<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | spinmonkey's clips</title><link>http://clipmarks.com/clipper/spinmonkey/</link><feedUrl>http://rss.clipmarks.com/clipper/spinmonkey/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Al Gore's inconvenient judgment</title><link>http://clipmarks.com/clipmark/7FB3CCAB-A653-4DEE-9190-13A0705AA1FA/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/spinmonkey/"&gt;spinmonkey&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  He got some of it right though. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://business.timesonline.co.uk/tol/business/law/corporate_law/article2633838.ece" title="http://business.timesonline.co.uk/tol/business/law/corporate_law/article2633838.ece"&gt;business.timesonline.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Al Gore’s award-winning climate change documentary was littered with nine
inconvenient untruths, a judge ruled yesterday.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/al+gore/" rel="tag"&gt;al gore&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/global+warming/" rel="tag"&gt;global warming&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/the+times/" rel="tag"&gt;the times&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/climate+change/" rel="tag"&gt;climate change&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://business.timesonline.co.uk/tol/business/law/corporate_law/article2633838.ece</clipSource><pubDate>Sat, 13 Oct 2007 15:09:18 GMT</pubDate></item><item><title>Incredible Contortionist!</title><link>http://clipmarks.com/clipmark/99C7A84C-F0F8-4E4E-AAFE-51E8F9C59E2C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/spinmonkey/"&gt;spinmonkey&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  And I struggle to touch my toes! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=7nGUrQmMLMY&amp;v3" title="http://www.youtube.com/watch?v=7nGUrQmMLMY&amp;v3"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/flexibility/" rel="tag"&gt;flexibility&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/flexible/" rel="tag"&gt;flexible&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/acrobatic/" rel="tag"&gt;acrobatic&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/contortionist/" rel="tag"&gt;contortionist&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=7nGUrQmMLMY&amp;v3</clipSource><pubDate>Sun, 08 Jul 2007 07:37:59 GMT</pubDate></item><item><title>Cool Home Page</title><link>http://clipmarks.com/clipmark/6BC8E8AA-A701-49A5-8712-24F26B39E3D7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/spinmonkey/"&gt;spinmonkey&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Pretty much everything you could ever want &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.allmyfaves.com/" title="http://www.allmyfaves.com/"&gt;www.allmyfaves.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/spinmonkey/512/3724E682-C489-41C6-84DB-459B3F061C5A.gif" alt="weekly faves" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/spinmonkey/512/D5E98E65-DCBB-4956-8798-E26DCD2FDA02.gif" alt="list of email websites" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/spinmonkey/512/43E8996D-D7CE-495F-AD5E-AE4874287E74.gif" alt="in video you can find hours of entertainment" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/spinmonkey/512/E1A103E8-0522-4B54-81D6-B6268E315DB4.gif" alt="maps" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/spinmonkey/512/84924F4C-B088-436E-A4DD-14CFD3830AB0.gif" alt="search engines" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/spinmonkey/512/445157D7-415E-4792-B138-88A984214A8E.gif" alt="major sports website" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/favorites/" rel="tag"&gt;favorites&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bookmarks/" rel="tag"&gt;bookmarks&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.allmyfaves.com/</clipSource><pubDate>Wed, 04 Jul 2007 23:34:20 GMT</pubDate></item><item><title>Hundreds re-enlist, others take citizenship oath in July 4 event in Iraq</title><link>http://clipmarks.com/clipmark/66D5D0EF-2B55-42E4-984F-B8981475C678/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/spinmonkey/"&gt;spinmonkey&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://seattlepi.nwsource.com/local/6420AP_Iraq_Fourth_of_July.html" title="http://seattlepi.nwsource.com/local/6420AP_Iraq_Fourth_of_July.html"&gt;seattlepi.nwsource.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;BAGHDAD -- Hundreds of U.S. troops marked the Fourth of July by re-enlisting Wednesday while others took oaths of American citizenship in ceremonies at the main U.S. headquarters in Iraq.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A total of 588 troops signed up for another stint, according to a U.S. military statement, while 161 soldiers became naturalized American citizens. The ceremonies took place at Camp Victory, the sprawling American headquarters at the western end of the Iraqi capital.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"Today I'm just basically relaxing and refitting, getting ready to go back into the city," he said. "As much as I want to be home, I don't regret being here. This is a good place to celebrate the Fourth of July. Not only are we celebrating independence, we're fighting for independence, too."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/iraq/" rel="tag"&gt;iraq&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/re-enlist/" rel="tag"&gt;re-enlist&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/u.s./" rel="tag"&gt;u.s.&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/troops/" rel="tag"&gt;troops&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://seattlepi.nwsource.com/local/6420AP_Iraq_Fourth_of_July.html</clipSource><pubDate>Wed, 04 Jul 2007 23:16:31 GMT</pubDate></item><item><title>50 Writing Tools</title><link>http://clipmarks.com/clipmark/2104100F-2FC0-4DF3-AD54-95DC487316EF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/spinmonkey/"&gt;spinmonkey&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I notice that some people here try to build up their fragile egos by using doublespeak when actually they only come across as a book-snob. I usually just feel sorry for them. Here's a great site with 50 writing suggestions that might help bring those people back down to earth. Remember, it's OK to keep it simple. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.archive.org/web/20060426003003/www.poynter.org/content/content_view.asp?id=61811" title="http://web.archive.org/web/20060426003003/www.poynter.org/content/content_view.asp?id=61811"&gt;web.archive.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Fifty Writing Tools&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;4/15/2004 10:33:27 AM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=62027"&gt;Writing Tool #1: Branch to the Right&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;4/20/2004 4:20:18 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=62588"&gt;Writing Tool #2: Use Strong Verbs&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;4/28/2004 2:53:22 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=62969"&gt;Writing Tool #3: Beware of Adverbs&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;5/4/2004: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=62972"&gt;Writing Tool #4: Period As a Stop Sign&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;5/11/2004 4:35:11 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=63482"&gt;Writing Tool #5: Observe Word Territory&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;5/18/2004 3:15:22 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=64346"&gt;Writing Tool #6: Play with Words&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;5/25/2004 2:30:24 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=64349"&gt;Writing Tool #7: Dig for the Concrete and Specific&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;6/2/2004: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=64580"&gt;Writing Tool #8: Seek Original Images&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;6/8/2004 5:43:50 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=66044"&gt;Writing Tool #9: Prefer Simple to Technical&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;6/15/2004 5:27:08 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=66041"&gt;Writing Tool #10: Recognize Your Story's Roots&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;6/23/2004 10:17:50 AM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=65648"&gt;Writing Tool #11 Back Off or Show Off&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;6/29/2004 6:03:24 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=65975"&gt;Writing Tool #12: Control the Pace&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;7/8/2004: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=65978"&gt;Writing Tool #13: Show and Tell&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;7/20/2004 6:12:33 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=66395"&gt;Writing Tool #14: Interesting Names&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;7/20/2004 6:33:20 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=66542"&gt;Writing Tool #15: Reveal Character Traits&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;7/28/2004 4:24:52 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=66914"&gt;Writing Tool #16: Odd and Interesting Things&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;8/4/2004 3:10:40 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=67835"&gt;Writing Tool #17: The Number of Elements&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;8/9/2004: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=67379"&gt;Writing Tool #18: Internal Cliffhangers&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;8/17/2004 4:43:13 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=68795"&gt;Writing Tool #19: Tune Your Voice&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;4/19/2005 11:53:57 AM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=70403"&gt;Writing Tool #20: Narrative Opportunities&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;9/1/2004 1:26:15 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=68801"&gt;Writing Tool #21: Quotes and Dialogue&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;8/18/2005 2:06:01 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=70451"&gt;Writing Tool #22: Get Ready &lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;9/17/2004 7:23:57 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=70721"&gt;Writing Tool #23: Place Gold Coins Along the Path &lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;9/22/2004 5:12:49 AM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=71147"&gt;Writing Tool #24: Name the Big Parts&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;9/29/2004 7:18:25 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=71165"&gt;Writing Tool #25: Repeat&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;9/29/2004 4:33:47 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=71894"&gt;Roy's 'Toolbox' is Filling Up&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;10/7/2004 9:02:26 AM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=72038"&gt;Writing Tool #26: Fear Not the Long Sentence&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;10/12/2004 6:34:59 AM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=72506"&gt;Writing Tool #27: Riffing for Originality &lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;10/20/2004 5:52:04 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=72080"&gt;Writing Tool #28: Writing Cinematically&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;11/1/2004 8:51:17 AM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=72434"&gt;Writing Tool #29: Report for Scenes&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;11/10/2004 6:11:15 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=73058"&gt;Writing Tool #30: Write Endings to Lock the Box&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;11/17/2004 5:02:15 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=74453"&gt;Writing Tool #31: Parallel Lines&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;11/24/2004 11:23:03 AM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=73688"&gt;Writing Tool #32: Let It Flow&lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;11/30/2004 3:22:26 PM: &lt;A href="http://web.archive.org/web/20060426003003/http://www.poynter.org/content/content_view.asp?id=74783"&gt;Writing Tool #33: Rehearsal &lt;/A&gt;&lt;BR /&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/writing/" rel="tag"&gt;writing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/grammar/" rel="tag"&gt;grammar&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tools/" rel="tag"&gt;tools&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://web.archive.org/web/20060426003003/www.poynter.org/content/content_view.asp?id=61811</clipSource><pubDate>Tue, 02 Jan 2007 16:01:18 GMT</pubDate></item><item><title>How To Clean Your Keyboard - A Step By Step Guide</title><link>http://clipmarks.com/clipmark/BCF6CFC6-8CD2-45FC-8527-0B36413B6C59/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/spinmonkey/"&gt;spinmonkey&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  When I first peeled off the keys, I was shocked to see the living petri dish that my keyboard has become over the years. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thetechzone.com/?m=show&amp;id=431&amp;page=1" title="http://www.thetechzone.com/?m=show&amp;id=431&amp;page=1"&gt;www.thetechzone.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="ttz_header"&gt;How To Clean Your Keyboard - A Step By Step Guide&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/spinmonkey/512/7F350A04-31B6-448A-B977-36D2F9D743B9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

 Computer keyboards can get dirty very easily when they are not 
properly taken care of. Stores sell compressed air and cleaning products to help 
you clean your keyboard. Many people have their own way of cleaning their 
keyboards, but most people usually just flip it upside down and shake it. Those 
who do spend money on compressed air or cleaning products, you are wasting money 
and time. Compressed air won't always give you a thorough clean because most of 
the dirt is trapped underneath the keys. The air does blow out some dirt; 
however it creates more of a mess for you to clean up. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/keyboard/" rel="tag"&gt;keyboard&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/computer/" rel="tag"&gt;computer&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.thetechzone.com/?m=show&amp;id=431&amp;page=1</clipSource><pubDate>Fri, 08 Dec 2006 20:10:56 GMT</pubDate></item><item><title>Learn the Difference Between Than and Then</title><link>http://clipmarks.com/clipmark/F10ABFA0-6A3B-4DC9-95FB-45B9435F7F69/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/spinmonkey/"&gt;spinmonkey&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  If you're like me, I have to stop and think about this for a sec when writing. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.grammartips.homestead.com/than.html" title="http://www.grammartips.homestead.com/than.html"&gt;www.grammartips.homestead.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="center"&gt;&lt;B&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt;Learn the Difference Between &lt;/FONT&gt;&lt;/B&gt;&lt;I&gt;&lt;B&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt;Than &lt;/FONT&gt;&lt;/B&gt;&lt;/I&gt;&lt;B&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt;and &lt;/FONT&gt;&lt;/B&gt;&lt;I&gt;&lt;B&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt;Then&lt;/FONT&gt;&lt;/B&gt;&lt;/I&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="left"&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt;&lt;FONT&gt;          &lt;/FONT&gt;Another pair of words that I see misused far more often than not is &lt;/FONT&gt;&lt;I&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt;than&lt;/FONT&gt;&lt;/I&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt; and&lt;/FONT&gt;&lt;I&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt; then&lt;/FONT&gt;&lt;/I&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt;.  As with &lt;/FONT&gt;&lt;I&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt;affect&lt;/FONT&gt;&lt;/I&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt; and &lt;/FONT&gt;&lt;I&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt;effect&lt;/FONT&gt;&lt;/I&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt;,&lt;/FONT&gt;&lt;I&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt; than&lt;/FONT&gt;&lt;/I&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt; and &lt;/FONT&gt;&lt;I&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt;then&lt;/FONT&gt;&lt;/I&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt; are so commonly misused that I suspect that more than mere carelessness is involved.  I now believe that many people are either unaware that they are two separate words, or if they are aware of the two words, they have no idea of which is which.&lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="left"&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt;    Unlike &lt;/FONT&gt;&lt;I&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt;then&lt;/FONT&gt;&lt;/I&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt;, &lt;/FONT&gt;&lt;I&gt;&lt;B&gt;&lt;FONT color="#660066"&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt;than&lt;/FONT&gt;&lt;/FONT&gt;&lt;/B&gt;&lt;/I&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt; is not related to time.  &lt;/FONT&gt;&lt;I&gt;&lt;B&gt;&lt;FONT color="#660066"&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt;Than&lt;/FONT&gt;&lt;/FONT&gt;&lt;/B&gt;&lt;/I&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt; is used in comparative statements.&lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="Arial, Helvetica, adobe-helvetica, Arial Narrow" size="4"&gt; is used either as a time marker or with a sequence of events.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/grammer/" rel="tag"&gt;grammer&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tips/" rel="tag"&gt;tips&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writing/" rel="tag"&gt;writing&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.grammartips.homestead.com/than.html</clipSource><pubDate>Mon, 04 Dec 2006 21:39:58 GMT</pubDate></item><item><title>The 15 Sexiest Sci-Fi Babes</title><link>http://clipmarks.com/clipmark/74BF6D8C-9015-410D-873A-3E6FB90DD5F1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/lorisknight1219/"&gt;lorisknight1219&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://funny-town.blogspot.com/2006/12/15-sexiest-sci-fi-babes.html" title="http://funny-town.blogspot.com/2006/12/15-sexiest-sci-fi-babes.html"&gt;funny-town.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;15. Carmen Ibanez (“Starship Troopers” 1997)&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/94DF49B6-64DC-47EB-9A41-845EF24BBF83.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Carmen Ibanez&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/D2042F08-5E69-4794-B8E4-02C426225309.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Denise Richards&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;14. Padmé Amidala (“Star Wars” prequels 1999-2005)&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/A7CE018B-9EA3-42E7-9462-8FDB1B83CB34.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="Fullpost"&gt;Padmé Amidala&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/7B9B952E-1F41-4DE9-9B6C-A6ED341DC53F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Natalie Portman&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;13. Sil (“Species” 1995)&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/F97F991F-6CDB-41DD-9FBD-EE481846A3B1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Sil&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/7BFA81DB-2C87-4987-9A94-1FADF7FA7BC0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Natasha Henstridge&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;12. Mystique (“X-Men” franchise 2000-2006)&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/72CD3375-E736-428E-AE02-4786073FC091.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="Fullpost"&gt;Mystique&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/B06EBE93-86DD-4955-AA83-4B06C7F86506.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Rebecca Romijn&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;11. Robin Lefler (“Star Trek: The Next Generation” 1991)&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/7E8D94A7-00F3-4843-86ED-ED00C09DAFA1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Robin Lefler&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/DE87A38D-08C1-4A18-9208-60D190E66866.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="Fullpost"&gt;Ashley Judd&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;10. Xev Bellringer (“LEXX” 1997-2002)&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/F45FAF72-CC9A-43BD-82ED-0D8F5107858D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="Fullpost"&gt;Xev Bellringer&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/CF3D00B0-8B9E-4DB1-A9F6-3268D73DB273.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Xenia Seeberg&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;9. Trillian (“The Hitchhiker’s Guide to the Galaxy” 2005)&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/A14D4099-4D3B-4BFE-BADE-8A4F3DF633F3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Trillian&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/F6B110E7-A395-407A-BEDF-496B8ED128CD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Zooey Deschanel&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;8. Max Guevera (“Dark Angel” 2000-02)&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/D9335D1F-3BB5-4ED5-A3EF-F4B5AF05CD05.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Max&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/E38F4976-E4D7-48B6-B03E-F1A64F8AD7D1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Jessica Alba&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;7. Lana Lang (“Smallville” 2001-Present)&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/BF103BC1-6500-4B5A-B751-1E44141B9AD1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Lana Lang&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/30424F8F-79B0-4F4F-99A9-8564DB0CEF5D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Kristin Kreuk&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;6. Kara Thrace (“Battlestar Galactica” 2003-Present)&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/4C1D7C3B-1242-4832-AF36-445A14C599E3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Kara Thrace&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/18DBDB75-7787-4190-8F77-D65E2E8EAB6D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Katee Sackhoff&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;5. Kaylee Frye (“Firefly” 2002, “Serenity” 2005”)&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/B5C8579E-44F8-4298-AE9B-495141D427C6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Kaylee Frye&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/093373CC-EF89-4C10-A7D7-FCD72A1091B9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Jewel Staite&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;4. Seven of Nine (“Star Trek: Voyager” 1997-2001)&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/62B81385-10A7-4C14-9C96-26DFD1CE6AC1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Seven of Nine&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/A90BA4DC-31C1-47F7-B226-2F3DC9A9428C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Jeri Ryan&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;3. Jean Grey (“X-Men” films 2000-2006)&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/CF76F507-9CBE-48DC-8803-6EBBC560DA55.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Jean Grey&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/28DDAF61-F445-4DF6-BCE0-C9E6F843DF09.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Famke Janssen&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;2. Sharon Valeri (“Battlestar Galactica” 2003-Present)&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/7D65E42E-DD1A-4C0D-BFA3-1031BD863BAF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="Fullpost"&gt;Sharon Valeri&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/BDE1E2FE-C567-4658-A9C9-8A46AF61BBE3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="Fullpost"&gt;Grace Park&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;1. Leeloo (“The Fifth Element” 1997)&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/22FDC3CB-6F58-40B8-A6C3-5E99A627CF4E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Leeloo&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lorisknight1219/512/18AF5B0A-4CBB-4BF3-B277-3863E87FC02F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Milla Jovovich&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://funny-town.blogspot.com/2006/12/15-sexiest-sci-fi-babes.html</clipSource><pubDate>Sat, 02 Dec 2006 00:55:14 GMT</pubDate></item><item><title>Buffering mitochondrial DNA variation</title><link>http://clipmarks.com/clipmark/4010D50E-BCDF-4034-9459-DF5B609AC1D8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Laudiene/"&gt;Laudiene&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Mismatches between NADH production and the use of ATP can stress the electron transport chain (complexes I–IV) and modulate the production of ROS. According to Moreno-Loshuertos et al., the mtDNA haplotype can also influence steady-state ROS generation in the cell. Although ROS are traditionally viewed as toxic agents contributing to cellular pathology, emerging evidence suggests that ROS are also critical in cellular homeostasis. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nature.com/ng/journal/v38/n11/fig_tab/ng1106-1232_F1.html" title="http://www.nature.com/ng/journal/v38/n11/fig_tab/ng1106-1232_F1.html"&gt;www.nature.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Laudiene/512/8BEE8B68-E9D9-497B-8F2B-B4403B1E4743.jpg" alt="Fig 1 full size" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/figure+1.+the+generation+and+consequences+of+ros+i/" rel="tag"&gt;figure 1. the generation and consequences of ros i&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nature.com/ng/journal/v38/n11/fig_tab/ng1106-1232_F1.html</clipSource><pubDate>Fri, 01 Dec 2006 15:04:13 GMT</pubDate></item><item><title>MPAA Lobbying for Home Theater Regulations</title><link>http://clipmarks.com/clipmark/715E1AC6-D3B9-4FD7-8BDB-18EB29F07581/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/911INSIDEJOB144/"&gt;911INSIDEJOB144&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  YOU WON'T BELIEVE THIS &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bbspot.com/News/2006/11/home-theater-regulations.html" title="http://www.bbspot.com/News/2006/11/home-theater-regulations.html"&gt;www.bbspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Monday, November 27 12:00 AM ET&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;MPAA Lobbying for Home Theater Regulations &lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;

By Scott Small
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Los Angeles , CA - The MPAA is lobbying congress to push through a new bill that would make unauthorized home theaters illegal. The group feels that all theaters should be sanctioned, whether they be commercial settings or at home. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;MPAA head Dan Glickman says this needs to be regulated before things start getting too far out of control, "We didn't act early enough with the online sharing of our copyrighted content. This time we're not making the same mistake. We have a right to know what's showing in a theater." &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The bill would require that any hardware manufactured in the future contain technology that tells the MPAA directly of what is being shown and specific details on the audience. The data would be gathered using various motion sensors and biometric technology.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The MPAA defines a home theater as any home with a television larger than 29" with stereo sound and at least two comfortable chairs, couch, or futon. Anyone with a home theater would need to pay a $50 registration fee with the MPAA or face fines up to $500,000 per movie shown. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"Just because you buy a DVD to watch at home doesn't give you the right to invite friends over to watch it too. That's a violation of copyright and denies us the revenue that would be generated from DVD sales to your friends," said Glickman. "Ideally we expect each viewer to have their own copy of the DVD, but we realize that isn't always feasible. The registration fee is a fair compromise. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The bill also stipulates that any existing home theaters be retrofitted with the technology or else the owner is responsible for directly informing the MPAA and receiving approval before each viewing.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/news/" rel="tag"&gt;news&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reading/" rel="tag"&gt;reading&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.bbspot.com/News/2006/11/home-theater-regulations.html</clipSource><pubDate>Fri, 01 Dec 2006 05:21:18 GMT</pubDate></item></channel></rss>