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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | haraya's Pops</title><link>http://clipmarks.com/clipper/haraya/pops/</link><feedUrl>http://rss.clipmarks.com/clipper/haraya/pops/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Vegetarian Baked Beans</title><link>http://clipmarks.com/clipmark/4623084C-3770-4A65-A2B3-A45098BFACB7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/bunnicula/"&gt;bunnicula&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.recessionipes.com/2009/07/baked-beans.html" title="http://www.recessionipes.com/2009/07/baked-beans.html"&gt;www.recessionipes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/bunnicula/512/78ED47B3-51CE-461A-9B10-D8E832148DC4.jpg" alt="Vegetarian Molasses Baked Beans" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Ingredients&lt;/SPAN&gt;&lt;BR /&gt;&lt;UL&gt;&lt;LI&gt;1 lb.dried navy beans  (NY $1.39)&lt;/LI&gt;&lt;LI&gt;1 large onion (NY $0.85)&lt;/LI&gt;&lt;LI&gt;1 tbsp. olive oil (staple)&lt;/LI&gt;&lt;LI&gt;½ cup molasses (NY $0.99)&lt;/LI&gt;&lt;LI&gt;1/3 cup dark brown sugar (NY $0.28)&lt;/LI&gt;&lt;LI&gt;1/3 cup cider vinegar (NY $0.51)&lt;/LI&gt;&lt;LI&gt;¼ cup ketchup (NY $ 0.18)&lt;/LI&gt;&lt;LI&gt;2 tbsps dijon mustard (staple)&lt;/LI&gt;&lt;LI&gt;1/8 tsp cloves (staple)&lt;/LI&gt;&lt;LI&gt;½ tsp dried ginger (staple)&lt;/LI&gt;&lt;LI&gt;Pinch of allspice (staple)&lt;/LI&gt;&lt;LI&gt;Salt (staple)&lt;/LI&gt;&lt;LI&gt;Black pepper (staple)&lt;/LI&gt;&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/vegetarian/" rel="tag"&gt;vegetarian&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/vegan/" rel="tag"&gt;vegan&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/recipes/" rel="tag"&gt;recipes&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/main+dishes/" rel="tag"&gt;main dishes&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/beans/" rel="tag"&gt;beans&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.recessionipes.com/2009/07/baked-beans.html</clipSource><pubDate>Tue, 24 Nov 2009 22:19:59 GMT</pubDate></item><item><title>Hey Jude Flowchart</title><link>http://clipmarks.com/clipmark/33443126-2C47-47F2-AE7B-D388E85E3B4F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/coconutshell/"&gt;coconutshell&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Na na na na...na na na na...I think they forgot the hey hey hey goodbye...&lt;br/&gt;&lt;br/&lt;img src="http://clipmarks.com/images/icons/smilies/lol.gif" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spreeblick.com/2009/10/29/flowchart-hey-jude/" title="http://www.spreeblick.com/2009/10/29/flowchart-hey-jude/"&gt;www.spreeblick.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Permanent Link to Flowchart: Hey Jude" rel="bookmark" href="http://www.spreeblick.com/2009/10/29/flowchart-hey-jude/"&gt;Flowchart: Hey Jude&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/coconutshell/512/45820055-4EA3-44EA-9567-7626011A8D43.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/jude/" rel="tag"&gt;jude&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/hey/" rel="tag"&gt;hey&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/flowchart/" rel="tag"&gt;flowchart&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/na+na+na+na/" rel="tag"&gt;na na na na&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.spreeblick.com/2009/10/29/flowchart-hey-jude/</clipSource><pubDate>Thu, 05 Nov 2009 05:32:03 GMT</pubDate></item><item><title>lego darfur installations</title><link>http://clipmarks.com/clipmark/D60BF5C6-540D-4DC0-AE27-5174FDDD6CBA/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mona/"&gt;mona&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  driving home a message - using lego&lt;br/&gt;&lt;br/&gt;more at source &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.protectthehuman.com/galleries/darfur" title="http://www.protectthehuman.com/galleries/darfur"&gt;www.protectthehuman.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/mona/512/EA4B3065-7616-4EC6-ABE1-3D0D2D9F869D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/mona/512/AB3D2EB5-992B-4022-A6E3-3815C7655FF3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/mona/512/46B44C4A-1543-49EF-9EDE-3833DD66E4ED.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.protectthehuman.com/galleries/darfur</clipSource><pubDate>Wed, 08 Jul 2009 00:54:25 GMT</pubDate></item><item><title> Very cool interactive LED wall!</title><link>http://clipmarks.com/clipmark/3109D4EE-E2C6-4BC3-941B-3A1257BC7D5B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/djkraz/"&gt;djkraz&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  This has to be one of the best i've seen of this type of technology.  Most of the time they are limited to 1 or maybe 2 effects.  This one has many many effects.  The best part is that it not only tracks motion but also distance from the wall.  Very very nicely done! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://blog.makezine.com/archive/2009/07/interactive_led_wall_in_montreal.html" title="http://blog.makezine.com/archive/2009/07/interactive_led_wall_in_montreal.html"&gt;blog.makezine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE&gt;This is a project I worked on with Marc-André Baril while I was at Moment Factory. They created an interactive wall for the tourist information office, La Vitrine in Montreal.

&lt;P&gt;&lt;BR /&gt;
The installation includes tracking devices and low-resolution LED displays and is capable of showing many different visualizations based on the presence and movement of people.&lt;/P&gt;

&lt;P&gt;Visitors can interact with the installation every night from 7 PM to 11 PM. La Vitrine, 145, rue Sainte-Catherine Ouest, Montréal&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/interactive/" rel="tag"&gt;interactive&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/led/" rel="tag"&gt;led&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://blog.makezine.com/archive/2009/07/interactive_led_wall_in_montreal.html</clipSource><pubDate>Thu, 09 Jul 2009 14:47:22 GMT</pubDate></item><item><title>Daft Punk - Interstella 5555: The 5tory of the 5ecret 5tar 5ystem </title><link>http://clipmarks.com/clipmark/DEAFC2A9-EE6B-4B54-B473-2D69421960CB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  This is the full 65 minute video of Daft Punk's Interstella. Not only the music is amazing, but the same can be said of the animations by Leiji Matsumoto. Put them together and you end up with this: a masterpiece.&lt;br/&gt;&lt;br/&gt;From the source:&lt;br/&gt;&lt;br/&gt;Interstella 5555 is a feature-length Japanese animated musical film originally released on December 1, 2003. The film is the visual realization of Discovery, an album by Daft Punk. Each track from the album has been animated as an episode in the story of the abduction and rescue of an interstellar pop band. The film was produced by the creators of the Discovery album, along with Toei Animation, under the supervision of Leiji Matsumoto. The film has no dialogue and minimal sound effects.&lt;br/&gt;Music list&lt;br/&gt;&lt;br/&gt;1 "One More Time"&lt;br/&gt;2 "Aerodynamic"&lt;br/&gt;3 "Digital Love"&lt;br/&gt;4 "Harder, Better, Faster, Stronger"&lt;br/&gt;5 "Crescendolls"&lt;br/&gt;6 "Nightvision"&lt;br/&gt;7 "Superheroes"&lt;br/&gt;8 "High Life"&lt;br/&gt;9 "Something About Us"&lt;br/&gt;10 "Voyager"&lt;br/&gt;11 "Veridis Quo"&lt;br/&gt;12 "Short Circuit"&lt;br/&gt;13 "Face To Face"&lt;br/&gt;&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=aQ5XOwiryv0" title="http://www.youtube.com/watch?v=aQ5XOwiryv0"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/daft+punk/" rel="tag"&gt;daft punk&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/discovery/" rel="tag"&gt;discovery&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/interstella/" rel="tag"&gt;interstella&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/matsumoto/" rel="tag"&gt;matsumoto&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=aQ5XOwiryv0</clipSource><pubDate>Sat, 11 Jul 2009 23:09:45 GMT</pubDate></item><item><title>The Colours Of Mark Mawson</title><link>http://clipmarks.com/clipmark/90B2A779-E300-46F9-A557-6772DEB71829/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.behance.net/Gallery/Aqueous/46946" title="http://www.behance.net/Gallery/Aqueous/46946"&gt;www.behance.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/23095E78-9CEC-4DA1-BFCD-18E1357BAED0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.colourlovers.com/blog/2009/07/10/the-colors-of-mark-mawson/" title="http://www.colourlovers.com/blog/2009/07/10/the-colors-of-mark-mawson/"&gt;www.colourlovers.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;I was originally attracted to &lt;A target="_blank" href="http://www.markmawson.com/"&gt;Mark's work&lt;/A&gt; because of the abstract, color rich photos from his &lt;A target="_blank" href="http://www.behance.net/Gallery/Aqueous/46946"&gt;Aqueous&lt;/A&gt; series, which I saw on &lt;A target="_blank" href="http://www.todayandtomorrow.net/2009/06/30/aqueous/"&gt;today and tomorrow&lt;/A&gt; a little while back. After looking through Mark's portfolio a bit more, I found quite a few photos with inspiring color compositions from his series &lt;A target="_blank" href="http://www.behance.net/Gallery/urban-nights/45925"&gt;Urban Nights&lt;/A&gt; and &lt;A target="_blank" href="http://www.behance.net/Gallery/Bus-Graveyard/108877"&gt;Bus Graveyard&lt;/A&gt; as well.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/B987A835-FDC4-458D-8E1B-8C9B99919EBF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/73DE385B-49CC-45EC-9F81-C34B4E408203.png" alt="MarkMawson:Aqueous1" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/2E7314A1-F99B-4BF1-8795-A6062B6160F6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/FB5D1061-8B26-435F-9C28-91DD20879C51.png" alt="MarkMawson:Aqueous2" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.behance.net/Gallery/Aqueous/46946" title="http://www.behance.net/Gallery/Aqueous/46946"&gt;www.behance.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/2A0AC74C-9B6B-4FCA-B9BA-35FE92CD8EC6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/C8828EFD-7463-46E0-8687-E8596EEB8FB7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/8C851CBF-0F81-4D02-8876-63F84E6989B7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/ED9AA59F-3687-4319-BBE9-7B5CC011EFA3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.colourlovers.com/blog/2009/07/10/the-colors-of-mark-mawson/" title="http://www.colourlovers.com/blog/2009/07/10/the-colors-of-mark-mawson/"&gt;www.colourlovers.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/E98313F4-A16C-48FB-B947-2CAF87A1BF63.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/680769BD-4805-4020-AB82-310C71752EEB.png" alt="Mark_Mawson:_Bus1" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/07FD9FAB-BBA6-4A75-BE4E-09D26FA14EC4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/B93A04FE-2B34-4EE4-8A92-66340026D2C5.png" alt="Mark_Mawson:_Bus2" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/AD1E8929-A89C-44BE-B203-96097211927F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/0C5DE64A-BA86-494B-875A-06AA53719111.png" alt="Mark_Mawson:_UN2" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/33FA2623-5EBE-4AC7-9172-EAC22435A93F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/7529C52B-43C9-4802-932C-26799B01AD99.png" alt="Mark_Mawson:_UN1" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/D1BFB08B-74BC-4195-BCAC-39521665E936.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/074E5825-3C66-4609-8223-9C44AF57539B.png" alt="basketball_horizon" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/E488238B-F54A-4CB1-940A-4EE9C1935AF1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/55321393-846F-43A5-A7B2-D70F421FDE50.png" alt="chair_horizon" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.behance.net/Gallery/underwater-dance/45918" title="http://www.behance.net/Gallery/underwater-dance/45918"&gt;www.behance.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/B9D52C4B-0D73-4CDB-A64D-5079C6BB9CB7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/C87EE876-335C-479B-A58C-5F0D25D793E2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.behance.net/Gallery/Aqueous/46946</clipSource><pubDate>Sun, 12 Jul 2009 12:29:21 GMT</pubDate></item><item><title>Winter by Jean-Antoine Houdon (1787)</title><link>http://clipmarks.com/clipmark/3A76E6FD-43D4-4871-95BE-D8A08C243615/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/jahd/ho_62.55.htm" title="http://www.metmuseum.org/toah/hd/jahd/ho_62.55.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/EEAA4F73-B1CE-4515-B5F1-44A8642E4BED.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Houdon's portrayal of Winter departs starkly from the usual allegorical representation of the season, typically depicted as a hoary old man. The naturalistic pose of the shivering, bare-bottomed girl, whose only covering is a shawl wrapped around her upper body, generates an empathy not evoked by more traditional versions. The figure's narrative aspect inspired its alternate title—"The Shivering Girl"—already current at the time of its initial presentation.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/6C0B537F-14AA-4644-99D8-CE61D17DE7C2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/513E5EA1-053A-4815-A615-C550A4C039E9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/B6945735-152D-4B66-A9A6-F4BF71B8D078.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hi/hi_houd.htm" title="http://www.metmuseum.org/toah/hi/hi_houd.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;SPAN class="pageLocation"&gt;Artist Index: &lt;/SPAN&gt;Houdon, Jean–Antoine (French, 1741–1828)&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" class="objIndexImage"&gt;&lt;A href="http://www.metmuseum.org/toah/hd/jahd/ho_32.100.159.htm"&gt;&lt;IMG border="1" src="http://www.metmuseum.org/toah/images/ht/ht_32.100.159.jpg" /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" class="objIndexDescription"&gt;&lt;DIV class="previewDiv" id="previewDiv32.100.159"&gt;



	&lt;TITLE&gt;Heilbrunn Timeline of Art History&lt;/TITLE&gt;




&lt;/DIV&gt;&lt;STRONG&gt;The Bather (model for a fountain)&lt;/STRONG&gt;, 18th century (ca. 1780) or 19th–early 20th century,
By or after Jean-Antoine Houdon (French),
Probably French,
Terracotta (32.100.159)&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/hd/jahd/ho_62.55.htm" title="http://www.metmuseum.org/toah/hd/jahd/ho_62.55.htm"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The boldness and severity of this image is almost as shocking now as when an earlier, marble version was first shown in the sculptor's studio during the Salon of 1783.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.metmuseum.org/toah/hd/jahd/ho_62.55.htm</clipSource><pubDate>Sun, 12 Jul 2009 19:59:57 GMT</pubDate></item><item><title>The Sorrows of Pluto</title><link>http://clipmarks.com/clipmark/A8035445-52DA-4401-8599-91BF21FBDD8F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Charon is cute. &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.npr.org/templates/common/image_enlargement.php?imageResId=5657161" title="http://www.npr.org/templates/common/image_enlargement.php?imageResId=5657161"&gt;www.npr.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/Kore7/512/F743A0A0-2888-4616-B798-95374C43D45C.jpg" alt="The Sorrows of Pluto. Click for full cartoon." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/pluto/" rel="tag"&gt;pluto&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/planet/" rel="tag"&gt;planet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/planets/" rel="tag"&gt;planets&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/space/" rel="tag"&gt;space&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/astronomy/" rel="tag"&gt;astronomy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cartoon/" rel="tag"&gt;cartoon&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/comic/" rel="tag"&gt;comic&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/funny/" rel="tag"&gt;funny&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tim+kreider/" rel="tag"&gt;tim kreider&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.npr.org/templates/common/image_enlargement.php?imageResId=5657161</clipSource><pubDate>Mon, 21 Aug 2006 01:10:03 GMT</pubDate></item><item><title>Sex is the ultimate absurdity</title><link>http://clipmarks.com/clipmark/2C8380C4-CF8C-4ABC-A816-B3E7CA7A3868/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Silkweaver/"&gt;Silkweaver&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Isn't it ironic that  we all suffer today the consequences of how single celled organisms that lived a billion years ago choose to procreate?  &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/article/mg20227121.600-has-the-mystery-of-sex-been-explained-at-last.html?page=1" title="http://www.newscientist.com/article/mg20227121.600-has-the-mystery-of-sex-been-explained-at-last.html?page=1"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="infuse"&gt;SEX is &lt;A href="http://www.newscientist.com/article/mg18024246.000-the-trouble-with-sex.html" linkindex="40"&gt;the ultimate absurdity&lt;/A&gt;. Forget the hormonal rushes, the sweat and the contorted posturing. Forget about the heartache, the flowers, the bad poems and the costly divorce, just think about the biology. It's nuts. Cloning makes far more sense.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/Silkweaver/512/3716EEB5-9364-47FC-A9EC-0D47321DFEF3.jpg" alt="Why is sex worth losing your head over? (Image: Oliver Koemmerling)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="infuse"&gt;A clone, after all, just quietly gets on with copying itself. And since every clone can produce more clones, cloning produces far more offspring. There is no need for males - a waste of space, as hard-line feminists and evolutionists agree.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="infuse"&gt;All this made sex the &lt;A target="nsarticle" href="http://dx.doi.org/10.1016/j.meegid.2008.01.002" linkindex="43"&gt;"queen of evolutionary problems"&lt;/A&gt; in the 20th century, taxing some of the finest minds in biology. The issue isn't just explaining why almost all plants and animals engage in sex. It is also explaining why the life forms that ruled the planet for billions of years and remain by far the most abundant - the bacteria - manage fine without it.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/sex/" rel="tag"&gt;sex&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/biology/" rel="tag"&gt;biology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/evolution/" rel="tag"&gt;evolution&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.newscientist.com/article/mg20227121.600-has-the-mystery-of-sex-been-explained-at-last.html?page=1</clipSource><pubDate>Mon, 22 Jun 2009 12:47:32 GMT</pubDate></item><item><title>Stair Porn</title><link>http://clipmarks.com/clipmark/54E6B8B0-6BA8-410E-AB48-C6F2741A1B63/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.stairporn.org/" title="http://www.stairporn.org/"&gt;www.stairporn.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/97591163-A5CF-4208-AED7-6B534561E561.jpg" alt="Spa-baths-bad-aibling" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.stairporn.org/9" title="http://www.stairporn.org/9"&gt;www.stairporn.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="header"&gt;
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            &lt;H3&gt;&lt;A href="http://www.stairporn.org/2008/11/hotel-the-gray-milano.html"&gt;Hotel The Gray, Milano&lt;/A&gt;&lt;/H3&gt;
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            &lt;P&gt;&lt;A href="http://www.sinahotels.com/eng/thegray_home.htm"&gt;Sina Hotels &lt;/A&gt;&lt;/P&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A href="http://www.stairporn.org/2008/10/public-records-office-canton-basel-landschaft.html"&gt;Public Records Office, Canton Basel Landschaft&lt;/A&gt;&lt;/H3&gt;
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            &lt;P&gt;&lt;A href="http://www.em2n.ch/em2n.php?p=2&amp;id_projects=28"&gt;EM2N&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/3B444A80-01D0-4A9E-83AC-8A27FD3D4260.jpg" alt="House-in-martinhal" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/0E3021DC-1548-4BBF-8D88-73AB77E66CB5.jpg" alt="St-johns-university-minnesota" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A href="http://www.stairporn.org/2008/10/house-in-kamiuma.html"&gt;House In Kamiuma&lt;/A&gt;&lt;/H3&gt;
            &lt;DIV class="image"&gt;&lt;A rel="lightbox" href="http://s3.amazonaws.com/stairporn/images/images/271/large/house-in-kamiuma.jpg?1243244702"&gt;&lt;IMG src="http://s3.amazonaws.com/stairporn/images/images/271/medium/house-in-kamiuma.jpg?1243244702" alt="House-in-kamiuma" /&gt;&lt;/A&gt;&lt;/DIV&gt;
            &lt;P&gt;&lt;A href="http://www.nakagame.com/works_en/works_kmu.html"&gt;Kiyonobu Nakagame and Associates&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.stairporn.org/2" title="http://www.stairporn.org/2"&gt;www.stairporn.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/09F9925F-2676-4A6D-9448-55C8203E1227.jpg" alt="Shaker-spiral" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/AE989174-2111-475F-9B22-91CBE8024726.jpg" alt="Esplanada-studio" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/DA3CD7E4-0B88-49C1-BE02-49E54C808451.jpg" alt="Ann-demeulemeester-shop-in-seoul-by-mass-studies" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/11690081-85B7-490F-82A6-EE3549D31589.jpg" alt="Unit-dhabitation" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/F9B3FD96-4CF9-4101-98D7-4A04B05E00DB.jpg" alt="Spiral-cellars" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.stairporn.org/3" title="http://www.stairporn.org/3"&gt;www.stairporn.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/5BF54DC9-BD09-49E0-9941-25D159C02BA1.jpg" alt="Aesop-by-studio-ilse" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/502D7403-CB8E-440F-90CF-4485FE411580.jpg" alt="Bauhaus-stairway" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/07EEA991-DECB-4EA8-8C86-6EE02E139AF3.jpg" alt="Rest-stop-on-the-ruta-peregrino" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/F3E10121-D8FB-4ABD-941F-C04ABA84EA7A.jpg" alt="Top-gun-by-studio-elastico" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/52D07C81-CB97-4BEF-8201-A82F072E08FC.jpg" alt="Ann-hamilton-tower" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.stairporn.org/</clipSource><pubDate>Sun, 21 Jun 2009 11:17:54 GMT</pubDate></item><item><title>We're unable to read our own body language</title><link>http://clipmarks.com/clipmark/CCCF364F-FA60-4352-8C96-C16C2D02030F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/einbar/"&gt;einbar&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bps-research-digest.blogspot.com/2009/06/were-unable-to-read-our-own-body.html" title="http://bps-research-digest.blogspot.com/2009/06/were-unable-to-read-our-own-body.html"&gt;bps-research-digest.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="post-title"&gt;
&lt;A href="http://bps-research-digest.blogspot.com/2009/06/were-unable-to-read-our-own-body.html"&gt;We're unable to read our own body language&lt;/A&gt;
&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/einbar/512/1AB52948-C74D-4E53-8B42-8CC0DAB2B6EC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;A fascinating study has shown that we're unable to read insights into ourselves from watching a video of our own body language. It's as if we have an egocentric blind spot. Outside observers, by contrast, can watch the same video and make revealing insights into our personality.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The premise of the new study is the tip-of-the-iceberg idea that what we know about ourselves is fairly limited, with many of our impulses, traits and beliefs residing below the level of conscious access. The researchers wondered whether people would be able to form a truer picture of themselves when presented with a video of their own body language&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Why can't we use a video of ourselves to improve the accuracy of our self-perception?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; One answer could lie in cognitive dissonance - the need for us to hold consistent beliefs about ourselves. People may well be extremely reluctant to revise their self-perceptions, even in the face of powerful objective evidence&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://bps-research-digest.blogspot.com/2009/06/were-unable-to-read-our-own-body.html</clipSource><pubDate>Tue, 16 Jun 2009 09:05:53 GMT</pubDate></item><item><title>Stop by if you'd like a hug (now with bonus compliment)</title><link>http://clipmarks.com/clipmark/2B79014C-215A-4533-950A-CD8645F8582A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/bignosemousie/"&gt;bignosemousie&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I'm giving out hugs all day long. Step on up!&lt;br/&gt;&lt;br/&gt;I'll even say something nice to you. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/34701636@N02/3394816111/in/pool-turks" title="http://www.flickr.com/photos/34701636@N02/3394816111/in/pool-turks"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/bignosemousie/512/019822CA-A000-4006-8014-6C19721D8CE3.jpg" alt="Free hugs anyone? by kissthecrook." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/love/" rel="tag"&gt;love&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.flickr.com/photos/34701636@N02/3394816111/in/pool-turks</clipSource><pubDate>Mon, 15 Jun 2009 17:21:34 GMT</pubDate></item><item><title>Oh, I wish such good luck</title><link>http://clipmarks.com/clipmark/FC6F242E-D37B-4D85-9649-95BAA35500BB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/bignosemousie/"&gt;bignosemousie&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Broken, Unbroken by Mary Oliver&lt;br/&gt;Over the Rainbow performed by Eva Cassidy &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.37days.com/2009/05/come-over-the-rainbow-with-me-just-for-a-moment.html" title="http://www.37days.com/2009/05/come-over-the-rainbow-with-me-just-for-a-moment.html"&gt;www.37days.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.37days.com/2009/05/make-10-guide-your-tweenbot.html" title="http://www.37days.com/2009/05/make-10-guide-your-tweenbot.html"&gt;www.37days.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;DIV&gt;&lt;STRONG&gt;Broken, Unbroken&lt;/STRONG&gt;&lt;/DIV&gt;
&lt;BR /&gt;
The lonely&lt;BR /&gt;
stand in dark corners&lt;BR /&gt;&lt;DIV&gt;
of their hearts.&lt;/DIV&gt;
&lt;BR /&gt;
I have seen them&lt;BR /&gt;
in cities,&lt;BR /&gt;&lt;DIV&gt;
and in my own neighborhood,&lt;/DIV&gt;
&lt;BR /&gt;
nor could I touch them&lt;BR /&gt;
with the magic &lt;BR /&gt;&lt;DIV&gt;
that they crave&lt;/DIV&gt;
&lt;BR /&gt;
to be unbroken.&lt;BR /&gt;
Then, I myself,&lt;BR /&gt;&lt;DIV&gt;
lonely,&lt;/DIV&gt;
&lt;BR /&gt;
said hello to &lt;BR /&gt;
good fortune.&lt;BR /&gt;&lt;DIV&gt;
Someone&lt;/DIV&gt;
&lt;BR /&gt;
came along &lt;BR /&gt;
and lingered&lt;BR /&gt;&lt;DIV&gt;
and little by little&lt;/DIV&gt;
&lt;BR /&gt;
became everything&lt;BR /&gt;
that makes a difference.&lt;BR /&gt;&lt;DIV&gt;
Oh, I wish such good luck&lt;/DIV&gt;
&lt;BR /&gt;
to everyone.&lt;BR /&gt;
How beautiful it is&lt;BR /&gt;
to be unbroken.&lt;/P&gt;&lt;P&gt;-Mary Oliver&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/to+everyone/" rel="tag"&gt;to everyone&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.37days.com/2009/05/come-over-the-rainbow-with-me-just-for-a-moment.html</clipSource><pubDate>Wed, 03 Jun 2009 20:11:05 GMT</pubDate></item><item><title>your possible life</title><link>http://clipmarks.com/clipmark/99B99585-08AE-4A88-BE11-CDF5A606C0C5/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/bignosemousie/"&gt;bignosemousie&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Of course it was a disaster. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.37days.com/2009/04/visit-your-possible-life.html" title="http://www.37days.com/2009/04/visit-your-possible-life.html"&gt;www.37days.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/bignosemousie/512/606EDA2C-61B3-4010-9634-452CABD19773.jpg" alt="Keyhole" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Going There&lt;/STRONG&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;-Jack Gilbert&lt;/DIV&gt;&lt;BR /&gt;Of course it was a disaster.&lt;BR /&gt;The unbearable, dearest secret&lt;BR /&gt;has always been a disaster.&lt;BR /&gt;The danger when we try to leave.&lt;BR /&gt;Going over and over afterward&lt;BR /&gt;what we should have done&lt;BR /&gt;instead of what we did.&lt;BR /&gt;But for those short times&lt;BR /&gt;we seemed to be alive. Misled,&lt;BR /&gt;misused, lied to and cheated,&lt;BR /&gt;certainly. Still, for that&lt;BR /&gt;little while, we visited&lt;BR /&gt;&lt;DIV&gt;our possible life.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.37days.com/2009/04/visit-your-possible-life.html</clipSource><pubDate>Wed, 03 Jun 2009 21:06:24 GMT</pubDate></item><item><title>on kindness</title><link>http://clipmarks.com/clipmark/54B2B25F-C1D7-44B3-9FE5-A05A9B32BAB1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/bignosemousie/"&gt;bignosemousie&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  excerpt from Kindness by Naomi Shihab Nye.&lt;br/&gt;&lt;br/&gt;Read entire poem at source. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.37days.com/2009/04/poetry-is-where-empathy-begins.html" title="http://www.37days.com/2009/04/poetry-is-where-empathy-begins.html"&gt;www.37days.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Then it is only kindness that makes sense anymore,&lt;BR /&gt;only kindness that ties your shoes&lt;BR /&gt;and sends you out into the day to mail letters and&lt;BR /&gt;     purchase bread,&lt;BR /&gt;only kindness that raises its head&lt;BR /&gt;from the crowd of the world to say&lt;BR /&gt;it is I you have been looking for,&lt;BR /&gt;and then goes with you every where&lt;BR /&gt;like a shadow or a friend.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/i+see+kindness+everywhere/" rel="tag"&gt;i see kindness everywhere&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/in+strangers/" rel="tag"&gt;in strangers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/in+friends/" rel="tag"&gt;in friends&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/in+me/" rel="tag"&gt;in me&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.37days.com/2009/04/poetry-is-where-empathy-begins.html</clipSource><pubDate>Wed, 03 Jun 2009 21:19:58 GMT</pubDate></item></channel></rss>