<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | haraya's Reading collection</title><link>http://clipmarks.com/clipper/haraya/clipcast/Reading/</link><feedUrl>http://rss.clipmarks.com/clipper/haraya/clipcast/Reading/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title> The Secret History of Star Wars</title><link>http://clipmarks.com/clipmark/69808550-5E43-4C82-AAD3-0E7430239BE5/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  *check out the battle for "nerd credentials" at the site. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://entertainment.slashdot.org/article.pl?sid=08/05/21/2250231&amp;from=rss" title="http://entertainment.slashdot.org/article.pl?sid=08/05/21/2250231&amp;from=rss"&gt;entertainment.slashdot.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="intro"&gt;
			lennier writes &lt;I&gt;"How exactly did George Lucas develop the script for the first Star Wars? Why were the prequels so uneven when the originals were so good? Did he really have a masterplan for six, nine, or even twelve episodes, and why did the official Lucasfilm position keep changing? And just how big an influence were the films of Akira Kurosawa on the whole saga? Michael Kaminski's &lt;A href="http://www.secrethistoryofstarwars.com/"&gt;The Secret History of Star Wars, Third Edition&lt;/A&gt; is a free, thoroughly unauthorized, e-book that brings together a huge amount of literary detective work to sort fact from legend and reveal how the story really evolved. Download it or have your nerd credentials revoked."&lt;/I&gt;
		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/star+wars/" rel="tag"&gt;star wars&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/book/" rel="tag"&gt;book&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ebook/" rel="tag"&gt;ebook&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/download/" rel="tag"&gt;download&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/details/" rel="tag"&gt;details&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/opinion/" rel="tag"&gt;opinion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nerds/" rel="tag"&gt;nerds&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/uh+huh/" rel="tag"&gt;uh huh&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://entertainment.slashdot.org/article.pl?sid=08/05/21/2250231&amp;from=rss</clipSource><pubDate>Thu, 22 May 2008 11:47:28 GMT</pubDate></item><item><title>The Vanishing Personal Site</title><link>http://clipmarks.com/clipmark/0CABA42A-3A4D-4132-8FD3-58564294EF00/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The entire article is interesting. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.zeldman.com/2008/04/27/content-outsourcing-and-the-disappearing-personal-site/" title="http://www.zeldman.com/2008/04/27/content-outsourcing-and-the-disappearing-personal-site/"&gt;www.zeldman.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Our personal sites, once our primary points of online presence, are becoming sock drawers for displaced first-person content. We are witnessing the disappearance of the all-in-one, carefully designed personal site containing professional information, links, and brief bursts of frequently updated content to which others respond via comments. Did I say we are witnessing the traditional personal site’s disappearance? That is inaccurate. We are the ones making our own sites disappear. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/1D26A04E-66BC-4ECB-B9DF-5C4AAE157D5E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Obliterating our own readership and page views may not be a bad thing, but let’s be sure we are making conscious choices.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;outsourcing the publication of our own content has long-term implications that point to more traffic for the web services we rely on, and less traffic and fewer readers for ourselves.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;This is not necessarily a bad thing. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;But if world domination is your goal, think twice before offloading every scrap of you.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/content/" rel="tag"&gt;content&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/blogging/" rel="tag"&gt;blogging&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/web/" rel="tag"&gt;web&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writing/" rel="tag"&gt;writing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/blogs/" rel="tag"&gt;blogs&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/internet/" rel="tag"&gt;internet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/audience/" rel="tag"&gt;audience&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/performance/" rel="tag"&gt;performance&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fragmentation/" rel="tag"&gt;fragmentation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/voice/" rel="tag"&gt;voice&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.zeldman.com/2008/04/27/content-outsourcing-and-the-disappearing-personal-site/</clipSource><pubDate>Mon, 28 Apr 2008 15:10:43 GMT</pubDate></item><item><title>Why the Young Men Are So Ugly</title><link>http://clipmarks.com/clipmark/8880B70F-EF89-4FFD-8483-FE038211FDF6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  continued...&lt;br/&gt;&lt;blockquote&gt;it is only because of the tractors,&lt;br/&gt;the tractors in their blood,&lt;br/&gt;revving their engines, chewing up the turf&lt;br/&gt;inside their arteries and veins&lt;br/&gt;It is the testosterone tractor&lt;br/&gt;&lt;br/&gt;constantly climbing the mudhill of the world&lt;br/&gt;and dragging the young man behind it&lt;br/&gt;by a chain around his leg.&lt;br/&gt;In the stink and the noise, in the clouds&lt;br/&gt;of filthy exhaust&lt;br/&gt;&lt;br/&gt;is where they live. It is the tractors&lt;br/&gt;that make them&lt;br/&gt;what they are. While they make being a man&lt;br/&gt;look like a disease.&lt;/blockquote&gt; I wish I didn't have to cut the poem. Anyway, some women can be so ugly too. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ndsu.edu/instruct/cinichol/CreativeWriting/423/Hoagland.htm" title="http://www.ndsu.edu/instruct/cinichol/CreativeWriting/423/Hoagland.htm"&gt;www.ndsu.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
    They have little tractors in their blood&lt;BR /&gt;
    and all day the tractors climb up and down&lt;BR /&gt;
    inside their arms and legs, their&lt;BR /&gt;&lt;DIV&gt;
    collarbones and heads.&lt;/DIV&gt;
    &lt;BR /&gt;
    That is why they yell and scream and slam the barbells&lt;BR /&gt;
    down into their clanking slots,&lt;BR /&gt;
    making the metal ring like sledgehammers on iron,&lt;BR /&gt;&lt;DIV&gt;
    like dungeon prisoners rattling their chains.&lt;/DIV&gt;
    &lt;BR /&gt;
    That is why they shriek their tires at the stopsign,&lt;BR /&gt;
    why they turn the base up on the stereo&lt;BR /&gt;
    until it shakes the traffic light, until it&lt;BR /&gt;&lt;DIV&gt;
    dryhumps the eardrum of the crossing guard.&lt;/DIV&gt;
    &lt;BR /&gt;
    Testosterone is a drug,&lt;BR /&gt;
    and they say No, No, No until&lt;BR /&gt;
    they are overwhelmed and punch&lt;BR /&gt;&lt;DIV&gt;
    their buddy in the face for joy,&lt;/DIV&gt;
    &lt;BR /&gt;
    or make a joke about gravy and bottomless holes&lt;BR /&gt;
    to a middle-aged waitress who is gently&lt;BR /&gt;&lt;DIV&gt;
    setting down the plate in front of them.&lt;/DIV&gt;
    &lt;BR /&gt;
    If they are grotesque, if&lt;BR /&gt;
    what they say and do is often nothing more&lt;BR /&gt;&lt;DIV&gt;
    than a kind of psychopathic fart,&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/tony+hoagland/" rel="tag"&gt;tony hoagland&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/poem/" rel="tag"&gt;poem&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/poetry/" rel="tag"&gt;poetry&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/people/" rel="tag"&gt;people&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.ndsu.edu/instruct/cinichol/CreativeWriting/423/Hoagland.htm</clipSource><pubDate>Sun, 30 Dec 2007 10:37:15 GMT</pubDate></item><item><title>Food history timeline: culinary history of the human race</title><link>http://clipmarks.com/clipmark/7D7D046A-440B-4541-A90B-EE550CDFEC55/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Very cool. Plots the emergence of various kinds of food over historical time. Includes some recipes and reference articles.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.foodtimeline.org/index.html" title="http://www.foodtimeline.org/index.html"&gt;www.foodtimeline.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/72A7C8BB-D28A-444A-9C2E-196F98BFBCE5.gif" alt="Food Timeline" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="60%"&gt;

&lt;FONT size="+1"&gt;
Ever

wonder what foods the Vikings ate when they set off to explore the new world? How Thomas
Jefferson 

made his ice cream?  What the pioneers cooked along the Oregon Trail? Who invented the potato

chip...and why? 
&lt;/FONT&gt;&lt;P&gt;&lt;FONT size="+1"&gt;Welcome to the Food Timeline!

Food history presents a complicated buffet of popular lore and contradictory facts. Some people will tell you it's impossible
to express this topic in exact timeline format. They are correct. Most foods we eat are not invented; they evolve. 
 About &lt;A href="http://www.foodtimeline.org/foodfaqa.html"&gt;culinary
research&lt;/A&gt;.&lt;/FONT&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="http://www.foodtimeline.org/foodcandy.html#almonds"&gt;almonds&lt;/A&gt;&lt;FONT color="#003366"&gt;--10,000BC---&lt;/FONT&gt;&lt;BR /&gt;

&lt;A href="http://animaldiversity.ummz.umich.edu/accounts/ovis/o._aries$narrative.html"&gt;sheep&lt;/A&gt;
&lt;FONT color="#003366"&gt;---9,000BC---&lt;/FONT&gt;&lt;BR /&gt;
&lt;A href="http://www.hort.purdue.edu/newcrop/maia/history.html"&gt;apples&lt;/A&gt; &amp; &lt;A href="http://www.icarda.cgiar.org/Publications/Cook/Lentil/Lentil.html"&gt;lentils&lt;/A&gt;&lt;FONT color="#003366"&gt;---8,000BC---&lt;/FONT&gt;&lt;BR /&gt;
&lt;A href="http://www.cup.org/books/kiple/hogs.htm"&gt;pork&lt;/A&gt;
&lt;FONT color="#003366"&gt;---7,000BC---&lt;/FONT&gt;&lt;BR /&gt;
beans: &lt;A href="http://www.icarda.cgiar.org/Publications/Cook/Faba%20Bean/FabaBean.html"&gt;old
world&lt;/A&gt; &amp; &lt;A href="http://aggie-horticulture.tamu.edu/plantanswers/publications/vegetabletravelers/beans.html"&gt;new&lt;/A&gt;&lt;FONT color="#003366"&gt;---7,000BC---&lt;/FONT&gt;&lt;BR /&gt;

walnuts &lt;A href="http://www.foodmuseum.com/walnut.html"&gt;old&lt;/A&gt; &amp; &lt;A href="http://www.walnutcouncil.org/botanical_description.htm"&gt;new&lt;/A&gt;&lt;FONT color="#003366"&gt;---7,000BC---&lt;/FONT&gt;&lt;BR /&gt;
&lt;A href="http://www.foodtimeline.org/foodsalads.html#pistachios"&gt;pistachios&lt;/A&gt;&lt;FONT color="#003366"&gt;---7,000BC---&lt;/FONT&gt;&lt;BR /&gt;

&lt;A href="http://www.foodtimeline.org/foodmeats.html#beef"&gt;cattle

domestication&lt;/A&gt;&lt;FONT color="#003366"&gt;---6,500BC---&lt;/FONT&gt;&lt;BR /&gt; 
&lt;A href="http://www.museum.upenn.edu/new/exhibits/online_exhibits/wine/wineintro.html"&gt;wine&lt;/A&gt;&lt;FONT color="#003366"&gt;---6000BC---&lt;/FONT&gt;&lt;BR /&gt;
 &lt;A href="http://www.foodtimeline.org/foodmexican.html#maize"&gt;maize&lt;/A&gt; &amp; &lt;A href="http://www.foodtimeline.org/foodmexican.html#tortillas"&gt;tortillas&lt;/A&gt;&lt;FONT color="#003366"&gt;---6000BC---&lt;/FONT&gt;  
&lt;BR /&gt;&lt;A href="http://newcrop.hort.purdue.edu/newcrop/proceedings1996/V3-156.html#SPELT"&gt;spelt
&lt;/A&gt;&lt;FONT color="#003366"&gt;---6000BC---&lt;/FONT&gt;&lt;BR /&gt;
&lt;A href="http://www.hort.purdue.edu/newcrop/morton/Date.html"&gt;dates&lt;/A&gt; &amp; 
&lt;A href="http://www.siu.edu/~ebl/leaflets/broccoli.htm"&gt;broccoli&lt;/A&gt;&lt;FONT color="#003366"&gt;---6000BC---&lt;/FONT&gt;&lt;BR /&gt;

&lt;A href="http://www.foodtimeline.org/foodfaq1.html#honey"&gt;honey&lt;/A&gt;&lt;FONT color="#003366"&gt;---5500BC---&lt;/FONT&gt;&lt;BR /&gt;
&lt;A href="http://www.icarda.cgiar.org/Publications/Cook/Chickpea/Chickpea.html"&gt;chickpeas&lt;/A&gt;
&amp;
&lt;A href="http://aggie-horticulture.tamu.edu/plantanswers/publications/vegetabletravelers/lettuce.html"&gt;lettuce&lt;/A&gt;
&lt;FONT color="#003366"&gt;---5500BC---&lt;/FONT&gt;&lt;BR /&gt;&lt;A href="http://www.internationaloliveoil.org/web/aa-ingles/oliveWorld/olivo.html"&gt;&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/food/" rel="tag"&gt;food&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cool/" rel="tag"&gt;cool&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reference/" rel="tag"&gt;reference&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3atumblr/" rel="tag"&gt;post:tumblr&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/recipe/" rel="tag"&gt;recipe&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.foodtimeline.org/index.html</clipSource><pubDate>Fri, 07 Dec 2007 19:35:42 GMT</pubDate></item><item><title>The Kurt Vonnegut Library</title><link>http://clipmarks.com/clipmark/1616B65B-58F1-4EF1-A581-C4373B12050A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/skwirlinator/"&gt;skwirlinator&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vonnegut.cultish.org/welcome/" title="http://vonnegut.cultish.org/welcome/"&gt;vonnegut.cultish.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL class="menu"&gt;
						&lt;LI class="current_page_item"&gt;&lt;A title="Blog" href="http://vonnegut.cultish.org/"&gt;Blog&lt;/A&gt;&lt;/LI&gt;
						&lt;LI class="page_item"&gt;&lt;A title="Archives" href="http://vonnegut.cultish.org/archives/"&gt;Archives&lt;/A&gt;&lt;/LI&gt;
					&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/skwirlinator/512/47B934D2-5F21-4488-8ACB-3499227B4D1F.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A title="Permanent Link to "Welcome!"" rel="bookmark" href="http://vonnegut.cultish.org/welcome/"&gt;This website contains all of Kurt Vonnegut’s novels in .pdf form, hosted by the amazing &lt;/A&gt;&lt;A href="http://scribd.com"&gt;Scribd&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;When you click on a link to a book from the “&lt;A href="http://vonnegut.cultish.org/archives/"&gt;Archives&lt;/A&gt;” page, you will be directed to a page that contains the book in Scribd’s Adobe Flashplayer based .pdf viewer. The .pdf player allows you to view the book through TKVL’s website, or to download it in several different formats that include .doc and .pdf. Enjoy!&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/the+kurt+vonnegut+library/" rel="tag"&gt;the kurt vonnegut library&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ebook/" rel="tag"&gt;ebook&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/pdf/" rel="tag"&gt;pdf&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/books/" rel="tag"&gt;books&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://vonnegut.cultish.org/welcome/</clipSource><pubDate>Tue, 19 Jun 2007 22:25:38 GMT</pubDate></item><item><title>Crazy Children's Book On Drugs</title><link>http://clipmarks.com/clipmark/5269A33F-0CF8-4717-9900-56890D55DEA3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Another book to add to &lt;a href="http://clipmarks.com/clipmark/343195D2-FDE8-4BDD-8CCE-4D82C4F2502A/"&gt;these ten&lt;/a&gt; and &lt;a href="http://clipmarks.com/clipmark/204734A3-30D7-41AF-AFAC-19BDBCDB9711/"&gt;these two&lt;/a&gt;. Other page scans at the source. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://forums.somethingawful.com/showthread.php?threadid=2457332" title="http://forums.somethingawful.com/showthread.php?threadid=2457332"&gt;forums.somethingawful.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/A4032340-22D4-490E-9559-AD3EFB6D4253.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/E0819528-F255-43F1-99FD-29F8CB7D1E45.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/63D85523-A29F-4BCB-BB72-234D0B0DE781.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Some fun things to count:&lt;BR /&gt;
-The number of proper nouns used versus the number of pronouns used&lt;BR /&gt;
-Number of repetitions of the concept that drugs are bad. Especially on the last page.&lt;BR /&gt;&lt;DIV&gt;
-Number of things mentioned that never actually matter to the story.&lt;/DIV&gt;
&lt;BR /&gt;&lt;DIV&gt;
This book is not a joke, unfortunately. It really exists. The ISBN number is 0-533-09102-0, and the publishing date is 1991. &lt;B&gt;1991&lt;/B&gt;.&lt;/DIV&gt;
&lt;BR /&gt;
Honestly, I don't even know what to say about this.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/1F2CA28B-D43A-46E1-951E-41D8A683B6AA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Well that explains who she is, I guess. Note that this book has never been checked out. Also, note how she repeats herself. This will happen a good deal more throughout the book.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/funny/" rel="tag"&gt;funny&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/humor/" rel="tag"&gt;humor&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/children/" rel="tag"&gt;children&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/books/" rel="tag"&gt;books&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/drugs/" rel="tag"&gt;drugs&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/weird/" rel="tag"&gt;weird&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/life/" rel="tag"&gt;life&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/parenting/" rel="tag"&gt;parenting&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://forums.somethingawful.com/showthread.php?threadid=2457332</clipSource><pubDate>Fri, 15 Jun 2007 03:57:43 GMT</pubDate></item><item><title>Send Your Baby To Bed With An Iver Johnson Revolver</title><link>http://clipmarks.com/clipmark/AC99D99D-A9DE-4B3F-802F-C7F89DEF18E3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Vintage ad for a .38 caliber &lt;a href="http://en.wikipedia.org/wiki/Iver_Johnson" rel="nofollow" target="_blank"&gt;Iver Johnson&lt;/a&gt; revolver &lt;a href="http://community.livejournal.com/vintage_ads/232620.html" rel="nofollow" target="_blank"&gt;from Harper's Weekly in 1904&lt;/a&gt;. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://neatorama.cachefly.net/images/2007-06/iver-johnson-safe-revolver-ad.jpg" title="http://neatorama.cachefly.net/images/2007-06/iver-johnson-safe-revolver-ad.jpg"&gt;neatorama.cachefly.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/0D70C677-DE83-4C51-AB80-20E8DDC4DF84.jpg" alt="The image “http://neatorama.cachefly.net/images/2007-06/iver-johnson-safe-revolver-ad.jpg” cannot be displayed, because it contains errors." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/advertising/" rel="tag"&gt;advertising&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/safety/" rel="tag"&gt;safety&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/kids/" rel="tag"&gt;kids&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ads/" rel="tag"&gt;ads&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/revolver/" rel="tag"&gt;revolver&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/guns/" rel="tag"&gt;guns&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/newspaper/" rel="tag"&gt;newspaper&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/vintage/" rel="tag"&gt;vintage&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://neatorama.cachefly.net/images/2007-06/iver-johnson-safe-revolver-ad.jpg</clipSource><pubDate>Wed, 13 Jun 2007 18:07:38 GMT</pubDate></item><item><title>Etymology Dictionary</title><link>http://clipmarks.com/clipmark/C9C8EF05-5201-4F6C-A283-78546BC95826/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I clipped this some time ago, however it never really took off, so to speak.&lt;br/&gt;&lt;br/&gt;IMO this is a great resource and one can spend  quite a bit of time learning, and even being surprised.  So here it is again. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.etymonline.com/" title="http://www.etymonline.com/"&gt;www.etymonline.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="navigation"&gt;
  &lt;DIV id="logo"&gt;
   &lt;A title="The%20Online%20Etymology%20Dictionary" href="http://www.etymonline.com/index.php"&gt;
    &lt;IMG width="450" height="160" title="The%20Online%20Etymology%20Dictionary" alt="The%20Online%20Etymology%20Dictionary" src="http://www.etymonline.com/graphics/header.jpg" /&gt;
   &lt;/A&gt;
  &lt;/DIV&gt; 

  &lt;FORM method="get" action="http://www.etymonline.com/index.php"&gt;
  &lt;DIV id="search"&gt;
   Search:
   &lt;INPUT type="text" maxlength="255" size="40" value="" name="search" /&gt;
   &lt;SELECT size="1" name="searchmode"&gt;
    &lt;OPTION selected="selected" value="none"&gt;Search Mode&lt;/OPTION&gt;
    &lt;OPTION value="nl"&gt;Natural Language&lt;/OPTION&gt;
    &lt;OPTION value="term"&gt;Find single term&lt;/OPTION&gt;
    &lt;OPTION value="or"&gt;Find any term&lt;/OPTION&gt;
    &lt;OPTION value="phrase"&gt;Find exact phrase&lt;/OPTION&gt;
   &lt;/SELECT&gt;
   &lt;INPUT type="submit" value="OK" /&gt;
  &lt;/DIV&gt; 
  &lt;/FORM&gt;

  &lt;DIV id="browse"&gt;
  &lt;UL&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=a"&gt;A&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=b"&gt;B&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=c"&gt;C&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=d"&gt;D&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=e"&gt;E&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=f"&gt;F&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=g"&gt;G&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=h"&gt;H&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=i"&gt;I&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=j"&gt;J&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=k"&gt;K&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=l"&gt;L&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=m"&gt;M&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=n"&gt;N&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=o"&gt;O&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=p"&gt;P&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=q"&gt;Q&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=r"&gt;R&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=s"&gt;S&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=t"&gt;T&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=u"&gt;U&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=v"&gt;V&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=w"&gt;W&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=x"&gt;X&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=y"&gt;Y&lt;/A&gt;&lt;/LI&gt;
   &lt;LI&gt;&lt;A href="http://www.etymonline.com/index.php?l=z"&gt;Z&lt;/A&gt;&lt;/LI&gt;
  &lt;/UL&gt;
  &lt;/DIV&gt; 
 &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
   This is a map of the wheel-ruts of modern English. Etymologies are not definitions;
   they're explanations of what our words meant and how they sounded 600 or 2,000 years ago.
  &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
   The dates beside a word indicate the earliest year for which there is a surviving written
   record of that word (in English, unless otherwise indicated). This should be taken as
   approximate, especially before about 1700, since a word may have been used in conversation
   for hundreds of years before it turns up in a manuscript that has had the good fortune to
   survive the centuries.
  &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
   The basic sources of this work are Weekley's "An Etymological Dictionary of Modern English,"
   Klein's "A Comprehensive Etymological Dictionary of the English Language," "Oxford English
   Dictionary" (second edition), "Barnhart Dictionary of Etymology," Holthauzen's "Etymologisches
   Wörterbuch der Englischen Sprache," Ayto's "20th Century Words," and Chapman's "Dictionary
   of American Slang." &lt;A title="Sources" href="http://www.etymonline.com/sources.php"&gt;A full
   list of sources used in this compilation can be found here&lt;/A&gt;.
  &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
   Since this dictionary went up, it has benefited from the suggestions of dozens of people I
   have never met, from around the world. Tremendous thanks and appreciation to all of you.
  &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/etymology/" rel="tag"&gt;etymology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/word+origins/" rel="tag"&gt;word origins&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.etymonline.com/</clipSource><pubDate>Wed, 24 Jan 2007 15:32:02 GMT</pubDate></item><item><title>The 10 Greatest Books of All Time</title><link>http://clipmarks.com/clipmark/2905509D-F939-47FC-8813-8996D7F56248/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;Each individual top 10 list is like its own steeplechase through the international canon.&lt;/blockquote&gt; List at the end of the clip, though I find Lev Grossman's intro more interesting. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.time.com/time/arts/article/0,8599,1578073,00.html" title="http://www.time.com/time/arts/article/0,8599,1578073,00.html"&gt;www.time.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Let's not mince words: literary lists are basically an obscenity. Literature is the realm of the ineffable and the unquantifiable; lists are the realm of menus and laundry and rotisserie baseball. There's something unseemly and promiscuous about all those letters and numbers jumbled together. Take it from me, a critic who has committed this particular sin many times over.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
But what if—just for argument's sake—you got insanely rigorous about it. You went to all the big-name authors in the world—Franzen, Mailer, Wallace, Wolfe, Chabon, Lethem, King, 125 of them— and got each one to cough up a top-10 list of the greatest books of all time. We're talking ultimate-fighting-style here: fiction, non-fiction, poetry, modern, ancient, everything's fair game except eye-gouging and fish-hooking. Then you printed and collated all the lists, crunched the numbers together, and used them to create a definitive all-time Top Top 10 list.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Yes, it would probably still be an obscenity. But it would be a pretty interesting obscenity. And that's what we have in J. Peder Zane's &lt;A target="_new" href="http://www.toptenbooks.net"&gt;The Top 10&lt;/A&gt; (Norton; 352 pages).
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
There are several lifetimes' worth of promising literary leads here—544 books in all. An 85-page appendix providing enlightened summaries of all the works mentioned is worth the price of admission all on its own. But to get you started, here, in all its glory, is the all-time, ultimate Top Top 10 list, derived from the top 10 lists of 125 of the world's most celebrated writers combined. Read it and— well, just read it.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;OL&gt;
&lt;LI&gt;	&lt;I&gt;Anna Karenina&lt;/I&gt; by Leo Tolstoy
&lt;/LI&gt;&lt;LI&gt;	&lt;I&gt;Madame Bovary&lt;/I&gt; by Gustave Flaubert
&lt;/LI&gt;&lt;LI&gt;	&lt;I&gt;War and Peace&lt;/I&gt; by Leo Tolstoy
&lt;/LI&gt;&lt;LI&gt;	&lt;I&gt;Lolita&lt;/I&gt; by Vladimir Nabokov
&lt;/LI&gt;&lt;LI&gt;	&lt;I&gt;The Adventures of Huckleberry Finn&lt;/I&gt; by Mark Twain
&lt;/LI&gt;&lt;LI&gt;	&lt;I&gt;Hamlet&lt;/I&gt; by William Shakespeare
&lt;/LI&gt;&lt;LI&gt;	&lt;I&gt;The Great Gatsby&lt;/I&gt; F. Scott Fitzgerald
&lt;/LI&gt;&lt;LI&gt;	&lt;I&gt;In Search of Lost Time&lt;/I&gt; by Marcel Proust
&lt;/LI&gt;&lt;LI&gt;	&lt;I&gt;The Stories of Anton Chekhov&lt;/I&gt; by Anton Chekhov
&lt;/LI&gt;&lt;LI&gt;	 &lt;I&gt;Middlemarch&lt;/I&gt; by George Eliot
&lt;/LI&gt;&lt;/OL&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/books/" rel="tag"&gt;books&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/canon/" rel="tag"&gt;canon&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reading/" rel="tag"&gt;reading&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.time.com/time/arts/article/0,8599,1578073,00.html</clipSource><pubDate>Sun, 21 Jan 2007 17:32:40 GMT</pubDate></item><item><title>Fantasy, Myth, Science Fiction</title><link>http://clipmarks.com/clipmark/9D5B5AA3-18B0-48A4-85F6-EC3B7F1BFA7B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/skwirlinator/"&gt;skwirlinator&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://mythsoc.org/otherres.html" title="http://mythsoc.org/otherres.html"&gt;mythsoc.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4 align="center"&gt;&lt;A name="genres"&gt;&lt;FONT face="Arial"&gt;Genres: Fantasy, Myth, Science Fiction&lt;/FONT&gt;&lt;/A&gt;
                  &lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL&gt;
                    &lt;FONT size="2" face="Arial"&gt;&lt;IMG src="http://www.mythsoc.org/images/sdi_gr.gif" /&gt;
                    &lt;A href="http://labyrinth.georgetown.edu/"&gt;The Labyrinth&lt;/A&gt;&lt;BR /&gt;&lt;DIV&gt;
                    A &lt;I&gt;huge&lt;/I&gt; World Wide Web server for Medieval Studies
                    sponsored by Georgetown University. Can be searched for
                    specific topics, with subject menus for various national
                    cultures, Arthurian studies, Norse culture, religious
                    history, and much more.&lt;/DIV&gt;
                    &lt;BR /&gt;
                    &lt;IMG src="http://www.mythsoc.org/images/sdi_gr.gif" /&gt; &lt;A href="http://www.endicott-studio.com"&gt;The
                    Endicott Studio of Mythic Arts&lt;/A&gt;&lt;BR /&gt;&lt;DIV&gt;
                    Online journal featuring works -- essays, reviews, artwork
                    and more -- by writers, painters, sculptors, photographers,
                    and performance artists in the Endicott circle (including
                    Ellen Kushner &amp; Delia Sherman, Midori Snyder, Charles de
                    Lint, Jane Yolen, Neil Gaiman, Charles Vess, Thomas Canty,
                    and others).&lt;/DIV&gt;
                    &lt;BR /&gt;
                    &lt;IMG src="http://www.mythsoc.org/images/sdi_gr.gif" /&gt; &lt;A href="http://www.bulfinch.org"&gt;Bulfinch's
                    Mythology&lt;/A&gt;&lt;BR /&gt;&lt;DIV&gt;
                    Search or browse through the three volumes: "The Age of
                    Fable or Stories of Gods and Heroes," "The Age of
                    Chivalry or Legends of King Arthur," and "Legends
                    of Charlemagne or Romance of the Middle Ages." Large
                    collection of mythology links.&lt;/DIV&gt;
                    &lt;BR /&gt;
                    &lt;IMG src="http://www.mythsoc.org/images/sdi_gr.gif" /&gt;  &lt;A href="http://www.pantheon.org/"&gt;Encyclopedia
                    Mythica&lt;/A&gt;&lt;BR /&gt;
                    This is an encyclopedia on
                    mythology, folklore, legends, and more. It contains over
                    6100 definitions of gods and goddesses, supernatural beings
                    and legendary creatures and monsters from all over the
                    world.
                    &lt;/FONT&gt;
                    &lt;P&gt;
                    &lt;FONT size="2" face="Arial"&gt;
                    &lt;IMG src="http://www.mythsoc.org/images/sdi_gr.gif" /&gt; &lt;A href="http://pubpages.unh.edu/%7Ecbsiren/myth.html"&gt;Myths
                    and Legends&lt;/A&gt;&lt;BR /&gt;&lt;DIV&gt;
                    An excellent resource for web information on myths from all
                    cultures (Anatolian to Welsh) plus folklore from Robin Hood
                    to gothic horror. It's one-stop shopping for anyone starting
                    to explore any of these areas.&lt;/DIV&gt;
                    &lt;BR /&gt;
                    &lt;IMG src="http://www.mythsoc.org/images/sdi_gr.gif" /&gt; &lt;A href="http://www.ragnarokpress.com/faerie/"&gt;Faerie
                    Lands Forlorn&lt;/A&gt;&lt;BR /&gt;&lt;DIV&gt;
                    A lovely selection of poetry, art, tales and fonts from the
                    Scriptorium (an online source of unusual fonts and graphic
                    arts resources). Offers shareware and free downloads, as
                    well as being a visual delight. Worth a visit!!&lt;/DIV&gt;
                    &lt;BR /&gt;
                    &lt;IMG src="http://www.mythsoc.org/images/sdi_gr.gif" /&gt; &lt;A href="http://www.sflovers.org/SFRG/"&gt;Science
                    Fiction Resource Guide&lt;/A&gt;&lt;BR /&gt;
                    A really impressive collection of information and links,
                    which includes magazines, art, writers' resources, and music
                    in addition to more easily available information on the
                    genré.
                    &lt;/FONT&gt;
                    &lt;/P&gt;
                    &lt;P&gt;&lt;FONT size="2" face="Arial"&gt;
                    &lt;IMG src="http://www.mythsoc.org/images/sdi_gr.gif" /&gt;  &lt;A href="http://lib-oldweb.tamu.edu/cushing/sffrd/"&gt;Science
                    Fiction and Fantasy Research Database&lt;/A&gt;&lt;BR /&gt;
                    An online index to over 60,000 historical and critical items
                    about science fiction, fantasy and horror.  Includes
                    Mythlore.
                    &lt;/FONT&gt;
                    &lt;/P&gt;
                  &lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/fantasy/" rel="tag"&gt;fantasy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/myth/" rel="tag"&gt;myth&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science+fiction/" rel="tag"&gt;science fiction&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reading/" rel="tag"&gt;reading&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/books/" rel="tag"&gt;books&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/scifi/" rel="tag"&gt;scifi&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://mythsoc.org/otherres.html</clipSource><pubDate>Sun, 21 Jan 2007 00:35:44 GMT</pubDate></item><item><title>GREAT BOOKS INDEX</title><link>http://clipmarks.com/clipmark/CA36EE13-9E39-4CE7-8966-BC8645D3CE69/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://books.mirror.org/gb.home.html" title="http://books.mirror.org/gb.home.html"&gt;books.mirror.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 align="center"&gt;&lt;A _moz-rs-heading="" name="pagetop"&gt;&lt;STRONG&gt;GREAT BOOKS INDEX&lt;/STRONG&gt;&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 align="center"&gt;&lt;A _moz-rs-heading="" name="pagetop"&gt;&lt;STRONG&gt;HOME PAGE AND AUTHOR LIST&lt;/STRONG&gt;&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;
&lt;A name="pagetop"&gt; &lt;STRONG&gt;An Index to Online Great Books in English Translation&lt;/STRONG&gt;

&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;A name="pagetop"&gt;&lt;STRONG&gt;
&lt;/STRONG&gt;&lt;/A&gt;&lt;STRONG&gt;&lt;A href="http://books.mirror.org/gb.home.html"&gt;AUTHORS/HOME&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.titles.html"&gt;TITLES&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.about.html"&gt;ABOUT GB INDEX&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.links.html"&gt;BOOK LINKS&lt;/A&gt;
&lt;/STRONG&gt;

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;STRONG&gt;INDEX BY AUTHOR&lt;/STRONG&gt;

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;
&lt;A href="http://books.mirror.org/gb.aeschylus.html"&gt;Aeschylus&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.apollonius.html"&gt;Apollonius&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.aquinas.html"&gt;Aquinas&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.archimedes.html"&gt;Archimedes&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.aristophanes.html"&gt;Aristophanes&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.aristotle.html"&gt;Aristotle&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.augustine.html"&gt;Augustine&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.aurelius.html"&gt;Marcus Aurelius&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.austen.html"&gt;Austen&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.bacon-francis.html"&gt;Francis Bacon&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.balzac.html"&gt;Balzac&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.bergson.html"&gt;Bergson&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.berkeley.html"&gt;Berkeley&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.bible.html"&gt;The Bible&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.bohr.html"&gt;Bohr&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.boswell.html"&gt;Boswell&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.calvin.html"&gt;Calvin&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.cather.html"&gt;Cather&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.cervantes.html"&gt;Cervantes&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.chaucer.html"&gt;Chaucer&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.chekhov.html"&gt;Chekhov&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.conrad.html"&gt;Conrad&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.copernicus.html"&gt;Copernicus&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.dante.html"&gt;Dante&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.darwin.html"&gt;Darwin&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.descartes.html"&gt;Descartes&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.dewey.html"&gt;Dewey&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.dickens.html"&gt;Dickens&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.diderot.html"&gt;Diderot&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.dostoevsky.html"&gt;Dostoevsky&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.eddington.html"&gt;Eddington&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.einstein.html"&gt;Einstein&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.eliot-george.html"&gt;George Eliot&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.eliot-ts.html"&gt;T.S. Eliot&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.emerson.html"&gt;Emerson&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.engels.html"&gt;Engels&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.epictetus.html"&gt;Epictetus&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.erasmus.html"&gt;Erasmus&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.euclid.html"&gt;Euclid&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.euripides.html"&gt;Euripides&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.faraday.html"&gt;Faraday&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.faulkner.html"&gt;Faulkner&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.fielding.html"&gt;Fielding&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.fitzgerald-fscott.html"&gt;Fitzgerald&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.fourier.html"&gt;Fourier&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.freud.html"&gt;Freud&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.galen.html"&gt;Galen&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.galileo.html"&gt;Galileo&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.gibbon.html"&gt;Gibbon&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.gilbert.html"&gt;Gilbert&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.goethe.html"&gt;Goethe&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.usafound.html"&gt;Hamilton&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.hardy-gh.html"&gt;Hardy&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.harvey.html"&gt;Harvey&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.hegel.html"&gt;Hegel&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.heidegger.html"&gt;Heidegger&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.heisenberg.html"&gt;Heisenberg&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.herodotus.html"&gt;Herodotus&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.hippocrates.html"&gt;Hippocrates&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.hobbes.html"&gt;Hobbes&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.homer.html"&gt;Homer&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.hume.html"&gt;Hume&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.huygens.html"&gt;Huygens&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.ibsen.html"&gt;Ibsen&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.james-henry.html"&gt;Henry James&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.james-william.html"&gt;William James&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.usafound.html"&gt;Jay&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.joyce.html"&gt;Joyce&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.kafka.html"&gt;Kafka&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.kant.html"&gt;Kant&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.kepler.html"&gt;Kepler&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.keynes.html"&gt;Keynes&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.kierkegaard.html"&gt;Kierkegaard&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.lawrence-dh.html"&gt;Lawrence&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.leibnitz.html"&gt;Leibnitz&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.locke.html"&gt;Locke&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.lucretius.html"&gt;Lucretius&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.machiavelli.html"&gt;Machiavelli&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.usafound.html"&gt;Madison&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.mann.html"&gt;Mann&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.marx.html"&gt;Marx&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.melville.html"&gt;Melville&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.mill.html"&gt;Mill&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.milton.html"&gt;Milton&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.moliere.html"&gt;Moliere&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.montaigne.html"&gt;Montaigne&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.montesquieu.html"&gt;Montesquieu&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.nietzsche.html"&gt;Nietzsche&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.newton.html"&gt;Newton&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.nicomachus.html"&gt;Nicomachus&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.oneill.html"&gt;O'Neill&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.orwell.html"&gt;Orwell&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.paine.html"&gt;Paine&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.pascal.html"&gt;Pascal&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.planck.html"&gt;Planck&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.plato.html"&gt;Plato&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.plotinus.html"&gt;Plotinus&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.plutarch.html"&gt;Plutarch&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.poincare.html"&gt;Poincare&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.proust.html"&gt;Proust&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.ptolemy.html"&gt;Ptolemy&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.quran.html"&gt;The Quran (Koran)&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.rabelais.html"&gt;Rabelais&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.racine.html"&gt;Racine&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.rousseau.html"&gt;Rousseau&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.russell.html"&gt;Russell&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.schroedinger.html"&gt;Schroedinger&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.shaw.html"&gt;Shaw&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.shakespeare.html"&gt;Shakespeare&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.smith-adam.html"&gt;Adam Smith&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.sophocles.html"&gt;Sophocles&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.spinoza.html"&gt;Spinoza&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.sterne.html"&gt;Sterne&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.swift.html"&gt;Swift&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.tacitus.html"&gt;Tacitus&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.thoreau.html"&gt;Thoreau&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.thucydides.html"&gt;Thucydides&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.tolstoy.html"&gt;Tolstoy&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.tocqueville.html"&gt;Tocqueville&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.twain.html"&gt;Twain&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.veblen.html"&gt;Veblen&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.virgil.html"&gt;Virgil&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.voltaire.html"&gt;Voltaire&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.whitehead-an.html"&gt;Whitehead&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.wittgenstein.html"&gt;Wittgenstein&lt;/A&gt;
. &lt;A href="http://books.mirror.org/gb.woolf-virginia.html"&gt;Woolf&lt;/A&gt;
&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/authors/" rel="tag"&gt;authors&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/great+books/" rel="tag"&gt;great books&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/books/" rel="tag"&gt;books&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://books.mirror.org/gb.home.html</clipSource><pubDate>Sat, 20 Jan 2007 02:24:14 GMT</pubDate></item><item><title>Those were the days!</title><link>http://clipmarks.com/clipmark/DC04A736-E50E-4D83-973D-38E379F2E655/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/smagnolia/"&gt;smagnolia&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.rawfoodinfo.com/articles/art_howthingsusedtobe.html" title="http://www.rawfoodinfo.com/articles/art_howthingsusedtobe.html"&gt;www.rawfoodinfo.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="4"&gt;How Things 
  Used To Be&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Geneva"&gt;Baths consisted of a big tub filled with hot water. 
  The man of the house had the privilege of the nice clean water, then all the 
  other sons and men, then the women and finally the children - last of all the 
  babies. By then the water was so dirty you could actually lose someone in it. 
  Hence the saying, "Don't throw the baby out with the bath water." &lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Geneva"&gt;When it rained it became slippery, and sometimes 
  the animals would slip and fall off the roof, hence the saying, "It's raining 
  cats and dogs." &lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Geneva"&gt;The floor was dirt. Only the wealthy had something 
  other than dirt, hence the saying "dirt poor." The wealthy had slate floors 
  that would get slippery in the winter when wet, so they spread thresh (the straw 
  left over after threshing grain) on the floor to help keep their footing. As 
  the winter wore on, they kept adding more and more thresh until when you opened 
  the door it would all start slipping outside. To prevent this, a piece of wood 
  was placed in the entrance way - hence a "thresh hold." &lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Geneva"&gt;Bread was divided according to status. Workers 
  got the burnt bottom of the loaf, the family got the middle, and guests got 
  the top, "the upper crust." &lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/origins/" rel="tag"&gt;origins&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/quotes/" rel="tag"&gt;quotes&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.rawfoodinfo.com/articles/art_howthingsusedtobe.html</clipSource><pubDate>Fri, 29 Dec 2006 23:01:37 GMT</pubDate></item><item><title>When Life Becomes Scentless</title><link>http://clipmarks.com/clipmark/2DA96437-2BD5-4094-8B01-DB440164394E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;The film Perfume portrays the world of a man who has an unparalleled, acute sense of smell. But what is life like for the millions of people who have lost it?&lt;/blockquote&gt; The entire article is worth reading, whether you've read the novel or not.&lt;br/&gt;(I hope Das Parfum is as good as the novel.) &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/2/hi/uk_news/magazine/6199605.stm" title="http://news.bbc.co.uk/2/hi/uk_news/magazine/6199605.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;Perfume, the film released this week adapted from the novel by Patrick Suskind, follows a murderer, Jean-Baptiste Grenouille, who has no odour but possesses an unparalleled, acute sense of smell which he uses in his pursuit of power.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;	
		&lt;TABLE width="203" cellspacing="0" cellpadding="0" border="0" align="right"&gt;
			&lt;TBODY&gt;&lt;TR&gt;&lt;TD&gt;
			&lt;DIV&gt;
				&lt;IMG width="203" vspace="0" hspace="0" height="152" border="0" src="http://newsimg.bbc.co.uk/media/images/42378000/jpg/_42378599_punch_203jpg.jpg" alt="Boxer%20being%20punched%20in%20the%20nose" /&gt;
				&lt;DIV class="cap"&gt;Recovery depends on the cause&lt;/DIV&gt;
			&lt;/DIV&gt;
			&lt;/TD&gt;&lt;/TR&gt;
		&lt;/TBODY&gt;&lt;/TABLE&gt;
		
	

	


It is a story of 18th Century life in France, told in all its stinking glory, through repeated reference to smells - people's odours, street filth, country air, food and musky scents. A time and a world away from life for the 2% of people that researchers say lack the olfactory sense.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;The causes range from severe head injuries, to viruses and nasal congestion conditions, to degenerative diseases including Alzheimer's and Parkinson's. Some suffer from anosmia, which means no sense of smell; hyposmia is a decreased ability; and dysosmia is when things smell differently than they should. 
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;Our sense of smell is an underestimated life sense (albeit the basis of a hugely profitable perfume industry). 
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;We use it to detect chemicals in the air, and its receptors contribute to our ability to distinguish flavour - those unable to smell have very little sense of taste. It plays a role in mental and physical health, emotion, sex and relationships. It helps people guard against bad or off food, and helps warn against dangerous situations. 
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;    
    
	&lt;TABLE width="208" cellspacing="0" cellpadding="0" border="0" align="right"&gt;
	&lt;TBODY&gt;&lt;TR&gt;
            &lt;TD width="5"&gt;&lt;IMG width="5" vspace="0" hspace="0" height="1" border="0" src="http://newsimg.bbc.co.uk/shared/img/o.gif" alt="" /&gt;&lt;/TD&gt;
            &lt;TD class="sibtbg"&gt;
                
		
                    &lt;DIV class="o"&gt;
                            &lt;IMG width="203" vspace="0" hspace="0" height="152" border="0" src="http://newsimg.bbc.co.uk/media/images/42378000/jpg/_42378623_red_roses_pa_203.jpg" alt="Red%20roses" /&gt;
                    &lt;/DIV&gt;
		
                
                     
                    &lt;DIV&gt;
	&lt;DIV class="mva"&gt;
		&lt;IMG width="24" height="13" border="0" src="http://newsimg.bbc.co.uk/nol/shared/img/v3/start_quote_rb.gif" alt="" /&gt;
		&lt;B&gt;You have lost a whole dimension of your life - we constantly sample the atmosphere for smells&lt;/B&gt;
		&lt;IMG width="23" vspace="0" height="13" border="0" align="right" src="http://newsimg.bbc.co.uk/nol/shared/img/v3/end_quote_rb.gif" alt="" /&gt;&lt;BR clear="all" /&gt;	&lt;/DIV&gt;




&lt;/DIV&gt;
                
                     
                    &lt;DIV class="mva"&gt;
	&lt;DIV&gt;Professor Tim Jacob&lt;/DIV&gt;


&lt;/DIV&gt;
                
            &lt;/TD&gt;
        &lt;/TR&gt;
	&lt;/TBODY&gt;&lt;/TABLE&gt;
	
    
    




When sight or hearing go, it is immediately obvious. With smell, its absence can take longer to sink in. Robert's went because of nasal polyps - protrusions that blocked the inside of his nose - cutting him off from the kind of world Suskind's anti-hero occupies.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;Apart from the most serious practical effect - exposing him to danger - eating has lost its sensual pleasure. And, a keen gardener, he can no longer smell the roses.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reading/" rel="tag"&gt;reading&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/novel/" rel="tag"&gt;novel&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movie/" rel="tag"&gt;movie&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/senses/" rel="tag"&gt;senses&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/scent/" rel="tag"&gt;scent&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/biology/" rel="tag"&gt;biology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/perfume/" rel="tag"&gt;perfume&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/patrick+suskind/" rel="tag"&gt;patrick suskind&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://news.bbc.co.uk/2/hi/uk_news/magazine/6199605.stm</clipSource><pubDate>Thu, 28 Dec 2006 23:11:24 GMT</pubDate></item><item><title>Shakespeare is good for your brain</title><link>http://clipmarks.com/clipmark/72313385-A26E-4FDF-8805-B7E790759EF2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  fascinating, if true &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.lse.co.uk/ShowStory.asp?story=XV1832254P&amp;news_headline=shakespeare_used_advanced_brain_theories" title="http://www.lse.co.uk/ShowStory.asp?story=XV1832254P&amp;news_headline=shakespeare_used_advanced_brain_theories"&gt;www.lse.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="NewsBlue"&gt;Shakespeare used advanced brain theories&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Reading Shakespeare excites the brain and could help stave off old age forgetfulness, research has shown.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The Elizabethan playwright took advantage of theories of brain consciousness to wow the audience in their heads as well as on stage, claim scientists.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Researchers from the University of Liverpool found the unconventional structure and words of Shakespeare's plays and poetry surprises the brain, which produces a sudden burst of activity, or excitement.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;They claim it could help keep the brain healthy and lively.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Professor Philip Davis, from the University's School of English, said Shakespeare's technique was known as a functional shift that puts something regarded as familiar in an unfamiliar situation.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;He said: "By throwing odd words into seemingly normal sentences, Shakespeare surprises the brain and catches it off guard in a manner that produces a sudden burst of activity - a sense of drama created out of the simplest of things.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;"It works in a similar way to putting a jigsaw puzzle together. If it is easy to see which pieces slot together you become bored of the game, but if the pieces don’t appear to fit, when we know they should, the brain becomes excited.  &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;"Research has shown that there are parts of the brain that are responsible for the processing of nouns and others for the processing of verbs.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;"This is believed to happen automatically, but if you throw something in that looks like a noun, but is used as a verb, a new level of consciousness might have to be created as they talk to each other.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;"For example, Shakespeare uses the phrase, ‘he godded me’ in the tragedy Coriolanus. Godded looks like a noun, but is a verb and the brain is confused by the anomaly."&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The team of researchers, also from Liverpool's Magnetic Resonance and Image Analysis Research Centre (MARIARC), monitored the brain activity of 30 volunteers as they read passages of ordinary text and compared the results with examples of classic literature.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/research/" rel="tag"&gt;research&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/shakespeare/" rel="tag"&gt;shakespeare&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/brain/" rel="tag"&gt;brain&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mind/" rel="tag"&gt;mind&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/neurology/" rel="tag"&gt;neurology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/consciousness/" rel="tag"&gt;consciousness&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.lse.co.uk/ShowStory.asp?story=XV1832254P&amp;news_headline=shakespeare_used_advanced_brain_theories</clipSource><pubDate>Tue, 19 Dec 2006 11:36:34 GMT</pubDate></item><item><title>Mahfouz’s grave, Arab liberalism’s deathbed</title><link>http://clipmarks.com/clipmark/EC5FDD54-EF66-4CFC-A5B1-F3A74169F980/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;The Arab world's passage from progressive secularism to conservative religiosity in the last fifty years is illuminated by the work of Egypt’s greatest writer, says Tarek Osman.&lt;/blockquote&gt; More at the source. Tarek Osman gives an interesting reading of culture and the text. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.opendemocracy.net/conflict-middle_east_politics/egypt_mahfouz_4025.jsp" title="http://www.opendemocracy.net/conflict-middle_east_politics/egypt_mahfouz_4025.jsp"&gt;www.opendemocracy.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The death on 30 August 2006 of the Egyptian novelist Naguib Mahfouz - the sole Arab writer to receive the Nobel prize in literature - was marked around the world, and by many of those unable to read a word of his work in its original language. This universal moment, however, was primarily an Egyptian and Arab one, and for more even than the loss of a great writer. For Naguib Mahfouz's death is also a symbol of the demise of Arab liberalism. It is a century's story, and the "Dostoyevsky of Cairo" was the one whose books embodied it. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A century ago, the west was not worryingly eyeing the Arab world, with a fear of suicide-bombers and plane hijackers. It was colonising the Arab world - for a number of reasons: the strategic location, the Suez canal, securing trade routes, access to the Indian subcontinent, protection of minorities, exploitation of economic resources, building empires, civilising the savage Saracens. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In resisting the colonists, the Arabs were broadly divided into two camps: the rejectionists and the integrationists. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The rejectionists were predominately Islamists and Salafis: the group that saw the Arab world's humiliation and defeat as a consequence of its abandonment of the righteous path prescribed in the Qu'ran and the Prophet Mohammed's sunna. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The integrationists, on the other side of the intellectual spectrum, saw the Arabs' defeat as a consequence of their lagging behind in all aspects of modern thinking; they saw a dire need for the integration of western modernity into the traditional Arabic/Islamic culture. As one notable integrationist - Taha Hussein, the legendary Egyptian education minister in the early 20th century - put it: "it's the enlightenment". &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;This implied that Europe's embracing of science, art, humanism and the separation of the state from the church, and thereby the liberation of the European mind from the confines of theology, were the causes of Europe's supremacy in the 19th and 20th centuries. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mahfouz/" rel="tag"&gt;mahfouz&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/liberalism/" rel="tag"&gt;liberalism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/novel/" rel="tag"&gt;novel&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reading/" rel="tag"&gt;reading&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writing/" rel="tag"&gt;writing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/death/" rel="tag"&gt;death&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/egypt/" rel="tag"&gt;egypt&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/arab/" rel="tag"&gt;arab&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/books/" rel="tag"&gt;books&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/society/" rel="tag"&gt;society&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/postcolonialism/" rel="tag"&gt;postcolonialism&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.opendemocracy.net/conflict-middle_east_politics/egypt_mahfouz_4025.jsp</clipSource><pubDate>Tue, 28 Nov 2006 13:35:39 GMT</pubDate></item></channel></rss>