<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | sitegeist's Literature collection</title><link>http://clipmarks.com/clipper/sitegeist/clipcast/Literature/</link><feedUrl>http://rss.clipmarks.com/clipper/sitegeist/clipcast/Literature/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Disneys Version Of Classic Books</title><link>http://clipmarks.com/clipmark/FE96572E-A8F2-4390-ACA1-8B48CC9021F7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sitegeist/"&gt;sitegeist&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Not many people like to read anymore, so Walt Disney found a very lucrative way and made some classics into best-sellers. On this site are some hilarious examples of how a classic would look Disney-style. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://home.bway.net/hunger/classics.html" title="http://home.bway.net/hunger/classics.html"&gt;home.bway.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;EM&gt;No Exit&lt;/EM&gt; by Jean-Paul Sartre&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;EM&gt;The Metamorphosis&lt;/EM&gt; by Franz Kafka&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sitegeist/512/A6643569-C3E4-4501-BAD3-86B11010D27A.gif" alt="DISNEY'S INFERNO - and other classic tales" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;EM&gt;The Inferno&lt;/EM&gt; by Dante Aligheri&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/disney.+dum/" rel="tag"&gt;disney. dum&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://home.bway.net/hunger/classics.html</clipSource><pubDate>Sun, 27 Apr 2008 18:03:04 GMT</pubDate></item><item><title>Misanthrope's Alphabet</title><link>http://clipmarks.com/clipmark/26F788F6-B491-4E46-A5E1-C35E2869451C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sitegeist/"&gt;sitegeist&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Literature, hunger, dark and sarcastic. I found this link via Ulysses on google books.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://home.bway.net/hunger/alpha2.html" title="http://home.bway.net/hunger/alpha2.html"&gt;home.bway.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sitegeist/512/EDB22728-6AFD-4521-BF16-A5170DF3C060.gif" alt="F is for FUNDAMENTALISM" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT size="+1"&gt;S&lt;/FONT&gt;eventy-one years ago, in the small town of Dayton, Tennessee, Scopes 
defense attorney Clarence Darrow put prosecuting attorney William Jennings Bryan on the stand and 
proceeded to thoroughly discredit creationism as the preserve of flat-worlders, the Catholic Church, 
and idiots generally. 

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT size="+1"&gt;O&lt;/FONT&gt;f course, Scopes (and Darrow) lost the case, and so sanity is doomed. 
Recently, Creationism has risen again amongst the fundamentalist Right, demonstrating that these Bible
-thumping mongoloids, the predictably degenerated grandchildren and great-grandchildren of the
 members of the Dayton School Board, shouldn't be allowed near science, let alone politics (or for 
that matter, heavy machinery and sharp objects).

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags//" rel="tag"&gt;&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writing/" rel="tag"&gt;writing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/misanthrophy/" rel="tag"&gt;misanthrophy&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://home.bway.net/hunger/alpha2.html</clipSource><pubDate>Sun, 27 Apr 2008 02:55:01 GMT</pubDate></item><item><title>History of Writing</title><link>http://clipmarks.com/clipmark/751298A7-EEA3-4DEA-A1BE-845FE790A090/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sitegeist/"&gt;sitegeist&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A detailed history of writing. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.textism.com/writing/?id=1" title="http://www.textism.com/writing/?id=1"&gt;www.textism.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;The Evolution of Writing&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Although its origins are more distant and obscure, our writing may be said to start with the Greek alphabet from which the Roman letters that make up the alphabet used in the west today derive. The Greek scripts read from right to left and left to right alternately.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.textism.com/writing/?id=2" title="http://www.textism.com/writing/?id=2"&gt;www.textism.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sitegeist/512/DFA94648-6ED8-4A64-8281-88F85BF2C559.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.textism.com/writing/?id=7" title="http://www.textism.com/writing/?id=7"&gt;www.textism.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The development of written letters begins with Roman square capitals. The early scripts were written on vellum with an edged reed or quill nib held nearly parallel to the base line; they tried to copy the characteristics of letters incised in stone.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.textism.com/writing/?id=9" title="http://www.textism.com/writing/?id=9"&gt;www.textism.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In the Roman square capitals of the 4th century, the characters were somewhat simplified. The desire to write faster made itself felt.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.textism.com/writing/?id=19" title="http://www.textism.com/writing/?id=19"&gt;www.textism.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The quickly written letters of the minuscule-cursive took regular and proportioned shape as Half-Uncials. They were written, as the Uncials, with a reed or quill pen held with a nib parallel to the base line. The style is mainly known to us from the ecclesiastical works of the early Christian scribes.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/./" rel="tag"&gt;.&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/learning/" rel="tag"&gt;learning&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/thinking/" rel="tag"&gt;thinking&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writing/" rel="tag"&gt;writing&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.textism.com/writing/?id=1</clipSource><pubDate>Tue, 25 Mar 2008 20:12:40 GMT</pubDate></item><item><title>Bizarre Literary Deaths</title><link>http://clipmarks.com/clipmark/08C64202-44E5-4005-BC4A-71243D531EBB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sitegeist/"&gt;sitegeist&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.alternativereel.com/includes/top-ten/display_review.php?id=00050" title="http://www.alternativereel.com/includes/top-ten/display_review.php?id=00050"&gt;www.alternativereel.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#03 - Sergei Esenin [1895-1925] Russian Poet&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Cut wrists, wrote a final poem in own blood (called "Do svidania drug moi" or "Goodbye my friend") and hanged self in a hotel room in Leningrad.&lt;BR /&gt; "Don't waken the dream that is dying/Don't stir the aim that has failed./Life brought me too early to trial;/The loss, the defeat—what availed?"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#02 - John Berryman [1914-1972] American Poet&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Jumped from a bridge over the Mississippi River; reputedly waved at passersby on way down. &lt;BR /&gt;"We must travel in the direction of our fear."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#01 - Yukio Mishima [1925-1970] Japanese Author&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Committed seppuku (hara-kiri) and was beheaded during failed attempt to overtake a Japanese garrison. &lt;BR /&gt;"If we value so highly the dignity of life, how can we not also value the dignity of death? No death may be called futile."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/poets/" rel="tag"&gt;poets&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/death/" rel="tag"&gt;death&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bizarre/" rel="tag"&gt;bizarre&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.alternativereel.com/includes/top-ten/display_review.php?id=00050</clipSource><pubDate>Mon, 25 Feb 2008 23:37:46 GMT</pubDate></item></channel></rss>