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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | missmartini's Comments</title><link>http://clipmarks.com/clipper/missmartini/comments/sort/latest-comments/</link><feedUrl>http://rss.clipmarks.com/clipper/missmartini/comments/sort/latest-comments/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>A Return to the Cash &amp; Carry Economy</title><link>http://clipmarks.com/clipmark/C9666587-C7E3-4D29-8748-645349A722F0/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/missmartini/"&gt;missmartini&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Fascinating article in Slate. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.slate.com/id/2198942/" title="http://www.slate.com/id/2198942/"&gt;www.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;The Death of the Credit Card Economy&lt;SPAN class="h1_subhead"&gt;Car leases, student loans, no-money-down mortgages, and high credit limits are vanishing.&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The most revolutionary notion in commerce today is one of the oldest. If you want to buy something, you may actually have to pay for it. We are reverting from a "borrow and buy" economy to the "cash and carry" model of our grandparents.   &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/credit/" rel="tag"&gt;credit&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cash/" rel="tag"&gt;cash&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/economy/" rel="tag"&gt;economy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/money/" rel="tag"&gt;money&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/finance/" rel="tag"&gt;finance&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.slate.com/id/2198942/</clipSource><pubDate>Sun, 31 Aug 2008 00:05:48 GMT</pubDate></item><item><title>Audrey Hepburn Photo Gallery</title><link>http://clipmarks.com/clipmark/33075EAE-9E56-4896-ADE4-1D1F0C843F13/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/missmartini/"&gt;missmartini&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Style inspiration. I love her. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.audreyhepburn.com/html/gallery/photo17.html" title="http://www.audreyhepburn.com/html/gallery/photo17.html"&gt;www.audreyhepburn.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/missmartini/512/32D4B009-C337-4574-838D-092634483A75.gif" alt="Audrey Hepburn" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/missmartini/512/2C3371C9-ABB6-4A1C-B85C-6341B295498B.gif" alt="Photo Gallery" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/missmartini/512/4F750A53-A74F-45EE-9714-CD4FE9DB0B7F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/audrey+hepburn/" rel="tag"&gt;audrey hepburn&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/gallery/" rel="tag"&gt;gallery&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photos/" rel="tag"&gt;photos&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.audreyhepburn.com/html/gallery/photo17.html</clipSource><pubDate>Thu, 28 Aug 2008 06:06:51 GMT</pubDate></item><item><title>Hospitals deporting immigrants</title><link>http://clipmarks.com/clipmark/45623D0B-AB41-4900-AAA8-C8090DBD7C54/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/missmartini/"&gt;missmartini&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  This just reminds of a video they have in LA of a hospital dropping off a woman at the homeless shelter because she did not have health insure. She was still in her hospital gown &amp;amp; they just dropped her off on the corner in downtown LA. Something is really wrong with our health care system. Seriously seriously wrong. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/08/03/us/03deport.html?_r=1&amp;adxnnl=1&amp;oref=slogin&amp;adxnnlx=1217786436-A0NmR6WJBht/JP/bPHrphA" title="http://www.nytimes.com/2008/08/03/us/03deport.html?_r=1&amp;adxnnl=1&amp;oref=slogin&amp;adxnnlx=1217786436-A0NmR6WJBht/JP/bPHrphA"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;NYT_HEADLINE _moz-userdefined="" type=" " version="1.0"&gt;
Immigrants Facing Deportation by U.S. Hospitals
&lt;/NYT_HEADLINE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;JOLOMCÚ, &lt;A title="More news and information about Guatemala." href="http://topics.nytimes.com/top/news/international/countriesandterritories/guatemala/index.html?inline=nyt-geo"&gt;Guatemala&lt;/A&gt; — High in the hills of Guatemala, shut inside the one-room house where he spends day and night on a twin bed beneath a seriously outdated calendar, Luis Alberto Jiménez has no idea of the legal battle that swirls around him in the lowlands of Florida. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Mr. Jiménez’s benchmark case exposes a little-known but apparently widespread practice. Many American &lt;A title="Recent and archival health news about hospitals." href="http://topics.nytimes.com/top/news/health/diseasesconditionsandhealthtopics/hospitals/index.html?inline=nyt-classifier"&gt;hospitals&lt;/A&gt; are taking it upon themselves to repatriate seriously injured or ill immigrants because they cannot find &lt;A title="Recent and archival health news about nursing homes." href="http://topics.nytimes.com/top/news/health/diseasesconditionsandhealthtopics/nursing_homes/index.html?inline=nyt-classifier"&gt;nursing homes&lt;/A&gt; willing to accept them without insurance. &lt;A title="Recent and archival health news about Medicaid." href="http://topics.nytimes.com/top/news/health/diseasesconditionsandhealthtopics/medicaid/index.html?inline=nyt-classifier"&gt;Medicaid&lt;/A&gt; does not cover long-term care for illegal immigrants, or for newly arrived legal immigrants, creating a quandary for hospitals, which are obligated by federal regulation to arrange post-hospital care for patients who need it.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/missmartini/512/5BFF6C19-D826-49D6-BF43-7B54D654CF0F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/healthcare/" rel="tag"&gt;healthcare&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/health/" rel="tag"&gt;health&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/hospitals/" rel="tag"&gt;hospitals&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/deportation/" rel="tag"&gt;deportation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/immigrants/" rel="tag"&gt;immigrants&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2008/08/03/us/03deport.html?_r=1&amp;adxnnl=1&amp;oref=slogin&amp;adxnnlx=1217786436-A0NmR6WJBht/JP/bPHrphA</clipSource><pubDate>Sun, 03 Aug 2008 19:05:36 GMT</pubDate></item><item><title>Where are these troops going to come from?</title><link>http://clipmarks.com/clipmark/4587D40B-48B8-45ED-98EE-B637364854BA/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/missmartini/"&gt;missmartini&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Yeah. Shocking - we don't have enough troops ; the troops in Fort Bragg live in a literal cess pool ; there is not enough health care (physical or mental) for the troops coming back ; enlistment is down (even though I've heard otherwise) - yes, there is a problem and we are already over-working the troops in Iraq &amp;amp; Afganistan and in turn, destroying families. I don't get it and this just pisses me off.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.slate.com/id/2190661/?from=rss" title="http://www.slate.com/id/2190661/?from=rss"&gt;www.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;The Army's Math Problem&lt;SPAN class="h1_subhead"&gt;We don't have any more soldiers to send to Afghanistan unless we take some out of Iraq.&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/missmartini/512/007D00C4-FB0E-4142-AD2D-A71C7B5F62C7.jpg" alt="Robert Gates. Click image to expand." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Secretary of Defense Robert Gates wants to send 7,000 more U.S. troops—about two brigades—to Afghanistan, according to the &lt;A target="_blank" href="http://www.nytimes.com/2008/05/03/world/asia/03military.html?scp=1&amp;sq=%22Pentagon+considers+adding+forces+in+Afghanistan%22&amp;st=nyt"&gt;May 3 &lt;EM&gt;New York Times&lt;/EM&gt;&lt;/A&gt;. But there's a problem, which the story underplays: We don't have any more troops to send. The Army is in a zero-sum state: No more soldiers can be sent to Afghanistan without a one-for-one reduction of soldiers in Iraq.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Let's look at the numbers.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/iraq/" rel="tag"&gt;iraq&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/increase/" rel="tag"&gt;increase&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/troops/" rel="tag"&gt;troops&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/afganistan/" rel="tag"&gt;afganistan&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/slate/" rel="tag"&gt;slate&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.slate.com/id/2190661/?from=rss</clipSource><pubDate>Tue, 06 May 2008 00:09:22 GMT</pubDate></item><item><title>The Cans Festival - check it out if you are in London</title><link>http://clipmarks.com/clipmark/23B7B9B4-645D-4514-829F-7137A634DE4B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/missmartini/"&gt;missmartini&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I read about this a couple of days ago and thought I would look it up. How could would it be to witness this? My brother used to do a lot of graffiti art when he was younger and now is getting back into it. When I was in San Diego last, we went and checked out a park that is set aside for graffiti artists. It was pretty amazing some of the stuff out there. Better to have the kids hanging out there then getting arrested or getting into other kinds of trouble. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thecansfestival.com/" title="http://www.thecansfestival.com/"&gt;www.thecansfestival.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/missmartini/512/08AFA0A5-EB6E-4897-B079-DD9FEB10353E.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/missmartini/512/33195235-6DA5-4A91-BB23-DF868548AB39.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/missmartini/512/1AF41704-9033-41F3-8D65-7CEA489C96B3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/missmartini/512/3B6AEFC0-8D00-4FA7-9422-F219F6908916.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/missmartini/512/06585DD9-E0DA-4D28-8EB9-0CCFF9D17154.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/graffiti/" rel="tag"&gt;graffiti&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cans/" rel="tag"&gt;cans&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/festival/" rel="tag"&gt;festival&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/london/" rel="tag"&gt;london&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/2008/" rel="tag"&gt;2008&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.thecansfestival.com/</clipSource><pubDate>Mon, 05 May 2008 02:38:32 GMT</pubDate></item><item><title>The Anasazi mystery</title><link>http://clipmarks.com/clipmark/0D3E0BA7-4C57-44F3-B288-8DAD802E3138/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/04/08/science/08anasazi.html?_r=2&amp;8dpc&amp;oref=slogin&amp;oref=slogin" title="http://www.nytimes.com/2008/04/08/science/08anasazi.html?_r=2&amp;8dpc&amp;oref=slogin&amp;oref=slogin"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/3BFC662E-20FB-4A59-80BE-82DAA75CF119.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;about 30 miles east of Tucson, the ancient stone ruin archaeologists call the Davis Ranch Site doesn’t seem to fit in. Staring back from the opposite bank, the tumbled walls of Reeve Ruin are just as surprising&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Some 700 years ago, as part of a vast migration, a people called the Anasazi, driven by God knows what, wandered from the north to form settlements like these, stamping  the land  with their own unique style&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/04/07/science/040808Anasazi_index.html" title="http://www.nytimes.com/slideshow/2008/04/07/science/040808Anasazi_index.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/972DDA8D-4058-4AAD-B5F7-E7609E451A14.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/04/07/science/040808Anasazi_2.html" title="http://www.nytimes.com/slideshow/2008/04/07/science/040808Anasazi_2.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/5C2FD9C3-E8EC-49F3-BD16-06E1CB2EF1F4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/04/08/science/08anasazi.html?_r=2&amp;8dpc&amp;oref=slogin&amp;oref=slogin" title="http://www.nytimes.com/2008/04/08/science/08anasazi.html?_r=2&amp;8dpc&amp;oref=slogin&amp;oref=slogin"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;These Anasazi newcomers&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;were distinctive in other ways. They liked to build with stone&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/0984F93E-6B18-45BC-978E-B02C10869849.jpg" alt="The Mystery of the Anasazi" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Why, in the late 13th century, did thousands of Anasazi abandon Kayenta, Mesa Verde and the other magnificent settlements of the Colorado Plateau and move south into Arizona and New Mexico?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Looking beyond &lt;A title="Recent and archival news about global warming." href="http://topics.nytimes.com/top/news/science/topics/globalwarming/index.html?inline=nyt-classifier"&gt;climate change&lt;/A&gt;, some archaeologists are studying the effects of warfare and the increasing complexity of Anasazi society. They are looking deeper into ancient artifacts and finding hints of an ideological struggle, clues to what was going through the Anasazi mind. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/04/07/science/040808Anasazi_3.html" title="http://www.nytimes.com/slideshow/2008/04/07/science/040808Anasazi_3.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/C537A5CD-FAC3-4BF0-A697-AF7E324D9E82.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/04/07/science/040808Anasazi_4.html" title="http://www.nytimes.com/slideshow/2008/04/07/science/040808Anasazi_4.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/5AEC3B68-4F73-4695-968D-B4A44425162E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2008/04/07/science/040808Anasazi_5.html" title="http://www.nytimes.com/slideshow/2008/04/07/science/040808Anasazi_5.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/F7E74677-C7F2-41AD-952B-1E450C70C840.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2008/04/08/science/08anasazi.html?_r=2&amp;8dpc&amp;oref=slogin&amp;oref=slogin</clipSource><pubDate>Tue, 08 Apr 2008 19:32:01 GMT</pubDate></item><item><title>The meaning of the eyeglass push-up</title><link>http://clipmarks.com/clipmark/C4B64BD7-17EA-4735-9A12-737D15305AD1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/missmartini/"&gt;missmartini&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I pretty much do the Clark Kent way - method number 3.  It's easy and efficient. I don't know, I also think it looks pretty nerdy but that's just me. I'm a nerd.  I found this site using Stumbleupon and now I think I am hooked! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ironicsans.com/2008/04/eyeglasses_and_the_pushing_up.html" title="http://www.ironicsans.com/2008/04/eyeglasses_and_the_pushing_up.html"&gt;www.ironicsans.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="entry-header"&gt;Eyeglasses and the pushing up thereof&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/missmartini/512/D93AFB33-95DE-4112-B756-8DCC345944A3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/missmartini/512/2C82FD29-C115-4DA0-AC7B-C442DB5DC78B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/missmartini/512/CC516A32-5138-4A13-981E-255024054287.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;I’ve noticed lately that there seem to be &lt;S&gt;three&lt;/S&gt; four distinct ways that people push up their glasses, and yet not a single study has been done about this. “10 Things You Can Tell About Your Man By How He Pushes Up His Glasses” seems like a perfect headline for a women’s magazine in the supermarket checkout line, and yet nobody is doing this important research. So here’s an overview:&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/ironicsans/" rel="tag"&gt;ironicsans&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/david+friedman/" rel="tag"&gt;david friedman&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/eyeglasses/" rel="tag"&gt;eyeglasses&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/adjusting/" rel="tag"&gt;adjusting&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/meaning/" rel="tag"&gt;meaning&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.ironicsans.com/2008/04/eyeglasses_and_the_pushing_up.html</clipSource><pubDate>Tue, 08 Apr 2008 17:22:52 GMT</pubDate></item><item><title>Eric Heuvel's "The Search"</title><link>http://clipmarks.com/clipmark/57326FE4-3C72-46F6-AA7F-53FB7EB940B5/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/missmartini/"&gt;missmartini&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I want to order this graphic novel for our library. I think, that it will present the Holocaust in another medium that some students will find more accessible, similar to how they viewed the 9/11 report graphic novel.  &lt;br/&gt;I am actually having trouble finding out where to order it so maybe someone out there can help with that.  &lt;br/&gt;It is an interesting review in the NYT and also another interesting example of how the graphic novel is changing. Though, I do questions some things like the graphic novel version of Beowulf or the Odyssey but maybe it's not that much different from the abridged children's version of the Iliad or Alice In Wonderland.&lt;br/&gt;I am also fascinated by the fact that it is considered a textbook. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/02/27/books/27holocaust.html?pagewanted=1&amp;ei=5088&amp;en=1a6d9948425bac54&amp;ex=1361768400&amp;partner=rssnyt&amp;emc=rss" title="http://www.nytimes.com/2008/02/27/books/27holocaust.html?pagewanted=1&amp;ei=5088&amp;en=1a6d9948425bac54&amp;ex=1361768400&amp;partner=rssnyt&amp;emc=rss"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;NYT_HEADLINE _moz-userdefined="" type=" " version="1.0"&gt;
No Laughs, No Thrills, and Villains All Too Real
&lt;/NYT_HEADLINE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/missmartini/512/6E728F25-E7AB-4682-8370-56DDC24716DD.jpg" alt="An Excerpt from an English Translation" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Among other things, the book, building on the obvious precedent of Art Spiegelman's "Maus," shows how far comics have come as a cultural medium taken seriously here, but also that the Holocaust has come a long way too, as a topic to be freshly considered by a new generation of German teenagers.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/02/27/books/27holocaust.html?pagewanted=2&amp;ei=5088&amp;en=1a6d9948425bac54&amp;ex=1361768400&amp;partner=rssnyt&amp;emc=rss" title="http://www.nytimes.com/2008/02/27/books/27holocaust.html?pagewanted=2&amp;ei=5088&amp;en=1a6d9948425bac54&amp;ex=1361768400&amp;partner=rssnyt&amp;emc=rss"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The visual style of “The Search” is clear, simple, pastel-colored, in a classic Belgian-Franco comic tradition. “Less is more,” Mr. Heuvel, the artist, said in a recent telephone conversation, acknowledging that he pilfered liberally from Tintin’s inventor, Hergé. “We spent endless hours making sure that the Nazi costumes were kept to a minimum because boys can glorify these things.”&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;She added: “More and more young German students do too. They are sensitive to the idea that the subject is not just about Germans and Jews. It’s about people and life.” &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/graphic+novel/" rel="tag"&gt;graphic novel&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/germany/" rel="tag"&gt;germany&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/holocaust/" rel="tag"&gt;holocaust&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/eric+heuvel/" rel="tag"&gt;eric heuvel&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/%22the+search%22/" rel="tag"&gt;"the search"&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nyt/" rel="tag"&gt;nyt&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2008/02/27/books/27holocaust.html?pagewanted=1&amp;ei=5088&amp;en=1a6d9948425bac54&amp;ex=1361768400&amp;partner=rssnyt&amp;emc=rss</clipSource><pubDate>Fri, 29 Feb 2008 17:27:33 GMT</pubDate></item><item><title>Daniel Pink interviews Thomas Friedman</title><link>http://clipmarks.com/clipmark/6E3B536E-54F4-42C4-B084-A9F6AC38B621/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/missmartini/"&gt;missmartini&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Yesterday, Alan November visited the school and held a workshop.  He talked about global learning and how students need to be prepared for the future and need a world view.  He discussed ways to incorporate web tools so that students can use these tools in a new context, not just a social one.  At one point, he talked about Thomas Friedman's books and that triggered Daniel Pink in my head.  Then Karl Fisch posted this link on his blog, The Fischbowl. I thought it would be a good one to share. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.aasa.org/publications/saarticledetail.cfm?ItemNumber=9736&amp;snItemNumber=950&amp;tnItemNumber=" title="http://www.aasa.org/publications/saarticledetail.cfm?ItemNumber=9736&amp;snItemNumber=950&amp;tnItemNumber="&gt;www.aasa.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="articletitle"&gt;Tom Friedman on Education in the ‘Flat World’&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/missmartini/512/879B3C4C-09CD-4E96-9BDA-72435BF84E62.jpg" alt="The School Administrator" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="titlesub"&gt;A discussion with author Daniel Pink on curiosity, passion and the politics of school reform in the global marketplace&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;We sent Daniel Pink — himself the author of another best-selling book that’s been embraced by educators, &lt;I&gt;A Whole New Mind&lt;/I&gt; — to talk with Friedman in his office at the &lt;I&gt;Times&lt;/I&gt;’ Washington bureau. What followed was a wide-ranging conversation about schools, parents, mash-ups, horizontal thinking and the value of “yes, but” teaching.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/education/" rel="tag"&gt;education&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/global+learning/" rel="tag"&gt;global learning&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/interview/" rel="tag"&gt;interview&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/school+administrator/" rel="tag"&gt;school administrator&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.aasa.org/publications/saarticledetail.cfm?ItemNumber=9736&amp;snItemNumber=950&amp;tnItemNumber=</clipSource><pubDate>Tue, 05 Feb 2008 17:15:10 GMT</pubDate></item></channel></rss>