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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | grimmy's 'creation' clips</title><link>http://clipmarks.com/clipper/grimmy/search/creation/sort/most-pops/</link><feedUrl>http://rss.clipmarks.com/clipper/grimmy/search/creation/sort/most-pops/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>10 Most Impressive Photos of our Universe</title><link>http://clipmarks.com/clipmark/89D4088F-3D68-4662-A86E-96A8FCE128D4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arifsali/"&gt;arifsali&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Not sure if anyone has posted this here already. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.oddpeak.com/item_63760.aspx" title="http://www.oddpeak.com/item_63760.aspx"&gt;www.oddpeak.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;10 Most Impressive Photos of our Universe&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Eskimo Nebula&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/B930CF4A-D6AB-412B-874E-C45743D9146A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Pillars of Creation&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/49596711-D55D-45BF-AED5-CC728FE85C52.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Pale Blue Dot&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/BE9E6503-EAC2-4D29-B76C-211FFC40EFBC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Supernova 1987A&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/84F50519-4206-4574-B9B7-5B425F39E801.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Antennae Galaxies&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/FB4B937F-6AF0-4C94-85A1-A46EBD26CBDB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Hubble Deep Field&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/2D75F1FC-845F-4988-BCDE-F86506EDD640.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Crab Nebula&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/33C7E9FF-0EBC-4D4A-9681-751997B82D9A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Cat's Eye Nebula&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/2D7E38FC-B69C-4860-BA87-B7C74A29A7BE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Gamma Ray Explosion&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/581CE908-2E80-4B23-BC13-54BB8593DF78.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Protoplanetary Disks&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/C419549E-7522-4B8C-8AD4-768435FC8D1E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/universe/" rel="tag"&gt;universe&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/pictures/" rel="tag"&gt;pictures&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.oddpeak.com/item_63760.aspx</clipSource><pubDate>Mon, 06 Nov 2006 20:16:20 GMT</pubDate></item><item><title>Clipmarks and the Art of Highlighting</title><link>http://clipmarks.com/clipmark/9FCACCF7-3E73-417A-8BA7-CB137ED16B76/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/adamc/"&gt;adamc&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Clipper &lt;a href="http://clipmarks.com/clipper/JICWyllie/"&gt;JICWyllie&lt;/a&gt; published this piece in Inside Knowledge magazine. His insight regarding annotation and classification is fascinating. And it's inspiring to read about the potential of Clipmarks as a tool for group intelligence -- World Mind here we come! &lt;br/&gt;&lt;br/&gt;Thanks Jan! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ikmagazine.com/xq/asp/sid.6B37AAD7-2F8C-430F-9586-78A6E91E4F51/articleid.F3E67D0D-29E1-4EC7-853F-BF142FC00565/eTitle.Last_word_Highlighting_the_best/qx/display.htm" title="http://www.ikmagazine.com/xq/asp/sid.6B37AAD7-2F8C-430F-9586-78A6E91E4F51/articleid.F3E67D0D-29E1-4EC7-853F-BF142FC00565/eTitle.Last_word_Highlighting_the_best/qx/display.htm"&gt;www.ikmagazine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="MsoNormal"&gt;Sorting the useful information from the rubbish on the internet is an everyday challenge. Can social-networking sites, such as Clipmarks, help? &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="MsoNormal"&gt;After looking at Clipmarks for a few minutes, here is part of what I first wrote: “Clipmarks is the first vital step towards the collaborative creation of a new level of meta-knowledge, enabling people to better understand the big picture. The next step is to use multifaceted taxonomies as the intellectual tools for collecting and organising the evidence on which metaknowledge is based.”&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;All individuals and groups can start contributing their intelligence and interests to the content and organisation of corporate clips collections (or the World Mind), right now, using simple tools and tagging devices like Clipmarks.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/clipmarks/" rel="tag"&gt;clipmarks&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/information/" rel="tag"&gt;information&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/inside+knowledge/" rel="tag"&gt;inside knowledge&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.ikmagazine.com/xq/asp/sid.6B37AAD7-2F8C-430F-9586-78A6E91E4F51/articleid.F3E67D0D-29E1-4EC7-853F-BF142FC00565/eTitle.Last_word_Highlighting_the_best/qx/display.htm</clipSource><pubDate>Tue, 24 Jul 2007 19:13:48 GMT</pubDate></item><item><title>Creative Staircases</title><link>http://clipmarks.com/clipmark/2CBCB3BD-A1B3-4A68-8C92-EE6FEB25818E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/thisnamecantbetaken/"&gt;thisnamecantbetaken&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bspcn.com/2007/11/06/9-creative-staircases/" title="http://www.bspcn.com/2007/11/06/9-creative-staircases/"&gt;www.bspcn.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;stairs are generally pretty boring.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;don’t get me wrong: if the staircase gets me from one level to another, it’s succeeded as a design. i just wish they were a bit more exciting.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;1. storage staircase&lt;BR /&gt;&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thisnamecantbetaken/512/66778C1C-400A-42E4-B364-E484929B50A4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;2. musical stairs&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;3. crooked stairs&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thisnamecantbetaken/512/B7E147FA-987D-41C4-BBAE-65B99DA4AE90.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;4. slide staircase&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thisnamecantbetaken/512/AC882A0D-C8A9-4135-B3A1-82E10587EB62.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;5. internal log staircase&lt;BR /&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thisnamecantbetaken/512/43C0CB1E-062A-4752-8559-2724A4FC5FC9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thisnamecantbetaken/512/C8D070E9-200F-480B-AECC-7191EDA3844F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;6. retractable staircase&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thisnamecantbetaken/512/AFE464A5-866C-4005-B4E7-363AE858FA97.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;7. steel ribbon stairs&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thisnamecantbetaken/512/7D422E69-B910-4BC5-9FBF-ACFF85F10A1A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thisnamecantbetaken/512/A4ECC670-EBF0-4972-9AF8-A16F1A591603.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;8. suspended stairs&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thisnamecantbetaken/512/FA5AF9E1-C677-4E89-BBE0-8CC3A0F4014B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thisnamecantbetaken/512/459F921E-77D1-45D3-BE94-F2B5AC996E03.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;9. ‘impossible’ spiral staircase&lt;BR /&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thisnamecantbetaken/512/2915657D-9EDA-4F8A-A177-4D865A75193D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;there are &lt;A target="_blank" href="http://www.snopes.com/horrors/ghosts/loretto.asp"&gt;many mysteries&lt;/A&gt; surrounding the construction of the spiral staircase at loretto chapel and many believe the appearance of it to be a miracle. design-wise, the staircase is extremely impressive - there is no visible central beam to hold the staircase up and no nails have been used during its creation. however the central spiral is so narrow that it does indeed act as a support beam for the staircase.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/architecture/" rel="tag"&gt;architecture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/stairs/" rel="tag"&gt;stairs&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/staircases/" rel="tag"&gt;staircases&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/design/" rel="tag"&gt;design&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.bspcn.com/2007/11/06/9-creative-staircases/</clipSource><pubDate>Sun, 02 Dec 2007 11:18:01 GMT</pubDate></item><item><title>25 Greatest Science Books of All Time</title><link>http://clipmarks.com/clipmark/AC432B63-D3A3-4BBA-B298-981776A00C44/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;&lt;b&gt;&lt;i&gt;The Origin of Species&lt;/i&gt; (1859)&lt;/b&gt;&lt;br/&gt;&lt;br/&gt;Darwin's masterwork is, undeniably, &lt;i&gt;The Origin of Species&lt;/i&gt;, in which he introduced his theory of evolution by natural selection. Prior to its publication, the prevailing view was that each species had existed in its current form since the moment of divine creation and that humans were a privileged form of life, above and apart from nature. Darwin's theory knocked us from that pedestal. Wary of a religious backlash, he kept his ideas secret for almost two decades while bolstering them with additional observations and experiments. The result is an avalanche of detail—there seems to be no species he did not contemplate—thankfully delivered in accessible, conversational prose. A century and a half later, Darwin's paean to evolution still begs to be heard: "There is grandeur in this view of life," he wrote, that "from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://discover.com/issues/dec-06/features/25-greatest-science-books/" title="http://discover.com/issues/dec-06/features/25-greatest-science-books/"&gt;discover.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;&lt;SPAN&gt;
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1. &lt;/SPAN&gt;and 2. &lt;I&gt;The Voyage of the Beagle&lt;/I&gt; (1845) and &lt;I&gt;The Origin of Species&lt;/I&gt; (1859) by Charles Darwin [tie]&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/85525F33-DE61-40F1-8B88-3EB395C457F7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;3. &lt;I&gt;Philosophiae Naturalis Principia Mathematica&lt;/I&gt; (&lt;I&gt;Mathematical Principles of Natural Philosophy&lt;/I&gt;) by Isaac Newton (1687)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/6978025C-71AF-45E5-A132-E1FF0562B114.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;4. &lt;I&gt;Dialogue Concerning the Two Chief World Systems&lt;/I&gt; by Galileo Galilei (1632)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/653C096A-0553-467A-B491-CAFEE8E28EE7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;5. &lt;I&gt;De Revolutionibus Orbium Coelestium&lt;/I&gt; (&lt;I&gt;On the Revolutions of Heavenly Spheres&lt;/I&gt;) by Nicolaus Copernicus (1543)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/E7068CC6-12F2-433A-8896-9F8B5AEF355C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;6. &lt;I&gt;Physica&lt;/I&gt; (&lt;I&gt;Physics&lt;/I&gt;) by Aristotle (circa 330 B.C.)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/8F35CA60-CE32-4517-8DCC-DF40E864EB70.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;7. &lt;I&gt;De Humani Corporis Fabrica&lt;/I&gt; (&lt;I&gt;On the Fabric of the Human Body&lt;/I&gt;) by Andreas Vesalius (1543)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/3A460767-6B63-44F1-9CE7-D5525A2DF4D8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left"&gt;&lt;B&gt;8. &lt;I&gt;Relativity: The Special and General Theory&lt;/I&gt; by Albert Einstein (1916)&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/BC6199BA-625D-47D8-AD97-AE8B9315CB0F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://discover.com/issues/dec-06/features/25-greatest-science-books/?page=2" title="http://discover.com/issues/dec-06/features/25-greatest-science-books/?page=2"&gt;discover.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;9. &lt;I&gt;The Selfish Gene&lt;/I&gt; by Richard Dawkins (1976)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;10. &lt;I&gt;One Two Three . . . Infinity&lt;/I&gt; by George Gamow (1947)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/D0D26120-BBC0-4B04-AB86-1133F73EDFB1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;11. &lt;I&gt;The Double Helix&lt;/I&gt; by James D. Watson (1968)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;12. &lt;I&gt;What Is Life?&lt;/I&gt; by Erwin Schrödinger (1944)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;13. &lt;I&gt;The Cosmic Connection&lt;/I&gt; by Carl Sagan (1973)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/DAC849BD-3D5E-4EC6-9568-5231C175C3CD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;14. &lt;I&gt;The Insect Societies&lt;/I&gt; by Edward O. Wilson (1971)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;15. &lt;I&gt;The First Three Minutes&lt;/I&gt; by Steven Weinberg (1977)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;16. &lt;I&gt;Silent Spring&lt;/I&gt; by Rachel Carson (1962)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;17. &lt;I&gt;The Mismeasure of Man&lt;/I&gt; by Stephen Jay Gould (1981)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/671A6EFD-A2A1-4BFE-B27D-D765F44DB914.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;18. &lt;I&gt;The Man Who Mistook His Wife for a Hat and Other Clinical Tales&lt;/I&gt; by Oliver Sacks (1985)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://discover.com/issues/dec-06/features/25-greatest-science-books/?page=3" title="http://discover.com/issues/dec-06/features/25-greatest-science-books/?page=3"&gt;discover.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left"&gt;&lt;B&gt;19. &lt;I&gt;The Journals of Lewis and Clark by Meriwether Lewis and William Clark (1814)&lt;/I&gt;&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left"&gt;&lt;B&gt;20. &lt;I&gt;The Feynman Lectures on Physics&lt;/I&gt; &lt;A href="http://discover.com/issues/dec-06/features/25-greatest-science-books/?page=3%23correction"&gt;by*&lt;/A&gt; Richard P. Feynman, Robert B. Leighton, and Matthew Sands (1963)&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/A4301C24-5338-468A-95C9-8CF455AEBDDF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left"&gt;&lt;B&gt;21. &lt;I&gt;Sexual Behavior in the Human Male&lt;/I&gt; by Alfred C. Kinsey et al. (1948)&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;22. &lt;I&gt;Gorillas in the Mist&lt;/I&gt; by Dian Fossey (1983)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/7213F115-ACD0-40E5-B6CA-C7C355CAC15A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;23. &lt;I&gt;Under a Lucky Star&lt;/I&gt; by Roy Chapman Andrews (1943)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;24. &lt;I&gt;Micrographia&lt;/I&gt; by Robert Hooke (1665)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/FA990043-E3AB-48D5-A7BA-C281FB340DE4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;25. &lt;I&gt;Gaia&lt;/I&gt; by James Lovelock (1979)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center" class="lightOrangeBg"&gt;&lt;B&gt;Honorable Mentions&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/book/" rel="tag"&gt;book&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/books/" rel="tag"&gt;books&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reading/" rel="tag"&gt;reading&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/best+of/" rel="tag"&gt;best of&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/discover/" rel="tag"&gt;discover&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/darwin/" rel="tag"&gt;darwin&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/newton/" rel="tag"&gt;newton&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/galileo/" rel="tag"&gt;galileo&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://discover.com/issues/dec-06/features/25-greatest-science-books/</clipSource><pubDate>Tue, 21 Nov 2006 02:26:37 GMT</pubDate></item><item><title>A "Second Sphinx" at Giza?</title><link>http://clipmarks.com/clipmark/287829E0-88C2-4EB3-B1C4-5E098B145C21/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/invictus/"&gt;invictus&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://omega.wordpress.com/2007/08/30/were-there-a-second-sphinx-in-giza/" title="http://omega.wordpress.com/2007/08/30/were-there-a-second-sphinx-in-giza/"&gt;omega.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; After analyzing the elements of the Ancient Egyptian belief system, Egyptologist &lt;STRONG&gt;Bassam El Shammaa&lt;/STRONG&gt; comes up with a very unorthodox view that would shake the established Egyptology and most likely, trigger a swarm of fresh debates on the origins of the monuments at &lt;STRONG&gt;Giza&lt;/STRONG&gt;. Pointing out the dualist essence of the Ancient Egyptian cosmology, El Shammaa argues the very likely existence of a “Second Sphinx” on the Giza plateau, next to the one we know as &lt;EM&gt;The Great Sphinx&lt;/EM&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/invictus/512/EA022E55-EA9B-49E3-B4B2-25E827FDAF32.jpg" alt="The Sphinx" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;“Whenever we have to deal with the solar cult, we should speak of one lion and one lioness facing each other, posing parallel to each other or sitting in a back-to-back position,” says El Shammaa. He draws our attention to the Egyptian creation myth, where the almighty &lt;STRONG&gt;Atum&lt;/STRONG&gt; gives birth to his son &lt;STRONG&gt;Shu&lt;/STRONG&gt; and his daughter &lt;STRONG&gt;Tefnut&lt;/STRONG&gt;, in the form of a lion and lioness. He also points out that the &lt;EM&gt;Dream Stela&lt;/EM&gt; carved by &lt;STRONG&gt;Thutmosis IV&lt;/STRONG&gt; and found between the paws of the giant statue, clearly depicted two sphinxes.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/archaeology/" rel="tag"&gt;archaeology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/egypt/" rel="tag"&gt;egypt&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/giza/" rel="tag"&gt;giza&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sphinx/" rel="tag"&gt;sphinx&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://omega.wordpress.com/2007/08/30/were-there-a-second-sphinx-in-giza/</clipSource><pubDate>Thu, 30 Aug 2007 16:03:34 GMT</pubDate></item><item><title>Native American Wisdom Quotes</title><link>http://clipmarks.com/clipmark/CB868F59-F491-43E7-BEFA-EABB2C6A037D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/thisnamecantbetaken/"&gt;thisnamecantbetaken&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;What is life?&lt;br/&gt;It is the flash of a firefly in the night.&lt;br/&gt;It is the breath of a buffalo in the wintertime.&lt;br/&gt;It is the little shadow which runs across&lt;br/&gt;the grass and loses itself in the sunset.&lt;br/&gt;&lt;br/&gt;Crowfoot, Blackfoot warrior and orator 1830 - 1890&lt;/blockquote&gt; Go to the site, read some more, and listen.  &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sapphyr.net/natam/quotes-nativeamerican.htm" title="http://www.sapphyr.net/natam/quotes-nativeamerican.htm"&gt;www.sapphyr.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Native American Wisdom Quotes&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Inspirational sayings, quotes, 
                  and words of wisdom from a Native American perspective, reflecting 
                  Native American beliefs, philosophy and spirituality.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thisnamecantbetaken/512/4060B604-A4CC-4930-BC4F-5B7991F1246C.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Lakota Instructions for Living&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
                      Friend do it this way - that is,&lt;BR /&gt;
                      whatever you do in life,&lt;BR /&gt;
                      do the very best you can&lt;BR /&gt;&lt;DIV&gt;
                      with both your heart and mind.&lt;/DIV&gt;
                      &lt;BR /&gt;
                      And if you do it that way,&lt;BR /&gt;
                      the Power Of The Universe&lt;BR /&gt;
                      will come to your assistance,&lt;BR /&gt;&lt;DIV&gt;
                      if your heart and mind are in Unity.&lt;/DIV&gt;
                      &lt;BR /&gt;
                      When one sits in the Hoop Of The People,&lt;BR /&gt;
                      one must be responsible because&lt;BR /&gt;
                      All of Creation is related.&lt;BR /&gt;
                      And the hurt of one is the hurt of all.&lt;BR /&gt;
                      And the honor of one is the honor of all.&lt;BR /&gt;&lt;DIV&gt;
                      And whatever we do effects everything in the universe.&lt;/DIV&gt;
                      &lt;BR /&gt;
                      If you do it that way - that is,&lt;BR /&gt;
                      if you truly join your heart and mind&lt;BR /&gt;
                      as One - whatever you ask for,&lt;BR /&gt;&lt;DIV&gt;
                      that's the Way It's Going To Be.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thisnamecantbetaken/512/3629C626-CBCD-42BB-8B10-BB376F86DD2A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/thisnamecantbetaken/512/3E6EBED8-7517-4652-81A5-9D3B3E2B6A2C.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;May the stars carry your sadness away,&lt;BR /&gt;
                    May the flowers fill your heart with beauty,&lt;BR /&gt;
                    May hope forever wipe away your tears,&lt;BR /&gt;&lt;DIV&gt;
                    And, above all, may silence make you strong.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.sapphyr.net/natam/quotes-nativeamerican.htm</clipSource><pubDate>Wed, 06 Feb 2008 08:47:09 GMT</pubDate></item><item><title>Your life is Perfect. </title><link>http://clipmarks.com/clipmark/7928DC73-F774-49B0-8D9A-B50AE57551FF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/pokkets/"&gt;pokkets&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  We often don't know if we want something until we get it, and then find it wasn't what we wanted. Through that discovery, we can start to believe we really wanted something else, and the chase continues, turning goals into hurdles. Often confusing improvement with change. Perhaps another angle could be learning what we need to, but also trying to improve what we can already do well, without neglecting the opportunities to learn from what we can consider to be failures. We can change situations, but changing who we are may not be possible, and if it is we don't have the foresight to make it a likely improvement. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mindpowernews.com/PerfectLife.htm" title="http://www.mindpowernews.com/PerfectLife.htm"&gt;www.mindpowernews.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;B&gt;By 
        Enoch Tan&lt;BR /&gt;
        &lt;/B&gt;&lt;/FONT&gt;&lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif" color="#000000"&gt;&lt;B&gt;Author 
        of &lt;/B&gt;&lt;/FONT&gt;&lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif" color="#0000ff"&gt;&lt;A target="_blank" href="http://www.mindpowernews.com/RealityCreation.htm"&gt;&lt;B&gt;Reality 
        Creation Secrets&lt;IMG class="linkscent-icon" src="http://www.mindpowernews.com/chrome://interclue/content/cluecore/skins/default/linkscentDefault.png" clueid="favIcon" /&gt;&lt;IMG class="linkscent-icon" src="http://www.mindpowernews.com/chrome://interclue/content/cluecore/skins/default/pixel.gif" clueid="clueIcon" /&gt;&lt;/B&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif" color="#0000ff"&gt;&lt;A target="_blank" href="http://www.mindpowernews.com/ManifestationKeys.htm"&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;STRONG&gt;&lt;BR /&gt;
        &lt;/STRONG&gt;&lt;/FONT&gt;&lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif"&gt; 
        &lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif"&gt; &lt;/FONT&gt;&lt;/FONT&gt;&lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif"&gt; 
        &lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif"&gt; &lt;/FONT&gt;&lt;/FONT&gt;&lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif"&gt; 
        &lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif"&gt; &lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif"&gt;People think 
        that their life will only be perfect when they have achieved everything 
        they want, when everything is completely going the way they want it to 
        go. &lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif"&gt;They are 
        looking at the perfect state of life as something that is in the future, 
        that they don’t have it now but they need to move towards it. &lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif"&gt;The truth 
        is even when they have reached that state, there will still be new desires 
        that will arise to be achieved. It is an illusion to think that the perfect 
        life is something in the future instead of being present with us.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;If you think 
        that the perfect state of your life can only be experienced when everything 
        you desire is manifested, then you are separating yourself in time. Thinking 
        in terms of linear time is what creates resistance towards our desires 
        manifesting as perfectly as possible&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;There is 
        really no separation between past, present and future because spirit contains 
        it all as one reality&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;your perfect 
        life&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;you can step into 
        instantly&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/life/" rel="tag"&gt;life&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/perfect/" rel="tag"&gt;perfect&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/past/" rel="tag"&gt;past&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/present/" rel="tag"&gt;present&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/future/" rel="tag"&gt;future&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.mindpowernews.com/PerfectLife.htm</clipSource><pubDate>Tue, 13 Nov 2007 03:26:10 GMT</pubDate></item><item><title>10 Important Differences Between Brains and Computers</title><link>http://clipmarks.com/clipmark/E4BCCC05-CD73-45B8-B081-70CAB2A10668/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://scienceblogs.com/developingintelligence/2007/03/why_the_brain_is_not_like_a_co.php" title="http://scienceblogs.com/developingintelligence/2007/03/why_the_brain_is_not_like_a_co.php"&gt;scienceblogs.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Although the brain-computer metaphor has served cognitive psychology well, research in cognitive neuroscience has revealed many important differences between brains and computers.  Appreciating these differences may be crucial to understanding the mechanisms of neural information processing, and ultimately for the creation of artificial intelligence.  Below, I review the most important of these differences (and the consequences to cognitive psychology of failing to recognize them): similar ground is covered in this excellent (though lengthy) &lt;A href="http://www.msri.org/cgi-bin/real.cgi?realhost=real.msri.org&amp;realfile=/hosted/pmmb/2002/mumford/1" linkindex="132"&gt;lecture&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Difference # 1: Brains are analogue; computers are digital&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Difference # 2: The brain uses content-addressable memory&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Difference # 3: The brain is a massively parallel machine; computers are modular and serial&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;Difference # 4: Processing speed is not fixed in the brain; there is no system clock&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Difference # 5 - Short-term memory is not like RAM&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Difference # 6: No hardware/software distinction can be made with respect to the brain or mind&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/computers/" rel="tag"&gt;computers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/brains/" rel="tag"&gt;brains&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/metaphors/" rel="tag"&gt;metaphors&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://scienceblogs.com/developingintelligence/2007/03/why_the_brain_is_not_like_a_co.php</clipSource><pubDate>Tue, 01 Jul 2008 10:34:22 GMT</pubDate></item><item><title>Amazing Shark Pictures Off South African Coast </title><link>http://clipmarks.com/clipmark/FEE6908A-3F0D-43E5-8BA3-528FA64833CE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/merrie/"&gt;merrie&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "To see a perfectly streamlined great white slowly cruising in clear water with shafts of light bouncing off its back is like watching a sports car effortlessly cruise past you on the freeway. It is just one of those moments that makes you appreciate a beautiful creation." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:#e5e5e5"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/earth/main.jhtml?xml=/earth/2007/11/17/eashark117.xml&amp;CMP=ILC-mostviewedbox" title="http://www.telegraph.co.uk/earth/main.jhtml?xml=/earth/2007/11/17/eashark117.xml&amp;CMP=ILC-mostviewedbox"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;It is the ultimate predator, nature's most efficient killing machine which can hunt and kill its prey with remarkable ease.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.telegraph.co.uk/earth/graphics/2007/11/16/shark01.jpg" alt="Shark leaping out of water" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;These shots capture the splendour and horror of a great white shark weighing two tons leaping 10ft from the water as it closes inevitably on its victim.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.telegraph.co.uk/earth/graphics/2007/11/16/shark02.jpg" alt="Shark leaping out of water" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;After reaching speeds of up to 35mph on its ascent from the depths, the shark uses serried ranks of razor-sharp teeth to tear into the seal.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.telegraph.co.uk/earth/graphics/2007/11/16/shark03.jpg" alt="Shark leaping out of water" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;The wildlife photographer Chris Fellows spends over half of each year waiting off the coast of South Africa to capture the sharks at their grisly work.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.telegraph.co.uk/earth/graphics/2007/11/16/shark04.jpg" alt="Shark leaping out of water" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;These dramatic pictures, taken near Seal Island, in False Bay, are part of a decade-long campaign to promote positive awareness of great white sharks, which are classed as "endangered" largely due to being hunted by man.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.telegraph.co.uk/earth/graphics/2007/11/16/shark05.jpg" alt="Shark leaping out of water" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The sharks feed on young seals when they are attempting to return to Seal Island &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.telegraph.co.uk/earth/graphics/2007/11/16/shark06.jpg" alt="Shark leaping out of water" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The average great white in the waters around Seal Island measures between 12-16ft&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the biggest being a near 20-feet long giant &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.telegraph.co.uk/earth/graphics/2007/11/16/shark08.jpg" alt="Shark leaping out of water" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.telegraph.co.uk/earth/graphics/2007/11/16/shark09.jpg" alt="Shark leaping out of water" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/shark/" rel="tag"&gt;shark&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/great+white/" rel="tag"&gt;great white&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/hunted/" rel="tag"&gt;hunted&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/endangered/" rel="tag"&gt;endangered&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/south+africa/" rel="tag"&gt;south africa&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.telegraph.co.uk/earth/main.jhtml?xml=/earth/2007/11/17/eashark117.xml&amp;CMP=ILC-mostviewedbox</clipSource><pubDate>Sun, 10 Feb 2008 04:57:34 GMT</pubDate></item><item><title>The Genius/Madness of Salvador Dali</title><link>http://clipmarks.com/clipmark/AB3C5322-AC97-4B2D-8672-6F26821F63F8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I'm a huge fan of both! &lt;br/&gt;&lt;br/&gt;Here's an old clip on &lt;a href="http://clipmarks.com/clipmark/840DA639-F0DA-4953-A781-F5AB132472D2/"&gt;Philippe Halsman's jump portraits&lt;/a&gt;. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/" title="http://todayspictures.slate.com/dalihap/"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD class="mBook"&gt;Photographer Philippe Halsman and Salvador Dali collaborated on a series of images, the result of which is a fascinating look at how photography appealed to Dali in the 1940s-60s. Magnum and &lt;I&gt;&lt;B&gt;Slate&lt;/B&gt;&lt;/I&gt; present a compendium of images from this series to celebrate the birth of Dali on May 11, 1904. (This gallery contains nudity.)
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/4865750B-BF85-4BAA-9D17-841D8BCC43A8.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Salvador Dali, 1954.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/9.html" title="http://todayspictures.slate.com/dalihap/9.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/48D99A95-D656-48B2-9ACB-9873BCA0EE49.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/10.html" title="http://todayspictures.slate.com/dalihap/10.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/A1AB477A-525E-42A3-9BAD-DAC7CEFF7826.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/13.html" title="http://todayspictures.slate.com/dalihap/13.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/C289592A-F9DB-48A9-A4D0-7519A82B9CA1.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/11.html" title="http://todayspictures.slate.com/dalihap/11.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/27C5074C-21EC-4E9A-811D-718A97C7EB1B.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/20.html" title="http://todayspictures.slate.com/dalihap/20.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/C7E8BF6D-BC06-4686-9515-BAA4911E0C1D.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/14.html" title="http://todayspictures.slate.com/dalihap/14.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/520A77C8-266F-4BF8-BF93-46B0AA41D7FD.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/7.html" title="http://todayspictures.slate.com/dalihap/7.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/6E234F80-3D38-45AA-9C23-A2034355E85D.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/8.html" title="http://todayspictures.slate.com/dalihap/8.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/491B5040-F481-4B13-9982-233A51914F5C.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/2.html" title="http://todayspictures.slate.com/dalihap/2.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;A play on Dali’s &lt;I&gt;The Persistence of Memory&lt;/I&gt; (1931), 1952.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/B9079924-3B70-4DB2-8BBC-7C7A80777E39.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/6.html" title="http://todayspictures.slate.com/dalihap/6.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;UNITED STATES—Dali's &lt;I&gt;My Hairspring&lt;/I&gt;, 1954.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/088D0BF9-7E63-41CD-8A44-87D07BF5A2DA.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/3.html" title="http://todayspictures.slate.com/dalihap/3.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Dali, 1953.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/0658393A-2984-4139-8458-22BE957C9CE8.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/4.html" title="http://todayspictures.slate.com/dalihap/4.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;I&gt;Dali Atomicus&lt;/I&gt;, by Dali, 1948.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/32F6B561-3225-4C78-88A5-56B7A7B480B4.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/5.html" title="http://todayspictures.slate.com/dalihap/5.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;SPAIN—Dali in bed, projecting pieces of dirty paper "to stimulate his inspiration," 1964.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/655DACDB-A096-40C1-BE0C-8AB208F86F65.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/12.html" title="http://todayspictures.slate.com/dalihap/12.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;NEW YORK—Dali's &lt;I&gt;Chaos &amp; Creation&lt;/I&gt;, 1960.  &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/1F8C795F-D6FD-484B-89CD-5630AC191DF9.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/15.html" title="http://todayspictures.slate.com/dalihap/15.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;NEW YORK—Dali, 1951. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/61151DB1-ADC5-411E-AC33-CFFA00F1CAC0.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/17.html" title="http://todayspictures.slate.com/dalihap/17.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;PORT LIGAT, Spain—Dali, 1941.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/F261E7E9-999F-4D6F-A144-9EF36FFD06F2.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/18.html" title="http://todayspictures.slate.com/dalihap/18.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;UNITED STATES—&lt;I&gt;Las Meninas&lt;/I&gt; after Velásquez, 1965.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/E8F19628-EE5D-478F-B8A9-C0AB325112A2.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/19.html" title="http://todayspictures.slate.com/dalihap/19.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Dali, 1946.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/28D1583C-EFD9-4CA8-A4B0-DC39A5458725.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://todayspictures.slate.com/dalihap/16.html" title="http://todayspictures.slate.com/dalihap/16.html"&gt;todayspictures.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;PORT LIGAT, Spain—Dali. "In 1964, when the radio and newspapers announced that Dali had shaved his mustache,&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the information was wrong and Philippe and Dali concocted a photograph to show the world that Dali's mustache was still there, as strong as ever."—Yvonne Halsman, 1964.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/BDAC89E3-BCB8-415E-BF85-30839399ED39.jpg" alt="(c) Philippe Halsman / Magnum Photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/salvador+dali/" rel="tag"&gt;salvador dali&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photos/" rel="tag"&gt;photos&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/artist/" rel="tag"&gt;artist&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/collaboration/" rel="tag"&gt;collaboration&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/motion/" rel="tag"&gt;motion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/jump/" rel="tag"&gt;jump&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/portrait/" rel="tag"&gt;portrait&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/philippe+halsman/" rel="tag"&gt;philippe halsman&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://todayspictures.slate.com/dalihap/</clipSource><pubDate>Mon, 25 Jun 2007 05:55:04 GMT</pubDate></item><item><title>Stem Cells 2.0: Scientists Make Revolutionary Advance</title><link>http://clipmarks.com/clipmark/DE366D04-F93C-4868-AF5B-BB4A54DAA9E9/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dailygalaxy.com/my_weblog/2008/07/stem-cells-20-s.html" title="http://www.dailygalaxy.com/my_weblog/2008/07/stem-cells-20-s.html"&gt;www.dailygalaxy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/wildcat/512/A1870C85-6BF0-4E37-9015-ED5586F528DC.jpg" alt="Stem_cell_2" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;A while back scientists were making revolutionary breakthroughs in stem cell research.  Unfortunately they fell foul of interpretations of thousand year old texts in foreign languages, and a government with the scientific understanding of a squashed grape said "Sorry, our kind and loving God requires that people continue to suffer from Parkinson's, anemia, and various other horrible ailments."  Luckily, scientists are awesome and did the obvious thing - make ANOTHER revolutionary breakthrough to get around the problem.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The previous problem with stem cells was that they came from aborted or
otherwise unviable fetuses.  Note that these fetuses had been
terminated anyway, and the only issue now was whether it was more moral
to chuck the goo in a bin and burn it, or use it to help cure the
sick.  The ethical answer, apparently, isn't what you think.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;This issue can now be sidestepped with the creation of induced
pluripotent stem cells (IPS) from any kind of tissue&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/stem+cells/" rel="tag"&gt;stem cells&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/breakthrough/" rel="tag"&gt;breakthrough&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/medicine/" rel="tag"&gt;medicine&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dailygalaxy.com/my_weblog/2008/07/stem-cells-20-s.html</clipSource><pubDate>Fri, 04 Jul 2008 12:07:19 GMT</pubDate></item><item><title>The Role of Meaning in Human Thinking</title><link>http://clipmarks.com/clipmark/099C75D2-F98D-4601-B350-D4B1F8F891BF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://jetpress.org/v17/marsen.htm" title="http://jetpress.org/v17/marsen.htm"&gt;jetpress.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN lang="EN-GB"&gt;The creation of meaning to interpret and
communicate perceived phenomena is a fundamental trait of human intelligence.
This article explains some major ways in which this is achieved, focusing on
language and the perception of embodiment. It examines the representational
aspects of natural language, which account for the ambiguity of linguistic
signs, and describes how these manifest in metaphor, connotation and emotive
expression. The article argues that the human propensity to create meaning lies
largely in this representational ambiguity, which underlies all forms of
symbolism. However, the ambiguity of natural language has a paradoxical side,
since it is also at fault in many shortcomings of human communication, such as
misunderstanding and prejudicial stereotyping. This article argues that any
attempt to emulate human ways of thinking, for example in Artificial
Intelligence research, should take this paradoxical factor into account.&lt;O:P&gt;&lt;/O:P&gt;&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/ai/" rel="tag"&gt;ai&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ambiguity/" rel="tag"&gt;ambiguity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://jetpress.org/v17/marsen.htm</clipSource><pubDate>Fri, 01 Aug 2008 12:50:56 GMT</pubDate></item><item><title>Before the Big Bang - the Big Bounce</title><link>http://clipmarks.com/clipmark/1A4D6554-14EC-4C3A-ABF9-DB435C979C54/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Mohir/"&gt;Mohir&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Now, however, Dr Bojowald and fellow physicists are exploring territory unknown even to Einstein - the time before the Big Bang - using his new theory, called Loop Quantum Cosmology.&lt;br/&gt;&lt;br/&gt;An analysis of this, one of a series of newly-emerging theories which combine Einstein's theory of gravity (general relativity) with that of the subatomic world (quantum theory), "is supposed to provide a non-singular framework in which one could address the question of what was there before the Big Bang," he says. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/earth/main.jhtml?xml=/earth/2008/04/16/scibang116.xml" title="http://www.telegraph.co.uk/earth/main.jhtml?xml=/earth/2008/04/16/scibang116.xml"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;Scientists have obtained their first glimpse of what happened before the Big Bang of creation, revealing there was a "Big Bounce".&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Mohir/512/694C3C06-7318-4BDF-94D5-91A13CD780FD.jpg" alt="A state that initially has small fluctuations (left) bounces and develops larger fluctuations" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt; The new work suggests that time existed before the Big Bang, when a more ancient universe collapsed to give birth to the one we live in today.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; Ours is the latest universe in a series that expanded, then collapsed, before another - slightly different cosmos - was born anew, though many details are obscure and, the theory concludes, will always remain that way.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt; As described by Einstein's Theory of General Relativity, which dates back almost a century, the origin of the Big Bang is a mathematically nonsensical state - a "singularity" of zero volume that nevertheless contained infinite density and infinitely large energy.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt; "The usual understanding was that, according to general relativity, everything including time itself started with the Big Bang such that it simply does not make sense to ask what was there before," says Dr Bojowald.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/big+bang/" rel="tag"&gt;big bang&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/time/" rel="tag"&gt;time&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/physics/" rel="tag"&gt;physics&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.telegraph.co.uk/earth/main.jhtml?xml=/earth/2008/04/16/scibang116.xml</clipSource><pubDate>Wed, 16 Apr 2008 17:40:14 GMT</pubDate></item><item><title>Can we learn to love uncertainty?</title><link>http://clipmarks.com/clipmark/5AD4E9DC-6292-4029-9406-21B89CC0F22E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "... Yet they are all defined in terms of the unsettling lack of something positive or better. It is perhaps for that reason that the stories of those who discovered these uncertainties have been largely overlooked. This is why I made Dangerous Knowledge for BBC television: to champion the incomplete, the uncomputable and the uncertain." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://autismdiva.blogspot.com/2007/08/love-hate-uncertainty.html" title="http://autismdiva.blogspot.com/2007/08/love-hate-uncertainty.html"&gt;autismdiva.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Here's a newish &lt;SPAN&gt;New Scientist&lt;/SPAN&gt; article, by David Malone, it's titled:&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Can we learn to love uncertainty?&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;(Also titled, &lt;A href="http://www.newscientist.com/channel/opinion/mg19526152.100-perspectives-are-we-still-addicted-to-certainty.html;jsessionid=JIKJCBEEDELO"&gt;Are we addicted to certainty?&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;You might think that no one could argue with the value of certainty. It has the air of one of those indisputably good things, like world peace or motherhood. But I would argue that the pursuit of certainty has become a dangerous addiction.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Few notions have become as deeply embedded in our culture as the belief that there is a perfect certainty to be had - and the desire to have it.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Even as science squeezed out belief in God and scriptural certainties, a perfect law-governed creation remained; it was just under new management&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Science has become, in the minds of many, the new guarantor that there is certainty and that we can attain it.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/EB578EF5-AD7C-473E-ADC7-42EFAD5B09FC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The very word "uncertainty", along with "incompleteness" and "uncomputability", encapsulates one of the three of the most profound theories in 20th-century science and mathematics.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/uncertainty/" rel="tag"&gt;uncertainty&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/incompleteness/" rel="tag"&gt;incompleteness&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/uncomputability/" rel="tag"&gt;uncomputability&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://autismdiva.blogspot.com/2007/08/love-hate-uncertainty.html</clipSource><pubDate>Tue, 29 Jul 2008 21:25:42 GMT</pubDate></item><item><title>Artificial Islands of the Dead Sea</title><link>http://clipmarks.com/clipmark/B39B9108-5B3E-4CC3-BCDA-03C1CAD21151/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Mohir/"&gt;Mohir&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://io9.com/5016862/artificial-islands-of-the-dead-sea" title="http://io9.com/5016862/artificial-islands-of-the-dead-sea"&gt;io9.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Mohir/512/7C458204-04A0-416B-B1F4-E8080569FFF3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; The &lt;A href="http://io9.com/tag/dead-sea/" title="Click here to read more posts tagged DEAD SEA" rel="nofollow" class="autolink" linkindex="50"&gt;Dead Sea&lt;/A&gt;, a body of water that sits at the nexus of several political hot spots in the Middle East, has been a source of contention for decades. Now a New York City architecture firm called Phu Hoang Office has proposed a way to turn the sea into a thriving center for tourism and eco-research. The firm proposed the creation of artificial islands (pictured) called No Man's Land that would house hotels, create energy, and harvest clean water from the atmosphere. Check out more pictures and a schematic below.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Mohir/512/6EF85A42-D387-4587-97B0-C64C5E53A113.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE&gt;Salinity gradient solar ponds, water purification tanks, and water filtering processes will all be integrated into the designated “water islands” of the chain. The other two island designs will be for tourists and solar energy production, providing self sufficient power as well as creating revenue.&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/geo-enginering/" rel="tag"&gt;geo-enginering&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/architecture/" rel="tag"&gt;architecture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dead+sea/" rel="tag"&gt;dead sea&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://io9.com/5016862/artificial-islands-of-the-dead-sea</clipSource><pubDate>Tue, 17 Jun 2008 12:54:55 GMT</pubDate></item></channel></rss>