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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | All clippers jansegers follows</title><link>http://clipmarks.com/clipper/jansegers/clippers/clip/EC84D025-9DA1-4803-8CA4-39737845F608/</link><feedUrl>http://rss.clipmarks.com/clipper/jansegers/clippers/clip/EC84D025-9DA1-4803-8CA4-39737845F608/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Second language changes the way bilinguals read in their native tongue</title><link>http://clipmarks.com/clipmark/92B52748-9BE4-4961-AE6D-E38101276F5E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Do bilinguals have an internal switch that stops their two languages from interfering with each other, or are both languages always "on"? &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bps-research-digest.blogspot.com/2009/08/second-language-changes-way-bilinguals.html" title="http://bps-research-digest.blogspot.com/2009/08/second-language-changes-way-bilinguals.html"&gt;bps-research-digest.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The fact that bilinguals aren't forever spurting out words from the wrong language implies there's some kind of switch.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; in 2007, brain surgeons reported evidence for a language switch when their cortical prodding with an electrode caused two bilingual patients to &lt;A href="http://bps-research-digest.blogspot.com/2007/05/people-who-can-communicate-in-more-than.html"&gt;switch languages suddenly and involuntarily&lt;/A&gt;.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;On the other hand, there's good evidence that languages are integrated in the bilingual mind.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;bilinguals are faster at naming an object when the word for that object is similar or the same in the two languages they speak (e.g. ship/schip in English and Dutch).&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;even when bilinguals read sentence after sentence in their native tongue, access to words in their second language remains open, rather than switched off, thus having an effect on the way the native language is processed.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Becoming a bilingual means one will never read the newspaper again in the same way," they concluded. "It changes one of people's seemingly most automatic skills, namely, reading in one's native language."&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/perception/" rel="tag"&gt;perception&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/psychology/" rel="tag"&gt;psychology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reading/" rel="tag"&gt;reading&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/speech/" rel="tag"&gt;speech&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/research/" rel="tag"&gt;research&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://bps-research-digest.blogspot.com/2009/08/second-language-changes-way-bilinguals.html</clipSource><pubDate>Thu, 27 Aug 2009 17:35:10 GMT</pubDate></item><item><title>How Concepts Affect Consumption</title><link>http://clipmarks.com/clipmark/53BF855E-062D-407C-84CE-5F5FB7097824/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  fascinating, go read &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.predictablyirrational.com/?p=639" title="http://www.predictablyirrational.com/?p=639"&gt;www.predictablyirrational.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Our prehistoric ancestors spent much of their waking hours foraging for and consuming food, an instinct that obviously paid off. Today this instinct is no less powerful, but for billions of us it’s satisfied in the minutes it takes to swing by the store and pop a meal in the microwave. With our physical needs sated and time on our hands, increasingly we’re finding psychological outlets for this drive, by seeking out and consuming concepts.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Conceptual consumption strongly influences physical consumption. Keeping up with the Joneses is an obvious example. The SUV in the driveway is only partly about the need for transport; the concept consumed is status. Dozens of studies tease out the many ways in which concepts  influence people’s consumption, independent of the physical thing being consumed. Here are just three of the classes of conceptual consumption that we and others have identified.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;by Dan Ariely and Michael I. Norton&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A target="_blank" href="http://www.people.hbs.edu/mnorton/ariely norton 2009.pdf"&gt;The full paper on which this article is based is available here&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/concepts/" rel="tag"&gt;concepts&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/consumption/" rel="tag"&gt;consumption&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.predictablyirrational.com/?p=639</clipSource><pubDate>Thu, 30 Jul 2009 17:00:05 GMT</pubDate></item><item><title>The Possibility of Impossible cultures</title><link>http://clipmarks.com/clipmark/1230E82A-DAF0-4B18-88D7-319751EB7D9F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Heuser suggests that only humans have evolved four computational capacities, constituting a phylogenetic mind gap between humans and other animals.&lt;br/&gt;&lt;br/&gt;An important perspective, go read all of it &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://mindblog.dericbownds.net/2009/07/possibility-of-impossible-cultures.html" title="http://mindblog.dericbownds.net/2009/07/possibility-of-impossible-cultures.html"&gt;mindblog.dericbownds.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Marc Hauser &lt;A href="http://www.nature.com/nature/journal/v460/n7252/full/460190a.html"&gt;offers an essay&lt;/A&gt; in the 9 July issue of Nature, in which he suggests points of contact between work in the generative tradition of linguistics (Chomsky, etc.) and evolutionary developmental biology research on animal forms. Just as a developing animal form faces a massive range of possible variation:&lt;BR /&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;...children are born with the capacity to acquire a wide range of possible languages, as opposed to specific languages such as English, Korean or French. This implies that a child is equipped with an abstract acquisition device, allowing the 'growth' of many different languages. Furthermore, as the child's acquisition device generates a space of possible languages, something internal or external to the device creates a space of impossible languages — forms that are never entertained by the child because they are poorly designed for acquisition and externalization in linguistic communication.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/wildcat/512/2D9B16EC-D41E-4F29-A949-A717969F8AE2.png" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Generative computation&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Mental symbols&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Promiscuous interfaces&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Abstract thought&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://mindblog.dericbownds.net/2009/07/possibility-of-impossible-cultures.html</clipSource><pubDate>Wed, 22 Jul 2009 09:35:28 GMT</pubDate></item><item><title>Can Computers Decipher a 5,000-Year-Old Language? </title><link>http://clipmarks.com/clipmark/E59B1539-3C2D-4A93-8B15-A8DBD6D26CED/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.smithsonianmag.com/history-archaeology/Can-Computers-Decipher-a-5000-Year-Old-Language.html?c=y&amp;page=1" title="http://www.smithsonianmag.com/history-archaeology/Can-Computers-Decipher-a-5000-Year-Old-Language.html?c=y&amp;page=1"&gt;www.smithsonianmag.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 id="subHead"&gt;						A computer scientist is helping to uncover the secrets of the inscribed symbols of the Indus
									&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/wildcat/512/E9F32D76-068C-44D6-8D8C-83F4F7729772.jpg" alt="Indus script" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The Indus civilization, which flourished throughout much of the third millennium B.C., was the most extensive society of its time. At its height, it encompassed an area of more than half a million square miles centered on what is today the India-Pakistan border. Remnants of the Indus have been found as far north as the Himalayas and as far south as Mumbai. It was the earliest known urban culture of the subcontinent and it boasted two large cities, one at Harappa and one at Mohenjo-daro. Yet despite its size and longevity, and despite nearly a century of archaeological investigations, much about the Indus remains shrouded in mystery.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A few years later, Rao entered the fray. Until then, people studying the script were archaeologists, historians, linguists or cryptologists. But Rao decided to coax out the secrets of the Indus script using the tool he knew best—computer science.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/symbols/" rel="tag"&gt;symbols&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.smithsonianmag.com/history-archaeology/Can-Computers-Decipher-a-5000-Year-Old-Language.html?c=y&amp;page=1</clipSource><pubDate>Tue, 21 Jul 2009 10:06:58 GMT</pubDate></item><item><title>THE SYNCHRONIZATION OF BRAINS</title><link>http://clipmarks.com/clipmark/4C62F0C4-D338-41B8-AFB9-9D6E7E786056/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  JAMSHED BHARUCHA &lt;br/&gt;Professor of Psychology, Provost, Senior Vice President, Tufts University&lt;br/&gt;&lt;br/&gt;"An understanding of how brains synchronize " or fail to do so " will be a game-changing scientific development."&lt;br/&gt;&lt;br/&gt;Highly recommended, go read it all &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.edge.org/q2009/q09_14.html" title="http://www.edge.org/q2009/q09_14.html"&gt;www.edge.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Few behavioral forces are as strong as the delineation of in-groups and out-groups: 'us' and 'them'. Group affiliation requires alignment, coupling or synchronization of the brain states of members. Synchronization yields cooperative behavior, promotes group cohesion, and creates a sense of group agency greater than the sum of the individuals in the group. In the extreme, synchronization yields herding behavior. The absence of synchronization yields conflict.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;People come under the grip of ideologies, emotions and moods are infectious, and memes spread rapidly through populations. Ethnic, religious, and political groups act as monolithic forces. Mobs, cults and militias are characterized by the melding of large numbers of individuals into larger units, such that the brains of individuals operate in lockstep – a single organism controlled by a single — distributed — nervous system. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/brains/" rel="tag"&gt;brains&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/synchronization/" rel="tag"&gt;synchronization&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.edge.org/q2009/q09_14.html</clipSource><pubDate>Sat, 18 Jul 2009 11:01:12 GMT</pubDate></item><item><title>Selective Memories/Creating an evocative user experience involves tapping into our most powerful method of recall and recognition.</title><link>http://clipmarks.com/clipmark/18EFE388-0409-47C1-A9C7-3D0DBCB1313D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "So if memory rules perception, where does that leave the 21st-century product designer? The obvious answer"go out and create objects capable of evoking vivid memories"comes loaded with an inherent problem: memories exist in the mind of the user. The object, however well conceived, is merely a tool"&lt;br/&gt;&lt;br/&gt;A fascinating read &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metropolismag.com/story/20090318/selective-memories" title="http://www.metropolismag.com/story/20090318/selective-memories"&gt;www.metropolismag.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
In my book &lt;I&gt;Emotional Design&lt;/I&gt;, I argue that the interplay between cognition and emotion occurs on three levels: the visceral, the behavioral, and the reflective. The lowest level, the visceral, is unconsciously triggered by the environment and driven by involuntary, biologically determined reactions (a fear of heights, say, or a yen for sweets). Vis­ceral design is about appearances. Expert skills operate at the behavioral level. These are so well learned, so automatic (language, for example), that they’re performed with little or no conscious effort. The reflec­tive level is where our conscious­ness resides, where we ponder the past and contemplate the future. Despite the sensual pull of the visceral, and our utter dependence on the behavioral, the reflective level ultimately dominates our perception. Why? Life is a series of temporary, fleeting experiences. The rest is, literally, memory.  &lt;BR /&gt;
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/design/" rel="tag"&gt;design&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/experience/" rel="tag"&gt;experience&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/recall/" rel="tag"&gt;recall&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/recognition/" rel="tag"&gt;recognition&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.metropolismag.com/story/20090318/selective-memories</clipSource><pubDate>Wed, 15 Jul 2009 11:10:24 GMT</pubDate></item><item><title>The Question of Freedom at the Open Video Conference</title><link>http://clipmarks.com/clipmark/F302C9D6-5861-4448-BC55-B46E1A385FF4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "Benkler argued that Open Video was indicative of an “open democracy for everyone, everywhere, all the time.” Open Video Culture, he said, would usher in the possibility for “anyone to express oneself, be creative and innovative.” Benkler also claimed that because “millions of people are now looking at [social and political] problems” we will thus find millions of, “distributed solutions.” In this “free” culture, he continued, “human creativity would move to the core.” Aside from the seemingly naïve conflation of terms, exactly which society, which “everyone,” and which economic system did Benkler have in mind?"&lt;br/&gt;&lt;br/&gt;A very important read &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://rhizome.org/editorial/2739" title="http://rhizome.org/editorial/2739"&gt;rhizome.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/wildcat/512/6B62A59E-2001-4721-A029-4FB76BEF02A9.png" alt="conference_image.png" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The situation is nicely summed up by media scholar Geert Lovink, in his recent &lt;A href="http://networkcultures.org/wpmu/geert/2009/06/15/the-digital-given-10-web-20-theses-by-ippolita-geert-lovink-ned-rossiter/"&gt;manifesto&lt;/A&gt; written with Ned Rossiter. “Web 2.0” they explain,  “is not for free. ‘Free as in free beer’ is not like ‘free as in freedom’. Open does not equal free. These days ‘free’ is just another word for service economies…. Where is the enemy? Not on Facebook, where you can only have ‘friends’. What Web 2.0 lacks is the technique of antagonistic linkage. Instead, we are confronted with the Tyranny of Positive Energy...” The utopianism of “open and free” video culture, it seems, is correct in that it allows people to do things they could not do before. But this does not automatically equal change or democracy in itself. Any proclamation of social utopia deserves a second look, yet we also need to understand why Benkler framed his arguments in the way he did that morning––speaking to an audience of lawyers, corporate investors, sponsors, and public relations representatives.   &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/free/" rel="tag"&gt;free&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/freedom/" rel="tag"&gt;freedom&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/open+video/" rel="tag"&gt;open video&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://rhizome.org/editorial/2739</clipSource><pubDate>Tue, 14 Jul 2009 09:04:47 GMT</pubDate></item><item><title>The Beatles Illustrated Lyrics</title><link>http://clipmarks.com/clipmark/91C0360A-6190-4BA9-A4CD-ABE465D92A72/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;a href="http://is.gd/1wiGq" rel="nofollow" target="_blank"&gt;Volume I&lt;/a&gt; and &lt;a href="http://is.gd/1wiEN" rel="nofollow" target="_blank"&gt;Volume II&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2368266231/in/set-72157604288383293/" title="http://www.flickr.com/photos/mstoll/2368266231/in/set-72157604288383293/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/haraya/512/7E7FF835-0AD8-4754-9E40-06AB79009C4E.jpg" alt="Beatles Illustrated Lyrics 01 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/sets/72157604288383293/" title="http://www.flickr.com/photos/mstoll/sets/72157604288383293/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Volume 1, edited by Alan Aldridge, 2nd
impression 1970 by Macdonald Unit 75&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2369107682/in/set-72157604288383293/" title="http://www.flickr.com/photos/mstoll/2369107682/in/set-72157604288383293/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/haraya/512/27C0F204-A293-4E55-A560-34C54E2F6F52.jpg" alt="Beatles Illustrated Lyrics 06 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2369110868/in/set-72157604288383293/" title="http://www.flickr.com/photos/mstoll/2369110868/in/set-72157604288383293/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/haraya/512/D824657C-7E57-4C8E-8183-28842D678FFA.jpg" alt="Beatles Illustrated Lyrics 08 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2368310677/in/set-72157604288383293/" title="http://www.flickr.com/photos/mstoll/2368310677/in/set-72157604288383293/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/haraya/512/B167BEBE-EA2C-4BE5-9FDA-E3DA1F951B5D.jpg" alt="Beatles Illustrated Lyrics 31 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2368317327/in/set-72157604288383293/" title="http://www.flickr.com/photos/mstoll/2368317327/in/set-72157604288383293/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/haraya/512/9ECE2E7E-C50B-41B4-A746-3A0EB9BFC489.jpg" alt="Beatles Illustrated Lyrics 36 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2369153736/in/set-72157604288383293/" title="http://www.flickr.com/photos/mstoll/2369153736/in/set-72157604288383293/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/haraya/512/700CE610-13D7-41A0-8982-69591321B32E.jpg" alt="Beatles Illustrated Lyrics 37 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2368330883/in/set-72157604288383293/" title="http://www.flickr.com/photos/mstoll/2368330883/in/set-72157604288383293/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/haraya/512/9E4DD0A7-18D3-4BD9-A19E-169EC76178BF.jpg" alt="Beatles Illustrated Lyrics 46 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2369171070/in/set-72157604288383293/" title="http://www.flickr.com/photos/mstoll/2369171070/in/set-72157604288383293/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/haraya/512/A37829AC-9D52-4133-9816-9BD46AAC990F.jpg" alt="Beatles Illustrated Lyrics 50 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2368351657/in/set-72157604288383293/" title="http://www.flickr.com/photos/mstoll/2368351657/in/set-72157604288383293/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/haraya/512/AC9065EB-992B-414D-83D2-77F86C876249.jpg" alt="Beatles Illustrated Lyrics 62 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2369205520/in/set-72157604288383293/" title="http://www.flickr.com/photos/mstoll/2369205520/in/set-72157604288383293/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/haraya/512/571698C5-E2AE-46BD-A6B2-8826EB2DE8AE.jpg" alt="Beatles Illustrated Lyrics 76 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2368372409/in/set-72157604288383293/" title="http://www.flickr.com/photos/mstoll/2368372409/in/set-72157604288383293/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/haraya/512/F6DDEDCE-AAB6-449B-8F03-D83EB21243F7.jpg" alt="Beatles Illustrated Lyrics 77 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/sets/72157604357922937/detail/?page=4" title="http://www.flickr.com/photos/mstoll/sets/72157604357922937/detail/?page=4"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 id="title_div72157604357922937"&gt;
							
				&lt;A href="http://www.flickr.com/photos/mstoll/sets/72157604357922937/"&gt;The Beatles Illustrated Lyrics Vol. 2&lt;/A&gt;
						
				&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2382100765/in/set-72157604357922937/" title="http://www.flickr.com/photos/mstoll/2382100765/in/set-72157604357922937/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/haraya/512/FCE4469E-1161-49F0-BEF1-247F7B068476.jpg" alt="Beatles Illustrated Lyrics Vol. 2 01 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2382946908/in/set-72157604357922937/" title="http://www.flickr.com/photos/mstoll/2382946908/in/set-72157604357922937/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/haraya/512/E4C28775-D667-4C6D-8F09-86C3A2EF048B.jpg" alt="Beatles Illustrated Lyrics Vol. 2 12 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2382116187/in/set-72157604357922937/" title="http://www.flickr.com/photos/mstoll/2382116187/in/set-72157604357922937/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/haraya/512/F0BA11BC-802D-4760-AE70-27D8B8B4F91C.jpg" alt="Beatles Illustrated Lyrics Vol. 2 14 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2382117399/in/set-72157604357922937/" title="http://www.flickr.com/photos/mstoll/2382117399/in/set-72157604357922937/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/haraya/512/485E909A-24E0-41C6-A576-743FA37F71B9.jpg" alt="Beatles Illustrated Lyrics Vol. 2 15 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2382124155/in/set-72157604357922937/" title="http://www.flickr.com/photos/mstoll/2382124155/in/set-72157604357922937/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/haraya/512/06F271DB-F7C7-4AB8-A551-B15C0DF4BA08.jpg" alt="Beatles Illustrated Lyrics Vol. 2 21 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2382962714/in/set-72157604357922937/" title="http://www.flickr.com/photos/mstoll/2382962714/in/set-72157604357922937/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/haraya/512/319F2CF7-960A-4075-8085-9BBAC78BDCFD.jpg" alt="Beatles Illustrated Lyrics Vol. 2 27 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2382964930/in/set-72157604357922937/" title="http://www.flickr.com/photos/mstoll/2382964930/in/set-72157604357922937/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/haraya/512/D15957ED-977A-4F7D-A6E5-4AA867E34913.jpg" alt="Beatles Illustrated Lyrics Vol. 2 29 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2382972200/in/set-72157604357922937/" title="http://www.flickr.com/photos/mstoll/2382972200/in/set-72157604357922937/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/haraya/512/C9FC2BE5-A4D9-444B-B686-635FA9525C8F.jpg" alt="Beatles Illustrated Lyrics Vol. 2 35 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2382162243/in/set-72157604357922937/" title="http://www.flickr.com/photos/mstoll/2382162243/in/set-72157604357922937/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/haraya/512/0FE56067-5D71-4DEC-9729-E9B87F5AD0E9.jpg" alt="Beatles Illustrated Lyrics Vol. 2 53 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2383000586/in/set-72157604357922937/" title="http://www.flickr.com/photos/mstoll/2383000586/in/set-72157604357922937/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/haraya/512/776B3DEF-0233-4B82-A302-8A6B3F4D47F1.jpg" alt="Beatles Illustrated Lyrics Vol. 2 57 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/mstoll/2382175005/in/set-72157604357922937/" title="http://www.flickr.com/photos/mstoll/2382175005/in/set-72157604357922937/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/haraya/512/F36F919D-7BEC-4437-BEC6-E344F94B0EAB.jpg" alt="Beatles Illustrated Lyrics Vol. 2 62 by Prof. Michael Stoll." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/books/" rel="tag"&gt;books&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/beatles/" rel="tag"&gt;beatles&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/illustration/" rel="tag"&gt;illustration&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reading/" rel="tag"&gt;reading&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.flickr.com/photos/mstoll/2368266231/in/set-72157604288383293/</clipSource><pubDate>Mon, 13 Jul 2009 00:06:12 GMT</pubDate></item><item><title>When comic book heroes and villains get old: Superheroes Decadence by Donald Soffritti</title><link>http://clipmarks.com/clipmark/42F8DDCB-56FA-47A7-9F68-8A0846F4C053/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Italian cartoonist &lt;A href="http://donaldsoffritti.blogspot.com/" target="_blank"&gt;Donald 
  Soffritti&lt;/A&gt; imagines the later years of superheroes, with hilarious 
  results. His brilliant cartoons have been collected into a book, &lt;A href="http://www.fumetto-online.it/it/ricerca_editore.php?EDITORE=COMMA%2022&amp;COLLANA=SUPERHEROES%20DECADENCE" target="_blank"&gt;available 
  here&lt;/A&gt; 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/haraya/512/0AAC3BD1-6127-4642-BF4B-62AD81755211.jpg" alt="Wonder Woman" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=1" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=1"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/haraya/512/772A25D3-12FF-4F6E-8CE9-A614ACB0395A.jpg" alt="Captain America" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=2" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=2"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/haraya/512/7F391706-D05A-4A44-8DFF-BBBD992DAA8B.jpg" alt="Batman and Robin" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=3" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=3"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/haraya/512/0ED61E61-A622-415D-8700-80A8E774D0CC.jpg" alt="Catwoman" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=4" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=4"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/haraya/512/15677E1B-F17F-4868-800C-3786B619D315.jpg" alt="The Penguin" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=5" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=5"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/haraya/512/8902D03D-E3DD-419B-B270-02533377B65D.jpg" alt="Mr Fantastic" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=6" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=6"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/haraya/512/841F00B3-353D-46CC-AE92-298ECA9121BD.jpg" alt="The Thing" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=7" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=7"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/haraya/512/AAF5C2C3-DF81-486F-A542-3392EF4A3ACB.jpg" alt="The Human Torch" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=8" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=8"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/haraya/512/9ADBD776-7579-4048-87C0-93B9871EBF8C.jpg" alt="Invisible Woman" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=9" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=9"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/haraya/512/E170AB61-E56D-47C5-A710-7A23883829E6.jpg" alt="The Silver Surfer" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=10" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=10"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/haraya/512/A077032D-8AB6-45FF-B407-CEB906D87E4B.jpg" alt="Spider-Man" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=11" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=11"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/haraya/512/90AF8845-368E-41AF-BE17-20019E8C7B2B.jpg" alt="Doctor Octopus" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=12" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=12"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/haraya/512/4B54E67C-E2AB-4909-971D-BA5B080BEB1A.jpg" alt="The not-so-incredible Hulk" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=13" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=13"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/haraya/512/D54D0A87-264A-4BC0-8229-DF01E36F0F1D.jpg" alt="Iron Man" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=14" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=14"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/haraya/512/CEBB6E5E-2266-4968-A216-BD17A9E6D045.jpg" alt="Daredevil" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=15" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=15"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/haraya/512/5C682449-F140-4A9C-B9E3-4195AE4C096A.jpg" alt="Wolverine" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=16" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=16"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/haraya/512/2A9676D8-62DE-4CCC-A361-3EF528835036.jpg" alt="Elektra" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=17" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=17"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/haraya/512/9102389D-AB9D-4562-9D73-D50817A02382.jpg" alt="Electro" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=18" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=18"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/haraya/512/1A9562F1-CB41-49AA-912C-A7F2C1E05826.jpg" alt="Aquaman" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=19" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=19"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/haraya/512/63E330C2-1865-4524-A5FE-281E4BC223FC.jpg" alt="The Flash" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=20" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=20"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/haraya/512/0E87DD6A-AA6C-4F6E-A59B-2ED4ED48AA43.jpg" alt="Namor the Sub-Mariner" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=21" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=21"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/haraya/512/5A5DC015-5F3F-4646-9413-B2C7489E846E.jpg" alt="The Vulture" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=22" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=22"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/haraya/512/967F6D31-2A13-4B95-A8E6-140E5215D280.jpg" alt="Bizarro" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=23" title="http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html?image=23"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/haraya/512/4F354293-54F4-4C94-A09F-C84B368C73B0.jpg" alt="Mandrake and Lothar" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/books/" rel="tag"&gt;books&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/illustration/" rel="tag"&gt;illustration&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/comics/" rel="tag"&gt;comics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reading/" rel="tag"&gt;reading&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/age/" rel="tag"&gt;age&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.telegraph.co.uk/culture/culturepicturegalleries/5709426/When-comic-book-heroes-and-villains-get-old-Superheroes-Decadence-by-Donald-Soffritti.html</clipSource><pubDate>Sun, 12 Jul 2009 19:04:09 GMT</pubDate></item><item><title>World As Lover; World As Self</title><link>http://clipmarks.com/clipmark/4F601EC3-18C8-476A-BF84-C11F3F3A31E4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Go read this &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.context.org/ICLIB/IC34/Macy.htm" title="http://www.context.org/ICLIB/IC34/Macy.htm"&gt;www.context.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 align="center"&gt;Seeing the world as oneself - or as a lover - transforms ordinary
reality and provides a greater sense of purpose&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;by Joanna Macy&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Spiritual traditions have tended to look at the world in four major ways:
as a battlefield, as a trap, as a lover, and as the self. The first two
- as a stage set for our moral battles or as a prison to escape - are probably
familiar, and have in many ways contributed to our lack of care for the
world. But what of the other two? Might they shed some useful light on life
in an interconnected world?&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
The way we define and delimit the self is arbitrary. We can place it between
our ears and have it looking out from our eyes, or we can widen it to include
the air we breathe, or at other moments, we can cast its boundaries farther
to include the oxygen-giving trees and plankton, our external lungs, and
beyond them the web of life in which they are sustained.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/lover/" rel="tag"&gt;lover&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/self/" rel="tag"&gt;self&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/world/" rel="tag"&gt;world&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.context.org/ICLIB/IC34/Macy.htm</clipSource><pubDate>Sat, 11 Jul 2009 22:48:09 GMT</pubDate></item><item><title>Art In Your Pocket: iPhone and iPod Touch App Art</title><link>http://clipmarks.com/clipmark/39521B9D-8C9C-43D9-8922-9AC37BAED2EE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  It is highly probable that software Art represents the new mode of communicating the cultural memes. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://rhizome.org/editorial/2744" title="http://rhizome.org/editorial/2744"&gt;rhizome.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/wildcat/512/0843EB17-D294-41E3-AB6D-538FA95A3205.jpg" alt="philiaa.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;As the niche genre of software art expands beyond the web and into mobile devices, media artists are finding ways to integrate their work into a new form of business model. Instead of giving away your work for free on the web, Apple's iPhone and iTouch devices provide an ample platform for distribution (through the Apple App Store) and hardware support for novel ways to experience screen-based work. Since the App Store was unveiled last year, the over 30,000 available applications have taken the form of everything from mock cigarette lighters (&lt;A href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewSoftware?id=291622252&amp;mt=8"&gt;Zippo's App&lt;/A&gt;) to mobile flutes (&lt;A href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewSoftware?id=293053479&amp;mt=8"&gt;Ocarina&lt;/A&gt;) to utilitarian apps such as &lt;A href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewSoftware?id=284708449&amp;mt=8"&gt;Urban Spoon&lt;/A&gt; (Restaurant finder) to social networking in physical spaces (&lt;A href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewSoftware?id=281952554&amp;mt=8"&gt;Loopt&lt;/A&gt;). Noticing this trend, media artists who once found their free and limitless distribution platform through a desktop computer browser are now turning their attention and creative efforts toward the mobile space of the iPhone. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/wildcat/512/D0D40521-7FB4-4ADF-93B4-1580C16E028B.jpg" alt="elisss.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/wildcat/512/2824F9B3-5B98-4671-8914-440D3B06E803.jpg" alt="ffattagscreen.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/wildcat/512/D8459A80-60A0-492A-A01E-951725857AE1.jpg" alt="forallseasons.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/wildcat/512/D5C660AA-C41B-4ADA-A2AE-58F51E444980.jpg" alt="synthpond.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/wildcat/512/6CE9E54B-48AD-45F7-AD9A-E4E6D248DDB9.jpg" alt="reflectapp1.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/wildcat/512/AD323D19-60D4-4373-9684-A8171372A364.jpg" alt="RJDJj.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/wildcat/512/3966FC8F-A8E2-48E3-8D73-ED3AA0E59A8F.jpg" alt="world99.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/iphone/" rel="tag"&gt;iphone&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ipod/" rel="tag"&gt;ipod&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/touch+app+art/" rel="tag"&gt;touch app art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://rhizome.org/editorial/2744</clipSource><pubDate>Fri, 10 Jul 2009 11:31:40 GMT</pubDate></item><item><title>What counts as art.</title><link>http://clipmarks.com/clipmark/18552919-81F2-4026-923B-ADFF727D51C1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  “Transitory Objects”- the very term endears.. love this &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://seedmagazine.com/content/article/building_without_walls/" title="http://seedmagazine.com/content/article/building_without_walls/"&gt;seedmagazine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/wildcat/512/9396E782-9D30-47F1-A891-423FCD9595CF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;“&lt;A href="http://www.tba21.org/program/current"&gt;Transitory Objects&lt;/A&gt;,” the latest exhibit at Vienna’s influential &lt;A href="http://www.tba21.org/"&gt;Thyssen-Bornemisza Art Contemporary&lt;/A&gt; gallery, features some of the most innovative and splendidly unconventional forms coming out of the architectural world today, including works from &lt;A href="http://seedmagazine.com/designseries/matthew-ritchie.html"&gt;Matthew Ritchie&lt;/A&gt;, &lt;A href="http://revminds.seedmagazine.com/revminds/member/neri_oxman/"&gt;Neri Oxman&lt;/A&gt;, Alisa Andrasek, François Roche, &lt;A href="http://seedmagazine.com/designseries/greg-lynn.html"&gt;Greg Lynn&lt;/A&gt;, and Hernan Diaz Alonso. To have these mesmerizing structures together in one exhibit is remarkable in itself, but to have them positioned alongside works of contemporary art, as this exhibit has done, raises a provocative point about how boundaries have collapsed between architectural objects, conceptual art, and theoretical science. The exhibit aims to look at those architectural works that “have achieved an appearance of being autonomous forms,” says curator Daniela Zyman, suggesting that these works are meaningful outside of a specific context or place. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/transitory+objects/" rel="tag"&gt;transitory objects&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://seedmagazine.com/content/article/building_without_walls/</clipSource><pubDate>Fri, 10 Jul 2009 10:16:34 GMT</pubDate></item><item><title>WE ARE ALL WRITERS NOW </title><link>http://clipmarks.com/clipmark/58C9874A-E6C2-4B12-A8C8-D16115DD9CCE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "True, much of what is written online is quotidian, informational, ephemeral. But writing has always been so: traditional newspapers line bird-cages a day later; lab reports describe methodology in tedious detail; the founding fathers wrote what they ate for lunch. And the quality of many blogs is high, indistinguishable in eloquence and intellect from many traditionally published works."&lt;br/&gt;&lt;br/&gt;an important read &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.moreintelligentlife.com/content/anne-trubek/we-are-all-writers-now" title="http://www.moreintelligentlife.com/content/anne-trubek/we-are-all-writers-now"&gt;www.moreintelligentlife.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Blogs, Twitter, Facebook: these outlets are supposedly cheapening language and tarnishing our time. But the fact is we are all reading and writing much more than we used to, writes Anne Trubek ...&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/wildcat/512/82440161-5A8B-441D-BC0B-262CF6F1ABAD.jpg" alt="writing_10.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Special to MORE INTELLIGENT LIFE&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The chattering classes have become silent, tapping their views on increasingly smaller devices. And tapping they are: the screeds are everywhere, decrying the decline of smart writing, &lt;A href="http://www.moreintelligentlife.com/story/mass-intelligence"&gt;intelligent thought&lt;/A&gt;  and &lt;A href="http://www.moreintelligentlife.com/story/rich-and-strange"&gt;proper grammar&lt;/A&gt;. Critics bemoan blogging as the province of the amateurism. Journalists rue the loose ethics and shoddy fact-checking of citizen journalists. Many save their most profound scorn for the newest forms of social media. Facebook and &lt;A href="http://www.moreintelligentlife.com/blog/how-relevant-twitter"&gt;Twitter &lt;/A&gt;are heaped with derision for being insipid, time-sucking, sad testaments to our literary degradation. This view is often summed up with a disdainful question: “Do we really care about what you ate for lunch?”&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/life+online/" rel="tag"&gt;life online&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writing/" rel="tag"&gt;writing&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.moreintelligentlife.com/content/anne-trubek/we-are-all-writers-now</clipSource><pubDate>Wed, 08 Jul 2009 16:35:32 GMT</pubDate></item><item><title>Of Body and Mind, and Deep Meditation</title><link>http://clipmarks.com/clipmark/B6F14E40-2CFB-434C-B2FA-27405B791EBD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "&lt;br/&gt;&lt;br/&gt;Physiological tests also revealed significant changes. Compared with the relaxation group, IBMT subjects had lower heart rates and skin conductance responses, increased belly breathing amplitude and decreased chest respiration rates, all of which, researchers wrote, "reflected less effort exerted by participants and more relaxation of body and calm state of mind."&lt;br/&gt;&lt;br/&gt;Finally, researchers noted, IBMT subjects had more high-frequency heart-rate variability than their relaxation counterparts, indicating "successful inhibition of sympathetic tone and activation of parasympathetic tone [in the autonomic nervous system]." Sympathetic tone becomes more active when stressed." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newswise.com/articles/view/552538/?sc=dwhn" title="http://www.newswise.com/articles/view/552538/?sc=dwhn"&gt;www.newswise.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Newswise — Chinese researchers have unlocked the mechanism of an emerging mind-body technique that produces measurable changes in attention and stress reduction in just five days of practice.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The practice -- integrative body-mind training (IBMT) -- was adapted from traditional Chinese medicine in the 1990s in China, where it is practiced by thousands of people. It is now being taught to undergraduates involved in research on the method at the University of Oregon.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"The previous paper indicated that IBMT subjects showed a reduced response to stress.” Tang said. "Why after five days did it work so fast?" The new findings, he said, point to how IBMT alters blood flow and electrical activity in the brain, breathing quality and even skin conductance, allowing for "a state of ah, much like in the morning opening your eyes, looking outside the grass and sunshine, you feel relaxed, calm and refresh without any stress, this is the meditation state." &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/brain/" rel="tag"&gt;brain&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/china/" rel="tag"&gt;china&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ibmt/" rel="tag"&gt;ibmt&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/meditation/" rel="tag"&gt;meditation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/neuroscience/" rel="tag"&gt;neuroscience&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/oregon/" rel="tag"&gt;oregon&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/relaxation/" rel="tag"&gt;relaxation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/stress/" rel="tag"&gt;stress&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.newswise.com/articles/view/552538/?sc=dwhn</clipSource><pubDate>Sat, 04 Jul 2009 09:26:42 GMT</pubDate></item><item><title>The Great Order of the Universe  by Christian Bök </title><link>http://clipmarks.com/clipmark/FB753DC3-A40A-416B-A9E7-F852A4BB614D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Via @bitoy's Flickr &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.poetryfoundation.org/archive/poem.html?id=237152" title="http://www.poetryfoundation.org/archive/poem.html?id=237152"&gt;www.poetryfoundation.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;NOTES: &lt;SPAN&gt; “The Great Order of the Universe” is a response to the fiftieth anniversary of the &lt;/SPAN&gt;&lt;SPAN&gt;LEGO&lt;/SPAN&gt;&lt;SPAN&gt; patent. Using a conceptual strategy reminiscent of Sol LeWitt, the image enumerates every possible way of combining two &lt;/SPAN&gt;&lt;SPAN&gt;LEGO&lt;/SPAN&gt;&lt;SPAN&gt; bricks, each with six pegs. The caption consists of two texts: the first, a translated paragraph from a volume by Democritus; the second, a transcribed paragraph from the patent by Godtfred Kirk Christiansen. The two paragraphs are perfect anagrams of each other.&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/haraya/512/520978FD-799B-4EC1-84AF-84B7CA355BFD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
			
				Source: &lt;EM&gt;Poetry&lt;/EM&gt; (July/August 2009).
			
			&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/lego/" rel="tag"&gt;lego&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fun/" rel="tag"&gt;fun&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/anagram/" rel="tag"&gt;anagram&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/illustration/" rel="tag"&gt;illustration&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writing/" rel="tag"&gt;writing&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.poetryfoundation.org/archive/poem.html?id=237152</clipSource><pubDate>Sat, 04 Jul 2009 03:15:07 GMT</pubDate></item></channel></rss>