<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | shankargallery's 'shiva' clips</title><link>http://clipmarks.com/clipper/shankargallery/tag/shiva/</link><feedUrl>http://rss.clipmarks.com/clipper/shankargallery/tag/shiva/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>shiva crater, continued</title><link>http://clipmarks.com/clipmark/28AE5A5B-17E3-4386-B4F7-C7A082D5AA4B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/shankargallery/"&gt;shankargallery&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  shiva crater &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://suvratk.blogspot.com/2009/11/end-cretaceous-how-many-impacts-how.html" title="http://suvratk.blogspot.com/2009/11/end-cretaceous-how-many-impacts-how.html"&gt;suvratk.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="post-title entry-title"&gt;
&lt;A href="http://suvratk.blogspot.com/2009/11/end-cretaceous-how-many-impacts-how.html"&gt;End Cretaceous: How Many Impacts? How Many Iridium Anomalies?&lt;/A&gt;
&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/shankargallery/512/0EB82866-94D4-4C10-A8D6-3D922395CFB4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://suvratk.blogspot.com/2009/11/end-cretaceous-how-many-impacts-how.html</clipSource><pubDate>Sun, 08 Nov 2009 22:08:24 GMT</pubDate></item><item><title>Geologists analyzing Shiva crater on west coast</title><link>http://clipmarks.com/clipmark/D4A44401-F5F2-454D-8549-8E528CC12B5C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/shankargallery/"&gt;shankargallery&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.upabangalore.org/geologists-analyzing-shiva-crater-on-west-coast" title="http://www.upabangalore.org/geologists-analyzing-shiva-crater-on-west-coast"&gt;www.upabangalore.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="title"&gt;Geologists analyzing Shiva crater on west coast&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.upabangalore.org/geologists-analyzing-shiva-crater-on-west-coast</clipSource><pubDate>Thu, 22 Oct 2009 15:50:32 GMT</pubDate></item><item><title>PLATE MOVEMENTS AND CLIMATE CHANGE</title><link>http://clipmarks.com/clipmark/10F8096B-83FD-43EB-813A-0F19FF8A6905/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/shankargallery/"&gt;shankargallery&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  shiva crater 69mya &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.beloit.edu/sepm/Earth_Works/Plate_Movements.html" title="http://www.beloit.edu/sepm/Earth_Works/Plate_Movements.html"&gt;www.beloit.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;B&gt;&lt;TT&gt;&lt;FONT size="+3" color="#30387c"&gt;PLATE MOVEMENTS AND
CLIMATE CHANGE&lt;/FONT&gt;&lt;/TT&gt;&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;&lt;FONT size="+1" color="#650488"&gt;INDIA &lt;/FONT&gt;&lt;/B&gt;&lt;FONT size="+1"&gt;-
  180 million years ago, India was connected to Africa, Antarctica and Australia.
  Today the collision of the Indian plate with Asia is causing the uplift
  of the Himalayan mountain range. What type of climate might India have
  experienced 180 My ago? Discuss how the climate of India may have changed
  dramatically as the plate moved equator-ward during the last 180 million
  years.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/tectonics/" rel="tag"&gt;tectonics&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.beloit.edu/sepm/Earth_Works/Plate_Movements.html</clipSource><pubDate>Tue, 20 Oct 2009 14:00:54 GMT</pubDate></item><item><title>Giant impact near India, not Mexico may have doomed dinosaurs</title><link>http://clipmarks.com/clipmark/C9473C99-8494-4734-862E-FFA8A3F5420F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/shankargallery/"&gt;shankargallery&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  shiva crater &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://spacefellowship.com/2009/10/16/giant-impact-near-india-not-mexico-may-have-doomed-dinosaurs/" title="http://spacefellowship.com/2009/10/16/giant-impact-near-india-not-mexico-may-have-doomed-dinosaurs/"&gt;spacefellowship.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Giant impact near India, not Mexico may have doomed dinosaurs&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://spacefellowship.com/2009/10/16/giant-impact-near-india-not-mexico-may-have-doomed-dinosaurs/</clipSource><pubDate>Sat, 17 Oct 2009 02:46:12 GMT</pubDate></item><item><title>om namah sivaya prayer poem</title><link>http://clipmarks.com/clipmark/7CA5E701-FD98-4289-9A35-F95AECC899FF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/shankargallery/"&gt;shankargallery&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.freewebs.com/earthbeone/omnamahshivaya.htm?blogentryid=3186938" title="http://www.freewebs.com/earthbeone/omnamahshivaya.htm?blogentryid=3186938"&gt;www.freewebs.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A name="108212874"&gt;&lt;/A&gt;Om Namah Shivaya... &lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="fwBlogEntryTitle"&gt;welcome this day....&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/shiva/" rel="tag"&gt;shiva&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.freewebs.com/earthbeone/omnamahshivaya.htm?blogentryid=3186938</clipSource><pubDate>Wed, 26 Mar 2008 16:34:00 GMT</pubDate></item><item><title>Lonar Crater (part-2)</title><link>http://clipmarks.com/clipmark/FEB276C0-2C23-4A12-A090-1F46BE5AD7C6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/shankargallery/"&gt;shankargallery&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  By Indrani(Indrani)&lt;br/&gt;Some are in ruins; the Shiva Linga of this temple in ruins is missing. The extremely beautiful Shankar Ganesh temple… I stood here transfixed by the architectural beauty of this small shrine still maintained and preserved so well &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://isharethese.blogspot.com/2008/03/lonar-crater-part-2.html" title="http://isharethese.blogspot.com/2008/03/lonar-crater-part-2.html"&gt;isharethese.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="post-title entry-title"&gt;
&lt;A href="http://isharethese.blogspot.com/2008/03/lonar-crater-part-2.html"&gt;Lonar Crater (part-2)&lt;/A&gt;
&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/crater/" rel="tag"&gt;crater&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://isharethese.blogspot.com/2008/03/lonar-crater-part-2.html</clipSource><pubDate>Wed, 26 Mar 2008 01:26:10 GMT</pubDate></item><item><title>Dwadasha Jyotirlingas - The Twelve Jyotirlinga Temples of Shiva in India</title><link>http://clipmarks.com/clipmark/207E01D8-8A57-43B5-9020-7AE895EE45DE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/shankargallery/"&gt;shankargallery&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  great images with this story also &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://thelifestylelounge.blogspot.com/2007/12/dwadasha-jyotirlingas-twelve.html" title="http://thelifestylelounge.blogspot.com/2007/12/dwadasha-jyotirlingas-twelve.html"&gt;thelifestylelounge.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="title"&gt;
          
  
    &lt;A href="http://thelifestylelounge.blogspot.com/"&gt;The Lifestyle Lounge&lt;/A&gt;
  

        &lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="post-title entry-title"&gt;
     
        
          &lt;A href="http://thelifestylelounge.blogspot.com/2007/12/dwadasha-jyotirlingas-twelve.html"&gt;Dwadasha Jyotirlingas - The Twelve Jyotirlinga Temples of Shiva in India&lt;/A&gt;
        
     
      &lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://thelifestylelounge.blogspot.com/2007/12/dwadasha-jyotirlingas-twelve.html</clipSource><pubDate>Thu, 20 Dec 2007 16:45:30 GMT</pubDate></item><item><title>Bhairava: The Wrathful</title><link>http://clipmarks.com/clipmark/3CE84560-A667-40A0-A4F5-52D55932425B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/shankargallery/"&gt;shankargallery&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  more about shiva &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.philhine.org.uk/writings/tt_wrathful.html" title="http://www.philhine.org.uk/writings/tt_wrathful.html"&gt;www.philhine.org.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Bhairava: The Wrathful&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;by Phil Hine&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;CONTENTS&lt;/H2&gt;

&lt;UL&gt;
&lt;LI&gt;&lt;A href="#primal"&gt;&lt;B&gt;The primal forest myth&lt;/B&gt;&lt;/A&gt;
&lt;/LI&gt;&lt;LI&gt;&lt;A href="#linga"&gt;&lt;B&gt;The blazing linga&lt;/B&gt;&lt;/A&gt;
&lt;/LI&gt;&lt;LI&gt;&lt;A href="#kapalikas"&gt;&lt;B&gt;The Kapalikas: Skull-carriers&lt;/B&gt;&lt;/A&gt;
&lt;/LI&gt;&lt;LI&gt;&lt;A href="#suggestions"&gt;&lt;B&gt;Suggestions for magical work&lt;/B&gt;&lt;/A&gt;&lt;/LI&gt;&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.philhine.org.uk/writings/tt_wrathful.html</clipSource><pubDate>Sun, 16 Dec 2007 15:31:01 GMT</pubDate></item><item><title>The Crystal Collection @ WAA Gallery</title><link>http://clipmarks.com/clipmark/DA0E00DC-21FD-43D1-9E1C-46A83D2159F7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/shankargallery/"&gt;shankargallery&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.worldartandantiques.com/waagallery/v/cry/?g2_page=4" title="http://www.worldartandantiques.com/waagallery/v/cry/?g2_page=4"&gt;www.worldartandantiques.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="block-core-BreadCrumb"&gt;
&lt;A class="BreadCrumb-1" href="http://www.worldartandantiques.com/waagallery/main.php?g2_highlightId=213"&gt;
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The Crystal Collection&lt;/SPAN&gt;
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&lt;IMG width="150" height="150" longdesc="Rock Crystal Plaque with relief of Earth Goddess or River Ganges Goddess holding her hair.   A Makara water-creature below.   Cambodia, 16th century AD. Height: 5.5 cm.  Width: 2.9 cm. CR-41" alt="Crystal Plaque of Earth Goddess or River Ganges Goddess " class="ImageFrame_image giThumbnail" id="IFid2" src="http://www.worldartandantiques.com/waagallery/d/532-2/41-crystal.jpg" /&gt;
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&lt;P class="giTitle"&gt;&lt;B&gt;Crystal Plaque of Earth Goddess or River Ganges Goddess &lt;/B&gt;&lt;/P&gt;
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CR-41  Cambodia, 16th century AD
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&lt;IMG width="150" height="150" longdesc="Rock Crystal Double Gourd-shaped Reliquary Container. Thailand, 15th century AD.   Height: 8.3 cm.   Width: 5.1 cm. CR-42" alt="Reliquary Container" class="ImageFrame_image giThumbnail" id="IFid3" src="http://www.worldartandantiques.com/waagallery/d/535-4/42-crystal.jpg" /&gt;
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CR-42  Thailand, 15th century AD
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&lt;IMG width="150" height="150" longdesc="Rock Crystal Shiva Lingam with Shiva Head.   Funan pre-Khmer culture in Cambodia, circa 8th century AD.  Height: 6.3 cm. CR-43" alt="Shiva Lingam with Shiva Head" class="ImageFrame_image giThumbnail" id="IFid4" src="http://www.worldartandantiques.com/waagallery/d/542-2/43-crystal.jpg" /&gt;
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&lt;P class="giTitle"&gt;&lt;B&gt;Shiva Lingam with Shiva Head&lt;/B&gt;&lt;/P&gt;
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CR-43  Cambodia, circa 8th century AD
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&lt;IMG width="150" height="150" longdesc="Rock Crystal Shiva Lingam on Yoni Base with 14 Breasts around.  In two parts. Champa culture in Vietnam, circa 14th century AD.   Height: 12.7 cm.  Width: 12.7 cm CR-44" alt="Crystal Shiva Lingam on Yoni Base " class="ImageFrame_image giThumbnail" id="IFid5" src="http://www.worldartandantiques.com/waagallery/d/538-2/44-crystal.jpg" /&gt;
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&lt;P class="giTitle"&gt;&lt;B&gt;Crystal Shiva Lingam on Yoni Base &lt;/B&gt;&lt;/P&gt;
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CR-44 Vietnam, circa 14th century AD
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&lt;IMG width="150" height="150" longdesc="Rock Crystal stylized Shiva Lingam.   Khmer culture in Cambodia, circa 11th century AD.   Height: 14.5 cm. CR-45" alt="Stylized Shiva Lingam" class="ImageFrame_image giThumbnail" id="IFid6" src="http://www.worldartandantiques.com/waagallery/d/559-2/45-crystal.jpg" /&gt;
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&lt;P class="giTitle"&gt;&lt;B&gt;Stylized Shiva Lingam&lt;/B&gt;&lt;/P&gt;
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CR-45 Cambodia, circa 11th century AD
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&lt;IMG width="150" height="150" longdesc="Rock Crystal Shiva Lingam with glans engraved.   Khmer culture in Cambodia, circa 10th century AD.   Height: 7 cm. CR-46" alt="Shiva Lingam with glans engraved" class="ImageFrame_image giThumbnail" id="IFid7" src="http://www.worldartandantiques.com/waagallery/d/562-2/46-crystal.jpg" /&gt;
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&lt;P class="giTitle"&gt;&lt;B&gt;Shiva Lingam with glans engraved&lt;/B&gt;&lt;/P&gt;
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CR-46 Cambodia, circa 10th century AD
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&lt;IMG width="150" height="150" longdesc="Rock Crystal Shiva Lingam as an emerging bulbous form.  Pre-Khmer culture in Cambodia, circa 7th century AD.   Height: 7.2 cm. CR-47" alt="Shiva Lingam " class="ImageFrame_image giThumbnail" id="IFid8" src="http://www.worldartandantiques.com/waagallery/d/565-2/47-crystal.jpg" /&gt;
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&lt;P class="giTitle"&gt;&lt;B&gt;Shiva Lingam &lt;/B&gt;&lt;/P&gt;
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CR-47 Cambodia, circa 7th century AD
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&lt;IMG width="150" height="150" longdesc="Rock Crystal Shiva Lingam in Yoni Base, a Nandi bull engraved underneath.  Khmer culture in Cambodia, circa 10th century AD., or earlier.   Height: 2 cm.   Base Dimensions: 6.3 X 4.4 cm. CR-48" alt="Shiva Lingam in Yoni Base" class="ImageFrame_image giThumbnail" id="IFid9" src="http://www.worldartandantiques.com/waagallery/d/568-2/48-crystal.jpg" /&gt;
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&lt;P class="giTitle"&gt;&lt;B&gt;Shiva Lingam in Yoni Base&lt;/B&gt;&lt;/P&gt;
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CR-48 Cambodia, circa 10th century AD
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&lt;IMG width="150" height="150" longdesc="Rock Crystal Rosary of 18 Arhat Heads plus Corpulent Laughing Buddha, all done as pierced beads.   China, Ch'ing dynasty, 19th century AD. Height of each of the 18 Arhat heads: 4.3 cm.   Height of Buddha: 5.7 cm. CR-49" alt="Rosary of 18 Arhat Heads plus Corpulent Laughing Buddha" class="ImageFrame_image giThumbnail" id="IFid10" src="http://www.worldartandantiques.com/waagallery/d/571-2/49-crystal.jpg" /&gt;
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&lt;P class="giTitle"&gt;Rosary of 18 Arhat Heads plus Corpulent Laughing Buddha&lt;/P&gt;
&lt;P class="giDescription"&gt;
CR-49 China, Ch'ing dynasty, 19th century AD
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Views: 180
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&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/crystal/" rel="tag"&gt;crystal&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.worldartandantiques.com/waagallery/v/cry/?g2_page=4</clipSource><pubDate>Sun, 30 Sep 2007 15:35:40 GMT</pubDate></item><item><title>Amarnath Board to study yatra impact on Kashmir economy</title><link>http://clipmarks.com/clipmark/144C2105-50BC-4FBE-987B-AC094C90CB3E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/shankargallery/"&gt;shankargallery&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.hindu.com/thehindu/holnus/002200709130350.htm" title="http://www.hindu.com/thehindu/holnus/002200709130350.htm"&gt;www.hindu.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Amarnath Board to study yatra impact on Kashmir economy&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Srinagar, Sept. 13 (PTI): The Amarnath Shrine Board is setting up an expert committee to carry out a survey on the impact of the annual Amarnath yatra on Jammu and Kashmir's economy.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The SASB CEO said during the current yatra donation of Rs 2.50 crores was made by devotees against last year's 2.38 crores.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The CEO said 42 pilgrims died during the pilgrimage which includes one Muslim pilgrim from Ajmer. The oldest pilgrim who died was 82-years-old, and the youngest 13. Last year 45 pilgrims had died.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;He said despite early melting of the lingam, about three lakh pilgrims visited the shrine this year.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/amarnath/" rel="tag"&gt;amarnath&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/icelinga/" rel="tag"&gt;icelinga&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/shiva/" rel="tag"&gt;shiva&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/kashmir/" rel="tag"&gt;kashmir&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.hindu.com/thehindu/holnus/002200709130350.htm</clipSource><pubDate>Thu, 13 Sep 2007 15:24:41 GMT</pubDate></item><item><title>Nepal’s Maoists take on Lord Shiva</title><link>http://clipmarks.com/clipmark/60A4A2AB-0675-4496-A4D8-DB90677B9915/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/shankargallery/"&gt;shankargallery&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.hindustantimes.com/StoryPage/StoryPage.aspx?id=58594cea-6b28-4857-96c8-d6d598dd8557&amp;MatchID1=4537&amp;TeamID1=2&amp;TeamID2=9&amp;MatchType1=5&amp;SeriesID1=1143&amp;PrimaryID=4537&amp;Headline=Nepal%e2%80%99s+Maoists+take+on+Lord+Shiva" title="http://www.hindustantimes.com/StoryPage/StoryPage.aspx?id=58594cea-6b28-4857-96c8-d6d598dd8557&amp;MatchID1=4537&amp;TeamID1=2&amp;TeamID2=9&amp;MatchType1=5&amp;SeriesID1=1143&amp;PrimaryID=4537&amp;Headline=Nepal%e2%80%99s+Maoists+take+on+Lord+Shiva"&gt;www.hindustantimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="ni"&gt;&lt;H1&gt;&lt;A class="nihl" id="ctl00_NewsHeadline1_NewsHeadLine"&gt;Nepal’s Maoists take on Lord Shiva&lt;/A&gt;&lt;/H1&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="niauthor"&gt;&lt;B&gt;&lt;A href="http://www.hindustantimes.com/StoryPage/../Search/Search.aspx?q=Sudeshna Sarkar&amp;nodate=1" id="ctl00_NewsPhoto_NewsPhoto"&gt;Sudeshna Sarkar&lt;/A&gt;&lt;SPAN&gt;, Indo-Asian News Service&lt;/SPAN&gt;&lt;/B&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The area surrounding the main temple and a cluster of satellite temples — the Pashupati Monument Zone — was declared a World Heritage Site by the Unesco in 1979.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Now headed by a Maoist student leader, they are building a road through a forest in the vicinity of the Pashupatinath temple, regarded as one of the holiest pilgrim sites in the world, where Hindus, Buddhists, Jains and tourists flock regularly.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Barely three months after the Unesco's World Heritage Committee announced that Kathmandu valley's heritage sites, which had been under threat from uncontrolled growth, were out of danger, thanks to measures taken by the government, the temple area is being threatened by the new road.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/shiva/" rel="tag"&gt;shiva&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/maoists/" rel="tag"&gt;maoists&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nepal/" rel="tag"&gt;nepal&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.hindustantimes.com/StoryPage/StoryPage.aspx?id=58594cea-6b28-4857-96c8-d6d598dd8557&amp;MatchID1=4537&amp;TeamID1=2&amp;TeamID2=9&amp;MatchType1=5&amp;SeriesID1=1143&amp;PrimaryID=4537&amp;Headline=Nepal%e2%80%99s+Maoists+take+on+Lord+Shiva</clipSource><pubDate>Thu, 13 Sep 2007 15:16:19 GMT</pubDate></item><item><title>Shiva Lingam Video</title><link>http://clipmarks.com/clipmark/EFF08124-673A-454C-87FC-66EEB984C213/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/shankargallery/"&gt;shankargallery&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.hindu-blog.com/2007/08/video-on-scientific-and-spiritual.html" title="http://www.hindu-blog.com/2007/08/video-on-scientific-and-spiritual.html"&gt;www.hindu-blog.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="post-title"&gt;
     
        
          &lt;A href="http://www.hindu-blog.com/2007/08/video-on-scientific-and-spiritual.html"&gt;Video on Scientific and Spiritual Aspects of Shiva Lingam&lt;/A&gt;
        
     
      &lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="post-body"&gt;
      &lt;P&gt;&lt;/P&gt;&lt;P class="MsoNormal"&gt;In this Video, the speaker (Sharad Pardhiji) talks about the modern day scientific findings and how these findings are present in the Shivling or Shiva Lingam conceived thousands of years ago by the &lt;A href="#" class="kLink"  id="KonaLink0"&gt;&lt;FONT color="blue"&gt;&lt;SPAN class="kLink"&gt;Hindu&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/A&gt; sages. The speaker finds Big Bang theory, DNA and Atom Model in the Shiva Linga. &lt;/P&gt;  &lt;P class="MsoNormal"&gt;&lt;O:P _moz-userdefined=""&gt; &lt;/O:P&gt;&lt;/P&gt;  &lt;P class="MsoNormal"&gt;Please note that there is no evidence to prove the scientific connection of Shiva lingam with modern day findings of science. The speaker is mainly talking about the thoughts of the great sages of Sanatana Dharma or Hinduism present in Shiva Lingam concept. This concept of Shivling is at times quite similar to the modern day findings of science.&lt;/P&gt;  &lt;P class="MsoNormal"&gt;&lt;O:P _moz-userdefined=""&gt; &lt;/O:P&gt;&lt;/P&gt;  &lt;P class="MsoNormal"&gt;&lt;/P&gt; &lt;O:P _moz-userdefined=""&gt;&lt;/O:P&gt;&lt;P&gt;&lt;/P&gt;  &lt;P class="MsoNormal"&gt;&lt;O:P _moz-userdefined=""&gt; &lt;/O:P&gt;&lt;/P&gt;  &lt;P class="MsoNormal"&gt;This video is taken from the Yug Pravah Video Magazine Vol 95 of All World Gayatri Pariwar (www.awgp.org). Sharad Pardhiji is the speaker and is a disciple of Yug Rishi Pandit Shriram Sharma Acharya.&lt;/P&gt;
      &lt;DIV&gt;&lt;/DIV&gt; 
    &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/lingam/" rel="tag"&gt;lingam&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.hindu-blog.com/2007/08/video-on-scientific-and-spiritual.html</clipSource><pubDate>Sun, 19 Aug 2007 17:38:58 GMT</pubDate></item><item><title>Lingam Puja : How to Worship at Home?</title><link>http://clipmarks.com/clipmark/93D54ADF-330C-45D5-BC0D-281A10434CE6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/shankargallery/"&gt;shankargallery&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Quoted:"After the panchamrit abhishek, the lingam is cleaned with water from Ganga. (This is might not be possible always so just normal water.) After this the lingam is smeared with sandalwood paste and is decked with flowers. Water and sandalwood paste is used to keep the lingam cool, as Lord Shiva is always in a highly inflammable state. In some Shiva temples, cooling liquid constantly drops from pot hung above the Lingam." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://hindublog.blogspot.com/2007/06/lingam-puja-how-to-worship-shivling-at.html" title="http://hindublog.blogspot.com/2007/06/lingam-puja-how-to-worship-shivling-at.html"&gt;hindublog.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/shankargallery/512/60DF476A-4C38-4225-BAC8-388F70B06FB9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="post-title"&gt;
     
        
          &lt;A href="http://hindublog.blogspot.com/2007/06/lingam-puja-how-to-worship-shivling-at.html"&gt;Lingam Puja – How to Worship Shivling at Home?&lt;/A&gt;
        
     
      &lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Shivling or Shiva lingam connects a devotee with the Supreme Being – Lord Shiva. The lingam is the symbol of Lord Shiva and the lingam puja helps the devotee in understanding Lord Shiva. The Lord cannot be described but still we say he is without a beginning and an end and is without a form. It is difficult for a devotee to understand this formless nature. Therefore Lord Shiva appeared in the form of Jyotirlinga before Brahma and Vishnu. The Lingam thus is a symbol of Lord Shiva. Each Lingam puja, step by step, takes the devotee to the eternal truth – that he/she is part of the Supreme Being.  &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Finally, ringing of bells or blowing of conch indicates the end of Puja. White ash (vibhuti) is rubbed on the forehead and it is also distributed. &lt;A href="#" class="kLink"  id="KonaLink4"&gt;&lt;FONT color="blue"&gt;&lt;SPAN class="kLink"&gt;Fruits&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/A&gt;, sweets and coconut are distributed as ‘prasad.’&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/shiva/" rel="tag"&gt;shiva&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/lingam/" rel="tag"&gt;lingam&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://hindublog.blogspot.com/2007/06/lingam-puja-how-to-worship-shivling-at.html</clipSource><pubDate>Fri, 22 Jun 2007 12:44:15 GMT</pubDate></item><item><title>Khmer art</title><link>http://clipmarks.com/clipmark/0BAD5BDA-EC84-48DA-96B9-163C80936F54/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/shankargallery/"&gt;shankargallery&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Khmer art &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.economist.com/books/displaystory.cfm?story_id=9298763" title="http://www.economist.com/books/displaystory.cfm?story_id=9298763"&gt;www.economist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="fly-title"&gt;Khmer art&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Gods on display&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="info"&gt;Jun 7th 2007&lt;BR /&gt;From &lt;EM&gt;The Economist&lt;/EM&gt; print edition&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;An exciting exhibition in Berlin awakes a plea for the return of stolen treasures&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/shankargallery/512/D0EF0088-1623-4707-A2DA-56FA6D5E45FA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;With the Phnom Penh collection now recognised as a great repository of Khmer art, might some collectors consider repatriating at least part of their booty to its rightful place? Many possessors of stolen Khmer art argue that it is safer in their hands than it would be in Cambodia, but this may no longer be the case. Where, for a start, is Uma's head? &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Unfortunately, as a star statue in Berlin shows, possessions of the National Museum in Phnom Penh were not always safe, either. A well-girthed Shiva, clasping a lotus in one outstretched hand, and his diminutive wife, Uma, in the other is placed prominently in one of the Berlin rooms. But Uma's head is missing. The Berlin curators don't say so on their description, but her head was stolen—literally hacked off—when the piece was on show at the Phnom Penh museum in the 1970s. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/shiva/" rel="tag"&gt;shiva&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.economist.com/books/displaystory.cfm?story_id=9298763</clipSource><pubDate>Sun, 10 Jun 2007 15:36:36 GMT</pubDate></item><item><title>Kailash Cave Temple</title><link>http://clipmarks.com/clipmark/8AE10134-AB65-4328-AD3C-835DE788373C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/shankargallery/"&gt;shankargallery&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  In the 8th and 9th centuries CE, the Kailash Cave Temple was carved out of the volcanic rock which formed countless plateaus in the western ghats (small mountain range), part of the geological formation known as the Deccan Plateau. Part of a group of 34 caves built into the side of this plateau, Kailash, cave number 16, is monumental by any standards. The Kailash rock-cut temple stands 30 metres (99 feet) high, 52 metres (170 feet) in length, and 33 metres (108 feet) wide. The other 33 caves, Hindu, Buddhist, and Jain, were dug into the side of the plateau much like other cave dwellings, but Kailash appears to have been literally excavated from the top in order to create a free-standing temple encircled by smaller cave shrines, the entire complex carved out of the same black rock. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/index.htm" title="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/index.htm"&gt;library.lakeforest.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/shankargallery/512/3FC3FA8B-BD85-4A96-B8DD-C21B5FA297D3.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/shankargallery/512/06F513D4-E579-48F3-B282-946E0DE14F3C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/shankargallery/512/B7E3096C-4277-4186-AEDB-3B56E80044F2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="center"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/world_heritage_site_sign.htm"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;IMG width="200" height="150" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/world_heritage_site_sign.jpg" /&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;BR /&gt;
          &lt;A href="http://www.unesco.org/"&gt;UNESCO&lt;/A&gt; World Heritage Site &lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/inner_sanctum_with_candle.htm"&gt;&lt;IMG width="200" height="150" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/sanctum_with_candle01.jpg" /&gt;&lt;BR /&gt;
          &lt;/A&gt;Inner Sanctum with &lt;BR /&gt;
          Kerosene Lamp&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="217" height="188"&gt; &lt;DIV align="center"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/doorway_to_inner_sanctum.htm"&gt;&lt;IMG width="200" height="150" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/doorway_to_inner_sanctum.jpg" /&gt;&lt;/A&gt; 
          Doorway to Inner Sanctum&lt;/FONT&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="center"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/ellora_B9_jpg.htm"&gt;&lt;IMG width="150" height="155" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/ElloraB9thumb.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;
          Shiva Lingam and Yoni&lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="center"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/apsaras_jpg.htm"&gt;&lt;IMG width="150" height="200" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/apsaras_jpg.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;
          Apsaras&lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="center"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/apsaras_and_gandharva.htm"&gt;&lt;IMG width="150" height="200" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/apsaras_and_gandharva.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;
          Apsaras and Gandharva&lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="center"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/amorous_couple2_jpg.htm"&gt;&lt;IMG width="150" height="200" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/amorous_couple2_jpg.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;
          Amorous Couple&lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="center"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/amorous_couple3_jpg.htm"&gt;&lt;IMG width="150" height="200" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/amorous_couple3_jpg.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;
          Amorous Couple &lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="center"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/amorous_couple_jpg.htm"&gt;&lt;IMG width="150" height="200" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/amorous_couple_jpg.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;
          Amorous Couple&lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="center"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/scenes_from_ramayana_jpg.htm"&gt;&lt;IMG width="200" height="150" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/scenes_from_ramayana_jpg.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;
          Scenes from Ramayana&lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="center"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/stone_elephants_jpg.htm"&gt;&lt;IMG width="200" height="150" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/stone_elephants_jpg.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;
          Stone Elephants&lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="center"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/mata_ganga_jpg.htm"&gt;&lt;IMG width="150" height="200" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/mata_ganga_jpg.jpg" /&gt;&lt;/A&gt;Mata 
                Ganga&lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;DIV align="center"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/amorous_couples4_jpg.htm"&gt;&lt;IMG width="200" height="150" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/amorous_couples4_jpg.jpg" /&gt;&lt;/A&gt; 
                Kamasutra Images&lt;/FONT&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/goddess_laksmi01.htm"&gt;&lt;IMG width="200" height="150" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/goddess_laksmi01.jpg" /&gt;&lt;BR /&gt;
          &lt;/A&gt;&lt;/FONT&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;Goddess 
          Laksmi with Elephants Inside Entrance&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/manu_stambha_jpg.htm"&gt;&lt;IMG width="150" height="200" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/manu_stambha_jpg.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;
          Manu Stambha Just Inside the Temple Courtyard&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/goddess_laksmi01.htm"&gt;&lt;BR /&gt;
          &lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="center"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/India_Jan03%20058_jpg.htm"&gt;&lt;IMG width="229" height="150" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/India_Jan03058_jpg.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;
                Peaceful (Shanti) Shiva &lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="center"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/India_Jan03059_jpg.htm"&gt;&lt;IMG width="150" height="200" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/India_Jan03059_jpg.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;
          Shanti Shiva&lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD height="207"&gt; &lt;DIV align="center"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/bhagiratha%27s_pnance_jpg.htm"&gt;&lt;IMG width="150" height="200" border="0" src="thumbnails/bhagiratha's_pnance.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;
          Bhagiratha's Penance&lt;/FONT&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="213" height="207" align="center"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/searching_for_lingham01.htm"&gt;&lt;IMG width="150" height="200" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/searching_for_lingham01.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;
        Searching for Where the Shiva Lingam Begins and Ends&lt;/FONT&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TABLE width="538" cellpadding="5" border="0" align="center"&gt;
          &lt;TBODY&gt;&lt;TR&gt; 
            &lt;TD width="173" valign="top"&gt;
&lt;DIV align="center"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/ardhanarishvara_jpg.htm"&gt;&lt;IMG width="150" height="200" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/ardhanarishvara_jpg.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;
              Ardhanarishvara&lt;/FONT&gt;&lt;/DIV&gt;&lt;/TD&gt;
            &lt;TD width="144"&gt;&lt;DIV align="center"&gt;
                &lt;TABLE width="35" border="0"&gt;
                  &lt;TBODY&gt;&lt;TR&gt;
                    &lt;TD&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;The 
                      image of Ardhanarishvara, Lord-who-is-half-woman, is a well-known 
                      figure of Shiva joined with his consort, Parvati.&lt;/FONT&gt;&lt;/TD&gt;
                  &lt;/TR&gt;
                &lt;/TBODY&gt;&lt;/TABLE&gt;
                
              &lt;/DIV&gt;&lt;/TD&gt;
            &lt;TD width="167" valign="top"&gt;
&lt;DIV align="center"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/siva_nataraja_cave_painting.htm"&gt;&lt;IMG width="150" height="200" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/siva_nataraja_cave_painting.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;
                &lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;Shiva 
                Nataraja &lt;BR /&gt;
                Cave Painting&lt;/FONT&gt;&lt;/DIV&gt;&lt;/TD&gt;
          &lt;/TR&gt;
        &lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD align="left"&gt;&lt;DIV align="center"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/kamadeva_and_rati01.htm"&gt;&lt;IMG width="200" height="150" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/kamadeva_and_rati02.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;
                Kamadeva and Rati &lt;BR /&gt;
                with Others&lt;/FONT&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD align="left"&gt;&lt;DIV align="center"&gt;&lt;A href="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/pages/kamadeva_and_rati02.htm"&gt;&lt;IMG width="150" height="200" border="0" src="http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/thumbnails/kamadeva_rati_cane01.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;
                &lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;Kamadeva 
                and Rati with Sugarcane Bow&lt;/FONT&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD align="left"&gt;&lt;FONT size="-1" face="Verdana, Arial, Helvetica, sans-serif"&gt;The 
              god of desire, Kamadeva, and his consort, Rati, are carved on the 
              inside of the courtyard wall for visitors just entering, or just 
              leaving. How appropriate to be reminded of the powerful pull of 
              desire both before and after visiting a temple. &lt;/FONT&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/shiva/" rel="tag"&gt;shiva&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://library.lakeforest.edu/collections/benton/data/research/Ellora/albums/kailash_rock-cut_temple/index.htm</clipSource><pubDate>Sun, 03 Jun 2007 16:38:33 GMT</pubDate></item></channel></rss>