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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | ouyangwulong's Reading And Writing collection</title><link>http://clipmarks.com/clipper/ouyangwulong/clipcast/Reading+And+Writing/</link><feedUrl>http://rss.clipmarks.com/clipper/ouyangwulong/clipcast/Reading+And+Writing/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Subjective Reality and Autobiographical Fiction</title><link>http://clipmarks.com/clipmark/2F6053BE-BCBD-4CBD-8574-A3D384379D5D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ouyangwulong/"&gt;ouyangwulong&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  People are still getting worked up over this? Dare I call them gullible?&lt;br/&gt;&lt;br/&gt;I mean, normally when I read an autobiography where the author claims to have been raised by a pack of wolves I chuckle to myslef and presume that some obscure sense of humor is at work.&lt;br/&gt;&lt;br/&gt;I mean, seriously, how was ANYONE fooled into thinking this story was real? Apparently it's gonna be an awkward Rosh Ha-Shanah at the Defonseca household, that is, of course, if they don't just skip it. &lt;img src="http://clipmarks.com/images/icons/smilies/wink.gif" alt="" /&gt;&lt;br/&gt;&lt;br/&gt;Still, back in the 60s and 70s the work of Hunter Thompson was considered JOURNALISM. &lt;br/&gt;&lt;br/&gt;Is it safe to say that the public has moved towards a naive objectivism, presuming that all that is printed as fact must be true, and that we have lost touch with the subjective nature of human experience?&lt;br/&gt;&lt;br/&gt;I hope we get this spasm under control in time to save the beautiful subjective art of Literature! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.iht.com/articles/2008/03/07/opinion/edalmond.php" title="http://www.iht.com/articles/2008/03/07/opinion/edalmond.php"&gt;www.iht.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="headline"&gt;Liar, liar, best-seller on fire&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;If this plot line sounds familiar, that's because it is. Last week, Misha Defonseca revealed that she made up her critically lauded memoir, "Misha: A Memoire of the Holocaust Years." It turns out, she did not live with a pack of wolves. She did not wander Europe searching for her parents. She is not Jewish.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/fact/" rel="tag"&gt;fact&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fiction/" rel="tag"&gt;fiction&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/lies/" rel="tag"&gt;lies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/holocaust/" rel="tag"&gt;holocaust&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/wolves/" rel="tag"&gt;wolves&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rosh+ha-shanah/" rel="tag"&gt;rosh ha-shanah&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/misha+defonseca/" rel="tag"&gt;misha defonseca&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/subjectivism/" rel="tag"&gt;subjectivism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/hunter+thompson/" rel="tag"&gt;hunter thompson&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.iht.com/articles/2008/03/07/opinion/edalmond.php</clipSource><pubDate>Sun, 09 Mar 2008 03:39:45 GMT</pubDate></item><item><title>The Vice of Reading Diversified</title><link>http://clipmarks.com/clipmark/3159613F-1B51-45E9-80D9-622AC7B7180D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ouyangwulong/"&gt;ouyangwulong&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  What this author only hints at, and the NEA overlooks entirely, is that literacy and the processing of information in text format has been radically transformed by modern communication.&lt;br/&gt;&lt;br/&gt;For instance, when I was young people dispaired that the art of letter writing and written expression would disappear entirely. On the contrary, with email, blogging, and other assorted media, we are as a society writing more than ever before.&lt;br/&gt;&lt;br/&gt;And it's not just the privileged and educated who get to read and write. Writing has become a daily habit for billions of people around the world, and one of the most egalitarian ways of communicating in the developing world.&lt;br/&gt;&lt;br/&gt;And the NEA also fails to appreciate that the way we live our lives has been altered by how we process information. The line between reading for pleasure, reading for work, reading for education, and reading for spirituality is now hopelessly, and wonderfully blurred. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2007/12/23/books/review/Price-t.html?ex=1356066000&amp;en=5d8b9f757b6b6296&amp;ei=5088&amp;partner=rssnyt&amp;emc=rss" title="http://www.nytimes.com/2007/12/23/books/review/Price-t.html?ex=1356066000&amp;en=5d8b9f757b6b6296&amp;ei=5088&amp;partner=rssnyt&amp;emc=rss"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
&lt;NYT_HEADLINE _moz-userdefined="" type=" " version="1.0"&gt;
You Are What You Read
&lt;/NYT_HEADLINE&gt;
&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ouyangwulong/512/D3B44963-2DA2-4593-B60F-F1ED8CA1E137.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Last month, the &lt;A title="More articles about National Endowment for The Arts" href="http://topics.nytimes.com/top/reference/timestopics/organizations/n/national_endowment_for_the_arts/index.html?inline=nyt-org" linkindex="49"&gt;National Endowment for the Arts&lt;/A&gt; lengthened that list. “To Read or Not to Read,” its 2007 report on American reading habits, identifies who reads as the best predictor of who exercises, plays sports, volunteers, votes and stays out of jail. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Paradoxically, though, the N.E.A. shuns the literal workplace — and, by extension, any use of literacy for something other than disinterested pleasure. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Its 2004 report, “Reading at Risk,” excluded not just nonfiction (giving credit for “The Da Vinci Code” but not “The Decline and Fall of the Roman Empire”), but also reading done “for work or school.” &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2007/12/23/books/review/Price-t.html?pagewanted=2&amp;ei=5088&amp;en=5d8b9f757b6b6296&amp;ex=1356066000&amp;partner=rssnyt&amp;emc=rss" title="http://www.nytimes.com/2007/12/23/books/review/Price-t.html?pagewanted=2&amp;ei=5088&amp;en=5d8b9f757b6b6296&amp;ex=1356066000&amp;partner=rssnyt&amp;emc=rss"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It’s harder to remember that mind-blowing literary experience isn’t the only thing the written word is good for. That all-time best seller, the Bible, fits nowhere within the survey’s neat division between “reading for literary experience,” “reading for information” and “reading to perform a task.” Nor does pornography.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/reading/" rel="tag"&gt;reading&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/pleasure/" rel="tag"&gt;pleasure&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/intelligence/" rel="tag"&gt;intelligence&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/education/" rel="tag"&gt;education&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/modernity/" rel="tag"&gt;modernity&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2007/12/23/books/review/Price-t.html?ex=1356066000&amp;en=5d8b9f757b6b6296&amp;ei=5088&amp;partner=rssnyt&amp;emc=rss</clipSource><pubDate>Sun, 23 Dec 2007 04:57:36 GMT</pubDate></item><item><title>You Darkness, from which I came</title><link>http://clipmarks.com/clipmark/CD18C9FC-F229-4A04-AADA-2566E9E0CA82/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ouyangwulong/"&gt;ouyangwulong&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  You Darkness, from which I came,&lt;br/&gt;I love you more than all the Flames,&lt;br/&gt;Limiting the World,&lt;br/&gt;by shining&lt;br/&gt;all around us, (?)&lt;br/&gt;so that no one knows of the darkness.&lt;br/&gt;&lt;br/&gt;But the darkness actually holds everything:&lt;br/&gt;Form and Flame, Animals and me,&lt;br/&gt;How easily it gathers them, (?)&lt;br/&gt;Men and Might -&lt;br/&gt;&lt;br/&gt;And it is possible: a great Power&lt;br/&gt;is coming closer.&lt;br/&gt;&lt;br/&gt;I believe in Nights.&lt;br/&gt;&lt;br/&gt;***&lt;br/&gt;by Ranier Maria Rilke&lt;br/&gt;(My own terrible German translation...) &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://rainer-maria-rilke.de/05a011dudunkelheit.html" title="http://rainer-maria-rilke.de/05a011dudunkelheit.html"&gt;rainer-maria-rilke.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Du Dunkelheit, aus der ich stamme, &lt;BR /&gt;ich liebe dich mehr als die Flamme, &lt;BR /&gt;&lt;DIV&gt;welche die Welt begrenzt, &lt;/DIV&gt;&lt;BR /&gt;indem sie glänzt &lt;BR /&gt;für irgend einen Kreis, &lt;BR /&gt;&lt;DIV&gt;aus dem heraus kein Wesen von ihr weiß. &lt;/DIV&gt;&lt;BR /&gt;Aber die Dunkelheit hält alles an sich: &lt;BR /&gt;Gestalten und Flammen, Tiere und mich, &lt;BR /&gt;wie sie's errafft, &lt;BR /&gt;&lt;DIV&gt;Menschen und Mächte - &lt;/DIV&gt;&lt;BR /&gt;Und es kann sein: eine große Kraft &lt;BR /&gt;&lt;DIV&gt;rührt sich in meiner Nachbarschaft. &lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;Ich glaube an Nächte. &lt;/DIV&gt;&lt;BR /&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;BR /&gt;Rainer Maria Rilke, 22.9.1899, Berlin-Schmargendorf &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/rilke/" rel="tag"&gt;rilke&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/poetry/" rel="tag"&gt;poetry&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/darkness/" rel="tag"&gt;darkness&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/night/" rel="tag"&gt;night&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://rainer-maria-rilke.de/05a011dudunkelheit.html</clipSource><pubDate>Wed, 19 Dec 2007 12:38:24 GMT</pubDate></item><item><title>A Literary Perspective on the Subjective Nature of Memory</title><link>http://clipmarks.com/clipmark/DDD98971-59DB-428F-8B07-F360D041BA22/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ouyangwulong/"&gt;ouyangwulong&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I am consistently impressed with Hungarian literature, and the language is moving up my "Must Learn" list.&lt;br/&gt;&lt;br/&gt;Nadas Peter seems like a particularly relevant novelist today, in an era where facts, and even recent history are extraordinarily maliable. The most amazing part is the way in which the "free" press has been not only complacent but complicit in these revisions.&lt;br/&gt;&lt;br/&gt;More than any time in the recent passed, these days we need to be reminded that human beings are not inheriently empirical creatures. Emotions and perceptions; desires and frustarations; these are the key architects of our collective memories. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2007/11/01/books/01nadas.html?_r=1&amp;ex=1352091600&amp;en=4f8aa008dd108bb9&amp;ei=5088&amp;partner=rssnyt&amp;emc=rss&amp;oref=slogin" title="http://www.nytimes.com/2007/11/01/books/01nadas.html?_r=1&amp;ex=1352091600&amp;en=4f8aa008dd108bb9&amp;ei=5088&amp;partner=rssnyt&amp;emc=rss&amp;oref=slogin"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;NYT_HEADLINE _moz-userdefined="" type=" " version="1.0"&gt;
A Writer Who Always Sees History in the Present Tense
&lt;/NYT_HEADLINE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ouyangwulong/512/79567B2E-CCD9-4705-9D85-BCA94B150795.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;From Spain recently came news of a proposal by the government to erase all physical signs of the Franco dictatorship, as if by getting rid of the plaques and statues and street names from the old regime the country could rectify and obliterate a past it has preferred not to linger over.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Americans tend to be amnesiacs. Europeans, however, worry history, and no writer in Europe today has dealt more eloquently with the obligations and moral conundrums of memory, private and collective, than the Hungarian novelist and essayist Peter Nadas. Berlin, it happens, is where he came years ago to work on what turned into “A Book of Memories,” which, when the Hungarian censors finally consented in 1986 to let it be published, invited comparison to Proust and Thomas Mann, and caused Susan Sontag, after its translation into English 11 years later, to call it “the greatest novel written in our time, and one of the great books of the century.” &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/hungary/" rel="tag"&gt;hungary&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/hungarian+literature/" rel="tag"&gt;hungarian literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/memory/" rel="tag"&gt;memory&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2007/11/01/books/01nadas.html?_r=1&amp;ex=1352091600&amp;en=4f8aa008dd108bb9&amp;ei=5088&amp;partner=rssnyt&amp;emc=rss&amp;oref=slogin</clipSource><pubDate>Tue, 06 Nov 2007 18:38:17 GMT</pubDate></item><item><title>The Orthodox Patriarch visits Greenland</title><link>http://clipmarks.com/clipmark/AB4131E7-3B7A-4E5E-8665-87C2DFD8CEAC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ouyangwulong/"&gt;ouyangwulong&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Neal Ascherson writes with clear but contemplative prose about the surreal beauty of Greenland as it comes in contact with the surreal union of Religion and Science.&lt;br/&gt;&lt;br/&gt;An interesting look into the ideas of the much-overlooked Orthodox Christian Churches on the issues of global politics and the environment. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.lrb.co.uk/v29/n20/asch01_.html" title="http://www.lrb.co.uk/v29/n20/asch01_.html"&gt;www.lrb.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
Diary&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Neal Ascherson   &lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Below the crowd, I leaned against the granite sides of the rock, hearing only the occasional phrase of what was being said on the summit, staring at the hillsides red and green with the dwarfish growth of Arctic summer. His All Holiness Bartholomew I, ecumenical patriarch of Constantinople and spiritual head of the Orthodox Churches of the world, had come to Greenland on his seventh Symposium voyage, repeating his call to humanity to respect and rescue natural creation. These voyages are organised by the Athens-based group Religion, Science and the Environment and bring together marine biologists, ecologists, politicians and representatives of all faiths. Each Symposium visits some of the threatened waters of the world, gathers the experience of local and indigenous people and debates the planet’s future.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/environment/" rel="tag"&gt;environment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.lrb.co.uk/v29/n20/asch01_.html</clipSource><pubDate>Tue, 30 Oct 2007 06:49:52 GMT</pubDate></item><item><title>A Beautiful Elegy for the Buddhas of Bamyan</title><link>http://clipmarks.com/clipmark/D71151AD-6879-4036-A319-2308CA6E123A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ouyangwulong/"&gt;ouyangwulong&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Cohen is perhaps the most eloquent writer in the opinion pages of the International Herald Tribune. This is perhaps the most genuine and insightful appraisal of the War on Terror that I have seen to date. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.iht.com/articles/2007/10/28/opinion/edcohen.php?WT.mc_id=rssopinion" title="http://www.iht.com/articles/2007/10/28/opinion/edcohen.php?WT.mc_id=rssopinion"&gt;www.iht.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The Cold War ended, only to be replaced by the explosive conflict of secular and theocratic worlds. What began here in March, 2001, has spread. The Taliban are back, sort of, seeping across the Pakistani border in a campaign fed by an Internet-borne jihadist message. The Web is a force multiplier for any guerrilla movement.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This was the Afghan burning of the books. The Nazis burned Brecht. The Taliban, then sheltering Osama bin Laden, bombarded the "un-Islamic" Buddhas. The burning presaged war. The destruction presaged 9/11: two Buddhas, two towers.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Heinrich Heine noted that "When they burn books, they will, in the end, burn human beings." When Buddhas buckle, people will be crushed.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Memory, however, is another matter. It is stubborn and volatile and hard to eradicate. The keyhole-like niches in the rock face are charged. Absence is presence. The visitor is drawn into the void as if summoned, not by vacancy, but by the towering Buddhas themselves.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/afghanistan/" rel="tag"&gt;afghanistan&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bamyan/" rel="tag"&gt;bamyan&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/taliban/" rel="tag"&gt;taliban&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/buddhas/" rel="tag"&gt;buddhas&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.iht.com/articles/2007/10/28/opinion/edcohen.php?WT.mc_id=rssopinion</clipSource><pubDate>Mon, 29 Oct 2007 16:45:14 GMT</pubDate></item></channel></rss>