<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | kidora's clips</title><link>http://clipmarks.com/clipper/kidora/sort/newest-clips/filter/added/</link><feedUrl>http://rss.clipmarks.com/clipper/kidora/sort/newest-clips/filter/added/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>CNN Makes Paris More Important than Health Care</title><link>http://clipmarks.com/clipmark/5FDE118D-4E5F-4E88-97E2-F3ED6E3603BA/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/zasel/"&gt;zasel&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  CNN, in my opinion, is no longer to be considered a reputable source of important and relevant news.  Although I realize Michael Moore is publicizing his new film SICKO, which is of course, self-serving, the film is about an issue of great importance and relevance to the entire country.  To bump this discussion of such a critical matter in favour of an interview with Paris Hilton who is relevant to nothing of importance in the overall serious issues confronting our country is an insult to what the news media is supposed to be all about. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.alternet.org/blogs/peek/55197/" title="http://www.alternet.org/blogs/peek/55197/"&gt;www.alternet.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;CNN Dumps Michael Moore for Paris Hilton&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Yesterday, CNN proudly announced that it has scored the first post-jail interview with Paris Hilton. To make room for Paris on Wednesday, &lt;A href="http://news.yahoo.com/s/nm/20070624/ts_nm/hilton_interview_dc"&gt; CNN canceled its interview with Michael Moore&lt;/A&gt; about his new health care documentary &lt;A href="http://www.michaelmoore.com/sicko/"&gt;SiCKO&lt;/A&gt;:&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;CNN, the "most trusted name in Paris news," continues to sink to new lows in its "assault on reason." Hilton is the latest "&lt;A href="http://thinkprogress.org/2007/06/10/paris-lowlights/"&gt;serial obsession&lt;/A&gt;," though the network recently hired a reporter devoted to &lt;A href="http://thinkprogress.org/2007/05/30/cnn-reason/"&gt;"covering things like Britney&lt;/A&gt;, as well as the Michael Jackson memorabilia." Now CNN has ditched coverage of America's &lt;A href="http://www.americanprogressaction.org/progressreport/2007/06/a_sicko_america.html"&gt;broken health care system&lt;/A&gt; in favor of an hour-long interview of an incarcerated socialite.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
ThinkProgress spoke with Moore's team, who confirmed that CNN has not yet rescheduled the interview. SiCKO, which opens nationwide this Friday, sheds light on the health care crisis that the media &lt;A href="http://plumer.blogspot.com/2005_04_01_archive.html#111333150281914964"&gt;covers poorly&lt;/A&gt;, when it covers it at all.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/michael+moore/" rel="tag"&gt;michael moore&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/paris+hilton/" rel="tag"&gt;paris hilton&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/heath+care/" rel="tag"&gt;heath care&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/media/" rel="tag"&gt;media&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cnn/" rel="tag"&gt;cnn&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.alternet.org/blogs/peek/55197/</clipSource><pubDate>Wed, 27 Jun 2007 01:19:56 GMT</pubDate></item><item><title>Doomsday - The Mayan Prophesy</title><link>http://clipmarks.com/clipmark/6F0618BC-352E-4AE8-B17C-073DC9839084/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/thisnamecantbetaken/"&gt;thisnamecantbetaken&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  December 21st, 2012. I probably won't be home that day, but I'll catch it later on youtube, I reckon. Jokes aside, they say the Mayan (or Atzec) calender is the most accurate ever made. Their doomsday is not so much about the end of time, but of the beginning or dawn of a new age of enlightenment. I think it's worth a gander. &lt;img src="http://clipmarks.com/images/icons/smilies/wink.gif" alt="" /&gt;&lt;br/&gt;&lt;br/&gt;This video explains the Mayan calender pretty well. Part one of three;&lt;br/&gt;&lt;a href="http://video.google.com/videoplay?docid=-6681910439634411366&amp;amp;q=Mayan&amp;amp;total=2058&amp;amp;start=0&amp;amp;num=10&amp;amp;so=0&amp;amp;type=search&amp;amp;plindex=0" rel="nofollow" target="_blank"&gt;The Mayan Calender Unveiled&lt;/a&gt;&lt;br/&gt;&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://viewzone.com/endtime.html" title="http://viewzone.com/endtime.html"&gt;viewzone.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thisnamecantbetaken/512/022ADE58-C69F-4121-AF7D-79F3D8D7B5EB.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;There is a common belief that the calendar holds a prophecy that the end of the world will happen in 2012. At the time, I knew very little about the whole topic and when I began doing the research. I like to think I had an open mind. My investigation began with mainstream archaeology and the expert interpretations of the calendar. But it soon took a turn that made my hair literally stand on end. I am now convinced that these prophecies are true.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

To understand what is likely to happen to Earth and it's people, you will need to remain calm and try to follow the facts. It's not as simple as some people describe. It requires an understanding of some fairly complicated scientific realities, but I think I can explain them in a way that you will easily understand.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thisnamecantbetaken/512/B4C7E139-7218-4A59-AE1F-EC95DA600646.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/mayan/" rel="tag"&gt;mayan&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/calender/" rel="tag"&gt;calender&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/future/" rel="tag"&gt;future&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/2012/" rel="tag"&gt;2012&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cosmos/" rel="tag"&gt;cosmos&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/evolution/" rel="tag"&gt;evolution&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/prophesy/" rel="tag"&gt;prophesy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/time/" rel="tag"&gt;time&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/noosphere/" rel="tag"&gt;noosphere&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/quickening/" rel="tag"&gt;quickening&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/consciousness/" rel="tag"&gt;consciousness&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://viewzone.com/endtime.html</clipSource><pubDate>Tue, 26 Jun 2007 18:13:34 GMT</pubDate></item><item><title>22 Things You Didn't Know You Could Get for Free</title><link>http://clipmarks.com/clipmark/2CBB7732-C639-4ED4-90BB-745236997959/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.rewardprograms.org/thefreegeek/features/22_things_you_didnt_know_you_could_get_for_free.html" title="http://www.rewardprograms.org/thefreegeek/features/22_things_you_didnt_know_you_could_get_for_free.html"&gt;www.rewardprograms.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Conventional wisdom holds that you only get what you pay for, but the real 
  free geek knows that with the right knowledge (and maybe a charming smile) pretty 
  much anything, even the good stuff, can be had for less or in the best case 
  scenarios &lt;A href="http://www.rewardprograms.org/thefreegeek/features/the_geeks_guide_to_getting_free_stuff.html"&gt;nothing 
  at all&lt;/A&gt;. Despite this, there are a number of things out there that don't 
  seem to scream "free" majority of the time (MIT being one). Here's 
  a list of a few free things that might surprise you.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Classes at MIT &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Language Lessons &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Business Education &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Computer Classes &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Museum Admission &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Concerts, Movies and Shows &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Pets &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Gym Membership &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Photo Prints &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;411 Service &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Phone Calls &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Email Reminders &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Ice Cream &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Used Books &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Household Items &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Makeup &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Face Cream &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Good Samples &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Comic Books &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;CPR Courses &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Legal Music &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Coffee &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;While not everything you want can always be free, there are a lot of free things 
  out there for the taking if you know when to go and where. So take advantage 
  of this list, and start getting all the free stuff you deserve (you've worked 
  hard for it). &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/free/" rel="tag"&gt;free&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/life/" rel="tag"&gt;life&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/education/" rel="tag"&gt;education&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/food/" rel="tag"&gt;food&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/interesting/" rel="tag"&gt;interesting&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.rewardprograms.org/thefreegeek/features/22_things_you_didnt_know_you_could_get_for_free.html</clipSource><pubDate>Tue, 26 Jun 2007 03:09:54 GMT</pubDate></item><item><title>The Genius/Madness of Salvador Dali</title><link>http://clipmarks.com/clipmark/AB3C5322-AC97-4B2D-8672-6F26821F63F8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I'm a huge fan of both! &lt;br/&gt;&lt;br/&gt;Here's an old clip on &lt;a href="http://clipmarks.com/clipmark/840DA639-F0DA-4953-A781-F5AB132472D2/"&gt;Philippe Halsman's jump portraits&lt;/a&gt;. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/" title="http://todayspictures.slate.com/dalihap/"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD class="mBook"&gt;Photographer Philippe Halsman and Salvador Dali collaborated on a series of images, the result of which is a fascinating look at how photography appealed to Dali in the 1940s-60s. Magnum and &lt;I&gt;&lt;B&gt;Slate&lt;/B&gt;&lt;/I&gt; present a compendium of images from this series to celebrate the birth of Dali on May 11, 1904. (This gallery contains nudity.)
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/4865750B-BF85-4BAA-9D17-841D8BCC43A8.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Salvador Dali, 1954.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/9.html" title="http://todayspictures.slate.com/dalihap/9.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/48D99A95-D656-48B2-9ACB-9873BCA0EE49.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/10.html" title="http://todayspictures.slate.com/dalihap/10.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/A1AB477A-525E-42A3-9BAD-DAC7CEFF7826.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/13.html" title="http://todayspictures.slate.com/dalihap/13.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/C289592A-F9DB-48A9-A4D0-7519A82B9CA1.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/11.html" title="http://todayspictures.slate.com/dalihap/11.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/27C5074C-21EC-4E9A-811D-718A97C7EB1B.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/20.html" title="http://todayspictures.slate.com/dalihap/20.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/C7E8BF6D-BC06-4686-9515-BAA4911E0C1D.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/14.html" title="http://todayspictures.slate.com/dalihap/14.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/520A77C8-266F-4BF8-BF93-46B0AA41D7FD.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/7.html" title="http://todayspictures.slate.com/dalihap/7.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/6E234F80-3D38-45AA-9C23-A2034355E85D.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/8.html" title="http://todayspictures.slate.com/dalihap/8.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/491B5040-F481-4B13-9982-233A51914F5C.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/2.html" title="http://todayspictures.slate.com/dalihap/2.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;A play on Dali’s &lt;I&gt;The Persistence of Memory&lt;/I&gt; (1931), 1952.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/B9079924-3B70-4DB2-8BBC-7C7A80777E39.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/6.html" title="http://todayspictures.slate.com/dalihap/6.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;UNITED STATES—Dali's &lt;I&gt;My Hairspring&lt;/I&gt;, 1954.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/088D0BF9-7E63-41CD-8A44-87D07BF5A2DA.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/3.html" title="http://todayspictures.slate.com/dalihap/3.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Dali, 1953.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/0658393A-2984-4139-8458-22BE957C9CE8.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/4.html" title="http://todayspictures.slate.com/dalihap/4.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;I&gt;Dali Atomicus&lt;/I&gt;, by Dali, 1948.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/32F6B561-3225-4C78-88A5-56B7A7B480B4.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/5.html" title="http://todayspictures.slate.com/dalihap/5.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;SPAIN—Dali in bed, projecting pieces of dirty paper "to stimulate his inspiration," 1964.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/655DACDB-A096-40C1-BE0C-8AB208F86F65.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/12.html" title="http://todayspictures.slate.com/dalihap/12.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;NEW YORK—Dali's &lt;I&gt;Chaos &amp; Creation&lt;/I&gt;, 1960.  &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/1F8C795F-D6FD-484B-89CD-5630AC191DF9.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/15.html" title="http://todayspictures.slate.com/dalihap/15.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;NEW YORK—Dali, 1951. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/61151DB1-ADC5-411E-AC33-CFFA00F1CAC0.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/17.html" title="http://todayspictures.slate.com/dalihap/17.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;PORT LIGAT, Spain—Dali, 1941.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/F261E7E9-999F-4D6F-A144-9EF36FFD06F2.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/18.html" title="http://todayspictures.slate.com/dalihap/18.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;UNITED STATES—&lt;I&gt;Las Meninas&lt;/I&gt; after Velásquez, 1965.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/E8F19628-EE5D-478F-B8A9-C0AB325112A2.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/19.html" title="http://todayspictures.slate.com/dalihap/19.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Dali, 1946.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/28D1583C-EFD9-4CA8-A4B0-DC39A5458725.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/16.html" title="http://todayspictures.slate.com/dalihap/16.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;PORT LIGAT, Spain—Dali. "In 1964, when the radio and newspapers announced that Dali had shaved his mustache,&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the information was wrong and Philippe and Dali concocted a photograph to show the world that Dali's mustache was still there, as strong as ever."—Yvonne Halsman, 1964.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/BDAC89E3-BCB8-415E-BF85-30839399ED39.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/salvador+dali/" rel="tag"&gt;salvador dali&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photos/" rel="tag"&gt;photos&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/artist/" rel="tag"&gt;artist&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/collaboration/" rel="tag"&gt;collaboration&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/motion/" rel="tag"&gt;motion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/jump/" rel="tag"&gt;jump&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/portrait/" rel="tag"&gt;portrait&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/philippe+halsman/" rel="tag"&gt;philippe halsman&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://todayspictures.slate.com/dalihap/</clipSource><pubDate>Mon, 25 Jun 2007 05:55:04 GMT</pubDate></item><item><title>20 Tips for More Efficient Google Searches</title><link>http://clipmarks.com/clipmark/181DC940-7E88-4286-8710-B83F43B7FF69/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/thefoxalmighty/"&gt;thefoxalmighty&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  very useful indeed. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dumblittleman.com/2007/06/20-tips-for-more-efficient-google.html" title="http://www.dumblittleman.com/2007/06/20-tips-for-more-efficient-google.html"&gt;www.dumblittleman.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;But instead of just typing in a phrase and wading through page after page of results, there are a number of ways to make your searches more efficient.&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;B&gt;Backlinks&lt;/B&gt;. The "link:" operator will find pages that link to a specific URL. You can use this not only for a main URL but even to a specific page. Not all links to an URL are listed, however.&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;B&gt;Numrange&lt;/B&gt;. This little-known feature searches for a range of numbers. For example, ["best books 2002..2007] will return lists of best books for each of the years from 2002 to 2007 (note the two periods between the two numbers).&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;B&gt;Calculator&lt;/B&gt;. One of the handiest uses of Google, type in a quick calculation in the search box and get an answer. It's faster than calling up your computer's calculator in most cases. Use the +, -, *, / symbols and parentheses to do a simple equation.&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; &lt;B&gt;Definitions&lt;/B&gt;. Use the "define:" operator to get a quick definition. [define:dumb] will give you a whole host of definitions from different sources, with links.&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Advanced search&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/google/" rel="tag"&gt;google&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/search+engine/" rel="tag"&gt;search engine&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/optimization/" rel="tag"&gt;optimization&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dumblittleman.com/2007/06/20-tips-for-more-efficient-google.html</clipSource><pubDate>Fri, 08 Jun 2007 04:46:44 GMT</pubDate></item><item><title>Make Second Life sculpted prims easily with Rokuro (lathe)</title><link>http://clipmarks.com/clipmark/849F87E4-7BC4-4C9D-A55C-DC5BFB837196/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Torley/"&gt;Torley&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I've tried this a bit and it's fun; Benja Kepler even made a video tutorial for it. The interface is a bit unorthodox, as if it were some tool from the Elder Gods found in a simple farmer's cornfield. But it's easy enough to get used to. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.kanae.net/secondlife/" title="http://www.kanae.net/secondlife/"&gt;www.kanae.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;ROKURO(lathe) - Sculpted Prim Maker -&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H5&gt;by Yuzuru Jewell(KANAE PROJECT) produced by youwith&lt;/H5&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
This Program makes Sculpted Prim texture .tga file of a solid of revolution for Secondlife.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Torley/512/25B426B1-643C-41BF-A5C4-3E9D488376AD.png" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Torley/512/3DB9035E-73B5-46B9-B490-FAE1145C1E15.png" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/make/" rel="tag"&gt;make&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/second/" rel="tag"&gt;second&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/life/" rel="tag"&gt;life&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sculpted/" rel="tag"&gt;sculpted&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/prims/" rel="tag"&gt;prims&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/easily/" rel="tag"&gt;easily&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/with/" rel="tag"&gt;with&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rokuro/" rel="tag"&gt;rokuro&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/(lathe)/" rel="tag"&gt;(lathe)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.kanae.net/secondlife/</clipSource><pubDate>Fri, 01 Jun 2007 04:53:27 GMT</pubDate></item><item><title>80% of internet users in virtual worlds by 2011</title><link>http://clipmarks.com/clipmark/71FD659F-4695-4D5F-8FBA-1DF48B2F50A1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ONE+Research/"&gt;ONE Research&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://adverlab.blogspot.com/2007/04/gartner-80-of-internet-users-in-virtual.html" title="http://adverlab.blogspot.com/2007/04/gartner-80-of-internet-users-in-virtual.html"&gt;adverlab.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;"By the end of 2011, &lt;SPAN&gt;80 percent&lt;/SPAN&gt; of active Internet users (and Fortune 500 enterprises) will have a “second life,” but not necessarily in Second Life, according to Gartner, Inc.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/virtual+worlds/" rel="tag"&gt;virtual worlds&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/second+life/" rel="tag"&gt;second life&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://adverlab.blogspot.com/2007/04/gartner-80-of-internet-users-in-virtual.html</clipSource><pubDate>Thu, 26 Apr 2007 17:21:15 GMT</pubDate></item><item><title>The Top 10 Servers that Changed the Fictional World</title><link>http://clipmarks.com/clipmark/02367019-4927-48F6-B6FC-CAE08DA2F4FE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/overture/"&gt;overture&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  With real life comparisons. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vibrant.com/blog/servers-in-the-movies-our-top-ten/" title="http://www.vibrant.com/blog/servers-in-the-movies-our-top-ten/"&gt;www.vibrant.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;There are two guidelines for this list.  One, they must exist only in the world of movies or TV.  Second, they need to fit the following definition: &lt;EM&gt;A server is a computer system that provides services or data to other computing systems—called clients—over a network or other communication device&lt;/EM&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;1. Teletraan 1 – &lt;A href="http://imdb.com/title/tt0086817/"&gt;Transformers&lt;/A&gt; (1983 – 2007)&lt;IMG align="right" src="http://www.vibrant.com/images/teletran1.jpg" /&gt;&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/overture/512/200DF084-5DFE-4885-8C82-7D7BDEE5E535.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;2. MCP – &lt;A href="http://imdb.com/title/tt0084827/"&gt;Tron&lt;/A&gt; (1982)&lt;IMG align="right" src="http://www.vibrant.com/images/mcp.jpg" /&gt;&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/overture/512/94204B3B-3960-4CDE-8DEC-21D77901E453.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;3. UNIX environment - &lt;A href="http://imdb.com/title/tt0107290/"&gt;Jurassic Park&lt;/A&gt; (1993)&lt;IMG align="right" src="http://www.vibrant.com/images/jurassic_park.jpg" /&gt;&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/overture/512/ABE1949B-3346-490C-A3F5-8F42AD08C471.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;4. WOPR (War Operations Plan Response) – &lt;A href="http://imdb.com/title/tt0086567/"&gt;WarGames&lt;/A&gt; (1983)&lt;IMG align="right" src="http://www.vibrant.com/images/wopr.jpg" /&gt;&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/overture/512/3E38ED87-32FE-4098-8825-BAD8D7887F05.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;5. SKYNET – &lt;A href="http://imdb.com/title/tt0088247"&gt;The Terminator&lt;/A&gt;&lt;A href="http://imdb.com/title/tt0088247"&gt; &lt;/A&gt;(1984)&lt;IMG align="right" src="http://www.vibrant.com/images/skynet.jpg" /&gt;&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/overture/512/D50BC08D-0A97-4A2B-80FD-A3C4593C17E0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;6. The Gibson – &lt;A href="http://imdb.com/title/tt0113243/"&gt;Hackers &lt;/A&gt;(1995)&lt;IMG align="right" src="http://www.vibrant.com/images/hackers.jpg" /&gt;&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/overture/512/D6026BBC-A7AC-4F5A-AAC1-7593043946C0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;7. The Source – &lt;A href="http://imdb.com/title/tt0133093/"&gt;The Matrix&lt;/A&gt; (1999 – 2003)&lt;IMG align="right" src="http://www.vibrant.com/images/matrix_second_life.jpg" /&gt;&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/overture/512/85B8A946-C4B4-409B-B074-1BBA8CA37CF0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;8. HAL9000 – &lt;A href="http://imdb.com/title/tt0062622/"&gt;2001: A Space Odyssey&lt;/A&gt; (1968)&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/overture/512/D3EE41AE-D84E-47B6-8D06-31737035BEC7.jpg" alt="Hal9000" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;9. VIKI – &lt;A href="http://imdb.com/title/tt0343818/"&gt;I, Robot&lt;/A&gt; (2004)&lt;IMG align="right" src="http://www.vibrant.com/images/viki.jpg" title="V.I.K.I from iRobot" alt="V.I.K.I from iRobot" /&gt;&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/overture/512/8531EC99-CE87-48D1-97CC-83A97F3929F3.jpg" alt="V.I.K.I from iRobot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;10. Deep Thought – &lt;A href="http://imdb.com/title/tt0371724/"&gt;Hitchhikers Guide to the Galaxy&lt;/A&gt; (2005)&lt;IMG align="right" src="http://www.vibrant.com/images/deep_thought.jpg" /&gt;&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/overture/512/0CB917F9-7E5C-40A9-80CD-C288C7F92950.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/films/" rel="tag"&gt;films&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tv/" rel="tag"&gt;tv&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fiction/" rel="tag"&gt;fiction&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/server/" rel="tag"&gt;server&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.vibrant.com/blog/servers-in-the-movies-our-top-ten/</clipSource><pubDate>Wed, 18 Apr 2007 19:23:04 GMT</pubDate></item><item><title>Videoblogging in Second Life</title><link>http://clipmarks.com/clipmark/C9D86D41-440D-45A8-A3F9-3B83959BBAD3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/fauxpress/"&gt;fauxpress&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I've seen David's SL device in action. Pretty darned cool. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://mmeiser.com/blog/" title="http://mmeiser.com/blog/"&gt;mmeiser.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="1"&gt;&lt;IMG width="11" height="1" border="0" src="http://mmeiser.com/images/clear.gif" /&gt;&lt;/TD&gt;
&lt;TD width="99%"&gt;&lt;IMG width="1" height="10" border="0" src="http://mmeiser.com/images/clear.gif" /&gt;&lt;BR /&gt;&lt;BR /&gt;

































&lt;DIV id="main"&gt;&lt;DIV id="main2"&gt;




         

  &lt;DIV class="post"&gt;

&lt;H2 class="sIFR-replaced"&gt;&lt;span class="sIFR-alternate"&gt;Videoblogging in Second Life&lt;/span&gt;&lt;/H2&gt;


      &lt;DIV&gt;&lt;/DIV&gt;&lt;IMG src="http://video.lisarein.com/mefeedia/secondlife/trying-out-tvs-sm.png" /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;As part the &lt;A href="http://videobloggingweek.mefeedia.com/"&gt;Videoblogging Week 2007&lt;/A&gt; theme "crossing borders", &lt;A href="http://onlisareinsradar.com/"&gt;Lisa Rein&lt;/A&gt; has done an excellent series of posts on &lt;A href="http://mefeedia.com/blog/tag/second-life"&gt;videoblogging in Second Life&lt;/A&gt;. As part of the series Chicago based videoblogger &lt;A href="http://www.davidmeade.com/"&gt;Davide Meade&lt;/A&gt; has created this amazing video of an interface he's created for videoblogs in Second Life. Complete with a channel changer and multiple screens. If you have second life installed you can check it out by visiting the below SLURL... that's a Second Life Uniform Resource Locator or Second Life URL for you geeks. :)&lt;/DIV&gt;&lt;BR /&gt;See it in Second Life: &lt;A href="http://slurl.com/secondlife/Gyeongju/113/158/74"&gt;http://slurl.com/secondlife/Gyeongju/113/158/74&lt;/A&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/second+life/" rel="tag"&gt;second life&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/secondlife/" rel="tag"&gt;secondlife&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/machinima/" rel="tag"&gt;machinima&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mmeiser/" rel="tag"&gt;mmeiser&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/david+meade/" rel="tag"&gt;david meade&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/lisa+rein/" rel="tag"&gt;lisa rein&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://mmeiser.com/blog/</clipSource><pubDate>Sat, 07 Apr 2007 15:12:21 GMT</pubDate></item><item><title>70% of SL users dissappointed w/ traditional marketing</title><link>http://clipmarks.com/clipmark/0B44AADD-12C4-4A78-A9D7-50C5B28036EA/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/DrLRn1Rs/"&gt;DrLRn1Rs&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dmwmedia.com/news/2007/03/27/survey-70-of-of-users-disappointed-with-marketing-efforts-in-second-life" title="http://www.dmwmedia.com/news/2007/03/27/survey-70-of-of-users-disappointed-with-marketing-efforts-in-second-life"&gt;www.dmwmedia.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 class="content-title"&gt;Survey: 70% of of Users Disappointed With Marketing Efforts in Second Life&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;according to a new survey by Komjuniti, a Hamburg, Germany, research firm. Second Lifers see a lot of the companies as simply opportunistic and not really interested in developing a long-term presence in Second Life that benefits its inhabitants.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;“The brand sites on Second Life currently look like they’re being treated in pretty much the same way as [traditional] advertising campaigns,” said Dr. Nils Andres, managing director of Komjuniti to Brandweek. They have been “placed with the hope of getting high visitor frequency and good PR scores.”&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;“They expect more creativity, more inspiration, and not vertical influence the old and traditional way of the 60-second spot,” said Andres. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Catherine Smith, Linden Labs’ Director of Marketing, says&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;“If you are not authentic and do not offer anything to the community, you are likely to be ignored”, she said.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/gh+avisualagency/" rel="tag"&gt;gh avisualagency&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dmwmedia.com/news/2007/03/27/survey-70-of-of-users-disappointed-with-marketing-efforts-in-second-life</clipSource><pubDate>Thu, 29 Mar 2007 19:09:54 GMT</pubDate></item><item><title>Second Life To Transform Internet, Browser Tech By 2017</title><link>http://clipmarks.com/clipmark/EB51B342-D62E-4BD7-8A08-41BB34143461/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/DrLRn1Rs/"&gt;DrLRn1Rs&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:#e5e5e5"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.informationweek.com/internet/showArticle.jhtml?articleID=198500071&amp;cid=RSSfeed_IWK_News" title="http://www.informationweek.com/internet/showArticle.jhtml?articleID=198500071&amp;cid=RSSfeed_IWK_News"&gt;www.informationweek.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;
Mozilla's technologist predicts that in the next 10 years our avatars will attend virtual business meetings and chat with other shoppers as they browse for books in 3-D bookstores.
&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;attend virtual business meetings and chat with other shoppers as they browse for books in 3-D bookstores.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="byLine"&gt;
By
&lt;A href="http://www.informationweek.com/internet/mailto:sgaudin@cmp.com"&gt;&lt;U&gt;Sharon
Gaudin&lt;/U&gt;&lt;/A&gt;
&lt;BR /&gt;

&lt;A target="_blank" href="http://www.informationweek.com/;jsessionid=0G5NR2H2HHGXCQSNDLPCKH0CJUNN2JVN"&gt;
InformationWeek
&lt;/A&gt;
&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;NOBR&gt;
March 22, 2007 01:46 PM
&lt;/NOBR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P nd="1"&gt;
The virtual world phenomenon of Second Life will transform the Internet within the next 10 years, and the browser will have to change just as fast to keep up, said Mozilla's Window Snyder.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P nd="9"&gt;
"Once upon a time, your browser was just text and images," said Snyder. "Now, it's incredibly rich and it has Java, ActiveX, and Ajax. Client-side applications are executing in your browser. It's already so far away from text and images. In 10 years, it will be more about this first-person avatar-based 3-D experience."
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/gh+avisualagency/" rel="tag"&gt;gh avisualagency&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.informationweek.com/internet/showArticle.jhtml?articleID=198500071&amp;cid=RSSfeed_IWK_News</clipSource><pubDate>Thu, 29 Mar 2007 14:46:37 GMT</pubDate></item><item><title>2 Computer Machinima</title><link>http://clipmarks.com/clipmark/2E6E70A6-80DC-4523-9B90-523E7E369E95/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/cc_chapman/"&gt;cc_chapman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Good tutorial on two computer capturing of machinima &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.machinima.com/article.php?id=448" title="http://www.machinima.com/article.php?id=448"&gt;www.machinima.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
One Minute &lt;A href="http://secondlife.com/showcase/machinima.php"&gt;Machinima&lt;/A&gt; are meant to open a window to the diverse activities enjoyed by avatars in &lt;A href="http://secondlife.com/"&gt;Second Life&lt;/A&gt;. These videos can help draw new users into the world and help current residents discover fun things residents are creating. Using this tutorial, we hope other residents will create their own machinima to showcase the world of Second Life.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; One machine that has S-Video out.  We used a &lt;A href="http://www1.us.dell.com/content/products/features.aspx/gaming_xpsnb?c=us&amp;cs=19&amp;l=en&amp;s=dhs"&gt;Dell XPS M170&lt;/A&gt;.  &lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; A Mac with iMovie.  We used an &lt;A href="http://www.apple.com/imac/"&gt;Intel iMac&lt;/A&gt;.
	&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; A digital video converter box.  We used a &lt;A href="http://www.canopus.com/products/ADVC110/index.php"&gt;Canopus ADVC110&lt;/A&gt;.&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; An S-Video cable. &lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; A FireWire cable (comes with the Canopus ADVC110). &lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/machinima/" rel="tag"&gt;machinima&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/second+life/" rel="tag"&gt;second life&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mac/" rel="tag"&gt;mac&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/pc/" rel="tag"&gt;pc&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.machinima.com/article.php?id=448</clipSource><pubDate>Thu, 15 Mar 2007 18:39:31 GMT</pubDate></item><item><title>Second Life experiences virtually superficial</title><link>http://clipmarks.com/clipmark/99875E64-3ECA-4E97-B6CE-AE3A56C8B912/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/redhead328/"&gt;redhead328&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I have very serious reservations about virtual communities like these that some people see as antidote for loneliness.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dukemagazine.duke.edu/dukemag/issues/010207/digital3.html" title="http://www.dukemagazine.duke.edu/dukemag/issues/010207/digital3.html"&gt;www.dukemagazine.duke.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD colspan="2"&gt; 
      &lt;HR width="100%" size="1" noshade="" /&gt;
    &lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/redhead328/512/EBFE3B5C-8513-45BA-B541-D140CD37B557.gif" alt="Duke Magazine-Connections and Disconnections in the Digital Age by Robert J. Bliwise" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
              Just an hour or so after joining, "you'll notice that several
              residents approach you and introduce themselves," the website
              promises. "Within this vibrant society of people, it's easy
              to find people with similar interests.... Once you meet people
              you like, you find it's easy to communicate and stay in touch." &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
              In the context of this universe, communicating and staying in touch
              have decidedly nontraditional meanings. You can link with your
              online associates to hang out at a nightclub, take in a fashion
              show, attend an art opening, or play games. It could be the start
              of a virtual friendship. The gift of virtual chicken soup delivered
              by a friendly avatar, though, won't go down like the real thing. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/second+life/" rel="tag"&gt;second life&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/internet/" rel="tag"&gt;internet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cyber+culture/" rel="tag"&gt;cyber culture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/connections/" rel="tag"&gt;connections&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/loneliness/" rel="tag"&gt;loneliness&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dukemagazine.duke.edu/dukemag/issues/010207/digital3.html</clipSource><pubDate>Sat, 10 Mar 2007 15:53:00 GMT</pubDate></item></channel></rss>