<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | enbar's 'post:facebook(clip)' clips</title><link>http://clipmarks.com/clipper/enbar/tag/post%3afacebook(clip)/</link><feedUrl>http://rss.clipmarks.com/clipper/enbar/tag/post%3afacebook(clip)/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Anti-NSDAP propaganda posters by John Heartfield</title><link>http://clipmarks.com/clipmark/FCB72CCD-A7A8-456B-B311-EE1FBD55E4ED/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  One of the great modernist collage artists of the thirties and forties. Heartfield was born in Germany and devoted his energy to propagandizing against the Nazis. He eventually fled to London and continued his work there. Source: &lt;a href="http://snipr.com/3jq8r" rel="nofollow" target="_blank"&gt;http://snipr.com/3jq8r&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://yubnub.org/example/echo?text=%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2FDon%2527t_Worry_Vegetarian.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2FAdolf_the_Superman.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2FConquest_of_Machines.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2Fhuman.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages" title="http://yubnub.org/example/echo?text=%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2FDon%2527t_Worry_Vegetarian.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2FAdolf_the_Superman.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2FConquest_of_Machines.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2Fhuman.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages"&gt;yubnub.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/5E752747-CFB1-4D3A-8433-BD460360E1B5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/1D5528B6-1051-45B3-8ECA-A89A8E247864.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/412D2965-CF73-47DA-9F88-4ED6F994922C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/536A7A3A-D591-4DF5-B93E-81A6B5973B44.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/E2B27EF9-7B9D-4975-AE1E-8078E89FB33D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/41BA939C-3146-45EE-8065-3460D6FA2290.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/178C056E-0B10-4377-84DC-1DE439531771.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/777D5659-E8A4-4279-951E-94A4DC52BDDC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/propaganda/" rel="tag"&gt;propaganda&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/germany/" rel="tag"&gt;germany&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/wwii/" rel="tag"&gt;wwii&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/image/" rel="tag"&gt;image&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fascism/" rel="tag"&gt;fascism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://yubnub.org/example/echo?text=%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2FDon%2527t_Worry_Vegetarian.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2FAdolf_the_Superman.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2FConquest_of_Machines.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2Fhuman.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages</clipSource><pubDate>Tue, 26 Aug 2008 00:46:21 GMT</pubDate></item><item><title>Sweet Honey in the Rock on the true meaning of spirituals</title><link>http://clipmarks.com/clipmark/F880F942-738A-488C-BD05-615BCFD850F3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I love this quotation. It's spoken in the middle of a live gospel performance by Sweet Honey in the Rock, performed in a church in 1980.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://nbr.tumblr.com/post/41141392/its-good-news-when-you-reject-things-as-they-are" title="http://nbr.tumblr.com/post/41141392/its-good-news-when-you-reject-things-as-they-are"&gt;nbr.tumblr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="quote"&gt;&lt;BIG class="quote"&gt;&lt;A href="http://nbr.tumblr.com/post/41141392/its-good-news-when-you-reject-things-as-they-are"&gt;“&lt;/A&gt;&lt;/BIG&gt; It’s good news when you reject things as they are, when you lay down the world as it is, and you take on the responsibility of shaping your own way, that’s good news. Everybody talking about spirituals, and they say, Oh Lord, black folk singing about going to heaven. No, this lesson is for &lt;I&gt;you&lt;/I&gt;, tonight, November the eighth, 1980, in All Souls Church. Lay down the world, pick up my cross — and they don’t say it’s good &lt;I&gt;times&lt;/I&gt;, they say good &lt;I&gt;news&lt;/I&gt;. It’s hard times when you decide to pick up your own cross. You gone catch hell if you don’t do it the way they say do it. But when you lay down the world and shoulder up your cross, that’s what? Ain’t that good news?
                        &lt;/SPAN&gt;
                        &lt;DIV class="source"&gt;— Sweet Honey in the Rock, “Good News,” from &lt;I&gt;Breaths&lt;/I&gt; (Flying Fish, 1988).&lt;BR /&gt;&lt;A target="_blank" href="http://amazon.com/o/ASIN/B000000MF4"&gt;&lt;IMG src="http://images.amazon.com/images/P/B000000MF4.01.THUMBZZZ.jpg" /&gt;&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/christianity/" rel="tag"&gt;christianity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mp3/" rel="tag"&gt;mp3&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/africna_american/" rel="tag"&gt;africna_american&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/gospel/" rel="tag"&gt;gospel&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/theology/" rel="tag"&gt;theology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/social_justice/" rel="tag"&gt;social_justice&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://nbr.tumblr.com/post/41141392/its-good-news-when-you-reject-things-as-they-are</clipSource><pubDate>Sun, 06 Jul 2008 04:46:44 GMT</pubDate></item><item><title>Maurice Bloch: religion is a consequence of imagination</title><link>http://clipmarks.com/clipmark/243835D9-1237-4BE3-B2E8-7698D0C1E399/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Maurice Bloch produces what sounds on first glance like a neo-Durkheimian theory of religion with a foundation in cognitive psychology. I need to look more closely at this.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:#cccccc"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/article/dn13782-religion-a-figment-of-human-imagination.html" title="http://www.newscientist.com/article/dn13782-religion-a-figment-of-human-imagination.html"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/8912BC53-93BD-482D-A754-3B113E49AF27.gif" alt="NewScientist.com" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 class="inline"&gt;Religion a figment of human imagination&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;
	
	
	
	    
	        00:01 28 April 2008
	    
	    
	
	&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Humans alone practice religion because they're the only creatures to have evolved imagination.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;That's the argument of anthropologist &lt;A target="ns" href="http://www.lse.ac.uk/people/m.e.bloch@lse.ac.uk/"&gt;Maurice Bloch&lt;/A&gt; of the London School of Economics. Bloch challenges the popular notion that &lt;A href="http://www.newscientist.com/channel/being-human/mg18925361.100-belief-special-how-evolution-found-god.html"&gt;religion evolved and spread&lt;/A&gt; because it promoted social bonding, as has been argued by some anthropologists.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Instead, he argues that first, we had to evolve the necessary brain architecture to imagine things and beings that don't physically exist, and the possibility that people somehow &lt;A href="http://www.newscientist.com/channel/being-human/mg19225780.075-the-big-questions-what-happens-after-you-die.html"&gt;live on after they've died&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/DF4308BF-95FA-4A11-BB46-189DAEC08A2B.jpg" alt="(Image: stock.xchng)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Once we'd done that, we had access to a form of social interaction unavailable to any other creatures on the planet. Uniquely, humans could use what Bloch calls the "transcendental social" to unify with groups, such as nations and clans, or even with imaginary groups such as the dead. The transcendental social also allows humans to follow the idealised codes of conduct associated with religion.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/social_science/" rel="tag"&gt;social_science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/anthropology/" rel="tag"&gt;anthropology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/research/" rel="tag"&gt;research&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/theory/" rel="tag"&gt;theory&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/!toread/" rel="tag"&gt;!toread&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.newscientist.com/article/dn13782-religion-a-figment-of-human-imagination.html</clipSource><pubDate>Tue, 06 May 2008 05:28:00 GMT</pubDate></item><item><title>Ziauddin Sardar on the Quilliam Foundation for ex-jihadis</title><link>http://clipmarks.com/clipmark/A053621A-AB5F-401B-B627-58DF54FE7968/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Sardar, whose writing I am only a little bit familiar with, is highly critical of any "lionizing" of former members of Islamic extremist groups, since it implicitly devalues the commitment to peace and pluralism exhibited by most "ordinary" Muslims. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/commentisfree/2008/apr/24/islam.religion" title="http://www.guardian.co.uk/commentisfree/2008/apr/24/islam.religion"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="article-header"&gt;
      

    
  &lt;H1&gt;To lionise former extremists feeds anti-Muslim prejudice&lt;/H1&gt;
  
      &lt;P id="stand-first"&gt;It is a mistake to fete these repentant members of Islamist cults. They are part of the problem, not the solution&lt;/P&gt;
    
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL class="article-attributes no-pic"&gt;
	        &lt;LI&gt;
        	&lt;A href="http://www.guardian.co.uk/profile/ziauddinsardar"&gt;
        		&lt;IMG width="60" height="60" title="Contributor picture" alt="Ziauddin Sardar" src="http://image.guim.co.uk/artsblog/authorpics/ziauddin_sardar.jpg" class="contributor-pic-small" /&gt;
        	&lt;/A&gt;
        &lt;/LI&gt;
            	&lt;LI id="contrib-shift"&gt;&lt;UL&gt;
    			&lt;LI class="byline"&gt;
			                        &lt;A name="&amp;lid={articleBody}{Ziauddin Sardar}&amp;lpos={articleBody}{1}" href="http://www.guardian.co.uk/profile/ziauddinsardar"&gt;Ziauddin Sardar&lt;/A&gt;, writer and broadcaster
		&lt;/LI&gt;
				&lt;LI class="publication"&gt;
		  &lt;A name="&amp;lid={articleBody}{The Guardian}&amp;lpos={articleBody}{2}" href="http://www.guardian.co.uk/theguardian"&gt;The Guardian&lt;/A&gt;,
		&lt;/LI&gt;
		&lt;LI class="date"&gt;Thursday April 24 2008&lt;/LI&gt;
				
		
				&lt;/UL&gt;&lt;/LI&gt;
	&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In the here and now, it's not the repentant sinners we should celebrate but "the 99 righteous persons who need no repentance", those unmentioned Muslims who refused to be seduced by the dark side. I know I am going to upset many of my Muslim friends who are quite ecstatic about the foundation. After all, as its website declares, Quilliam "rejects foreign ideologies of Islamism and jihadism" and upholds "Islam as a pluralistic, diverse tradition that can heal the pathology of Islamist extremism". What could be wrong with such a message?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The embrace of former extremists is a slap in the face for Muslims who have worked tirelessly to build a British Muslim identity and foster inclusion by constructive community activity.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/opinion/" rel="tag"&gt;opinion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/islam/" rel="tag"&gt;islam&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/violence/" rel="tag"&gt;violence&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/pluralism/" rel="tag"&gt;pluralism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/uk/" rel="tag"&gt;uk&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/international/" rel="tag"&gt;international&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/commentary/" rel="tag"&gt;commentary&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/commentisfree/2008/apr/24/islam.religion</clipSource><pubDate>Wed, 30 Apr 2008 04:27:08 GMT</pubDate></item><item><title>Montaigne's skepticism: Apologie of Sebond, 1580</title><link>http://clipmarks.com/clipmark/2F32935D-DB83-4C71-8ECD-FFC24CBAC0B9/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Montaigne's famous defense of Raymond Sebond, the proponent of natural theology, in which he lays out a profoundly, even shockingly skeptical view of human knowledge.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.uoregon.edu/%7Erbear/montaigne/2xii.htm" title="http://www.uoregon.edu/%7Erbear/montaigne/2xii.htm"&gt;www.uoregon.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT color="#000000"&gt;Montaigne's
Essays:
Book II.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT color="#000000"&gt;CHAPTER XII:
AN
APOLOGIE OF RAYMOND SEBOND&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;&lt;FONT face="Times New Roman,Times"&gt;&lt;FONT color="#000000"&gt;CHAPTER
XII: AN
APOLOGIE OF RAYMOND SEBOND&lt;/FONT&gt;&lt;/FONT&gt;&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Thus can nothing be certainely
established, nor of the one nor of the other; both the judgeing and the
judged being in continuall alteration and motion. We have no
communication
with being; for every humane nature is ever in the middle betwee ne
being
borne and dying; giving nothing of it selfe but an obscure apparence
and
shadow, and an uncertaine and weake opinion. And if perhaps you fix
your
thought to take its being, it would be even as if one should go about
to
graspe the water: for, how much the more he shal close and presse that
which by its owne nature is ever gliding, so much the more he shall
loose
what he would hold and fasten. Thus, seeing all things are subject to
passe
from one change to another, reason, which therein seeketh a reall
subsistence,
findes her selfe deceived as unable to apprehend any thing subsistent
and
permanent:&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/christianity/" rel="tag"&gt;christianity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/philosophy/" rel="tag"&gt;philosophy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/primary_source/" rel="tag"&gt;primary_source&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reformation/" rel="tag"&gt;reformation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/france/" rel="tag"&gt;france&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.uoregon.edu/%7Erbear/montaigne/2xii.htm</clipSource><pubDate>Tue, 25 Mar 2008 22:08:22 GMT</pubDate></item><item><title>Illustrations of the "Harrowing of Hell"</title><link>http://clipmarks.com/clipmark/12093E7B-03F3-4206-9BD7-888AC2DC7F7C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Happy Good Friday, everybody. Here are a few interesting historical images of the "harrowing of Hell" tradition drawn from various Christian iconographic sources.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.patzinakia.ro/libri/Harrowing%20of%20Hell/illustrations.html" title="http://www.patzinakia.ro/libri/Harrowing%20of%20Hell/illustrations.html"&gt;www.patzinakia.ro&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;STRONG&gt;ILLUSTRATIONS&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;STRONG&gt;Anastasis&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/40463315-0EA5-4070-95CD-4DD3B3B4557A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/A977410C-57D7-40BE-9E22-B4341CC50BAF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/178300A4-E328-4C1C-9E64-4AEE2325E8B6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/BC04DC75-EC34-4228-BDA9-2FC2F945EA00.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/A129B9DC-281E-4CBC-A103-5A16113210F2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/536FCCD5-EDB5-47A2-B257-16AD302C8917.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/CD3ABA04-A067-4CF6-A93F-DCD2B1CA662F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/F8615234-DAFF-4164-B401-069778B6D4F3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/798CDD99-74A5-4E03-91BD-CDE642DC1681.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/10D10917-E04E-4ADB-B069-5E39344D3980.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/C5F11609-E66A-4AAE-8CF3-CB1A0EC2E914.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/471EDD14-367F-48BF-B086-AF1BD44440E1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/B3CD8157-7B09-447D-9908-1759C915AD86.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/BD99EFF5-301D-4909-90E2-82D6C5B7FCBB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/christianity/" rel="tag"&gt;christianity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/image/" rel="tag"&gt;image&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/primary_source/" rel="tag"&gt;primary_source&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rels333/" rel="tag"&gt;rels333&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3atumblr(source)/" rel="tag"&gt;post:tumblr(source)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.patzinakia.ro/libri/Harrowing%20of%20Hell/illustrations.html</clipSource><pubDate>Sat, 22 Mar 2008 19:57:17 GMT</pubDate></item><item><title>Three of my favorite second-century martyrs: Polycarp, Ignatius, Perpetua</title><link>http://clipmarks.com/clipmark/D8A70AB9-4B55-4292-BAB4-6ADE3FA97C64/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Here's what I'm having students read this week, just in case you're wondering what a true tenured radical does.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newadvent.org/fathers/0102.htm" title="http://www.newadvent.org/fathers/0102.htm"&gt;www.newadvent.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;The Martyrdom of Polycarp&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;And as the flame blazed forth in great fury, we, to whom it was given to &lt;A href="http://www.newadvent.org/cathen/15677a.htm"&gt;witness&lt;/A&gt; it, beheld a great &lt;A href="http://www.newadvent.org/cathen/10338a.htm"&gt;miracle&lt;/A&gt;, and have been preserved that we might report to others what then took place. For the fire, shaping itself into the form of an arch, like the sail of a ship when filled with the wind, encompassed as by a circle the body of the &lt;A href="http://www.newadvent.org/cathen/09736b.htm"&gt;martyr&lt;/A&gt;. And he appeared within not like flesh which is burnt, but as bread that is baked, or as gold and silver glowing in a furnace.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newadvent.org/fathers/0107.htm" title="http://www.newadvent.org/fathers/0107.htm"&gt;www.newadvent.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;The Epistle of Ignatius to the Romans&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Suffer me to become food for the wild beasts, through whose instrumentality it will be granted me to attain to &lt;A href="http://www.newadvent.org/cathen/06608a.htm"&gt;God&lt;/A&gt;. I am the wheat of &lt;A href="http://www.newadvent.org/cathen/06608a.htm"&gt;God&lt;/A&gt;, and let me be ground by the teeth of the wild beasts, that I may be found the pure bread of &lt;A href="http://www.newadvent.org/cathen/08374c.htm"&gt;Christ&lt;/A&gt;. &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.fordham.edu/halsall/source/perpetua.html" title="http://www.fordham.edu/halsall/source/perpetua.html"&gt;www.fordham.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Medieval Sourcebook: &lt;BR /&gt; St.Perpetua: &lt;I&gt;The Passion of Saints Perpetua and Felicity&lt;/I&gt; 203&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

And I awoke; and I understood that I should fight, not with beasts

but against the devil; but I knew that mine was the victory.

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/christianity/" rel="tag"&gt;christianity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/primary_source/" rel="tag"&gt;primary_source&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/violence/" rel="tag"&gt;violence&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3atwitter/" rel="tag"&gt;post:twitter&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.newadvent.org/fathers/0102.htm</clipSource><pubDate>Mon, 18 Feb 2008 23:45:46 GMT</pubDate></item><item><title>UK educator decries domination of education by management-oriented language</title><link>http://clipmarks.com/clipmark/D78B4DA5-1C03-498F-96F9-DBC1E43AF739/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  An Oxford professor examines the gradual takeover of all policy writing on education by the language of business management: "efficiency," "providers," "audits," "performance indicators," etc. This kind of thinking, he says, has gradually obscured any legitimate answer to the question of what education is really supposed to accomplish. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/1/hi/education/7247160.stm" title="http://news.bbc.co.uk/1/hi/education/7247160.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/0F17EDF7-1CAF-4CFF-8907-391F26E1194F.gif" alt="BBC News" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="sh"&gt;
					Lesson one: no Orwellian language
				&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;An insightful speaker raised a massive cheer from the audience at an education conference this week.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;He urged everyone to stop talking about "delivery" in education and to return to talking about "teaching".
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;The speaker was Professor Richard Pring, of Oxford University, and he was not just being fussy about the use of language. 
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;His point was that education has been taken over by an "Orwellian language" which has started to control the way we think and act.
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;Professor Pring is the lead author of a report, published this week by the Nuffield Review of 14-19 Education and Training, which looks at how the aims and values of education have come to be "dominated by the language of management". 
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;So when judging schools and universities we now talk about "performance indicators" as a substitute for assessing the quality of their teaching. 
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2"&gt;Yet this matters because the language we use shapes the answers to the question: "what is education for?"
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/education/" rel="tag"&gt;education&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/pedagogy/" rel="tag"&gt;pedagogy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/teaching/" rel="tag"&gt;teaching&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/schools/" rel="tag"&gt;schools&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/uk/" rel="tag"&gt;uk&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/news/" rel="tag"&gt;news&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/via%3atwitter/" rel="tag"&gt;via:twitter&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://news.bbc.co.uk/1/hi/education/7247160.stm</clipSource><pubDate>Mon, 18 Feb 2008 13:26:57 GMT</pubDate></item><item><title>A woman needs a man like a fish needs...</title><link>http://clipmarks.com/clipmark/7D206078-35CD-412A-BEF9-3D4BF457DA24/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Ha ha.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sinfest.net/archive_page.php?comicID=2710" title="http://www.sinfest.net/archive_page.php?comicID=2710"&gt;www.sinfest.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;B&gt;&lt;FONT fact="Fixedsys"&gt;
    &lt;BR /&gt;2008-02-06: The Fish and the Bicycle&lt;/FONT&gt;&lt;FONT face="Photoshop Small"&gt; &lt;TABLE width="800" height="83" cellspacing="0" cellpadding="0" bordercolor="#111111" border="0" bgcolor="#ffffff" id="AutoNumber2"&gt;
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  &lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/gender/" rel="tag"&gt;gender&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/comics/" rel="tag"&gt;comics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/funny/" rel="tag"&gt;funny&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/humor/" rel="tag"&gt;humor&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/random_sh!t/" rel="tag"&gt;random_sh!t&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/via%3autterz/" rel="tag"&gt;via:utterz&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.sinfest.net/archive_page.php?comicID=2710</clipSource><pubDate>Thu, 14 Feb 2008 03:05:18 GMT</pubDate></item><item><title>Haeckel's "Art Forms in Nature" (1899) on the web</title><link>http://clipmarks.com/clipmark/1CD48449-D43A-42E0-B599-6E56A696E850/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  An incredible collection of illustrations of strange and beautiful shapes taken from nature: microscopic organisms, fungi, sea animals, etc. Hard to describe, but worth a look.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/natur.html" title="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/natur.html"&gt;caliban.mpiz-koeln.mpg.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TABLE border="0"&gt;

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&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_019.html"&gt;
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&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_031.html"&gt;
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&lt;TD&gt;
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_017.html"&gt;
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&lt;CENTER&gt;
&lt;H1&gt;Ernst Haeckel:&lt;BR /&gt;
Kunstformen der Natur&lt;BR /&gt;
1899-1904&lt;/H1&gt;&lt;BR /&gt;
HTML-Version herausgegeben von 
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/stueber.html"&gt;
Kurt Stüber&lt;/A&gt;, 1999&lt;BR /&gt;
&lt;P&gt;
Vollständige elektronische
Faksimile-Ausgabe.
&lt;/P&gt;&lt;P&gt;
&lt;/P&gt;&lt;H1&gt;
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/liste.html"&gt;
Index aller 100 Tafeln&lt;/A&gt;&lt;/H1&gt;
Dieses Buch ist ein Teil von&lt;BR /&gt; 
Kurt Stübers&lt;BR /&gt;&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/stueber_library.html"&gt;online-Library&lt;/A&gt;.


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&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_048.html"&gt;
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&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_047.html"&gt;
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&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_077.html"&gt;
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&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_053.html"&gt;
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&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/random_sh!t/" rel="tag"&gt;random_sh!t&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cool/" rel="tag"&gt;cool&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/image/" rel="tag"&gt;image&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/natur.html</clipSource><pubDate>Tue, 12 Feb 2008 06:06:33 GMT</pubDate></item><item><title>R.I.P. Tom Lantos (D-CA), Congress's only Holocaust survivor</title><link>http://clipmarks.com/clipmark/2CFC152C-3F65-452E-BF5D-0212D4E91739/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Lantos will be familiar to anyone who's seen Spielberg's Holocaust documentary, "Last Days," as well as anyone who's followed human-rights debates in Congress over the past thirty years. His death (from esophageal cancer, at age 80) is a real loss. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/aponline/us/AP-Obit-Lantos.html?_r=2&amp;pagewanted=1&amp;oref=slogin" title="http://www.nytimes.com/aponline/us/AP-Obit-Lantos.html?_r=2&amp;pagewanted=1&amp;oref=slogin"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;NYT_HEADLINE _moz-userdefined="" type=" " version="1.0"&gt;
Representative Tom Lantos Dies at 80
&lt;/NYT_HEADLINE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;WASHINGTON (AP) -- Rep. &lt;A title="More articles about Tom Lantos." href="http://topics.nytimes.com/top/reference/timestopics/people/l/tom_lantos/index.html?inline=nyt-per"&gt;Tom Lantos&lt;/A&gt;, who escaped the Nazis and grew up to become a forceful voice for human rights all over the world, has died. He was 80.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="image"&gt;
&lt;IMG width="190" height="260" border="0" alt="" src="http://graphics8.nytimes.com/images/2008/02/11/us/11lantos-190.jpg" /&gt;
&lt;DIV class="credit"&gt;Susan Walsh/Associated Press&lt;/DIV&gt;
&lt;P class="caption"&gt;
Tom Lantos in 2007. 
&lt;/P&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The California Democrat, the only Holocaust survivor to serve in Congress, died early Monday at the Bethesda Naval Medical Center in Maryland, said his spokeswoman, Lynne Weil. He disclosed last month that he had cancer of the esophagus.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;''It is only in the United States that a penniless survivor of the Holocaust and a fighter in the anti-Nazi underground could have received an education, raised a family and had the privilege of serving the last three decades of his life as a member of Congress,'' Lantos said upon announcing his retirement last month.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/obituary/" rel="tag"&gt;obituary&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/news/" rel="tag"&gt;news&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/u.s.-news/" rel="tag"&gt;u.s.-news&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/congress/" rel="tag"&gt;congress&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/aponline/us/AP-Obit-Lantos.html?_r=2&amp;pagewanted=1&amp;oref=slogin</clipSource><pubDate>Tue, 12 Feb 2008 04:13:09 GMT</pubDate></item><item><title>Abraham Lincoln on religion</title><link>http://clipmarks.com/clipmark/02C1A687-2597-4BC8-9584-D69AF070D1DA/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Two lesser-known pieces of writing from Lincoln that give some hints about his religious beliefs. Lincoln was notoriously cagey about his religious commitments -- he never attended church regluarly, nor did he ever make a public proclamation of faith. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://showcase.netins.net/web/creative/lincoln/speeches/handbill.htm" title="http://showcase.netins.net/web/creative/lincoln/speeches/handbill.htm"&gt;showcase.netins.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/BA6786A5-60AC-4656-8869-01367E8C095E.gif" alt="Abraham Lincoln Online Speeches and Writings" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT color="#000099"&gt;Handbill Replying to Charges of Infidelity&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;To the Voters of the Seventh Congressional District. &lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://showcase.netins.net/web/creative/lincoln/speeches/meditat.htm" title="http://showcase.netins.net/web/creative/lincoln/speeches/meditat.htm"&gt;showcase.netins.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="arial" color="#000099"&gt;Meditation on the Divine Will&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="arial"&gt;&lt;B&gt;Washington, D.C.&lt;BR /&gt;
September, 1862&lt;/B&gt;&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

&lt;FONT face="arial"&gt;&lt;B&gt;The will of God prevails. In great contests each party claims to act in accordance with 
the will of God. Both &lt;I&gt;may&lt;/I&gt; be, and one &lt;I&gt;must&lt;/I&gt; be, wrong. God cannot be 
&lt;I&gt;for&lt;/I&gt; and &lt;I&gt;against&lt;/I&gt; the same thing at the same time. In the present civil war it is 
quite possible that God's purpose is something different from the purpose of either party -- and 
yet the human instrumentalities, working just as they do, are of the best adaptation to effect His 
purpose. I am almost ready to say that this is probably true -- that God wills this contest, 
and wills that it shall not end yet. By his mere great power, on the minds of the now 
contestants, He could have either &lt;I&gt;saved&lt;/I&gt; or &lt;I&gt;destroyed&lt;/I&gt; the Union without a human 
contest. Yet the contest began. And, having begun He could give the final victory 
to either side any day. Yet the contest proceeds.&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/christianity/" rel="tag"&gt;christianity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/america/" rel="tag"&gt;america&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/primary_source/" rel="tag"&gt;primary_source&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://showcase.netins.net/web/creative/lincoln/speeches/handbill.htm</clipSource><pubDate>Tue, 05 Feb 2008 21:46:16 GMT</pubDate></item><item><title>Atheists, have a little respect, please</title><link>http://clipmarks.com/clipmark/9DFF2EC3-5197-4D38-926E-6551EA9F9B1E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Okay, this isn't exactly subtle, but I couldn't help finding it funny anyhow. Especially after Bill Maher, after once again laughing at the strangeness of Christian doctrine, is accused by Bill Donohue of not "respect[ing] the right of most Americans to believe in God" (&lt;a href="http://snipr.com/1z044" rel="nofollow" target="_blank"&gt;http://snipr.com/1z044&lt;/a&gt;). &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://friendlyatheist.com/wp-content/uploads/2008/01/addiscartoon.jpg" title="http://friendlyatheist.com/wp-content/uploads/2008/01/addiscartoon.jpg"&gt;friendlyatheist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/09374C76-C0BB-41C4-82D6-489ED3BA7603.jpg" alt="http://friendlyatheist.com/wp-content/uploads/2008/01/addiscartoon.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/comic/" rel="tag"&gt;comic&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cartoon/" rel="tag"&gt;cartoon&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/funny/" rel="tag"&gt;funny&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/atheism/" rel="tag"&gt;atheism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/humor/" rel="tag"&gt;humor&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://friendlyatheist.com/wp-content/uploads/2008/01/addiscartoon.jpg</clipSource><pubDate>Tue, 05 Feb 2008 05:13:12 GMT</pubDate></item><item><title>"Fogcatchers": a new source for potable water</title><link>http://clipmarks.com/clipmark/52BF65F8-99F3-4494-92B3-7E4D3AEABE10/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  In remote Chilean villages where fresh water is often scarce and contaminated, a simple new technology -- mesh sheets strung between posts -- captures condensation from coastal fog, providing an abundant and reliable source of cheap drinking water.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.idrc.ca/en/ev-26965-201-1-DO_TOPIC.html" title="http://www.idrc.ca/en/ev-26965-201-1-DO_TOPIC.html"&gt;www.idrc.ca&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="5" color="#993300"&gt;Tapping Into Fog&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/89EBDD19-534A-4F02-A237-89107BC85FB9.bmp" alt="5035.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The frugal use of expensive water trucked in from distant wells was a way of life in the parched desert village of Chungungo, Chile — located in one of the driest parts of the world. In addition to being costly, the water was often contaminated, contributing to poor sanitation, ill health, and low food production.  &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Today, a simple technology collects water from fog, supplying villagers with two or three times more water than they once used and at a lower cost.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;With &lt;ACRONYM title="International Development Research Centre"&gt;IDRC&lt;/ACRONYM&gt; funding, Chilean and Canadian scientists fashioned an inexpensive, sustainable water supply system by stretching polypropylene mesh between two posts -- like an oversized volleyball net. Precious water droplets form on the mesh as the fog passes through it. The droplets then run down into gutters that feed a reservoir and network of pipes in Chungungo.  &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/water/" rel="tag"&gt;water&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sustainability/" rel="tag"&gt;sustainability&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/south_america/" rel="tag"&gt;south_america&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/international/" rel="tag"&gt;international&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/news/" rel="tag"&gt;news&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3atumblr/" rel="tag"&gt;post:tumblr&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.idrc.ca/en/ev-26965-201-1-DO_TOPIC.html</clipSource><pubDate>Fri, 01 Feb 2008 03:22:52 GMT</pubDate></item><item><title>Mise-en-abyme: definition and discussion (fr)</title><link>http://clipmarks.com/clipmark/9EB2A767-D94D-4EC1-B267-A75813495848/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I recently came across someone using this expression in conversation, so I had to look it up. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ditl.info/arttest/art2025.php" title="http://www.ditl.info/arttest/art2025.php"&gt;www.ditl.info&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="lemmetitre"&gt;ABÎME ; MISE EN ABYME / Abyss ; Mirror text&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 id="comment"&gt;COMMENTAIRE / Analysis &lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;La mise en abyme désigne la &lt;STRONG&gt;relation de similitude&lt;/STRONG&gt; qu'entretient tout élément, tout fragment avec l'œuvre qui l'inclut, principe souvent décrit de façon imagée comme un &lt;STRONG&gt;&lt;I&gt;effet de miroir&lt;/I&gt;&lt;/STRONG&gt;. Cet &lt;STRONG&gt;&lt;I&gt;emboîtement&lt;/I&gt;&lt;/STRONG&gt; s'apparente à une &lt;STRONG&gt;&lt;I&gt;auto-citation&lt;/I&gt;&lt;/STRONG&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Le concept, qui s'est imposé à grande échelle depuis sa prise en charge par le Nouveau Roman, appartient à la vaste problématique de la &lt;STRONG&gt;&lt;I&gt;réflexivité&lt;/I&gt;&lt;/STRONG&gt; (&lt;STRONG&gt;&lt;I&gt;autoreprésentation&lt;/I&gt;&lt;/STRONG&gt;, &lt;STRONG&gt;&lt;I&gt;autoréférence&lt;/I&gt;&lt;/STRONG&gt;) et est un des outils de base de la &lt;STRONG&gt;&lt;I&gt;métafiction&lt;/I&gt;&lt;/STRONG&gt;, cette écriture littéraire qui intériorise un commentaire sur son écriture mais aussi sur sa lecture (ou sur sa représentation dans le cas du &lt;STRONG&gt;&lt;I&gt;métathéâtre&lt;/I&gt;&lt;/STRONG&gt;).&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;André Gide illustre son emprunt à l'héraldique par un exemple littéraire principal, la scène des comédiens dans &lt;I&gt;Hamlet&lt;/I&gt; (II, 3), une scène de théâtre dans le théâtre, et par des exemples picturaux, quand apparaissent dans les tableaux des jeux de miroirs reflétant la scène déjà représentée.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/weird/" rel="tag"&gt;weird&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/random_sh!t/" rel="tag"&gt;random_sh!t&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.ditl.info/arttest/art2025.php</clipSource><pubDate>Wed, 30 Jan 2008 04:41:39 GMT</pubDate></item></channel></rss>