<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | mickfinn's clips</title><link>http://clipmarks.com/clipper/mickfinn/</link><feedUrl>http://rss.clipmarks.com/clipper/mickfinn/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>To all Clippers</title><link>http://clipmarks.com/clipmark/ABA5C4BE-A9E6-488F-AD59-AB1C66C07FBF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  If I knew where you all were, I'd send a postcard with a Joan Armatrading lyric. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Hello&amp;oldid=204282111" title="http://en.wikipedia.org/w/index.php?title=Hello&amp;oldid=204282111"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Hello&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Los_Angeles_Clippers&amp;oldid=202192608" title="http://en.wikipedia.org/w/index.php?title=Los_Angeles_Clippers&amp;oldid=202192608"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Clippers&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=I_Am_the_Walrus&amp;oldid=204272359" title="http://en.wikipedia.org/w/index.php?title=I_Am_the_Walrus&amp;oldid=204272359"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;I Am&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Off&amp;oldid=197145822" title="http://en.wikipedia.org/w/index.php?title=Off&amp;oldid=197145822"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Off&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Always_on_My_Mind&amp;oldid=204240764" title="http://en.wikipedia.org/w/index.php?title=Always_on_My_Mind&amp;oldid=204240764"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;on My&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Holiday&amp;oldid=203269335" title="http://en.wikipedia.org/w/index.php?title=Holiday&amp;oldid=203269335"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Holiday&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Grammatical_conjunction&amp;oldid=203516028" title="http://en.wikipedia.org/w/index.php?title=Grammatical_conjunction&amp;oldid=203516028"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;But&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=AS&amp;oldid=199058156" title="http://en.wikipedia.org/w/index.php?title=AS&amp;oldid=199058156"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;AS&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Douglas_MacArthur&amp;oldid=203060641" title="http://en.wikipedia.org/w/index.php?title=Douglas_MacArthur&amp;oldid=203060641"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Douglas MacArthur&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Sa%E2%80%98id_%28name%29&amp;oldid=203683013" title="http://en.wikipedia.org/w/index.php?title=Sa%E2%80%98id_%28name%29&amp;oldid=203683013"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A title="Samira Said" href="http://en.wikipedia.org/wiki/Samira_Said"&gt;Said&lt;/A&gt;,&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Douglas_MacArthur&amp;oldid=204205174" title="http://en.wikipedia.org/w/index.php?title=Douglas_MacArthur&amp;oldid=204205174"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;I shall return&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/frippery/" rel="tag"&gt;frippery&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://en.wikipedia.org/w/index.php?title=Hello&amp;oldid=204282111</clipSource><pubDate>Wed, 09 Apr 2008 23:28:43 GMT</pubDate></item><item><title>Forgetfulness - Hart Crane</title><link>http://clipmarks.com/clipmark/BD97D90A-548C-4FDB-BDB9-D20AAE2285C8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.english.uiuc.edu/maps/poets/a_f/crane/additional_poems.htm" title="http://www.english.uiuc.edu/maps/poets/a_f/crane/additional_poems.htm"&gt;www.english.uiuc.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Forgetfulness is like a song &lt;BR /&gt;
          That, freed from beat and measure, wanders. &lt;BR /&gt;
          Forgetfulness is like a bird whose wings are reconciled, &lt;BR /&gt;
          Outspread and motionless, -- &lt;BR /&gt;&lt;DIV&gt;
          A bird that coasts the wind unwearyingly. &lt;/DIV&gt;
&lt;BR /&gt;
          Forgetfulness is rain at night, &lt;BR /&gt;
          Or an old house in a forest, -- or a child. &lt;BR /&gt;
          Forgetfulness is white, -- white as a blasted tree, &lt;BR /&gt;
          And it may stun the sybil into prophecy, &lt;BR /&gt;&lt;DIV&gt;
          Or bury the Gods. &lt;/DIV&gt;
&lt;BR /&gt;
          I can remember much forgetfulness.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/american+poetry/" rel="tag"&gt;american poetry&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.english.uiuc.edu/maps/poets/a_f/crane/additional_poems.htm</clipSource><pubDate>Wed, 09 Apr 2008 02:36:18 GMT</pubDate></item><item><title>Quicksort Algorithm</title><link>http://clipmarks.com/clipmark/384C2E60-C16C-4060-B9FA-2311B5374219/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://commons.wikimedia.org/w/index.php?title=Image:Sorting_quicksort_anim.gif&amp;oldid=10835590" title="http://commons.wikimedia.org/w/index.php?title=Image:Sorting_quicksort_anim.gif&amp;oldid=10835590"&gt;commons.wikimedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/779359C6-BE1C-4F11-85DA-852EA4674D3A.gif" alt="Image:Sorting quicksort anim.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;An animation of the &lt;A title="w:en:Quicksort" class="extiw" href="http://en.wikipedia.org/wiki/en:Quicksort"&gt;quicksort&lt;/A&gt; algorithm sorting an array of randomized values&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The red bars mark the pivot element; at the start of the animation, the element farthest to the right hand side is chosen as the pivot. Created with: Ruby 1.8.4, RMagick&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/totally+beyond+my+comprehension/" rel="tag"&gt;totally beyond my comprehension&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://commons.wikimedia.org/w/index.php?title=Image:Sorting_quicksort_anim.gif&amp;oldid=10835590</clipSource><pubDate>Tue, 08 Apr 2008 23:52:36 GMT</pubDate></item><item><title>Potatrix Anglia and the Hoodies</title><link>http://clipmarks.com/clipmark/4EEB9FEB-53F0-464D-A7BF-09C3A5C9FBBA/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  As a former London apprentice, I deny all the charges. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2008/04/08/nhoodie108.xml" title="http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2008/04/08/nhoodie108.xml"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;They are the symbol of today's disaffected youth but a historian has revealed that the hoodie-wearing yob is not just a modern problem&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Professor Robert Bartlett, who is an expert on the Middle Ages, said hooded tops were also the garment of choice for 12th-century juvenile delinquents&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The teenage apprentice boys of London were lawless, violent and the scourge of the capital&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"They were away from home for seven years with no parental control and they would riot regularly for political and religious reasons,"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The English, who are now among the worst binge-drinkers in Europe, were also renowned as drunks in the Middle Ages&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"A surviving 12th-century Latin manuscript refers disapprovingly to 'Potatrix Anglia' - 'England the drunken'," said Prof Bartlett&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;He will reveal the opening of the North-South divide, with the first recorded case - in 1120 - of a southerner complaining that he is unable to understand the speech of a northerner.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2008/04/08/nhoodie108.xml</clipSource><pubDate>Tue, 08 Apr 2008 21:36:18 GMT</pubDate></item><item><title>Squirreling away fitness tips</title><link>http://clipmarks.com/clipmark/AF0F194B-03CD-4F8A-B823-C409D11562C9/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://latimesblogs.latimes.com/booster_shots/2008/04/squirreling-awa.html" title="http://latimesblogs.latimes.com/booster_shots/2008/04/squirreling-awa.html"&gt;latimesblogs.latimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/28340A19-42B2-400B-A81A-8E60D0486C77.jpg" alt="Redsquirrel_2" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
 Mirror, mirror on the wall, who’s the fittest of them all? Squirrels that had lots of sunshine and nuts when they were growing up, say researchers at Michigan State University, as well as investigators in Canada and France&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Ferreting through 15 years of data on the North American red squirrel population, the researchers concluded that female squirrels lucky enough to be born in the lap of luxury, with plenty of food, warm weather and ample space, produced more offspring than their less-privileged cohorts. In short, they were fitter and healthier&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left"&gt;"Our study shows that some individuals get a real head start on their colleagues simply by being born in a good year," says Stan Boutin, co-author of the study and professor of biological sciences at the University of Alberta, Canada. "On the other hand," he says in a news release, "those having the bad luck of being born in a bad year may never get a taste of that silver spoon."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left"&gt;Lessons learned: Move to Arizona and eat plenty of nuts. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/more+tips+from+secret+squirrel/" rel="tag"&gt;more tips from secret squirrel&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://latimesblogs.latimes.com/booster_shots/2008/04/squirreling-awa.html</clipSource><pubDate>Tue, 08 Apr 2008 21:25:28 GMT</pubDate></item><item><title>Rare seahorses found in London's Thames</title><link>http://clipmarks.com/clipmark/9D592C11-B660-49A3-A8BD-B8A63BA11462/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  An increase in plankton due to Climate change and warmer sea temperatures may help explain the seahorses' appearance in the river, according to Shaw. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.nationalgeographic.com/news/2008/04/080407-seahorse-photo.html" title="http://news.nationalgeographic.com/news/2008/04/080407-seahorse-photo.html"&gt;news.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/DC780E6D-0321-47F9-AAC7-D6E6A084AEB5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;There's something fishy in London, and it's not the city's trademark fish and chips&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;

Short-snouted &lt;A href="http://animals.nationalgeographic.com/animals/fish/sea-horse.html?nav=A-Z"&gt;seahorses&lt;/A&gt; have set up residence in the recovering River Thames, conservationists announced today&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The fish—pictured above in the London Zoo aquarium—were found in recent surveys that assessed the health of the once heavily polluted river&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;

The discovery of the animal in brackish tidal waters as far upriver as &lt;A href="http://www.nationalgeographic.com/places/places-of-a-lifetime/london.html"&gt;London&lt;/A&gt; was kept under wraps by the Zoological Society of London (ZSL) until the species had been granted protected status&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;

Conservationists had feared that the bizarrely shaped &lt;A href="http://animals.nationalgeographic.com/animals/fish.html"&gt;fish&lt;/A&gt; might attract unwanted attention, such as from aquarium-trade collectors&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;

The government declared the Thames biologically dead in the 1950s, and various groups have worked to rehabilitate it for the past two decades&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;

These efforts have led to "a vast improvement" in the Thames' water quality, Shaw said&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href=" http://news.nationalgeographic.com/news/2005/04/0421_050422_riverthames.html "&gt;Seals, dolphins, salmon, and sea lampreys have also been seen swimming&lt;/A&gt; in the healthier river&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;—James Owen&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/london/" rel="tag"&gt;london&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/river+thames/" rel="tag"&gt;river thames&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/seahorses/" rel="tag"&gt;seahorses&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://news.nationalgeographic.com/news/2008/04/080407-seahorse-photo.html</clipSource><pubDate>Tue, 08 Apr 2008 21:15:15 GMT</pubDate></item><item><title>Top 25 Guitar Riffs 14-25</title><link>http://clipmarks.com/clipmark/DFFD3CCA-0AAD-48D7-919B-F56B3108ED5C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/04/02/bmriffs102.xml&amp;CMP=ILC-mostviewedbox" title="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/04/02/bmriffs102.xml&amp;CMP=ILC-mostviewedbox"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;14.        &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=2dRlUkPE3UA" target="external"&gt;Back In Black - AC/DC (1980)  &lt;/A&gt;&lt;/P&gt;&lt;P class="story2"&gt;15.        &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=gwG8WXYAHR0" target="external"&gt;Immigrant Song - Led Zeppelin (1970)  &lt;/A&gt;&lt;/P&gt;&lt;P class="story2"&gt;16.        &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=CUfaJ8RqfOg" target="external"&gt;Wake Up - Rage Against The Machine (1992)&lt;/A&gt;  &lt;/P&gt;&lt;P class="story2"&gt;17.        &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=TziyOcb96q0" target="external"&gt;Highway to Hell - AC/DC (1979)&lt;/A&gt;  &lt;/P&gt;&lt;P class="story2"&gt;18.        &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=cH9IgJZCx4c" target="external"&gt;My Generation - The Who (1965)  &lt;/A&gt;&lt;/P&gt;&lt;P class="story2"&gt;19.        &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=VutMLnjXTY4" target="external"&gt;7 Nation Army - The White Stripes (2003)&lt;/A&gt;&lt;/P&gt;&lt;P class="story2"&gt;  20.        &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=kbP-0dRnclA" target="external"&gt;Born To Be Wild - Steppenwolf (1968)&lt;/A&gt;&lt;/P&gt;&lt;P class="story2"&gt;  21.        &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=z5u3QW4yBls" target="external"&gt;Give It Away - Red Hot Chilli Peppers (1991)&lt;/A&gt;&lt;/P&gt;&lt;P class="story2"&gt;  22.        &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=u1UO9gDYmac" target="external"&gt;Paranoid - Black Sabbath (1970)  &lt;/A&gt;&lt;/P&gt;&lt;P class="story2"&gt;23.        &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=22eubaCUNJU" target="external"&gt;Voodoo Chile (Slight Return) - Jimi Hendrix (1967)&lt;/A&gt;&lt;/P&gt;&lt;P class="story2"&gt;  24.        &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=oXP9236WcZg" target="external"&gt;Eye Of The Tiger - Survivor (1982)  &lt;/A&gt;&lt;/P&gt;&lt;P class="story2"&gt;25.       &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=Ehl_VQuKRTc" target="external"&gt;Money For Nothing - Dire Straits (1984)&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/rock+music/" rel="tag"&gt;rock music&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/04/02/bmriffs102.xml&amp;CMP=ILC-mostviewedbox</clipSource><pubDate>Tue, 08 Apr 2008 17:47:55 GMT</pubDate></item><item><title>Top 25 Guitar Riffs 1-13</title><link>http://clipmarks.com/clipmark/93606164-B0F2-4E1A-BB75-83AB6B0DE86E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Just seven songs penned in the last two decades have made it on to a list of the greatest guitar riffs of all time.&lt;br/&gt;British rock band Deep Purple top the list with their 1973 hit Smoke on the Water.&lt;br/&gt;&lt;br/&gt;Among the more recent riffs is Nirvana's Smells Like Teen Spirit (1991), in second place, and Wake Up by Rage Against the Machine (1992) in 16th.&lt;br/&gt;&lt;br/&gt;The Red Hot Chilli Peppers have two entries, Under The Bridge (1992) at 9 and Give it Away (1991) at 21. &lt;br/&gt;&lt;br/&gt;However, not one song written since 2003 made the short list.&lt;br/&gt;&lt;br/&gt;Songs by American writers claimed the majority of places in the top 25, but seven of the songs on the list were written by British artists. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/04/02/bmriffs102.xml&amp;CMP=ILC-mostviewedbox" title="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/04/02/bmriffs102.xml&amp;CMP=ILC-mostviewedbox"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;Top 25 guitar riffs of all time - click the song to play the video&lt;/B&gt;&lt;/P&gt;&lt;P class="story2"&gt;1.            &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=2WX_4FNoto4" target="external"&gt;Smoke On The Water - Deep Purple (1973)&lt;/A&gt;  &lt;/P&gt;&lt;P class="story2"&gt;2.            &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=kPQR-OsH0RQ" target="external"&gt;Smells Like Teen Spirit - Nirvana (1991)&lt;/A&gt;&lt;/P&gt;&lt;P class="story2"&gt;  3.            &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=o8A0rhVG91U" target="external"&gt;Walk This Way - Aerosmith (1975)&lt;/A&gt;&lt;/P&gt;&lt;P class="story2"&gt;  4.            &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=n_i5Ca1FYko" target="external"&gt;Purple Haze - Jimi Hendrix (1967)&lt;/A&gt;&lt;/P&gt;&lt;P class="story2"&gt;  5.            &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=P-AYAv0IoWI" target="external"&gt;Sweet Child O Mine - Guns N Roses (1987)&lt;/A&gt;&lt;/P&gt;&lt;P class="story2"&gt;  6.            &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=NqTuN-35580" target="external"&gt;Paradise City - Guns N Roses (1987)  &lt;/A&gt;&lt;/P&gt;&lt;P class="story2"&gt;7.            &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=ImrtZRrS70w" target="external"&gt;Ace Of Spades - Motorhead (1980)  &lt;/A&gt;&lt;/P&gt;&lt;P class="story2"&gt;8.            &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=1QP-SIW6iKY" target="external"&gt;Enter Sandman - Metallica (1991)  &lt;/A&gt;&lt;/P&gt;&lt;P class="story2"&gt;9.           &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=YBgulSxpPbo" target="external"&gt;Under The Bridge - Red Hot Chilli Peppers (1992)&lt;/A&gt;  &lt;/P&gt;&lt;P class="story2"&gt;10.        &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=IsdReVvj_7U" target="external"&gt;Welcome To The Jungle - Guns N Roses (1987)&lt;/A&gt;  &lt;/P&gt;&lt;P class="story2"&gt;11.        &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=u5Snehl2bAk" target="external"&gt;Run To The Hills - Iron Maiden (1982)  &lt;/A&gt;&lt;/P&gt;&lt;P class="story2"&gt;12.        &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=ONZ9bL2WGBE" target="external"&gt;Walk - Pantera (1992)  &lt;/A&gt;&lt;/P&gt;&lt;P class="story2"&gt;13.        &lt;A lang="en.uk" href="http://www.youtube.com/watch?v=rPv2Q0Wh6Qw" target="external"&gt;Johnny Be Goode - Chuck Berry (1958)&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/rock+music/" rel="tag"&gt;rock music&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/04/02/bmriffs102.xml&amp;CMP=ILC-mostviewedbox</clipSource><pubDate>Tue, 08 Apr 2008 17:46:58 GMT</pubDate></item><item><title>New York in the 1920s and 30s</title><link>http://clipmarks.com/clipmark/0BA88FA0-2E4A-4D6A-B295-127C149D41C3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  George Wesley Bellows (1882-1925) was an American painter, known for his bold depictions of urban life in New York City.&lt;br/&gt;&lt;br/&gt;Berenice Abbott (1898-1991), was an American photographer best known for her black-and-white photography of New York City architecture and urban design of the 1930s.&lt;br/&gt;&lt;br/&gt;Reginald Marsh (1898-1954) was an American painter, born in Paris, most notable for his detailed depictions of life in New York City in the 1920s and 1930s.&lt;br/&gt;&lt;br/&gt;John French Sloan (1871-1951) was a American artist who became a member of The Eight group of American artists and became a leading figure in the Ashcan School of realist artists. He was known for his urban paintings and ability to capture the essence of neighbourhood life in New York City, often through his window&lt;br/&gt;&lt;br/&gt;Ruth Carroll, born 1899, Lancaster, NY.&lt;br/&gt;Maurice Kish was born in 1895, Dvinsk, Russia and died 1987, New York, NY.&lt;br/&gt;&lt;br/&gt;Ben Shahn (1898-1969) was a Russian-Jewish born American artist, best known for his works of Social realism. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.murphsplace.com/crowe/braddock/paintings.html" title="http://www.murphsplace.com/crowe/braddock/paintings.html"&gt;www.murphsplace.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/92961691-77A0-40D0-976A-3D8B55024B65.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;George Bellows - Dempsey and Firpo - 1924&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/C5A1B0A8-3760-41A9-93F2-834DB67DE9EF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Berenice Abbott -&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The El, Second and Third Avenue lines;
      Bowery and Doyer Street, April 1934&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/8DA39814-E94D-4BE7-9398-8DFE040F33E8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Berenice Abbott - Newsstand; 32nd Street and Third Avenue November 1935&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/A10A724E-246E-4532-A74C-5314DBD7C468.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;George Bellows - The Docks&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/B7B6E071-8B6A-4AE7-BB89-05ED09069408.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Berenice Abbott - Pike and Henry Street, March 1936&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/481986F0-C3CF-46D2-AAC7-C0E4DD28F4A7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;George Bellows  - "Between Rounds"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/69A81814-F81F-4CFF-9E43-A8A1555DC1B8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;George Bellows - Fight Club&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/9DFD305C-EF10-408B-B986-5D36C320EE86.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Reginald Marsh - Breadline&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/FC79B2DA-3028-40B0-B6BD-D3B1D94412A5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;John Sloan - McSorley's Saloon&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/9DADB833-D1AE-4168-8679-1545F4144092.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Reginald Marsh - Man, wife and child&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/55217077-7CE5-472E-99A4-15039E573A3F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Ruth Carroll - The Elevated&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/E8009F52-0272-48D9-928E-D9C85A68724B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Robert Riggs - Shadow Boxer, Lithograph 1932&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/B329B312-6A87-421E-8F52-5C18F2808F34.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Reginald Marsh - Hotel&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/D3B08E8B-8C41-4C42-B153-EBEBDAC5985E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Maurice Kish - East River Waterfront&lt;BR /&gt;
      1932&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/85E1A2D6-C217-4024-A9AB-0D65E691ED0C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Ben Shahn (1898-1969), Bowery (New York City), April 1936&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=George_Bellows&amp;oldid=203947651" title="http://en.wikipedia.org/w/index.php?title=George_Bellows&amp;oldid=203947651"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/96536F6D-5C07-471C-81B2-AEA63AA2DCBB.jpg" alt="Cliff Dwellers (1913) Oil on canvas, 40 1/4 x 42 1/8 in. (102.2 x 107 cm) Los Angeles County Museum of Art" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;Cliff Dwellers&lt;/I&gt; (1913)&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/20c+american+art/" rel="tag"&gt;20c american art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.murphsplace.com/crowe/braddock/paintings.html</clipSource><pubDate>Tue, 08 Apr 2008 17:30:23 GMT</pubDate></item><item><title>How to Tie a Bowline Knot</title><link>http://clipmarks.com/clipmark/2711DB0C-DDF0-48BD-B384-3854CEABC14A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A bowline knot, also known as a bowline hitch, makes a fixed loop at the end of a rope or string. The loop can be secured over an object like a post or passed through a ring or hole before the knot is tied. A variation of this knot called the double bowline knot is sometimes used for climbing. These instructions will guide you in making a simple bowline knot with string.&lt;br/&gt;&lt;br/&gt;My short time in the Cubs becoming useful at last. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wikihow.com/Tie-a-Bowline-Knot" title="http://www.wikihow.com/Tie-a-Bowline-Knot"&gt;www.wikihow.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Steps&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Hold one end of the string in your left hand, and one end in your
right hand&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/E4647D2A-7815-450E-A81F-CF598955A53F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Make a small loop with the end of the string in your left hand.
These instructions assume you start with an "underhand" loop, so
that the free end of the string is under the intersection formed by
the loop&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/412111CF-3C1D-49B9-89D5-8AD06F1E5642.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Put the end of the string in your right hand through the loop made
by your left hand. The end should be coming towards you as it goes
through the loop&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/6C419CD8-2B41-462E-844C-B34ADA5792C7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Bring the end around (behind) the string that is facing up from the
loop&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/0E20C93C-5551-4EC9-A5CB-9EA1909B792D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Put that same string back through the loop. This time the end is
going away from you&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/1E93876E-5FE1-45E9-80B6-CA40B481C825.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Take the top loose string in your left hand and all the rest of the
string and pull in opposite directions to tighten the
hitch&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/4C1B812C-01C3-463A-8B7B-D6DF1694E1CD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Another way to remember how to make this knot is with a
rhyme:&lt;/DIV&gt;
&lt;BR /&gt;
"Lay the bight to make a hole&lt;BR /&gt;
Then under the back and around the pole&lt;BR /&gt;
Over the top and thru the eye&lt;BR /&gt;
Cinch it tight and let it lie"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Warnings&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Do not use this knot for heavy loads or climbing&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.wikihow.com/Tie-a-Bowline-Knot</clipSource><pubDate>Tue, 08 Apr 2008 03:05:10 GMT</pubDate></item><item><title>Art and the Bible</title><link>http://clipmarks.com/clipmark/F4D08DFB-777B-4E46-BCBE-806BF15A7CDF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artbible.info/art/large/357.html" title="http://www.artbible.info/art/large/357.html"&gt;www.artbible.info&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/206200A6-99E3-43D6-88CD-297C0C312CA0.jpg" alt="Pieter Bruegel the Elder: The Preaching of St. John" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;Pieter Bruegel the Elder&lt;/STRONG&gt; ca. 1520 – 1569&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="werktitel"&gt;The Preaching of St. John&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Museum of Fine Arts, Budapest&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Bruegel would often use biblical themes to depict village-life as he knew it. This is another fine example. The viewer’s attention is first drawn to the figures in the foreground, then to the river in the background and only then to John the Baptist, wearing a garment of camel hair. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The painting was created when the Iconoclast raged in the Low Countries and Protestant clergymen were touring the country, stopping in places to call for Reformation. This painting may have been inspired by one such meeting.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/16thc+renaissance+art/" rel="tag"&gt;16thc renaissance art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.artbible.info/art/large/357.html</clipSource><pubDate>Tue, 08 Apr 2008 02:45:15 GMT</pubDate></item><item><title>A Dove for Michelle</title><link>http://clipmarks.com/clipmark/5EB7DE0B-E3FA-426B-967B-DA1B3F50AAA9/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Know you've seen it before but it is always worth another look. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www1.yadvashem.org/about_yad/what_new/bush/Deutsch_3_b.jpg" title="http://www1.yadvashem.org/about_yad/what_new/bush/Deutsch_3_b.jpg"&gt;www1.yadvashem.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/7C3204F2-7F63-4535-9D57-6CC2933D1673.jpg" alt="http://www1.yadvashem.org/about_yad/what_new/bush/Deutsch_3_b.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/beautiful+%5bdove%5d+by+carol+deutsch/" rel="tag"&gt;beautiful [dove] by carol deutsch&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www1.yadvashem.org/about_yad/what_new/bush/Deutsch_3_b.jpg</clipSource><pubDate>Tue, 08 Apr 2008 01:59:11 GMT</pubDate></item><item><title>Art of the Doomed.</title><link>http://clipmarks.com/clipmark/B61FDB3B-AEAE-4892-B39D-D63ED89C2E5D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Many of the artists of these clipped works perished in the camps of the Nazis. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.english.uiuc.edu/maps/holocaust/art.htm" title="http://www.english.uiuc.edu/maps/holocaust/art.htm"&gt;www.english.uiuc.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/2D31B94B-5CC1-4DE4-B565-AB48B8875DED.jpg" alt="sowers.jpg (32577 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;The Sowers &lt;/EM&gt;by Thomas Hart Benton, 1942&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/9AC1582F-CCAA-444B-9B7C-5075F4DBD622.jpg" alt="threesome.jpg (93394 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Threesome&lt;/EM&gt; (1944), by Felix Nussbaum (1904-1944)&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/94F9A9A6-D7CD-4090-A9E2-47F017D30045.gif" alt="children.gif (19554 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Children as well as adults documented events of the Holocaust through art&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/316FC833-224D-45E7-9B79-BD3FAA94A41A.jpg" alt="laufen.jpg (26091 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Laufen&lt;/EM&gt; (undated), by Josef Nassy (1904-1976), a Black expatriate
    of Jewish descent &lt;BR /&gt;
    who was one of 2,000 internees with American passports held prisoner in &lt;BR /&gt;
    Germany during WWII&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/87BE2515-ADF5-49E7-BD4C-818F92360A62.gif" alt="lurie.gif (28636 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;1942. Esther Lurie&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;described here new deportees arriving&lt;BR /&gt;
    in the ghetto&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/CF626CE2-D825-435B-838F-3AA2D6E22BBC.gif" alt="olere.gif (139619 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Unable to Work&lt;/EM&gt; by David Olère&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Inability to work was often an immediate death sentence&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/3CEC18BF-7EAA-4286-92D3-D3B1FC2370E1.jpg" alt="nussbaum.jpg (75075 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;By Felix Nussbaum. Born in 1904, he died at Auschwitz in 1944&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/2CDD70A9-0DEF-44CB-A853-6FCABC345AAF.gif" alt="food.gif (150313 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The Food of the Dead for the Living&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/13DCF98B-7122-47D8-988F-9112E69B4DC7.gif" alt="carpi.gif (23126 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Jews in the Hospital&lt;/EM&gt;, by Aldo Carpi, 1945&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/2AECA680-064F-4A03-A136-0CDE9A1ED484.gif" alt="forcedlabor.gif (27351 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SMALL&gt;"&lt;EM&gt;Forced Labor - Building a Tunnel&lt;/EM&gt;" by David Olere, 1945.
    &lt;BR /&gt;
    Given severely limited food rations, prisoners&lt;BR /&gt;
    were exploited in hard labor, such as the digging&lt;BR /&gt;
    of a tunnel, depicted here in watercolor and&lt;BR /&gt;
    charcoal. Those unable to work were killed.&lt;BR /&gt;
    &lt;A target="_blank" href="http://motlc.wiesenthal.com/gallery/pg17/pg3/pg17359.html"&gt;Online
    Source&lt;/A&gt;&lt;/SMALL&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/5ED4FD68-8E60-4E28-A5A6-7B2809F7D968.gif" alt="horen.gif (101872 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Kommando&lt;/EM&gt;, by Fernand Van Horen&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a Belgian survivor &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/0A2CEC93-358F-4470-A583-A91CAD2F6EFE.gif" alt="horen2.gif (75233 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Normal Life in Flossenburg&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/B823348A-C713-41F1-89CE-3FC7832535B3.gif" alt="drawing.gif (22572 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/A182CCE7-3649-4F96-ADA4-0695F0710AF0.gif" alt="gassing.gif (168399 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Gassing&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/779BD9CA-AD35-4865-A163-FE7BDB6800E4.jpg" alt="cans.jpg (52796 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Zyclon B cans"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/4853675E-FCBD-47D8-9DCA-40AB9E04FCF8.jpg" alt="chamber.jpg (64842 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/674C2E5C-18CB-4C58-B78F-9F7F59E00585.gif" alt="convoy.gif (139184 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Arrival of a Convoy&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/153918A0-4D82-4AF2-87BB-F254DED09AC0.jpg" alt="shoes.jpg (61229 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/0B6FCB09-8A5E-4343-882D-4D828D5E4F44.gif" alt="olere2.gif (69718 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/84EC13A7-EAA4-4197-A39E-997703CAD4B8.jpg" alt="bacon.jpg (17046 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/C79FF6C0-48F6-44F4-95B9-980926B0A6A5.jpg" alt="konigsgraben.jpg (112711 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/holocaust+art/" rel="tag"&gt;holocaust art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.english.uiuc.edu/maps/holocaust/art.htm</clipSource><pubDate>Tue, 08 Apr 2008 01:42:06 GMT</pubDate></item><item><title>Icicle the albino squirrel</title><link>http://clipmarks.com/clipmark/41A755B5-A0FB-4A5D-BD8D-B9D81B37155C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  (By liquidindian) &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.izytu.com/gadgets/mostinteresting.php?count=25&amp;delay=5" title="http://www.izytu.com/gadgets/mostinteresting.php?count=25&amp;delay=5"&gt;www.izytu.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/3D2E381C-47E2-4003-89A1-8AFEEE74031C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/albino+squirrel/" rel="tag"&gt;albino squirrel&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.izytu.com/gadgets/mostinteresting.php?count=25&amp;delay=5</clipSource><pubDate>Mon, 07 Apr 2008 19:42:23 GMT</pubDate></item><item><title>Great Train Journeys of the World</title><link>http://clipmarks.com/clipmark/4B111D94-01A5-495A-8A95-7C1A10B16D2C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/travel/941316/10-great-rail-journeys.html" title="http://www.telegraph.co.uk/travel/941316/10-great-rail-journeys.html"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Switzerland: The Bernina Express&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
This takes you over the highest rail summit in the Alps – 7,405 feet up&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/24A745D8-E1A8-45E5-A332-10073942D22A.jpg" alt="The Bernina Express train in Switzerland from Chur to Tirano in Italy crossing the Brussio viaduct" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Canada: Rocky Mountaineer Vacations&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/E3A8A5BC-E514-4871-9793-05278D6337F0.jpg" alt="Rocky Mountaineer, Bow River by Lake Louise, Alberta" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;South Africa: Rovos Rail&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Now regarded as superior to the Blue Train for quality and service&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/4C772309-DAA2-4067-8D82-F6796AF7399F.jpg" alt="Rovos Rail" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Observation cars allow 
  unrivalled views across the bush&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/86098E17-E282-471C-987A-14FCDBBABEED.jpg" alt="The Rovos Rail, luxurious train travelling between Cape town and Pretoria" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Russia: Golden Eagle Trans-Siberian Express&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
The world’s longest train journey at nearly 6,000 miles&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;provides comfort unknown 
  since Tsarist times&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/966BEC9E-7A5F-4ACF-8649-14E9A7041660.jpg" alt="Golden Eagle Train on the Trans-Siberian Express Route" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;South East Asia: Eastern &amp; Oriental Express &lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;1,262-mile journey from Bangkok to Singapore&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/3AD7C218-75B9-4CE3-965E-9EB40700E0C5.jpg" alt="The Eastern &amp; Oriental Express travelling between Singapore and Butterworth" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;North America: California Zephyr &lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
The Amtrak trip on the California Zephyr runs through the heart of the Rocky 
  Mountains&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/BF6D1DD2-2E1A-4F12-8101-985D90438A0F.jpg" alt="Amtrak's California Zephyr in the Rockies on its journey from Chicago to San Francisco" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Great Britain: Northern Belle&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
The Flying Scotsman used to be the way to see the Scottish Highlands. Now 
  there's another – the Northern Belle&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/778B5532-EB73-491A-98CE-71ED1908A42C.jpg" alt="Northern Belle enroute between Fort William and Mallaig" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Europe: Venice Simplon-Orient-Express &lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/66D52639-B244-45BF-955E-463C511FF5B0.jpg" alt="The Venice Simplon-Orient-Express near Lake Leman, Switzerland" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Japan: The Shinkansen &lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The Bullet Train, as it is better known, is closer to a rocket 
  than a train&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/561EE25A-4E7C-4117-AA62-91D2D43B9824.jpg" alt="Shinkansen bullet train pulls out of the commercial shopping district of Ginza" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
On the Tokyo to Kyoto Bullet Train trip, the adrenaline rush is the train 
  itself&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/C61A0ECA-CDDD-40C4-8617-AA5AE00F1787.jpg" alt="Nozomi Bullet train Japan shinkansen platform " /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/trains+and+travelling/" rel="tag"&gt;trains and travelling&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.telegraph.co.uk/travel/941316/10-great-rail-journeys.html</clipSource><pubDate>Mon, 07 Apr 2008 16:35:04 GMT</pubDate></item></channel></rss>