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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | sjclaar's clips</title><link>http://clipmarks.com/clipper/sjclaar/</link><feedUrl>http://rss.clipmarks.com/clipper/sjclaar/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Alley's General Store</title><link>http://clipmarks.com/clipmark/20BCD5F2-5A95-485E-88FA-250EFDBBCA19/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sjclaar/"&gt;sjclaar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  West Tisbury, MA. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://westtisburyfreepubliclibrary.org/page.php?id=48" title="http://westtisburyfreepubliclibrary.org/page.php?id=48"&gt;westtisburyfreepubliclibrary.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/sjclaar/512/2D9BDD41-0DC9-44B3-8C0A-FBE314E0A86B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="center"&gt;&lt;IMG width="320" hspace="0" height="478" border="0" align="baseline" src="http://westtisburyfreepubliclibrary.org/AdvHTML_Upload/alleys_duotone_2_2.jpg" alt="" /&gt;&lt;BR /&gt;&lt;EM&gt;October of 2008 marked the 150th anniversary of Alley's General Store. &lt;BR /&gt;The celebration included cake, speeches, hamburgers and hot dogs -- and, of course, a commemorative poem.&lt;BR /&gt;(Photo by Hal Garneau)&lt;/EM&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;October of 2008 marked the 150th anniversary of Alley's General Store. &lt;BR /&gt;The celebration included cake, speeches, hamburgers and hot dogs -- and, of course, a commemorative poem.&lt;BR /&gt;(Photo by Hal Garneau)&lt;/EM&gt;&lt;BR /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://westtisburyfreepubliclibrary.org/page.php?id=48</clipSource><pubDate>Fri, 31 Jul 2009 19:54:46 GMT</pubDate></item><item><title>Historic Tree - Do Not Climb</title><link>http://clipmarks.com/clipmark/F9A02568-88AE-4847-920C-5EA488923C1A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sjclaar/"&gt;sjclaar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Poet Laureate&lt;br/&gt;Daniel Waters&lt;br/&gt;West Tisbury, Martha's Vineyard, MA &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://westtisburyfreepubliclibrary.org/page.php?id=48" title="http://westtisburyfreepubliclibrary.org/page.php?id=48"&gt;westtisburyfreepubliclibrary.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/sjclaar/512/6206B535-18F9-4B76-8AC5-B2C406B6FCE7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Historic Tree -- Do Not Climb&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Although you're just an oak grown very old&lt;BR /&gt;and knobby, jumbled elbows thrown around&lt;BR /&gt;you, knees and knuckles scraping on the ground,&lt;BR /&gt;we nicknamed you the Monkey Tree, a bold&lt;BR /&gt;distinction in a town of trees. Over time&lt;BR /&gt;we tenured you this clearing and this fence.&lt;BR /&gt;Some caring people even had the sense&lt;BR /&gt;to paint a sign forbidding us to climb you&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;the way we caution children to refrain&lt;BR /&gt;from crippling Grandma, making her lap their throne.&lt;BR /&gt;She takes them in her arms despite their mauling&lt;BR /&gt;and shelters them by what she won't explain:&lt;BR /&gt;that age does not make apes of trees alone;&lt;BR /&gt;that time makes vacancies we fill by sprawling.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;© Daniel Waters&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://westtisburyfreepubliclibrary.org/page.php?id=48</clipSource><pubDate>Fri, 31 Jul 2009 19:45:46 GMT</pubDate></item><item><title>William Butler Yeats Q&amp;A</title><link>http://clipmarks.com/clipmark/B4E02AD3-19D0-4F5B-9FA4-3A156B74B663/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sjclaar/"&gt;sjclaar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Answer to question #3 &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sparknotes.com/poetry/yeats/answers/studyanswer_3.html" title="http://www.sparknotes.com/poetry/yeats/answers/studyanswer_3.html"&gt;www.sparknotes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="content_txt"&gt;Our first clue that the Yeats poem may be related to the earlier Keats
poem occurs in the first stanza, when the speaker calls the birds singing
in the trees "dying generations," a phrase quite similar to one in Keats's
ode--"Thou wast not born for death, immortal Bird! / No hungry generations
tread thee down." From that moment on, the poems are as thematically
opposite as is possible for two poems glorifying art. Keats's nightingale
(a natural bird) is a symbol of lyric fluidity, expressiveness, change,
and union with nature; around the nightingale, Keats thinks that it would
be "sweet to die" and "to cease upon the midnight with no pain." Yeats's
golden bird (an artificial bird) is a symbol of permanence, knowledge,
unchangeability, and a liberating separation from nature; Yeats longs to
be "gathered into the artifice of eternity" precisely because he does not
wish to age and to die.
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.sparknotes.com/poetry/yeats/answers/studyanswer_3.html</clipSource><pubDate>Wed, 01 Jul 2009 05:48:30 GMT</pubDate></item><item><title>William Butler Yeats Q&amp;A</title><link>http://clipmarks.com/clipmark/CBFACDFB-9468-4139-9712-4263BF0C2630/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sjclaar/"&gt;sjclaar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Answer to question #2 &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sparknotes.com/poetry/yeats/answers/studyanswer_2.html" title="http://www.sparknotes.com/poetry/yeats/answers/studyanswer_2.html"&gt;www.sparknotes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="content_txt"&gt;The language of "Leda" and "The Second Coming" is certainly magnificent,
but the poems' themes are also quite powerful, and remain relevant to the
experience of contemporary readers. Putting aside all the mystical jargon
from &lt;SPAN class="chapt_body_italic"&gt;A Vision,&lt;/SPAN&gt; "The Second Coming" is a brilliant evocation of
chaos and primal energy, and of a kind of eerie premonition: the sphinx
"slouching toward Bethlehem" can be interpreted in many ways besides that
which Yeats described. And "Leda" is a wonderful document of a violent
encounter with the incomprehensible, the alien, the overwhelming, and of a
turning point after which nothing will ever be the same.
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.sparknotes.com/poetry/yeats/answers/studyanswer_2.html</clipSource><pubDate>Wed, 01 Jul 2009 05:47:17 GMT</pubDate></item><item><title>William Butler Yeats</title><link>http://clipmarks.com/clipmark/C639E830-1237-49DC-8858-F2DBB9048075/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sjclaar/"&gt;sjclaar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Answers to questions on Yeats&lt;br/&gt;Answer #1 &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sparknotes.com/poetry/yeats/answers/studyanswer_1.html" title="http://www.sparknotes.com/poetry/yeats/answers/studyanswer_1.html"&gt;www.sparknotes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="content_txt"&gt;Because the artificial is permanent, unfading, impervious to decay,
beautiful, and free of the troubles of the human heart, and because the
natural is impermanent, fading, destined to decay, frequently ugly, and
troubled by pain and longing, Yeats consistently finds himself attracted
to the artificial, particularly when it is at its most beautiful. In the
Byzantium poems, Yeats glorifies a golden bird that is the apotheosis of
the relationship between nature and art: the bird takes its form from
nature, but it is not bound to "the fury and the mire of human veins." It
will last forever, and will never forget how to sing; and Yeats longs to
become it.
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.sparknotes.com/poetry/yeats/answers/studyanswer_1.html</clipSource><pubDate>Wed, 01 Jul 2009 05:46:05 GMT</pubDate></item><item><title>Precautions </title><link>http://clipmarks.com/clipmark/40545EA3-6075-471A-96FC-DF31CB6FE1A9/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sjclaar/"&gt;sjclaar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Precautions for taking immuno suppresant drugs &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.lupus.org/webmodules/webarticlesnet/templates/new_aboutaffects.aspx?a=88&amp;z=17&amp;page=3" title="http://www.lupus.org/webmodules/webarticlesnet/templates/new_aboutaffects.aspx?a=88&amp;z=17&amp;page=3"&gt;www.lupus.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;Conclusion&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;All of these agents are steroid-sparing. While cytotoxic medications should not be used in cases of mild lupus, these medications can be very helpful and even life-saving when major organs are involved, or in cases where the lupus is quite active and symptomatic. &lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;Sometimes a kidney biopsy or other tissue biopsy is necessary before deciding whether to use these drugs. Even in more serious cases of major organ involvement, cytotoxic drugs should not be used indefinitely without good reason. &lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;It is important to weigh the beneficial effects as well as the risks involved in cytotoxic drug therapy. Doctors use the term "risk-benefit ratio" to describe the comparison of side effects to beneficial effects of medication. While these cytotoxic drugs are not FDA-approved for use in SLE, they are commonly used and accepted as standard practice. People with lupus should discuss the risk-benefit ratio of these medications with their physician. &lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.lupus.org/webmodules/webarticlesnet/templates/new_aboutaffects.aspx?a=88&amp;z=17&amp;page=3</clipSource><pubDate>Thu, 04 Jun 2009 18:03:49 GMT</pubDate></item><item><title>Dylan Thomas Poetry</title><link>http://clipmarks.com/clipmark/92EB6EF6-164A-458C-ACBB-22FBAE7C3214/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sjclaar/"&gt;sjclaar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Dylan Thomas "Do Not Go Genrly inyo yjay Good Night" Dylan Thomas &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.poets.org/viewmedia.php/prmMID/15377" title="http://www.poets.org/viewmedia.php/prmMID/15377"&gt;www.poets.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="TITLE"&gt;Do not go gentle into that good night&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD colspan="3"&gt;
							by &lt;A href="http://www.poets.org/poet.php/prmPID/150"&gt;Dylan Thomas&lt;/A&gt;																					&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;PRE&gt;Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

&lt;A href="http://www.poets.org/tellafriend.php/prmURL/%5E%5E%5Eviewmedia.php%5EprmMID%5E15377"&gt;&lt;IMG border="0" align="right" alt="" src="http://www.poets.org/images/SEND_button.gif" /&gt;&lt;/A&gt;
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay, 
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light. &lt;/PRE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.poets.org/viewmedia.php/prmMID/15377</clipSource><pubDate>Thu, 14 May 2009 15:40:19 GMT</pubDate></item><item><title>The Parable of the Blind - William Carlos Williams</title><link>http://clipmarks.com/clipmark/921FB055-8834-4F89-9D66-485054FEB77B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sjclaar/"&gt;sjclaar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Poem based on painting "The Parable of the Blind" by Pieter Brueghel 1568, an example of Ekphrastic poetry. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://homepage.mac.com/mseffie/assignments/paintings&amp;poems/blind.html" title="http://homepage.mac.com/mseffie/assignments/paintings&amp;poems/blind.html"&gt;homepage.mac.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="50%" valign="top"&gt;
      &lt;P&gt;&lt;B&gt;The Parable of the Blind&lt;/B&gt;&lt;/P&gt;

      &lt;P&gt;William Carlos Williams&lt;/P&gt;

      &lt;P&gt;This horrible but superb painting&lt;BR /&gt;
      the parable of the blind&lt;BR /&gt;
      without a red&lt;/P&gt;

      &lt;P&gt;in the composition shows a group&lt;BR /&gt;
      of beggars leading&lt;BR /&gt;
      each other diagonally downward&lt;/P&gt;

      &lt;P&gt;across the canvas&lt;BR /&gt;
      from one side&lt;BR /&gt;
      to stumble finally into a bog&lt;/P&gt;

      &lt;P&gt;where the picture&lt;BR /&gt;
      and the composition ends back&lt;BR /&gt;
      of which no seeing man&lt;/P&gt;

      &lt;P&gt;is represented the unshaven&lt;BR /&gt;
      features of the des-&lt;BR /&gt;
      titute with their few&lt;/P&gt;

      &lt;P&gt;pitiful possessions a basin&lt;BR /&gt;
      to wash in a peasant&lt;BR /&gt;
      cottage is seen and a church spire&lt;/P&gt;

      &lt;P&gt;the faces are raised&lt;BR /&gt;
      as toward the light&lt;BR /&gt;
      there is no detail extraneous&lt;/P&gt;

      &lt;P&gt;to the composition one&lt;BR /&gt;
      follows the others stick in&lt;BR /&gt;
      hand triumphant to disaster
    &lt;/P&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Pieter Brueghel, &lt;U&gt;The Parable of the Blind&lt;/U&gt; (1568)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Oil on canvas, approximately 34 inches x 61 inches. Museo
      e Gallerie Nazionali de Capodimonte, Naples.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/sjclaar/512/F6573D0B-5914-438F-8684-51CAF3240861.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://homepage.mac.com/mseffie/assignments/paintings&amp;poems/blind.html</clipSource><pubDate>Wed, 06 May 2009 14:01:49 GMT</pubDate></item><item><title>The Parable of the Blind- William Carlos Williams </title><link>http://clipmarks.com/clipmark/C5E30249-27A0-46D4-A10C-06D1A926F2CA/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sjclaar/"&gt;sjclaar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  ekphrstic poem example &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dwpoet.com/blind.html" title="http://www.dwpoet.com/blind.html"&gt;www.dwpoet.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+1"&gt;The Parable of the Blind&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This horrible but superb painting &lt;BR /&gt;
the parable of the blind &lt;BR /&gt;
without a red &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;in the composition shows a group &lt;BR /&gt;
of beggars leading &lt;BR /&gt;
each other diagonally downward &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;across the canvas &lt;BR /&gt;
from one side &lt;BR /&gt;
to stumble finally into a bog &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;where the picture &lt;BR /&gt;
and the composition ends back &lt;BR /&gt;
of which no seeing man &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;is represented the unshaven &lt;BR /&gt;
features of the des- &lt;BR /&gt;
titute with their few &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;pitiful possessions a basin &lt;BR /&gt;
to wash in a peasant &lt;BR /&gt;
cottage is seen and a church spire &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;the faces are raised &lt;BR /&gt;
as toward the light &lt;BR /&gt;
there is no detail extraneous &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;mposition one &lt;BR /&gt;
follows &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;to the composition one &lt;BR /&gt;
follows the others stick in &lt;BR /&gt;
hand triumphant to disaster &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;William Carlos Williams &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/sjclaar/512/D12214D7-80CF-4EB2-AB30-0071BD491D35.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;Pieter Brueghel, &lt;U&gt;The Parable of the Blind&lt;/U&gt; (1568)&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Oil on canvas, approximately 34 inches x 61 inches. Museo e
Gallerie Nazionali de Capodimonte, Naples. 

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.dwpoet.com/blind.html</clipSource><pubDate>Wed, 06 May 2009 03:39:09 GMT</pubDate></item><item><title>Ekphrasis - how to</title><link>http://clipmarks.com/clipmark/601438C2-F7A7-45F7-A546-BDEC37A7A9D2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sjclaar/"&gt;sjclaar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  How to write an Ekphrastic poem &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ehow.com/how_2141370_write-ekphrastic-poem.html" title="http://www.ehow.com/how_2141370_write-ekphrastic-poem.html"&gt;www.ehow.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="Heading1a" id="nointelliTXT"&gt;How to Write an Ekphrastic Poem&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="Heading3a"&gt;Instructions&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;
								&lt;DIV class="stepBg"&gt;Step &lt;SPAN&gt;1&lt;/SPAN&gt;&lt;/DIV&gt;
								
								&lt;P&gt;Start by checking out some examples of ekphrastic poetry. See the Resources section for one famous example.&lt;/P&gt;
							&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;
								&lt;DIV class="stepBg"&gt;Step &lt;SPAN&gt;2&lt;/SPAN&gt;&lt;/DIV&gt;
								
								&lt;P&gt;Find a work of art that brings out strong feelings in you. You could like it, hate it, think it's funny or have just about any feeling you can imagine as long as you want to write about it.&lt;/P&gt;
							&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;
								&lt;DIV class="stepBg"&gt;Step &lt;SPAN&gt;3&lt;/SPAN&gt;&lt;/DIV&gt;
								
								&lt;P&gt;Take down notes of your reactions to the art you chose for your subject. You could focus on what you think the art depicts, how it makes you feel, how it would make your reader feel or some combination of those.&lt;/P&gt;
							&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;
								&lt;DIV class="stepBg"&gt;Step &lt;SPAN&gt;4&lt;/SPAN&gt;&lt;/DIV&gt;
								
								&lt;P&gt;Begin to organize your notes into poetic language. Look for ways to paint a picture with your words so your reader will be able to see your subject and feel the feelings you associate with it.&lt;/P&gt;
							&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;
								&lt;DIV class="stepBg"&gt;Step &lt;SPAN&gt;5&lt;/SPAN&gt;&lt;/DIV&gt;
								
								&lt;P&gt;Decide the form of your poem. All poems have a form, whether they follow definite rules or not.&lt;/P&gt;
							&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.ehow.com/how_2141370_write-ekphrastic-poem.html</clipSource><pubDate>Wed, 06 May 2009 03:31:45 GMT</pubDate></item><item><title>american gothis grant wood </title><link>http://clipmarks.com/clipmark/C13D09BC-C008-4B9E-B304-62586BFD052C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sjclaar/"&gt;sjclaar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  american gothic - Grant Wood 1930 &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://valerie6.myweb.uga.edu/ekphrasticpoetry.html" title="http://valerie6.myweb.uga.edu/ekphrasticpoetry.html"&gt;valerie6.myweb.uga.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+1"&gt;Grant Wood
(1930)&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/sjclaar/512/44A6B626-C307-4B72-B2F5-91C196BB4DA1.jpg" alt="American Gothic" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+1"&gt;American
Gothic&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://valerie6.myweb.uga.edu/ekphrasticpoetry.html</clipSource><pubDate>Wed, 06 May 2009 03:21:21 GMT</pubDate></item><item><title>Donald Hall poem in villanelle</title><link>http://clipmarks.com/clipmark/C76BD49C-86CC-46A7-BD3C-9C453ACF939C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sjclaar/"&gt;sjclaar&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.poemhunter.com/poem/villanelle/" title="http://www.poemhunter.com/poem/villanelle/"&gt;www.poemhunter.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;BR /&gt;&lt;FONT size="4" face="Arial" color="#800000"&gt;&lt;B&gt;Villanelle&lt;/B&gt;&lt;BR /&gt; &lt;/FONT&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Katie could put her feet behind her head&lt;BR /&gt;Or do a grand plié, position two,&lt;BR /&gt;&lt;DIV&gt;Her suppleness magnificent in bed.&lt;/DIV&gt;&lt;BR /&gt;I strained my lower back, and Katie bled,&lt;BR /&gt;Only a little, doing what we could do&lt;BR /&gt;&lt;DIV&gt;When Katie tucked her feet behind her head.&lt;/DIV&gt;&lt;BR /&gt;Her torso was a C-cup'd figurehead,&lt;BR /&gt;Wearing below its navel a tattoo&lt;BR /&gt;&lt;DIV&gt;That writhed in suppleness upon the bed.&lt;/DIV&gt;&lt;BR /&gt;As love led on to love, love's goddess said,&lt;BR /&gt;"No lovers ever fucked as fucked these two!&lt;BR /&gt;&lt;DIV&gt;Katie could put her feet behind her head!"&lt;/DIV&gt;&lt;BR /&gt;When Katie came she never stopped. Instead,&lt;BR /&gt;She came, cried "God!," and came, this dancer who&lt;BR /&gt;&lt;DIV&gt;Brought ballerina suppleness to bed.&lt;/DIV&gt;&lt;BR /&gt;She curled her legs around my neck, which led&lt;BR /&gt;To depths unplumbed by lovers hitherto.&lt;BR /&gt;Katie could tuck her feet behind her head&lt;BR /&gt;&lt;DIV&gt;And by her suppleness unmake the bed.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Donald Hall&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.poemhunter.com/poem/villanelle/</clipSource><pubDate>Tue, 05 May 2009 19:12:10 GMT</pubDate></item><item><title>llupus</title><link>http://clipmarks.com/clipmark/596E0529-FE22-46E0-8C5B-2DE4F2D2DFF0/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sjclaar/"&gt;sjclaar&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://mayoclinic.com/health/lupus/DS00115" title="http://mayoclinic.com/health/lupus/DS00115"&gt;mayoclinic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Lupus&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Definition&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Lupus is a chronic inflammatory disease that occurs when your body's immune system attacks your own tissues and organs. Inflammation caused by lupus can affect many different body systems, including your joints, skin, kidneys, blood cells, heart and lungs. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://mayoclinic.com/health/lupus/DS00115</clipSource><pubDate>Fri, 06 Mar 2009 20:34:12 GMT</pubDate></item><item><title>Rheumatoid Arthritis</title><link>http://clipmarks.com/clipmark/5219FC80-97FF-4329-8525-5EAA260CFBA8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sjclaar/"&gt;sjclaar&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://mayoclinic.com/health/rheumatoid-arthritis/DS00020" title="http://mayoclinic.com/health/rheumatoid-arthritis/DS00020"&gt;mayoclinic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Rheumatoid arthritis&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Definition&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Rheumatoid arthritis is an inflammatory form of arthritis that causes joint pain and damage. Rheumatoid arthritis attacks the lining of your joints (synovium) causing swelling that can result in aching and throbbing and eventually deformity. Sometimes rheumatoid arthritis symptoms make even the simplest activities — such as opening a jar or taking a walk — difficult to manage. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://mayoclinic.com/health/rheumatoid-arthritis/DS00020</clipSource><pubDate>Fri, 06 Mar 2009 20:27:41 GMT</pubDate></item><item><title>Sjogren's Disease</title><link>http://clipmarks.com/clipmark/186DEBE4-07C4-4261-A5D4-04BEAAAC1231/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sjclaar/"&gt;sjclaar&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://mayoclinic.com/health/sjogrens-syndrome/DS00147" title="http://mayoclinic.com/health/sjogrens-syndrome/DS00147"&gt;mayoclinic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Sjogren's syndrome&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;nition&lt;/H2&gt;
			&lt;P&gt;Sjogren's (SHOW-grins) syndrome is a disorder of your immune system often defined by its two most common symptoms — dry eyes and a dry mouth.&lt;/P&gt;

&lt;P&gt;Sjogren's syndrome often accompanies other autoimmune disorders — such as rheumatoid arthritis and lupus. These diseases are marked by inflammation of your connective tissues, and it's common for people with Sjogren's syndrome to also have a connective tissue disorder.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Definition&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Sjogren's (SHOW-grins) syndrome is a disorder of your immune system often defined by its two most common symptoms — dry eyes and a dry mouth.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Sjogren's syndrome often accompanies other autoimmune disorders — such as rheumatoid arthritis and lupus. These diseases are marked by inflammation of your connective tissues, and it's common for people with Sjogren's syndrome to also have a connective tissue disorder.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://mayoclinic.com/health/sjogrens-syndrome/DS00147</clipSource><pubDate>Fri, 06 Mar 2009 20:26:08 GMT</pubDate></item></channel></rss>