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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | mickfinn's 'art' clips</title><link>http://clipmarks.com/clipper/mickfinn/tag/art/</link><feedUrl>http://rss.clipmarks.com/clipper/mickfinn/tag/art/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Art and the Bible</title><link>http://clipmarks.com/clipmark/F4D08DFB-777B-4E46-BCBE-806BF15A7CDF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artbible.info/art/large/357.html" title="http://www.artbible.info/art/large/357.html"&gt;www.artbible.info&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/206200A6-99E3-43D6-88CD-297C0C312CA0.jpg" alt="Pieter Bruegel the Elder: The Preaching of St. John" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;Pieter Bruegel the Elder&lt;/STRONG&gt; ca. 1520 – 1569&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="werktitel"&gt;The Preaching of St. John&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Museum of Fine Arts, Budapest&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Bruegel would often use biblical themes to depict village-life as he knew it. This is another fine example. The viewer’s attention is first drawn to the figures in the foreground, then to the river in the background and only then to John the Baptist, wearing a garment of camel hair. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The painting was created when the Iconoclast raged in the Low Countries and Protestant clergymen were touring the country, stopping in places to call for Reformation. This painting may have been inspired by one such meeting.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/16thc+renaissance+art/" rel="tag"&gt;16thc renaissance art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.artbible.info/art/large/357.html</clipSource><pubDate>Tue, 08 Apr 2008 02:45:15 GMT</pubDate></item><item><title>Art of the Doomed.</title><link>http://clipmarks.com/clipmark/B61FDB3B-AEAE-4892-B39D-D63ED89C2E5D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Many of the artists of these clipped works perished in the camps of the Nazis. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.english.uiuc.edu/maps/holocaust/art.htm" title="http://www.english.uiuc.edu/maps/holocaust/art.htm"&gt;www.english.uiuc.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/2D31B94B-5CC1-4DE4-B565-AB48B8875DED.jpg" alt="sowers.jpg (32577 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;The Sowers &lt;/EM&gt;by Thomas Hart Benton, 1942&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/9AC1582F-CCAA-444B-9B7C-5075F4DBD622.jpg" alt="threesome.jpg (93394 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Threesome&lt;/EM&gt; (1944), by Felix Nussbaum (1904-1944)&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/94F9A9A6-D7CD-4090-A9E2-47F017D30045.gif" alt="children.gif (19554 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Children as well as adults documented events of the Holocaust through art&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/316FC833-224D-45E7-9B79-BD3FAA94A41A.jpg" alt="laufen.jpg (26091 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Laufen&lt;/EM&gt; (undated), by Josef Nassy (1904-1976), a Black expatriate
    of Jewish descent &lt;BR /&gt;
    who was one of 2,000 internees with American passports held prisoner in &lt;BR /&gt;
    Germany during WWII&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/87BE2515-ADF5-49E7-BD4C-818F92360A62.gif" alt="lurie.gif (28636 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;1942. Esther Lurie&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;described here new deportees arriving&lt;BR /&gt;
    in the ghetto&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/CF626CE2-D825-435B-838F-3AA2D6E22BBC.gif" alt="olere.gif (139619 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Unable to Work&lt;/EM&gt; by David Olère&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Inability to work was often an immediate death sentence&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/3CEC18BF-7EAA-4286-92D3-D3B1FC2370E1.jpg" alt="nussbaum.jpg (75075 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;By Felix Nussbaum. Born in 1904, he died at Auschwitz in 1944&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/2CDD70A9-0DEF-44CB-A853-6FCABC345AAF.gif" alt="food.gif (150313 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The Food of the Dead for the Living&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/13DCF98B-7122-47D8-988F-9112E69B4DC7.gif" alt="carpi.gif (23126 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Jews in the Hospital&lt;/EM&gt;, by Aldo Carpi, 1945&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/2AECA680-064F-4A03-A136-0CDE9A1ED484.gif" alt="forcedlabor.gif (27351 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SMALL&gt;"&lt;EM&gt;Forced Labor - Building a Tunnel&lt;/EM&gt;" by David Olere, 1945.
    &lt;BR /&gt;
    Given severely limited food rations, prisoners&lt;BR /&gt;
    were exploited in hard labor, such as the digging&lt;BR /&gt;
    of a tunnel, depicted here in watercolor and&lt;BR /&gt;
    charcoal. Those unable to work were killed.&lt;BR /&gt;
    &lt;A target="_blank" href="http://motlc.wiesenthal.com/gallery/pg17/pg3/pg17359.html"&gt;Online
    Source&lt;/A&gt;&lt;/SMALL&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/5ED4FD68-8E60-4E28-A5A6-7B2809F7D968.gif" alt="horen.gif (101872 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Kommando&lt;/EM&gt;, by Fernand Van Horen&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a Belgian survivor &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/0A2CEC93-358F-4470-A583-A91CAD2F6EFE.gif" alt="horen2.gif (75233 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Normal Life in Flossenburg&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/B823348A-C713-41F1-89CE-3FC7832535B3.gif" alt="drawing.gif (22572 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/A182CCE7-3649-4F96-ADA4-0695F0710AF0.gif" alt="gassing.gif (168399 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Gassing&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/779BD9CA-AD35-4865-A163-FE7BDB6800E4.jpg" alt="cans.jpg (52796 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Zyclon B cans"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/4853675E-FCBD-47D8-9DCA-40AB9E04FCF8.jpg" alt="chamber.jpg (64842 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/674C2E5C-18CB-4C58-B78F-9F7F59E00585.gif" alt="convoy.gif (139184 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Arrival of a Convoy&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/153918A0-4D82-4AF2-87BB-F254DED09AC0.jpg" alt="shoes.jpg (61229 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/0B6FCB09-8A5E-4343-882D-4D828D5E4F44.gif" alt="olere2.gif (69718 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/84EC13A7-EAA4-4197-A39E-997703CAD4B8.jpg" alt="bacon.jpg (17046 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/C79FF6C0-48F6-44F4-95B9-980926B0A6A5.jpg" alt="konigsgraben.jpg (112711 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/holocaust+art/" rel="tag"&gt;holocaust art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.english.uiuc.edu/maps/holocaust/art.htm</clipSource><pubDate>Tue, 08 Apr 2008 01:42:06 GMT</pubDate></item><item><title>Dark Art</title><link>http://clipmarks.com/clipmark/76E8C300-6767-401A-98CA-3A9562FC28F0/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Rizpah (‘coal’; ‘hot stone’) was the daughter of Aiah and one of Saul's concubines. &lt;br/&gt;&lt;br/&gt;"A famine, which lasted for three years, fell upon the land during the first half of King David's reign. This calamity was sent ‘for Saul and for his bloody house, because he slew the Gibeonites.’ David inquired of them what satisfaction they demanded and was answered that nothing would compensate for the wrong Saul had done but the death of seven of Saul's sons. David accordingly delivered up the two sons of Rizpah and five sons of Merab, Saul's daughter. The Gibeonites put them to death and hung up their bodies at the sanctuary at Gibeah. Rizpah thereupon took her place on the rock of Gibeah, and for five months watched the suspended bodies of her children, to prevent them from being devoured by beasts and birds of prey, till they were at length taken down and buried by David."&lt;br/&gt;&lt;br/&gt;Edited extract from 'Easton's Bible Dictionary'&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://commons.wikimedia.org/w/index.php?title=Image:Rizpah_painting.jpg&amp;oldid=10410721" title="http://commons.wikimedia.org/w/index.php?title=Image:Rizpah_painting.jpg&amp;oldid=10410721"&gt;commons.wikimedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/FAE4CEB1-BA74-4540-8AC7-505E5EDF4D59.jpg" alt="Image:Rizpah painting.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://commons.wikimedia.org/w/index.php?title=Image:Rizpah_painting.jpg&amp;oldid=10410721</clipSource><pubDate>Sun, 23 Mar 2008 18:03:47 GMT</pubDate></item><item><title>Vintage Posters</title><link>http://clipmarks.com/clipmark/99B0D628-74CA-4228-BE54-423CE885ED2B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A small sample from the secret collection of the late screenwriter Leonard Schrader. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=13" title="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=13"&gt;www.vanityfair.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/5A09F11B-A8DD-43F6-9EC7-E7DC2B631F27.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=15" title="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=15"&gt;www.vanityfair.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/5FB40CB6-4162-4FDC-93A3-56F07F0E2A5D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=18" title="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=18"&gt;www.vanityfair.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/9F53F76E-026B-4CFF-800F-12203DBD275C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=22" title="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=22"&gt;www.vanityfair.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/13900FEC-4782-41E9-BABF-7844523E52EC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=23" title="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=23"&gt;www.vanityfair.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/4993366E-154C-4EF3-883C-A91910E45D91.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=25" title="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=25"&gt;www.vanityfair.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/ED6CF62E-158B-4DB4-8EB6-1BE8C7DD8A79.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=26" title="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=26"&gt;www.vanityfair.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/58E70ADF-6A10-47FE-97CE-B3ABC986D3AA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=28" title="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=28"&gt;www.vanityfair.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/8CC3FCBF-1E59-4DEF-9B31-CB1AA60E7453.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=31" title="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=31"&gt;www.vanityfair.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/0C53A8AA-31D7-48F7-9183-1FE486633B90.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=32" title="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=32"&gt;www.vanityfair.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/1A856D79-8849-4865-A8BC-A1D38295FD3F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=35" title="http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=35"&gt;www.vanityfair.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/CFCAB6F7-0755-4606-AD1E-C24CB8676B80.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/cinema+promotional+art/" rel="tag"&gt;cinema promotional art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.vanityfair.com/culture/features/2008/02/lobbycards_slideshow200802?slide=13</clipSource><pubDate>Fri, 15 Feb 2008 08:12:04 GMT</pubDate></item><item><title>Haeckel's "Art Forms in Nature" (1899) on the web</title><link>http://clipmarks.com/clipmark/1CD48449-D43A-42E0-B599-6E56A696E850/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  An incredible collection of illustrations of strange and beautiful shapes taken from nature: microscopic organisms, fungi, sea animals, etc. Hard to describe, but worth a look.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/natur.html" title="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/natur.html"&gt;caliban.mpiz-koeln.mpg.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TABLE border="0"&gt;

&lt;TBODY&gt;&lt;TR&gt;

&lt;TD&gt;
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_002.html"&gt;
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&lt;/TD&gt;&lt;TD&gt;
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_019.html"&gt;
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&lt;/TD&gt;&lt;TD&gt;
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_023.html"&gt;
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&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_020.html"&gt;
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&lt;/TD&gt;&lt;TD&gt;
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_031.html"&gt;
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&lt;TD&gt;
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_017.html"&gt;
&lt;IMG border="0" src="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/icons/Tafel_017_icon.jpg" /&gt;&lt;/A&gt;

&lt;/TD&gt;&lt;TD colspan="3" rowspan="2"&gt;
&lt;CENTER&gt;
&lt;H1&gt;Ernst Haeckel:&lt;BR /&gt;
Kunstformen der Natur&lt;BR /&gt;
1899-1904&lt;/H1&gt;&lt;BR /&gt;
HTML-Version herausgegeben von 
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/stueber.html"&gt;
Kurt Stüber&lt;/A&gt;, 1999&lt;BR /&gt;
&lt;P&gt;
Vollständige elektronische
Faksimile-Ausgabe.
&lt;/P&gt;&lt;P&gt;
&lt;/P&gt;&lt;H1&gt;
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/liste.html"&gt;
Index aller 100 Tafeln&lt;/A&gt;&lt;/H1&gt;
Dieses Buch ist ein Teil von&lt;BR /&gt; 
Kurt Stübers&lt;BR /&gt;&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/stueber_library.html"&gt;online-Library&lt;/A&gt;.


&lt;/CENTER&gt;
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&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_008.html"&gt;
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&lt;TD&gt;
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_064.html"&gt;
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&lt;/TD&gt;&lt;TD&gt;
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_048.html"&gt;
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&lt;TD&gt;
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_047.html"&gt;
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&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_077.html"&gt;
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&lt;/TD&gt;&lt;TD&gt;
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_085.html"&gt;
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&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_078.html"&gt;
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&lt;/TD&gt;&lt;TD&gt;
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_053.html"&gt;
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&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/random_sh!t/" rel="tag"&gt;random_sh!t&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cool/" rel="tag"&gt;cool&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/image/" rel="tag"&gt;image&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/natur.html</clipSource><pubDate>Tue, 12 Feb 2008 06:06:33 GMT</pubDate></item><item><title>Viktor Schreckengost</title><link>http://clipmarks.com/clipmark/2162B688-73B6-4ABE-AD3F-511F35DE4977/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Vicktor Schreckengost (1906-2008) died on January 26, 2008 at age 101.&lt;br/&gt;Schreckengost taught industrial design at the Cleveland Institute of Art (CIA) for more than 50 years, and was a professor emeritus at CIA until his death. He was also the youngest faculty member ever at CIA (then known as the Cleveland School of the Arts). He founded CIA's school of industrial design, the first of its kind in the country. He also enlisted in the Navy at age 37 to help the Allies in World War II. He was flown on secret missions to Europe where he used his modeling knowledge to help improve the radar used in the Battle of the Bulge. Later he helped design prosthetics for wounded soldiers. He retired from the Naval Reserves as a Captain. Schreckengost was also good friends with Cleveland's famed safety director Eliot Ness. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost1.htm" title="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost1.htm"&gt;www.cia.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Born the son of a commercial potter in Sebring, Ohio, &lt;A class="bodyLinks" target="_blank" href="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost-bio.pdf"&gt;Viktor Schreckengost&lt;/A&gt; learned the craft of sculpting in clay from his father&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Upon graduation in 1929, he studied ceramics in Vienna, Austria, where he began to build a reputation, not only for his art, but also as a jazz saxophonist&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;New Yorker, or The Jazz Bowl, about 1930&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The original Jazz Bowl was made for Eleanor Roosevelt&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/9B1D30C9-AE94-481C-ADC9-6AD41A520D7F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost2.htm" title="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost2.htm"&gt;www.cia.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;American Limoges Manhattan Shape Meerschaum Pattern (working model), 1935&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/C8C4A313-AB10-430C-BCA8-324AAE6496FA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost3.htm" title="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost3.htm"&gt;www.cia.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Jeddu, 1931&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;A clay head, based on a photograph taken by a friend in Africa&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/ED97BC05-0958-4797-955A-3F91B74AA1E6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost4.htm" title="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost4.htm"&gt;www.cia.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Murray Mercury bicycle, first issued 1939&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/383B92D4-40DA-4E6B-A7A3-DF7D6087CFB7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost5.htm" title="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost5.htm"&gt;www.cia.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Apocalypse '42, 1942&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Death is represented by the figure in a German uniform&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/6E399323-0DC5-4ABA-B511-7013EE48D58E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost6.htm" title="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost6.htm"&gt;www.cia.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;1950. One of Viktor's slab form vessels&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/8EF5918A-3141-4278-BF8C-8C9AF92325A3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost7.htm" title="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost7.htm"&gt;www.cia.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Naama, 1939&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/087CC90A-1A7B-4C9E-ACE4-47C90BBF9503.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost8.htm" title="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost8.htm"&gt;www.cia.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Mammoths and Mastodons, 1956&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/4B34BEB2-6538-40DD-AD83-2024CB395542.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost9.htm" title="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost9.htm"&gt;www.cia.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Blue Revel, 1931&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;This painting was inspired by a visit to the Globe Theater&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/973F1983-3988-4EA3-AFFB-97385B7985E0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost10.htm" title="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost10.htm"&gt;www.cia.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;New York Buildings, Blue Background, 1997&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/43B9A679-3C9F-481D-AA98-70DFF06C2C39.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost11.htm" title="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost11.htm"&gt;www.cia.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Champion Child's Pedal Car, first issued 1938&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/54BE1A31-6575-4B36-A8A0-20A5917F7ACF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost12.htm" title="http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost12.htm"&gt;www.cia.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Sketch and advertisement of the cab-over-engine truck design for White Motors&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/A6972AEB-868E-403F-8BFD-3E3B134C0602.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/D122A878-13DE-433F-A24F-6656FBD944CE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art+of+viktor+schreckengost/" rel="tag"&gt;art of viktor schreckengost&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.cia.edu/alumnigallery/alumni/viktor-schreckengost/viktor-schreckengost1.htm</clipSource><pubDate>Mon, 04 Feb 2008 02:50:03 GMT</pubDate></item><item><title>Paula Rego: art, power and Woman</title><link>http://clipmarks.com/clipmark/55223504-051D-45B2-80D4-0E635AF0DEB0/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  My favourite living painter. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://agualisa6.blogs.sapo.pt/380537.html" title="http://agualisa6.blogs.sapo.pt/380537.html"&gt;agualisa6.blogs.sapo.pt&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/00A6E140-5AF9-4410-B887-E4E519A63A77.jpg" alt="0020trsb" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.tate.org.uk/servlet/ViewWork?cgroupid=999999961&amp;searchid=5786&amp;tabview=image&amp;workid=17349" title="http://www.tate.org.uk/servlet/ViewWork?cgroupid=999999961&amp;searchid=5786&amp;tabview=image&amp;workid=17349"&gt;www.tate.org.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/B7BD28ED-448C-4FC9-80D6-93A56B2D0951.jpg" alt="Paula Rego The Dance 1988" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.royalacademy.org.uk/ra-magazine/autumn2006/autumn2006preview/dark-matter,10,RAMA.html" title="http://www.royalacademy.org.uk/ra-magazine/autumn2006/autumn2006preview/dark-matter,10,RAMA.html"&gt;www.royalacademy.org.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/DD36ACBA-1850-4240-93AA-B8D0FC1AD9BE.jpg" alt="null" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.gov.im/artscouncil/Image.gov?id=10010" title="http://www.gov.im/artscouncil/Image.gov?id=10010"&gt;www.gov.im&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/1B7AA5E1-39F1-4EAD-94B7-CDCA5EA36B1B.jpg" alt="6.1 Little Miss Muffet, Paula Rego " /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artnet.com/artwork/424754796/707/paula-rego-broken-promises.html" title="http://www.artnet.com/artwork/424754796/707/paula-rego-broken-promises.html"&gt;www.artnet.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/F52BDC40-6DB9-4CE6-BE00-14173A14A803.jpg" alt="Paula Rego, Broken Promises" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artnet.com/artwork/424534931/424303357/paula-rego-the-maids.html" title="http://www.artnet.com/artwork/424534931/424303357/paula-rego-the-maids.html"&gt;www.artnet.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/0C6D60B0-012D-404F-931A-8BBEC2F28BEC.jpg" alt="Paula Rego, The Maids" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artfacts.net/index.php/pageType/artworkInfo/artworkID/3462/lang/1" title="http://www.artfacts.net/index.php/pageType/artworkInfo/artworkID/3462/lang/1"&gt;www.artfacts.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/359DA0E3-C7E7-43C2-89B1-7C5306068539.jpg" alt="Paula Rego Acrylic on canvas backed paper, 213 x 213 cm" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliophilicblogger.blogspot.com/2007/09/paula-rego-o-vinho.html" title="http://bibliophilicblogger.blogspot.com/2007/09/paula-rego-o-vinho.html"&gt;bibliophilicblogger.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/65DB9A11-226B-4BB3-B1D5-38FA5B3ED80D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://blogoexisto.blogspot.com/2004_07_01_archive.html" title="http://blogoexisto.blogspot.com/2004_07_01_archive.html"&gt;blogoexisto.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/277E7B98-7AAA-44CD-8A36-A5F0FA9BDDF3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://nomundodosmuseus.wordpress.com/2007/01/05/triptico-de-paula-rego-no-camjap/" title="http://nomundodosmuseus.wordpress.com/2007/01/05/triptico-de-paula-rego-no-camjap/"&gt;nomundodosmuseus.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/27C8D755-F51D-478A-9103-D07F8B0FEAEC.jpg" alt="paula-rego-three-blin-mice-1990.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://alentejanando.weblog.com.pt/arquivo/254900.html" title="http://alentejanando.weblog.com.pt/arquivo/254900.html"&gt;alentejanando.weblog.com.pt&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/597A0ADE-26C7-4FE3-8F53-CCC9BC801EBE.jpg" alt="Paula Rego.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://criticomusical.blogspot.com/2005/12/natal.html" title="http://criticomusical.blogspot.com/2005/12/natal.html"&gt;criticomusical.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/5D8F1E42-A72B-4F15-8DFF-198071BFB6E8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.storm-magazine.com/novodb/arqmais.php?id=335&amp;sec=&amp;secn=" title="http://www.storm-magazine.com/novodb/arqmais.php?id=335&amp;sec=&amp;secn="&gt;www.storm-magazine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/58CED0E9-0548-43C1-997F-52CE3FAD6E77.gif" alt="Paula Rego," /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://lenarte.wordpress.com/2007/01/29/paula-rego-2/" title="http://lenarte.wordpress.com/2007/01/29/paula-rego-2/"&gt;lenarte.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/5E2AE604-6BC4-46DF-A018-85F03B241977.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artnet.com/magazine_pre2000/features/cohen/rego05.asp" title="http://www.artnet.com/magazine_pre2000/features/cohen/rego05.asp"&gt;www.artnet.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/14C43FC9-AAF7-4FE0-BE54-6DDBDCFE18A2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/paula+rego/" rel="tag"&gt;paula rego&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://agualisa6.blogs.sapo.pt/380537.html</clipSource><pubDate>Thu, 31 Jan 2008 09:31:21 GMT</pubDate></item><item><title>London Transport - Classic advertising art</title><link>http://clipmarks.com/clipmark/42DE6081-32E7-43CE-8FA7-3B66A235F78A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.rennart.co.uk/moholy.html" title="http://www.rennart.co.uk/moholy.html"&gt;www.rennart.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+3" face="Helvetica"&gt;London Transport poster
by Laszlo Moholy Nagy 1937&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/E95CEA52-BC1B-443C-90D7-8A55DD6AD4B8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;&lt;FONT face="Helvetica"&gt;This remarkable poster is one of
three posters designed by Moholy Nagy for&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;

&lt;P&gt;&lt;B&gt;&lt;FONT face="Helvetica"&gt;London Transport&lt;/FONT&gt;&lt;/B&gt; &lt;B&gt;&lt;FONT face="Helvetica"&gt;during his brief stay in England between 1935
and 1937.&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;

&lt;P&gt;&lt;B&gt;&lt;FONT face="Helvetica"&gt;It was commissioned by Frank Pick&lt;/FONT&gt;&lt;/B&gt;
&lt;B&gt;&lt;FONT face="Helvetica"&gt;at London Transport.&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;

&lt;P&gt;&lt;B&gt;&lt;FONT face="Helvetica"&gt;Frank Pick was the guiding intelligence
behind the creation of the world's&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;

&lt;P&gt;&lt;B&gt;&lt;FONT face="Helvetica"&gt;first integrated&lt;/FONT&gt;&lt;/B&gt; &lt;B&gt;&lt;FONT face="Helvetica"&gt;transport system and gave the system a visual
coherence&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;

&lt;P&gt;&lt;B&gt;&lt;FONT face="Helvetica"&gt;through his interest in architecture,&lt;/FONT&gt;&lt;/B&gt;
&lt;B&gt;&lt;FONT face="Helvetica"&gt;industrial design, poster art and typography.&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;&lt;FONT face="Helvetica"&gt;Pick was introduced to Moholy through
Ashley Havinden at the Crawford&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;

&lt;P&gt;&lt;B&gt;&lt;FONT face="Helvetica"&gt;advertsing agency.&lt;/FONT&gt;&lt;/B&gt; &lt;B&gt;&lt;FONT face="Helvetica"&gt;Havinden had worked in Germany during the 1920s
where&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;

&lt;P&gt;&lt;B&gt;&lt;FONT face="Helvetica"&gt;he had become aware of the&lt;/FONT&gt;&lt;/B&gt;
&lt;B&gt;&lt;FONT face="Helvetica"&gt;pioneering modernism of the Bauhaus.&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;&lt;FONT face="Helvetica"&gt;Nagy counts as one of the
foremost graphic designers and&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;

&lt;P&gt;&lt;B&gt;&lt;FONT face="Helvetica"&gt;photographers of the 20C.&lt;/FONT&gt;&lt;/B&gt;
&lt;B&gt;&lt;FONT face="Helvetica"&gt;He was born in Hungary in 1895. In 1920
he moved&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;

&lt;P&gt;&lt;B&gt;&lt;FONT face="Helvetica"&gt;to Germany and joined the design
avant-garde.&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;&lt;FONT face="Helvetica"&gt;Molholy moved to America in 1937
where he established the New Bauhaus and&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;

&lt;P&gt;&lt;B&gt;&lt;FONT face="Helvetica"&gt;the&lt;/FONT&gt;&lt;/B&gt; &lt;B&gt;&lt;FONT face="Helvetica"&gt;School
of Design in Chicago.&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/frank+pick/" rel="tag"&gt;frank pick&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/london+transport/" rel="tag"&gt;london transport&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.rennart.co.uk/moholy.html</clipSource><pubDate>Thu, 24 Jan 2008 04:56:57 GMT</pubDate></item><item><title>Mosaics</title><link>http://clipmarks.com/clipmark/1F087DCD-98D9-4730-A710-6BC8410D0F48/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/history/index.shtml" title="http://www.thejoyofshards.co.uk/history/index.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;mosaic goes back some 4,000 years or more&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the
Greeks&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;raised the pebble technique
to an art form&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/90DF5879-CEEF-40A5-809D-E81397394038.jpg" alt="roman wall mosaic" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Roman Empire took mosaics further afield,
although the level of skill and artistry was diluted&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The inter-twined rope
border effect here is called "guilloche&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/F5D61636-77C0-425F-9A3B-9D218C4AC773.jpg" alt="roman geometric mosaic" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Click for a &lt;A href="http://www.thejoyofshards.co.uk/roman.shtml"&gt;list of Roman mosaics&lt;/A&gt;
you can see on this site&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Byzantine mosaics&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Eastern influences
in style and the use of special glass tesserae called smalti&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/16951335-586B-42E6-84D9-26EE3C8CCCFC.jpg" alt="byzantine mosaic" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;They are sometimes backed with reflective silver
or gold leaf&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/097F1638-4E09-4E9A-BFAF-40992B07B1C8.jpg" alt="byzantine mosaic" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Islamic mosaic art&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/3CAE40E8-0225-4435-84A6-339F6EEDBF4A.jpg" alt="zillij" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;motifs are
mainly geometric and mathematical&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/history/modern.shtml" title="http://www.thejoyofshards.co.uk/history/modern.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Medieval to modern&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;tiling patterns in abbeys and other major religious buildings&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/BB6A7E95-13B7-4F9E-8C20-C85FA467403F.jpg" alt="medieval mosaic" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;19th century&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a revival of interest&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;in the Byzantine style&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/506D47BC-70B7-4EFF-BA70-E25C92346144.jpg" alt="Victorian mosaic" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Art Nouveau movement also embraced mosaic art&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the stunning ceramic mosaics of the Guell Park&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/5F0F11A3-5D7E-4CCE-BFCB-3422930F42A8.jpg" alt="barcelona mosaic bench" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a technique known as trencadis in which tiles&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;covered surfaces of buildings&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Mosaic is in a healthy state in the early 21st century&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thejoyofshards.co.uk/picassiette/index.shtml" title="http://www.thejoyofshards.co.uk/picassiette/index.shtml"&gt;www.thejoyofshards.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;La Maison Picassiette is the extraordinary result of one man's
work between 1938 and 1964&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/1C5380E7-8F63-470C-A897-9B5B0B36210E.jpg" alt="la maison picassiette" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/5E26EA1E-91B8-4611-9675-41F5F3D69336.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/F9E2E630-0656-48C8-909F-26FCEE5717B6.jpg" alt="picassiette cooker" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/8AA81E4E-F85B-4122-AD1B-E69F8123B97C.jpg" alt="picassiette nativity" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/35CC6098-3C9D-4BF5-91E1-524DDB80A03F.jpg" alt="picassiette chapel" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/C690BA72-E0AB-4378-8ACA-58C7738E26D4.jpg" alt="picassiette courtyard" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/B4D5BE65-6E0D-46D6-86D7-B86C97A4071B.jpg" alt="picassiette garden" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/EC37CC25-F453-4540-965E-A905D9C59BFD.jpg" alt="picassiette rose" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/C4E4EEA2-D33E-4CDB-82AD-1E111C368306.jpg" alt="picassiette animals" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/D6B07D7C-CC21-47B6-A8BF-A58AD48897F0.jpg" alt="picassiette paintings" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/0DDEF221-0371-47FA-A0A6-CDFA9F1249C3.jpg" alt="floor rose mosaic" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.thejoyofshards.co.uk/history/index.shtml</clipSource><pubDate>Wed, 23 Jan 2008 17:59:33 GMT</pubDate></item><item><title>In the eye of the beholder.</title><link>http://clipmarks.com/clipmark/47B9403C-4DFD-4832-A079-713BAF33EF7F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Anyone interested in forming an informal art club on CM? No great aims. Post a picture. Ask others what they think about it - what they see. Tell them what you think about it - what you see. We all try to broaden our minds on many subjects; this is just another.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Edgar_Degas&amp;oldid=185738447" title="http://en.wikipedia.org/w/index.php?title=Edgar_Degas&amp;oldid=185738447"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/09C1D647-B48E-47B2-A3E8-FAD158E39F03.jpg" alt="The New Orleans Cotton Exchange, 1873" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art+is+for+all+to+enjoy/" rel="tag"&gt;art is for all to enjoy&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://en.wikipedia.org/w/index.php?title=Edgar_Degas&amp;oldid=185738447</clipSource><pubDate>Mon, 21 Jan 2008 03:37:59 GMT</pubDate></item><item><title>Historical Art of Chris Collingwood</title><link>http://clipmarks.com/clipmark/2D1BDDAB-63D9-449A-9EFB-26A4186F4A93/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/michellezm/"&gt;michellezm&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://collingwoodhistoricart.com/index.htm" title="http://collingwoodhistoricart.com/index.htm"&gt;collingwoodhistoricart.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/9FCBF896-69FC-4E33-BFFC-9A5BB36082A0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/564125ED-1726-4DD8-814E-B02704D8E80A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="Captions" id="Layer11"&gt;THE PIRATE ‘LONG BEN AVERY’ C1694 oil on canvas30x40
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://collingwoodhistoricart.com/roman_optio.htm" title="http://collingwoodhistoricart.com/roman_optio.htm"&gt;collingwoodhistoricart.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/63096767-7562-46A0-9D95-F5A216093365.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/4872DD77-19BE-4E3E-8D8D-301B1D3FCFBE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://collingwoodhistoricart.com/fire_fens.htm" title="http://collingwoodhistoricart.com/fire_fens.htm"&gt;collingwoodhistoricart.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/565F1E46-605C-4D0C-9054-FDB043FF0700.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://collingwoodhistoricart.com/roman_centurian.htm" title="http://collingwoodhistoricart.com/roman_centurian.htm"&gt;collingwoodhistoricart.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/51A2930D-50FA-4DCE-839A-D556D97EC02D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://collingwoodhistoricart.com/greek_hoplites.htm" title="http://collingwoodhistoricart.com/greek_hoplites.htm"&gt;collingwoodhistoricart.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/0E1B7ED8-4A36-47ED-912A-1CA86333ED84.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://collingwoodhistoricart.com/those_about.htm" title="http://collingwoodhistoricart.com/those_about.htm"&gt;collingwoodhistoricart.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/DB907E64-8A74-44D3-A7CA-D3ED39A6830B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://collingwoodhistoricart.com/spqr.htm" title="http://collingwoodhistoricart.com/spqr.htm"&gt;collingwoodhistoricart.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/BF7AEF67-EAE1-44D0-8287-B28E188517D5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://collingwoodhistoricart.com/battle_barnet.htm" title="http://collingwoodhistoricart.com/battle_barnet.htm"&gt;collingwoodhistoricart.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/D6795F03-490C-43F4-84F9-DA0BE2172594.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://collingwoodhistoricart.com/index.htm</clipSource><pubDate>Sat, 19 Jan 2008 18:39:27 GMT</pubDate></item><item><title>Well, I ain't taking my clothes off!</title><link>http://clipmarks.com/clipmark/BD68F2AB-5B00-4E2B-B9C8-E79031870236/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The writer Quentin Crisp spent the war years as an artist’s model at Derby School of Art. He described the job as “like being a civil servant, except that you are naked”.&lt;br/&gt;&lt;br/&gt;Cherie Blair sat for the painter Euan Uglow while she was a trainee barrister. When she and her husband moved into public life, Uglow judiciously decided to avoid exhibiting Striding Nude, Blue Dress. It reappeared in 2006, six years after his death. Her profile is distinguishable but the painting remains unfinished.&lt;br/&gt;&lt;br/&gt;Kate Moss was depicted reclining naked on a bed in Lucien Freud’s Naked Portrait 2002 while she was pregnant. The sitting was arranged after the model revealed in an interview that posing for Freud was one of her few remaining ambitions.&lt;br/&gt;&lt;br/&gt;A retired art teacher was shocked in 2003 when she found a sketch she had made decades earlier and realised it was Sean Connery, aged 22 and in a loincloth. “When he modelled there were always lots of girls in the classes,” she said.&lt;br/&gt;&lt;br/&gt;Source: Times database (ed &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/visual_arts/article3207413.ece" title="http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/visual_arts/article3207413.ece"&gt;entertainment.timesonline.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Doing nothing for a living is not as easy as it looks. That was the militant
message from Italy yesterday where artists’ nude models climbed back into
their clothes and went on strike for better pay and conditions&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
The protesters — male and female — said that they wanted “professional
recognition” and full-time contracts&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Antonella Migliorini, 42, said that it was “a tough, cold job” posing in the
nude, often for eight hours a day. “We are not porn stars,” &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
However, there will always be people willing to do it, despite the poor pay.
“It can be rewarding to be immortalised as great art,” said Rachel
Campbell-Johnston&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;But it can also be extremely physically demanding&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
The professional life model emerged with the rise of formal art schools and
photography in the 19th and 20th centuries&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It took a nude protest in the 1970s to
secure full-time contracts&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“We need to get to the bottom of this,”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Nando Dalla Chiesa, an education ministry official, said&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/artist's+models/" rel="tag"&gt;artist's models&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/posing+naked/" rel="tag"&gt;posing naked&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/visual_arts/article3207413.ece</clipSource><pubDate>Fri, 18 Jan 2008 18:19:03 GMT</pubDate></item><item><title>Art :  R A van Haanen (1812-1894)</title><link>http://clipmarks.com/clipmark/50C26945-B938-4BC9-B28A-83077903648A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/michellezm/"&gt;michellezm&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artrenewal.org/asp/database/image.asp?id=7680" title="http://www.artrenewal.org/asp/database/image.asp?id=7680"&gt;www.artrenewal.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/AEFE8B50-79CF-47EE-AA2A-C52235AC170B.jpg" alt="Beached Fishing Boats by Moonlight, by Remigius Adriannus van Haanen" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;U&gt;Beached Fishing Boats by Moonlight&lt;/U&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artrenewal.org/asp/database/image.asp?id=16539" title="http://www.artrenewal.org/asp/database/image.asp?id=16539"&gt;www.artrenewal.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/C5C10153-A38B-4E9D-A152-EB7478EE5A5D.jpg" alt="A Moonlit Winter Landscape, by Remigius Adriannus van Haanen" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;U&gt;A Moonlit Winter Landscape&lt;/U&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artrenewal.org/asp/database/image.asp?id=11455" title="http://www.artrenewal.org/asp/database/image.asp?id=11455"&gt;www.artrenewal.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/555D6C3A-3A08-4925-9DDC-BEA5F5766FC9.jpg" alt="A River Landscape, by Remigius Adriannus van Haanen" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;U&gt;A River Landscape&lt;/U&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.artrenewal.org/asp/database/image.asp?id=7680</clipSource><pubDate>Thu, 17 Jan 2008 22:53:10 GMT</pubDate></item><item><title>A Favourite Painting</title><link>http://clipmarks.com/clipmark/5B6436A2-DA32-4C71-B00E-204390289AFD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The Three Younger Sons of Shah Jehan (17th C) &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://famousdiamonds.tripod.com/aurangzeb.jpg" title="http://famousdiamonds.tripod.com/aurangzeb.jpg"&gt;famousdiamonds.tripod.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/CD7105DF-6FA0-4308-A9DF-523C09CD1E27.jpg" alt="The image “http://famousdiamonds.tripod.com/aurangzeb.jpg” cannot be displayed, because it contains errors." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/moghul+art/" rel="tag"&gt;moghul art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://famousdiamonds.tripod.com/aurangzeb.jpg</clipSource><pubDate>Thu, 17 Jan 2008 17:56:57 GMT</pubDate></item><item><title>Landscape</title><link>http://clipmarks.com/clipmark/5884C670-922A-449E-8D6E-4AC86CA0BB83/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://memory-layne.com/images/coloredlandscape.jpg" title="http://memory-layne.com/images/coloredlandscape.jpg"&gt;memory-layne.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/0504185C-9EC7-40D9-9754-A5889CE52B1A.jpg" alt="The image “http://memory-layne.com/images/coloredlandscape.jpg” cannot be displayed, because it contains errors." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://memory-layne.com/images/coloredlandscape.jpg</clipSource><pubDate>Thu, 17 Jan 2008 00:23:20 GMT</pubDate></item></channel></rss>