<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | inspirat's clips</title><link>http://clipmarks.com/clipper/inspirat/</link><feedUrl>http://rss.clipmarks.com/clipper/inspirat/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>del.icio.us israel tec</title><link>http://clipmarks.com/clipmark/ABF35704-1442-4AEE-811F-B3516C2281E6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/inspirat/"&gt;inspirat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  This is a test in order to simulate simultaneous bookmarking with diigo.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://del.icio.us/iroldanmx" title="http://del.icio.us/iroldanmx"&gt;del.icio.us&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="header-l"&gt;
&lt;H1 class="auth-h1"&gt;&lt;A href="http://del.icio.us/"&gt;del.icio.us&lt;/A&gt; / &lt;A href="http://del.icio.us/iroldanmx"&gt;iroldanmx&lt;/A&gt; / &lt;SPAN id="crumb"&gt;&lt;FORM method="get" action="http://del.icio.us/" class="crumbform"&gt;&lt;INPUT type="hidden" name="root" value="/iroldanmx/" /&gt;&lt;INPUT class="crumb" name="crumb" /&gt;&lt;/FORM&gt;&lt;DIV&gt;&lt;/DIV&gt;&lt;/SPAN&gt;
&lt;/H1&gt;
&lt;P id="header-user-links"&gt;&lt;STRONG&gt;&lt;A href="http://del.icio.us/inspirat"&gt;your bookmarks&lt;/A&gt;&lt;/STRONG&gt; | &lt;A href="http://del.icio.us/network/inspirat"&gt;your network&lt;/A&gt; | &lt;A href="http://del.icio.us/subscriptions/inspirat"&gt;subscriptions&lt;/A&gt; | &lt;A href="http://del.icio.us/for/inspirat"&gt;links for you&lt;/A&gt; | &lt;A id="new-post" href="http://del.icio.us/post/"&gt;post&lt;/A&gt;&lt;/P&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/tec/" rel="tag"&gt;tec&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/2.0/" rel="tag"&gt;2.0&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bookmarks/" rel="tag"&gt;bookmarks&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://del.icio.us/iroldanmx</clipSource><pubDate>Wed, 08 Nov 2006 21:18:04 GMT</pubDate></item><item><title>Political Terminology Explained</title><link>http://clipmarks.com/clipmark/872E338A-29DF-4B9D-B8C2-27DAC641DD04/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sortedinnit/"&gt;sortedinnit&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sjgames.com/illuminati/politics.html" title="http://www.sjgames.com/illuminati/politics.html"&gt;www.sjgames.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE&gt;
&lt;P&gt;
FEUDALISM: You have two cows. Your lord takes some of the milk.
&lt;/P&gt;
&lt;P&gt;
PURE SOCIALISM: You have two cows. The government takes them and puts them
in a barn with everyone else's cows. You have to take care of all of the
cows. The government gives you as much milk as you need.
&lt;/P&gt;
&lt;P&gt;
BUREAUCRATIC SOCIALISM: You have two cows. The government takes them and
put them in a barn with everyone else's cows. They are cared for by
ex-chicken farmers. You have to take care of the chickens the government
took from the chicken farmers. The government gives you as much milk and
eggs as the regulations say you need.
&lt;/P&gt;
&lt;P&gt;
FASCISM: You have two cows. The government takes both, hires you to take
care of them and sells you the milk.
&lt;/P&gt;
&lt;P&gt;
PURE COMMUNISM: You have two cows. Your neighbors help you take care of
them, and you all share the milk.
&lt;/P&gt;
&lt;P&gt;
RUSSIAN COMMUNISM: You have two cows. You have to take care of them, but
the government takes all the milk.
&lt;/P&gt;
&lt;P&gt;
CAMBODIAN COMMUNISM: You have two cows. The government takes both of them
and shoots you.
&lt;/P&gt;
&lt;P&gt;
DICTATORSHIP: You have two cows. The government takes both and drafts you.
&lt;/P&gt;
&lt;P&gt;
PURE DEMOCRACY: You have two cows. Your neighbors decide who gets the milk.
&lt;/P&gt;
&lt;P&gt;
REPRESENTATIVE DEMOCRACY: You have two cows. Your neighbors pick someone to
tell you who gets the milk.
&lt;/P&gt;
&lt;P&gt;
BUREAUCRACY: You have two cows. At first the government regulates what you
can feed them and when you can milk them. Then it pays you not to milk
them. Then it takes both, shoots one, milks the other and pours the milk
down the drain. Then it requires you to fill out forms accounting for the
missing cows.
&lt;/P&gt;
&lt;P&gt;
PURE ANARCHY: You have two cows. Either you sell the milk at a fair price
or your neighbors try to take the cows and kill you.
&lt;/P&gt;
&lt;P&gt;
LIBERTARIAN/ANARCHO-CAPITALISM: You have two cows. You sell one and buy a bull.
&lt;/P&gt;
&lt;P&gt;
SURREALISM: You have two giraffes. The government requires you to take
harmonica lessons.
&lt;/P&gt;

&lt;P&gt;
(Original source unknown . . . this version expanded and Illuminated by SJ.)
&lt;/P&gt;

&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.sjgames.com/illuminati/politics.html</clipSource><pubDate>Thu, 26 Oct 2006 18:27:45 GMT</pubDate></item><item><title>Clipmarks press</title><link>http://clipmarks.com/clipmark/F3685EAE-7D02-43FC-ACC2-22FDA9F002C3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/inspirat/"&gt;inspirat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I'm trying this awesome service. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.clipmarks.com/media/" title="http://www.clipmarks.com/media/"&gt;www.clipmarks.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD class="PressCopy"&gt;"The advantage Clipmarks has over other bookmark managers is that you can highlight a certain part of a lengthy document,
				saving you the hassle of having to scour!"
				 &lt;A class="CL" target="_blank" href="http://lifehacker.com/software/social-bookmarking/clip-the-web-with-clipmarks-189501.php"&gt;Link&lt;/A&gt;
			&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/inspirat/512/5C0EDDA0-674F-4A4A-AC1B-402199A1B8D2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/clipmarks/" rel="tag"&gt;clipmarks&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/press/" rel="tag"&gt;press&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/lifehacker/" rel="tag"&gt;lifehacker&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.clipmarks.com/media/</clipSource><pubDate>Wed, 25 Oct 2006 01:13:07 GMT</pubDate></item><item><title>AMD CEO</title><link>http://clipmarks.com/clipmark/99A688A7-771C-4CEA-8C8B-2E49507B8E09/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/inspirat/"&gt;inspirat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.amd.com/us-en/Corporate/AboutAMD/0,,51_52_570_11569,00.html" title="http://www.amd.com/us-en/Corporate/AboutAMD/0,,51_52_570_11569,00.html"&gt;www.amd.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/inspirat/512/B64C457F-3E6F-482C-B3E0-B997FB6857B6.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign='top'&gt;&lt;div&gt;&lt;b class="grnhead"&gt;Hector Ruiz&lt;/b&gt;&lt;/div&gt;&lt;br&gt;&lt;table align="left" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;img src="http://www.amd.com/us-en/assets/content_type/styleone/Ruiz_Hector16_sm_40846-A_01.jpg" alt="Hector Ruiz" align="left" border="0" height="225" width="161"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span class="copy"&gt;&lt;p&gt; &lt;strong&gt;Hector de J. Ruiz, Ph.D.&lt;br&gt;
  Chairman and Chief Executive Officer&lt;/strong&gt;&lt;/p&gt;
      &lt;p&gt; Hector Ruiz is chairman and chief executive officer of Advanced Micro Devices, Inc. &lt;/p&gt;
      &lt;p&gt;Dr. Ruiz joined AMD in January 2000 as president and chief operating officer, and was named chief executive officer in April 2002. He was appointed as chairman of the board in April 2004. &lt;/p&gt;
      &lt;p&gt;Previously, Dr. Ruiz served as president of Motorola's Semiconductor Products Sector. In his 22-year career with the technology firm, Dr. Ruiz held a variety of executive positions in the United States and overseas. He also worked at Texas Instruments in the company's research laboratories and manufacturing operations. &lt;/p&gt;
      &lt;p&gt;Born in Piedras Negras , Mexico , Dr. Ruiz earned bachelor's and master's degrees in Electrical Engineering from the University of Texas , Austin . He earned his doctorate in Electronics from Rice University in 1973. &lt;/p&gt;
      &lt;p&gt;Dr. Ruiz is passionate about the role of technology in education and empowering the underprivileged. At the 2004 World Economic Forum in Davos, he announced AMD's 50x15 Initiative, a commitment to empower 50% of the world's population with basic Internet access by the year 2015. &lt;/p&gt;
      &lt;p&gt;Dr. Ruiz currently serves on the President's Council of Advisors for Science and Technology (PCAST). PCAST advises the President of the United States on issues related to technology, scientific research priorities, and math and science education. &lt;/p&gt;
      Dr. Ruiz also serves on the Eastman Kodak Company Board of Directors, the advisory board for the Tsinghua School of Economics and Management (TSEM), and the Board of Directors for the Semiconductor Industry Association (SIA).

&lt;br&gt;&lt;/span&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/mexico/" rel="tag"&gt;mexico&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/business/" rel="tag"&gt;business&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/hardware/" rel="tag"&gt;hardware&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/research/" rel="tag"&gt;research&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tech/" rel="tag"&gt;tech&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.amd.com/us-en/Corporate/AboutAMD/0,,51_52_570_11569,00.html</clipSource><pubDate>Tue, 23 May 2006 21:36:40 GMT</pubDate></item><item><title>Hosting deal</title><link>http://clipmarks.com/clipmark/40C8273C-5B2E-4190-88DB-8CF85331948D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/inspirat/"&gt;inspirat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Discount! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://geeklimit.com/2006/04/18/great-hosting-deal/" title="http://geeklimit.com/2006/04/18/great-hosting-deal/"&gt;geeklimit.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL class='menu'&gt;
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&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/tools/" rel="tag"&gt;tools&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/webpage/" rel="tag"&gt;webpage&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://geeklimit.com/2006/04/18/great-hosting-deal/</clipSource><pubDate>Tue, 23 May 2006 07:26:34 GMT</pubDate></item><item><title>Backup XBOX360  games</title><link>http://clipmarks.com/clipmark/A70B045F-7CE5-4444-A513-172F1D5FCC25/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/inspirat/"&gt;inspirat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.clevermod.com/index.php?article=12" title="http://www.clevermod.com/index.php?article=12"&gt;www.clevermod.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width='30%' class='header_left'&gt;

									&lt;a href="http://www.clevermod.com/index.php" class="header_title"&gt;CleverMod.com&lt;/a&gt;

								&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class='article_display_title'&gt;
				How-to Backup Your Original XBOX360 Games
				&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;This guide is written to help you take backups of your original xbox360 games, mainly due the fact that the microsoft xbox360 is causing alot of trouble on game discs like scratches due the malfunction of several dvd-drives and therefore you should be able to backup your own legit copy. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/gaming+tutorial+hacks/" rel="tag"&gt;gaming tutorial hacks&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.clevermod.com/index.php?article=12</clipSource><pubDate>Sun, 21 May 2006 08:17:20 GMT</pubDate></item><item><title>Time perception</title><link>http://clipmarks.com/clipmark/EEFF3BA8-65CB-42E7-B8AA-1303B89979CC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/inspirat/"&gt;inspirat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bbc.co.uk/radio4/science/frontiers_20060517.shtml" title="http://www.bbc.co.uk/radio4/science/frontiers_20060517.shtml"&gt;www.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/inspirat/512/BD34D409-904D-4BE6-9CAD-9DE81DA317E4.gif" alt="bbc.co.uk" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/inspirat/512/BFE60A15-0BE1-4983-BBB0-46908770A50E.gif" alt="Science" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/inspirat/512/8DE0BF5E-9BD4-4190-B6ED-1C77B471A9F2.jpg" alt="Alarm Clock" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width='247' valign='top' colspan='3'&gt;&lt;font size="2"&gt;&lt;br&gt;&lt;div&gt;
&lt;strong&gt;Time Perception &lt;/strong&gt;&lt;/div&gt;
&lt;br&gt;&lt;div&gt;
However much we might try to resist its incessant march, time is central to almost everything we do, from knowing when to sleep or use the toilet, to timing our movements so that a kiss doesn't become a head butt. &lt;/div&gt;
&lt;br&gt;&lt;div&gt;
Although biologists haven't been able to agree how they work, it seems clear that the body has a number of internal timing systems to help us judge the passage of time. &lt;/div&gt;
&lt;br&gt;&lt;div&gt;
Sometimes, however, our natural clocks seem to run fast or slow. Not because our internal clocks themselves are faulty, but because our perception of the passing of time seems to vary with circumstances. &lt;/div&gt;
&lt;br&gt;&lt;div&gt;
When time seems to fly or drag, it's nothing to do with our internal clock speeding up or slowing down. It's how the brain processes time-related information that generates the illusion. &lt;/div&gt;
&lt;br&gt;&lt;div&gt;
When a person's life is in danger, a phenomenon known as 'time-dilation' can occur. This is when, during a car crash for example, time seems to slow down or become frozen. &lt;/div&gt;
&lt;br&gt;&lt;div&gt;
In these cases the body's internal clock speeds up when facing a potential catastrophe, so that it can take in more information more quickly and function more effectively in an emergency. &lt;/div&gt;
&lt;br&gt;&lt;div&gt;
This is also a phenomenon actively sought by elite sportspeople, when they get 'in the zone'. &lt;/div&gt;
&lt;br&gt;&lt;div&gt;
Some of the chemicals in the brain, such as dopamine, can affect our perception of time. Deficiencies in these chemicals can lead to brain disorders. &lt;/div&gt;
&lt;br&gt;
In today's technological age, the body's natural clocks are being hijacked by timetables, schedules and diaries. By paying more attention to our watches, rather than our internal clocks, could we be losing touch with time as it should be perceived? &lt;br&gt;
&lt;/font&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/time/" rel="tag"&gt;time&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/news/" rel="tag"&gt;news&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.bbc.co.uk/radio4/science/frontiers_20060517.shtml</clipSource><pubDate>Sat, 20 May 2006 16:50:37 GMT</pubDate></item><item><title>Algae as mint for smokestacks</title><link>http://clipmarks.com/clipmark/A71CDB11-8704-4038-8588-7D9FD1AD0E65/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/inspirat/"&gt;inspirat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.csmonitor.com/2006/0111/p01s03-sten.html" title="http://www.csmonitor.com/2006/0111/p01s03-sten.html"&gt;www.csmonitor.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/inspirat/512/DCFF11F6-A8FF-4BB4-9E58-8394BD6F7344.gif" alt="go to csmonitor.com's homepage" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class='spacerHeadline'&gt;&lt;span class="headline"&gt;Algae - like a breath mint for smokestacks&lt;/span&gt;&lt;br&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class='text'&gt;

Isaac Berzin is a big fan of algae. The tiny, single-celled plant, he says, could transform the world's energy needs and cut global warming.

&lt;!-- --&gt;

&lt;p&gt;Overshadowed by a multibillion-dollar push into other "clean-coal" technologies, a handful of tiny companies are racing to create an even cleaner, greener process using the same slimy stuff that thrives in the world's oceans.&lt;/p&gt;	&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class='dateline'&gt;BOSTON&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Overshadowed by a multibillion-dollar push into other "clean-coal" technologies, a handful of tiny companies are racing to create an even cleaner, greener process using the same slimy stuff that thrives in the world's oceans.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/inspirat/512/65624878-F717-444D-A40D-D8A8DD3EE04E.jpg" alt="(Photograph)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class='photoCutLead'&gt;A 'GREEN' SCRUBBER:  &lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"This is a big idea," Berzin says, "a really powerful idea."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/clean/" rel="tag"&gt;clean&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/news/" rel="tag"&gt;news&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.csmonitor.com/2006/0111/p01s03-sten.html</clipSource><pubDate>Sat, 20 May 2006 02:51:07 GMT</pubDate></item><item><title>Sounds like Bach</title><link>http://clipmarks.com/clipmark/86254A7B-6EDF-4CD1-B9BC-790D524206EE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/inspirat/"&gt;inspirat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.unc.edu/~mumukshu/gandhi/gandhi/hofstadter.htm" title="http://www.unc.edu/~mumukshu/gandhi/gandhi/hofstadter.htm"&gt;www.unc.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class='MsoNormal'&gt;&lt;b&gt;&lt;span style="font-size: 14pt; font-family: &amp;quot;Lucida Console&amp;quot;; color: black;"&gt;&lt;span title="" __old__title="" owner="inspirat" mode="2" class="DIIGO-POWER" name="8ccab84c827eead7ba61e65932c0e726" style="border-bottom: 2px dashed rgb(62, 163, 235) ! important; cursor: pointer ! important;"&gt;Sounds Like Bach&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Lucida Console&amp;quot;; color: black;"&gt;&lt;br&gt;
  &lt;!--[if gte vml 1]&gt;&lt;v:shapetype id="_x0000_t75" coordsize="21600,21600"
   o:spt="75" o:preferrelative="t" path="m@4@5l@4@11@9@11@9@5xe" filled="f"
   stroked="f"&gt;
   &lt;v:stroke joinstyle="miter"/&gt;
   &lt;v:formulas&gt;
    &lt;v:f eqn="if lineDrawn pixelLineWidth 0"/&gt;
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   height:.75pt'&gt;
   &lt;v:imagedata src="http://www.unc.edu/~mumukshu/gandhi/gandhi/hofstadter_files/image001.gif" o:href="http://www.outlookindia.com/images/space.gif"/&gt;
  &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="http://www.unc.edu/~mumukshu/gandhi/gandhi/hofstadter_files/image001.gif" v:shapes="_x0000_i1025" height="1" width="1"&gt;&lt;!--[endif]--&gt;&lt;br&gt;
  &lt;/span&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: &amp;quot;Lucida Console&amp;quot;; color: black;"&gt;&lt;span title="" __old__title="" owner="inspirat" mode="2" class="DIIGO-POWER" name="8ccab84c827eead7ba61e65932c0e726" style="border-bottom: 2px dashed rgb(62, 163, 235) ! important; cursor: pointer ! important;"&gt;But the day when music is finally and irrevocably reduced to&lt;/span&gt;
  &lt;span title="" __old__title="" owner="inspirat" mode="2" class="DIIGO-POWER" name="8ccab84c827eead7ba61e65932c0e726" style="border-bottom: 2px dashed rgb(62, 163, 235) ! important; cursor: pointer ! important;"&gt;syntactic pattern and pattern alone will be, to my old-fashioned way of&lt;/span&gt;
  &lt;span title="" __old__title="" owner="inspirat" mode="2" class="DIIGO-POWER" name="8ccab84c827eead7ba61e65932c0e726" style="border-bottom: 2px dashed rgb(62, 163, 235) ! important; cursor: pointer ! important;"&gt;looking at things, a very dark day indeed.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt; font-family: &amp;quot;Lucida Console&amp;quot;; color: black;"&gt; &lt;br&gt;
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  &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="http://www.unc.edu/~mumukshu/gandhi/gandhi/hofstadter_files/image001.gif" v:shapes="_x0000_i1026" height="1" width="1"&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;span style="font-family: &amp;quot;Lucida Console&amp;quot;;"&gt;&lt;br&gt;
  &lt;/span&gt;&lt;span style="font-family: &amp;quot;Lucida Console&amp;quot;; color: black;"&gt;DOUGLAS HOFSTADTER &lt;/span&gt;&lt;span style="font-family: &amp;quot;Lucida Console&amp;quot;;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN style='font-family: "Lucida Console"; color: black;'&gt;Back when I was young -- when I wrote "Gödel, Escher,
  Bach" -- I asked myself the question "Will a computer program ever
  write beautiful music?", and then proceeded to speculate as follows:
  "There will be no new kinds of beauty turned up for a long time by
  computer music-composing programs... To think -- and I have heard this
  suggested -- that we might soon be able to command a preprogrammed
  mass-produced mail-order twenty-dollar desk-model 'music box' to bring forth
  from its sterile circuitry pieces which Chopin or Bach might have written had
  they lived longer is a grotesque and shameful &lt;span class="SpellE"&gt;misestimation&lt;/span&gt;
  of the depth of the human spirit." I went on and on in this vein.&lt;o:p&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/classical/" rel="tag"&gt;classical&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bach/" rel="tag"&gt;bach&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tech/" rel="tag"&gt;tech&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.unc.edu/~mumukshu/gandhi/gandhi/hofstadter.htm</clipSource><pubDate>Sat, 20 May 2006 02:09:50 GMT</pubDate></item><item><title>Monica Bellucci pics</title><link>http://clipmarks.com/clipmark/9613562F-E4F0-4788-AF74-7D360E247830/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/inspirat/"&gt;inspirat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A couple of good photos. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://johndx.com/gallerizer.php?url=http://www.radiodavid.net/monica_bellucci/foto[1-15].jpg" title="http://johndx.com/gallerizer.php?url=http://www.radiodavid.net/monica_bellucci/foto[1-15].jpg"&gt;johndx.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/inspirat/512/02150819-79C5-4A44-A513-4B64508FAADD.jpg" alt="gallerizer" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/monica+belucci/" rel="tag"&gt;monica belucci&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fashion/" rel="tag"&gt;fashion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/images/" rel="tag"&gt;images&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://johndx.com/gallerizer.php?url=http://www.radiodavid.net/monica_bellucci/foto[1-15].jpg</clipSource><pubDate>Sat, 20 May 2006 01:43:02 GMT</pubDate></item><item><title>alternative bach</title><link>http://clipmarks.com/clipmark/5E51F4A7-2127-46DB-A79E-78F6F8CBD256/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/inspirat/"&gt;inspirat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.popmatters.com/columns/jenkins/060519.shtml" title="http://www.popmatters.com/columns/jenkins/060519.shtml"&gt;www.popmatters.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/inspirat/512/99B4FAC0-0350-4621-AAFF-5D290028610F.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/inspirat/512/998E706A-571C-4C32-A40B-1AE1D9A7D6BD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size='2' face=''Arial Narrow','Arial MT Condensed Light',sans-serif' color='#808080'&gt;
Lara St. John leading the charge to sex up classical music's cerebral and demure image.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size='4' face='Arial,Helvetica,sans-serif'&gt;VARIATIONS ON A THEME: Judging a Bach By Its Cover&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TABLE width='220' cellspacing='5' cellpadding='0' border='0' align='right'&gt;
&lt;tbody&gt;&lt;tr&gt;&lt;td align="right"&gt;&lt;b&gt;&lt;i&gt;&lt;font face="Arial,Helvetica,sans-serif" size="3"&gt;
&lt;br&gt;If people are no longer as interested in classical music as a cerebral escape from the banalities of the everyday, then certain producers of classical recordings are willing to embrace this cultural condition by selling Bach not as an alternative to popular image culture, but as a part of it.
&lt;/font&gt;&lt;/i&gt;&lt;font face="Arial,Helvetica,sans-serif" size="3"&gt;&lt;/font&gt;&lt;/b&gt;

&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/classical/" rel="tag"&gt;classical&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/alternative/" rel="tag"&gt;alternative&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fashion/" rel="tag"&gt;fashion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/news/" rel="tag"&gt;news&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.popmatters.com/columns/jenkins/060519.shtml</clipSource><pubDate>Sat, 20 May 2006 01:30:34 GMT</pubDate></item><item><title>Presentation tips from Steve Jobs</title><link>http://clipmarks.com/clipmark/6534337A-7E92-4A27-BFCD-55597558D14A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/inspirat/"&gt;inspirat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.businessweek.com/smallbiz/content/apr2006/sb20060406_865110.htm" title="http://www.businessweek.com/smallbiz/content/apr2006/sb20060406_865110.htm"&gt;www.businessweek.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/inspirat/512/CA97A83D-7BB5-48B8-B0FC-81EE253B32C9.gif" alt="BusinessWeek magazine: The most-read source of global business news" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class='headline'&gt;

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						How to Wow 'Em Like Steve Jobs
					
				
			
			
		
	



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						The Apple CEO is well known for his electrifying presentations. Here are five tips to make your next talk just as mesmerizing -- or close
					
				
			
			
		
	



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		&lt;!--STORY--&gt;
		Apple Computer (&lt;a href="javascript: void showTicker('AAPL')"&gt;AAPL&lt;/a&gt;), now celebrating 30 years of innovation, has revolutionized the way we use computers and listen to music. Now its charismatic co-founder, Steve Jobs, has transformed the corporate pitch. Anyone who has watched a Jobs keynote will tell you he is one of the most extraordinary speakers in Corporate America. Jobs learned a long time ago that a leader must be a company evangelist and brand spokesperson.

&lt;/RENDER:LOGDEP&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Sell the Benefit&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Steve Jobs does not sell bits of metal; he sells an experience. Instead of focusing on mind-numbing statistics, as most technologists tend to do, Jobs sells the benefit. For example, when introducing a 30 GB iPod, he clearly explains what it means to the consumer -- users can carry 7,500 songs, 25,000 photos, or up to 75 hours of video. In January when Jobs introduced the first Intel (&lt;a href="javascript: void showTicker('INTC')"&gt;INTC&lt;/a&gt;)-based Mac notebook he began by saying, "What does this mean?"&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Keep It Visual&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Speaking of slides, there are very few bullet points in a Jobs presentation. Each slide is highly visual. If he's discussing the new chip inside a computer, a slide in the background will show a colorful image of the chip itself alongside the product. That's it. Simple and visual.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Exude Passion, Energy, and Enthusiasm&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Jobs has an infectious enthusiasm. When launching the video iPod, Jobs said, "It's the best music player we've made," "It has a gorgeous screen," "The color is fantastic," and "The video quality is amazing."&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/tips/" rel="tag"&gt;tips&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/presentation/" rel="tag"&gt;presentation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/gtd/" rel="tag"&gt;gtd&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/business/" rel="tag"&gt;business&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.businessweek.com/smallbiz/content/apr2006/sb20060406_865110.htm</clipSource><pubDate>Sat, 20 May 2006 00:57:13 GMT</pubDate></item><item><title>Philosophy of mind-wikipedia featured</title><link>http://clipmarks.com/clipmark/4ADC0C96-3C42-4F45-90A2-BAE0E3A91304/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/inspirat/"&gt;inspirat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:#ffffff"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Philosophy_of_mind&amp;oldid=54036664" title="http://en.wikipedia.org/w/index.php?title=Philosophy_of_mind&amp;oldid=54036664"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class='firstHeading'&gt;Philosophy of mind&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 id='siteSub'&gt;From Wikipedia, the free encyclopedia&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;b&gt;Philosophy of mind&lt;/b&gt; is the &lt;a href="http://en.wikipedia.org/wiki/Philosophy" title="Philosophy"&gt;philosophical&lt;/a&gt; study of the exact nature of the &lt;a href="http://en.wikipedia.org/wiki/Mind" title="Mind"&gt;mind&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Mental_event" title="Mental event"&gt;mental events&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Mental_function" title="Mental function"&gt;mental functions&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Mental_property" title="Mental property"&gt;mental properties&lt;/a&gt;, and &lt;a href="http://en.wikipedia.org/wiki/Consciousness" title="Consciousness"&gt;consciousness&lt;/a&gt;, and of the nature of their relationship with the physical body: the so-called "&lt;b&gt;mind–body problem&lt;/b&gt;".&lt;sup id="_ref-Kim1_0" class="reference"&gt;&lt;a href="#_note-Kim1" title=""&gt;[1]&lt;/a&gt;&lt;/sup&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/inspirat/512/141A9909-BA02-460B-9282-2FF1054EBE7F.jpg" alt="A Phrenological mapping of the brain. Phrenology was among the first attempts to correlate mental functions with specific parts of the brain." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class='thumbcaption'&gt;
&lt;div class="magnify" style="float: right;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Image:Phrenology1.jpg" class="internal" title="Enlarge"&gt;&lt;img src="http://en.wikipedia.org/skins-1.5/common/images/magnify-clip.png" alt="Enlarge" height="11" width="15"&gt;&lt;/a&gt;&lt;/div&gt;
A &lt;a href="http://en.wikipedia.org/wiki/Phrenology" title="Phrenology"&gt;Phrenological&lt;/a&gt; mapping of the &lt;a href="http://en.wikipedia.org/wiki/Brain" title="Brain"&gt;brain&lt;/a&gt;. Phrenology was among the first attempts to correlate mental functions with specific parts of the brain.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TABLE summary='Contents' class='toc' id='toc'&gt;
&lt;tbody&gt;&lt;tr&gt;
&lt;td&gt;
&lt;div id="toctitle"&gt;
&lt;h2&gt;Contents&lt;/h2&gt;
 &lt;span class="toctoggle"&gt;[&lt;a href="javascript:alert('This link contains javascript. Please visit the clip source to follow this link.');" target="_self" class="internal" id="togglelink"&gt;hide&lt;/a&gt;]&lt;/span&gt;&lt;/div&gt;
&lt;ul&gt;
&lt;li class="toclevel-1"&gt;&lt;a href="#The_mind.E2.80.93body_problem"&gt;&lt;span class="tocnumber"&gt;1&lt;/span&gt; &lt;span class="toctext"&gt;The mind–body problem&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;li class="toclevel-1"&gt;&lt;a href="#Dualist_solutions_to_the_mind.E2.80.93body_problem"&gt;&lt;span class="tocnumber"&gt;2&lt;/span&gt; &lt;span class="toctext"&gt;Dualist solutions to the mind–body problem&lt;/span&gt;&lt;/a&gt;
&lt;ul&gt;
&lt;li class="toclevel-2"&gt;&lt;a href="#Arguments_for_dualism"&gt;&lt;span class="tocnumber"&gt;2.1&lt;/span&gt; &lt;span class="toctext"&gt;Arguments for dualism&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;li class="toclevel-2"&gt;&lt;a href="#Interaction_dualism"&gt;&lt;span class="tocnumber"&gt;2.2&lt;/span&gt; &lt;span class="toctext"&gt;Interaction dualism&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;li class="toclevel-2"&gt;&lt;a href="#Other_forms_of_dualism"&gt;&lt;span class="tocnumber"&gt;2.3&lt;/span&gt; &lt;span class="toctext"&gt;Other forms of dualism&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;li class="toclevel-1"&gt;&lt;a href="#Monist_solutions_to_the_mind.E2.80.93body_problem"&gt;&lt;span class="tocnumber"&gt;3&lt;/span&gt; &lt;span class="toctext"&gt;Monist solutions to the mind–body problem&lt;/span&gt;&lt;/a&gt;
&lt;ul&gt;
&lt;li class="toclevel-2"&gt;&lt;a href="#Behaviorism"&gt;&lt;span class="tocnumber"&gt;3.1&lt;/span&gt; &lt;span class="toctext"&gt;Behaviorism&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;li class="toclevel-2"&gt;&lt;a href="#Identity_theory"&gt;&lt;span class="tocnumber"&gt;3.2&lt;/span&gt; &lt;span class="toctext"&gt;Identity theory&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;li class="toclevel-2"&gt;&lt;a href="#Functionalism"&gt;&lt;span class="tocnumber"&gt;3.3&lt;/span&gt; &lt;span class="toctext"&gt;Functionalism&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;li class="toclevel-2"&gt;&lt;a href="#Nonreductive_physicalism"&gt;&lt;span class="tocnumber"&gt;3.4&lt;/span&gt; &lt;span class="toctext"&gt;Nonreductive physicalism&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;li class="toclevel-2"&gt;&lt;a href="#Eliminative_materialism"&gt;&lt;span class="tocnumber"&gt;3.5&lt;/span&gt; &lt;span class="toctext"&gt;Eliminative materialism&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;li class="toclevel-1"&gt;&lt;a href="#Linguistic_criticism_of_the_mind.E2.80.93body_problem"&gt;&lt;span class="tocnumber"&gt;4&lt;/span&gt; &lt;span class="toctext"&gt;Linguistic criticism of the mind–body problem&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;li class="toclevel-1"&gt;&lt;a href="#Naturalism_and_its_problems"&gt;&lt;span class="tocnumber"&gt;5&lt;/span&gt; &lt;span class="toctext"&gt;Naturalism and its problems&lt;/span&gt;&lt;/a&gt;
&lt;ul&gt;
&lt;li class="toclevel-2"&gt;&lt;a href="#Qualia"&gt;&lt;span class="tocnumber"&gt;5.1&lt;/span&gt; &lt;span class="toctext"&gt;Qualia&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;li class="toclevel-2"&gt;&lt;a href="#Intentionality"&gt;&lt;span class="tocnumber"&gt;5.2&lt;/span&gt; &lt;span class="toctext"&gt;Intentionality&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;li class="toclevel-1"&gt;&lt;a href="#Philosophy_of_mind_and_science"&gt;&lt;span class="tocnumber"&gt;6&lt;/span&gt; &lt;span class="toctext"&gt;Philosophy of mind and science&lt;/span&gt;&lt;/a&gt;
&lt;ul&gt;
&lt;li class="toclevel-2"&gt;&lt;a href="#Neurobiology"&gt;&lt;span class="tocnumber"&gt;6.1&lt;/span&gt; &lt;span class="toctext"&gt;Neurobiology&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;li class="toclevel-2"&gt;&lt;a href="#Computer_science"&gt;&lt;span class="tocnumber"&gt;6.2&lt;/span&gt; &lt;span class="toctext"&gt;Computer science&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;li class="toclevel-2"&gt;&lt;a href="#Psychology"&gt;&lt;span class="tocnumber"&gt;6.3&lt;/span&gt; &lt;span class="toctext"&gt;Psychology&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;li class="toclevel-1"&gt;&lt;a href="#Philosophy_of_mind_in_the_continental_tradition"&gt;&lt;span class="tocnumber"&gt;7&lt;/span&gt; &lt;span class="toctext"&gt;Philosophy of mind in the continental tradition&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;li class="toclevel-1"&gt;&lt;a href="#Consequences_of_philosophy_of_mind"&gt;&lt;span class="tocnumber"&gt;8&lt;/span&gt; &lt;span class="toctext"&gt;Consequences of philosophy of mind&lt;/span&gt;&lt;/a&gt;
&lt;ul&gt;
&lt;li class="toclevel-2"&gt;&lt;a href="#Free_will"&gt;&lt;span class="tocnumber"&gt;8.1&lt;/span&gt; &lt;span class="toctext"&gt;Free will&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;li class="toclevel-2"&gt;&lt;a href="#The_self"&gt;&lt;span class="tocnumber"&gt;8.2&lt;/span&gt; &lt;span class="toctext"&gt;The self&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;li class="toclevel-1"&gt;&lt;a href="#See_also"&gt;&lt;span class="tocnumber"&gt;9&lt;/span&gt; &lt;span class="toctext"&gt;See also&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;li class="toclevel-1"&gt;&lt;a href="#Notes_and_references"&gt;&lt;span class="tocnumber"&gt;10&lt;/span&gt; &lt;span class="toctext"&gt;Notes and references&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;li class="toclevel-1"&gt;&lt;a href="#External_links"&gt;&lt;span class="tocnumber"&gt;11&lt;/span&gt; &lt;span class="toctext"&gt;External links&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/philosophy/" rel="tag"&gt;philosophy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mind/" rel="tag"&gt;mind&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/articles/" rel="tag"&gt;articles&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://en.wikipedia.org/w/index.php?title=Philosophy_of_mind&amp;oldid=54036664</clipSource><pubDate>Fri, 19 May 2006 21:54:18 GMT</pubDate></item></channel></rss>