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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | haraya's clips</title><link>http://clipmarks.com/clipper/haraya/sort/latest-pops/</link><feedUrl>http://rss.clipmarks.com/clipper/haraya/sort/latest-pops/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>The joy of taking some time out</title><link>http://clipmarks.com/clipmark/4CCCECE2-55DA-435D-89C9-EF8DA13745BB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;Embrace the faff. Stare out of the window. Bend paperclips. Stand in the middle of the room trying to remember what you came downstairs for. Pace. Drum your fingertips. Move papers around. Hum. Look at the garden.Go to the shed with the intention of tidying up and instead fall asleep. Make mental notes. Read every single word of the newspaper - even the job ads - before getting down to work. Lose yourself in erotic reveries. Pat your pockets. Resolve to be more organised in future. Be useless.&lt;/blockquote&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/lifeandstyle/2008/aug/13/7" title="http://www.guardian.co.uk/lifeandstyle/2008/aug/13/7"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;A new report says that we waste three hours a day faffing around, doing nothing in particular&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The survey was carried out by the Learning and Skills Council, who, not surprisingly, argued we should instead use those three hours to Learn some Skills.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/A16BB3F0-8F9D-4E4B-9C63-4BFFB2405919.jpg" alt="A woman relaxes with her eyes closed" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;I beg to differ.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Faffing is when we disconnect from the matrix and idle for a while, like a car. Our body and spirit know deep down that human beings were not made for constant toil so subconsciously creates space through the mechanism of faffing.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Faffing of course does not fit the programme. We are supposed to be busy, productive citizens.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Clearly these sorts of ideals are designed to make us faffers feel bad. Well, don't. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Faffing is completely harmless, whereas its opposite - dynamic, purposeful activity - is often very harmful. Faffers do not tend to kill people or make them work 12-hour days or sell them shoddy merchandise or lend them vast sums of money that they cannot pay back. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/self/" rel="tag"&gt;self&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/time/" rel="tag"&gt;time&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/well-being/" rel="tag"&gt;well-being&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/health/" rel="tag"&gt;health&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/body/" rel="tag"&gt;body&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/work/" rel="tag"&gt;work&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/survey/" rel="tag"&gt;survey&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/opinion/" rel="tag"&gt;opinion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/advice/" rel="tag"&gt;advice&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rest/" rel="tag"&gt;rest&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/lifeandstyle/2008/aug/13/7</clipSource><pubDate>Mon, 18 Aug 2008 11:22:40 GMT</pubDate></item><item><title>I ♥ the whole world.</title><link>http://clipmarks.com/clipmark/BEB6FD24-E7FC-4495-9988-EDB8F4989EA0/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Boom de ah dah! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=at_f98qOGY0" title="http://www.youtube.com/watch?v=at_f98qOGY0"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;People around the world have been creating their own versions of our 'Boom De Ah Dah' commercial and uploading them to YouTube.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Check here to see some&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;examples so far: &lt;A dir="ltr" rel="nofollow" title="http://www.youtube.com/view_play_list?p=3CBDBDA71F43276F" target="_blank" href="http://www.youtube.com/view_play_list?p=3CBDBDA71F43276F"&gt;http://www.youtube.com/view_play_list...&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=47o9jwRygoc&amp;feature=related" title="http://www.youtube.com/watch?v=47o9jwRygoc&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;dicsovery channel simpsons i love the whole world&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/discovery/" rel="tag"&gt;discovery&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/song/" rel="tag"&gt;song&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fun/" rel="tag"&gt;fun&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/people/" rel="tag"&gt;people&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/earth/" rel="tag"&gt;earth&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nature/" rel="tag"&gt;nature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/life/" rel="tag"&gt;life&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/work/" rel="tag"&gt;work&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nerdgasm/" rel="tag"&gt;nerdgasm&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=at_f98qOGY0</clipSource><pubDate>Mon, 18 Aug 2008 11:22:31 GMT</pubDate></item><item><title>Wacky Sci-Fi “Laws”</title><link>http://clipmarks.com/clipmark/6558587C-EF5D-4B05-84DD-627E3B67BE50/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  If that’s not enough for you, check out Wikipedia’s &lt;a href="http://en.wikipedia.org/wiki/Adages_named_after_people" rel="nofollow" target="_blank"&gt;list of eponymous laws&lt;/a&gt;. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mentalfloss.com/blogs/archives/17566" title="http://www.mentalfloss.com/blogs/archives/17566"&gt;www.mentalfloss.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;1.  Hanlon’s Razor (aka Hanlon’s Law)&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/263ABBE5-46E1-4A62-944B-4AAD040C11E3.jpg" alt="Robert Heinlein" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;“Never attribute to malice that which can be adequately explained by stupidity.”&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;2.  Sturgeon’s Law&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/9614F72D-BDB6-4422-BFE0-9A1844C8F13D.jpg" alt="Theodore Sturgeon" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;“Ninety percent of everything is crap.”&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;3. O’Toole’s Corollary of Finagle’s Law&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;“The perversity of the Universe tends towards a maximum.”&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;4.  Clarke’s Three Laws&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/6BA0D7BA-DD75-40C7-A954-08D26CE54240.jpg" alt="Arthur C. Clarke" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;  The third is by far the most famous:&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Any sufficiently advanced technology is indistinguishable from magic.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;5.  Asimov’s Laws of Robotics&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/25325C88-43CF-4872-8219-8AD39F2D184D.jpg" alt="Isaac Asimov" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL&gt;
&lt;LI&gt;&lt;B&gt;First law:&lt;/B&gt; A robot may not harm a human being, or, through inaction, allow a human being to come to harm.&lt;/LI&gt;
&lt;LI&gt;&lt;B&gt;Second law:&lt;/B&gt; A robot must obey the orders given to it by human beings, except where such orders would conflict with the First Law.&lt;/LI&gt;
&lt;LI&gt;&lt;B&gt;Third law:&lt;/B&gt; A robot must protect its own existence, as long as such protection does not conflict with the First or Second Law.&lt;/LI&gt;
&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;There’s also a &lt;A href="http://en.wikipedia.org/wiki/Zeroth_Law_of_Robotics"&gt;Zeroth Law&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;6.  The Dilbert Principle&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/AE6ECF3C-1A32-4BF4-B19F-68E59E755AF9.jpg" alt="Dilbert" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; &lt;B&gt;the most ineffective workers are systematically moved to the place where they can do the least damage: management.&lt;/B&gt;.  (See also:  the &lt;A href="http://en.wikipedia.org/wiki/Peter_principle"&gt;Peter principle&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/laws/" rel="tag"&gt;laws&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science+fiction/" rel="tag"&gt;science fiction&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writers/" rel="tag"&gt;writers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/humor/" rel="tag"&gt;humor&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/people/" rel="tag"&gt;people&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/robots/" rel="tag"&gt;robots&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/work/" rel="tag"&gt;work&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/life/" rel="tag"&gt;life&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.mentalfloss.com/blogs/archives/17566</clipSource><pubDate>Mon, 18 Aug 2008 11:14:27 GMT</pubDate></item><item><title>Have you met Tan Hong Ming?</title><link>http://clipmarks.com/clipmark/AA2521D0-28D5-4B64-86FE-168BA183B0AC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  He's so cute. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=Am4vb0X8tEg&amp;feature=related" title="http://www.youtube.com/watch?v=Am4vb0X8tEg&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/commercial/" rel="tag"&gt;commercial&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/television/" rel="tag"&gt;television&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/children/" rel="tag"&gt;children&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/perception/" rel="tag"&gt;perception&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/malaysia/" rel="tag"&gt;malaysia&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cute/" rel="tag"&gt;cute&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/love/" rel="tag"&gt;love&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/race/" rel="tag"&gt;race&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/interview/" rel="tag"&gt;interview&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=Am4vb0X8tEg&amp;feature=related</clipSource><pubDate>Sat, 09 Aug 2008 15:57:14 GMT</pubDate></item><item><title>Opt out of Yahoo and Google ads.</title><link>http://clipmarks.com/clipmark/143E1C15-379A-4FBB-8450-472CACB6E19A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  If you don’t want those cookies, you can decline Yahoo’s &lt;a href="http://info.yahoo.com/privacy/us/yahoo/opt_out/targeting/details.html" rel="nofollow" target="_blank"&gt;here&lt;/a&gt; and Google’s &lt;a href="http://www.google.com/privacy_ads.html" rel="nofollow" target="_blank"&gt;here&lt;/a&gt;. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.techcrunch.com/2008/08/08/yahoo-and-google-now-let-you-opt-out-of-ads-because-its-better-than-letting-you-opt-in/" title="http://www.techcrunch.com/2008/08/08/yahoo-and-google-now-let-you-opt-out-of-ads-because-its-better-than-letting-you-opt-in/"&gt;www.techcrunch.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;A title="Permanent Link to Yahoo And Google Now Let You Opt Out Of Ads (Because It’s Better Than Letting You Opt In)" rel="bookmark" href="http://www.techcrunch.com/2008/08/08/yahoo-and-google-now-let-you-opt-out-of-ads-because-its-better-than-letting-you-opt-in/"&gt;Yahoo And Google Now Let You Opt Out Of Ads (Because It’s Better Than Letting You Opt In)&lt;/A&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;All of a sudden, Yahoo and Google want to make it easy for you to opt out of their ad targeting on both their sites and across the Web.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/CECDF0E9-8C70-45DF-A42B-2FAEFD75AA31.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Yahoo &lt;A href="http://yhoo.client.shareholder.com/press/releasedetail.cfm?ReleaseID=327212"&gt;announced&lt;IMG src="http://i.ixnp.com/images/v3.42.0.2/t.gif" class="snap_preview_icon" id="snap_com_shot_link_icon" /&gt;&lt;/A&gt; a new one-click opt-out policy today,&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a direct response to Congressional scrutiny over the intrusiveness of online advertising and behavioral targeting.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Google’s announcement was buried in a blog post about &lt;A href="http://www.techcrunch.com/2008/08/07/googles-ad-network-now-with-double-the-cookies/"&gt;Doubleclick cookies.&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The truth is that both Yahoo and Google would rather take symbolic action themselves than be forced to take a more draconian one later.  Who’s going to bother to opt out of ad targeting?  Some people will, but the vast majority of people probably won’t.  What would really mess up Yahoo’s and Google’s advertising ROIs is if Congress mandated that ad-targeting (via cookies) be &lt;EM&gt;opt-in&lt;/EM&gt;.  They’d surely get even fewer people opting in for those cookies than they will now get opting out.  I know I’m too lazy to do either.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/advertising/" rel="tag"&gt;advertising&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/internet/" rel="tag"&gt;internet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/web/" rel="tag"&gt;web&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/privacy/" rel="tag"&gt;privacy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/options/" rel="tag"&gt;options&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/yahoo/" rel="tag"&gt;yahoo&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/google/" rel="tag"&gt;google&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/announcement/" rel="tag"&gt;announcement&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cookies/" rel="tag"&gt;cookies&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.techcrunch.com/2008/08/08/yahoo-and-google-now-let-you-opt-out-of-ads-because-its-better-than-letting-you-opt-in/</clipSource><pubDate>Sat, 09 Aug 2008 15:49:13 GMT</pubDate></item><item><title>Learn to solve the Rubik's cube</title><link>http://clipmarks.com/clipmark/2890C5D6-9024-4AB3-B07A-183A366DC3C1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  ...or use scissors. Make it sexy.&lt;br/&gt;&lt;br/&gt;I wonder what speed cubers think of this. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.xkcd.com/" title="http://www.xkcd.com/"&gt;www.xkcd.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Frustration&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/BB707C28-54E4-4DB3-BE06-467B6A117782.png" alt="Frustration" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/rubiks+cube/" rel="tag"&gt;rubiks cube&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/xkcd/" rel="tag"&gt;xkcd&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/randall+munroe/" rel="tag"&gt;randall munroe&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/comics/" rel="tag"&gt;comics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/web/" rel="tag"&gt;web&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bra/" rel="tag"&gt;bra&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/women/" rel="tag"&gt;women&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/clothing/" rel="tag"&gt;clothing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/puzzle/" rel="tag"&gt;puzzle&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/humor/" rel="tag"&gt;humor&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.xkcd.com/</clipSource><pubDate>Fri, 01 Aug 2008 11:20:42 GMT</pubDate></item><item><title>The Beijing Olympics Opening Ceremonies in Pictures</title><link>http://clipmarks.com/clipmark/4B9C7F3D-D48A-4E9A-8E2D-16598E0E821B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.boston.com/bigpicture/2008/08/2008_olympics_opening_ceremony.html" title="http://www.boston.com/bigpicture/2008/08/2008_olympics_opening_ceremony.html"&gt;www.boston.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="bpBody"&gt;Beijing held its formal opening ceremony today for the 2008 Summer Olympics. The ceremony, held in the National Stadium known as the Bird's Nest, was attended by thousands, and watched by millions more on television. Below are some highlights of the nearly 4-hour performance. (&lt;A href="http://www.boston.com/bigpicture/2008/08/2008_olympics_opening_ceremony.html"&gt;24 photos total&lt;/A&gt;)&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/EBA2BED7-459E-4201-9A36-7AFBE619FDA6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/343992B4-3903-4BE9-9989-609DCD9CF9D1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/764DD1EE-08E2-4BEE-85A7-D578E3D3952A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/EFDDBA5E-8803-48A3-A0AE-1C9E5672DC9D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/47CD01AE-4BDA-4AA2-AD72-4002DAC31396.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/BFE338D0-92EF-46B0-82E7-E2425DA43B0D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/C7BF4028-83EE-4533-977F-A54D6D0CA8F3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/647E1C86-A26D-469D-91CA-D1E73D1C4E28.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/F1FA6738-1A8D-4CC7-B749-9260AD1D185C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/1B9D52BB-635C-4B7D-8A71-45D3354872CC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/05BE5EC6-3B23-415C-BAF7-D81ED1ADB31F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/A48459E6-5769-420F-9787-B3A280A82EBB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/077702E0-F626-4594-AC12-755F6146AD7E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/4441335D-D8A9-47BB-BEE1-DA2AEBEBF1D1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/199A0789-E347-4A76-BCD4-89EE2F4CD4E4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/24716788-08AE-42E8-A709-C7CD1CC29681.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/483969D8-2F41-45C9-A183-4B252E159DFB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/EEE5E53D-E195-4B28-9846-F4441F656F67.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/963018EA-725C-42C2-B85C-D0705AA61820.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/B7520100-3740-4EFB-A0E6-B6022BB6124B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/9B8DC006-CE37-424E-B79B-49B5A5AB19E1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/9D6F4B32-FCD3-4882-A549-5AC3A2AA72AA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/152C80D3-F749-4BA7-AEFB-2EE08425D0BA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/2498A088-893F-4F64-8ACF-3A7C61CD95EC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/china/" rel="tag"&gt;china&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/beijing/" rel="tag"&gt;beijing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/olympics/" rel="tag"&gt;olympics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sports/" rel="tag"&gt;sports&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photos/" rel="tag"&gt;photos&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/collection/" rel="tag"&gt;collection&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/gallery/" rel="tag"&gt;gallery&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/event/" rel="tag"&gt;event&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/performance/" rel="tag"&gt;performance&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.boston.com/bigpicture/2008/08/2008_olympics_opening_ceremony.html</clipSource><pubDate>Sat, 09 Aug 2008 15:49:00 GMT</pubDate></item><item><title>7 Blunders of the World -- Gandhi</title><link>http://clipmarks.com/clipmark/F05890C6-1F4D-4622-82C6-F8EC94B84A29/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/adamc/"&gt;adamc&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.doctorhugo.org/gandhi.html" title="http://www.doctorhugo.org/gandhi.html"&gt;www.doctorhugo.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="492" valign="top" height="272" align="left"&gt; 
        &lt;P align="left"&gt;&lt;FONT size="3" face="Verdana%2C%20Arial%2C%20Helvetica%2C%20sans-serif"&gt;&lt;B&gt;&lt;DIV&gt;"Seven 
          Blunders of the World"&lt;/DIV&gt;
          &lt;BR /&gt;
          &lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
        &lt;P align="left"&gt;&lt;FONT size="3" face="Verdana%2C%20Arial%2C%20Helvetica%2C%20sans-serif" color="%23ff0033"&gt;1.&lt;/FONT&gt;&lt;FONT size="3" face="Verdana%2C%20Arial%2C%20Helvetica%2C%20sans-serif"&gt; 
          Wealth without work&lt;/FONT&gt;&lt;/P&gt;
        &lt;P align="left"&gt;&lt;FONT size="3" face="Verdana%2C%20Arial%2C%20Helvetica%2C%20sans-serif"&gt; 
          &lt;FONT color="%23ff0033"&gt;2.&lt;/FONT&gt; Pleasure without conscience &lt;/FONT&gt;&lt;/P&gt;
        &lt;P align="left"&gt;&lt;FONT size="3" face="Verdana%2C%20Arial%2C%20Helvetica%2C%20sans-serif" color="%23ff0033"&gt;3.&lt;/FONT&gt;&lt;FONT size="3" face="Verdana%2C%20Arial%2C%20Helvetica%2C%20sans-serif"&gt; 
          Knowledge without character &lt;/FONT&gt;&lt;/P&gt;
        &lt;P align="left"&gt;&lt;FONT size="3" face="Verdana%2C%20Arial%2C%20Helvetica%2C%20sans-serif" color="%23ff0033"&gt;4.&lt;/FONT&gt;&lt;FONT size="3" face="Verdana%2C%20Arial%2C%20Helvetica%2C%20sans-serif"&gt; 
          Commerce without morality &lt;/FONT&gt;&lt;/P&gt;
        &lt;P align="left"&gt;&lt;FONT size="3" face="Verdana%2C%20Arial%2C%20Helvetica%2C%20sans-serif" color="%23ff0033"&gt;5.&lt;/FONT&gt;&lt;FONT size="3" face="Verdana%2C%20Arial%2C%20Helvetica%2C%20sans-serif"&gt; 
          Science without humanity&lt;/FONT&gt;&lt;/P&gt;
        &lt;P align="left"&gt;&lt;FONT size="3" face="Verdana%2C%20Arial%2C%20Helvetica%2C%20sans-serif"&gt; 
          &lt;FONT color="%23ff0033"&gt;6.&lt;/FONT&gt; Worship without sacrifice &lt;/FONT&gt;&lt;/P&gt;
        &lt;P align="left"&gt;&lt;FONT size="3" face="Verdana%2C%20Arial%2C%20Helvetica%2C%20sans-serif" color="%23ff0033"&gt;7.&lt;/FONT&gt;&lt;FONT size="3" face="Verdana%2C%20Arial%2C%20Helvetica%2C%20sans-serif"&gt; 
          Politics without principle&lt;/FONT&gt;&lt;/P&gt;
        &lt;P align="left"&gt; &lt;FONT size="2" face="Verdana%2C%20Arial%2C%20Helvetica%2C%20sans-serif" color="%23666666"&gt;—Mahatma 
          Gandhi&lt;/FONT&gt;&lt;FONT size="2" face="Verdana%2C%20Arial%2C%20Helvetica%2C%20sans-serif"&gt;&lt;BR /&gt;
          &lt;BR /&gt;
          &lt;BR /&gt;
          &lt;/FONT&gt;&lt;/P&gt;
      &lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/gandhi/" rel="tag"&gt;gandhi&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mahatma+ghandi/" rel="tag"&gt;mahatma ghandi&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/blunders/" rel="tag"&gt;blunders&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/world/" rel="tag"&gt;world&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/humanity/" rel="tag"&gt;humanity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/philosophy/" rel="tag"&gt;philosophy&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.doctorhugo.org/gandhi.html</clipSource><pubDate>Sat, 30 Sep 2006 03:54:29 GMT</pubDate></item><item><title>Create Your Own PaloozaHead</title><link>http://clipmarks.com/clipmark/F6F59E33-12B4-42BD-8798-EF89BFC84B1F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;a href="http://www.paloozahead.com/go/eplza" rel="nofollow" target="_blank"&gt;HERE&lt;/a&gt;. Can't clip the flash site so I clipped a screen cap of what I made. I was tempted to make PaloozaHeads out of people's PIs but I managed to control myself. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://i180.photobucket.com/albums/x26/punchdrunkdaisy/vanity/dance.jpg" title="http://i180.photobucket.com/albums/x26/punchdrunkdaisy/vanity/dance.jpg"&gt;i180.photobucket.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/5A2F8548-83EB-496D-A54D-8095BE1C3253.jpg" alt="The image “http://i180.photobucket.com/albums/x26/punchdrunkdaisy/vanity/dance.jpg” cannot be displayed, because it contains errors." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/flash/" rel="tag"&gt;flash&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/animation/" rel="tag"&gt;animation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fun/" rel="tag"&gt;fun&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/paloozahead/" rel="tag"&gt;paloozahead&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/performance/" rel="tag"&gt;performance&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://i180.photobucket.com/albums/x26/punchdrunkdaisy/vanity/dance.jpg</clipSource><pubDate>Sat, 21 Jul 2007 08:52:40 GMT</pubDate></item><item><title>The Doctrine of Fascism - by Benito Mussolini</title><link>http://clipmarks.com/clipmark/7FEEFF99-D14E-493C-9E48-D82391701D85/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  By Benito himself; dd 1932 &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.worldfuturefund.org/wffmaster/Reading/Germany/mussolini.htm" title="http://www.worldfuturefund.org/wffmaster/Reading/Germany/mussolini.htm"&gt;www.worldfuturefund.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center" class="style1"&gt;&lt;SPAN&gt;&lt;B&gt;
&lt;FONT size="6"&gt;THE
DOCTRINE OF FASCISM &lt;/FONT&gt;&lt;/B&gt;&lt;/SPAN&gt;
&lt;SPAN&gt;
&lt;FONT size="4"&gt;(COMPLETE
TEXT)&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center" class="style1"&gt;
&lt;SPAN&gt;&lt;B&gt;&lt;FONT size="6"&gt;BENITO
MUSSOLINI (1932)&lt;/FONT&gt;&lt;/B&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center" class="style1"&gt;
&lt;SPAN&gt;&lt;B&gt;&lt;FONT size="5"&gt;&lt;BR /&gt;
&lt;/FONT&gt;(This
article, co-written by Giovanni Gentile is considered the most complete
articulation of Mussolini's political views.  This is the only &lt;U&gt;complete&lt;/U&gt;
official
translation we know of on the web, copied directly from an official Fascist
government publication of 1935, &lt;I&gt;Fascism Doctrine and Institutions, &lt;/I&gt;by 
Benito Mussolini, Ardita Publishers, Rome, &lt;I&gt; &lt;/I&gt;pages
7-42.  This translation includes all the &lt;A href="%23APPENDIX"&gt;footnotes&lt;/A&gt; 
from the original.) &lt;/B&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/fascism/" rel="tag"&gt;fascism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mussolini/" rel="tag"&gt;mussolini&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/benito/" rel="tag"&gt;benito&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/article/" rel="tag"&gt;article&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/paper/" rel="tag"&gt;paper&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/essay/" rel="tag"&gt;essay&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/doctrine/" rel="tag"&gt;doctrine&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/philosophy/" rel="tag"&gt;philosophy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.worldfuturefund.org/wffmaster/Reading/Germany/mussolini.htm</clipSource><pubDate>Sat, 16 Sep 2006 16:53:43 GMT</pubDate></item><item><title>The Physics of Dance </title><link>http://clipmarks.com/clipmark/BBB803F7-B05D-4769-B84D-AE1480E09B6F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Notes from a presentation by physics professor George Gollin on the physical laws which every ballet dancer must eventually master, whether explicitly aware of them or not.&lt;br/&gt;&lt;br/&gt;It must be noted that professor &lt;a href="http://physics.dickinson.edu/~podance/podance_homepage.html" rel="nofollow" target="_blank"&gt;Kenneth Laws&lt;/a&gt; has written three books on the physics of dance and just had an interesting  &lt;a href="http://audio.wnyc.org/studio/studio101907d.mp3" rel="nofollow" target="_blank"&gt;interview&lt;/a&gt; with Studio 360 on the subject. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.hep.uiuc.edu/home/g-gollin/dance/dance_physics.html" title="http://web.hep.uiuc.edu/home/g-gollin/dance/dance_physics.html"&gt;web.hep.uiuc.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A alt="Keith Roberts (ABT)" href="http://www.abt.org/galleries/index.html"&gt;&lt;IMG src="http://web.hep.uiuc.edu/home/g-gollin/dance/Image18.gif" /&gt;&lt;/A&gt;&lt;A alt="Keith Roberts (ABT)" href="http://www.abt.org/galleries/index.html"&gt;&lt;IMG src="http://web.hep.uiuc.edu/home/g-gollin/dance/Image19.gif" /&gt;&lt;/A&gt;
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+3"&gt;Forces sum to zero.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+3"&gt;Both forces "point through" the dancer's center of gravity,
so torque is zero.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A alt="Sandra Brown and Johann Renvall (ABT)" href="http://www.abt.org/galleries/index.html"&gt;&lt;IMG src="http://web.hep.uiuc.edu/home/g-gollin/dance/Image20.gif" /&gt;&lt;/A&gt;&lt;A alt="Sandra Brown and Johann Renvall (ABT)" href="http://www.abt.org/galleries/index.html"&gt;&lt;IMG src="http://web.hep.uiuc.edu/home/g-gollin/dance/Image21.gif" /&gt;&lt;/A&gt;
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+3"&gt;Forces on each dancer sum to zero.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+3"&gt;Though some forces are "off-center", the torques also
sum to zero.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/BA5D1EA0-33ED-4554-A54A-2580FE687987.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+3"&gt;Smaller floor contact area (&lt;I&gt;en pointe,&lt;/I&gt; for example)
makes balance more difficult.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/858782AE-EA7B-4EFF-B81C-E1BBB71AA2FA.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/AB3299D2-F9A1-4B91-8C2C-E27EC1D85A5F.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+3"&gt;Not all positions which are statically balanced can be
held in a turn.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;IMG src="http://web.hep.uiuc.edu/home/g-gollin/dance/Image27.gif" /&gt;&lt;IMG src="http://web.hep.uiuc.edu/home/g-gollin/dance/Image28.gif" /&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+3"&gt;Centrifugal forces exert a torque, throwing the dancer
off balance. Shift center of gravity to maintain dynamic (but not static)
balance&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/06210F41-97C7-4E09-926F-8C74ABB88FAE.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT size="+3"&gt;Because of "conservation of angular momentum," you can
change the speed of a turn when &lt;I&gt;en pointe&lt;/I&gt; by extending or retracting
a leg.&lt;/FONT&gt;
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/25341D68-EA11-437F-8C25-78F7254ED75D.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/593DEFF2-01FD-4D99-A255-777850046B35.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+3"&gt;You push on the floor one way, the floor pushes back the
other way. (You can't do this on a slippery floor!)&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Dancers can also perform zero-angular-momentum turns.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/E5912253-18E1-407C-9D96-78DDE77B9EA9.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+3"&gt;Gravity only influences the vertical component of motion,
not the horizontal:&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/C55B5ACE-3086-427B-A759-16843F599087.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+3"&gt;Height &lt;I&gt;vs.&lt;/I&gt; time is a parabola, while horizontal distance
&lt;I&gt;vs.&lt;/I&gt;
time is a straight line:&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/9AF4355E-1C72-4C91-A405-6D95F0632703.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+3"&gt;The dancer can create an illusion of floating:&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/484C8E15-1342-4544-83E0-B2D298F48CA1.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/dance/" rel="tag"&gt;dance&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dancers/" rel="tag"&gt;dancers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ballet/" rel="tag"&gt;ballet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/physics/" rel="tag"&gt;physics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/gravity/" rel="tag"&gt;gravity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/time/" rel="tag"&gt;time&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/torque/" rel="tag"&gt;torque&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/force/" rel="tag"&gt;force&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/balance/" rel="tag"&gt;balance&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://web.hep.uiuc.edu/home/g-gollin/dance/dance_physics.html</clipSource><pubDate>Sat, 20 Oct 2007 16:42:24 GMT</pubDate></item><item><title>Is the Creative Internet Just About Dead?</title><link>http://clipmarks.com/clipmark/CF39E246-BC82-4F3F-8C5C-A235AD168B0C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.alternet.org/columnists/story/85539/" title="http://www.alternet.org/columnists/story/85539/"&gt;www.alternet.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Zittrain thinks we're seeing the end of the freewheeling Internet and PC era. He calls the technologies of today "tethered"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;items like iPhones or many brands of DVR -- they're sterile to their owners, who aren't allowed to build software that runs on them. But they're generative to the companies that make them&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;worse than plain old sterile technologies. They allow for abuses undreamed of in the IBM mainframe era. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Zittrain's solution to the tethering problem is to encourage the existence of&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;people who work together to create open, untethered technologies and information repositories. They are the force that pushes back against companies that want to sterilize the Internet and turn it back into something that spits information at you&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;this is a good start, but there are a lot of problems with depending on communities &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;to fix a system created by corporate juggernauts&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;companies can create an incredibly oppressive tethering regime while still allowing users to think they have control.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/internet/" rel="tag"&gt;internet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/community/" rel="tag"&gt;community&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/freedom/" rel="tag"&gt;freedom&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/web/" rel="tag"&gt;web&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/people/" rel="tag"&gt;people&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sharing/" rel="tag"&gt;sharing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/media/" rel="tag"&gt;media&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/open+source/" rel="tag"&gt;open source&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/innovation/" rel="tag"&gt;innovation&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.alternet.org/columnists/story/85539/</clipSource><pubDate>Thu, 22 May 2008 11:47:47 GMT</pubDate></item><item><title>People Pleasing Disease</title><link>http://clipmarks.com/clipmark/FCDC77A5-3DF3-464B-BCD0-B25D3E46A311/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Interesting third part of series on "people pleasing" as an emotional disease, with some advice to sufferers on how to change and begin to please themselves.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://blogs.psychologytoday.com/blog/evolution-the-self/200807/from-parent-pleasing-people-pleasing-the-journey-away-self-and-the-w-1" title="http://blogs.psychologytoday.com/blog/evolution-the-self/200807/from-parent-pleasing-people-pleasing-the-journey-away-self-and-the-w-1"&gt;blogs.psychologytoday.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/6151E353-1B91-4C25-830E-6943818022F3.jpg" alt="happy face icon" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;costs of people-pleasers' "excess niceness," &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Loss of integrity, identity, self-respect and self-esteem; constant self-criticism and self-belittlement; nagging sense of guilt and shame about not &lt;I&gt;really &lt;/I&gt;being "good enough" for others; chronic insecurities in personal interactions (for they're feeling okay is &lt;I&gt;so &lt;/I&gt;conditional and dependent on others' approval); inability to sustain healthy relationships with healthy boundaries; inability to trust, accept or perceive as heartfelt others' kindness or positive feedback; difficulty or inability to manage, lead or supervise others (for fear of offending--or displeasing--them); inability to effectively control their time, whether at work or at home (mainly because of problems saying no to others' requests); inability to stay with or accomplish personal goals (because they're not a high-enough priority for themselves); inability to make decisions; and--ultimately--&lt;I&gt;burnout&lt;/I&gt;,&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/people+pleasing/" rel="tag"&gt;people pleasing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/niceness/" rel="tag"&gt;niceness&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://blogs.psychologytoday.com/blog/evolution-the-self/200807/from-parent-pleasing-people-pleasing-the-journey-away-self-and-the-w-1</clipSource><pubDate>Mon, 28 Jul 2008 09:39:55 GMT</pubDate></item><item><title>Film-Philosophy</title><link>http://clipmarks.com/clipmark/8B7092B2-F78B-427A-9AA3-C2BE29777E54/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.film-philosophy.com/archive/vol11-2007/index.html" title="http://www.film-philosophy.com/archive/vol11-2007/index.html"&gt;www.film-philosophy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Founded in November 1996, &lt;EM&gt;Film-Philosophy&lt;/EM&gt;
            is an international academic journal dedicated to
            philosophically reviewing film studies, philosophical
            aesthetics, and world cinema. The email salon
            encourages discussion of related topics. The journal is
            published three times per year and is fully
            peer-reviewed.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/DB9132B4-9DDE-44F5-80ED-170E2A956413.jpg" alt="The Life Aquatic with Steve Zissou" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.film-philosophy.com/archive/" title="http://www.film-philosophy.com/archive/"&gt;www.film-philosophy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 1 -1997" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol1-1997/index.html"&gt;Volume 1, 1997&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 2 - 1998" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol2-1998/index.html"&gt;Volume 2, 1998&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 3 - 1999" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol3-1999/index.html"&gt;Volume 3, 1999&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 4 - 2000" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol4-2000/index.html"&gt;Volume 4, 2000&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 5 - 2001" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol5-2001/index.html"&gt;Volume 5, 2001&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 6 - 2002" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol6-2002/index.html"&gt;Volume 6, 2002&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 7 - 2003" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol7-2003/index.html"&gt;Volume 7, 2003&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 8 - 2004" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol8-2004/index.html"&gt;Volume 8, 2004&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 9 - 2005" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol9-2005/index.html"&gt;Volume 9, 2005&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 10 - 2006" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol10-2006/index.html"&gt;Volume 10, 2006&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 11 - 2007" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol11-2007/index.html"&gt;Volume 11, 2007&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;If you would like to submit an article or review for
        consideration, please go to our &lt;A title="Submissions" rel="self" href="http://www.film-philosophy.com/archive/../submissions/index.html"&gt;submissions&lt;/A&gt; page.
      &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/resource/" rel="tag"&gt;resource&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/film/" rel="tag"&gt;film&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/papers/" rel="tag"&gt;papers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reviews/" rel="tag"&gt;reviews&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/studies/" rel="tag"&gt;studies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/journals/" rel="tag"&gt;journals&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/theory/" rel="tag"&gt;theory&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ideas/" rel="tag"&gt;ideas&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.film-philosophy.com/archive/vol11-2007/index.html</clipSource><pubDate>Fri, 01 Aug 2008 11:21:06 GMT</pubDate></item><item><title>Culture Machine: Generating Research in Culture &amp; Theory</title><link>http://clipmarks.com/clipmark/1DBA2E7B-B364-47CB-BC7A-4EC813E9FDB0/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;The aim of Culture Machine is to seek out and promote the most provocative of new work, and analyses of that work, in culture and theory from a diverse range of international authors. Culture Machine is particularly concerned to promote research which is engaged in the constitution of new areas of inquiry and the opening of new frontiers of cultural and theoretical activity. It is also committed to the generation of possibilities for new scholarship and research.&lt;/blockquote&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://culturemachine.tees.ac.uk/user_mn.htm" title="http://culturemachine.tees.ac.uk/user_mn.htm"&gt;culturemachine.tees.ac.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+0"&gt;Culture
Machine is a series of experiments in culture and theory. &lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://culturemachine.tees.ac.uk/journal.htm" title="http://culturemachine.tees.ac.uk/journal.htm"&gt;culturemachine.tees.ac.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+2"&gt;The Journal&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;&lt;FONT color="#000080"&gt;&lt;FONT size="+1"&gt;CULTURE MACHINE 9 (2007)&lt;/FONT&gt;&lt;/FONT&gt;&lt;/B&gt;
&lt;BR /&gt;&lt;B&gt;&lt;FONT color="#000080"&gt;&lt;FONT size="+1"&gt;Recordings&lt;/FONT&gt;&lt;/FONT&gt;&lt;/B&gt;
&lt;P&gt;&lt;B&gt;&lt;FONT color="#000080"&gt;&lt;FONT size="+0"&gt;Edited by &lt;/FONT&gt;&lt;/FONT&gt;&lt;/B&gt;
&lt;BR /&gt;&lt;B&gt;&lt;FONT color="#000080"&gt;&lt;FONT size="+0"&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Hegarty"&gt;
Paul Hegarty and &lt;/A&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Genosko"&gt;Gary Genosko&lt;/A&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="162" valign="top"&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Genosko"&gt;&lt;FONT face="Arial"&gt;Editorial&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;
    &lt;TD width="309" valign="top" align="left"&gt;&lt;U&gt;
    &lt;A href="http://culturemachine.tees.ac.uk/Articles/RecordingsIntro.htm" name="RecordingsTitle"&gt;&lt;FONT face="Arial" color="#808080"&gt;Recordings&lt;/FONT&gt;&lt;/A&gt;&lt;/U&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="162" valign="top"&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Thacker"&gt;&lt;FONT face="Arial" color="#808080"&gt;Eugene Thacker&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;
    &lt;TD width="309" valign="top" align="left"&gt;&lt;U&gt;
    &lt;A href="http://culturemachine.tees.ac.uk/Articles/ThackerArticle.htm" name="ThackerTitle"&gt;&lt;FONT face="Arial" color="#808080"&gt;Pulse Demons&lt;/FONT&gt;&lt;/A&gt;&lt;/U&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="162" valign="top"&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Hainge"&gt;&lt;FONT face="Arial" color="#808080"&gt;Greg Hainge&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;
    &lt;TD width="309" valign="top" align="left"&gt;
    &lt;U&gt;&lt;A href="http://culturemachine.tees.ac.uk/Articles/HaingeArticle.htm" name="HaingeTitle"&gt;
	&lt;FONT face="Arial" color="#808080"&gt;Vinyl 
    is Dead, Long Live Vinyl: The Work of Recording and Mourning in the Age of 
    Digital Reproduction&lt;/FONT&gt;&lt;/A&gt;&lt;/U&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="162" valign="top"&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Hegarty"&gt;&lt;FONT face="Arial" color="#808080"&gt;Paul Hegarty&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;
    &lt;TD width="309" valign="top" align="left"&gt;&lt;U&gt;
    &lt;A href="http://culturemachine.tees.ac.uk/Articles/HegartyArticle.htm" name="HegartyTitle"&gt;
	&lt;FONT face="Arial" color="#808080"&gt;The Hallucinatory Life of Tape&lt;/FONT&gt;&lt;/A&gt;&lt;/U&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="162" valign="top"&gt;&lt;U&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Hansen" name="HansenBiogPage"&gt;&lt;FONT face="Arial" color="#808080"&gt;Jérôme Hansen&lt;/FONT&gt;&lt;/A&gt;&lt;/U&gt;&lt;/TD&gt;
    &lt;TD width="309" valign="top" align="left"&gt;&lt;U&gt;&lt;FONT face="Arial" color="#808080"&gt;
    &lt;A href="http://culturemachine.tees.ac.uk/Articles/HansenArticle.htm" name="HansenTitle"&gt;Mapping the Studio (&lt;I&gt;Fat Chance Matmos&lt;/I&gt;): Sonic 
    Culture, Visual Arts and the Artist's Studio&lt;/A&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="162" valign="top"&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Genosko"&gt;&lt;FONT face="Arial" color="#808080"&gt;Gary Genosko&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;
    &lt;TD width="309" valign="top" align="left"&gt;&lt;U&gt;
    &lt;A href="http://culturemachine.tees.ac.uk/Articles/genoskoarticle.htm" name="GenoskoTitle"&gt;
	&lt;FONT face="Arial" color="#808080"&gt;8 Track Rhapsody&lt;/FONT&gt;&lt;/A&gt;&lt;/U&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="162" valign="top"&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Harley"&gt;&lt;FONT face="Arial" color="#808080"&gt;Ross Harley and&lt;/FONT&gt;&lt;/A&gt; 
    &lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Murphie"&gt;&lt;FONT face="Arial" color="#808080"&gt;Andrew Murphie&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;
    &lt;TD width="309" valign="top" align="left"&gt;&lt;U&gt;
    &lt;A href="http://culturemachine.tees.ac.uk/Articles/MurphieHarleyArticle.htm" name="HarleyMurphiTitle"&gt;&lt;FONT face="Arial" color="#808080"&gt;Rhythms and Refrains: A Brief History of 
    Australian Electronica&lt;/FONT&gt;&lt;/A&gt;&lt;/U&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="162" valign="top"&gt;&lt;A href="http://culturemachine.tees.ac.uk/cont_pro.htm#Hays"&gt;&lt;FONT face="Arial" color="#808080"&gt;Dan Hays&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;
    &lt;TD width="309" valign="top" align="left"&gt;&lt;U&gt;
    &lt;A href="http://culturemachine.tees.ac.uk/Articles/HaysArticle.htm" name="HaysTitle"&gt;
	&lt;FONT face="Arial" color="#808080"&gt;Painting in the Light of Digital Reproduction&lt;/FONT&gt;&lt;/A&gt;&lt;/U&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/6E8930F3-E07D-4C24-A28A-77A144F375B8.gif" alt="back issues" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://culturemachine.tees.ac.uk/Cmach/Backissues/index.htm" title="http://culturemachine.tees.ac.uk/Cmach/Backissues/index.htm"&gt;culturemachine.tees.ac.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="25%" height="38" bgcolor="#ffffff"&gt;&lt;FONT size="5" face="Arial" color="#800040"&gt;&lt;STRONG&gt;Issue 1
        (1999)&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/TD&gt;
        &lt;TD width="5%" height="38" bgcolor="#ffffff"&gt; &lt;/TD&gt;
        &lt;TD width="60%" height="38" bgcolor="#ffffff"&gt;&lt;A href="http://culturemachine.tees.ac.uk/Cmach/Backissues/j001/journal.htm"&gt;&lt;FONT size="5" face="Arial" color="#000080"&gt;Taking Risks With The Future&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="25%" height="38" bgcolor="#ffffff"&gt;&lt;FONT size="5" face="Arial" color="#800040"&gt;&lt;STRONG&gt;Issue 2
        (2000)&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/TD&gt;
        &lt;TD width="5%" height="38" bgcolor="#ffffff"&gt; &lt;/TD&gt;
        &lt;TD width="60%" height="38" bgcolor="#ffffff"&gt;&lt;A href="http://culturemachine.tees.ac.uk/Cmach/Backissues/j002/journal.htm"&gt;&lt;FONT size="5" face="Arial" color="#000080"&gt;The University Culture Machine&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="25%" height="38" bgcolor="#ffffff"&gt;&lt;FONT size="5" face="Arial" color="#800040"&gt;&lt;STRONG&gt;Issue 3
        (2001)&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/TD&gt;
        &lt;TD width="5%" height="38" bgcolor="#ffffff"&gt; &lt;/TD&gt;
        &lt;TD width="60%" height="38" bgcolor="#ffffff"&gt;&lt;A href="http://culturemachine.tees.ac.uk/Cmach/Backissues/j003/journal.htm"&gt;&lt;FONT size="5" face="Arial" color="#000080"&gt;Virologies: Culture and Contamination&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="25%" height="38" bgcolor="#ffffff"&gt;&lt;FONT size="5" face="Arial" color="#800040"&gt;&lt;STRONG&gt;Issue 4
        (2002)&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/TD&gt;
        &lt;TD width="5%" height="38" bgcolor="#ffffff"&gt; &lt;/TD&gt;
        &lt;TD width="60%" height="38" bgcolor="#ffffff"&gt;&lt;A href="http://culturemachine.tees.ac.uk/Cmach/Backissues/j004/journal.htm"&gt;&lt;FONT size="5" face="Arial" color="#000080"&gt;The Ethico-Political Issue&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="25%" height="38" bgcolor="#ffffff"&gt;&lt;FONT size="5" face="Arial" color="#800040"&gt;&lt;STRONG&gt;Issue 5
        (2003)&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/TD&gt;
        &lt;TD width="5%" height="38" bgcolor="#ffffff"&gt; &lt;/TD&gt;
        &lt;TD width="60%" height="38" bgcolor="#ffffff"&gt;&lt;A href="http://culturemachine.tees.ac.uk/Cmach/Backissues/j005/journal.htm"&gt;&lt;FONT size="5" face="Arial" color="#000080"&gt;The e-Issue&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="25%" height="38" bgcolor="#ffffff"&gt;&lt;FONT size="5" face="Arial" color="#800040"&gt;&lt;STRONG&gt;Issue 6
        (2004)&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/TD&gt;
        &lt;TD width="5%" height="38" bgcolor="#ffffff"&gt; &lt;/TD&gt;
        &lt;TD width="60%" height="38" bgcolor="#ffffff"&gt;&lt;A href="http://culturemachine.tees.ac.uk/Cmach/Backissues/j006/journal.htm"&gt;&lt;FONT size="5" face="Arial" color="#000080"&gt;Deconstruction is/in Cultural Studies&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="25%" height="38" bgcolor="#ffffff"&gt;&lt;FONT size="5" face="Arial" color="#800040"&gt;&lt;STRONG&gt;Issue 7
        (2005)&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/TD&gt;
        &lt;TD width="5%" height="38" bgcolor="#ffffff"&gt; &lt;/TD&gt;
        &lt;TD width="60%" height="38" bgcolor="#ffffff"&gt;&lt;A href="http://culturemachine.tees.ac.uk/Cmach/Backissues/j007/journal.htm"&gt;&lt;FONT size="5" face="Arial" color="#000080"&gt;Biopolitics&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="25%" height="38" bgcolor="#ffffff"&gt;&lt;FONT size="5" face="Arial" color="#800040"&gt;&lt;STRONG&gt;Issue 8
        (2006)&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/TD&gt;
        &lt;TD width="5%" height="38" bgcolor="#ffffff"&gt; &lt;/TD&gt;
        &lt;TD width="60%" height="38" bgcolor="#ffffff"&gt;&lt;A href="http://culturemachine.tees.ac.uk/Cmach/Backissues/j008/journal.htm"&gt;&lt;FONT size="5" face="Arial" color="#000080"&gt;Community&lt;/FONT&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/resources/" rel="tag"&gt;resources&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/studies/" rel="tag"&gt;studies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/theory/" rel="tag"&gt;theory&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/papers/" rel="tag"&gt;papers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/discussion/" rel="tag"&gt;discussion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ideas/" rel="tag"&gt;ideas&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://culturemachine.tees.ac.uk/user_mn.htm</clipSource><pubDate>Fri, 01 Aug 2008 11:20:18 GMT</pubDate></item></channel></rss>