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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | haraya's Film collection</title><link>http://clipmarks.com/clipper/haraya/clipcast/Film/</link><feedUrl>http://rss.clipmarks.com/clipper/haraya/clipcast/Film/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Film-Philosophy</title><link>http://clipmarks.com/clipmark/8B7092B2-F78B-427A-9AA3-C2BE29777E54/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.film-philosophy.com/archive/vol11-2007/index.html" title="http://www.film-philosophy.com/archive/vol11-2007/index.html"&gt;www.film-philosophy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Founded in November 1996, &lt;EM&gt;Film-Philosophy&lt;/EM&gt;
            is an international academic journal dedicated to
            philosophically reviewing film studies, philosophical
            aesthetics, and world cinema. The email salon
            encourages discussion of related topics. The journal is
            published three times per year and is fully
            peer-reviewed.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/DB9132B4-9DDE-44F5-80ED-170E2A956413.jpg" alt="The Life Aquatic with Steve Zissou" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.film-philosophy.com/archive/" title="http://www.film-philosophy.com/archive/"&gt;www.film-philosophy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 1 -1997" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol1-1997/index.html"&gt;Volume 1, 1997&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 2 - 1998" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol2-1998/index.html"&gt;Volume 2, 1998&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 3 - 1999" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol3-1999/index.html"&gt;Volume 3, 1999&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 4 - 2000" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol4-2000/index.html"&gt;Volume 4, 2000&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 5 - 2001" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol5-2001/index.html"&gt;Volume 5, 2001&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 6 - 2002" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol6-2002/index.html"&gt;Volume 6, 2002&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 7 - 2003" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol7-2003/index.html"&gt;Volume 7, 2003&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 8 - 2004" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol8-2004/index.html"&gt;Volume 8, 2004&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 9 - 2005" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol9-2005/index.html"&gt;Volume 9, 2005&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 10 - 2006" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol10-2006/index.html"&gt;Volume 10, 2006&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
        &lt;A title="Volume 11 - 2007" rel="self" href="http://www.film-philosophy.com/archive/../archive/vol11-2007/index.html"&gt;Volume 11, 2007&lt;/A&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;If you would like to submit an article or review for
        consideration, please go to our &lt;A title="Submissions" rel="self" href="http://www.film-philosophy.com/archive/../submissions/index.html"&gt;submissions&lt;/A&gt; page.
      &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/resource/" rel="tag"&gt;resource&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/film/" rel="tag"&gt;film&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/papers/" rel="tag"&gt;papers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reviews/" rel="tag"&gt;reviews&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/studies/" rel="tag"&gt;studies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/journals/" rel="tag"&gt;journals&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/theory/" rel="tag"&gt;theory&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ideas/" rel="tag"&gt;ideas&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.film-philosophy.com/archive/vol11-2007/index.html</clipSource><pubDate>Fri, 01 Aug 2008 11:21:06 GMT</pubDate></item><item><title>The History of War Told Through Culinary Carnage</title><link>http://clipmarks.com/clipmark/08208923-BB17-46C4-80D5-708C45432C40/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artthreat.net/2008/02/food-fight-history-war-told-th" title="http://www.artthreat.net/2008/02/food-fight-history-war-told-th"&gt;www.artthreat.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This isn't your typical middle school mealtime melee. Stefan Nadelman's Food Fight is a short film that uses stop motion animation and food—a whole lotta food—to portray the last 60 years of global armed conflict.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;From the film's &lt;A href="http://homepage.mac.com/stefannadelman/foodfight/index.htm"&gt;website&lt;/A&gt;:&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Food Fight is an abridged history of war, from World War II to present day, told through the foods of the countries in conflict. Watch as traditional comestibles slug it out for world domination in this chronologically re-enacted smorgasbord of aggression.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;I had a blast trying to figure out the symbolism, some of which is more obvious than others.  If you don't have the patience to keep up with the mass of meaty metaphors, &lt;A href="http://homepage.mac.com/stefannadelman/foodfight/cheat.htm"&gt;a cheat sheet&lt;/A&gt; is available to help you identify the tasty cast members. (Hint: the heaps of beef stroganoff represent the succulent Soviets.)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Update: &lt;A href="http://tv.boingboing.net/2008/02/28/history-of-war-throu.html"&gt;Boing Boing TV&lt;/A&gt; has posted a captioned version of Food Fight for the "history-impared"—their words, not mine.&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/food/" rel="tag"&gt;food&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/stefan+nadelman/" rel="tag"&gt;stefan nadelman&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/world/" rel="tag"&gt;world&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/meat/" rel="tag"&gt;meat&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fight/" rel="tag"&gt;fight&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/violence/" rel="tag"&gt;violence&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.artthreat.net/2008/02/food-fight-history-war-told-th</clipSource><pubDate>Sat, 08 Mar 2008 13:33:42 GMT</pubDate></item><item><title>40 Movie References From The Simpsons</title><link>http://clipmarks.com/clipmark/3B1225AD-B553-4AAD-BEE6-D9B609B67B60/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://neenja.com/articles/4/40_movie_references_from_the_simpsons" title="http://neenja.com/articles/4/40_movie_references_from_the_simpsons"&gt;neenja.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
We all love The Simpsons right? A lot of people really don't realize how much Matt Groening likes to reference movies in his episodes. There are a few here I didn't even realize he did. 100% credit goes to &lt;A target="_blank" href="http://www.actualidadsimpson.com"&gt;Actualidad Simpsons&lt;/A&gt;, a Simpsons fan site. They update this archive a lot, so check them out when you get the chance!&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;CENTER&gt;
&lt;SPAN&gt;Alfred Hitchcock&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/alfred_hitchcock.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Apocalypse Now&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/apocalypse_now.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Batman&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/batman.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Ben-Hur&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/benhur.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Bram Stoker's Dracula&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/bram_stokers_dracula.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Cape Fear&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/cape_fear.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Citizen Kane&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/citizen_kane.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Clockwork Orange&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/clockwork_orange.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Edward Scissorhands&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/edward_scissorhands.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Fantasia&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/fantasia.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Godfather&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/godfather.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Goldfinger&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/goldfinger.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;How The Grinch Stole Christmas&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/how_the_grinch_stole_christmas.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Jaws&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/jaws.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Lost Boys&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/lostboys.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Love, American Style&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/love_american_style.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Miracle On 34th Street&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/miracle_on_34th_street.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Music Man&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/music_man.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Night Gallery&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/night_gallery.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Night Of The Hunter&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/night_of_the_hunter.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Nightmare On Elm Street&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/nightmare_on_elm_street.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;One Flew Over The Cuckoo's Nest&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/one_flew_over_the_cuckoos_nest.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Prince Of Tides&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/prince_of_tides.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Psycho&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/psycho.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Raiders Of The Lost Ark&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/raiders_of_the_lost_ark.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Risky Business&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/risky_business.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Road Runner&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/road_runner.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Silence Of The Lambs&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/silence_of_the_lambs.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Sorcerer&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/sorcerer.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Steamboat Willie&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/steamboat_willie.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Terminator&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/terminator.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;The Birds&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/the_birds.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;The French Lieutenants Woman&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/the_french_lieutenants_woman.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;The Great Escape&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/the_great_escape.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Them&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/them.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Trilogy Of Terror&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/trilogy_of_terror.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Twilight Zone&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/twilight_zone.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Untouchables&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/untouchables.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;Yellow Submarine&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/yellow_submarine.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;
&lt;SPAN&gt;You Only Live Twice&lt;/SPAN&gt;&lt;BR /&gt;
&lt;IMG src="http://www.neenja.com/articleimages/you_only_live_twice.jpg" /&gt;
&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;


&lt;/CENTER&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/television/" rel="tag"&gt;television&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/the+simpsons/" rel="tag"&gt;the simpsons&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reference/" rel="tag"&gt;reference&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/animation/" rel="tag"&gt;animation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fun/" rel="tag"&gt;fun&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://neenja.com/articles/4/40_movie_references_from_the_simpsons</clipSource><pubDate>Fri, 07 Mar 2008 14:03:09 GMT</pubDate></item><item><title>Collection of Brilliant Animated Short Movies</title><link>http://clipmarks.com/clipmark/FE936175-3136-43AD-9022-700E84048CEA/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  One can get lost in these. Enjoy! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.smashingmagazine.com/2008/03/03/25-brilliant-animated-short-movies/" title="http://www.smashingmagazine.com/2008/03/03/25-brilliant-animated-short-movies/"&gt;www.smashingmagazine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;related articles&lt;/P&gt;
&lt;UL&gt;
&lt;LI&gt;&lt;A href="http://www.smashingmagazine.com/2007/12/29/funny-and-creative-animated-videos/"&gt;Funny And Creative Animated Videos&lt;/A&gt; with funny and touching animated videos and&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.smashingmagazine.com/2007/11/19/monday-inspiration-typography-in-motion/"&gt;Typography in Motion&lt;/A&gt; showcases examples of typography embedded into movies and videos.&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.smashingmagazine.com/2008/01/21/monday-inspiration-brilliant-music-videos/"&gt;29 Brilliant Music Videos&lt;/A&gt; covers original and inspirational music videos,&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.smashingmagazine.com/2008/01/28/monday-inspiration-graphics-in-motion/"&gt;Graphics In Motion&lt;/A&gt; with beautiful examples of videos in which graphics are set in motion.&lt;/LI&gt;&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Short and Sweet&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Starless Night&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/082384D8-FABE-40AD-93BC-67FC1F77F800.png" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Circle of Life&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/F7773549-AE32-4260-A1DC-BC02B7885BBF.png" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Space Alone&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/D4958560-930E-4F60-92C6-2F3181102E87.png" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;At a glance&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/D2849611-D94D-4E00-8BB9-5CACEF087F29.jpg" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Jasper Morello Animated Movie (AMV)&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/4BA356E2-26A1-4A12-B82D-80E8C4998BFB.png" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Somewhere Over the Rainbow&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/EC91CC7C-3C9C-4E2F-BE4E-E5F65AB02862.jpg" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Artistic Short Movies&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Elephant’s Dream&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/25D8B02D-A294-4912-98D5-5F364ED0E61B.jpg" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Illuminations&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/834D944F-9990-4405-8353-674B4A949F52.png" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Doll Face&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/8F0EB5E9-CB78-4CAC-88CB-1618D96BF703.jpg" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Herr Bar&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/791D5050-27FD-42FA-8C56-47F2781FD82A.png" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Seasons&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/219D6DB8-691D-48F1-A843-A1975C995342.png" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Hold your breath - Apnée&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/01AAB4CE-E52D-40D0-95F3-60DDCD13ADD7.png" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Ted&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/63765116-F5A6-421C-AF61-27DB00194F9E.png" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Typography&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Tenspace&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/3AF1F2F9-0E21-4E76-8B5A-6388AA5EC3E5.png" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Full Metall Jacket&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/A6A7DBED-31C3-43AE-82B4-BF9D00412A6F.jpg" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Handlettering Animation&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/F1519BBD-01F5-4DCF-B317-B77940A0797F.png" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Alternative Rugby Commentary - The Ten Commandments&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/9682BA1C-B17F-4045-9608-335BBA00134A.jpg" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Justice DVNO&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/4F2ED0CF-87F0-4259-A681-D3FA5DBEAE22.jpg" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Oceans Eleven&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/A8275ECE-A489-4604-AC64-2AC3B7A46EB5.png" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Funny Cartoons&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Cane Toad&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/0342DA22-86EF-4F06-9F4D-F3EAAE6504CA.png" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Gopherbroke&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/A7EC1466-04E8-4886-86BC-C23F90A0E444.jpg" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In the Rough&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/8D9D8EE6-D527-41DC-82D9-95903DE93F74.png" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Bananas&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/68B34DAC-4DC7-4414-90B3-2C6311B005A0.png" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Last Click&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Robin Hood&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/4DC592A7-8FB5-4D09-A036-817D5AA472F4.jpg" alt="Screenshot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Further Movies&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL&gt;
&lt;LI&gt;&lt;A href="http://www.itsartmag.com/forum/viewforum.php?f=27"&gt;It’s Art Forum - Animation and VFX section&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.youtube.com/watch?v=xNeqigDQmMs"&gt;How To Make An Animated Movie&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://youtube.com/watch?v=R7p1v6NWnhw&amp;feature=related"&gt;25 of the best title sequences&lt;/A&gt;&lt;/LI&gt;
&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/videos/" rel="tag"&gt;videos&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/animation/" rel="tag"&gt;animation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/typography/" rel="tag"&gt;typography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/links/" rel="tag"&gt;links&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/collection/" rel="tag"&gt;collection&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/humor/" rel="tag"&gt;humor&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/design/" rel="tag"&gt;design&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.smashingmagazine.com/2008/03/03/25-brilliant-animated-short-movies/</clipSource><pubDate>Thu, 06 Mar 2008 14:10:00 GMT</pubDate></item><item><title>Alfred Hitchcock Tribute</title><link>http://clipmarks.com/clipmark/47DE33D8-D675-403C-9B59-6B5B18E2C85E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.worstpreviews.com/headline.php?id=7518&amp;count=0" title="http://www.worstpreviews.com/headline.php?id=7518&amp;count=0"&gt;www.worstpreviews.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="middle" height="50" bgcolor="#333333" align="left"&gt;Vanity Fair's Incredible Alfred Hitchcock Tribute&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;

      &lt;IMG align="left" src="http://www.worstpreviews.com/images/headlines/headline6877.jpg" /&gt;The latest issue of Vanity Fair did a tribute to Alfred Hitchcock by bringing in Hollywood's biggest stars to pose for famous shots from the director's greatest movies. Some of these movies include "Vertigo" and "North by Northwest," and while they are simply amazing, it would have been nice to see Naomi Watts in "The Birds" shot since she is currently rumored to star in the remake. In addition, the magazine has posted a &lt;A target="_blank" class="mov" href="http://www.vanityfair.com/culture/features/video/2008/hitchcockportfolio_video200803"&gt;behind the scenes&lt;/A&gt; look at the making of these great photos.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.worstpreviews.com/images/headlines/temp/temp255.jpg" title="http://www.worstpreviews.com/images/headlines/temp/temp255.jpg"&gt;www.worstpreviews.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/C40DFF54-8ECF-4197-8D35-9747DB5E866A.jpg" alt="http://www.worstpreviews.com/images/headlines/temp/temp255.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" 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title="http://www.worstpreviews.com/images/headlines/temp/temp256.jpg"&gt;www.worstpreviews.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/FAD7BDD0-9BBB-4040-825D-42AF9AF8E7B2.jpg" alt="http://www.worstpreviews.com/images/headlines/temp/temp256.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.worstpreviews.com/images/headlines/temp/temp258.jpg" title="http://www.worstpreviews.com/images/headlines/temp/temp258.jpg"&gt;www.worstpreviews.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/B3950025-4925-47F5-9592-618CBD40D977.jpg" alt="http://www.worstpreviews.com/images/headlines/temp/temp258.jpg" /&gt;&lt;br 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title="http://www.worstpreviews.com/images/headlines/temp/temp266.jpg"&gt;www.worstpreviews.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/ED57F870-C983-4D18-A8BE-B1DB23EAF2C1.jpg" alt="http://www.worstpreviews.com/images/headlines/temp/temp266.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.worstpreviews.com/images/headlines/temp/temp267.jpg" title="http://www.worstpreviews.com/images/headlines/temp/temp267.jpg"&gt;www.worstpreviews.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/712EC5A2-67CF-4E9E-91B3-F40C4EAC94A4.jpg" alt="http://www.worstpreviews.com/images/headlines/temp/temp267.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/alfred+hitchcock/" rel="tag"&gt;alfred hitchcock&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tribute/" rel="tag"&gt;tribute&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photos/" rel="tag"&gt;photos&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/collection/" rel="tag"&gt;collection&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/classics/" rel="tag"&gt;classics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fiction/" rel="tag"&gt;fiction&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.worstpreviews.com/headline.php?id=7518&amp;count=0</clipSource><pubDate>Wed, 05 Mar 2008 14:47:35 GMT</pubDate></item><item><title>Your Favorite Scifi Films As Russian Woodcuts</title><link>http://clipmarks.com/clipmark/A7AD609D-CD95-40C1-AD6A-0B11103CEA04/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://io9.com/358192/your-favorite-scifi-films-as-russian-woodcuts" title="http://io9.com/358192/your-favorite-scifi-films-as-russian-woodcuts"&gt;io9.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/1D21A6FD-AB27-4521-8B21-B5F9D2B30F18.jpg" alt="StarRussianWars.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;As Chancellor Gorkon from &lt;EM&gt;Star Trek VI&lt;/EM&gt; would say, "You have not experienced Shakespeare until you have read him in the original Klingon." We'd reply by telling him that unless he'd seen &lt;EM&gt;Star Wars&lt;/EM&gt; in the original Russian folk art version, he was a pansy. Russian artist &lt;A href="http://www.hiero.ru/Akuaku/Lubki/gallery"&gt;Andrey Kuznetsov&lt;/A&gt; has created some pretty impressive versions of films like &lt;EM&gt;The Matrix&lt;/EM&gt;, &lt;EM&gt;The Terminator&lt;/EM&gt; (or maybe that's &lt;EM&gt;T2: Judgement Day&lt;/EM&gt;), &lt;EM&gt;Star Wars, Spider-Man, War of the Worlds&lt;/EM&gt;, and others using the traditional style of Russian folk art. We've been able to decipher most of them from the original page, but we can't figure out for the life of us what  &lt;A href="http://io9.com/assets/resources/2008/02/Computer.jpg"&gt;this piece&lt;/A&gt; is supposed to represent with the guy using a computer and sticking a knife (or is that a USB drive?) in his butt. &lt;EM&gt;War Games: The Porno&lt;/EM&gt;? Let us know what you think it is in the comments, after you check out the gallery below.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://io9.com/photogallery/russianfolk/1000754869" title="http://io9.com/photogallery/russianfolk/1000754869"&gt;io9.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;A href="."&gt;Computer, Da?&lt;/A&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/503CC574-EAAB-4A93-88D7-205E1496C4AB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://io9.com/photogallery/russianfolk/1000754893" title="http://io9.com/photogallery/russianfolk/1000754893"&gt;io9.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;A href="."&gt;Comrade Terminator&lt;/A&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/6AEFF7AB-2E3A-41C7-B858-18B2A5F304B2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://io9.com/photogallery/russianfolk/1000754885" title="http://io9.com/photogallery/russianfolk/1000754885"&gt;io9.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;A href="."&gt;The Glasnost Matrix&lt;/A&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/102DDE42-5BEE-4552-8CFB-9AC72511DF8C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://io9.com/photogallery/russianfolk/1000754877" title="http://io9.com/photogallery/russianfolk/1000754877"&gt;io9.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;A href="."&gt;Shpayderman&lt;/A&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/79A67E43-D2A0-4EF1-BC2F-68C8AD1AD2ED.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://io9.com/photogallery/russianfolk/1000754861" title="http://io9.com/photogallery/russianfolk/1000754861"&gt;io9.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;A href="."&gt;Cold War of the Worlds&lt;/A&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/AB1239B3-9E15-4952-BA59-54887804A968.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/andrey+kuznetsov/" rel="tag"&gt;andrey kuznetsov&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/woodcut/" rel="tag"&gt;woodcut&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tradition/" rel="tag"&gt;tradition&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/scifi/" rel="tag"&gt;scifi&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/russia/" rel="tag"&gt;russia&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/collection/" rel="tag"&gt;collection&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ekphrasis/" rel="tag"&gt;ekphrasis&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://io9.com/358192/your-favorite-scifi-films-as-russian-woodcuts</clipSource><pubDate>Wed, 05 Mar 2008 14:47:24 GMT</pubDate></item><item><title>How to Cope with Death</title><link>http://clipmarks.com/clipmark/B95DC626-B01F-4D1E-9D45-DD1C5F5C1C78/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Written and directed by &lt;a href="http://www.animwork.dk/Default.asp?ID=305" rel="nofollow" target="_blank"&gt;Ignacio Ferreras&lt;/a&gt;. This animation short won several awards for best animated and short film. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dailymotion.com/video/x2vw7q_how-to-cope-with-death_creation" title="http://www.dailymotion.com/video/x2vw7q_how-to-cope-with-death_creation"&gt;www.dailymotion.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/animation/" rel="tag"&gt;animation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/humor/" rel="tag"&gt;humor&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/death/" rel="tag"&gt;death&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cartoon/" rel="tag"&gt;cartoon&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/short+film/" rel="tag"&gt;short film&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/film/" rel="tag"&gt;film&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/battle/" rel="tag"&gt;battle&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ignacio+ferreras/" rel="tag"&gt;ignacio ferreras&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dailymotion.com/video/x2vw7q_how-to-cope-with-death_creation</clipSource><pubDate>Sat, 08 Sep 2007 06:28:41 GMT</pubDate></item><item><title>11 things you may not know about Star Wars</title><link>http://clipmarks.com/clipmark/E3D98F37-EEE1-4CA5-A38F-DEC12AF6AF69/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;- The trench that the rebels fly through isn't the one that runs around the equator of the Death Star. It's one of 18 vertical trenches that start halfway up from the equator and run toward the north pole. (p. 280)&lt;br/&gt;- The motion picture review board rated "Star Wars" a G, until the studio went back and demanded a PG rating. Also, some of the raters fell asleep during the screening. (p. 289)&lt;br/&gt;- Lucas and Steven Spielberg swapped profit points on their two movies, "Star Wars" and "Close Encounters of the Third Kind," each believing the other's would do better. (p. 298)&lt;br/&gt;- Twentieth Century Fox's stock jumped 450% immediately after the movie came out. (p. 301)&lt;/blockquote&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.lisaandjacob.com/index.cfm?template=/2007/07/11-things-you-may-not-know-about-star.cfm" title="http://www.lisaandjacob.com/index.cfm?template=/2007/07/11-things-you-may-not-know-about-star.cfm"&gt;www.lisaandjacob.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/F59390FE-72A1-4BD7-B2A1-02E86A0DC83E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;In between the second and third drafts, Luke was changed to be a girl. (p. 40)&lt;BR /&gt;&lt;/LI&gt;&lt;LI&gt;Because of its size and proximity to the Tunisia-Libya border, the Sandcrawler set was searched by the Libyan army to make sure it wasn't a secret Tunisian military weapon. (p. 157)&lt;BR /&gt;&lt;/LI&gt;&lt;LI&gt;The R2D2 robot went out of control and wandered into the set of Franco Zeffirelli's "Jesus of Nazareth," which was also filming in the Tunisian desert. (p. 159)&lt;BR /&gt;&lt;/LI&gt;&lt;LI&gt;Alec Guinness got mad and almost quit when, midway through production, George Lucas decided that Obi-Wan Kenobi would die. (p. 166)&lt;BR /&gt;&lt;/LI&gt;&lt;LI&gt;During the entire production, only two people were fired and no one quit. (p. 255)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;Carrie Fisher stood on a turntable to film the R2D2 hologram message. (p. 257)&lt;BR /&gt;&lt;/LI&gt;&lt;LI&gt;After playing the part of C3P0 for the entire production, Anthony Daniels was almost replaced during voice-over recordings by someone who could make the character sound more like an American used-car salesman. (p. 265)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/star+wars/" rel="tag"&gt;star wars&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/trivia/" rel="tag"&gt;trivia&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/film/" rel="tag"&gt;film&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.lisaandjacob.com/index.cfm?template=/2007/07/11-things-you-may-not-know-about-star.cfm</clipSource><pubDate>Sun, 05 Aug 2007 04:36:32 GMT</pubDate></item><item><title>Sylvia Plath</title><link>http://clipmarks.com/clipmark/80DE8F72-34E7-4DE8-8F4E-D808AF0CDF95/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/morgainelefaye/"&gt;morgainelefaye&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A collection of videos. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://irmavermaat.vox.com/library/post/sylvia-plath-and-ted-hughes.html" title="http://irmavermaat.vox.com/library/post/sylvia-plath-and-ted-hughes.html"&gt;irmavermaat.vox.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="enclosure-inner"&gt;
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&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/poetry/" rel="tag"&gt;poetry&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sylvia+plath/" rel="tag"&gt;sylvia plath&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ted+hughes/" rel="tag"&gt;ted hughes&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/youtube/" rel="tag"&gt;youtube&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mlf/" rel="tag"&gt;mlf&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://irmavermaat.vox.com/library/post/sylvia-plath-and-ted-hughes.html</clipSource><pubDate>Wed, 21 Mar 2007 22:22:10 GMT</pubDate></item><item><title>When Life Becomes Scentless</title><link>http://clipmarks.com/clipmark/2DA96437-2BD5-4094-8B01-DB440164394E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;The film Perfume portrays the world of a man who has an unparalleled, acute sense of smell. But what is life like for the millions of people who have lost it?&lt;/blockquote&gt; The entire article is worth reading, whether you've read the novel or not.&lt;br/&gt;(I hope Das Parfum is as good as the novel.) &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/2/hi/uk_news/magazine/6199605.stm" title="http://news.bbc.co.uk/2/hi/uk_news/magazine/6199605.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;Perfume, the film released this week adapted from the novel by Patrick Suskind, follows a murderer, Jean-Baptiste Grenouille, who has no odour but possesses an unparalleled, acute sense of smell which he uses in his pursuit of power.
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				&lt;DIV class="cap"&gt;Recovery depends on the cause&lt;/DIV&gt;
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It is a story of 18th Century life in France, told in all its stinking glory, through repeated reference to smells - people's odours, street filth, country air, food and musky scents. A time and a world away from life for the 2% of people that researchers say lack the olfactory sense.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;The causes range from severe head injuries, to viruses and nasal congestion conditions, to degenerative diseases including Alzheimer's and Parkinson's. Some suffer from anosmia, which means no sense of smell; hyposmia is a decreased ability; and dysosmia is when things smell differently than they should. 
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;Our sense of smell is an underestimated life sense (albeit the basis of a hugely profitable perfume industry). 
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;We use it to detect chemicals in the air, and its receptors contribute to our ability to distinguish flavour - those unable to smell have very little sense of taste. It plays a role in mental and physical health, emotion, sex and relationships. It helps people guard against bad or off food, and helps warn against dangerous situations. 
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		&lt;B&gt;You have lost a whole dimension of your life - we constantly sample the atmosphere for smells&lt;/B&gt;
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	&lt;DIV&gt;Professor Tim Jacob&lt;/DIV&gt;


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When sight or hearing go, it is immediately obvious. With smell, its absence can take longer to sink in. Robert's went because of nasal polyps - protrusions that blocked the inside of his nose - cutting him off from the kind of world Suskind's anti-hero occupies.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;Apart from the most serious practical effect - exposing him to danger - eating has lost its sensual pleasure. And, a keen gardener, he can no longer smell the roses.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reading/" rel="tag"&gt;reading&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/novel/" rel="tag"&gt;novel&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movie/" rel="tag"&gt;movie&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/senses/" rel="tag"&gt;senses&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/scent/" rel="tag"&gt;scent&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/biology/" rel="tag"&gt;biology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/perfume/" rel="tag"&gt;perfume&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/patrick+suskind/" rel="tag"&gt;patrick suskind&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://news.bbc.co.uk/2/hi/uk_news/magazine/6199605.stm</clipSource><pubDate>Thu, 28 Dec 2006 23:11:24 GMT</pubDate></item><item><title>Top 5 Greatest Movie Monologues</title><link>http://clipmarks.com/clipmark/4F4518E9-3ACD-4971-97FD-7B35584B8525/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  According to the author, the top 2 greatest movie monologues ever are:&lt;br/&gt;&lt;br/&gt;&lt;b&gt;1.&lt;/b&gt; Peter Sellers as President Merkin Muffley in &lt;i&gt;Dr. Strangelove&lt;/i&gt;.&lt;br/&gt;&lt;br/&gt;&lt;b&gt;2.&lt;/b&gt; Ned Beatty as Arthur Jensen in &lt;i&gt;Network&lt;/i&gt;.&lt;br/&gt;&lt;br/&gt;Can you guess the other 3 without looking? Do you have some better suggestions?&lt;blockquote&gt;What makes a great movie monologue? Even more to the point, what qualifies as a monologue? Hamlet's soliloquy would certainly make the cut, but its origins didn't spring from film, so it's probably ineligible. Does a speech have to be a certain length to qualify as a monologue? Can it be addressed to someone who reacts or occasionally interjects something in the middle of the display?&lt;/blockquote&gt; (Via kottke.org.) &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://mattzollerseitz.blogspot.com/2006/10/5-for-day-monologues.html" title="http://mattzollerseitz.blogspot.com/2006/10/5-for-day-monologues.html"&gt;mattzollerseitz.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/D3442186-2E2F-49C4-BD2B-F0ADCC457EA7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;STRONG&gt;1. "Of course it's a friendly call."&lt;/STRONG&gt; Bob Newhart made his comic reputation with his hilarious phone call routines, but none come close to touching the brilliance of Peter Sellers' President Merkin Muffley in &lt;A href="http://www.imdb.com/title/tt0057012/"&gt;&lt;I&gt;Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb&lt;/I&gt;&lt;/A&gt; calling to tell the unseen Soviet premier Dmitri that some nukes have been sent toward his country by an insane American general. The movie almost consists of one gut-busting comic sequence after another, but &lt;A href="http://www.whysanity.net/monos/strangelove.html"&gt;Muffley's phone call &lt;/A&gt;could be the film's comic highlight and certainly belongs in the top tier of the great movie monologues.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/764D1E81-C54E-45AD-B9A3-12B6B2750B4E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;STRONG&gt; 2. "You have meddled with the primal forces of nature, Mr. Beale."&lt;/STRONG&gt; You could really make a 5 for a Day (or even more) list of monologues entirely from Paddy Chayefsky script for his ever-more prophetic &lt;A href="http://www.scriptologist.com/Magazine/Tips/Network/network.html"&gt;&lt;I&gt;Network.&lt;/I&gt;&lt;/A&gt; Much of the movie consists of monologues -- from Peter Finch's much-lauded &lt;A href="http://www.whysanity.net/monos/network3.html"&gt;"mad as hell" speech &lt;/A&gt;to his &lt;A href="http://www.americanrhetoric.com/MovieSpeeches/moviespeechnetwork1.html"&gt;less-often cited &lt;/A&gt;tale of a voice speaking to him in the night. William Holden gets his great exit slam on Faye Dunaway's Diana Christensen. Hell, Beatrice Straight won an Oscar for a &lt;A href="http://www.whysanity.net/monos/networkmono.html"&gt;monologue&lt;/A&gt; that is practically her entire appearance in the film, reacting to the news that Holden is leaving her. Still, for the purposes of this post, I'm going with Ned Beatty's &lt;A href="http://www.whysanity.net/monos/network5.html"&gt;great screed &lt;/A&gt;as Arthur Jensen (another essentially single-scene part that got an Oscar nomination) selling unhinged anchor Howard Beale on the pre-eminence of corporations over countries in this day and age -- a sentiment that seems even more true now than it did 30 years ago.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/fun/" rel="tag"&gt;fun&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/interesting/" rel="tag"&gt;interesting&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/films/" rel="tag"&gt;films&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/monologue/" rel="tag"&gt;monologue&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/monologues/" rel="tag"&gt;monologues&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/top/" rel="tag"&gt;top&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/acting/" rel="tag"&gt;acting&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/actors/" rel="tag"&gt;actors&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/speech/" rel="tag"&gt;speech&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://mattzollerseitz.blogspot.com/2006/10/5-for-day-monologues.html</clipSource><pubDate>Wed, 25 Oct 2006 20:56:32 GMT</pubDate></item><item><title>Superhero Worship</title><link>http://clipmarks.com/clipmark/2967F709-81F1-4A22-A1EF-BC142A440514/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.theatlantic.com/doc/200610/postrel-superhero?ca=p%2B3kkpx7COFZQcaize8iyNXpbm%2FE51Y5Gs%2FoEP7X7mI%3D" title="http://www.theatlantic.com/doc/200610/postrel-superhero?ca=p%2B3kkpx7COFZQcaize8iyNXpbm%2FE51Y5Gs%2FoEP7X7mI%3D"&gt;www.theatlantic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P icap="on"&gt;   &lt;IMG align="left" alt="W" src="http://www.theatlantic.com/images/dc-w.gif" /&gt; hen &lt;I&gt;Superman&lt;/I&gt; debuted in 1978, it invented a whole new movie genre—and a new kind of cinematic magic. Today, hundreds of millions of dollars depend on the heroic box-office performances of costumed crusaders whom Hollywood once thought worthy only of kiddie serials or campy parodies. The two &lt;I&gt;Spider-Man&lt;/I&gt; movies rank among the top ten of all time for gross domestic receipts, and &lt;I&gt;X-Men: The Last Stand&lt;/I&gt; and &lt;I&gt;Superman Returns&lt;/I&gt; are among this year’s biggest hits. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Superhero comics have been around  since Irving Thalberg and Louis B. Mayer  ruled the back lot, but only recently has Hollywood realized the natural connection between superhero comics and movies. It’s not just that both are simultaneously visual and verbal media; that formal connection would apply equally to the “serious” graphic novels and sequential art that want nothing to do with crime fighters in form- fitting outfits. Cinema isn’t just a good medium for translating graphic novels.  It’s specifically a good medium for &lt;I&gt;superheroes&lt;/I&gt;. On a fundamental, emotional level, super­heroes, whether in print or on film, serve the same function for their audience as Golden Age movie stars did for theirs: they create glamour. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;If that sounds crazy, it’s because we tend to forget what glamour is really about. Glamour isn’t beauty or luxury; those are only specific manifestations for specific audiences. Glamour is an imaginative process that creates a specific, emotional response: a sharp mixture of projection, longing, admiration, and aspiration. It evokes an audience’s hopes and dreams and makes them seem attainable, all the while maintaining enough distance to sustain the fantasy. The elements that create glamour are not specific styles—bias-cut gowns or lacquered furniture—but more general qualities: grace, mystery, transcendence. To the right audience, Halle Berry is more glamorous commanding the elements as Storm in the &lt;I&gt;X-Men&lt;/I&gt; movies than she is walking the red carpet in a designer gown. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/glamour/" rel="tag"&gt;glamour&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/icons/" rel="tag"&gt;icons&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/society/" rel="tag"&gt;society&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/superman/" rel="tag"&gt;superman&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/superhero/" rel="tag"&gt;superhero&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/comics/" rel="tag"&gt;comics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/genre/" rel="tag"&gt;genre&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/spiderman/" rel="tag"&gt;spiderman&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/x-men/" rel="tag"&gt;x-men&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/hero/" rel="tag"&gt;hero&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.theatlantic.com/doc/200610/postrel-superhero?ca=p%2B3kkpx7COFZQcaize8iyNXpbm%2FE51Y5Gs%2FoEP7X7mI%3D</clipSource><pubDate>Thu, 28 Sep 2006 17:04:47 GMT</pubDate></item><item><title> Creepy eBay auction</title><link>http://clipmarks.com/clipmark/B1F34887-8C2C-4748-A70F-3EC1A1B9CD66/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  You are looking at a movie prop original.&lt;br/&gt;&lt;br/&gt;The Fembot of Jessica Kensington from the motion picture, Austin Powers 2, "The Spy Who Shagged Me". This silicon puppet weighs approximately 30lbs and is the original that was used in the movie. All silicon skin with a fiberglass plastic shell interior for the face. Face is wired with lights inside the eyes and mouth area. Works with a 9 volt battery. Punched hair. Also, there are holes where the nipples would be. This is where the special FX dept rigged gun barrels to pop out and shoot blanks. This prop does not include gun barrels or any equipment used on that effect. But it would be a simple task to rig fake ones as seen in the shot. This prop has been packed and stored since it's debut and is in mint condition. Originally cost over $20,000 to make.&lt;br/&gt; &lt;br/&gt;Comes with: Original dress used in the movie, Pull off silicon mask, and Black round wooden base with speedrail stand. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://cgi.ebay.com/Austin-Powers-Fem-Bot-Movie-Prop-Dummy-Original_W0QQitemZ230032560070QQihZ013QQcategoryZ60360QQrdZ1QQcmdZViewItem" title="http://cgi.ebay.com/Austin-Powers-Fem-Bot-Movie-Prop-Dummy-Original_W0QQitemZ230032560070QQihZ013QQcategoryZ60360QQrdZ1QQcmdZViewItem"&gt;cgi.ebay.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/EC3A26B8-8075-4FF8-9A3B-4771837E72DA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&amp;item=230032560070&amp;indexURL=4" title="http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&amp;item=230032560070&amp;indexURL=4"&gt;cgi.ebay.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/2FBD4E9A-DA2C-46B3-B6A6-5A656CA9440C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&amp;item=230032560070&amp;indexURL=7" title="http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&amp;item=230032560070&amp;indexURL=7"&gt;cgi.ebay.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/99AEFCA0-6083-4A52-A996-3BBDC9C83306.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/ebay/" rel="tag"&gt;ebay&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/auction/" rel="tag"&gt;auction&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fembot/" rel="tag"&gt;fembot&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/props/" rel="tag"&gt;props&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/design/" rel="tag"&gt;design&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://cgi.ebay.com/Austin-Powers-Fem-Bot-Movie-Prop-Dummy-Original_W0QQitemZ230032560070QQihZ013QQcategoryZ60360QQrdZ1QQcmdZViewItem</clipSource><pubDate>Wed, 27 Sep 2006 11:03:29 GMT</pubDate></item><item><title>The Iron Chef of Filmmaking</title><link>http://clipmarks.com/clipmark/D525B90B-1ECB-499B-B2D7-29DBB09C4F17/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cinemasports.com/index.php/about/Introducing_Cinemasports" title="http://www.cinemasports.com/index.php/about/Introducing_Cinemasports"&gt;www.cinemasports.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;p&gt;Teams have 10 hours to complete a movie with a list of ingredients. Finished movies screen the 11th hour, that very night. For Example, can different teams complete a short movie during daylight hours that includes an English teacher, a tattoo, and a lost lover? Three-time Oscar winner Walter Murch says, "Something emerges that's not contained in any of the films..." 
&lt;/p&gt;
&lt;p&gt;
Cinemasports staged events in 15 cities worldwide in 2005 in cities like New York, Paris, London, Frankfurt, Sofia (Bulgaria), and Los Angeles.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/film/" rel="tag"&gt;film&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cinema/" rel="tag"&gt;cinema&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/contest/" rel="tag"&gt;contest&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/time/" rel="tag"&gt;time&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/race/" rel="tag"&gt;race&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.cinemasports.com/index.php/about/Introducing_Cinemasports</clipSource><pubDate>Wed, 13 Sep 2006 16:43:52 GMT</pubDate></item><item><title>Art or Porn: Can you tell the difference?</title><link>http://clipmarks.com/clipmark/2A83BDF8-DC4E-48F1-A07F-7C763EFD09F9/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I correctly answered 7 out of 10. That'll do, I guess. &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt;&lt;br/&gt;&lt;br/&gt;More film quizzes can be found here: &lt;a href="http://film.guardian.co.uk/games" rel="nofollow" target="_blank"&gt;http://film.guardian.co.uk/games&lt;/a&gt;/  This site is so much fun! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://film.guardian.co.uk/quiz/questions/0,,1196044,00.html" title="http://film.guardian.co.uk/quiz/questions/0,,1196044,00.html"&gt;film.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;p&gt;&lt;font face="Arial,Helvetica,sans-serif" size="3"&gt;The Good Old Naughty Days is a smorgasbord of amateur porn from cinema's infancy. But can you tell it apart from the highest expressions of the seventh art? Have a look at these ten pictures, and for each case answer one simple question: art, or porn?&lt;/font&gt;&lt;/p&gt;&lt;p&gt;
&lt;/p&gt;&lt;form method="get" action="http://film.guardian.co.uk/quiz/results/0,,1196049,00.html"&gt;
&lt;input name="QUIZ_ID" value="4905948" type="hidden"&gt;
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		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artorpornV42362622.jpg" alt="Art or porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
		&lt;td&gt;&lt;img alt="" src="http://image.guardian.co.uk/global/grid/hspacer.gif" border="0" height="1" width="11"&gt;&lt;/td&gt;
		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;1. A young filly, glimpsed in her undies through the keyhole. Is it art (Claude Chabrol's 1959 À Double Tour)? Or porn?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
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						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Porn&lt;/font&gt;&lt;/td&gt;
					
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						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Art&lt;/font&gt;&lt;/td&gt;
					
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		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artpornV333262626.jpg" alt="Art or porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
		&lt;td&gt;&lt;img alt="" src="http://image.guardian.co.uk/global/grid/hspacer.gif" border="0" height="1" width="11"&gt;&lt;/td&gt;
		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;2. More through-the-keyhole fun. Is it art (Jacques Tati's 1953 film M Hulot's Holiday)? Or porn?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
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						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Art&lt;/font&gt;&lt;/td&gt;
					
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		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artpornV2222232.jpg" alt="Art or porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
		&lt;td&gt;&lt;img alt="" src="http://image.guardian.co.uk/global/grid/hspacer.gif" border="0" height="1" width="11"&gt;&lt;/td&gt;
		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;3. A convivial scene, and no mistake. Again: art (Buster Keaton's Our Hospitality, 1923)? Or porn?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
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		&lt;td colspan="3" valign="top"&gt;&amp;nbsp;&lt;/td&gt;
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							 &lt;input name="Q_16990" value="165862" type="radio"&gt;
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						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Art&lt;/font&gt;&lt;/td&gt;
					
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							 &lt;input name="Q_16990" value="165863" type="radio"&gt;
						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Porn&lt;/font&gt;&lt;/td&gt;
					
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		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artpornV47272.jpg" alt="Art or porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
		&lt;td&gt;&lt;img alt="" src="http://image.guardian.co.uk/global/grid/hspacer.gif" border="0" height="1" width="11"&gt;&lt;/td&gt;
		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;4. A glimpse of stocking. Is it art (Marlene Dietrich in 1930's The Blue Angel)? Or porn?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
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		&lt;td colspan="3" valign="top"&gt;&amp;nbsp;&lt;/td&gt;
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							 &lt;input name="Q_16992" value="165864" type="radio"&gt;
						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Art&lt;/font&gt;&lt;/td&gt;
					
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							 &lt;input name="Q_16992" value="165865" type="radio"&gt;
						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Porn&lt;/font&gt;&lt;/td&gt;
					
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		&lt;td colspan="4"&gt;&amp;nbsp;&lt;/td&gt;
	&lt;/tr&gt;
	&lt;tr&gt;
		
		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artorpornV3263262.jpg" alt="Art or porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
		&lt;td&gt;&lt;img alt="" src="http://image.guardian.co.uk/global/grid/hspacer.gif" border="0" height="1" width="11"&gt;&lt;/td&gt;
		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;5. Bad habits. Art (Audrey Hepburn and Peggy Ashcroft in The Nun's Story, 1959)? Or porn?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
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		&lt;td colspan="3" valign="top"&gt;&amp;nbsp;&lt;/td&gt;
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							 &lt;input name="Q_16994" value="165866" type="radio"&gt;
						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Art&lt;/font&gt;&lt;/td&gt;
					
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							 &lt;input name="Q_16994" value="165867" type="radio"&gt;
						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Porn&lt;/font&gt;&lt;/td&gt;
					
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		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artorpornV2626.jpg" alt="Art or porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
		&lt;td&gt;&lt;img alt="" src="http://image.guardian.co.uk/global/grid/hspacer.gif" border="0" height="1" width="11"&gt;&lt;/td&gt;
		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;6. Can this sort of thing really be art (Kurosawa's Scandal, 1950)? Or is it porn?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
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						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Art&lt;/font&gt;&lt;/td&gt;
					
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		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artorpornV2532.jpg" alt="Art or porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
		&lt;td&gt;&lt;img alt="" src="http://image.guardian.co.uk/global/grid/hspacer.gif" border="0" height="1" width="11"&gt;&lt;/td&gt;
		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;7. Is this saucy young lady the silver screen icon Louise Brooks? Or is this just yet more porn?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
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		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artpornV26278773444.jpg" alt="Art or porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
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		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;8. Do you recognise this lady as the great comic actor of silent cinema Mabel Normand? Or is she a dilettante of the early porn scene?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
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						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Art&lt;/font&gt;&lt;/td&gt;
					
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		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artporn23622.jpg" alt="Art of porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
		&lt;td&gt;&lt;img alt="" src="http://image.guardian.co.uk/global/grid/hspacer.gif" border="0" height="1" width="11"&gt;&lt;/td&gt;
		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;9. Nothing too scandalous here ... yet. Is this about to degenerate into art (Pandora's Box, 1929)? Or porn?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
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		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artpornV209722.jpg" alt="Art or porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
		&lt;td&gt;&lt;img alt="" src="http://image.guardian.co.uk/global/grid/hspacer.gif" border="0" height="1" width="11"&gt;&lt;/td&gt;
		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;10. A femme-bot with pointy conical breasts. Art (Fritz Lang's Metropolis, 1926)? Or porn?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
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&lt;/tbody&gt;&lt;/table&gt;
&lt;/form&gt;
&lt;!-- interp: /Com/Up_Button/0,,,00.html --&gt;&lt;br&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/porn/" rel="tag"&gt;porn&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/quiz/" rel="tag"&gt;quiz&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/film/" rel="tag"&gt;film&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://film.guardian.co.uk/quiz/questions/0,,1196044,00.html</clipSource><pubDate>Wed, 13 Sep 2006 16:00:07 GMT</pubDate></item></channel></rss>