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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | ouyangwulong's Looking collection</title><link>http://clipmarks.com/clipper/ouyangwulong/clipcast/Looking/</link><feedUrl>http://rss.clipmarks.com/clipper/ouyangwulong/clipcast/Looking/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>On Architecture and Elegance</title><link>http://clipmarks.com/clipmark/12D3BFFE-601B-4E13-97EE-B0F7C7A6EC91/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;[Maillart's] bridge is endowed with a subcategory of beauty we can refer to as elegance, a quality present whenever a work of architecture succeeds in carrying out an act of resistance—holding, spanning, sheltering—with grace and economy as well as strength; when it has the modesty not to draw attention to the difficulties it has surmounted.&lt;/blockquote&gt; From philosophical historian Alain de Botton's inimitable &lt;i&gt;The Architecture of Happiness&lt;/i&gt;, itself a paradigmatic illustration of the aesthetic elegance of well-engineered minimalism (be it architectural or textual).&lt;br/&gt;&lt;br/&gt;The &lt;a href="http://www.nybooks.com/articles/19971" rel="nofollow" target="_blank"&gt;NYRB's synopsis&lt;/a&gt; of de Botton's work makes note of this:&lt;blockquote&gt;The simplicity of his writing is not the product of a simple mind....&lt;br/&gt;&lt;br/&gt;In &lt;i&gt;The Consolations of Philosophy&lt;/i&gt; (2000) he remarked that "there are...no legitimate reasons why books in the humanities should be difficult or boring; wisdom does not require a specialized vocabulary or syntax."&lt;/blockquote&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.joelonsoftware.com/items/2006/12/15.html" title="http://www.joelonsoftware.com/items/2006/12/15.html"&gt;www.joelonsoftware.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Both Robert Maillart’s Salginatobel and Isambard Brunel’s Clifton Suspension bridges are structures of strength; both attract our veneration for carrying us safely across a fatal drop—and yet Maillart’s bridge is the more beautiful of the pair for the exceptionally nimble, apparently effortless way in which it carries out its duty.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;With its ponderous masonry and heavy steel chains, Brunel’s construction has something to it of a stocky middle-aged man who hoists his trousers and loudly solicits the attention of others before making a jump between two points&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bristoljpg.co.uk/2004/suspension-bridge.htm" title="http://www.bristoljpg.co.uk/2004/suspension-bridge.htm"&gt;www.bristoljpg.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/E852FC66-03F3-4817-BD96-920E2F1686CF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.joelonsoftware.com/items/2006/12/15.html" title="http://www.joelonsoftware.com/items/2006/12/15.html"&gt;www.joelonsoftware.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;whereas Maillart’s bridge resembles a lithe athlete who leaps without ceremony and bows demurely to his audience before leaving the stage.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.greatbuildings.com/gbc/images/cid_aj2192_b.jpg" title="http://www.greatbuildings.com/gbc/images/cid_aj2192_b.jpg"&gt;www.greatbuildings.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/FE02863F-8C2A-49F8-97EE-A71F493BC0FB.jpg" alt="http://www.greatbuildings.com/gbc/images/cid_aj2192_b.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.joelonsoftware.com/items/2006/12/15.html" title="http://www.joelonsoftware.com/items/2006/12/15.html"&gt;www.joelonsoftware.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Both bridges accomplish daring feats, but Maillart’s possesses the added virtue of making its achievement look effortless—and because we sense it isn’t, we wonder at it and admire it all the more.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/architecture/" rel="tag"&gt;architecture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/elegance/" rel="tag"&gt;elegance&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bridges/" rel="tag"&gt;bridges&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bulidings/" rel="tag"&gt;bulidings&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/beauty/" rel="tag"&gt;beauty&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/engineering/" rel="tag"&gt;engineering&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/design/" rel="tag"&gt;design&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/simplicity/" rel="tag"&gt;simplicity&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.joelonsoftware.com/items/2006/12/15.html</clipSource><pubDate>Sat, 29 Dec 2007 04:58:35 GMT</pubDate></item><item><title>Beetle Dissected, Artfully</title><link>http://clipmarks.com/clipmark/7F14B071-538C-4D8B-9260-84E5342EBDD7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.livescience.com/researchinaction/ria-071214.html" title="http://www.livescience.com/researchinaction/ria-071214.html"&gt;www.livescience.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/wildcat/512/251710A7-12BD-4124-A742-145C23995797.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="MsoNormal"&gt;
Julie Rauer, an artist based in New York city, crafted this
watercolor painting based on observations of beetle parts – mandibles, wing
covers, antennae, legs and complete lyre beetles – in the collection of the
American Museum of Natural History.&lt;SPAN&gt;  &lt;/SPAN&gt;
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="MsoNormal"&gt;
Titled &lt;EM&gt;Coleoptera
Polis&lt;/EM&gt;, the image evokes images the artist compares to a gothic cityscape.&lt;SPAN&gt;  &lt;/SPAN&gt;
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="MsoNormal"&gt;
This image was submitted as part of the 2007 International
Science &amp; Engineering Visualization Challenge, an effort jointly
administered by the National Science Foundation and the journal Science.&lt;SPAN&gt;  &lt;/SPAN&gt;Winners from the SciViz challenges can be
seen at: &lt;A href="http://www.nsf.gov/news/special_reports/scivis/index.jsp"&gt;http://www.nsf.gov/news/special_reports/scivis/index.jsp&lt;/A&gt;.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/research/" rel="tag"&gt;research&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/beetle/" rel="tag"&gt;beetle&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.livescience.com/researchinaction/ria-071214.html</clipSource><pubDate>Sat, 15 Dec 2007 11:09:56 GMT</pubDate></item><item><title>Baghdad museum's slow recovery</title><link>http://clipmarks.com/clipmark/9D1C8E4A-7C56-4347-8F63-18236DE23C9F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/1/hi/world/middle_east/7144701.stm" title="http://news.bbc.co.uk/1/hi/world/middle_east/7144701.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The Assyrian Hall at the Iraqi National Museum is breathtaking&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;	
		&lt;TABLE width="203" cellspacing="0" cellpadding="0" border="0" align="right"&gt;
			&lt;TBODY&gt;&lt;TR&gt;&lt;TD&gt;
			&lt;DIV&gt;
				&lt;IMG width="203" vspace="0" hspace="0" height="152" border="0" alt="Assyrian statue" src="http://newsimg.bbc.co.uk/media/images/44301000/jpg/_44301724_face_203.jpg" /&gt;
				&lt;DIV class="cap"&gt;The Assyrians once ruled a large empire&lt;/DIV&gt;
			&lt;/DIV&gt;
			&lt;/TD&gt;&lt;/TR&gt;
		&lt;/TBODY&gt;&lt;/TABLE&gt;
		
	

	

Stone panels from the royal palace at Khorsabad run along the walls.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;The carvings on the friezes depict daily life in the Assyrian royal court, which at its height about 3,000 years ago controlled a region stretching across much of the modern Middle East.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/F69F7E53-B0B8-4652-96DD-41EA71609336.jpg" alt="Assyrian statue" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;Recent work in the hall has included the addition of a modern arch, which is flanked by ancient 
bulls with eagle wings and human heads.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;It forms the entrance to
 the hall, which gives you the sense of walking into an Assyrian palace.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;Perhaps the Assyrian gallery is so stunning because it is so unexpected in Baghdad.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;	
		&lt;TABLE width="203" cellspacing="0" cellpadding="0" border="0" align="right"&gt;
			&lt;TBODY&gt;&lt;TR&gt;&lt;TD&gt;
			&lt;DIV&gt;
				&lt;IMG width="203" vspace="0" hspace="0" height="152" border="0" alt="Assyrian hall at Iraqi National Museum in Baghdad" src="http://newsimg.bbc.co.uk/media/images/44301000/jpg/_44301725_hall2_203.jpg" /&gt;
				&lt;DIV class="cap"&gt;Many of Iraq's ancient treasures have been looted since 2003&lt;/DIV&gt;
			&lt;/DIV&gt;
			&lt;/TD&gt;&lt;/TR&gt;
		&lt;/TBODY&gt;&lt;/TABLE&gt;
		
	

	

That collection was devastated in the days following the US-led invasion in 2003, when looters emptied the vaults.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;Some important artefacts have been returned, including the Warka vase, which is over 5,000 years old.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/5AB875D5-4B00-4107-9E2A-E2729E884B65.jpg" alt="Assyrian frieze at Iraqi National Museum" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;Iraqis are fiercely proud of their cultural heritage.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://news.bbc.co.uk/1/hi/world/middle_east/7144701.stm</clipSource><pubDate>Sat, 15 Dec 2007 08:02:30 GMT</pubDate></item><item><title>GIANT Crystals! </title><link>http://clipmarks.com/clipmark/62BD638B-7484-4F87-9B5E-E0877D7BF973/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ouyangwulong/"&gt;ouyangwulong&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Uh, yeah, I know, it's a stupid title and I normally have something more cerebral to say, but this is just plain cool.&lt;br/&gt;&lt;br/&gt;I wonder what could possibly explain my fascination with these crystals? &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.nationalgeographic.com/news/2007/04/photogalleries/giant-crystals-cave/index.html" title="http://news.nationalgeographic.com/news/2007/04/photogalleries/giant-crystals-cave/index.html"&gt;news.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="newsTitle"&gt;Giant Crystal Cave Comes to Light&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ouyangwulong/512/F01AF26A-E381-438F-87B6-BDCDB965B606.jpg" alt="Pictures of Giant Crystal Cave, Naica, Mexico: Mine" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
In the new issue of the journal &lt;I&gt;Geology, &lt;/I&gt;García-Ruiz reports that for millennia the crystals thrived in the cave's extremely rare and stable natural environment. Temperatures hovered consistently around a steamy 136 degrees Fahrenheit (58 degrees Celsius), and the cave was filled with mineral-rich water that drove the crystals' growth.
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.nationalgeographic.com/news/2007/04/photogalleries/giant-crystals-cave/photo2.html" title="http://news.nationalgeographic.com/news/2007/04/photogalleries/giant-crystals-cave/photo2.html"&gt;news.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ouyangwulong/512/4EDD5A8C-8BFC-450C-A94E-5901050E7676.jpg" alt="Pictures of Giant Crystal Cave, Naica, Mexico: Mine" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/giant/" rel="tag"&gt;giant&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/crystals/" rel="tag"&gt;crystals&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/big/" rel="tag"&gt;big&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/huge/" rel="tag"&gt;huge&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/enormous/" rel="tag"&gt;enormous&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/phalus%3f/" rel="tag"&gt;phalus?&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://news.nationalgeographic.com/news/2007/04/photogalleries/giant-crystals-cave/index.html</clipSource><pubDate>Thu, 13 Dec 2007 15:55:02 GMT</pubDate></item><item><title>A poem.</title><link>http://clipmarks.com/clipmark/614462B3-E887-46BA-9795-61ADACA35424/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  the poem is here thanx to Jorge Luis Borges.&lt;br/&gt;the anticipation of Love is here because of human's desire.&lt;br/&gt;the Gangas river delta is here 10x to Aribeth clip..-)&lt;br/&gt;Our Earth as Art is a site with views on earth through the eyes of the Landsat-7 satellite.&lt;br/&gt;&lt;br/&gt;Both-to my eyes- Lansat-7 and Borges are working from space ...... )) &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://nonbeing.blogspot.com/2006/04/anticipation-of-love.html" title="http://nonbeing.blogspot.com/2006/04/anticipation-of-love.html"&gt;nonbeing.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="post-title"&gt;
	 
	 anticipation of love
	 
    &lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="post-body"&gt;
	&lt;P&gt;
      &lt;/P&gt;&lt;DIV&gt;&lt;/DIV&gt;Neither the intimacy of your look, your brow fair as a feast day,&lt;BR /&gt;nor the favor of your body, still mysterious, reserved, and childlike,&lt;BR /&gt;nor what comes to me of your life, settling in words or silence,&lt;BR /&gt;will be so mysterious a gift&lt;BR /&gt;as the sight of your sleep, enfolded&lt;BR /&gt;in the vigil of my arms.&lt;BR /&gt;Virgin again, miraculously, by the absolving power of sleep,&lt;BR /&gt;quiet and luminous like some happy thing recovered by memory,&lt;BR /&gt;you will give me that shore of your life that you yourself do not own.&lt;BR /&gt;Cast up into silence&lt;BR /&gt;I shall discern that ultimate beach of your being&lt;BR /&gt;and see you for the first time, perhaps,&lt;BR /&gt;as God must see you --&lt;BR /&gt;the fiction of Time destroyed,&lt;BR /&gt;&lt;DIV&gt;free from love, from me. &lt;/DIV&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;SPAN&gt;Jorge Luis Borges&lt;/SPAN&gt;&lt;BR /&gt;&lt;SPAN&gt;(translated by Alastair Read)&lt;/SPAN&gt;&lt;DIV&gt;&lt;/DIV&gt;
    
    &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://earthasart.gsfc.nasa.gov/images/ganges_hires.jpg" title="http://earthasart.gsfc.nasa.gov/images/ganges_hires.jpg"&gt;earthasart.gsfc.nasa.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/33150C9A-2A6F-4F21-93DE-3763076F841F.jpg" alt="The image “http://earthasart.gsfc.nasa.gov/images/ganges_hires.jpg” cannot be displayed, because it contains errors." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://earthasart.gsfc.nasa.gov/ganges.html" title="http://earthasart.gsfc.nasa.gov/ganges.html"&gt;earthasart.gsfc.nasa.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; The Ganges River forms an extensive delta where it empties into the Bay of 
                  Bengal. The delta is largely covered with a swamp forest known 
                  as the Sunderbans, which is home to the Royal Bengal Tiger. 
                &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/a+poem/" rel="tag"&gt;a poem&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/jorge+luis+borges/" rel="tag"&gt;jorge luis borges&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/gangas+delta/" rel="tag"&gt;gangas delta&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/from+space/" rel="tag"&gt;from space&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://nonbeing.blogspot.com/2006/04/anticipation-of-love.html</clipSource><pubDate>Tue, 11 Dec 2007 09:25:42 GMT</pubDate></item><item><title>Marvelous Mysteries of Cartography</title><link>http://clipmarks.com/clipmark/0B8DAA85-D375-4337-BB57-59B07403F566/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ouyangwulong/"&gt;ouyangwulong&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  As a huge fan of Martin Waldseemuller, I'm glad to see his work in the news. Cartography used to be a really cool job, requiering research and interviews, and a healthy dose of speculation.&lt;br/&gt;&lt;br/&gt;The great thing is that history is so much more complex than the writing of it, and this map is a perfect example of that. Maps were very cloak and dagger stuff back in their day. Although the story comes down that Columbus discovered America and Balboa discovered the Pacific Ocean. But a clever sleuth could have figured out that there must have been something dividing the eastern coast of China from the eastern coast of the new continent. &lt;br/&gt;&lt;br/&gt;Also, there is the very sexy possibility that other unknown explorers had already made forays into the Pacific before Balboa got the credit.&lt;br/&gt;&lt;br/&gt;I think its great when history starts to sound like an Arturo Perez Reverte novel! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.nationalgeographic.com/news/2007/12/071204-map-picture.html" title="http://news.nationalgeographic.com/news/2007/12/071204-map-picture.html"&gt;news.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ouyangwulong/512/7DE67987-AB5A-4B00-A9F2-45604A0C0D8E.jpg" alt="1507 map" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
												
&lt;B&gt;December 4, 2007—&lt;/B&gt;As the U.S. Library of Congress readies the first map to use the name "America" for its public debut, some researchers are wondering where in the world the mapmaker got his information.

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

The world map, created by German cartographer Martin Waldseemüller in 1507, is the first document to show a separate Western Hemisphere and label the Pacific Ocean as its own body of water.
												




&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

Before he drew the document, Waldseemüller had pored over notes from explorers Christopher Columbus and Amerigo Vespucci, as well as other unknown Portuguese and Spanish sources, according to a statement from the Library of Congress.

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

But some scholars are confused as to how the mapmaker knew the Pacific Ocean existed years before explorers found it, and how he depicted South America so accurately.

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

"From the writings of Vespucci you couldn't have prepared [this] map," John Hebert, chief of the geography and map division at the library, told Reuters.

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/i'm+a+total+cartography+nerd/" rel="tag"&gt;i'm a total cartography nerd&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://news.nationalgeographic.com/news/2007/12/071204-map-picture.html</clipSource><pubDate>Thu, 06 Dec 2007 16:58:14 GMT</pubDate></item><item><title>French Atomic Bomb Test Photos from 1968</title><link>http://clipmarks.com/clipmark/A6F3D452-B82C-414E-9DE1-668027D870FB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Never-before-seen 40-year-old pictures of French atomic bomb tests have surfaced on the internet and they are simultaneously beautiful and terrifying. The epitome of historical human achievement and wanton destruction combined in one split-second.&lt;blockquote&gt;These are four scanned pictures of hardcopies I possess of the French nuclear test codenamed Canopus, which was fired on 24th August 1968 in the Fangataufa Atoll. The French army had those pictures taken on site.&lt;/blockquote&gt; Full-size links: &lt;a href="http://flickr.com/photo_zoom.gne?id=510672745&amp;amp;size=o&amp;amp;context=set-72157600253743362" rel="nofollow" target="_blank"&gt;1&lt;/a&gt;, &lt;a href="http://flickr.com/photo_zoom.gne?id=511103951&amp;amp;size=o&amp;amp;context=set-72157600253743362" rel="nofollow" target="_blank"&gt;2&lt;/a&gt;, &lt;a href="http://flickr.com/photo_zoom.gne?id=511234695&amp;amp;size=o&amp;amp;context=set-72157600253743362" rel="nofollow" target="_blank"&gt;3&lt;/a&gt;, &lt;a href="http://flickr.com/photo_zoom.gne?id=511287693&amp;amp;size=o&amp;amp;context=set-72157600253743362" rel="nofollow" target="_blank"&gt;4&lt;/a&gt;. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://flickr.com/photos/7969902@N07/510672745/in/set-72157600253743362/" title="http://flickr.com/photos/7969902@N07/510672745/in/set-72157600253743362/"&gt;flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/6473FB2F-642B-4BCB-8AB7-7A83587789B9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;This shot was taken in 1968 by the French army in the Fangataufa atoll. Codenamed Canopus, it yielded 2600 kt.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
Although this picture, like many of the series, is a work of the French Army (as far as I know) this is an original scan from a hardcopy I posess, and processed to remove dust and scratches.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
A strange view on such paradise-like landscapes.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://flickr.com/photos/7969902@N07/511103951/in/set-72157600253743362/" title="http://flickr.com/photos/7969902@N07/511103951/in/set-72157600253743362/"&gt;flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/154A6BFA-8C27-4CCB-A42A-FE3C024B4D57.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://flickr.com/photos/7969902@N07/511234695/in/set-72157600253743362/" title="http://flickr.com/photos/7969902@N07/511234695/in/set-72157600253743362/"&gt;flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/A5F8235B-FADD-4F97-BC39-53F021B41CB9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://flickr.com/photos/7969902@N07/511287693/in/set-72157600253743362/" title="http://flickr.com/photos/7969902@N07/511287693/in/set-72157600253743362/"&gt;flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/B958716A-A177-4290-9AFD-9DFA24B1FA63.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/bomb/" rel="tag"&gt;bomb&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/atomic/" rel="tag"&gt;atomic&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nuclear/" rel="tag"&gt;nuclear&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/blast/" rel="tag"&gt;blast&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mushroom/" rel="tag"&gt;mushroom&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cloud/" rel="tag"&gt;cloud&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/1968/" rel="tag"&gt;1968&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/french/" rel="tag"&gt;french&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/france/" rel="tag"&gt;france&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photos/" rel="tag"&gt;photos&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://flickr.com/photos/7969902@N07/510672745/in/set-72157600253743362/</clipSource><pubDate>Fri, 09 Nov 2007 03:28:58 GMT</pubDate></item><item><title>The Haunting Artistic Genius of Martin Ramirez</title><link>http://clipmarks.com/clipmark/D2F6CC49-AABD-4854-B0C9-535BC019785D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ouyangwulong/"&gt;ouyangwulong&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The second article is well worth reading in its entirety to see how Ramirez destabilizes our expectations and categorizations.&lt;br/&gt;&lt;br/&gt;He is a hauntingly phantasmagoria artist. He is visually accessible yet emotionally elusive. We can see the beauty in the world of his art, but it is mysterious. His art seems to have the melancholy peacefulness and yet haunting menace of De Chirico.&lt;br/&gt;&lt;br/&gt;The fact that a full 1/3rd of his oeuvre, representing his late style and artistic evolution have just recently been discovered is a staggering windfall. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.fleisher-ollmangallery.com/artists/artist16/mr-037.jpg" title="http://www.fleisher-ollmangallery.com/artists/artist16/mr-037.jpg"&gt;www.fleisher-ollmangallery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ouyangwulong/512/1FEC4614-CD6C-44B9-8CD3-BA4CFD9D21CB.jpg" alt="http://www.fleisher-ollmangallery.com/artists/artist16/mr-037.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.iht.com/articles/2007/11/01/arts/drawings.php?WT.mc_id=rssarts" title="http://www.iht.com/articles/2007/11/01/arts/drawings.php?WT.mc_id=rssarts"&gt;www.iht.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="headline"&gt;A cache of Martín Ramírez works is discovered&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;What Anderson saw were Ramírez's unmistakable subjects - horses and caballeros, trains, tunnels, ships, Madonnas - and the grand, repetitive lines that were his trademark. And what she found when she got to Dunievitz's house in Auburn was a cache of some 140 of the drawings, all from the last three years of Ramírez's life, many of them dated and most in great shape, despite lying in a garage for almost two decades.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://twi-ny.com/martinramirez2.jpg" title="http://twi-ny.com/martinramirez2.jpg"&gt;twi-ny.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ouyangwulong/512/5DFAB3F3-5F53-4CDC-B040-8B11053FE2C4.jpg" alt="The image “http://twi-ny.com/martinramirez2.jpg” cannot be displayed, because it contains errors." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2007/01/26/arts/design/26rami.html?_r=1&amp;oref=slogin" title="http://www.nytimes.com/2007/01/26/arts/design/26rami.html?_r=1&amp;oref=slogin"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Ramírez, who created the roughly 300 drawings that make up his known work between 1948 and 1963 while confined to a mental hospital in Northern California, is simply one of the greatest artists of the 20th century. He belongs to the group of accessible, irresistible genius draftsmen that includes Paul Klee, Saul Steinberg and Charles Schulz. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Whatever ideas about art you hold dear, expect them to be healthily destabilized here.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.petulloartcollection.org/data/artwork/ramirez-153-lg.jpg" title="http://www.petulloartcollection.org/data/artwork/ramirez-153-lg.jpg"&gt;www.petulloartcollection.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ouyangwulong/512/8FC5298C-FC91-421B-807F-9C299529256A.jpg" alt="http://www.petulloartcollection.org/data/artwork/ramirez-153-lg.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.renaissancesociety.org/site/files/media/3496/1_1975_folkart_7_ramirez_fantasy_city_n.jpg" title="http://www.renaissancesociety.org/site/files/media/3496/1_1975_folkart_7_ramirez_fantasy_city_n.jpg"&gt;www.renaissancesociety.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ouyangwulong/512/AF61BAFD-4DA7-4668-80C3-11295F0D7D80.jpg" alt="http://www.renaissancesociety.org/site/files/media/3496/1_1975_folkart_7_ramirez_fantasy_city_n.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.tfaoi.com/musimage/mnews393.jpg" title="http://www.tfaoi.com/musimage/mnews393.jpg"&gt;www.tfaoi.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ouyangwulong/512/D25501E9-1EE4-423F-9D5F-7D26D44B9C20.jpg" alt="The image “http://www.tfaoi.com/musimage/mnews393.jpg” cannot be displayed, because it contains errors." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://articulations.smithsonianmag.com/wp-content/uploads/2007/02/bandito.JPG" title="http://articulations.smithsonianmag.com/wp-content/uploads/2007/02/bandito.JPG"&gt;articulations.smithsonianmag.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ouyangwulong/512/554A662A-10A7-4953-9F32-9E2098DC2C3E.jpg" alt="http://articulations.smithsonianmag.com/wp-content/uploads/2007/02/bandito.JPG" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mexico/" rel="tag"&gt;mexico&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/martin+ramirez/" rel="tag"&gt;martin ramirez&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.fleisher-ollmangallery.com/artists/artist16/mr-037.jpg</clipSource><pubDate>Tue, 06 Nov 2007 04:51:44 GMT</pubDate></item><item><title>Historical Atlas with 4000 year map animation</title><link>http://clipmarks.com/clipmark/9EA1DBF7-0838-4510-AAAF-EFD4487BDEBD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/pokkets/"&gt;pokkets&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The Download is 2.6 MB and fairly easy to use &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.atlasofworldhistory.com/" title="http://www.atlasofworldhistory.com/"&gt;www.atlasofworldhistory.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="style6"&gt;Free historical atlas software for Windows 
PCs&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;
&lt;B&gt;&lt;FONT size="4" face="Arial"&gt;4000 year map animation shows change over time.&lt;BR /&gt;
Click nations on maps for history at that time and place.&lt;BR /&gt;
Africa, Asia, and Europe to the year 1000.&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor="#c0c0c0"&gt;&lt;tr&gt;&lt;TD width="50%" class="style10"&gt;
    &lt;P class="style7"&gt;&lt;FONT face="Arial"&gt;
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&lt;FONT size="2" face="Arial"&gt;Copyright © 2002-2007     
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Website updated:  November 4, 2007     
Software updated:  October 29, 2007&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/world/" rel="tag"&gt;world&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/atlas/" rel="tag"&gt;atlas&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/map/" rel="tag"&gt;map&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/animation/" rel="tag"&gt;animation&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.atlasofworldhistory.com/</clipSource><pubDate>Mon, 05 Nov 2007 08:22:31 GMT</pubDate></item><item><title>Architectual Interface between Modernity and Antiquity</title><link>http://clipmarks.com/clipmark/38AA4023-01AD-45C2-B785-EFADF87D0FA2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ouyangwulong/"&gt;ouyangwulong&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I think that the narative aspect of architecture is often overlooked. Here it is brought inescapably yet eloquently to life. There is a narrative in the reflection of the Parthenon in the glass of the new museum, the interplay between the ancient past and the approaching future. In both ancient cities and modern museums, we navigate history and culture, spatially arranged and physically enclosing us, and it is the architect who controls the course of this narrative. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.iht.com/articles/2007/10/29/arts/arch.php?WT.mc_id=rssarts" title="http://www.iht.com/articles/2007/10/29/arts/arch.php?WT.mc_id=rssarts"&gt;www.iht.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ouyangwulong/512/CDEE3919-2AD6-4249-ABF4-7D0CCD14A418.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;No sane architect, one can assume, would want to invite comparisons between his building and the Parthenon. So it comes as little surprise that the New Acropolis Museum, which stands at the foot of one of the great achievements of human history, is a quiet work, especially by the standards of its flamboyant Swiss-born architect, Bernard Tschumi.&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;But in mastering his ego, Tschumi pulled off an impressive accomplishment: a building that is both an enlightening meditation on the Parthenon and a mesmerizing work in its own right. I can't remember seeing a design that is so eloquent about another work of architecture.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;But by fusing sculpture, architecture and the ancient landscape into a forceful visual narrative, the New Acropolis Museum delivers a revelation that trumps the tired arguments and incessant flag waving by both sides. It's impossible to stand in the top-floor galleries, in full view of the Parthenon's ravaged, sun-bleached frame, without craving the marbles' return.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/athens/" rel="tag"&gt;athens&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/acropolis+museum/" rel="tag"&gt;acropolis museum&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/parthenon/" rel="tag"&gt;parthenon&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/modernity/" rel="tag"&gt;modernity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/antiquity/" rel="tag"&gt;antiquity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/architecture/" rel="tag"&gt;architecture&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.iht.com/articles/2007/10/29/arts/arch.php?WT.mc_id=rssarts</clipSource><pubDate>Tue, 30 Oct 2007 20:15:07 GMT</pubDate></item><item><title>The Fascinating Art of Altered Books </title><link>http://clipmarks.com/clipmark/A998B934-6F83-4C60-9A20-FA2442399808/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/BelindaManning/"&gt;BelindaManning&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  This is a site of some very intriguing art.&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://centripetalnotion.com/2007/09/13/13:26:26/" title="http://centripetalnotion.com/2007/09/13/13:26:26/"&gt;centripetalnotion.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/BelindaManning/512/EEC1D9E6-A027-4AF7-8168-B2E0168B7781.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/books/" rel="tag"&gt;books&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://centripetalnotion.com/2007/09/13/13:26:26/</clipSource><pubDate>Fri, 21 Sep 2007 04:29:49 GMT</pubDate></item><item><title>The most addictive website I have seen in a long ...</title><link>http://clipmarks.com/clipmark/5E7F9755-CECE-4027-A161-420F546FFEA9/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arifsali/"&gt;arifsali&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Besides Clipmarks that is ...&lt;br/&gt;This site is unbelievable, you just sit and stare. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://flickrvision.com/" title="http://flickrvision.com/"&gt;flickrvision.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/B3A3947D-1900-4AAE-8727-8F22888BF5E2.png" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/flickr/" rel="tag"&gt;flickr&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/pictures/" rel="tag"&gt;pictures&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/maps/" rel="tag"&gt;maps&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://flickrvision.com/</clipSource><pubDate>Sat, 19 May 2007 16:45:13 GMT</pubDate></item><item><title>Dark horse nomination for most beautiful beach in the world...</title><link>http://clipmarks.com/clipmark/DDC64B4E-23A8-4A90-9C35-B19A5B019DFB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ouyangwulong/"&gt;ouyangwulong&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Third Beach, La Push, Washington, USA&lt;br/&gt;&lt;br/&gt;Now this is what I call a beach! No sand. No palm trees. No sunshine. Pure restless brooding, shaped by the fierce creative energies bursting out of the natural world. It is a the beach of the soul, it is a mirror of the human condition. Among these rocks, I find the entire world, gestating, being carved anew. If you're on facebook you can check out more pictures... &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.facebook.com/photo.php?pid=221720&amp;id=838445569" title="http://www.facebook.com/photo.php?pid=221720&amp;id=838445569"&gt;www.facebook.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/ouyangwulong/512/BF4043C6-B9B5-48ED-8968-920EE7D941B2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/photogrphy/" rel="tag"&gt;photogrphy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/beaches/" rel="tag"&gt;beaches&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/la+push/" rel="tag"&gt;la push&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/olympic+penninsula/" rel="tag"&gt;olympic penninsula&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.facebook.com/photo.php?pid=221720&amp;id=838445569</clipSource><pubDate>Wed, 16 May 2007 08:23:40 GMT</pubDate></item></channel></rss>