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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | haraya's Writing collection</title><link>http://clipmarks.com/clipper/haraya/clipcast/Writing/</link><feedUrl>http://rss.clipmarks.com/clipper/haraya/clipcast/Writing/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Top 10 Drunk American Writers</title><link>http://clipmarks.com/clipmark/9A61AC40-5CC5-4119-85DF-C417B132512B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I'm looking for the women.. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.alternativereel.com/includes/top-ten/display_review.php?id=00075" title="http://www.alternativereel.com/includes/top-ten/display_review.php?id=00075"&gt;www.alternativereel.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#10 - RAYMOND CHANDLER [1888-1959]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/haraya/512/9A8448EE-9923-42F1-8C7C-A98F7B4F7F33.jpg" alt="RAYMOND CHANDLER [1888-1959] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#09 - FREDERICK EXLEY [1929-92]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/haraya/512/7547ECD3-4CF6-4121-A60C-B73926F4087D.jpg" alt="FREDERICK EXLEY [1929-92] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"After a month's sobriety my faculties became unbearably acute and I found myself unhealthily clairvoyant, having insights into places I'd as soon not journey to. Unlike some men, I had never drunk for boldness or charm or wit; I had used alcohol for precisely what it was, a depressant to check the mental exhilaration produced by extended sobriety."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#08 - HARRY CREWS [1935- ]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/haraya/512/DEC6D833-1F37-4718-9446-8945B5951F21.jpg" alt="HARRY CREWS [1935- ] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#07 - CHARLES BUKOWSKI [1920-94]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/haraya/512/925DD000-0638-48D5-8C4A-1C8E1AEC6D1B.jpg" alt="CHARLES BUKOWSKI [1920-94] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#06 - JACK KEROUAC [1922-69]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/haraya/512/050A5866-4C5D-432A-95D6-29BFF19A9AC1.jpg" alt="JACK KEROUAC [1922-69] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"As I grew older I became a drunk. Why? Because I like ecstasy of the mind."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#05 - JACK LONDON [1876-1916]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/haraya/512/8F345956-C595-485B-B68B-8CDDB44F2FEA.jpg" alt="JACK LONDON [1876-1916] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#04 - F. SCOTT FITZGERALD [1896-1940]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/haraya/512/6EB2B383-A374-48A5-BF11-0A3A26328A12.jpg" alt="F. SCOTT FITZGERALD [1896-1940] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"First you take a drink, then the drink takes a drink, then the drink takes you."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#03 - EDGAR ALLAN POE [1809-49]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/haraya/512/DD5C8625-59E3-410D-93CE-BC9FC676F785.jpg" alt="EDGAR ALLAN POE [1809-49] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#02 - WILLIAM FAULKNER [1897-1962]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/haraya/512/71104B12-2766-44C6-B5BD-C93EE7CA96A0.jpg" alt="WILLIAM FAULKNER [1897-1962] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#01 - ERNEST HEMINGWAY [1899-1961]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/haraya/512/2E459142-EFD9-4B6A-9C52-7A690C518BFA.jpg" alt="ERNEST HEMINGWAY [1899-1961] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"An intelligent man is sometimes forced to be drunk to spend time with his fools."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/writers/" rel="tag"&gt;writers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/american/" rel="tag"&gt;american&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/quotes/" rel="tag"&gt;quotes&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/drinking/" rel="tag"&gt;drinking&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/drink/" rel="tag"&gt;drink&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/men/" rel="tag"&gt;men&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photos/" rel="tag"&gt;photos&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.alternativereel.com/includes/top-ten/display_review.php?id=00075</clipSource><pubDate>Tue, 08 Jan 2008 10:32:14 GMT</pubDate></item><item><title>Writing as Performance: Revealing "the calculation that underlies the appearance of effortlessness"</title><link>http://clipmarks.com/clipmark/51E216EA-BF48-461E-8E69-D1D1F4457659/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;a href="http://www.harvardmagazine.com/2007/09-pdfs/0907-40.pdf" rel="nofollow" target="_blank"&gt;PDF&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.harvardmagazine.com/2007/09/p4-writing-as-performance.html" title="http://www.harvardmagazine.com/2007/09/p4-writing-as-performance.html"&gt;www.harvardmagazine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;But I hope I have done enough to suggest that you approach your writing not only as if it were a performance but also as if it constituted, for the moment, an ethically adequate object for your deepest ambition.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/certainty/" rel="tag"&gt;certainty&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/stephen+greenblatt/" rel="tag"&gt;stephen greenblatt&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writing/" rel="tag"&gt;writing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/quote/" rel="tag"&gt;quote&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ethics/" rel="tag"&gt;ethics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/performance/" rel="tag"&gt;performance&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/projection/" rel="tag"&gt;projection&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/motive/" rel="tag"&gt;motive&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/theory/" rel="tag"&gt;theory&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.harvardmagazine.com/2007/09/p4-writing-as-performance.html</clipSource><pubDate>Sun, 28 Oct 2007 16:27:46 GMT</pubDate></item><item><title>The History of Writing</title><link>http://clipmarks.com/clipmark/31B0A946-CBF0-4FA5-BF58-06A41FC8B810/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/invictus/"&gt;invictus&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Revisiting &amp;amp; re-clipping some of my old stuff. (I recommend the source article for an illustrated history of abstract thought and writing, with the evolution of alphabets.) &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.historian.net/hxwrite.htm" title="http://www.historian.net/hxwrite.htm"&gt;www.historian.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/invictus/512/66E074FF-CF49-4BF4-9E87-E0AF1582ECF5.gif" alt="hxwrit.gif (4534 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Language existed long before writing, emerging probably simultaneously with
    sapience, abstract thought and the Genus Homo.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;As long ago as 25,000-30,000 years
    BP, humans were painting pictures on cave walls.  Whether these pictures were telling
    a "story" or represented some type of "spirit house" or ritual
    exercise is not known.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/invictus/512/9C2C1CF9-7875-4C75-8561-48D34BC55348.jpg" alt="2d2.jpg (35971 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Around 4100-3800 BCE, the tokens began to be symbols that could
    be impressed or inscribed in clay to represent a record of land, grain or cattle and a
    written language was beginning to develop.  One of the earliest examples was found in
    the excavations of Uruk in Mesopotamia at a level representing the time of the
    crystallization of the Sumerian culture.&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/invictus/512/72E00686-BA41-461D-B2FB-7F417A41316F.gif" alt="Titelbild.html (21634 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;For the next step toward the development of an alphabet, we must
    go to Egypt where picture writing had developed sometime near the end of the 4th
    millennium BC.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;One of the earliest examples is the name of NAR-MER, either the first or
    second Pharoah of an united Egypt in 3100 BCE.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/invictus/512/B9DB6DDA-C359-4DD8-B445-BEB5EF6715B1.jpg" alt="cdpanarm.jpg (51924 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/alphabets/" rel="tag"&gt;alphabets&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writing/" rel="tag"&gt;writing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/scripts/" rel="tag"&gt;scripts&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.historian.net/hxwrite.htm</clipSource><pubDate>Fri, 20 Jul 2007 12:33:52 GMT</pubDate></item><item><title>Sylvia Plath</title><link>http://clipmarks.com/clipmark/80DE8F72-34E7-4DE8-8F4E-D808AF0CDF95/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/morgainelefaye/"&gt;morgainelefaye&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A collection of videos. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://irmavermaat.vox.com/library/post/sylvia-plath-and-ted-hughes.html" title="http://irmavermaat.vox.com/library/post/sylvia-plath-and-ted-hughes.html"&gt;irmavermaat.vox.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="enclosure-inner"&gt;
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&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/poetry/" rel="tag"&gt;poetry&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sylvia+plath/" rel="tag"&gt;sylvia plath&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ted+hughes/" rel="tag"&gt;ted hughes&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/youtube/" rel="tag"&gt;youtube&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mlf/" rel="tag"&gt;mlf&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://irmavermaat.vox.com/library/post/sylvia-plath-and-ted-hughes.html</clipSource><pubDate>Wed, 21 Mar 2007 22:22:10 GMT</pubDate></item><item><title>Origins of the Fountain Pen</title><link>http://clipmarks.com/clipmark/C82F6128-90B0-4525-A8C7-83AF77F783B5/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arifsali/"&gt;arifsali&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.muslimheritage.com/topics/default.cfm?articleID=365" title="http://www.muslimheritage.com/topics/default.cfm?articleID=365"&gt;www.muslimheritage.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="article"&gt;Origins of the Fountain Pen&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="articles"&gt;
	
	&lt;IMG width="200" vspace="8" hspace="10" height="240" align="left" src="http://www.muslimheritage.com/uploads/fountain_pen.gif" /&gt;
	
	
	Qadi Abu-Hanifa Al-Nu'man bin Muhammad an outstanding publicist of the early decades of the Fatimid movement was confidant and companion of Al-Mu'izz, son of Al-Mansur, who came to the throne of Egypt in 953 C.E. (341 A.H).  Al-Nu'man died in Fustat (old name for Cairo) in 974 C.E. (363 A.H).&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In one of his many works entitled Kitab Al-Majalis Wal-Musayarat, which is now available in a beautiful edition by Al-Habib Al-Faqi, Ibrahim Shabbuh and Muhammad Al-Ya'lawi (Tunis 1978), he describes Al-Mu'izz as a figure of wide intellectual powers and curiosity, a great constructor of palaces , gardens, irrigation works, canals, reservoirs and aqueducts.  He also recounts Al-Mu'izz commissioning the construction of a fountain pen:&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"We wish to construct a pen which can be used for writing without having recourse to an ink-holder and whose ink will be contained inside it.  A person can fill it with ink and write whatever he likes.  The writer can put it in his sleeve or anywhere he wishes and it will not stain nor will any drop of ink leak out of it.  The ink will flow only when there is an intention to write.  We are unaware of anyone previously ever constructing (a pen such as this) and an indication of ‘penetrating wisdom' to whoever contemplates it and realises its exact significance and purpose'.  I exclaimed, ‘Is this possible?'  He replied, ‘It is possible if God so wills."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/muslims/" rel="tag"&gt;muslims&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/invention/" rel="tag"&gt;invention&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.muslimheritage.com/topics/default.cfm?articleID=365</clipSource><pubDate>Sun, 04 Feb 2007 18:14:14 GMT</pubDate></item><item><title>Mind your Commas!!!</title><link>http://clipmarks.com/clipmark/C271B19B-0C2F-4CEB-9C50-A16DF5805AEF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/tchak4123/"&gt;tchak4123&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.canongate.net/Lists/Words/3FamousCommas" title="http://www.canongate.net/Lists/Words/3FamousCommas"&gt;www.canongate.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="main"&gt;
  &lt;H1&gt;3 Famous Commas&lt;/H1&gt;


  &lt;OL&gt;&lt;LI&gt; &lt;STRONG&gt;THE FATAL COMMA&lt;/STRONG&gt;
&lt;BR /&gt;Czarina Maria Fyodorovna once saved the life of a man by transposing a single comma in a warrant signed by her husband, Alexander III, which exiled a criminal to imprisonment and death in Siberia. On the bottom of the warrant the czar had written: `Pardon impossible, to be sent to Siberia.' The czarina changed the punctuation so that her husband's instructions read: `Pardon, impossible to be sent to Siberia.' The man was set free.
&lt;/LI&gt;&lt;LI&gt; &lt;STRONG&gt;THE BLASPHEMOUS COMMA&lt;/STRONG&gt;
&lt;BR /&gt;In several editions of the King James Bible, Luke 23:32 is changed entirely by the absence of a comma. In the passage that describes the other men crucified with Christ, the erroneous editions read: `And there were also two other malefactors.' Instead of counting Christ as a malefactor, the passage should read: `And there were also two other, malefactors.'
&lt;/LI&gt;&lt;LI&gt; &lt;STRONG&gt;THE MILLION-DOLLAR COMMA&lt;/STRONG&gt;
&lt;BR /&gt;The US government lost at least a million dollars through the slip of a comma. In the tariff act passed on June 6, 1872, a list of duty-free items included: `Fruit plants, tropical and semitropical'. A government clerk accidentally altered the line to read: `Fruit, plants tropical and semitropical'. Importers successfully contended that the passage, as written, exempted all tropical and semitropical plants from duty fees. This cost the US a fortune until May 9, 1874, when the passage was amended to plug the hole.
&lt;/LI&gt;&lt;/OL&gt;
&lt;BR /&gt;  - F.B.


    &lt;H2&gt;Other lists in Words&lt;/H2&gt;
    &lt;UL class="justnobullets"&gt;        &lt;LI&gt;&lt;A href="http://www.canongate.net/Lists/Words/13SayingsOfWoodyAllen"&gt;13 Sayings of Woody Allen&lt;/A&gt;&lt;/LI&gt;
                  &lt;LI&gt;&lt;A href="http://www.canongate.net/Lists/Words/17PairsOfContradictoryProver"&gt;17 Pairs of Contradictory Proverbs&lt;/A&gt;&lt;/LI&gt;
                  &lt;LI&gt;&lt;A href="http://www.canongate.net/Lists/Words/23ObscureAndObsoleteWords"&gt;23 Obscure and Obsolete Words&lt;/A&gt;&lt;/LI&gt;
                      &lt;LI&gt;&lt;A href="http://www.canongate.net/Lists/Words/33NamesOfThingsYouNeverKne"&gt;33 Names of Things You Never Knew had Names&lt;/A&gt;&lt;/LI&gt;
              &lt;/UL&gt;
  
  &lt;BR /&gt;

  &lt;P&gt;Have a browse of the List of Lists down the left hand side of
  this page for more lists in different subjects...&lt;/P&gt;

  &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/humour/" rel="tag"&gt;humour&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/anecdotes/" rel="tag"&gt;anecdotes&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.canongate.net/Lists/Words/3FamousCommas</clipSource><pubDate>Sun, 24 Dec 2006 20:59:34 GMT</pubDate></item><item><title>2006 Bad Sex in Fiction Award</title><link>http://clipmarks.com/clipmark/6BDABD9C-0015-44C5-8DF4-00C532D63984/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I think I know someone who could do worse, but let's not talk about that. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.yahoo.com/s/ap/20061129/ap_en_ot/books_bad_sex" title="http://news.yahoo.com/s/ap/20061129/ap_en_ot/books_bad_sex"&gt;news.yahoo.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
LONDON - First-time author Iain Hollingshead scooped a dubious literary honor Wednesday, winning the Bad Sex in Fiction Award for his novel, "Twenty Something."
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Hollingshead beat established writers including Booker Prize nominee David Mitchell, best seller Mark Haddon and literary maverick Thomas Pynchon to the prize, which aims to skewer "the crude, tasteless, often perfunctory use of redundant passages of sexual description in the modern novel."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Judges were moved by Hollingshead's evocation of "a commotion of grunts and squeaks, flashing unconnected images and explosions of a million little particles." His description of "bulging trousers" sealed the win, the judges said.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"Because Hollingshead is a first-time writer, we wished to discourage him from further attempts," the judges — editors of Literary Review magazine — said in a statement. "Heavyweights like Thomas Pynchon and Will Self are beyond help at this point."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Hollingshead, 25, who received his award from rocker &lt;SPAN class="yqlink"&gt;

&lt;A title="Related%20information%20on%20Courtney%20Love" class="yqimgins" href="http://search.news.yahoo.com/search/news/?p=Courtney+Love"&gt;Courtney Love&lt;/A&gt;&lt;/SPAN&gt; at a London ceremony, said he was delighted to become the prize's youngest winner.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"I hope to win it every year," said Hollingshead, who receives a statuette and a bottle of champagne.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Now in its 14th year, the award was established by the Literary Review to celebrate truly cringe-worthy erotic writing.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"It's mixed metaphors, embarrassing fumbling. It's the redundancy of the scene in an otherwise good novel," said assistant editor Philip Womack.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Last year's winner was food critic and novelist Giles Coren for a memorable passage comparing a male character's genitalia to a shower hose. In 2004, the prize went to Tom Wolfe's novel, "I Am Charlotte Simmons," for sex scenes the judges called "ghastly ... inept ... (and) unrealistic."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/fiction/" rel="tag"&gt;fiction&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writing/" rel="tag"&gt;writing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sex/" rel="tag"&gt;sex&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/awards/" rel="tag"&gt;awards&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/contest/" rel="tag"&gt;contest&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/humor/" rel="tag"&gt;humor&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/novel/" rel="tag"&gt;novel&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/people/" rel="tag"&gt;people&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://news.yahoo.com/s/ap/20061129/ap_en_ot/books_bad_sex</clipSource><pubDate>Wed, 06 Dec 2006 16:01:12 GMT</pubDate></item><item><title>Half of teachers make simple apostrophe mistake</title><link>http://clipmarks.com/clipmark/E91AD72B-D117-4792-BA57-EE2637BCA2EF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ArghDangIt/"&gt;ArghDangIt&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  yikes &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dailymail.co.uk/pages/live/articles/news/news.html?in_article_id=418790&amp;in_page_id=1770" title="http://www.dailymail.co.uk/pages/live/articles/news/news.html?in_article_id=418790&amp;in_page_id=1770"&gt;www.dailymail.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/ArghDangIt/512/C146EE0E-D358-4074-9AE4-AE89B426BA85.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Two-thirds made a basic apostrophe mistake in a test administered to more than 2,000 workers from key professions. Eight per cent even muddled the use of I and me.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Teachers made a string of blunders despite being responsible for drumming correct English into the next generation.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
They managed only to match financial workers, who are hardly known for their strong literacy skills.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Among other errors, teachers slipped up on the correct use of apostrophes, with many making the classic "greengrocer's" error.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Plural nouns in English do not have an apostrophe - as in "newspapers" - but the rule is often broken. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Shopkeepers sometimes advertise apple's and pear's for sale, hence the term greengrocer's apostrophe.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
In the punctuation test, two thirds wrongly tried to place an apostrophe before or after the "s" in the sentence "The 70s was a great decade for music".
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Nearly half failed to use the apostrophe correctly in "The Smiths' house is a disused windmill".
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Another exercise required workers to choose the correct word in the sentence "I implied/inferred/ensued from his art collection that he was extremely wealthy".
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Seven per cent wrongly picked "implied" while a similar proportion believed the answer was "ensued".
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Eleven per cent thought it was "none of the above" while seven per cent passed on the question altogether.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Some eight per cent failed to give the correct answer to a question requiring respondents to choose between "I" and "me".
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Steve Girdler, a director at Kelly Services, said: "The research bore out our suspicions about the UK's poor levels of competency in grammar.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
"A logical solution would be to send people back to school, but closer inspection of  the results revealed teachers were far from the grammar gurus they claimed to be."
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
A spokesman for the National Union of Teachers pointed out that teachers were far from being bottom of the class in the online test, adding: "It would be nice to eliminate the problem completely but teachers are human beings and subject to error."






&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/teachers/" rel="tag"&gt;teachers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/grammar/" rel="tag"&gt;grammar&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/english/" rel="tag"&gt;english&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/u.k./" rel="tag"&gt;u.k.&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dailymail.co.uk/pages/live/articles/news/news.html?in_article_id=418790&amp;in_page_id=1770</clipSource><pubDate>Mon, 27 Nov 2006 05:19:37 GMT</pubDate></item><item><title>Six Word Stories</title><link>http://clipmarks.com/clipmark/833EC163-CF7F-4522-B817-AB9A37AA6DE2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/lwassink/"&gt;lwassink&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  inspired by hemingway's famous six word story  "For sale: baby shoes, never worn," great short stories by sci-fi authors. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://wired.com/wired/archive/14.11/sixwords.html" title="http://wired.com/wired/archive/14.11/sixwords.html"&gt;wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Failed SAT. Lost scholarship. Invented rocket.&lt;BR /&gt;
- &lt;EM&gt;William Shatner&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Vacuum collision. Orbits diverge. Farewell, love.&lt;BR /&gt;
- &lt;EM&gt;David Brin&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;With bloody hands, I say good-bye.&lt;BR /&gt;
- &lt;EM&gt;Frank Miller&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Epitaph: Foolish humans, never escaped Earth.&lt;BR /&gt;
- &lt;EM&gt;Vernor Vinge&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Dinosaurs return. Want their oil back.&lt;BR /&gt;
- &lt;EM&gt;David Brin&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;I saw, darling, but do lie.&lt;BR /&gt;
- &lt;EM&gt;Orson Scott Card&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/short+stories/" rel="tag"&gt;short stories&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/hemingway/" rel="tag"&gt;hemingway&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://wired.com/wired/archive/14.11/sixwords.html</clipSource><pubDate>Sun, 29 Oct 2006 06:30:42 GMT</pubDate></item><item><title>On language and power</title><link>http://clipmarks.com/clipmark/BA521080-970E-41B4-9592-342B74D6F8D3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A couple of good quotations on the importance of being able to express yourself clearly and well, to the effect that proper language leads to clear thinking.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.scriptoriumdaily.com/middlebrow/archives/words-power-and-education/" title="http://www.scriptoriumdaily.com/middlebrow/archives/words-power-and-education/"&gt;www.scriptoriumdaily.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Permanent%20Link%20to%20Words%2C%20Power%2C%20and%20Education" rel="bookmark" href="http://www.scriptoriumdaily.com/middlebrow/archives/words-power-and-education/"&gt;Words, Power, and Education&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;We must bring imagination to the task of communicating thought.  The task grows harder every day because of the multitude of techniques, because of the proliferation of meaningless verbiage, and also because the younger generations have been steadily deprived of the four great traditional safeguards: formal logic and the Latin Grammar, which were a negative defence against fallacy and slipshod syntax; a dogmatic theology and the habit of good verse, which were a positive education in the handling of the magical images.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;– Dorothy Sayers, “Poetry, Language, and Ambiguity,” in &lt;EM&gt;The Poetry of Search and the Poetry of Statement&lt;/EM&gt;, 1957.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;and the other from Richard Mitchell, the Underground Grammarian, found in his brilliant, offensive, hilarious first book &lt;A href="http://www.sourcetext.com/grammarian/less-than-words-can-say/index.html"&gt;Less than Words Can Say&lt;/A&gt;: &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Truncheons are for louts. The great masters of social manipulation use language. They know, furthermore, that the establishment of a flexible and subtle language for the ruling classes is only half of what’s needed. The other half is the perpetuation of an ineffective and minimal language among the subjects. Ordinarily, the second half is assured by man’s natural propensity to bother himself as little as possible, but history occasionally requires that the rulers take some special pains to preserve the ignorance of their subjects.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A fluent command of English cannot exist as an isolated skill, a clever stunt. A person who speaks and writes his native tongue clearly and precisely does so because of many other abilities, and those other abilities themselves grow stronger through the fluent manipulation of language. The simple matter of being logical is a function of language. A million high school graduates capable of fluent English would be a million Americans capable of logical thought. What would we do with them[…] ? You think they’re going to buy those lottery tickets and lamps in the shape of Porky Pig?&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/education/" rel="tag"&gt;education&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.scriptoriumdaily.com/middlebrow/archives/words-power-and-education/</clipSource><pubDate>Mon, 23 Oct 2006 05:53:07 GMT</pubDate></item><item><title>Letter tells of truce in trenches</title><link>http://clipmarks.com/clipmark/E2E4A5BC-8F25-4424-BBFD-28BE98152930/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2006/10/16/utommy.xml" title="http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2006/10/16/utommy.xml"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;He refers to himself only as Boy, the name by which his mother knew him. A faceless soldier of the First World War. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;But his letter survives, five pencilled pages of an Army-issue notebook, describing to her one of that conflict’s most poignant moments: the Christmas truce of 1914. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;The letter, discovered amongst a collection of unremarkable manuscripts and due for auction next month, tells of how British and German troops facing each other across No Man’s Land put aside killing for a day to play football and swap cigarettes. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;Writing home on Christmas Day, Boy tells his “Dear Mater” of “the most memorable Christmas I’ve ever spent or [am] likely to spend.” &lt;/P&gt;&lt;P class="story2"&gt;The guns, he wrote, had fallen silent about teatime on Christmas Eve, and since then not a shot had been fired. &lt;/P&gt;&lt;P class="story2"&gt;As night fell, the Germans placed lights along the edge of their trenches before approaching the British lines. &lt;/P&gt;&lt;P class="story2"&gt;The letter continued: “They also gave us a few songs so we had quite a social party. Some of our chaps went over to their lines. I think they’ve all come back bar one. They no doubt kept him as a souvenir.” &lt;/P&gt;&lt;P class="story2"&gt;The Christmas truce began around Ypres with greetings shouted across ground littered with dead. &lt;/P&gt;&lt;P class="story2"&gt;In some parts of the Western Front it would last until New Year’s Day. “There must be something in the spirit of Christmas as today we are all on top of our trenches running about,” wrote Boy. “Whereas other days we have to keep out heads well down.” &lt;/P&gt;&lt;P class="story2"&gt;What became of Boy is a mystery. &lt;/P&gt;&lt;P class="story2"&gt;The letter, to auctioned at Bonhams on Nov 7, should fetch between £500 and £1,000.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/letter/" rel="tag"&gt;letter&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/auction/" rel="tag"&gt;auction&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/people/" rel="tag"&gt;people&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/christmas/" rel="tag"&gt;christmas&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/germany/" rel="tag"&gt;germany&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/britain/" rel="tag"&gt;britain&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/soldiers/" rel="tag"&gt;soldiers&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2006/10/16/utommy.xml</clipSource><pubDate>Mon, 16 Oct 2006 17:08:15 GMT</pubDate></item><item><title>Automatic complaint-letter generator</title><link>http://clipmarks.com/clipmark/D71C2E25-A8CE-47AF-BE41-E8BFE047184B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/BigBadWolf/"&gt;BigBadWolf&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  For the lazy. You input names and it does the typing for you. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.pakin.org/complaint/" title="http://www.pakin.org/complaint/"&gt;www.pakin.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="first"&gt;Scott Pakin's automatic complaint-letter generator&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Complain about a person&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Use both upper- and lowercase letters!&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FORM method="get" action="http://www.pakin.org/complaint"&gt;

&lt;UL&gt;

&lt;LI&gt;What's the full name of the person you want to complain about?
&lt;SPAN id="should_work"&gt;
 (&lt;SPAN&gt;This style&lt;/SPAN&gt; indicates a required field.)
&lt;BR /&gt;

&lt;TABLE summary="This table holds the full name of your `victim'. The name is separated into components: title, given name, middle name or initial, surname, and suffix." class="align"&gt;
  &lt;TBODY&gt;&lt;TR&gt;
    &lt;TD class="align"&gt;&lt;/TD&gt;
    &lt;TD class="align"&gt;
      &lt;SELECT tabindex="1" id="title" name="title"&gt;
        &lt;OPTION selected="selected"&gt;&lt;/OPTION&gt;
        &lt;OPTGROUP label="Common"&gt;
          &lt;OPTION&gt;Mr.&lt;/OPTION&gt;
          &lt;OPTION&gt;Mrs.&lt;/OPTION&gt;
          &lt;OPTION&gt;Ms.&lt;/OPTION&gt;
          &lt;OPTION&gt;Miss&lt;/OPTION&gt;
          &lt;OPTION&gt;Dr.&lt;/OPTION&gt;
          &lt;OPTION&gt;Prof.&lt;/OPTION&gt;
        &lt;/OPTGROUP&gt;
        &lt;OPTGROUP label="Governmental"&gt;
          &lt;OPTION&gt;Pres.&lt;/OPTION&gt;
          &lt;OPTION&gt;Gov.&lt;/OPTION&gt;
          &lt;OPTION&gt;Rep.&lt;/OPTION&gt;
          &lt;OPTION&gt;Sen.&lt;/OPTION&gt;
          &lt;OPTION&gt;V.P.&lt;/OPTION&gt;
          &lt;OPTION&gt;PM&lt;/OPTION&gt;
          &lt;OPTION&gt;Councilmember&lt;/OPTION&gt;
          &lt;OPTION&gt;Mayor&lt;/OPTION&gt;
          &lt;OPTION&gt;King&lt;/OPTION&gt;
          &lt;OPTION&gt;Queen&lt;/OPTION&gt;
          &lt;OPTION&gt;Prince&lt;/OPTION&gt;
          &lt;OPTION&gt;Princess&lt;/OPTION&gt;
        &lt;/OPTGROUP&gt;
        &lt;OPTGROUP label="Military"&gt;
          &lt;OPTION&gt;Cadet&lt;/OPTION&gt;
          &lt;OPTION&gt;Sgt.&lt;/OPTION&gt;
          &lt;OPTION&gt;GySgt.&lt;/OPTION&gt;
          &lt;OPTION&gt;Lt.&lt;/OPTION&gt;
          &lt;OPTION&gt;Comdr.&lt;/OPTION&gt;
          &lt;OPTION&gt;Capt.&lt;/OPTION&gt;
          &lt;OPTION&gt;Cpt.&lt;/OPTION&gt;
          &lt;OPTION&gt;Maj.&lt;/OPTION&gt;
          &lt;OPTION&gt;Lt. Col.&lt;/OPTION&gt;
          &lt;OPTION&gt;Col.&lt;/OPTION&gt;
          &lt;OPTION&gt;Gen.&lt;/OPTION&gt;
          &lt;OPTION&gt;Adm.&lt;/OPTION&gt;
          &lt;OPTION&gt;SSgt.&lt;/OPTION&gt;
          &lt;OPTION&gt;Cpl.&lt;/OPTION&gt;
          &lt;OPTION&gt;LCpl.&lt;/OPTION&gt;
          &lt;OPTION&gt;MSgt.&lt;/OPTION&gt;
          &lt;OPTION&gt;FCapt.&lt;/OPTION&gt;
          &lt;OPTION&gt;RC&lt;/OPTION&gt;
          &lt;OPTION&gt;Brig.&lt;/OPTION&gt;
          &lt;OPTION&gt;FAdm.&lt;/OPTION&gt;
          &lt;OPTION&gt;SChf.&lt;/OPTION&gt;
        &lt;/OPTGROUP&gt;
        &lt;OPTGROUP label="Religious"&gt;
          &lt;OPTION&gt;Rev.&lt;/OPTION&gt;
          &lt;OPTION&gt;Bro.&lt;/OPTION&gt;
          &lt;OPTION&gt;Fr.&lt;/OPTION&gt;
          &lt;OPTION&gt;Sr.&lt;/OPTION&gt;
          &lt;OPTION&gt;Msgr.&lt;/OPTION&gt;
          &lt;OPTION&gt;Rabbi&lt;/OPTION&gt;
          &lt;OPTION&gt;Bishop&lt;/OPTION&gt;
        &lt;/OPTGROUP&gt;
        &lt;OPTGROUP label="Non-U.S."&gt;
          &lt;OPTION&gt;Sr.&lt;/OPTION&gt;
          &lt;OPTION&gt;Sra.&lt;/OPTION&gt;
          &lt;OPTION&gt;Mme&lt;/OPTION&gt;
          &lt;OPTION&gt;M.&lt;/OPTION&gt;
          &lt;OPTION&gt;Mlle&lt;/OPTION&gt;
          &lt;OPTION&gt;Dr&lt;/OPTION&gt;
        &lt;/OPTGROUP&gt;
        &lt;OPTGROUP label="Miscellaneous"&gt;
          &lt;OPTION&gt;Lord&lt;/OPTION&gt;
          &lt;OPTION&gt;Supt.&lt;/OPTION&gt;
          &lt;OPTION&gt;Dean&lt;/OPTION&gt;
          &lt;OPTION&gt;Coach&lt;/OPTION&gt;
          &lt;OPTION&gt;Chief&lt;/OPTION&gt;
          &lt;OPTION&gt;Hon.&lt;/OPTION&gt;
          &lt;OPTION&gt;Atty.&lt;/OPTION&gt;
          &lt;OPTION&gt;Chairman&lt;/OPTION&gt;
          &lt;OPTION&gt;Chairwoman&lt;/OPTION&gt;
          &lt;OPTION&gt;Officer&lt;/OPTION&gt;
        &lt;/OPTGROUP&gt;
      &lt;/SELECT&gt;
    &lt;/TD&gt;
    &lt;TD class="align"&gt;&lt;INPUT type="text" tabindex="2" id="first" name="firstname" /&gt;&lt;/TD&gt;
    &lt;TD class="align"&gt;&lt;INPUT type="text" tabindex="3" id="middle" size="4" name="middlename" /&gt;&lt;/TD&gt;
    &lt;TD class="align"&gt;&lt;INPUT type="text" tabindex="4" id="last" name="lastname" /&gt;&lt;/TD&gt;
    &lt;TD class="align"&gt;
      &lt;SELECT tabindex="5" id="suffix" name="suffix"&gt;
        &lt;OPTION selected="selected"&gt;&lt;/OPTION&gt;
        &lt;OPTION&gt;, Jr.&lt;/OPTION&gt;
        &lt;OPTION&gt;, Sr.&lt;/OPTION&gt;
        &lt;OPTION&gt;, Ph.D.&lt;/OPTION&gt;
        &lt;OPTION&gt;, M.D.&lt;/OPTION&gt;
        &lt;OPTION&gt;I&lt;/OPTION&gt;
        &lt;OPTION&gt;II&lt;/OPTION&gt;
        &lt;OPTION&gt;III&lt;/OPTION&gt;
        &lt;OPTION&gt;IV&lt;/OPTION&gt;
        &lt;OPTION&gt;V&lt;/OPTION&gt;
        &lt;OPTION&gt;, Esq.&lt;/OPTION&gt;
      &lt;/SELECT&gt;
    &lt;/TD&gt;
  &lt;/TR&gt;

  &lt;TR&gt;
    &lt;TD class="align"&gt;&lt;/TD&gt;
    &lt;TD class="align"&gt;&lt;LABEL id="label_title" for="title"&gt;Title&lt;/LABEL&gt;&lt;/TD&gt;
    &lt;TD class="align"&gt;&lt;LABEL id="label_first" for="first"&gt;First&lt;/LABEL&gt;&lt;/TD&gt;
    &lt;TD class="align"&gt;&lt;LABEL for="middle"&gt;Middle&lt;/LABEL&gt;&lt;/TD&gt;
    &lt;TD class="align"&gt;&lt;LABEL id="label_last" for="last"&gt;Last&lt;/LABEL&gt;&lt;/TD&gt;
    &lt;TD class="align"&gt;&lt;LABEL for="suffix"&gt;Suffix&lt;/LABEL&gt;&lt;/TD&gt;
  &lt;/TR&gt;

  &lt;TR&gt;
    &lt;TD class="align"&gt;(e.g.&lt;/TD&gt;
    &lt;TD class="align"&gt;&lt;KBD&gt;[Mr.]&lt;/KBD&gt;&lt;/TD&gt;
    &lt;TD class="align"&gt;&lt;KBD&gt;[John]&lt;/KBD&gt;&lt;/TD&gt;
    &lt;TD class="align"&gt;&lt;KBD&gt;[Q.]&lt;/KBD&gt;&lt;/TD&gt;
    &lt;TD class="align"&gt;&lt;KBD&gt;[Public]&lt;/KBD&gt;&lt;/TD&gt;
    &lt;TD class="align"&gt;&lt;KBD&gt;[, Jr.]&lt;/KBD&gt;)&lt;/TD&gt;
  &lt;/TR&gt;
&lt;/TBODY&gt;&lt;/TABLE&gt;
&lt;/SPAN&gt;&lt;/LI&gt;

&lt;LI&gt;Is that person &lt;INPUT type="radio" tabindex="6" id="male" checked="checked" value="m" name="gender" /&gt;&lt;LABEL for="male"&gt;male&lt;/LABEL&gt; or &lt;INPUT type="radio" tabindex="7" id="female" value="f" name="gender" /&gt; &lt;LABEL for="female"&gt;female&lt;/LABEL&gt;?&lt;/LI&gt;

&lt;LI&gt;Do you normally refer to him/her by
  &lt;INPUT type="radio" tabindex="8" id="referfirst" checked="checked" value="f" name="shorttype" /&gt;
  &lt;LABEL for="referfirst"&gt;first name&lt;/LABEL&gt;,

  &lt;INPUT type="radio" tabindex="9" id="referlast" value="l" name="shorttype" /&gt;
  &lt;LABEL for="referlast"&gt;last name&lt;/LABEL&gt;, or

  &lt;INPUT type="radio" tabindex="10" id="refertitle" value="t" name="shorttype" /&gt;
  &lt;LABEL for="refertitle"&gt;title + last name&lt;/LABEL&gt;?
&lt;/LI&gt;

&lt;LI&gt;How many &lt;LABEL for="paragraphs"&gt;paragraphs&lt;/LABEL&gt; do you want
to generate?
  &lt;SELECT tabindex="11" id="paragraphs" name="pgraphs"&gt;
    &lt;OPTION&gt;1&lt;/OPTION&gt;
    &lt;OPTION&gt;2&lt;/OPTION&gt;
    &lt;OPTION selected="selected"&gt;3&lt;/OPTION&gt;
    &lt;OPTION&gt;5&lt;/OPTION&gt;
    &lt;OPTION&gt;10&lt;/OPTION&gt;
  &lt;/SELECT&gt;
&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;INPUT type="submit" tabindex="12" value="Complain" /&gt;&lt;/P&gt;
&lt;/FORM&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Complain about a company/organization&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FORM method="get" action="http://www.pakin.org/complaint"&gt;

&lt;UL&gt;
&lt;LI&gt;What's the name of the
&lt;LABEL for="company"&gt;company/organization&lt;/LABEL&gt;
you want to complain about?&lt;BR /&gt;

&lt;TABLE summary="This table holds the name of the company or organization about which you want to generate a complaint letter." class="align"&gt;
  &lt;TBODY&gt;&lt;TR&gt;
    &lt;TD class="align"&gt;&lt;/TD&gt;
    &lt;TD class="align"&gt;&lt;INPUT type="text" tabindex="13" id="company" size="50" name="firstname" /&gt;&lt;/TD&gt;
  &lt;/TR&gt;

  &lt;TR&gt;
    &lt;TD class="align"&gt;(e.g.&lt;/TD&gt;
    &lt;TD class="align"&gt;&lt;KBD&gt;[Microsoft]&lt;/KBD&gt; or &lt;KBD&gt;[the power
        company]&lt;/KBD&gt;&lt;/TD&gt;
  &lt;/TR&gt;
&lt;/TBODY&gt;&lt;/TABLE&gt;
&lt;/LI&gt;

&lt;LI&gt;How many &lt;LABEL for="paragraphs_C"&gt;paragraphs&lt;/LABEL&gt; do you
want to generate?
  &lt;SELECT tabindex="14" id="paragraphs_C" name="pgraphs"&gt;
    &lt;OPTION&gt;1&lt;/OPTION&gt;
    &lt;OPTION&gt;2&lt;/OPTION&gt;
    &lt;OPTION selected="selected"&gt;3&lt;/OPTION&gt;
    &lt;OPTION&gt;5&lt;/OPTION&gt;
    &lt;OPTION&gt;10&lt;/OPTION&gt;
  &lt;/SELECT&gt;
&lt;/LI&gt;
&lt;/UL&gt;

&lt;P&gt;&lt;INPUT type="hidden" value="c" name="gender" /&gt;&lt;INPUT type="submit" tabindex="15" value="Complain" /&gt;&lt;/P&gt;
&lt;/FORM&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/letter/" rel="tag"&gt;letter&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/humor/" rel="tag"&gt;humor&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.pakin.org/complaint/</clipSource><pubDate>Fri, 23 Jun 2006 03:50:25 GMT</pubDate></item></channel></rss>