dec. 8 — As contemporary art often does, the giant crack in the floor at the Tate Modern here inspires different responses from different people. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/iskandar/512/AFDFC6B7-8A10-4921-B5BE-13250ADF47A5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Some might agree with the Tate that the work, Doris Salcedo’s “Shibboleth,” concerns “the divisions between creed, color, class and culture that maintain our social order, precariously balanced as it is on the precipice of a chaotic void of hatred.” Others might feel that, as a visitor named Peter Lord said the other day, “there’s some kind of meaning behind it, although I don’t know what.” &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;And then there are those who trip on the crack and hurt themselves. The Times of London reported that 15 people suffered minor injuries in the first eight weeks after “Shibboleth” opened in October in the Turbine Hall, Tate Modern’s vast signature space. The newspaper cited museum records it obtained in a search under Britain’s Freedom of Information Act. The work will be on view until April 6. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tate+modern/" rel="tag"&gt;tate modern&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/london/" rel="tag"&gt;london&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2007/12/11/arts/design/11crac.html?ref=arts</clipSource><pubDate>Wed, 12 Dec 2007 00:36:59 GMT</pubDate></item></channel></rss>