<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | ruralart's 'war' clips</title><link>http://clipmarks.com/clipper/ruralart/tag/war/</link><feedUrl>http://rss.clipmarks.com/clipper/ruralart/tag/war/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Faces of the Dead</title><link>http://clipmarks.com/clipmark/9CD8DC0D-1EA9-4023-BF7F-C9D77FAA6073/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ruralart/"&gt;ruralart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Interactive NY Times site featuring each US soldier killed to date.  I could not get it to clip anything except the headline. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/ref/us/20061228_3000FACES_TAB1.html" title="http://www.nytimes.com/ref/us/20061228_3000FACES_TAB1.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Casualties of War&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/iraq/" rel="tag"&gt;iraq&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/army/" rel="tag"&gt;army&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/military/" rel="tag"&gt;military&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/soldiers/" rel="tag"&gt;soldiers&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/ref/us/20061228_3000FACES_TAB1.html</clipSource><pubDate>Sun, 27 Jul 2008 15:38:48 GMT</pubDate></item><item><title>Photographs of War... or Not?</title><link>http://clipmarks.com/clipmark/27E06279-1DB3-46CC-91B2-B5BA26CE449E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ruralart/"&gt;ruralart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  What a complicated issue.... I can see the military wanting to preserve security and honor the memory of their dead; I can see families not wanting to be traumatized by photos of their loved ones; but I think about all we are still learning from photographs of WWI and WWII... and if there are no photos of the Iraq war, where will that leave historians of the future?  Most of the WWI and WWII photographs were taken by military photographers assigned to document the actions.  I wonder if there are still military photographers documenting todays "wars"? &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/07/26/world/middleeast/26censor.html?pagewanted=1&amp;_r=1&amp;hp" title="http://www.nytimes.com/2008/07/26/world/middleeast/26censor.html?pagewanted=1&amp;_r=1&amp;hp"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
&lt;NYT_HEADLINE _moz-userdefined="" type=" " version="1.0"&gt;
4,000 U.S. Combat Deaths, and Just a Handful of Images
&lt;/NYT_HEADLINE&gt;
&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;BAGHDAD — The case of a freelance photographer in &lt;A title="More news and information about Iraq." href="http://topics.nytimes.com/top/news/international/countriesandterritories/iraq/index.html?inline=nyt-geo"&gt;Iraq&lt;/A&gt; who was barred from covering the &lt;A title="More articles about United States Marine Corps" href="http://topics.nytimes.com/top/reference/timestopics/organizations/m/us_marine_corps/index.html?inline=nyt-org"&gt;Marines&lt;/A&gt; after he posted photos on the Internet of several of them dead has underscored what some journalists say is a growing effort by the American military to control graphic images from the war. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; If the conflict in Vietnam was notable for open access given to journalists — too much, many critics said, as the war played out nightly in bloody newscasts — the Iraq war may mark an opposite extreme: after five years and more than 4,000 American combat deaths, searches and interviews turned up fewer than a half-dozen graphic photographs of dead American soldiers.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;It is a complex issue, with competing claims often difficult to weigh in an age of instant communication around the globe via the Internet, in which such images can add to the immediate grief of families and the anger of comrades still in the field. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/iraq/" rel="tag"&gt;iraq&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/military/" rel="tag"&gt;military&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/death/" rel="tag"&gt;death&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2008/07/26/world/middleeast/26censor.html?pagewanted=1&amp;_r=1&amp;hp</clipSource><pubDate>Sat, 26 Jul 2008 05:46:47 GMT</pubDate></item><item><title>Vietnam Hoaxes caused America to bomb its own troops</title><link>http://clipmarks.com/clipmark/ACDBABE9-FF65-49AA-864D-5218E8AC0758/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ruralart/"&gt;ruralart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  This is pretty upsetting.... &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.commondreams.org/archive/2008/01/09/6264/" title="http://www.commondreams.org/archive/2008/01/09/6264/"&gt;www.commondreams.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Report Reveals Vietnam War Hoaxes, Faked Attacks&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;North Vietnamese made hoax calls to get the US military to bomb its own units during the Vietnam War, according to declassified information that also confirmed US officials faked an incident to escalate the war.&lt;A title="0109 01" href="http://www.commondreams.org/archive/wp-content/photos/0109_01.jpg"&gt;&lt;IMG width="350" vspace="10" hspace="10" height="297" border="0" align="right" alt="0109 01" src="http://www.commondreams.org/archive/wp-content/photos/0109_01.jpg" /&gt;&lt;/A&gt;The report was released by the National Security Agency, responsible for much of the United States’ codebreaking and eavesdropping work, in response to a “mandatory declassification” request, the Federation of American Scientists (FAS) said Monday.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;On several occasions “the communists were able, by communicating on Allied radio nets, to call in Allied artillery or air strikes on American units,” it said.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;But he said that probably the “most historically significant feature” of the declassified report was the retelling of the 1964 Gulf of Tonkin incident.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;That was a reported North Vietnamese attack on American destroyers that helped lead to president Lyndon Johnson’s sharp escalation of American forces in Vietnam.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.commondreams.org/archive/2008/01/09/6264/</clipSource><pubDate>Thu, 10 Jan 2008 23:12:37 GMT</pubDate></item><item><title>War in Afghanistan - lessons learned</title><link>http://clipmarks.com/clipmark/1973E10A-C58C-4970-AFB3-9605E0A40F13/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ruralart/"&gt;ruralart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  By a local reporter, who is base in Afghanistan and home now on break.  His take on what is going on, what he has learned, and where things are going.  Interesting. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thestate.com/sc-at-war/story/219823.html" title="http://www.thestate.com/sc-at-war/story/219823.html"&gt;www.thestate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Lessons learned in six months&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;A reporter for The State lists the key things he found out in Afghanistan&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
&lt;STRONG&gt;Editor’s note: &lt;/STRONG&gt;Chuck Crumbo, The State’s military reporter, is returning to South Carolina for a break after spending six months in Afghanistan with the S.C. National Guard’s 218th Brigade Combat Team. We asked him to come up with five things he had learned about the Afghan war while overseas. Here’s his list:&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;1. IT’S STILL UP FOR GRABS&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;2. IT’S GOING TO BE A LONG HAUL&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;3. CORRUPTION, POVERTY HELP TALIBAN&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;4. WAGING A WAR ON AFGHAN CIVILIANS&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;5. AFGHANS STILL BACK U.S., ALLIES&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;However, realizing foreign troops can’t stay forever, Afghans also think their country can and should take over the fight against the insurgents. More than 80 percent of Afghans express confidence in the ability of their army and police to take up the fight, another poll found.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/afghanistan/" rel="tag"&gt;afghanistan&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/soldiers/" rel="tag"&gt;soldiers&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.thestate.com/sc-at-war/story/219823.html</clipSource><pubDate>Thu, 03 Jan 2008 01:08:10 GMT</pubDate></item><item><title>WWII Prisoners at Stalag Luft I</title><link>http://clipmarks.com/clipmark/70912784-0F0B-43D5-9D96-C462E69DDC99/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ruralart/"&gt;ruralart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Fascinating web site by a family whose father was a POW there.  Lots of research, photos, poetry, art, and much more.  Really well done! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.merkki.com/" title="http://www.merkki.com/"&gt;www.merkki.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ruralart/512/999E938D-4228-418D-BFBA-099BD2E8ADC6.gif" alt="Stalag Luft I Online" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 align="center"&gt;&lt;B&gt;&lt;FONT size="5" color="#000000"&gt;
		&lt;A href="http://www.merkki.com/index.htm"&gt;
		&lt;FONT color="#808080"&gt;World War II - Prisoners of War - Stalag Luft I &lt;/FONT&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/B&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="4" color="#808080"&gt;A 
		collection of stories, photos, art and information on Stalag Luft I&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ruralart/512/CB99A346-C31E-4743-9DAC-C3A3EAA9E70C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ruralart/512/6CDF7131-A7FC-442E-9767-2994E14610A9.jpg" alt="James Richard Williams, Jr. - World War II aerial gunner" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;uring World War II approximately 8,939 Allied 
Airmen ( 7,588 American and 1,351 Royal Air Force ) were imprisoned by the 
Germans at Stalag Luft I in &lt;A href="http://www.stadt-barth.de/e_index.html"&gt;
Barth, Germany&lt;/A&gt;.    &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; All our lives we knew our father, &lt;A href="http://www.merkki.com/williamsdick.htm"&gt;
Dick Williams, Jr&lt;/A&gt;. of Eufaula, Alabama, had 
				been one of  those imprisoned at Stalag Luft I, but that 
				was all we knew, until we decided to apply for his &lt;A href="http://www.merkki.com/powmedal.htm"&gt; 
Prisoner of War Medal&lt;/A&gt;&lt;FONT color="#0000ff"&gt;
&lt;/FONT&gt;in September 1999. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="justify"&gt;&lt;B&gt;&lt;SPAN&gt;&lt;DIV&gt;He never spoke of his combat experiences in the skies of Europe 
				during World War II, and only rarely of his incarceration in a 
				German prisoner of war camp. &lt;/DIV&gt;
				&lt;BR /&gt;
				   
				Our Dad died suddenly 27 years ago, taking his memories with him.   As 
adults our minds were full of questions we could no longer ask.   We 
turned to the Internet in search of our answers. 
&lt;/SPAN&gt;&lt;/B&gt;
				&lt;/P&gt;
				&lt;P align="justify"&gt;
				&lt;SPAN&gt;&lt;B&gt;
				    We would like to share with you 
				what we have learned, as part of our ongoing research, on Stalag 
				Luft I and Prisoners of War in World War II Germany. &lt;/B&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ruralart/512/34A4C96C-3033-4504-9B28-4D24791E2556.jpg" alt="Dad's World War II prisoner of war photo taken at Dulag Luft" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ruralart/512/3C49651E-91CF-4746-B094-0192DA18C354.jpg" alt="Anti-aircraft fire during WWII by Paul Canin" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.merkki.com/</clipSource><pubDate>Fri, 28 Dec 2007 23:06:14 GMT</pubDate></item><item><title>Vietnam Memories Preserved by Indian Artist</title><link>http://clipmarks.com/clipmark/FB995FBC-F5DC-4B32-ACAE-BF1B5C23426D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ruralart/"&gt;ruralart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Intriguing modernization of a traditional honoring form, used to memorialize American Indian veterans of the Vietnam War.  Now in the Smithsonian.  Unfortunately, the site does not include a photo of the art work.....a pity.  Sounds fascinating. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.smithsonianmag.com/people-places/object-may06.html" title="http://www.smithsonianmag.com/people-places/object-may06.html"&gt;www.smithsonianmag.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 id="articleTitle" class="clear-left"&gt;
				    				        War and Remembrance
				    				&lt;/H2&gt;

				&lt;P id="subHead"&gt;An Indian artist's traditional tribute honors Native American soldiers who served in Vietnam&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In 2001, Her Many Horses, an artist trained both in traditional beadwork and in doll-making, began the creation of a commemorative tableau featuring miniature figures of Vietnam-era veterans and the tribal women who welcomed them home with ceremonies. Even today, these rituals are not much changed from the days when warriors returned from the Little Big Horn.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It was around this time, in the mid-1960s, that Indian soldiers began returning from tours of duty in Vietnam to be met by honoring ceremonies.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;One man returned repeatedly to look at the dolls. He finally revealed that he was a Korean War veteran, allowing that to stand as sufficient reason for his intense contemplation of the work.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Her Many Horses, a member of the Oglala Lakota Sioux of the Pine Ridge Reservation in South Dakota, began attending tribal powwows as a boy.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/vietnam/" rel="tag"&gt;vietnam&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/american+indian/" rel="tag"&gt;american indian&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/indian/" rel="tag"&gt;indian&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/artist/" rel="tag"&gt;artist&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/smithsonian/" rel="tag"&gt;smithsonian&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/veterans/" rel="tag"&gt;veterans&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/korean+war/" rel="tag"&gt;korean war&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.smithsonianmag.com/people-places/object-may06.html</clipSource><pubDate>Thu, 01 Nov 2007 16:19:05 GMT</pubDate></item><item><title>Camouflage - it works!</title><link>http://clipmarks.com/clipmark/24DF68FD-1A44-4032-9451-C3E59DEBC9D9/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ruralart/"&gt;ruralart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Beautiful photos, interesting history of the study of camouflage in animals, and how this translated into the development of military camouflage. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.smithsonianmag.com/science-nature/hiding.html" title="http://www.smithsonianmag.com/science-nature/hiding.html"&gt;www.smithsonianmag.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="five last" id="articleImage"&gt;&lt;A rel="gallery" href="#"&gt;&lt;IMG width="353" height="274" border="0" title="" alt="" src="http://media.smithsonianmag.com/images/wolfe_frog.jpg" /&gt;
			    			    &lt;/A&gt;				&lt;P&gt;&lt;/P&gt;
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			&lt;DIV class=""&gt;
				&lt;UL class="cat-breadcrumb col three last"&gt;
					&lt;LI&gt;&lt;A href="http://www.smithsonianmag.com/science-nature"&gt;Science &amp; Nature&lt;/A&gt;&lt;/LI&gt;
														&lt;/UL&gt;

				&lt;H2 id="articleTitle" class="clear-left"&gt;&lt;/H2&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 id="articleTitle" class="clear-left"&gt;Hiding in Plain Sight
				    				&lt;/H2&gt;

				&lt;P id="subHead"&gt;A veteran photographer shows the extraordinary knack that some animals have for...disappearing&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;in a new book, &lt;EM&gt;Vanishing Act&lt;/EM&gt;, he defies conventions to show what he calls "animals' incredible ability to vanish in plain sight."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Ever since people thousands of years ago noted the uncanny trickery of animal camouflage, nature watchers have taken pains to understand it. Some animals’ color matches their favored habitat:&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;vivid splotches or stripes help protect animals such as zebras and giraffes.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Military camouflage, first introduced in World War I, was inspired by research on animal camouflage.)&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Mimicry is the shrewdest disguise.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Some camouflage works in concert with particular behaviors.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The modern study of camouflage began shortly after Charles Darwin proposed, in 1858, that new species arise through evolution by natural selection. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/camouflage/" rel="tag"&gt;camouflage&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nature/" rel="tag"&gt;nature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.smithsonianmag.com/science-nature/hiding.html</clipSource><pubDate>Tue, 30 Oct 2007 00:13:02 GMT</pubDate></item><item><title>Veteran's Benefits - after WWI</title><link>http://clipmarks.com/clipmark/285BE0E9-FBBF-46D7-8EC3-01D220E78801/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ruralart/"&gt;ruralart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  And we still can't get it right today.  Some things never change.  How sad that these folks who fight for their country - and other countries - can't get the benefits they deserve and were promised. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.smithsonianmag.com/history-archaeology/marching.html" title="http://www.smithsonianmag.com/history-archaeology/marching.html"&gt;www.smithsonianmag.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="five last" id="articleImage"&gt;&lt;A rel="gallery" href="#"&gt;&lt;IMG width="353" height="250" border="0" title="" alt="" src="http://media.smithsonianmag.com/images/army2_353.jpg" /&gt;
			    			    &lt;/A&gt;				&lt;P&gt;&lt;/P&gt;
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			&lt;DIV class=""&gt;
				&lt;UL class="cat-breadcrumb col three last"&gt;
					&lt;LI&gt;&lt;A href="http://www.smithsonianmag.com/history-archaeology"&gt;History &amp; Archaeology&lt;/A&gt;&lt;/LI&gt;
														&lt;/UL&gt;

				&lt;H2 id="articleTitle" class="clear-left"&gt;
				    				        Marching on History
				    				&lt;/H2&gt;

				&lt;P id="subHead"&gt;When a "Bonus Army" of World War I veterans converged on Washington in 1932 to demand a promised payment, MacArthur, Eisenhower and Patton were there to meet them&lt;/P&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The demonstrators were part of a growing delegation of veterans and their families heading to Washington to collect payment of the “bonus,” promised eight years before, in 1924, to soldiers who had served in the Great War. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the Bonus Army would help shape several figures who would soon assume larger roles on the world stage—including Douglas A. MacArthur, George S. Patton, Dwight D. Eisenhower and J. Edgar Hoover. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In 1932, nearly 32,000 businesses failed. Unemployment had soared to almost 25 percent, leaving roughly one family out of every four without a breadwinner. &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.smithsonianmag.com/history-archaeology/marching.html?page=2" title="http://www.smithsonianmag.com/history-archaeology/marching.html?page=2"&gt;www.smithsonianmag.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Six years after the end of World War I, Congress responded to vets’ demands that the nation fulfill promises to compensate them by passing a bill granting “adjusted service compensation” to veterans of that war. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/veterans/" rel="tag"&gt;veterans&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/wwi/" rel="tag"&gt;wwi&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/depression/" rel="tag"&gt;depression&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/great+war/" rel="tag"&gt;great war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.smithsonianmag.com/history-archaeology/marching.html</clipSource><pubDate>Tue, 30 Oct 2007 00:04:29 GMT</pubDate></item></channel></rss>