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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | syncopath's clips</title><link>http://clipmarks.com/clipper/syncopath/</link><feedUrl>http://rss.clipmarks.com/clipper/syncopath/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Music and the Brain</title><link>http://clipmarks.com/clipmark/CD301100-6E94-4CC9-8612-EE28A4390F75/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Mohir/"&gt;Mohir&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Very interesting stuff, suggest to download the pdf file &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://scienceblogs.com/neurophilosophy/2008/07/musicology.php" title="http://scienceblogs.com/neurophilosophy/2008/07/musicology.php"&gt;scienceblogs.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="lead"&gt;Over the last two months, &lt;EM&gt;Nature &lt;/EM&gt;has published &lt;A href="http://www.nature.com/nature/focus/scienceandmusic/" linkindex="83"&gt;a series of essays&lt;/A&gt; about the latest scientific research into music, and now that the series is complete, it has been made available as &lt;A href="http://www.nature.com/nature/focus/scienceandmusic/pdfs/scienceandmusic.pdf" linkindex="84"&gt;a free PDF&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Among the authors of the essays are &lt;A href="http://www.nsi.edu/index.php?page=aniruddh_d_patel" linkindex="84"&gt;Aniruddh D. Patel&lt;/A&gt;, a theoretical neurobiologist at the Neurosciences Institute in La Jolla, who discusses the brain's response to different varieties of music, and &lt;A href="http://www.psychology.mcmaster.ca/ljt/" linkindex="85"&gt;Laurel Trainor&lt;/A&gt;, director of the &lt;A href="http://mimm.mcmaster.ca/" linkindex="86" set="yes"&gt;McMaster Institute for Music and the Mind&lt;/A&gt;, who explains the neural basis of music perception.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;EM&gt;Nature &lt;/EM&gt;also has &lt;SPAN class="ymwp-track-container-class"&gt;&lt;A href="http://media.nature.com/download/nature/nature/podcast/extras/scienceandmusic-2008-06-12.mp3" linkindex="87" tabindex="1" class="ymp-play-class ymwp-track-class"&gt; &lt;/A&gt;&lt;A href="http://media.nature.com/download/nature/nature/podcast/extras/scienceandmusic-2008-06-12.mp3" linkindex="87" tabindex="1" class=""&gt;a special podcast&lt;/A&gt;&lt;/SPAN&gt; featuring a discussion between science writer &lt;A href="http://www.philipball.com/" linkindex="88"&gt;Philip Ball&lt;/A&gt; and music psychologist &lt;A href="http://www.keele.ac.uk/depts/ps/jasbiog.htm" linkindex="89"&gt;John Sloboda&lt;/A&gt;, both of whom contribute essays to the series.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/brain/" rel="tag"&gt;brain&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/neuroscience/" rel="tag"&gt;neuroscience&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://scienceblogs.com/neurophilosophy/2008/07/musicology.php</clipSource><pubDate>Tue, 08 Jul 2008 14:15:59 GMT</pubDate></item><item><title>looking for Kafka in Tel-Aviv ?!!</title><link>http://clipmarks.com/clipmark/AA742D65-3FC0-4D00-A521-87C163E9C1DD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Hoffe died this year, leaving the inheritance to her two daughters. Researchers are hoping they will now be given access to the materials, which will help shed light on Kafka's biography and will likely spark new interest in the author in the academic and literary worlds. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.haaretz.com/hasen/spages/999108.html" title="http://www.haaretz.com/hasen/spages/999108.html"&gt;www.haaretz.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" class="t18B" colspan="2"&gt;
							T.A. flat may hold key to holes in Kafka bio
						&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/2242FAB4-59BE-4825-BABE-00DA5971BCE6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Ceremonies were held around the world Thursday to commemorate what would have been the 125th birthday of Franz Kafka, the Prague-born writer who gained renown only after his death at 41.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Even today, 84 years after his death, many holes remain in his tragic life story. For years, researchers and academics have turned to a small apartment in Tel Aviv they believe houses the remainder of the author's estate.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The mysterious materials are part of the inheritance left by Kafka to his friend Max Brod, who published his writings in what was then Mandatory Palestine.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;After Brod's death in Tel Aviv in 1968, the inheritance was passed to his secretary, Esther Hoffe, who for years refused to allow researchers to view them&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;She sold some of them at public auction, leaving her with significant profits. Others were smuggled out of Israel and placed in safekeeping in Switzerland&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.haaretz.com/hasen/spages/999108.html</clipSource><pubDate>Tue, 08 Jul 2008 14:12:18 GMT</pubDate></item><item><title>"Zorba the Israeli"</title><link>http://clipmarks.com/clipmark/45B50C10-51B0-483B-85FA-E18F70AEC92C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  His most famous book, "Zorba the Greek," was published in 1946. Its appearance in English in the United States, in 1954, made its author a runaway success that exposed him to the rest of the world.&lt;br/&gt;&lt;br/&gt;Zorbas became an adored figure in Western culture, and his prescription for life, passions and animal instincts were idealized. He came to represent all of Greek culture.&lt;br/&gt;&lt;br/&gt;Kazantzakis wrote many books. "The Last Temptation of Christ" roused a storm of controversy when it appeared.&lt;br/&gt;(the film version of the book was released, directed by Martin Scorsese with a soundtrack composed by Peter Gabriel.) &lt;br/&gt;&lt;br/&gt;"It's the combination of the landscape and the people," Melzer a former philosophy professor  says "Greeks have an endless ability to be happy, and we Israelis can only learn from them."  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.haaretz.com/hasen/spages/1000089.html" title="http://www.haaretz.com/hasen/spages/1000089.html"&gt;www.haaretz.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" class="t18B" colspan="2"&gt;
							Zorba the Israeli
						&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"I expect nothing. I fear nothing. I am free," reads the epitaph on the grave of Nikos Kazantzakis, located in a cemetery in Heraklion on the island of Crete. Kazantzakis, of "Zorba the Greek" fame, is not merely an author, poet, translator, and philosopher - he is an institution.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;His status as an institution extends beyond the borders of Greece. The International Society of Friends of Nikos Kazantzakis operates throughout the world in order to preserve his heritage. Among its activities is the publication of an annual journal and the organization of events focusing on the author and his work. The society was established in Geneva 20 years ago and has branches throughout the world, including in Syria, Egypt, Lebanon and of course Israel.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Nikos Kazantzakis was born in Heraklion on the island of Crete in 1883&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;He translated Friedrich Nietzsche, Charles Darwin and Henri Bergson into and wrote poems, stories, novels&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ort.fi/fi/kirkko_palvelee/srk/kajaani/Isien_kirjoitukset_2007/kazantzakis.php" title="http://www.ort.fi/fi/kirkko_palvelee/srk/kajaani/Isien_kirjoitukset_2007/kazantzakis.php"&gt;www.ort.fi&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/FA47E8A1-31CD-46FB-A6CA-5F093E144CAB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/CF12340B-8BB5-4D1E-9B04-650BC828CEBE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/E911DA82-42D3-4ACB-8838-80CB1105B415.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.haaretz.com/hasen/spages/1000089.html</clipSource><pubDate>Tue, 08 Jul 2008 14:04:21 GMT</pubDate></item><item><title>The Story of Stuff</title><link>http://clipmarks.com/clipmark/5FA78E02-2E39-46F2-8FC9-1FC123697E4F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  you can watch it on site: &lt;a href="http://www.storyofstuff.com" rel="nofollow" target="_blank"&gt;www.storyofstuff.com&lt;/a&gt;&lt;br/&gt;on youtube, google video and more .... &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.storyofstuff.com/" title="http://www.storyofstuff.com/"&gt;www.storyofstuff.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;What is the Story of Stuff?&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A target="_blank" href="http://visitor.constantcontact.com/d.jsp?m=1101869381573&amp;p=oi"&gt;&lt;IMG width="225" height="170" border="0" title="Connect with Annie" alt="Connect with Annie" src="http://www.storyofstuff.com/images/connect-annie.jpg" /&gt;&lt;/A&gt;From its extraction through sale, use and disposal, all the stuff in our lives affects communities at home and abroad, yet most of this is hidden from view. &lt;STRONG&gt;The Story of Stuff&lt;/STRONG&gt; is a 20-minute, fast-paced, fact-filled look at the underside of our production and consumption patterns. &lt;STRONG&gt;The Story of Stuff&lt;/STRONG&gt; exposes the connections between a huge number of environmental and social issues, and calls us together to create a more sustainable and just world. It'll teach you something, it'll make you laugh, and it just may change the way you look at all the stuff in your life forever.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=OqZMTY4V7Ts" title="http://www.youtube.com/watch?v=OqZMTY4V7Ts"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The Story of Stuff - Ch.1: Introduction&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.storyofstuff.com/</clipSource><pubDate>Tue, 08 Jul 2008 13:19:16 GMT</pubDate></item><item><title>TED Talks - 2 years, 50 million talks, top 10</title><link>http://clipmarks.com/clipmark/226A1DA4-B4D7-459E-BC24-EB2A66FFC024/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Fast+T+friend/"&gt;Fast T friend&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  To celebrate two years and 50 million TED talks, we're releasing for the first time the list of the Top 10 TED talks  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ted.com/index.php/themes/top_10_tedtalks.html" title="http://www.ted.com/index.php/themes/top_10_tedtalks.html"&gt;www.ted.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;These are the Top 10 TEDTalks in our first two years of posting TED video free to the world. &lt;A href="http://www.ted.com/talks/top10"&gt;Watch the highlights video&lt;/A&gt;, or dive in to the talks, using the links at right.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Fast T friend/512/95A1020E-EC8E-4110-8945-25B2BC26F9C7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DD&gt;&lt;UL&gt;&lt;LI&gt;&lt;H4&gt;&lt;A href="http://www.ted.com/index.php/talks/johnny_lee_demos_wii_remote_hacks.html"&gt;Johnny Lee demos Wii Remote hacks&lt;/A&gt;&lt;/H4&gt;&lt;/LI&gt;&lt;LI&gt;&lt;EM&gt;05:40 Apr 2008&lt;/EM&gt;&lt;/LI&gt;&lt;/UL&gt;&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Fast T friend/512/736231EF-C56A-4035-B87B-F105E1C212A7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DD&gt;&lt;UL&gt;&lt;LI&gt;&lt;H4&gt;&lt;A href="http://www.ted.com/index.php/talks/david_gallo_shows_underwater_astonishments.html"&gt;David Gallo shows underwater astonishments&lt;/A&gt;&lt;/H4&gt;&lt;/LI&gt;&lt;LI&gt;&lt;EM&gt;05:21 Jan 2008&lt;/EM&gt;&lt;/LI&gt;&lt;/UL&gt;&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Fast T friend/512/51951249-5893-4FE1-B4B0-5DBCB67BF7F1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DD&gt;&lt;UL&gt;&lt;LI&gt;&lt;H4&gt;&lt;A href="http://www.ted.com/index.php/talks/blaise_aguera_y_arcas_demos_photosynth.html"&gt;Blaise Aguera y Arcas demos Photosynth&lt;/A&gt;&lt;/H4&gt;&lt;/LI&gt;&lt;LI&gt;&lt;EM&gt;07:42 May 2007&lt;/EM&gt;&lt;/LI&gt;&lt;/UL&gt;&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Fast T friend/512/F881BB42-61AA-4531-B2F8-BB692E9584F5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DD&gt;&lt;UL&gt;&lt;LI&gt;&lt;H4&gt;&lt;A href="http://www.ted.com/index.php/talks/tony_robbins_asks_why_we_do_what_we_do.html"&gt;Tony Robbins asks why we do what we do&lt;/A&gt;&lt;/H4&gt;&lt;/LI&gt;&lt;LI&gt;&lt;EM&gt;22:30 Jun 2006&lt;/EM&gt;&lt;/LI&gt;&lt;/UL&gt;&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Fast T friend/512/70E1B758-1770-4003-ADEF-44B47981BE14.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DD&gt;&lt;UL&gt;&lt;LI&gt;&lt;H4&gt;&lt;A href="http://www.ted.com/index.php/talks/al_gore_on_averting_climate_crisis.html"&gt;Al Gore on averting climate crisis&lt;/A&gt;&lt;/H4&gt;&lt;/LI&gt;&lt;LI&gt;&lt;EM&gt;16:18 Jun 2006&lt;/EM&gt;&lt;/LI&gt;&lt;/UL&gt;&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Fast T friend/512/9873C1F0-88BA-4859-BE5E-768A98877F03.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;&lt;A href="http://www.ted.com/index.php/talks/jill_bolte_taylor_s_powerful_stroke_of_insight.html"&gt;Jill Bolte Taylor's powerful stroke of insight&lt;/A&gt;&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Fast T friend/512/F6B421AE-4C84-49BA-B09A-40A0100A53FD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DD&gt;&lt;UL&gt;&lt;LI&gt;&lt;H4&gt;&lt;A href="http://www.ted.com/index.php/talks/arthur_benjamin_does_mathemagic.html"&gt;Arthur Benjamin does "Mathemagic"&lt;/A&gt;&lt;/H4&gt;&lt;/LI&gt;&lt;LI&gt;&lt;EM&gt;15:15 Dec 2007&lt;/EM&gt;&lt;/LI&gt;&lt;/UL&gt;&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Fast T friend/512/2EC823F6-6721-41E9-8EDB-A2D03BB39707.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DD&gt;&lt;UL&gt;&lt;LI&gt;&lt;H4&gt;&lt;A href="http://www.ted.com/index.php/talks/jeff_han_demos_his_breakthrough_touchscreen.html"&gt;Jeff Han demos his breakthrough touchscreen&lt;/A&gt;&lt;/H4&gt;&lt;/LI&gt;&lt;LI&gt;&lt;EM&gt;09:32 Aug 2006&lt;/EM&gt;&lt;/LI&gt;&lt;/UL&gt;&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Fast T friend/512/85CC7D9F-215C-4B83-A91F-B615D0D9ECBE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DD&gt;&lt;UL&gt;&lt;LI&gt;&lt;H4&gt;&lt;A href="http://www.ted.com/index.php/talks/hans_rosling_shows_the_best_stats_you_ve_ever_seen.html"&gt;Hans Rosling shows the best stats you've ever seen&lt;/A&gt;&lt;/H4&gt;&lt;/LI&gt;&lt;LI&gt;&lt;EM&gt;20:35 Jun 2006&lt;/EM&gt;&lt;/LI&gt;&lt;/UL&gt;&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Fast T friend/512/E3DF59B4-5F73-43CF-A633-A652390603B6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DD&gt;&lt;UL&gt;&lt;LI&gt;&lt;H4&gt;&lt;A href="http://www.ted.com/index.php/talks/ken_robinson_says_schools_kill_creativity.html"&gt;Ken Robinson says schools kill creativity&lt;/A&gt;&lt;/H4&gt;&lt;/LI&gt;&lt;LI&gt;&lt;EM&gt;19:29 Jun 2006&lt;/EM&gt;&lt;/LI&gt;&lt;/UL&gt;&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/ted/" rel="tag"&gt;ted&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/talks/" rel="tag"&gt;talks&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/top/" rel="tag"&gt;top&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.ted.com/index.php/themes/top_10_tedtalks.html</clipSource><pubDate>Thu, 26 Jun 2008 22:25:38 GMT</pubDate></item><item><title>The End of Theory: The Data Deluge Makes the Scientific Method Obsolete</title><link>http://clipmarks.com/clipmark/EA28AA4E-8972-411F-ADE2-77701F45AF0E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "Speaking at the O'Reilly Emerging Technology Conference this past March, Peter Norvig, Google's research director, offered an update to George Box's maxim: "All models are wrong, and increasingly you can succeed without them." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/science/discoveries/magazine/16-07/pb_theory" title="http://www.wired.com/science/discoveries/magazine/16-07/pb_theory"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/wildcat/512/DAC49E63-B1D0-497D-B349-C645D5E1DC4D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;"All models are wrong&lt;/STRONG&gt;, but some are useful." &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;So proclaimed statistician George Box 30 years ago, and he was right. But what choice did we have? Only models, from cosmological equations to theories of human behavior, seemed to be able to consistently, if imperfectly, explain the world around us. Until now. Today companies like Google, which have grown up in an era of massively abundant data, don't have to settle for wrong models. Indeed, they don't have to settle for models at all.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Sixty years ago, digital computers made information readable. Twenty years ago, the Internet made it reachable. Ten years ago, the first search engine crawlers made it a single database. Now Google and like-minded companies are sifting through the most measured age in history, treating this massive corpus as a laboratory of the human condition. They are the children of the Petabyte Age.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/theory/" rel="tag"&gt;theory&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/data/" rel="tag"&gt;data&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/scientific+model/" rel="tag"&gt;scientific model&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/computation+cloud/" rel="tag"&gt;computation cloud&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/google/" rel="tag"&gt;google&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.wired.com/science/discoveries/magazine/16-07/pb_theory</clipSource><pubDate>Wed, 25 Jun 2008 12:12:11 GMT</pubDate></item><item><title>SYNTHETIC TIMES – Media Art China 2008</title><link>http://clipmarks.com/clipmark/1E2DF803-B207-489B-9FCC-D619C74D1F8C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "Works in the exhibition explore the trajectory of unruly visions from the desire to transcend the corporal to the construction of synthetic worlds, from telematic dreaming to transgenic hybrids, challenging the very notion of what we know as reality and what is perceived as being human." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mediartchina.org/introduction" title="http://www.mediartchina.org/introduction"&gt;www.mediartchina.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/606551AF-096A-4F97-B800-959F49058C08.jpg" alt="namoc2.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;During the 2008 Beijing Olympic Games, the National Art Museum of China will present &lt;B&gt;“SYNTHETIC TIMES – Media Art China 2008”&lt;/B&gt; in its current location at the center of Beijing. NAMOC is the only national art museum in China that is dedicated to research, presentation and promotion of modern and contemporary arts.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://mediartchina.org/exhibition_test" title="http://mediartchina.org/exhibition_test"&gt;mediartchina.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The exhibition is organized around four distinctive yet interrelated themes that testify to the bittersweetness of man’s incessant and obsessive pursuit of an ideal world through artistic intervention into media and communications technologies as well as bio-cultural spheres.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/C0C38BEA-FF81-4E9C-95CC-E93B7703FB43.jpg" alt="kama.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mediartchina.org/?q=recomb/op_era" title="http://www.mediartchina.org/?q=recomb/op_era"&gt;www.mediartchina.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;OP_ERA: Sonic Dimension is an immersive and interactive installation designed as a music box.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/18D0FBC4-C493-41C7-8BC7-8526F88693F5.png" alt="opera.png" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mediartchina.org/?q=hte/newsbin" title="http://www.mediartchina.org/?q=hte/newsbin"&gt;www.mediartchina.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Urgently! is an info-sculpture that explores such phenomena as information overload, Web 2.0 and information aesthetics&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/CC574411-1BB8-4B52-96FC-0BBCD138F2C8.png" alt="newsbin.png" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mediartchina.org/?q=recomb/anagram" title="http://www.mediartchina.org/?q=recomb/anagram"&gt;www.mediartchina.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;anagrams&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/ACA85DA6-F6E1-4AB4-8610-887E71A14505.png" alt="anagram.png" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mediartchina.org/?q=recomb/between" title="http://www.mediartchina.org/?q=recomb/between"&gt;www.mediartchina.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;You and I, Horizontal &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/11568F76-E235-423F-8268-A7D00A0D412C.png" alt="btuNi.png" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mediartchina.org/?q=beyond/fear9" title="http://www.mediartchina.org/?q=beyond/fear9"&gt;www.mediartchina.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;sweat of a body who fear nobod&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/4EC3B660-848A-4884-B2F3-6C42C997A84A.png" alt="?? 3.png" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mediartchina.org/?q=emotive/alexitimia" title="http://www.mediartchina.org/?q=emotive/alexitimia"&gt;www.mediartchina.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“Alexitimia” &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a deficit in emotional cognition.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/D96964FD-38FA-4E93-8706-AE1BCB55C672.jpg" alt="Alexitimia.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mediartchina.org/?q=recomb/trekking" title="http://www.mediartchina.org/?q=recomb/trekking"&gt;www.mediartchina.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Cloud" carries a strong expressive force that transcends over the time and space&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/13C42486-13F7-4D0E-A240-B495ABC90BA2.png" alt="mountain.png" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/international+exhibition/" rel="tag"&gt;international exhibition&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/beijing/" rel="tag"&gt;beijing&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.mediartchina.org/introduction</clipSource><pubDate>Mon, 23 Jun 2008 12:48:57 GMT</pubDate></item><item><title>The science of sex</title><link>http://clipmarks.com/clipmark/A2852847-B6A2-46D6-B87D-B7CC5B09F1BD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Beholder/"&gt;Beholder&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.scienceandsex.com/index.html" title="http://www.scienceandsex.com/index.html"&gt;www.scienceandsex.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Beholder/512/D74C5AFD-C6E9-484D-96BD-3D9B7273DB91.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Beholder/512/1CD74D21-1849-4167-8DB8-93B1B557E433.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Beholder/512/54130686-B578-4723-9C86-F7F7491C8B2D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Beholder/512/65643193-CBC1-4549-B634-974953988893.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Beholder/512/946FEF62-BB89-4B20-AEBD-EEAD4590F482.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/sex/" rel="tag"&gt;sex&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/second+life/" rel="tag"&gt;second life&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/genetic+design/" rel="tag"&gt;genetic design&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.scienceandsex.com/index.html</clipSource><pubDate>Fri, 20 Jun 2008 15:26:15 GMT</pubDate></item><item><title>Free Online Courses from Great Universities</title><link>http://clipmarks.com/clipmark/BB528440-AEE9-4EEF-B434-8FB04DD1C6D9/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Sheroug/"&gt;Sheroug&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Goody &lt;img src="http://clipmarks.com/images/icons/smilies/grin.gif" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.oculture.com/2007/07/freeonlinecourses.html" title="http://www.oculture.com/2007/07/freeonlinecourses.html"&gt;www.oculture.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Sheroug/512/E95EF444-87D5-44C7-90C3-85E20E15B00B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;A title="Permanent Link to Free Online Courses from Great Universities" rel="bookmark" href="http://www.oculture.com/2007/07/freeonlinecourses.html"&gt;Free Online Courses from Great Universities&lt;/A&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;&lt;SPAN&gt;Humanities &amp; Social Sciences&lt;/SPAN&gt; &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;STRONG&gt; &lt;SPAN&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;SPAN&gt;&lt;STRONG&gt;Archaeology&lt;/STRONG&gt;&lt;/SPAN&gt; &lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;Introduction to Archaeology &lt;/STRONG&gt;- &lt;A href="http://webcast.berkeley.edu/rss/course-archive.php?seriesid=1906978543"&gt;Feed&lt;/A&gt; - &lt;A href="http://webcast.berkeley.edu/course_details.php?seriesid=1906978543"&gt;MP3s&lt;/A&gt; - Ruth Tringham, UC Berkeley&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;Architecture&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;Architecture Studio: Building in Landscapes (Video)&lt;/STRONG&gt; -  &lt;A href="http://deimos3.apple.com/WebObjects/Core.woa/Browse/mit.edu.1300236090.01300236094"&gt;iTunes&lt;/A&gt; - Jan Wampler, MIT&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;Economics&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;Economic Geography of the Industrial World&lt;/STRONG&gt; - &lt;A href="http://webcast.berkeley.edu/rss/course-archive.php?seriesid=1906978481"&gt;Feed&lt;/A&gt; - &lt;A href="http://webcast.berkeley.edu/course_details.php?seriesid=1906978481"&gt;MP3s&lt;/A&gt; - Richard Walker, UC Berkeley&lt;A href="http://www.oculture.com/"&gt;.&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;Geography&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;Geography of World Cultures &lt;/STRONG&gt;- &lt;A href="https://deimos.apple.com/WebObjects/Core.woa/Browse/itunes.stanford.edu.1298143666"&gt;iTunes&lt;/A&gt; - Martin Lewis, Stanford University&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;History&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;STRONG&gt;African-American History: Modern Freedom Struggle&lt;/STRONG&gt; - &lt;A href="http://youtube.com/view_play_list?p=40E11D5C66CAC48C"&gt;YouTube&lt;/A&gt; - Clay Carson, Stanford&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;Literature &lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;Shakespeare&lt;/STRONG&gt; - &lt;A href="http://deimos3.apple.com/WebObjects/Core.woa/Browse/berkeley.edu.1449340534"&gt;iTunes&lt;/A&gt; - &lt;A href="http://webcast.berkeley.edu/rss/course-archive.php?seriesid=1906978525"&gt;Feed&lt;/A&gt; - &lt;A href="http://webcast.berkeley.edu/course_details.php?seriesid=1906978525"&gt;MP3s&lt;/A&gt; - Charles Altieri, UC Berkeley&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;Philosophy&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;Introduction to Logic&lt;/STRONG&gt; - &lt;A href="http://www.oculture.com/2007/07/itpc://podcast.ucsd.edu/podcasts/rss.aspx?PodcastId=107"&gt;iTunes&lt;/A&gt; - &lt;A href="http://podcast.ucsd.edu/podcasts/rss.aspx?PodcastId=107"&gt;Feed&lt;/A&gt; - Patricia Churchland, UCSD&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;SPAN&gt;&lt;SPAN&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;Sciences&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;&lt;SPAN&gt;Computer Science&lt;/SPAN&gt; &lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;Operating Systems Principles&lt;/STRONG&gt; - &lt;A href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=212284892"&gt;iTunes&lt;/A&gt; - Surendar Chandra, Notre Dame&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;Operating Systems and System Programming&lt;/STRONG&gt; - &lt;A href="https://deimos.apple.com/WebObjects/Core.woa/Browse/berkeley.edu.78023777"&gt;iTunes&lt;/A&gt; - &lt;A href="http://webcast.berkeley.edu/rss/course-archive.php?seriesid=1906978284"&gt;Feed&lt;/A&gt; - Multiple professors, UC Berkeley&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;The Future of the Internet&lt;/STRONG&gt; - &lt;A href="http://deimos.apple.com/WebObjects/Core.woa/Browse/itunes.stanford.edu.1326809162.01326809166"&gt;iTunes&lt;/A&gt; - Ramesh Johari, Stanford&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;Understanding Computers and the Internet&lt;/STRONG&gt; - &lt;A href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=81174875&amp;s=143441&amp;i=10759375"&gt;iTunes&lt;/A&gt; - &lt;A href="http://www.fas.harvard.edu/%7Ecscie1/podcast/"&gt;Feed&lt;/A&gt; - David Malan, Harvard University&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.oculture.com/2007/07/freeonlinecourses.html</clipSource><pubDate>Fri, 20 Jun 2008 14:04:48 GMT</pubDate></item><item><title>Liverpool voted "England's most musical city"</title><link>http://clipmarks.com/clipmark/FE56BB3F-0C36-4835-9733-C8560408BD1B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/2/hi/entertainment/7457278.stm" title="http://news.bbc.co.uk/2/hi/entertainment/7457278.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
					Liverpool is 'most musical city'
				&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/B3DDC24C-FB66-44BF-8093-39CBC752FF3C.jpg" alt="The Beatles" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Liverpool has been voted England's most musical city in a national campaign set up by the Arts Council.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
The home of The Beatles and The Zutons - and current European Capital of Culture - took 49% of the vote in an online poll set up by the funding body.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Sheffield - which brought the world the Arctic Monkeys and Pulp - came second, while Manchester came third.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Liverpool Culture Company music manager Gordon Ross said: "The city today has a phenomenal pool of talent."&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://news.bbc.co.uk/2/hi/entertainment/7457278.stm</clipSource><pubDate>Thu, 19 Jun 2008 18:03:13 GMT</pubDate></item><item><title>Expo Zaragoza 2008</title><link>http://clipmarks.com/clipmark/867EAE85-1A77-4C4E-A973-556833B8BEBD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  art entertainment design &amp;amp; architecture in a grand event of paying respect to Life and Nature.&lt;br/&gt;interesting 2see what it may bring forth? ... &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.iht.com/articles/2008/06/19/arts/trzara.php" title="http://www.iht.com/articles/2008/06/19/arts/trzara.php"&gt;www.iht.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/59E61D84-5410-4948-9AE8-BB7C6945C638.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="headline"&gt;
					
					Expo Zaragoza puts its best eco-step forward&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Up to now, one could be forgiven for knowing next to nothing about the ancient Spanish city of Zaragoza, capital of Aragón and the country's fifth largest metropolis. For some reason, it's never had the same mystique as, say, Granada, Salamanca or Toledo. But that seems likely to change very soon.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The transforming event is Expo Zaragoza 2008, an international exposition that opened last Saturday and focuses on the timely themes of water and sustainable development.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.expozaragoza2008.es/Shows/seccion=108&amp;idioma=en_GB.do" title="http://www.expozaragoza2008.es/Shows/seccion=108&amp;idioma=en_GB.do"&gt;www.expozaragoza2008.es&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The International Exhibition will offer visitors the opportunity to party at an event with a marked cultural accent, and with a 93-day-long programme that includes more than 3,400 acts from more than 350 companies and artists.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
These acts, apt for all members of the public, are a bid for cultural diversity and style heterogeneity, in line with the theme and universal philosophy of the Exhibition, “Water and Sustainable Development”.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/5B25AC19-54D3-449B-9F00-87CED92CF52A.jpg" alt="Vestuario de El despertar de la Serpiente" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The Awakening of the Serpent”.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=lpN0XosQWPI" title="http://www.youtube.com/watch?v=lpN0XosQWPI"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;EXPO ZARAGOZA 2008&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.iht.com/articles/2008/06/19/arts/trzara.php</clipSource><pubDate>Thu, 19 Jun 2008 00:02:08 GMT</pubDate></item><item><title>Geotourism Challenge: Are you a geosavvy traveler?</title><link>http://clipmarks.com/clipmark/008A1B09-1070-48C6-903B-4BBD1E57680C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nationalgeographic.com/field/projects/geotourism-challenge.html" title="http://www.nationalgeographic.com/field/projects/geotourism-challenge.html"&gt;www.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;H1&gt;Geotourism Challenge&lt;/H1&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nationalgeographic.com/" title="http://www.nationalgeographic.com/"&gt;www.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/221D3052-818A-4370-A0F3-4065277BE1E4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nationalgeographic.com/field/projects/geotourism-challenge.html" title="http://www.nationalgeographic.com/field/projects/geotourism-challenge.html"&gt;www.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Are you a geosavvy traveler?&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Are you a geosavvy traveler, alert to the quality and character of the destinations you visit? Have you traveled to a place that works to sustain, enhance, and protect its culture and environment for future generations? If so, let us know where it is and what you found. &lt;A href="http://www.changemakers.net/geotourismchallenge"&gt;Nominate&lt;/A&gt; a person, place, or organization that's doing things right.&lt;/P&gt;

&lt;P&gt;The Geotourism Challenge is sponsored by National Geographic's &lt;A href="http://www.nationalgeographic.com/travel/sustainable/"&gt;Center for Sustainable Destinations&lt;/A&gt; and &lt;A href="http://www.changemakers.net/geotourismchallenge"&gt;Ashoka's Changemakers&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.nationalgeographic.com/field/projects/geotourism-challenge.html</clipSource><pubDate>Wed, 18 Jun 2008 18:00:31 GMT</pubDate></item><item><title>"language as a window into human nature'. - </title><link>http://clipmarks.com/clipmark/CF805FEF-69B7-4452-8B09-2D64895B1C65/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/einbar/"&gt;einbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "language is an instinct, an evolutionary adaptation that is partly hardwired into our brains and partly learned"..Steven Pinker  un his new book &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://discovermagazine.com/2007/sep/the-discover-interview" title="http://discovermagazine.com/2007/sep/the-discover-interview"&gt;discovermagazine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;The rules of language may reveal how our brains really work. &lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/einbar/512/EBDFD590-5027-421C-8AE0-E7EB1F82B048.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Steven Pinker &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; a linguistics explorer, hunting around the sentences and syntax of human 
language for clues &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;to the inner world of the human brain&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;how they are used in sentences, &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Why so much attention to verbs?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;part it’s simply because he finds them fascinating.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="http://pinker.wjh.harvard.edu/" target=_blank&gt;Pinker&lt;/A&gt; has been a 
driving force in linguistics theory, analyzing language in labs at MIT, Stanford 
University&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;testing to what extent language is biologically programmed. His research 
suggests that language is an instinct, an evolutionary adaptation that is partly 
hardwired into our brains and partly learned&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; This work led Pinker to develop his theory of the evolution of the mind and the 
source of language&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the brain at birth is not simply a blank slate to be shaped by culture and 
experience. Rather, it comes programmed with many behavioral dispositions and 
talents&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;human nature is to some extent innate and shaped by natural selection&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://discovermagazine.com/2007/sep/the-discover-interview</clipSource><pubDate>Wed, 18 Jun 2008 17:32:32 GMT</pubDate></item><item><title>Ice Shelf Collapses in Antarctica</title><link>http://clipmarks.com/clipmark/EC4CE938-E36C-4A43-9379-B940489DA821/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.nationalgeographic.com/news/2008/06/080616-ice-shelf-photo.html" title="http://news.nationalgeographic.com/news/2008/06/080616-ice-shelf-photo.html"&gt;news.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/CC2F1606-8B20-4F65-89CD-A1F241255352.gif" alt="Antarctic ice shelf collapse satellite photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;June 16, 2008&lt;/B&gt;—Another large plate of ice has broken off the rapidly disintegrating Wilkins Ice Shelf in the &lt;A href="http://www3.nationalgeographic.com/places/continents/continent_antarctica.html"&gt;Antarctic&lt;/A&gt; Peninsula, the above satellite images show.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;

While the ice shelf, located directly below &lt;A href="http://www3.nationalgeographic.com/places/continents/continent_southamerica_cont.html"&gt;South America&lt;/A&gt;, shrank significantly in previous months (&lt;A href="http://news.nationalgeographic.com/news/2008/03/080325-antarctica-photo.html"&gt;see March images&lt;/A&gt;), this is the first documented occurrence of an ice shelf collapsing during the Southern Hemisphere's winter.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;

A trend of "extraordinary warming" over the past 50 years in Antarctica has caused the loss of several ice shelves&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;

The researchers also warned that the last strip of ice on Wilkins would disappear soon.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;

"The remaining plate has an arched fracture at its narrowest position," they said, "making it very likely that the connection will break completely in the coming days."&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://news.nationalgeographic.com/news/2008/06/080616-ice-shelf-photo.html</clipSource><pubDate>Wed, 18 Jun 2008 16:54:50 GMT</pubDate></item><item><title>Extreme Music: Top 15 Free Music Websites That You Will Want to Visit</title><link>http://clipmarks.com/clipmark/6C0AFE55-76C8-4B5D-A11D-6F0175A5141A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Silkweaver/"&gt;Silkweaver&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  It need no words, just explore and listen &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.musicouch.com/Musicouching/Extreme-Music-Top-15-Free-Music-Websites-That-You-Will-Want-to-Visit.124549" title="http://www.musicouch.com/Musicouching/Extreme-Music-Top-15-Free-Music-Websites-That-You-Will-Want-to-Visit.124549"&gt;www.musicouch.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 class="articleSubtitle"&gt;Music is a powerful creation. By its very design, it invokes a storm of stirred emotions, moving seas of unbridled passion within the core of our very soul.&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Connecting to the world on a global scale.&lt;BR /&gt;Seeking the journey into the mysterious unexplored.&lt;BR /&gt;Unearthing a trove of treasures that are unlike anything known before.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.thesixtyone.com" linkindex="4" set="yes"&gt;The Sixtyone&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://spinjay.com" linkindex="5" set="yes"&gt;Spinjay&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://songza.com" linkindex="6" set="yes"&gt;Songza&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://grooveshark.com" linkindex="7" set="yes"&gt;Grooveshark&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.itbreaks.com" linkindex="8" set="yes"&gt;It Breaks&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://mp34u.muzic.com" linkindex="9" set="yes"&gt;MP3 4U&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.newgrounds.com/audio" linkindex="10" set="yes"&gt;New Grounds&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.ruckusnetwork.com" linkindex="11" set="yes"&gt;Ruckus&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://musicovery.com" linkindex="12" set="yes"&gt;Musicovery&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.archive.org/details/etree" linkindex="13" set="yes"&gt;Live Music Archive&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.mybloop.com" linkindex="14" set="yes"&gt;My Bloop&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.deezer.com" linkindex="15" set="yes"&gt;Deezer&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.tagoo.ru" linkindex="16" set="yes"&gt;Tagoo&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.jamwave.com" linkindex="17" set="yes"&gt;Jamwave&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.last.fm" linkindex="18" set="yes"&gt;Last.FM&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/web/" rel="tag"&gt;web&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.musicouch.com/Musicouching/Extreme-Music-Top-15-Free-Music-Websites-That-You-Will-Want-to-Visit.124549</clipSource><pubDate>Mon, 16 Jun 2008 19:21:27 GMT</pubDate></item></channel></rss>