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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | haraya's clips</title><link>http://clipmarks.com/clipper/haraya/sort/newest-clips/</link><feedUrl>http://rss.clipmarks.com/clipper/haraya/sort/newest-clips/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Art on Art: Brilliant Typography and Print</title><link>http://clipmarks.com/clipmark/58C48311-654E-44B8-8998-FC43294557F6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The Bald Soprano by Eugene Ionesco set to print / graphics by Robert Massin. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.typogabor.com/ionesco_massin/index.html" title="http://www.typogabor.com/ionesco_massin/index.html"&gt;www.typogabor.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;La Cantatrice Chauve d'Eugene Ionesco, mise en scène par Robert Massin
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href="http://www.typogabor.com/ionesco_massin/pages/Massin_Ionseco_24.html" title="http://www.typogabor.com/ionesco_massin/pages/Massin_Ionseco_24.html"&gt;www.typogabor.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/6B1921CC-A7CC-41EB-99C5-923F342D4F62.jpg" alt="Massin_Ionseco_24" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Verdana"&gt;&lt;A target="_blank" href="http://www.typogabor.com/portfolio/index.html"&gt;©design et typo, photos peter gabor;&lt;/A&gt; étude académique; reproduction interdite; réservée à usage strictement pédagogique&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/typography/" rel="tag"&gt;typography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/book/" rel="tag"&gt;book&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ionesco/" rel="tag"&gt;ionesco&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/massin/" rel="tag"&gt;massin&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/design/" rel="tag"&gt;design&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/drama/" rel="tag"&gt;drama&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/theatre/" rel="tag"&gt;theatre&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/print/" rel="tag"&gt;print&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ink/" rel="tag"&gt;ink&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.typogabor.com/ionesco_massin/index.html</clipSource><pubDate>Wed, 27 Aug 2008 13:13:06 GMT</pubDate></item><item><title>Computer viruses make it to orbit </title><link>http://clipmarks.com/clipmark/58B4794B-2E4C-42A0-B209-CD66A68363C6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I wish my laptop can bring me to space too. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/2/hi/technology/7583805.stm" title="http://news.bbc.co.uk/2/hi/technology/7583805.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="first"&gt;&lt;B&gt;A computer virus is alive and well on the International Space Station (ISS).&lt;/B&gt;
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/DC39AF72-CB20-483B-A0D0-B04B45F40ADF.jpg" alt="Astronaut doing spacewalk, AP" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Nasa has confirmed that laptops carried to the ISS in July were infected with a virus known as Gammima.AG.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The worm was first detected on earth in August 2007 and lurks on infected machines waiting to steal login names for popular online games&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Nasa said it was not the first time computer viruses had travelled into space and it was investigating how the machines were infected.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The ISS has no direct net connection and all data traffic travelling from the ground to the spacecraft is scanned before being transmitted.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;It is thought that the virus might have travelled via a flash or USB drive owned by an astronaut and taken into space.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The space agency also plans to put in place security systems to stop such incidents happening in the future.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Nasa told Wired News that viruses had infected laptops taken to the ISS on several occasions but the outbreaks always only been a "nuisance".

&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/space/" rel="tag"&gt;space&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/virus/" rel="tag"&gt;virus&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/computer/" rel="tag"&gt;computer&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/news/" rel="tag"&gt;news&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/laptops/" rel="tag"&gt;laptops&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/gammima.ag/" rel="tag"&gt;gammima.ag&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/travel/" rel="tag"&gt;travel&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://news.bbc.co.uk/2/hi/technology/7583805.stm</clipSource><pubDate>Wed, 27 Aug 2008 13:12:57 GMT</pubDate></item><item><title>A Collection of Sublime and Sensual Smoke Art</title><link>http://clipmarks.com/clipmark/8D8116CA-D5AD-4B6A-B7F8-E8D4A4BFAAE2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.darkroastedblend.com/2008/08/sublime-sensual-smoke-art.html" title="http://www.darkroastedblend.com/2008/08/sublime-sensual-smoke-art.html"&gt;www.darkroastedblend.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Abstract, natural smoke meets electricity&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;A href="http://www.pbase.com/daria90/smoke"&gt;Irene Muller&lt;/A&gt; examines the inner wisps and curls of colored smoke, producing photographs worthy to be framed in the process. See the whole &lt;A href="http://www.pbase.com/daria90/smoke"&gt;series&lt;/A&gt; on her site.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/CAA51128-A47C-45CF-94E9-A65656BA3A8A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Or the smoke that's produced in explosive interaction with electricity:&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/8F0F52FF-F238-4CF3-AA41-B2CE3DF72F72.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;FONT size="1"&gt;(image credit: &lt;A href="http://www.photojournalism.org/2007%20images/web/contest/singles/source/issue2.htm"&gt;Luiz Santos, Ohio University&lt;/A&gt;)&lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/7306D432-6239-419A-B3A9-0648E4D3E843.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Lighting Matches - simple act, enhanced by artistic flair&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;FONT size="1"&gt;(image credit: &lt;A href="http://www.flickr.com/photos/multi_colored/144449710/"&gt;Mike Brook&lt;/A&gt;)&lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/5AD2C139-E198-4816-A686-2D1E66FE7078.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;"Fire and smoke" &lt;A href="http://www.flickr.com/photos/brentspix/sets/72157604085829375/"&gt;set&lt;/A&gt; from Brent:&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/604534DF-448A-4044-A16F-60E4350CF43C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;"One Strobe coming from the left and to the rear of the match. Shutter was set to capture ambient flame" -&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;FONT size="1"&gt;(image credit: &lt;A href="http://www.flickr.com/photos/joshbeeman/2241897977/"&gt;Josh Beeman&lt;/A&gt;)&lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/F08C7AC3-B254-4BFB-8B0F-AF6255046B5F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;B&gt;Unintentional Shapes&lt;/B&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;FONT size="1"&gt;(image credit: &lt;A href="http://rawimage.deviantart.com/art/Crown-Without-A-King-16409883"&gt;Maximilian Jaenicke&lt;/A&gt;)&lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/3C64CA85-29FD-4E20-BF1B-157E3C647A90.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Magical combination of smoke and sunrays in this photo, taken in a rice cracker bakery at Inle Lake in Myanmar&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;FONT size="1"&gt;(image credit: &lt;A href="http://www.basuterwijk.com/"&gt;Bas Uterwijk&lt;/A&gt;)&lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/E2D0BCD6-6C28-4017-A067-D4A969D5CB52.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Burning incense sticks makes groovy "colored smoke"  - a series by &lt;A href="http://sensitivelight.com/smoke2/"&gt;Graham Jeffery&lt;/A&gt;:&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/6FFCCAA0-1779-41FC-9B7A-13D9DA39F93F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;A href="http://www.herbrich.com/index.html"&gt;Thomas Herbrich&lt;/A&gt; has an excellent series "Smoke" on his site:&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/A71415F1-0A76-4B99-B153-966EE83948E9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;FONT size="1"&gt;(image credit: &lt;A href="http://www.flickr.com/photos/azredheadedbrat/392296378/"&gt;Sharlene Shappart&lt;/A&gt;)&lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/BDED5037-4E25-4319-BBF4-87317F56CA41.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;B&gt;Photoshop Smoke Nirvana&lt;/B&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/D16619A3-6715-44B5-972D-8ED68E38D4AB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/C51BAA9D-E141-4423-9C9B-14564E5A83BE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;retouched smoke dreams &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="http://demiart.ru/forum/index.php?showtopic=54542&amp;st=0"&gt;demiart.ru&lt;/A&gt;)&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/F915E8BA-8B90-472B-A04C-35F388FD1354.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/31306699-DED6-4296-BEAC-D42C4B80E778.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/4EC28564-A897-467E-B0B0-B0B9828ACD9C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/17302DD9-D18B-4891-B884-B533F57EB214.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/958F8C05-6B0D-4A06-87AE-C9A153B40C2B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/E281CFC3-0D6F-4ABC-B805-3B3255675985.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/smoke/" rel="tag"&gt;smoke&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/digital/" rel="tag"&gt;digital&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photoshop/" rel="tag"&gt;photoshop&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/electricity/" rel="tag"&gt;electricity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fire/" rel="tag"&gt;fire&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/gallery/" rel="tag"&gt;gallery&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/heat/" rel="tag"&gt;heat&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/steam/" rel="tag"&gt;steam&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.darkroastedblend.com/2008/08/sublime-sensual-smoke-art.html</clipSource><pubDate>Wed, 27 Aug 2008 13:12:29 GMT</pubDate></item><item><title>The joy of taking some time out</title><link>http://clipmarks.com/clipmark/4CCCECE2-55DA-435D-89C9-EF8DA13745BB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;Embrace the faff. Stare out of the window. Bend paperclips. Stand in the middle of the room trying to remember what you came downstairs for. Pace. Drum your fingertips. Move papers around. Hum. Look at the garden.Go to the shed with the intention of tidying up and instead fall asleep. Make mental notes. Read every single word of the newspaper - even the job ads - before getting down to work. Lose yourself in erotic reveries. Pat your pockets. Resolve to be more organised in future. Be useless.&lt;/blockquote&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/lifeandstyle/2008/aug/13/7" title="http://www.guardian.co.uk/lifeandstyle/2008/aug/13/7"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;A new report says that we waste three hours a day faffing around, doing nothing in particular&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The survey was carried out by the Learning and Skills Council, who, not surprisingly, argued we should instead use those three hours to Learn some Skills.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/A16BB3F0-8F9D-4E4B-9C63-4BFFB2405919.jpg" alt="A woman relaxes with her eyes closed" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;I beg to differ.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Faffing is when we disconnect from the matrix and idle for a while, like a car. Our body and spirit know deep down that human beings were not made for constant toil so subconsciously creates space through the mechanism of faffing.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Faffing of course does not fit the programme. We are supposed to be busy, productive citizens.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Clearly these sorts of ideals are designed to make us faffers feel bad. Well, don't. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Faffing is completely harmless, whereas its opposite - dynamic, purposeful activity - is often very harmful. Faffers do not tend to kill people or make them work 12-hour days or sell them shoddy merchandise or lend them vast sums of money that they cannot pay back. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/self/" rel="tag"&gt;self&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/time/" rel="tag"&gt;time&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/well-being/" rel="tag"&gt;well-being&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/health/" rel="tag"&gt;health&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/body/" rel="tag"&gt;body&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/work/" rel="tag"&gt;work&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/survey/" rel="tag"&gt;survey&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/opinion/" rel="tag"&gt;opinion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/advice/" rel="tag"&gt;advice&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rest/" rel="tag"&gt;rest&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/lifeandstyle/2008/aug/13/7</clipSource><pubDate>Mon, 18 Aug 2008 11:22:40 GMT</pubDate></item><item><title>I ♥ the whole world.</title><link>http://clipmarks.com/clipmark/BEB6FD24-E7FC-4495-9988-EDB8F4989EA0/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Boom de ah dah! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=at_f98qOGY0" title="http://www.youtube.com/watch?v=at_f98qOGY0"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;People around the world have been creating their own versions of our 'Boom De Ah Dah' commercial and uploading them to YouTube.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Check here to see some&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;examples so far: &lt;A dir="ltr" rel="nofollow" title="http://www.youtube.com/view_play_list?p=3CBDBDA71F43276F" target="_blank" href="http://www.youtube.com/view_play_list?p=3CBDBDA71F43276F"&gt;http://www.youtube.com/view_play_list...&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=47o9jwRygoc&amp;feature=related" title="http://www.youtube.com/watch?v=47o9jwRygoc&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;dicsovery channel simpsons i love the whole world&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/discovery/" rel="tag"&gt;discovery&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/song/" rel="tag"&gt;song&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fun/" rel="tag"&gt;fun&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/people/" rel="tag"&gt;people&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/earth/" rel="tag"&gt;earth&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nature/" rel="tag"&gt;nature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/life/" rel="tag"&gt;life&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/work/" rel="tag"&gt;work&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nerdgasm/" rel="tag"&gt;nerdgasm&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=at_f98qOGY0</clipSource><pubDate>Mon, 18 Aug 2008 11:22:31 GMT</pubDate></item><item><title>Wacky Sci-Fi “Laws”</title><link>http://clipmarks.com/clipmark/6558587C-EF5D-4B05-84DD-627E3B67BE50/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  If that’s not enough for you, check out Wikipedia’s &lt;a href="http://en.wikipedia.org/wiki/Adages_named_after_people" rel="nofollow" target="_blank"&gt;list of eponymous laws&lt;/a&gt;. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mentalfloss.com/blogs/archives/17566" title="http://www.mentalfloss.com/blogs/archives/17566"&gt;www.mentalfloss.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;1.  Hanlon’s Razor (aka Hanlon’s Law)&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/263ABBE5-46E1-4A62-944B-4AAD040C11E3.jpg" alt="Robert Heinlein" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;“Never attribute to malice that which can be adequately explained by stupidity.”&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;2.  Sturgeon’s Law&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/9614F72D-BDB6-4422-BFE0-9A1844C8F13D.jpg" alt="Theodore Sturgeon" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;“Ninety percent of everything is crap.”&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;3. O’Toole’s Corollary of Finagle’s Law&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;“The perversity of the Universe tends towards a maximum.”&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;4.  Clarke’s Three Laws&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/6BA0D7BA-DD75-40C7-A954-08D26CE54240.jpg" alt="Arthur C. Clarke" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;  The third is by far the most famous:&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Any sufficiently advanced technology is indistinguishable from magic.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;5.  Asimov’s Laws of Robotics&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/25325C88-43CF-4872-8219-8AD39F2D184D.jpg" alt="Isaac Asimov" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL&gt;
&lt;LI&gt;&lt;B&gt;First law:&lt;/B&gt; A robot may not harm a human being, or, through inaction, allow a human being to come to harm.&lt;/LI&gt;
&lt;LI&gt;&lt;B&gt;Second law:&lt;/B&gt; A robot must obey the orders given to it by human beings, except where such orders would conflict with the First Law.&lt;/LI&gt;
&lt;LI&gt;&lt;B&gt;Third law:&lt;/B&gt; A robot must protect its own existence, as long as such protection does not conflict with the First or Second Law.&lt;/LI&gt;
&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;There’s also a &lt;A href="http://en.wikipedia.org/wiki/Zeroth_Law_of_Robotics"&gt;Zeroth Law&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;6.  The Dilbert Principle&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/AE6ECF3C-1A32-4BF4-B19F-68E59E755AF9.jpg" alt="Dilbert" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; &lt;B&gt;the most ineffective workers are systematically moved to the place where they can do the least damage: management.&lt;/B&gt;.  (See also:  the &lt;A href="http://en.wikipedia.org/wiki/Peter_principle"&gt;Peter principle&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/laws/" rel="tag"&gt;laws&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science+fiction/" rel="tag"&gt;science fiction&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writers/" rel="tag"&gt;writers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/humor/" rel="tag"&gt;humor&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/people/" rel="tag"&gt;people&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/robots/" rel="tag"&gt;robots&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/work/" rel="tag"&gt;work&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/life/" rel="tag"&gt;life&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.mentalfloss.com/blogs/archives/17566</clipSource><pubDate>Mon, 18 Aug 2008 11:14:27 GMT</pubDate></item><item><title>Have you met Tan Hong Ming?</title><link>http://clipmarks.com/clipmark/AA2521D0-28D5-4B64-86FE-168BA183B0AC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  He's so cute. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=Am4vb0X8tEg&amp;feature=related" title="http://www.youtube.com/watch?v=Am4vb0X8tEg&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/commercial/" rel="tag"&gt;commercial&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/television/" rel="tag"&gt;television&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/children/" rel="tag"&gt;children&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/perception/" rel="tag"&gt;perception&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/malaysia/" rel="tag"&gt;malaysia&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cute/" rel="tag"&gt;cute&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/love/" rel="tag"&gt;love&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/race/" rel="tag"&gt;race&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/interview/" rel="tag"&gt;interview&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=Am4vb0X8tEg&amp;feature=related</clipSource><pubDate>Sat, 09 Aug 2008 15:57:14 GMT</pubDate></item><item><title>Opt out of Yahoo and Google ads.</title><link>http://clipmarks.com/clipmark/143E1C15-379A-4FBB-8450-472CACB6E19A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  If you don’t want those cookies, you can decline Yahoo’s &lt;a href="http://info.yahoo.com/privacy/us/yahoo/opt_out/targeting/details.html" rel="nofollow" target="_blank"&gt;here&lt;/a&gt; and Google’s &lt;a href="http://www.google.com/privacy_ads.html" rel="nofollow" target="_blank"&gt;here&lt;/a&gt;. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.techcrunch.com/2008/08/08/yahoo-and-google-now-let-you-opt-out-of-ads-because-its-better-than-letting-you-opt-in/" title="http://www.techcrunch.com/2008/08/08/yahoo-and-google-now-let-you-opt-out-of-ads-because-its-better-than-letting-you-opt-in/"&gt;www.techcrunch.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;A title="Permanent Link to Yahoo And Google Now Let You Opt Out Of Ads (Because It’s Better Than Letting You Opt In)" rel="bookmark" href="http://www.techcrunch.com/2008/08/08/yahoo-and-google-now-let-you-opt-out-of-ads-because-its-better-than-letting-you-opt-in/"&gt;Yahoo And Google Now Let You Opt Out Of Ads (Because It’s Better Than Letting You Opt In)&lt;/A&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;All of a sudden, Yahoo and Google want to make it easy for you to opt out of their ad targeting on both their sites and across the Web.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/CECDF0E9-8C70-45DF-A42B-2FAEFD75AA31.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Yahoo &lt;A href="http://yhoo.client.shareholder.com/press/releasedetail.cfm?ReleaseID=327212"&gt;announced&lt;IMG src="http://i.ixnp.com/images/v3.42.0.2/t.gif" class="snap_preview_icon" id="snap_com_shot_link_icon" /&gt;&lt;/A&gt; a new one-click opt-out policy today,&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a direct response to Congressional scrutiny over the intrusiveness of online advertising and behavioral targeting.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Google’s announcement was buried in a blog post about &lt;A href="http://www.techcrunch.com/2008/08/07/googles-ad-network-now-with-double-the-cookies/"&gt;Doubleclick cookies.&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The truth is that both Yahoo and Google would rather take symbolic action themselves than be forced to take a more draconian one later.  Who’s going to bother to opt out of ad targeting?  Some people will, but the vast majority of people probably won’t.  What would really mess up Yahoo’s and Google’s advertising ROIs is if Congress mandated that ad-targeting (via cookies) be &lt;EM&gt;opt-in&lt;/EM&gt;.  They’d surely get even fewer people opting in for those cookies than they will now get opting out.  I know I’m too lazy to do either.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/advertising/" rel="tag"&gt;advertising&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/internet/" rel="tag"&gt;internet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/web/" rel="tag"&gt;web&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/privacy/" rel="tag"&gt;privacy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/options/" rel="tag"&gt;options&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/yahoo/" rel="tag"&gt;yahoo&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/google/" rel="tag"&gt;google&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/announcement/" rel="tag"&gt;announcement&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cookies/" rel="tag"&gt;cookies&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.techcrunch.com/2008/08/08/yahoo-and-google-now-let-you-opt-out-of-ads-because-its-better-than-letting-you-opt-in/</clipSource><pubDate>Sat, 09 Aug 2008 15:49:13 GMT</pubDate></item><item><title>The Beijing Olympics Opening Ceremonies in Pictures</title><link>http://clipmarks.com/clipmark/4B9C7F3D-D48A-4E9A-8E2D-16598E0E821B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.boston.com/bigpicture/2008/08/2008_olympics_opening_ceremony.html" title="http://www.boston.com/bigpicture/2008/08/2008_olympics_opening_ceremony.html"&gt;www.boston.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="bpBody"&gt;Beijing held its formal opening ceremony today for the 2008 Summer Olympics. The ceremony, held in the National Stadium known as the Bird's Nest, was attended by thousands, and watched by millions more on television. Below are some highlights of the nearly 4-hour performance. (&lt;A href="http://www.boston.com/bigpicture/2008/08/2008_olympics_opening_ceremony.html"&gt;24 photos total&lt;/A&gt;)&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/EBA2BED7-459E-4201-9A36-7AFBE619FDA6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/343992B4-3903-4BE9-9989-609DCD9CF9D1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/764DD1EE-08E2-4BEE-85A7-D578E3D3952A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/EFDDBA5E-8803-48A3-A0AE-1C9E5672DC9D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/47CD01AE-4BDA-4AA2-AD72-4002DAC31396.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/BFE338D0-92EF-46B0-82E7-E2425DA43B0D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/C7BF4028-83EE-4533-977F-A54D6D0CA8F3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/647E1C86-A26D-469D-91CA-D1E73D1C4E28.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/F1FA6738-1A8D-4CC7-B749-9260AD1D185C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/1B9D52BB-635C-4B7D-8A71-45D3354872CC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/05BE5EC6-3B23-415C-BAF7-D81ED1ADB31F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/A48459E6-5769-420F-9787-B3A280A82EBB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/077702E0-F626-4594-AC12-755F6146AD7E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/4441335D-D8A9-47BB-BEE1-DA2AEBEBF1D1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/199A0789-E347-4A76-BCD4-89EE2F4CD4E4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/24716788-08AE-42E8-A709-C7CD1CC29681.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/483969D8-2F41-45C9-A183-4B252E159DFB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/EEE5E53D-E195-4B28-9846-F4441F656F67.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/963018EA-725C-42C2-B85C-D0705AA61820.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/B7520100-3740-4EFB-A0E6-B6022BB6124B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/9B8DC006-CE37-424E-B79B-49B5A5AB19E1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/9D6F4B32-FCD3-4882-A549-5AC3A2AA72AA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/152C80D3-F749-4BA7-AEFB-2EE08425D0BA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/2498A088-893F-4F64-8ACF-3A7C61CD95EC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/china/" rel="tag"&gt;china&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/beijing/" rel="tag"&gt;beijing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/olympics/" rel="tag"&gt;olympics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sports/" rel="tag"&gt;sports&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photos/" rel="tag"&gt;photos&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/collection/" rel="tag"&gt;collection&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/gallery/" rel="tag"&gt;gallery&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/event/" rel="tag"&gt;event&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/performance/" rel="tag"&gt;performance&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.boston.com/bigpicture/2008/08/2008_olympics_opening_ceremony.html</clipSource><pubDate>Sat, 09 Aug 2008 15:49:00 GMT</pubDate></item><item><title>Film-Philosophy</title><link>http://clipmarks.com/clipmark/8B7092B2-F78B-427A-9AA3-C2BE29777E54/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.film-philosophy.com/archive/vol11-2007/index.html" title="http://www.film-philosophy.com/archive/vol11-2007/index.html"&gt;www.film-philosophy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Founded in November 1996, &lt;EM&gt;Film-Philosophy&lt;/EM&gt;
            is an international academic journal dedicated to
            philosophically reviewing film studies, philosophical
            aesthetics, and world cinema. The email salon
            encourages discussion of related topics. The journal is
            published three times per year and is fully
            peer-reviewed.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/DB9132B4-9DDE-44F5-80ED-170E2A956413.jpg" alt="The Life Aquatic with Steve Zissou" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.film-philosophy.com/archive/" title="http://www.film-philosophy.com/archive/"&gt;www.film-philosophy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 1 -1997" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol1-1997/index.html"&gt;Volume 1, 1997&lt;/A&gt;
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        &lt;A title="Volume 2 - 1998" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol2-1998/index.html"&gt;Volume 2, 1998&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 3 - 1999" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol3-1999/index.html"&gt;Volume 3, 1999&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 4 - 2000" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol4-2000/index.html"&gt;Volume 4, 2000&lt;/A&gt;
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        &lt;A title="Volume 5 - 2001" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol5-2001/index.html"&gt;Volume 5, 2001&lt;/A&gt;
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        &lt;A title="Volume 6 - 2002" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol6-2002/index.html"&gt;Volume 6, 2002&lt;/A&gt;
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        &lt;A title="Volume 7 - 2003" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol7-2003/index.html"&gt;Volume 7, 2003&lt;/A&gt;
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        &lt;A title="Volume 8 - 2004" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol8-2004/index.html"&gt;Volume 8, 2004&lt;/A&gt;
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        &lt;A title="Volume 9 - 2005" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol9-2005/index.html"&gt;Volume 9, 2005&lt;/A&gt;
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        &lt;A title="Volume 10 - 2006" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol10-2006/index.html"&gt;Volume 10, 2006&lt;/A&gt;
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        &lt;A title="Volume 11 - 2007" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol11-2007/index.html"&gt;Volume 11, 2007&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;If you would like to submit an article or review for
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      &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/resource/" rel="tag"&gt;resource&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/film/" rel="tag"&gt;film&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/papers/" rel="tag"&gt;papers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reviews/" rel="tag"&gt;reviews&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/studies/" rel="tag"&gt;studies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/journals/" rel="tag"&gt;journals&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/theory/" rel="tag"&gt;theory&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ideas/" rel="tag"&gt;ideas&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.film-philosophy.com/archive/vol11-2007/index.html</clipSource><pubDate>Fri, 01 Aug 2008 11:21:06 GMT</pubDate></item><item><title>Learn to solve the Rubik's cube</title><link>http://clipmarks.com/clipmark/2890C5D6-9024-4AB3-B07A-183A366DC3C1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  ...or use scissors. Make it sexy.&lt;br/&gt;&lt;br/&gt;I wonder what speed cubers think of this. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.xkcd.com/" title="http://www.xkcd.com/"&gt;www.xkcd.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Frustration&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/BB707C28-54E4-4DB3-BE06-467B6A117782.png" alt="Frustration" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/rubiks+cube/" rel="tag"&gt;rubiks cube&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/xkcd/" rel="tag"&gt;xkcd&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/randall+munroe/" rel="tag"&gt;randall munroe&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/comics/" rel="tag"&gt;comics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/web/" rel="tag"&gt;web&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bra/" rel="tag"&gt;bra&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/women/" rel="tag"&gt;women&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/clothing/" rel="tag"&gt;clothing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/puzzle/" rel="tag"&gt;puzzle&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/humor/" rel="tag"&gt;humor&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.xkcd.com/</clipSource><pubDate>Fri, 01 Aug 2008 11:20:42 GMT</pubDate></item><item><title>Culture Machine: Generating Research in Culture &amp; Theory</title><link>http://clipmarks.com/clipmark/1DBA2E7B-B364-47CB-BC7A-4EC813E9FDB0/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;The aim of Culture Machine is to seek out and promote the most provocative of new work, and analyses of that work, in culture and theory from a diverse range of international authors. Culture Machine is particularly concerned to promote research which is engaged in the constitution of new areas of inquiry and the opening of new frontiers of cultural and theoretical activity. It is also committed to the generation of possibilities for new scholarship and research.&lt;/blockquote&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://culturemachine.tees.ac.uk/user_mn.htm" title="http://culturemachine.tees.ac.uk/user_mn.htm"&gt;culturemachine.tees.ac.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+0"&gt;Culture
Machine is a series of experiments in culture and theory. &lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://culturemachine.tees.ac.uk/journal.htm" title="http://culturemachine.tees.ac.uk/journal.htm"&gt;culturemachine.tees.ac.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+2"&gt;The Journal&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;&lt;FONT color="#000080"&gt;&lt;FONT size="+1"&gt;CULTURE MACHINE 9 (2007)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/B&gt;
&lt;BR /&gt;&lt;B&gt;&lt;FONT color="#000080"&gt;&lt;FONT size="+1"&gt;Recordings&lt;/FONT&gt;&lt;/FONT&gt;&lt;/B&gt;
&lt;P&gt;&lt;B&gt;&lt;FONT color="#000080"&gt;&lt;FONT size="+0"&gt;Edited by &lt;/FONT&gt;&lt;/FONT&gt;&lt;/B&gt;
&lt;BR /&gt;&lt;B&gt;&lt;FONT color="#000080"&gt;&lt;FONT size="+0"&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Hegarty"&gt;
Paul Hegarty and &lt;/A&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Genosko"&gt;Gary Genosko&lt;/A&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="162" valign="top"&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Genosko"&gt;&lt;FONT face="Arial"&gt;Editorial&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;
    &lt;TD width="309" valign="top" align="left"&gt;&lt;U&gt;
    &lt;A href="http://culturemachine.tees.ac.uk/Articles/RecordingsIntro.htm" name="RecordingsTitle"&gt;&lt;FONT face="Arial" color="#808080"&gt;Recordings&lt;/FONT&gt;&lt;/A&gt;&lt;/U&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="162" valign="top"&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Thacker"&gt;&lt;FONT face="Arial" color="#808080"&gt;Eugene Thacker&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;
    &lt;TD width="309" valign="top" align="left"&gt;&lt;U&gt;
    &lt;A href="http://culturemachine.tees.ac.uk/Articles/ThackerArticle.htm" name="ThackerTitle"&gt;&lt;FONT face="Arial" color="#808080"&gt;Pulse Demons&lt;/FONT&gt;&lt;/A&gt;&lt;/U&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="162" valign="top"&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Hainge"&gt;&lt;FONT face="Arial" color="#808080"&gt;Greg Hainge&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;
    &lt;TD width="309" valign="top" align="left"&gt;
    &lt;U&gt;&lt;A href="http://culturemachine.tees.ac.uk/Articles/HaingeArticle.htm" name="HaingeTitle"&gt;
	&lt;FONT face="Arial" color="#808080"&gt;Vinyl 
    is Dead, Long Live Vinyl: The Work of Recording and Mourning in the Age of 
    Digital Reproduction&lt;/FONT&gt;&lt;/A&gt;&lt;/U&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="162" valign="top"&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Hegarty"&gt;&lt;FONT face="Arial" color="#808080"&gt;Paul Hegarty&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;
    &lt;TD width="309" valign="top" align="left"&gt;&lt;U&gt;
    &lt;A href="http://culturemachine.tees.ac.uk/Articles/HegartyArticle.htm" name="HegartyTitle"&gt;
	&lt;FONT face="Arial" color="#808080"&gt;The Hallucinatory Life of Tape&lt;/FONT&gt;&lt;/A&gt;&lt;/U&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="162" valign="top"&gt;&lt;U&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Hansen" name="HansenBiogPage"&gt;&lt;FONT face="Arial" color="#808080"&gt;Jérôme Hansen&lt;/FONT&gt;&lt;/A&gt;&lt;/U&gt;&lt;/TD&gt;
    &lt;TD width="309" valign="top" align="left"&gt;&lt;U&gt;&lt;FONT face="Arial" color="#808080"&gt;
    &lt;A href="http://culturemachine.tees.ac.uk/Articles/HansenArticle.htm" name="HansenTitle"&gt;Mapping the Studio (&lt;I&gt;Fat Chance Matmos&lt;/I&gt;): Sonic 
    Culture, Visual Arts and the Artist's Studio&lt;/A&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="162" valign="top"&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Genosko"&gt;&lt;FONT face="Arial" color="#808080"&gt;Gary Genosko&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;
    &lt;TD width="309" valign="top" align="left"&gt;&lt;U&gt;
    &lt;A href="http://culturemachine.tees.ac.uk/Articles/genoskoarticle.htm" name="GenoskoTitle"&gt;
	&lt;FONT face="Arial" color="#808080"&gt;8 Track Rhapsody&lt;/FONT&gt;&lt;/A&gt;&lt;/U&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="162" valign="top"&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Harley"&gt;&lt;FONT face="Arial" color="#808080"&gt;Ross Harley and&lt;/FONT&gt;&lt;/A&gt; 
    &lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Murphie"&gt;&lt;FONT face="Arial" color="#808080"&gt;Andrew Murphie&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;
    &lt;TD width="309" valign="top" align="left"&gt;&lt;U&gt;
    &lt;A href="http://culturemachine.tees.ac.uk/Articles/MurphieHarleyArticle.htm" name="HarleyMurphiTitle"&gt;&lt;FONT face="Arial" color="#808080"&gt;Rhythms and Refrains: A Brief History of 
    Australian Electronica&lt;/FONT&gt;&lt;/A&gt;&lt;/U&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="162" valign="top"&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Hays"&gt;&lt;FONT face="Arial" color="#808080"&gt;Dan Hays&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;
    &lt;TD width="309" valign="top" align="left"&gt;&lt;U&gt;
    &lt;A href="http://culturemachine.tees.ac.uk/Articles/HaysArticle.htm" name="HaysTitle"&gt;
	&lt;FONT face="Arial" color="#808080"&gt;Painting in the Light of Digital Reproduction&lt;/FONT&gt;&lt;/A&gt;&lt;/U&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/6E8930F3-E07D-4C24-A28A-77A144F375B8.gif" alt="back issues" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://culturemachine.tees.ac.uk/Cmach/Backissues/index.htm" title="http://culturemachine.tees.ac.uk/Cmach/Backissues/index.htm"&gt;culturemachine.tees.ac.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="25%" height="38" bgcolor="#ffffff"&gt;&lt;FONT size="5" face="Arial" color="#800040"&gt;&lt;STRONG&gt;Issue 1
        (1999)&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/TD&gt;
        &lt;TD width="5%" height="38" bgcolor="#ffffff"&gt; &lt;/TD&gt;
        &lt;TD width="60%" height="38" bgcolor="#ffffff"&gt;&lt;A href="http://culturemachine.tees.ac.uk/Cmach/Backissues/j001/journal.htm"&gt;&lt;FONT size="5" face="Arial" color="#000080"&gt;Taking Risks With The Future&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="25%" height="38" bgcolor="#ffffff"&gt;&lt;FONT size="5" face="Arial" color="#800040"&gt;&lt;STRONG&gt;Issue 2
        (2000)&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/TD&gt;
        &lt;TD width="5%" height="38" bgcolor="#ffffff"&gt; &lt;/TD&gt;
        &lt;TD width="60%" height="38" bgcolor="#ffffff"&gt;&lt;A href="http://culturemachine.tees.ac.uk/Cmach/Backissues/j002/journal.htm"&gt;&lt;FONT size="5" face="Arial" color="#000080"&gt;The University Culture Machine&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="25%" height="38" bgcolor="#ffffff"&gt;&lt;FONT size="5" face="Arial" color="#800040"&gt;&lt;STRONG&gt;Issue 3
        (2001)&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/TD&gt;
        &lt;TD width="5%" height="38" bgcolor="#ffffff"&gt; &lt;/TD&gt;
        &lt;TD width="60%" height="38" bgcolor="#ffffff"&gt;&lt;A href="http://culturemachine.tees.ac.uk/Cmach/Backissues/j003/journal.htm"&gt;&lt;FONT size="5" face="Arial" color="#000080"&gt;Virologies: Culture and Contamination&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="25%" height="38" bgcolor="#ffffff"&gt;&lt;FONT size="5" face="Arial" color="#800040"&gt;&lt;STRONG&gt;Issue 4
        (2002)&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/TD&gt;
        &lt;TD width="5%" height="38" bgcolor="#ffffff"&gt; &lt;/TD&gt;
        &lt;TD width="60%" height="38" bgcolor="#ffffff"&gt;&lt;A href="http://culturemachine.tees.ac.uk/Cmach/Backissues/j004/journal.htm"&gt;&lt;FONT size="5" face="Arial" color="#000080"&gt;The Ethico-Political Issue&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="25%" height="38" bgcolor="#ffffff"&gt;&lt;FONT size="5" face="Arial" color="#800040"&gt;&lt;STRONG&gt;Issue 5
        (2003)&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/TD&gt;
        &lt;TD width="5%" height="38" bgcolor="#ffffff"&gt; &lt;/TD&gt;
        &lt;TD width="60%" height="38" bgcolor="#ffffff"&gt;&lt;A href="http://culturemachine.tees.ac.uk/Cmach/Backissues/j005/journal.htm"&gt;&lt;FONT size="5" face="Arial" color="#000080"&gt;The e-Issue&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="25%" height="38" bgcolor="#ffffff"&gt;&lt;FONT size="5" face="Arial" color="#800040"&gt;&lt;STRONG&gt;Issue 6
        (2004)&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/TD&gt;
        &lt;TD width="5%" height="38" bgcolor="#ffffff"&gt; &lt;/TD&gt;
        &lt;TD width="60%" height="38" bgcolor="#ffffff"&gt;&lt;A href="http://culturemachine.tees.ac.uk/Cmach/Backissues/j006/journal.htm"&gt;&lt;FONT size="5" face="Arial" color="#000080"&gt;Deconstruction is/in Cultural Studies&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="25%" height="38" bgcolor="#ffffff"&gt;&lt;FONT size="5" face="Arial" color="#800040"&gt;&lt;STRONG&gt;Issue 7
        (2005)&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/TD&gt;
        &lt;TD width="5%" height="38" bgcolor="#ffffff"&gt; &lt;/TD&gt;
        &lt;TD width="60%" height="38" bgcolor="#ffffff"&gt;&lt;A href="http://culturemachine.tees.ac.uk/Cmach/Backissues/j007/journal.htm"&gt;&lt;FONT size="5" face="Arial" color="#000080"&gt;Biopolitics&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="25%" height="38" bgcolor="#ffffff"&gt;&lt;FONT size="5" face="Arial" color="#800040"&gt;&lt;STRONG&gt;Issue 8
        (2006)&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/TD&gt;
        &lt;TD width="5%" height="38" bgcolor="#ffffff"&gt; &lt;/TD&gt;
        &lt;TD width="60%" height="38" bgcolor="#ffffff"&gt;&lt;A href="http://culturemachine.tees.ac.uk/Cmach/Backissues/j008/journal.htm"&gt;&lt;FONT size="5" face="Arial" color="#000080"&gt;Community&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/resources/" rel="tag"&gt;resources&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/studies/" rel="tag"&gt;studies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/theory/" rel="tag"&gt;theory&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/papers/" rel="tag"&gt;papers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/discussion/" rel="tag"&gt;discussion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ideas/" rel="tag"&gt;ideas&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://culturemachine.tees.ac.uk/user_mn.htm</clipSource><pubDate>Fri, 01 Aug 2008 11:20:18 GMT</pubDate></item><item><title>For mousie - Baconshirts.com</title><link>http://clipmarks.com/clipmark/DCEBCA5D-681F-47DD-9970-12E9412CB20B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.baconshirts.com/about" title="http://www.baconshirts.com/about"&gt;www.baconshirts.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/2A1BD1A6-6163-4F48-BA45-F03D51CE9169.png" alt="BaconShirts.com" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="blue"&gt;
Piglet to Pork Chop: An Idea Comes to Life
&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/2B459CE6-6FCD-4604-AA07-95F5ED386D00.jpg" alt="Amy and Warren Zimmerman of Bacon Shirts" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Bacon Shirts is the pig child of Amy Curran, Jordan Lev and Warren Zimmerman. Their mutual love for fried strips of pig tummies inspired the original “I ‘heart’ Bacon” shirts and the subsequent editions shown here.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/B6D74BE8-B5BC-4F0C-9F64-7E717353AC4D.png" alt="Select Your Bacon" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.baconshirts.com/products/baconslice-womens-shirt" title="http://www.baconshirts.com/products/baconslice-womens-shirt"&gt;www.baconshirts.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/B5890B65-0F15-4177-A276-5F7A69CF0146.jpg" alt="I heart Bacon Baby Rib Cap Sleeve American Apparel T Shirt" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.baconshirts.com/products/butcherdiagram-apron" title="http://www.baconshirts.com/products/butcherdiagram-apron"&gt;www.baconshirts.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/D31A6504-8179-4B42-B9CC-D09304FD4EAD.jpg" alt="Butcher Diagram 65% polyester / 35% cotton adjustable 2-pocket apron" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.baconshirts.com/products/iheartbacon-infant-onepiece" title="http://www.baconshirts.com/products/iheartbacon-infant-onepiece"&gt;www.baconshirts.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/6AE8A1F3-69D3-459D-A678-EC45516C9BE1.jpg" alt="I heart bacon Infant Short Sleeve One-Piece (12-18 months)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.baconshirts.com/products/baconslice-apron" title="http://www.baconshirts.com/products/baconslice-apron"&gt;www.baconshirts.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/E8A7E46D-0F19-4BBA-A51C-9D301E3901FD.jpg" alt="Bacon Slice 65% polyester / 35% cotton adjustable 2-pocket apron" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.baconshirts.com/products/butcherdiagram-infant-onepiece" title="http://www.baconshirts.com/products/butcherdiagram-infant-onepiece"&gt;www.baconshirts.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/7265D91F-0BE2-465C-91FC-9AF35F9B9BE6.jpg" alt="Butcher Diagram Infant Short Sleeve One-Piece (12-18 months)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.baconshirts.com/about" title="http://www.baconshirts.com/about"&gt;www.baconshirts.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;About the Artists&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Jason Kessel created the strip of bacon illustration on a dare. He is an artist and designer working in San Diego, CA. &lt;A target="_blank" href="http://dganimation.com"&gt;Digital Graphics and Animation&lt;/A&gt;
&lt;/P&gt;
&lt;P&gt;
Stephen Trusty illustrated the butcher diagram with Amy Z's art direction. Stephen is a 3d Illustrator currently working in Portland, OR. &lt;A target="_blank" href="http://stephentrusty.googlepages.com/home"&gt;StephenTrusty.googlepages.com&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/bacon/" rel="tag"&gt;bacon&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mousie/" rel="tag"&gt;mousie&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/food/" rel="tag"&gt;food&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/death/" rel="tag"&gt;death&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/clothes/" rel="tag"&gt;clothes&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/print/" rel="tag"&gt;print&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/design/" rel="tag"&gt;design&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.baconshirts.com/about</clipSource><pubDate>Wed, 30 Jul 2008 15:46:12 GMT</pubDate></item><item><title>Thai school offers transsexual toilet </title><link>http://clipmarks.com/clipmark/525CB849-611F-43FB-B0E0-88AB9C44364A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;Thailand is well known for its tolerance of transgender men, and they are very visible in everyday life. Sex-change surgery has become a speciality of the Thai health industry, and it is relatively inexpensive; patients come here from all over the world for the operation. &lt;br/&gt;&lt;br/&gt;Despite their high profile in Thailand, transsexuals complain that they are still stereotyped - they can find work easily enough as entertainers, in the beauty industry, the media, or as prostitutes, but it is much harder to become a transgender lawyer or investment banker.&lt;br/&gt;&lt;br/&gt;And their biggest complaint is that they cannot change their legal status.&lt;br/&gt;&lt;br/&gt;Despite a proposal during the drafting of a new constitution last year, to allow them to change the gender on their identity cards, this has not yet been approved. &lt;/blockquote&gt; &lt;a href="http://news.bbc.co.uk/1/hi/world/asia-pacific/7524004.stm" rel="nofollow" target="_blank"&gt;What the third toilet looks like&lt;/a&gt; [video].  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/2/hi/asia-pacific/7529227.stm" title="http://news.bbc.co.uk/2/hi/asia-pacific/7529227.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Kampang is proud of its toilets. Spotless, and surrounded by flowering tropical plants, they have won national awards for cleanliness.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;But there is something else about them too. Between the girls' toilet and the boys', there is one signposted with a half-man, half-woman figure in blue and red.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/5DD63544-BE85-46A1-BB9E-2F69ECE75D8F.jpg" alt="The sign to the transsexual toilet in Kampang Secondary School, north-east Thailand" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The headteacher, Sitisak Sumontha, estimates that in any year between 10% and 20% of his boys consider themselves to be transgender - boys who would rather be girls.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"They used to be teased every time they used the boys' toilets," he said, "so they started using the girls' toilets instead. But that made the girls feel uncomfortable. It made these boys unhappy, and started to affect their work."
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/F45D2D03-E485-4AFD-8C76-009B10862C77.jpg" alt="The toilet for transsexual pupils in Kampang Secondary School, north-east Thailand" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;So the school offered to build the transgender boys their own facility, and they welcomed it.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/5D5262D6-FAAC-4A4C-B451-17F0CCAB2F09.jpg" alt="A transsexual pupil at Kampang Secondary School, north-east Thailand" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="cap"&gt;The pupils have to wear boys' uniforms, but use feminine accessories&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Tolerance, said Suttirat, is not the same thing as acceptance.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/gender/" rel="tag"&gt;gender&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/society/" rel="tag"&gt;society&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/asia/" rel="tag"&gt;asia&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/thailand/" rel="tag"&gt;thailand&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/discrimination/" rel="tag"&gt;discrimination&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/news/" rel="tag"&gt;news&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/toilets/" rel="tag"&gt;toilets&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/school/" rel="tag"&gt;school&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/transsexuals/" rel="tag"&gt;transsexuals&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://news.bbc.co.uk/2/hi/asia-pacific/7529227.stm</clipSource><pubDate>Wed, 30 Jul 2008 15:28:51 GMT</pubDate></item><item><title>What startups can learn from Haruki Murakami</title><link>http://clipmarks.com/clipmark/A7347207-D313-4948-8D1A-062988879CF5/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.readwriteweb.com/archives/what_startups_can_learn_from_haruki_murakami.php" title="http://www.readwriteweb.com/archives/what_startups_can_learn_from_haruki_murakami.php"&gt;www.readwriteweb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The elements of his work and life story are inspirational and (here's where ReadWriteWeb comes in) particularly
applicable when you're running a startup. Therefore in this post, we take a look at what modern technology startups can
learn from this Japanese literary master.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/3079B1EE-A131-457F-A440-7541F37377C4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Find Your Passion and Commit to it&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Whether you're a blogger or software engineer, you've experienced the same
feeling: a blog
post that has to be written; a piece of code that needs to exist. These moments of clarity
are precious and we should follow them whenever possible.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/DAB40536-09FA-407C-BEC1-6D58B1F09B6F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Stick With What You Know&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It is better to start a company around the topic
you're an expert in or know
a lot about. This will give you an edge and ensure you're not wasting your time.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/C441475A-D15E-42C8-9CA2-988C1E527D22.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Start Even and Finish First&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;startups are more like marathons, so
pace yourself.
&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/E08B9F9E-4FA1-4B8D-9D13-C6A8D07CA81F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Never Settle and Always Seek Creativity&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; the artist needs to reinvent himself, so also do startups.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/41B3DBAE-7C3E-45FA-9991-963A5D771D96.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/startup/" rel="tag"&gt;startup&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/murakami/" rel="tag"&gt;murakami&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writer/" rel="tag"&gt;writer&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tips/" rel="tag"&gt;tips&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/entrepreneur/" rel="tag"&gt;entrepreneur&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/web/" rel="tag"&gt;web&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/books/" rel="tag"&gt;books&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/inspiration/" rel="tag"&gt;inspiration&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.readwriteweb.com/archives/what_startups_can_learn_from_haruki_murakami.php</clipSource><pubDate>Wed, 30 Jul 2008 15:11:51 GMT</pubDate></item></channel></rss>