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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | enbar's 'post:tumblr' clips</title><link>http://clipmarks.com/clipper/enbar/tag/post%3atumblr/</link><feedUrl>http://rss.clipmarks.com/clipper/enbar/tag/post%3atumblr/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>How to wreck $100,000,000 worth of cars</title><link>http://clipmarks.com/clipmark/CA7CB0EA-04D8-4D4B-8326-F6D2B7AED52B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Mazda Corp. decides to destroy almost 5000 new vehicles after an almost-sinking freighter exposes them to unknown environmental stresses. Turns out wrecking a lot of new cars isn't as easy as it sounds: they created a "disassembly line." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://online.wsj.com/article/SB120942873506551291.html?mod=psp_editors_picks" title="http://online.wsj.com/article/SB120942873506551291.html?mod=psp_editors_picks"&gt;online.wsj.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="articleTitle"&gt;A Crushing Issue: &lt;BR /&gt;
How to Destroy &lt;BR /&gt;
Brand-New Cars&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Mazda Forced to Design  &lt;BR /&gt;
A 'Disassembly' Line  &lt;BR /&gt;
After Odd Sea Disaster&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="times"&gt;It all started about two years ago, when a ship carrying 4,703 shiny new Mazdas nearly sank in the Pacific. The freighter, the Cougar Ace, spent weeks bobbing on the high seas, listing at a severe 60-degree angle, before finally being righted.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The mishap created a dilemma: What to do with the cars? They had remained safely strapped down throughout the ordeal -- but no one knew for sure what damage, if any, might be caused by dangling cars at such a steep angle for so long.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/F1A7D6E2-6259-4E38-B976-4B63104D2949.jpg" alt="[mazda]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Mazda saw no easy way to guard against these outcomes. So it decided to destroy approximately $100 million worth of factory-new automobiles.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;So every steel-alloy wheel has to be sliced, every battery rendered inoperable, and every tire damaged beyond repair. All CD players must get smashed.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/strange/" rel="tag"&gt;strange&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/news/" rel="tag"&gt;news&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cars/" rel="tag"&gt;cars&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/business/" rel="tag"&gt;business&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3atumblr/" rel="tag"&gt;post:tumblr&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://online.wsj.com/article/SB120942873506551291.html?mod=psp_editors_picks</clipSource><pubDate>Wed, 30 Apr 2008 04:41:30 GMT</pubDate></item><item><title>American Sign Museum website: historic signs and lettering</title><link>http://clipmarks.com/clipmark/A26B3155-41AA-4CAE-BA00-BB54FC87BF95/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The museum is in Cincinnati, Ohio (800-925-1110), if you want to visit. I love this kind of stuff.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.signmuseum.com/home.php" title="http://www.signmuseum.com/home.php"&gt;www.signmuseum.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="100%" valign="top"&gt;
    &lt;DIV align="center"&gt;&lt;IMG width="698" height="157" align="bottom" alt="American Sign Museum" src="http://www.signmuseum.com/images/HOME-pageheadline.gif" /&gt;&lt;/DIV&gt;

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&lt;DIV align="center"&gt;&lt;IMG width="500" height="69" border="0" align="bottom" src="http://www.signmuseum.com/Images/HOME-WELCOME.gif" /&gt;

&lt;BR /&gt;

&lt;IMG width="500" height="19" align="bottom" src="http://www.signmuseum.com/Images/DIVIDER.gif" /&gt;

&lt;BR /&gt;&lt;BR /&gt;
&lt;TABLE width="713" height="23" cellspacing="0" cellpadding="0" border="0"&gt;
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    &lt;TD width="235" align="center"&gt;&lt;A href="https://www.stmediagroup.com/sm/smmembers.php"&gt;&lt;IMG width="180" height="180" align="bottom" src="http://www.signmuseum.com/Images/animation01.gif" /&gt;&lt;/A&gt;&lt;/TD&gt;
      &lt;TD width="477"&gt;&lt;BR /&gt;&lt;DIV&gt;

Come take a walk down Memory Lane and experience the only public sign museum in America.  Click through our website, and find a treasure 
trove of information relative to the rich tradition of sign fabrication and design.  You can also find news of sign preservation efforts 
throughout the country and even visit the Museum's permanent collection.  

&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;

But better yet, arrange to visit the American Sign Museum: You'll get a one and a half hour personal tour of more than 150 vintage 
signs guided by the museum's founder himself-Tod Swormstedt.  Swormstedt is the former editor and publisher of &lt;I&gt;&lt;B&gt;Signs of the Times&lt;/B&gt;&lt;/I&gt; 
magazine, a trade journal which celebrated its 100&lt;SUP&gt;th&lt;/SUP&gt; anniversary of continuous publication in May, 2006.

&lt;/DIV&gt;&lt;BR /&gt;

&lt;DIV align="center"&gt;&lt;A href="https://www.stmediagroup.com/sm/smmembers.php"&gt;&lt;IMG width="134" height="55" border="0" title="https://www.stmediagroup.com/sm/smmembers.php" alt="Join" src="http://www.signmuseum.com/Images/join.png" /&gt;&lt;/A&gt;&lt;/DIV&gt;
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&lt;BR /&gt;&lt;BR /&gt;
&lt;P&gt;&lt;FONT size="+1"&gt;&lt;A href="http://www.signmuseum.com/tour.php"&gt;Click here&lt;/A&gt; for a &lt;A href="http://www.signmuseum.com/tour.php"&gt;video tour&lt;/A&gt; with museum founder Tod Swormstedt&lt;/FONT&gt;&lt;/P&gt;

&lt;/DIV&gt;

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  &lt;/TD&gt;
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  &lt;/TBODY&gt;&lt;/TABLE&gt;
  &lt;DIV class="small"&gt;&lt;I&gt;Website Design by BrianTheBrush.com&lt;/I&gt;&lt;/DIV&gt;
  &lt;/CENTER&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/fonts/" rel="tag"&gt;fonts&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/museum/" rel="tag"&gt;museum&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cool/" rel="tag"&gt;cool&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3atumblr/" rel="tag"&gt;post:tumblr&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.signmuseum.com/home.php</clipSource><pubDate>Wed, 30 Apr 2008 03:49:41 GMT</pubDate></item><item><title>Transgendered Oregon man is pregnant (he says)</title><link>http://clipmarks.com/clipmark/5B71119D-4A8E-4112-BF1B-8AB769C9E578/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Thomas Beatie, who has undergone sex-change surgery and is legally male and legally married, has conceived a child via a home insemination from a sperm donor. He plans to carry the child to term. Others, however, are skeptical of his claims.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.advocate.com/issue_story.asp?id=52664" title="http://www.advocate.com/issue_story.asp?id=52664"&gt;www.advocate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="Header"&gt;
&lt;A href="http://ads.pno.net/click.ng/adsize=728x90&amp;position=primary&amp;site=advocate&amp;section=news&amp;affiliate=&amp;attribute=&amp;fixedplacement=&amp;t1=us&amp;t5=1&amp;t6=0&amp;t7=en&amp;tile=720134913?ord=426490426?"&gt; &lt;/A&gt;&lt;UL&gt;
&lt;A href="http://ads.pno.net/click.ng/adsize=728x90&amp;position=primary&amp;site=advocate&amp;section=news&amp;affiliate=&amp;attribute=&amp;fixedplacement=&amp;t1=us&amp;t5=1&amp;t6=0&amp;t7=en&amp;tile=720134913?ord=426490426?"&gt;  &lt;/A&gt;&lt;LI id="HeaderLogo"&gt;&lt;A href="http://www.advocate.com/"&gt;&lt;IMG width="507" height="82" border="0" alt="Advocate.com" src="http://www.advocate.com/images/HeaderLeft.gif" /&gt;&lt;/A&gt;&lt;/LI&gt;
  &lt;LI id="HeaderSearch"&gt;
&lt;FORM action="http://www.advocate.com/search_results.asp" method="post"&gt;
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 &lt;/UL&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="StoryTitle"&gt; Labor of Love &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="StorySubhead"&gt;
 	
Is society ready
  for this pregnant husband?

 &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="StoryByline"&gt;By Thomas Beatie&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="StorySource"&gt;
 	From &lt;EM&gt;The Advocate&lt;/EM&gt; 
  	April 8, 2008
 &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/FC41572D-EB76-4C0D-BEF9-1CD88546D21F.jpg" alt=" Labor of Love " /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P xmlns="http://www.w3.org/1999/xhtml"&gt;       To our neighbors,
            my wife, Nancy, and I don’t appear in the least
            unusual. To those in the quiet Oregon community where we
            live, we are       viewed just as we are -- a happy couple
            deeply in love. Our desire to       work hard, buy our first
            home, and start a family was nothing out of the
            ordinary. That is, until we decided that I would carry our
            child.     &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P xmlns="http://www.w3.org/1999/xhtml"&gt;       I am transgender,
            legally male, and legally married to Nancy. Unlike
            those in same-sex marriages, domestic partnerships, or civil
            unions,       Nancy and I are afforded the more than 1,100
            federal rights of marriage.       Sterilization is not a
            requirement for sex reassignment, so I decided to       have
            chest reconstruction and testosterone therapy but kept my
            reproductive rights. Wanting to have a biological child is
            neither a male       nor female desire, but a human desire.     &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/gender/" rel="tag"&gt;gender&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/glbt/" rel="tag"&gt;glbt&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/parenting/" rel="tag"&gt;parenting&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/health/" rel="tag"&gt;health&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/law/" rel="tag"&gt;law&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/commentary/" rel="tag"&gt;commentary&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3atumblr(source)/" rel="tag"&gt;post:tumblr(source)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.advocate.com/issue_story.asp?id=52664</clipSource><pubDate>Sun, 30 Mar 2008 00:02:48 GMT</pubDate></item><item><title>I.B. Singer on Yiddish, via A.Word.A.Day</title><link>http://clipmarks.com/clipmark/C4A2EFCE-BEDA-4ED5-B1D1-531CC6787D85/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I.B. Singer is a great writer; here's an excerpt from his Nobel Prize acceptance speech, plus, as a bonus, the definition of the word "schnorrer." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://wordsmith.org/words/schnorrer.html" title="http://wordsmith.org/words/schnorrer.html"&gt;wordsmith.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Here's what Yiddish writer Isaac Bashevis Singer had to say about the
language in his 1978 Nobel Prize acceptance speech:
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;
  "Yiddish language - a language of exile, without a land, without
   frontiers, not supported by any government, a language which possesses
   no words for weapons, ammunition, military exercises, war tactics ...&lt;BR /&gt;
   There is a quiet humor in Yiddish and a gratitude for every day of life,
   every crumb of success, each encounter of love. The Yiddish mentality is
   not haughty. It does not take victory for granted. It does not demand
   and command but it muddles through, sneaks by, smuggles itself amidst
   the powers of destruction, knowing somewhere that God's plan for
   Creation is still at the very beginning ...&lt;BR /&gt;
   In a figurative way, Yiddish is the wise and humble language of us all,
   the idiom of frightened and hopeful Humanity."
&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;   
schnorrer (SHNOR-uhr) noun
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;   
   One who habitually takes advantage of others' generosity,
   often through an air of entitlement.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/judaism/" rel="tag"&gt;judaism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3atumblr(clip)/" rel="tag"&gt;post:tumblr(clip)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://wordsmith.org/words/schnorrer.html</clipSource><pubDate>Mon, 24 Mar 2008 20:04:32 GMT</pubDate></item><item><title>RepRap: the self-replicating rapid prototyper</title><link>http://clipmarks.com/clipmark/724EE7CC-BB7E-4E75-B243-B0DC378CD4EA/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A "3D printing" device (rapid prototyper) made from parts that the machine itself can make; thus, it can "copy" itself. This project is still under development, but it seems likely that it will be built in the not-too-distant future. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://reprap.org/bin/view/Main/WebHome" title="http://reprap.org/bin/view/Main/WebHome"&gt;reprap.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="twikiLeft"&gt;
&lt;A href="http://reprap.org/"&gt;&lt;IMG border="0" alt="Home" src="http://reprap.org/pub/rr-logo-sixth-green.gif" /&gt;&lt;/A&gt;&lt;SMALL&gt;&lt;FONT color="#ff0000"&gt;&lt;EM&gt;"Wealth without money..."&lt;/EM&gt;&lt;/FONT&gt;&lt;/SMALL&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/BD7A7B93-FD40-4554-BC07-E67296786D8B.jpg" alt="parts made 25 jan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top"&gt;
&lt;BR /&gt;
&lt;EM&gt;"The promise of advanced fabrication technology that can copy itself is a truly remarkable concept with far reaching implications."&lt;/EM&gt;
&lt;DD&gt;&lt;FONT size="-2"&gt;- Sir James Dyson, 17 April 2007.&lt;/FONT&gt;&lt;/DD&gt;
&lt;BR /&gt;
&lt;EM&gt;"[RepRap] has been called the invention that will bring down global capitalism, start a second industrial revolution and save the environment..."&lt;/EM&gt;
&lt;DD&gt;&lt;FONT size="-2"&gt;- The front page of &lt;A  href="http://www.guardian.co.uk/christmas2006/story/0,,1956793,00.html"&gt;The Guardian&lt;/A&gt;, November 25, 2006.&lt;/FONT&gt;&lt;/DD&gt;
&lt;BR /&gt;
&lt;EM&gt;"Money is a sign of poverty."&lt;EM&gt;&lt;DD&gt;&lt;FONT size="-2"&gt;- Iain M. Banks, 1987.&lt;/FONT&gt;&lt;/DD&gt;
&lt;BR /&gt;
&lt;/EM&gt;&lt;/EM&gt;&lt;P&gt;
&lt;/P&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A name="Project_Status_RepRap_at_the_htt"&gt; &lt;/A&gt; Project Status: &lt;A href="http://reprap.org/bin/view/Main/RepRap" class="twikiLink"&gt;RepRap&lt;/A&gt; at the &lt;A  href="http://tinyurl.com/2fhg5c"&gt;London Science Museum&lt;/A&gt;; &lt;A  href="http://www.cctv.com/program/cultureexpress/20080104/101832.shtml"&gt;click here&lt;/A&gt;.  And see the &lt;A  href="http://www.reprap.blogspot.com"&gt;main&lt;/A&gt; and &lt;A  href="http://reprappers.blogspot.com/"&gt;builders'&lt;/A&gt; blogs for more news. &lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Look at your computer setup. Imagine if you hooked up a 3D
printer. Instead of printing on bits of paper this 3D printer makes
real, robust, mechanical parts. To give you an idea of how robust
these parts are think of Lego bricks and you're in the right area. You
could make lots of useful stuff, but interestingly you could also make
most of the parts to make another 3D printer. That would be a machine
that could copy itself.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/7E5783A2-7338-48BC-9EFB-A3A307F8273B.jpg" alt="RepRap version 1.0 " /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/post%3atumblr(source)/" rel="tag"&gt;post:tumblr(source)&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cool/" rel="tag"&gt;cool&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://reprap.org/bin/view/Main/WebHome</clipSource><pubDate>Mon, 24 Mar 2008 16:43:42 GMT</pubDate></item><item><title>Jazz improvisation and the brain: new research studies spontaneous creativity and brain activity</title><link>http://clipmarks.com/clipmark/FE56CA2E-3749-48B1-B68A-02DA716C7750/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A group of researchers at Johns Hopkins and NIH used fMRI equipment to study what goes on in the brains of musicians who are perfoming spontaneous musical improvisation. The layman's summary doesn't say all that much, but there's a link to PLoS.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.hopkinsmedicine.org/Press_releases/2008/02_26_08.html" title="http://www.hopkinsmedicine.org/Press_releases/2008/02_26_08.html"&gt;www.hopkinsmedicine.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/DB2CBB9A-B09C-4D7B-8482-512EB168703D.jpg" alt="JOHNS HOPKINS MEDICINE" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="Header_1"&gt;THIS IS YOUR BRAIN ON JAZZ: RESEARCHERS USE MRI TO STUDY SPONTANEITY, CREATIVITY&lt;BR /&gt;&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A pair of Johns Hopkins and government scientists have discovered that when jazz musicians improvise, their brains turn off areas linked to self-censoring and inhibition, and turn on those that let self-expression flow.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;TABLE width="44" height="44" cellspacing="2" cellpadding="2" border="0" align="right"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD rowspan="1" colspan="1"&gt;&lt;IMG width="226" vspace="0" hspace="0" height="169" border="0" align="" rolloverid="" rolloverenabled="No" alt="piano" src="http://www.hopkinsmedicine.org/bin/p/o/Piano.jpg" /&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD rowspan="1" colspan="1"&gt;&lt;P&gt;&lt;SPAN class="captions"&gt;This keyboard was specially designed for a study to assess brain activity in jazz musicians during improvisation. Because fMRI uses powerful magnets, the researchers designed the unconventional keyboard with no iron-containing metal parts that the magnets could attract.&lt;/SPAN&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;The joint research, using functional magnetic resonance imaging, or fMRI, and musician volunteers from the &lt;A href="http://www.peabody.jhu.edu/"&gt;Johns Hopkins University’s Peabody Institute,&lt;/A&gt; sheds light on the creative improvisation that artists and non-artists use in everyday life, the investigators say.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;It appears, they conclude, that jazz musicians create their unique improvised riffs by turning off inhibition and turning up creativity.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/health/" rel="tag"&gt;health&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/psychology/" rel="tag"&gt;psychology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cool/" rel="tag"&gt;cool&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3atumblr%3asource/" rel="tag"&gt;post:tumblr:source&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.hopkinsmedicine.org/Press_releases/2008/02_26_08.html</clipSource><pubDate>Sat, 22 Mar 2008 20:15:15 GMT</pubDate></item><item><title>Illustrations of the "Harrowing of Hell"</title><link>http://clipmarks.com/clipmark/12093E7B-03F3-4206-9BD7-888AC2DC7F7C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Happy Good Friday, everybody. Here are a few interesting historical images of the "harrowing of Hell" tradition drawn from various Christian iconographic sources.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.patzinakia.ro/libri/Harrowing%20of%20Hell/illustrations.html" title="http://www.patzinakia.ro/libri/Harrowing%20of%20Hell/illustrations.html"&gt;www.patzinakia.ro&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;STRONG&gt;ILLUSTRATIONS&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;STRONG&gt;Anastasis&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/40463315-0EA5-4070-95CD-4DD3B3B4557A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/A977410C-57D7-40BE-9E22-B4341CC50BAF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/178300A4-E328-4C1C-9E64-4AEE2325E8B6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/BC04DC75-EC34-4228-BDA9-2FC2F945EA00.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/A129B9DC-281E-4CBC-A103-5A16113210F2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/536FCCD5-EDB5-47A2-B257-16AD302C8917.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/CD3ABA04-A067-4CF6-A93F-DCD2B1CA662F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/F8615234-DAFF-4164-B401-069778B6D4F3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/798CDD99-74A5-4E03-91BD-CDE642DC1681.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/10D10917-E04E-4ADB-B069-5E39344D3980.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/C5F11609-E66A-4AAE-8CF3-CB1A0EC2E914.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/471EDD14-367F-48BF-B086-AF1BD44440E1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/B3CD8157-7B09-447D-9908-1759C915AD86.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/BD99EFF5-301D-4909-90E2-82D6C5B7FCBB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/christianity/" rel="tag"&gt;christianity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/image/" rel="tag"&gt;image&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/primary_source/" rel="tag"&gt;primary_source&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rels333/" rel="tag"&gt;rels333&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3atumblr(source)/" rel="tag"&gt;post:tumblr(source)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.patzinakia.ro/libri/Harrowing%20of%20Hell/illustrations.html</clipSource><pubDate>Sat, 22 Mar 2008 19:57:17 GMT</pubDate></item><item><title>Thomas Merton on "sanity" and Christianity in the modern world</title><link>http://clipmarks.com/clipmark/46025D38-811D-410D-B603-3B289F0B077B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Merton's thoughts on the finding that Eichmann was legally "sane": "sanity" is overrated in a world where mass destruction is considered an acceptable way of waging war. Given the modern situation, no Christian should aspire to sanity or realism.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.tomjoad.org/eichmann.htm" title="http://www.tomjoad.org/eichmann.htm"&gt;www.tomjoad.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It is 
    the sane ones, the well-adapted ones, who can without qualms and without 
    nausea aim the missile, and press the buttons that will initiate the great 
    festival of destruction that they, the sane ones, have prepared What makes 
    us so sure, after all, that the danger comes from a psychotic getting into a 
    position to fire the first shot in a nuclear war? Psychotics will he 
    suspect. The sane ones will keep them far from the button. No one suspects 
    the sane, and the sane ones will have perfectly good reasons, logical, 
    well-adjusted reasons, for firing the shot.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;And 
    so I ask myself: what is the meaning of a concept of sanity that excludes 
    love, considers it irrelevant, and destroys our capacity to love other human 
    beings, to respond to their needs and their sufferings, to recognize them 
    also as persons, to apprehend their pain as one's own? Evidently this is not 
    necessary for "sanity" at all.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;in a society like ours the worst insanity is to 
    be totally without anxiety, totally "sane."&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/christianity/" rel="tag"&gt;christianity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/violence/" rel="tag"&gt;violence&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/primary_source/" rel="tag"&gt;primary_source&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/roman_catholicism/" rel="tag"&gt;roman_catholicism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3atumblr/" rel="tag"&gt;post:tumblr&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.tomjoad.org/eichmann.htm</clipSource><pubDate>Sat, 23 Feb 2008 17:36:08 GMT</pubDate></item><item><title>A blog about coffee and the environment</title><link>http://clipmarks.com/clipmark/59A37611-A348-439C-BDB3-7E57397A8017/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I've been wondering lately about the environmental impact of my fairly serious coffee habit, since I know coffee farming and trade has a pretty hefty ecological footprint. I came across this blog. Voila.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.coffeehabitat.com/2008/02/blogging-the-sh.html" title="http://www.coffeehabitat.com/2008/02/blogging-the-sh.html"&gt;www.coffeehabitat.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="entry-header"&gt;&lt;A href="http://www.coffeehabitat.com/2008/02/blogging-the-sh.html"&gt;Blogging bird and coffee research&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;&lt;IMG border="0" src="http://nuthatch.typepad.com/photos/uncategorized/2008/02/15/piflogocolor.jpg" title="Piflogocolor" alt="Piflogocolor" /&gt;
At the Partners in Flight 4th International Conference&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;Coffee in the paper sessions&lt;/STRONG&gt;&lt;BR /&gt;The first day, I attended a full-day symposia on conservation projects in Central America. Several described the identification of &lt;A href="http://www.birdlife.org/action/science/sites/index.html"&gt;Important Bird Areas&lt;/A&gt; (IBAs) in countries such as Nicaragua, El Salvador, and Guatemala. Each speaker identified "sustainable agriculture" and "promotion of high-value cash crops" as a priority means of conserving these key bird conservation sites. Maps of the regions all showed IBAs which included areas whose primary land use was coffee production.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.coffeehabitat.com/" title="http://www.coffeehabitat.com/"&gt;www.coffeehabitat.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL class="module-list"&gt;
														&lt;LI class="module-list-item"&gt;&lt;A href="http://www.coffeehabitat.com/2008/02/research-spider.html"&gt;Research: Spiders on Indian coffee farms&lt;/A&gt;&lt;/LI&gt;
					
														&lt;LI class="module-list-item"&gt;&lt;A href="http://www.coffeehabitat.com/2008/02/coffee-review-d.html"&gt;Coffee review: Doi Chaang Coffee&lt;/A&gt;&lt;/LI&gt;
					
														&lt;LI class="module-list-item"&gt;&lt;A href="http://www.coffeehabitat.com/2008/02/why-certifying.html"&gt;Why certifying shade coffee is so complex&lt;/A&gt;&lt;/LI&gt;
					
														&lt;LI class="module-list-item"&gt;&lt;A href="http://www.coffeehabitat.com/2008/02/la-montana-upda.html"&gt;La Montana update&lt;/A&gt;&lt;/LI&gt;
					
														&lt;LI class="module-list-item"&gt;&lt;A href="http://www.coffeehabitat.com/2008/01/what-shade-coff.html"&gt;What shade coffee looks like&lt;/A&gt;&lt;/LI&gt;
					
														&lt;LI class="module-list-item"&gt;&lt;A href="http://www.coffeehabitat.com/2008/01/research-butter.html"&gt;Research: Butterflies in Indian coffee farms&lt;/A&gt;&lt;/LI&gt;
					
														&lt;LI class="module-list-item"&gt;&lt;A href="http://www.coffeehabitat.com/2008/01/emergency-fundr.html"&gt;Emergency fundraiser for La Montaña&lt;/A&gt;&lt;/LI&gt;
					
														&lt;LI class="module-list-item"&gt;&lt;A href="http://www.coffeehabitat.com/2008/01/coffee-everywhe.html"&gt;Coffee everywhere&lt;/A&gt;&lt;/LI&gt;
					
				
			&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/food/" rel="tag"&gt;food&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/coffee/" rel="tag"&gt;coffee&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/environment/" rel="tag"&gt;environment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/blog/" rel="tag"&gt;blog&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3atumblr/" rel="tag"&gt;post:tumblr&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.coffeehabitat.com/2008/02/blogging-the-sh.html</clipSource><pubDate>Sat, 23 Feb 2008 04:30:02 GMT</pubDate></item><item><title>Lunar eclipse in North America, Feb. 20/21</title><link>http://clipmarks.com/clipmark/BE772C4C-E576-4694-8C6A-19C2A5621CA8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A lunar eclipse will be visible in North America, beginning 8:43 pm EST on Feb. 20 and ending 12:09 a.m. EST Feb. 21 (totality 10:01-10:51). &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://sunearth.gsfc.nasa.gov/eclipse/LEmono/TLE2008Feb21/TLE2008Feb21.html" title="http://sunearth.gsfc.nasa.gov/eclipse/LEmono/TLE2008Feb21/TLE2008Feb21.html"&gt;sunearth.gsfc.nasa.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;A href="http://www.nasa.gov/"&gt;NASA (National Aeronautics and Space Administration)&lt;/A&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;A href="http://sunearth.gsfc.nasa.gov/eclipse/LEmono/TLE2008Feb21/../../eclipse.html"&gt;Eclipse Home Page&lt;/A&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;by Fred Espenak, GSFC Planetary Systems Laboratory&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="box"&gt;Total Lunar Eclipse: February 20, 2008&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A href="http://sunearth.gsfc.nasa.gov/eclipse/LEmono/TLE2008Feb21/TLE2008Feb.html#webcast"&gt; --- Live Webcast of Eclipse! --- &lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/40E8F818-43C4-45A2-A9BF-B97ED6445008.gif" alt="Eclipse Diagram" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;CENTER&gt;
Path of the Moon through Earth's umbral and penumbral shadows 
&lt;BR /&gt; during the Total Lunar Eclipse of February 20, 2008.
&lt;BR /&gt;(Eastern Standard Time)
&lt;/CENTER&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="quote"&gt;A total eclipse of the Moon occurs during the night of Wednesday, February 20/21, 2008. 
The entire event is visible from South America and most of North America as well as Western Europe, Africa, and western Asia. 
During a total lunar eclipse, the Moon's disk can take on a dramatically colorful appearance from bright orange to blood red to dark brown and (rarely) very dark gray.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/events/" rel="tag"&gt;events&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/moon/" rel="tag"&gt;moon&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3atumblr/" rel="tag"&gt;post:tumblr&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(source)/" rel="tag"&gt;post:facebook(source)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://sunearth.gsfc.nasa.gov/eclipse/LEmono/TLE2008Feb21/TLE2008Feb21.html</clipSource><pubDate>Sat, 02 Feb 2008 04:05:38 GMT</pubDate></item><item><title>"Fogcatchers": a new source for potable water</title><link>http://clipmarks.com/clipmark/52BF65F8-99F3-4494-92B3-7E4D3AEABE10/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  In remote Chilean villages where fresh water is often scarce and contaminated, a simple new technology -- mesh sheets strung between posts -- captures condensation from coastal fog, providing an abundant and reliable source of cheap drinking water.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.idrc.ca/en/ev-26965-201-1-DO_TOPIC.html" title="http://www.idrc.ca/en/ev-26965-201-1-DO_TOPIC.html"&gt;www.idrc.ca&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="5" color="#993300"&gt;Tapping Into Fog&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/89EBDD19-534A-4F02-A237-89107BC85FB9.bmp" alt="5035.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The frugal use of expensive water trucked in from distant wells was a way of life in the parched desert village of Chungungo, Chile — located in one of the driest parts of the world. In addition to being costly, the water was often contaminated, contributing to poor sanitation, ill health, and low food production.  &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Today, a simple technology collects water from fog, supplying villagers with two or three times more water than they once used and at a lower cost.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;With &lt;ACRONYM title="International Development Research Centre"&gt;IDRC&lt;/ACRONYM&gt; funding, Chilean and Canadian scientists fashioned an inexpensive, sustainable water supply system by stretching polypropylene mesh between two posts -- like an oversized volleyball net. Precious water droplets form on the mesh as the fog passes through it. The droplets then run down into gutters that feed a reservoir and network of pipes in Chungungo.  &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/water/" rel="tag"&gt;water&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sustainability/" rel="tag"&gt;sustainability&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/south_america/" rel="tag"&gt;south_america&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/international/" rel="tag"&gt;international&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/news/" rel="tag"&gt;news&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3atumblr/" rel="tag"&gt;post:tumblr&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.idrc.ca/en/ev-26965-201-1-DO_TOPIC.html</clipSource><pubDate>Fri, 01 Feb 2008 03:22:52 GMT</pubDate></item><item><title>Travelling by bus in Sweden? Beware of dwarves</title><link>http://clipmarks.com/clipmark/FD8FCE04-88BC-4280-9D93-D7F48386A7E4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  One of the weirdest news stories I've read in some time. Apparently some criminal gangs are smuggling dwarves in duffel bags into the luggage compartment of long-haul buses, where they loot the other passengers' bags.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2008/01/24/wdwarf124.xml" title="http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2008/01/24/wdwarf124.xml"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/6277C0C3-AE86-4C77-84F4-4B5244B6DC75.gif" alt="telegraph.co.uk" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt; Dwarves zipped in suitcases steal from Swedes&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="filed"&gt;Last Updated: &lt;SPAN&gt;2:07pm GMT&lt;/SPAN&gt; 24/01/2008&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;Criminal gangs are using dwarves in a ruse to steal from the luggage holds of long-distance coaches, by hiding them inside suitcases, according to police.     &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;The bizarre crime is on the rise in Sweden and officers say thieves have got away with thousands of pounds in cash, jewellery and other valuables in recent months.     &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;Gangs are said to sneak the dwarves into the luggage hold, hidden inside baggage. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;Then, once the journey has begun, the stowaways are free to rifle through the bags of other passengers without fear of being apprehended.     &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;A spokesman said: “We have had reports about several thefts by dwarves on the stretch between Vasteras and Stockholm.      &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;     A spokesman said: “We are looking at our records to identify criminals of limited stature.”      &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/via%3atwitter/" rel="tag"&gt;via:twitter&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/news/" rel="tag"&gt;news&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/weird/" rel="tag"&gt;weird&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/europe/" rel="tag"&gt;europe&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/crime/" rel="tag"&gt;crime&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/travel/" rel="tag"&gt;travel&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3atumblr/" rel="tag"&gt;post:tumblr&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2008/01/24/wdwarf124.xml</clipSource><pubDate>Thu, 24 Jan 2008 18:18:18 GMT</pubDate></item><item><title>Václav Havel's 1994 speech on transcendence</title><link>http://clipmarks.com/clipmark/66249476-1558-4B7F-81E9-F0F0C65CAB0C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Inspiring, but also provocative and fascinating. Havel basically insists that some kind of religiousness is all that can "save" us now, though he doesn't really say how or what.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.worldtrans.org/whole/havelspeech.html" title="http://www.worldtrans.org/whole/havelspeech.html"&gt;www.worldtrans.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;The Need for Transcendence in the Postmodern World&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;In this postmodern world, cultural conflicts are becoming more dangerous than any time in history. A new model of coexistence is needed, based on man's transcending himself.&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;By Vaclav Havel&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

A modern philosopher once said: "Only a God can save us now."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

It logically follows that, in today's multicultural world, the truly reliable path to coexistence, to peaceful coexistence and creative cooperation, must start from what is at the root of all cultures and what lies infinitely deeper in human hearts and minds than political opinion, convictions, antipathies, or sympathies - it must be rooted in self-transcendence:&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

The Declaration of Independence states that the Creator gave man the right to liberty. It seems man can realize that liberty only if he does not forget the One who endowed him with it.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The speech was made in Independence Hall, Philadelphia, July 4, 1994.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/postmodernism/" rel="tag"&gt;postmodernism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/international/" rel="tag"&gt;international&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/primary_source/" rel="tag"&gt;primary_source&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/metatheolgy/" rel="tag"&gt;metatheolgy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3atumblr/" rel="tag"&gt;post:tumblr&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.worldtrans.org/whole/havelspeech.html</clipSource><pubDate>Mon, 21 Jan 2008 22:35:42 GMT</pubDate></item><item><title>Newsflash about me: I got tenure!</title><link>http://clipmarks.com/clipmark/4413A37E-29B6-4526-88BA-6056686F859C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  This is a personal note... This semester, I was up for tenure at the small Pennsylvania college where I work. I was just informed a few days ago that my tenure bid was approved. This clip says a little bit about what that means.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://ursinus.facebook.com/note.php?note_id=9068684427" title="http://ursinus.facebook.com/note.php?note_id=9068684427"&gt;ursinus.facebook.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="media_header clearfix"&gt;&lt;DIV class="picture"&gt;&lt;A class="square" href="http://ursinus.facebook.com/profile.php?id=35501264"&gt;&lt;IMG id="media_header_picture" src="http://profile.ak.facebook.com/profile5/1536/53/q35501264_3352.jpg" /&gt;&lt;/A&gt;&lt;/DIV&gt;&lt;DIV class="user_info"&gt;&lt;DIV class="media_gray_bg clearfix"&gt;&lt;H2&gt;My Notes&lt;/H2&gt;&lt;/DIV&gt;&lt;DIV class="media_actions clearfix"&gt;&lt;FORM id="write_note" name="write_note" action="http://ursinus.facebook.com/editnote.php" method="post"&gt;&lt;INPUT type="hidden" value="" name="new" id="new" /&gt;&lt;A href="javascript:ge('write_note').submit()"&gt;Write a new note&lt;/A&gt;&lt;INPUT type="hidden" value="169c9ff0700ace8b85af5fd01c838976" name="post_form_id" id="post_form_id" /&gt;&lt;/FORM&gt;
&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="note_header"&gt;&lt;DIV class="note_title_share clearfix"&gt;&lt;DIV class="note_title"&gt;&lt;SPAN&gt;Tenure and what it means&lt;/SPAN&gt;&lt;/DIV&gt;

&lt;DIV class="share_and_hide clearfix"&gt;&lt;A title="Send this to friends or post it on your profile." class="share" href="#"&gt;Share&lt;/A&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;DIV class="byline"&gt;11:10pm Saturday, Jan 19 &lt;SPAN class="pipe"&gt;|&lt;/SPAN&gt; &lt;A href="http://ursinus.facebook.com/editnote.php?note_id=9068684427"&gt;Edit Note&lt;/A&gt; &lt;SPAN class="pipe"&gt;|&lt;/SPAN&gt; &lt;A href="#"&gt;Delete&lt;/A&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Thursday night (two nights ago) I got a call from my dean, saying that the Promotion and Tenure committee had met and recommended me for, well, promotion (to associate professor) and tenure. This represents the culmination of many, many years of work and the end of a long probationary period with an institution (Ursinus) I've grown to really love, so it was a very big deal. I actually found myself a little short of breath when I hung up the phone. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; It means being less afraid of those dreaded teaching evaluations that the students fill out every year. It means not having to weigh the potential repercussions -- at least, not quite so much -- of speaking your mind in a committee meeting.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It also means, and this is sort of a sad commentary on society, that I have more job security than most Americans will ever experience.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/personal/" rel="tag"&gt;personal&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/academe/" rel="tag"&gt;academe&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/career/" rel="tag"&gt;career&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3atumblr/" rel="tag"&gt;post:tumblr&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://ursinus.facebook.com/note.php?note_id=9068684427</clipSource><pubDate>Sun, 20 Jan 2008 17:41:22 GMT</pubDate></item><item><title>Slavoj Žižek on the Matrix</title><link>http://clipmarks.com/clipmark/490DFB17-41C9-4E22-9FCA-C209AA33015F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  This is Žižek's famous 1999 essay, "The Two Sides of Perversion." I'm clipping it because I intend to read it; the bits I've looked at are very good.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.lacan.com/zizek-matrix.htm" title="http://www.lacan.com/zizek-matrix.htm"&gt;www.lacan.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;CENTER&gt;&lt;TABLE width="100%" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD align="center"&gt;&lt;B&gt;Inside the Matrix: International Symposium at the Center for Art and Media, Karlsruhe&lt;/B&gt;&lt;BR /&gt;&lt;DIV&gt;
October 28 1999&lt;/DIV&gt;&lt;BR /&gt;
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The Matrix, or, the Two Sides of Perversion&lt;BR /&gt;
By Slavoj Zizek&lt;/FONT&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;
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&lt;/FONT&gt;&lt;P align="justify" class="b"&gt;&lt;FONT size="3" face="Times New Roman,Times,Courier"&gt;When I saw &lt;I&gt;The Matrix&lt;/I&gt; at a local theatre in Slovenia, I had the unique opportunity of sitting close to the ideal spectator of the film - namely, to an idiot. A man in the late 20ies at my right was so immersed in the film that he all the time disturbed other spectators with loud exclamations, like "My God, wow, so there is no reality!"... I definitely prefer such naive immersion to the pseudo-sophisticated intellectualist readings which project into the film the refined philosophical or psychoanalytic conceptual distinctions.(1)&lt;/FONT&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The key opposition is here the one between Frankfurt School and Lacan: should we historicize the Matrix into the metaphor of the Capital that colonized culture and subjectivity, or is it the reification of the symbolic order as such? However, what if this very alternative is false?&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/popular_culture/" rel="tag"&gt;popular_culture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/film/" rel="tag"&gt;film&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/review/" rel="tag"&gt;review&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/commentary/" rel="tag"&gt;commentary&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/psychology/" rel="tag"&gt;psychology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/postmodernism/" rel="tag"&gt;postmodernism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3atumblr/" rel="tag"&gt;post:tumblr&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/!toread/" rel="tag"&gt;!toread&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.lacan.com/zizek-matrix.htm</clipSource><pubDate>Sat, 19 Jan 2008 07:16:20 GMT</pubDate></item></channel></rss>