<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | enbar's 'history' clips</title><link>http://clipmarks.com/clipper/enbar/tag/history/</link><feedUrl>http://rss.clipmarks.com/clipper/enbar/tag/history/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Excerpt from Irenaeus (ca. 120-202 AD), "Against Heresies" </title><link>http://clipmarks.com/clipmark/3C82E00B-782E-473F-8508-CA1DF58BF86D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A key excerpt from one of St. Irenaeus's key anti-gnostic writings in which he lays out the doctrine of "recapitulation," i.e., Jesus' reversal and healing of all the accumulated sins of human history.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ccel.org/ccel/schaff/anf01.ix.iv.xvii.html" title="http://www.ccel.org/ccel/schaff/anf01.ix.iv.xvii.html"&gt;www.ccel.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/E5024A75-281A-408F-BF8A-C97F52032739.jpg" alt="Christian Classics Ethereal Library" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;IRENÆUS&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P id="tocix.iv.xvii" class="TOC3 toc_selected_section"&gt;&lt;A title="Chapter XVI.—Proofs from the apostolic writings, that Jesus Christ was one and the same, the only begotten Son of God, perfect God and perfect man." href="http://www.ccel.org/ccel/schaff/anf01.ix.iv.xvii.html" class="TOC"&gt;Chapter XVI.—Proofs from the apostolic writings, that Jesus Christ was one and the same, the only begotten Son of God, perfect God and perfect man.&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;There is therefore, as I have
pointed out, one God the Father, and one Christ Jesus, who came by means
of the whole dispensational arrangements [connected with Him], and
gathered

&lt;SPAN id="ix.iv.xvii-Page_443" class="pb"&gt;&lt;A href="http://www.ccel.org/ccel/schaff/anf01/Page_443.html" title="Page 443" class="page"&gt;443&lt;/A&gt;&lt;/SPAN&gt;

together all things in Himself.&lt;SUP class="Note"&gt;&lt;A href="javascript:toggle('fnf_ix.iv.xvii-p35.2');" name="fna_ix.iv.xvii-p35.2" class="Note"&gt;3598&lt;/A&gt;&lt;/SUP&gt;&lt;SPAN id="fnf_ix.iv.xvii-p35.2" class="mnote"&gt;&lt;A name="fnf_ix.iv.xvii-p35.2" class="Note"&gt;&lt;SUP class="NoteRef"&gt;3598&lt;/SUP&gt;&lt;/A&gt;&lt;SPAN class="Footnote"&gt;    &lt;A name="_Eph_1_10_0_0" href="http://www.ccel.org/ccel/bible/asv.Eph.1.html#Eph.1.10" id="ix.iv.xvii-p36.1" class="scripRef"&gt;Eph. i. 10&lt;/A&gt;.&lt;/SPAN&gt;
&lt;/SPAN&gt; But in every respect, too, He is man, the formation of God; and
thus He took up man into Himself, the invisible becoming visible, the
incomprehensible being made comprehensible, the impassible becoming
capable of suffering, and the Word being made man, thus summing up all
things in Himself: so that as in super-celestial, spiritual, and
invisible things, the Word of God is supreme, so also in things visible
and corporeal He might possess the supremacy, and, taking to Himself the
pre-eminence, as well as constituting Himself Head of the Church, He
might draw all things to Himself at the proper time.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/christianity/" rel="tag"&gt;christianity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/theology/" rel="tag"&gt;theology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/classic/" rel="tag"&gt;classic&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/primary_source/" rel="tag"&gt;primary_source&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/brilliant/" rel="tag"&gt;brilliant&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rels333/" rel="tag"&gt;rels333&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/jesus/" rel="tag"&gt;jesus&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.ccel.org/ccel/schaff/anf01.ix.iv.xvii.html</clipSource><pubDate>Thu, 28 Aug 2008 02:45:30 GMT</pubDate></item><item><title>Anti-NSDAP propaganda posters by John Heartfield</title><link>http://clipmarks.com/clipmark/FCB72CCD-A7A8-456B-B311-EE1FBD55E4ED/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  One of the great modernist collage artists of the thirties and forties. Heartfield was born in Germany and devoted his energy to propagandizing against the Nazis. He eventually fled to London and continued his work there. Source: &lt;a href="http://snipr.com/3jq8r" rel="nofollow" target="_blank"&gt;http://snipr.com/3jq8r&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://yubnub.org/example/echo?text=%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2FDon%2527t_Worry_Vegetarian.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2FAdolf_the_Superman.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2FConquest_of_Machines.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2Fhuman.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages" title="http://yubnub.org/example/echo?text=%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2FDon%2527t_Worry_Vegetarian.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2FAdolf_the_Superman.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2FConquest_of_Machines.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2Fhuman.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages"&gt;yubnub.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/5E752747-CFB1-4D3A-8433-BD460360E1B5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/1D5528B6-1051-45B3-8ECA-A89A8E247864.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/412D2965-CF73-47DA-9F88-4ED6F994922C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/536A7A3A-D591-4DF5-B93E-81A6B5973B44.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/E2B27EF9-7B9D-4975-AE1E-8078E89FB33D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/41BA939C-3146-45EE-8065-3460D6FA2290.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/178C056E-0B10-4377-84DC-1DE439531771.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/777D5659-E8A4-4279-951E-94A4DC52BDDC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/propaganda/" rel="tag"&gt;propaganda&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/germany/" rel="tag"&gt;germany&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/wwii/" rel="tag"&gt;wwii&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/image/" rel="tag"&gt;image&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fascism/" rel="tag"&gt;fascism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://yubnub.org/example/echo?text=%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2FDon%2527t_Worry_Vegetarian.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2FAdolf_the_Superman.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2FConquest_of_Machines.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages%2Fhuman.jpg%22%3E%3Cbr+%2F%3E%3Cimg+src%3D%22http%3A%2F%2Fwww.towson.edu%2Fheartfield%2Fimages</clipSource><pubDate>Tue, 26 Aug 2008 00:46:21 GMT</pubDate></item><item><title>Library of Congress record for my book</title><link>http://clipmarks.com/clipmark/A2110DAB-3D96-44A9-AFEC-521F96C79B60/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Clipping this purely out of vanity... &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://lccn.loc.gov/lccnperm-faq.html" title="http://lccn.loc.gov/lccnperm-faq.html"&gt;lccn.loc.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/08EDAFDB-6592-48F7-8798-3D007AEE91FB.gif" alt="Library of Congress Catalog Record" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="title-top"&gt;The chancery of God : Protestant propaganda against the empire, Magdeburg, ...&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR&gt;
&lt;TH&gt;Main Title:&lt;/TH&gt;&lt;TD&gt;
    
    
    
  
    The chancery of God :
    Protestant propaganda against the empire, Magdeburg, 1546-1551 /
    Nathan Rein.
  &lt;BR /&gt;
&lt;/TD&gt;
&lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR&gt;
&lt;TH&gt;Published/Created:&lt;/TH&gt;&lt;TD&gt;
    
    
    
    
  
    Aldershot, England ;
    Burlington, VT :
    Ashgate,
    c2008.
  &lt;BR /&gt;
&lt;/TD&gt;
&lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR&gt;
&lt;TH&gt;Contents:&lt;/TH&gt;&lt;TD&gt;
    
  
    Pamphlets and policy -- 'German liberty' -- 'God word, pure and clear': the interim controversy -- Urban theology and the siegeworks -- Reliigion and the 'Magdeburg Worldview'.
  &lt;BR /&gt;
&lt;/TD&gt;
&lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR&gt;
&lt;TH&gt;Subjects:&lt;/TH&gt;&lt;TD&gt;
    
    
    
  Reformation--Germany--Magdeburg.&lt;SPAN class="noprint"&gt; » &lt;A href="http://catalog.loc.gov/cgi-bin/Pwebrecon.cgi?db=local&amp;SA=Reformation+Germany+Magdeburg.&amp;SC=SUBJ&amp;CNT=25"&gt;More like this&lt;/A&gt;&lt;/SPAN&gt;
&lt;BR /&gt;
    
    
    
    
    
    
  Christian literature--Publishing--Germany--Magdeburg--History--16th century.&lt;SPAN class="noprint"&gt; » &lt;A href="http://catalog.loc.gov/cgi-bin/Pwebrecon.cgi?db=local&amp;SA=Christian+literature+Publishing+Germany+Magdeburg+History+16th+century.&amp;SC=SUBJ&amp;CNT=25"&gt;More like this&lt;/A&gt;&lt;/SPAN&gt;
&lt;BR /&gt;
    
    
    
  Magdeburg (Germany)--Church history--16th century.&lt;SPAN class="noprint"&gt; » &lt;A href="http://catalog.loc.gov/cgi-bin/Pwebrecon.cgi?db=local&amp;SA=Magdeburg+%28Germany%29+Church+history+16th+century.&amp;SC=SUBJ&amp;CNT=25"&gt;More like this&lt;/A&gt;&lt;/SPAN&gt;
&lt;BR /&gt;
    
    
    
  Magdeburg (Germany)--History--16th century.&lt;SPAN class="noprint"&gt; » &lt;A href="http://catalog.loc.gov/cgi-bin/Pwebrecon.cgi?db=local&amp;SA=Magdeburg+%28Germany%29+History+16th+century.&amp;SC=SUBJ&amp;CNT=25"&gt;More like this&lt;/A&gt;&lt;/SPAN&gt;
&lt;BR /&gt;
    
    
    
  Germany--History--Charles V, 1519-1556.&lt;SPAN class="noprint"&gt; » &lt;A href="http://catalog.loc.gov/cgi-bin/Pwebrecon.cgi?db=local&amp;SA=Germany+History+Charles+V%2C+1519-1556.&amp;SC=SUBJ&amp;CNT=25"&gt;More like this&lt;/A&gt;&lt;/SPAN&gt;
&lt;BR /&gt;
&lt;/TD&gt;
&lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR&gt;
&lt;TH&gt;LC Classification:&lt;/TH&gt;&lt;TD&gt;
    
    
  
    BR359.M34
    R45 2008
  &lt;BR /&gt;
&lt;/TD&gt;
&lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR&gt;
&lt;TH&gt;Links:&lt;/TH&gt;&lt;TD&gt;
    Table of contents only: 
    &lt;A href="http://www.loc.gov/catdir/toc/ecip0710/2007004738.html"&gt;http://www.loc.gov/catdir/toc/ecip0710/2007004738.html&lt;/A&gt;
  
&lt;BR /&gt;
&lt;/TD&gt;
&lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/vanity/" rel="tag"&gt;vanity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/me/" rel="tag"&gt;me&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/book/" rel="tag"&gt;book&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/publishing/" rel="tag"&gt;publishing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/library/" rel="tag"&gt;library&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/research/" rel="tag"&gt;research&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/academe/" rel="tag"&gt;academe&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://lccn.loc.gov/lccnperm-faq.html</clipSource><pubDate>Thu, 07 Aug 2008 12:48:42 GMT</pubDate></item><item><title>The original Mother's Day (hint: it's not from Hallmark)</title><link>http://clipmarks.com/clipmark/DE6C526E-3113-43D5-B29B-FDBC3DB6A462/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Julia Ward Howe, who wrote the Battle Hymn of the Republic, was one of the early advocates for a national Mother's Day holiday, as an antiwar organizing effort. Here's her "Mother's Day Proclamation" from 1870. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://womenshistory.about.com/od/howejwriting/a/mothers_day.htm" title="http://womenshistory.about.com/od/howejwriting/a/mothers_day.htm"&gt;womenshistory.about.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR&gt;&lt;TD id="lgo"&gt;&lt;A href="http://www.about.com/"&gt;&lt;IMG border="0" id="lg1" alt="About.com" src="http://z.about.com/f/lg/a.gif" /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;TD id="sdn"&gt;&lt;A id="site" href="http://womenshistory.about.com/"&gt;Women's History&lt;/A&gt;&lt;/TD&gt;&lt;TD id="sch"&gt;&lt;FORM  action="http://clk.about.com/" method="get" name="sas"&gt;&lt;INPUT type="hidden" value="3/Fr" name="zi" /&gt;&lt;INPUT type="hidden" value="womenshistory" name="sdn" /&gt;&lt;INPUT type="hidden" value="2" name="tt" /&gt;&lt;INPUT type="hidden" value="0" name="bts" /&gt;&lt;INPUT type="hidden" value="womenshistory" name="SUName" /&gt;&lt;INPUT type="hidden" value="about_cb_womenshistory" name="ptag" /&gt;&lt;INPUT type="hidden" name="kw" /&gt;&lt;INPUT type="hidden" value="21502" name="TopNode" /&gt;&lt;INPUT type="text" id="sTxt" value="" name="terms" /&gt;&lt;INPUT type="image" alt="Go" id="sGo" src="http://z.about.com/f/bt/s.gif" /&gt;&lt;/FORM&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Mother's Day Proclamation - 1870&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;by 
&lt;A href="http://womenshistory.about.com/library/bio/blbio_howe_julia_ward.htm"&gt;Julia Ward Howe&lt;/A&gt;&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Arise then...women of this day!&lt;BR /&gt;
Arise, all women who have hearts!&lt;BR /&gt;
Whether your baptism be of water or of tears!&lt;BR /&gt;
Say firmly:&lt;BR /&gt;
"We will not have questions answered by irrelevant agencies,&lt;BR /&gt;
Our husbands will not come to us, reeking with carnage,&lt;BR /&gt;
For caresses and applause.&lt;BR /&gt;
Our sons shall not be taken from us to unlearn&lt;BR /&gt;
All that we have been able to teach them of charity, mercy and patience.&lt;BR /&gt;
We, the women of one country,&lt;BR /&gt;
Will be too tender of those of another country&lt;BR /&gt;&lt;DIV&gt;
To allow our sons to be trained to injure theirs."&lt;/DIV&gt;
&lt;BR /&gt;
From the voice of a devastated Earth a voice goes up with&lt;BR /&gt;
Our own. It says: "Disarm! Disarm!&lt;BR /&gt;
The sword of murder is not the balance of justice."&lt;BR /&gt;
Blood does not wipe our dishonor,&lt;BR /&gt;
Nor violence indicate possession.&lt;BR /&gt;
As men have often forsaken the plough and the anvil&lt;BR /&gt;
At the summons of war,&lt;BR /&gt;
Let women now leave all that may be left of home&lt;BR /&gt;
For a great and earnest day of counsel.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/gender/" rel="tag"&gt;gender&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/women/" rel="tag"&gt;women&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/peace/" rel="tag"&gt;peace&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/primary_source/" rel="tag"&gt;primary_source&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/america/" rel="tag"&gt;america&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://womenshistory.about.com/od/howejwriting/a/mothers_day.htm</clipSource><pubDate>Mon, 12 May 2008 06:00:26 GMT</pubDate></item><item><title>Study military history at USMA West Point </title><link>http://clipmarks.com/clipmark/79C4F70F-1A10-4D97-8B4B-8DF91F01E4C8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A three-week summer fellowship with a basic introduction to the fundamentals of the work of a military historian. I think military history is very underrepresented in today's academy; I'd love to do this someday. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dean.usma.edu/history/web03/summer%20seminar%20site/summer%20pages/fellowship.htm" title="http://www.dean.usma.edu/history/web03/summer%20seminar%20site/summer%20pages/fellowship.htm"&gt;www.dean.usma.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="style4"&gt;The West Point Summer Seminar 2008&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/8A31DBD8-A020-4FE9-94B5-3F7496E6145B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="Layer4"&gt;
			&lt;P align="justify"&gt;		      &lt;FONT size="+1"&gt;&lt;SPAN class="style1"&gt;&lt;FONT size="+2"&gt;&lt;STRONG&gt;W&lt;FONT size="3"&gt;elcome&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;STRONG&gt;&lt;STRONG&gt; to the home page of the West   Point Summer Seminar in Military History, a three week program   designed to help scholars increase their understanding of the study of war and   military history.  This year’s Seminar will begin on Wednesday, 4 June and   conclude on Wednesday, 25 June. &lt;/STRONG&gt;&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/FONT&gt; &lt;/P&gt;
		  &lt;P align="center" class="style1"&gt;&lt;STRONG&gt;&lt;FONT size="3"&gt;   If you have any questions about the program &lt;SPAN lang="en-us"&gt;that&lt;/SPAN&gt; are not answered on this site,&lt;BR /&gt;
please contact the Program Director &lt;SPAN lang="en-us"&gt;&lt;A href="http://www.dean.usma.edu/history/web03/summer%20seminar%20site/summer%20pages/mailto:jason.clark@usma.edu"&gt;Major Jason Clark.&lt;/A&gt;&lt;/SPAN&gt; &lt;/FONT&gt;&lt;/STRONG&gt;		
		&lt;/P&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="layer2"&gt;
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						&lt;/FONT&gt;&lt;FONT&gt;&lt;A href="http://www.dean.usma.edu/history/web03/summer%20seminar%20site/summer%20pages/Seminar Application 2008.doc"&gt;To apply to the 2008 Summer Seminar, click here.&lt;BR /&gt;
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&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD&gt;&lt;FONT size="2" color="yellow"&gt;&lt;A href="http://www.dean.usma.edu/history/web03/summer%20seminar%20site/summer%20pages/../../../default.htm"&gt;History 
        Home&lt;/A&gt;&lt;/FONT&gt;&lt;/TD&gt;
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        History&lt;/A&gt;&lt;/FONT&gt;&lt;/TD&gt;
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        History&lt;/A&gt;&lt;/FONT&gt;&lt;/TD&gt;
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      &lt;TD&gt;&lt;FONT size="2"&gt;&lt;A href="http://www.dean.usma.edu/history/web03/summer%20seminar%20site/summer%20pages/../../staff_rides/sret%20pages/staff%20ride%20home03.htm"&gt;Staff 
        Rides and Events&lt;/A&gt;&lt;/FONT&gt;&lt;/TD&gt;
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        Seminar&lt;/A&gt;&lt;/FONT&gt;&lt;/TD&gt;
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      &lt;TD&gt;&lt;FONT size="2"&gt;&lt;A href="http://www.dean.usma.edu/history/web03/summer%20seminar%20site/summer%20pages/../../contacts/index.htm"&gt;Contacts&lt;/A&gt;&lt;/FONT&gt;&lt;/TD&gt;
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      &lt;TD&gt;&lt;FONT size="2"&gt;&lt;A href="http://www.dean.usma.edu/history/web03/summer%20seminar%20site/summer%20pages/../../links/index.htm"&gt;Links&lt;/A&gt;&lt;/FONT&gt;&lt;/TD&gt;
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				&lt;TR&gt; 
      &lt;TD&gt;&lt;FONT size="2"&gt;&lt;A href="http://www.dean.usma.edu/"&gt;Dean Home&lt;/A&gt;&lt;/FONT&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/military/" rel="tag"&gt;military&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/events/" rel="tag"&gt;events&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/check_this_out/" rel="tag"&gt;check_this_out&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fellowship/" rel="tag"&gt;fellowship&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/academe/" rel="tag"&gt;academe&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/research/" rel="tag"&gt;research&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dean.usma.edu/history/web03/summer%20seminar%20site/summer%20pages/fellowship.htm</clipSource><pubDate>Fri, 04 Apr 2008 03:43:57 GMT</pubDate></item><item><title>Illustrations of the "Harrowing of Hell"</title><link>http://clipmarks.com/clipmark/12093E7B-03F3-4206-9BD7-888AC2DC7F7C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Happy Good Friday, everybody. Here are a few interesting historical images of the "harrowing of Hell" tradition drawn from various Christian iconographic sources.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.patzinakia.ro/libri/Harrowing%20of%20Hell/illustrations.html" title="http://www.patzinakia.ro/libri/Harrowing%20of%20Hell/illustrations.html"&gt;www.patzinakia.ro&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;STRONG&gt;ILLUSTRATIONS&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;STRONG&gt;Anastasis&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/40463315-0EA5-4070-95CD-4DD3B3B4557A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/A977410C-57D7-40BE-9E22-B4341CC50BAF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/178300A4-E328-4C1C-9E64-4AEE2325E8B6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/BC04DC75-EC34-4228-BDA9-2FC2F945EA00.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/A129B9DC-281E-4CBC-A103-5A16113210F2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/536FCCD5-EDB5-47A2-B257-16AD302C8917.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/CD3ABA04-A067-4CF6-A93F-DCD2B1CA662F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/F8615234-DAFF-4164-B401-069778B6D4F3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/798CDD99-74A5-4E03-91BD-CDE642DC1681.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/10D10917-E04E-4ADB-B069-5E39344D3980.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/C5F11609-E66A-4AAE-8CF3-CB1A0EC2E914.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/471EDD14-367F-48BF-B086-AF1BD44440E1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/B3CD8157-7B09-447D-9908-1759C915AD86.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/BD99EFF5-301D-4909-90E2-82D6C5B7FCBB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/christianity/" rel="tag"&gt;christianity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/image/" rel="tag"&gt;image&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/primary_source/" rel="tag"&gt;primary_source&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rels333/" rel="tag"&gt;rels333&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3atumblr(source)/" rel="tag"&gt;post:tumblr(source)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.patzinakia.ro/libri/Harrowing%20of%20Hell/illustrations.html</clipSource><pubDate>Sat, 22 Mar 2008 19:57:17 GMT</pubDate></item><item><title>The Black American West Museum</title><link>http://clipmarks.com/clipmark/D2E6FB25-FD8A-4961-9AC8-CBC4993E1B83/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A museum dedicated to the often-forgotten African American men and women who helped shape the American West.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.blackamericanwestmuseum.com/" title="http://www.blackamericanwestmuseum.com/"&gt;www.blackamericanwestmuseum.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/28270EB3-8EEE-4E92-9931-4648CC92AF37.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Rodeo Glimpses&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BR /&gt;
	  &lt;IMG border="2" src="http://www.blackamericanwestmuseum.com/MauriceWade.jpg" /&gt;
          &lt;P&gt;
          Wow! Did you get to the MLK rodeo this year at the National Western Stock Show?
          &lt;/P&gt;

          &lt;P&gt;
          If not click on these links highlighting the founder/promoter of the rodeo 
          &lt;A href="http://www.denverpost.com/search/ci_8028898"&gt;Lu Vason&lt;/A&gt;&lt;A&gt; and Denver Black cowboy
          &lt;/A&gt;&lt;A href="http://www.rockymountainnews.com/news/2008/jan/21/wade-has-rope-will-travel/"&gt;Maurice 'Mo Betta' Wade&lt;/A&gt;&lt;A&gt;.
          &lt;/A&gt;&lt;/P&gt;

&lt;A&gt;	  &lt;/A&gt;&lt;P&gt;
&lt;A&gt;	    Come check out our exhibit of behind the scenes 
		photographs from a previous years Bill Pickett Rodeo in Denver to catch a glimpse of these terrific cowboys!
	  &lt;/A&gt;&lt;/P&gt;
&lt;A&gt;	  &lt;/A&gt;&lt;P&gt;
&lt;A&gt;	    Thanks to the photographers from the Institute of Art for providing over 40 photographs
		showing the many facets of this terrific Black rodeo!&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Paul W. Stewart&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/376A80CB-55AF-40CF-90A8-ED93A1E5A9E4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
        The story begins with Paul W. Stewart's (founder of the Black American West Museum) extraordinary search and discovery of a past not recorded in conventional history
        books or portrayed in pop culture.  His search for the "true colors" of the West has taken him 
		to nearly every corner of the West, gathering personal
        artifacts, memorabilia, newspapers, legal documents, clothing, letters, photographs, and
        oral histories.
      &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/museum/" rel="tag"&gt;museum&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/race/" rel="tag"&gt;race&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/america/" rel="tag"&gt;america&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/african_american/" rel="tag"&gt;african_american&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.blackamericanwestmuseum.com/</clipSource><pubDate>Tue, 18 Mar 2008 22:34:49 GMT</pubDate></item><item><title>The Collegium Budapest, an institute for advanced study</title><link>http://clipmarks.com/clipmark/02EC1798-285B-460D-8A7B-5AEF25E0F529/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  William A. Christian, Jr., an eminent but non-academically-affiliated historian, is a fellow there. I am very curious... &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.colbud.hu/" title="http://www.colbud.hu/"&gt;www.colbud.hu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BODY bgcolor="#a5c5a5" clipmarks_processed="true"&gt;
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&lt;DIV id="Clipmarks1430BorderDiv4387"&gt;&lt;/DIV&gt;&lt;DIV id="Clipmarks20BorderDiv7783"&gt;&lt;/DIV&gt;&lt;DIV id="Clipmarks3340BorderDiv9184"&gt;&lt;/DIV&gt;&lt;DIV id="Clipmarks4264BorderDiv7648"&gt;&lt;/DIV&gt;&lt;/BODY&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/humanities/" rel="tag"&gt;humanities&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/academe/" rel="tag"&gt;academe&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/research/" rel="tag"&gt;research&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/organization/" rel="tag"&gt;organization&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/europe/" rel="tag"&gt;europe&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/funding/" rel="tag"&gt;funding&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/to_investigate/" rel="tag"&gt;to_investigate&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.colbud.hu/</clipSource><pubDate>Tue, 18 Mar 2008 21:13:13 GMT</pubDate></item><item><title>Daniel Lazare reviews two new books on religious toleration</title><link>http://clipmarks.com/clipmark/1D370F7E-B96B-46E3-B482-00D48A610641/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I basically am clipping this because I read it and want to remember it, but I think Lazare gets it completely wrong. Not only is his attitude towards religion in general misguided, he doesn't understand history.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.alternet.org/stories/78299/" title="http://www.alternet.org/stories/78299/"&gt;www.alternet.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="storyheadline"&gt;Will the Clash of Faiths Go On Forever?&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="storybyline"&gt;
	&lt;B&gt;
	
		By 
		&lt;A title="View all stories by Daniel Lazare" href="http://www.alternet.org/authors/1700/"&gt;Daniel Lazare&lt;/A&gt;, 		&lt;A href="http://www.thenation.com"&gt;The Nation&lt;/A&gt;. Posted &lt;A title="View all stories published on March 4, 2008" href="http://www.alternet.org/ts/archives/?date[F]=03&amp;date[Y]=2008&amp;date[d]=04&amp;act=Go/"&gt;March 4, 2008&lt;/A&gt;.&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="teaserleft"&gt;
			Religious conflict rages on, despite claims we live in a "secular age" -- two authors explore the clash of beliefs.
		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Reviewed:&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;Divided by Faith: Religious Conflict and the Practice of Toleration in Early Modern Europe&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;I&gt;God's Crucible: Islam and the Making of Europe, 570-1215&lt;/I&gt; by David Levering Lewis&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;I&gt;Daniel Lazare is the author of, most recently, The Velvet Coup: The Constitution, the Supreme Court, and the Decline of American Democracy (Verso).He is currently at work on a book about the politics of Christianity, Judaism and Islam for Pantheon.&lt;/I&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/christianity/" rel="tag"&gt;christianity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/islam/" rel="tag"&gt;islam&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/pluralism/" rel="tag"&gt;pluralism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/violence/" rel="tag"&gt;violence&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/books/" rel="tag"&gt;books&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/review/" rel="tag"&gt;review&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.alternet.org/stories/78299/</clipSource><pubDate>Wed, 05 Mar 2008 22:25:37 GMT</pubDate></item><item><title>New blog on religion in american history</title><link>http://clipmarks.com/clipmark/9277A3CD-4578-4350-AD29-CCA2EB463CE4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A pretty diverse bunch of academics blogging on religious themes in American history from a variety of perspectives. Worth checking out. The clip is just a taste of the type of material covered. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://usreligion.blogspot.com/" title="http://usreligion.blogspot.com/"&gt;usreligion.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="title"&gt;
RELIGION IN AMERICAN HISTORY
&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://usreligion.blogspot.com/2008/03/review-steven-waldmans-founding-faith.html" title="http://usreligion.blogspot.com/2008/03/review-steven-waldmans-founding-faith.html"&gt;usreligion.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="post-title entry-title"&gt;
&lt;A href="http://usreligion.blogspot.com/2008/03/review-steven-waldmans-founding-faith.html"&gt;Review: Steven Waldman's "Founding Faith"&lt;/A&gt;
&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;STRONG&gt;BY JOHN FEA&lt;/STRONG&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/15DD93BD-C9B2-492B-B9BC-6FB2DED209F7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;EM&gt;Founding Faith&lt;/EM&gt; is unlike any other popular trade book on religion and the founding era. It is actually quite balanced. (In terms of thesis and style, Jon Meacham’s &lt;A href="http://www.amazon.com/American-Gospel-Founding-Fathers-Making/dp/0812976665/ref=pd_bbs_sr_1?ie=UTF8&amp;s=books&amp;qid=1204605522&amp;sr=8-1"&gt;&lt;EM&gt;American Gospel&lt;/EM&gt; &lt;/A&gt;is its closest competitor. Meacham organizes his book around the idea of civil religion. Waldman’s focus is on religious freedom). The book presents a clear argument against the Christian America view, but Waldman has no axe to grind. In other words, his study is quite different from books with titles such as &lt;EM&gt;&lt;A href="http://www.amazon.com/Moral-Minority-Skeptical-Founding-Fathers/dp/1566637511/ref=pd_bbs_sr_1?ie=UTF8&amp;s=books&amp;qid=1204605616&amp;sr=1-1"&gt;Moral Minority&lt;/A&gt;&lt;/EM&gt;, &lt;EM&gt;&lt;A href="http://www.amazon.com/Godless-Constitution-Moral-Defense-Secular/dp/0393328376/ref=pd_bbs_sr_1?ie=UTF8&amp;s=books&amp;qid=1204605666&amp;sr=1-1"&gt;The Godless Constitution&lt;/A&gt;&lt;/EM&gt;, &lt;EM&gt;&lt;A href="http://www.amazon.com/Liars-Jesus-Religious-Alternate-American/dp/1419644386/ref=pd_bbs_sr_1?ie=UTF8&amp;s=books&amp;qid=1204605704&amp;sr=1-1"&gt;Liars for Jesus&lt;/A&gt;&lt;/EM&gt;, and &lt;A href="http://www.amazon.com/American-Fascists-Christian-Right-America/dp/B0012F9WEW/ref=pd_bbs_sr_1?ie=UTF8&amp;s=books&amp;qid=1204605742&amp;sr=1-1"&gt;&lt;EM&gt;American Fascists&lt;/EM&gt;.&lt;/A&gt; Neither is it as polemical as Randall Balmer’s &lt;EM&gt;&lt;A href="http://www.amazon.com/Thy-Kingdom-Come-Religious-Evangelicals/dp/B000WCTRLY/ref=pd_bbs_sr_1?ie=UTF8&amp;s=books&amp;qid=1204605784&amp;sr=1-1"&gt;Thy Kingdom Come&lt;/A&gt;&lt;/EM&gt;. &lt;EM&gt;Founding Faith&lt;/EM&gt; comes with ringing endorsements from Joseph Ellis, Mark Noll, Bill Bennett, Jim Wallis, Walter Isaacson, and George Stephanopoulos. This is certainly a diverse bunch!&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/america/" rel="tag"&gt;america&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/pluralism/" rel="tag"&gt;pluralism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/christianity/" rel="tag"&gt;christianity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/academe/" rel="tag"&gt;academe&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/teaching/" rel="tag"&gt;teaching&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/research/" rel="tag"&gt;research&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/blog/" rel="tag"&gt;blog&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://usreligion.blogspot.com/</clipSource><pubDate>Wed, 05 Mar 2008 22:21:54 GMT</pubDate></item><item><title>The Latin Library: huge collection of public-domain texts in Latin</title><link>http://clipmarks.com/clipmark/50FBD201-BB14-4D3F-817B-E2F62ED75420/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  This is a pretty massive collection. Pretty bare-bones -- no notes, no fancy navigation tools, just text -- but still. The main page is all classical authors, and the links to medieval and neo-Latin writers are out of the way at the bottom right.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thelatinlibrary.com/index.html" title="http://www.thelatinlibrary.com/index.html"&gt;www.thelatinlibrary.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="pagehead"&gt;THE LATIN LIBRARY&lt;BR /&gt;
&lt;SPAN&gt;at &lt;A href="http://www.adfontes.com"&gt;Ad Fontes Academy&lt;/A&gt;&lt;/SPAN&gt;
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR&gt; &lt;TD&gt;&lt;A href="http://www.thelatinlibrary.com/ammianus.html"&gt;Ammianus&lt;/A&gt; &lt;/TD&gt;&lt;TD&gt;&lt;A href="http://www.thelatinlibrary.com/apuleius.html"&gt;Apuleius&lt;/A&gt; &lt;/TD&gt;&lt;TD&gt;&lt;A href="http://www.thelatinlibrary.com/aug.html"&gt;Augustus&lt;/A&gt; &lt;/TD&gt;&lt;TD&gt;&lt;A href="http://www.thelatinlibrary.com/victor.html"&gt;Aurelius Victor&lt;/A&gt; &lt;/TD&gt;&lt;TD&gt;&lt;A href="http://www.thelatinlibrary.com/caes.html"&gt;Caesar&lt;/A&gt; &lt;/TD&gt;&lt;TD&gt;   &lt;A href="http://www.thelatinlibrary.com/cato.html"&gt;Cato&lt;/A&gt;  &lt;/TD&gt;&lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR&gt; &lt;TD&gt;&lt;A href="http://www.thelatinlibrary.com/catullus.shtml"&gt;Catullus&lt;/A&gt; &lt;/TD&gt;&lt;TD&gt;&lt;A href="http://www.thelatinlibrary.com/cic.html"&gt;Cicero&lt;/A&gt; &lt;/TD&gt;&lt;TD&gt;&lt;A href="http://www.thelatinlibrary.com/claudian.html"&gt;Claudian&lt;/A&gt; &lt;/TD&gt;&lt;TD&gt;   &lt;A href="http://www.thelatinlibrary.com/curtius.html"&gt;Curtius Rufus&lt;/A&gt;  &lt;/TD&gt;&lt;TD&gt;   &lt;A href="http://www.thelatinlibrary.com/enn.html"&gt;Ennius&lt;/A&gt;  &lt;/TD&gt;&lt;TD&gt;&lt;A href="http://www.thelatinlibrary.com/eutropius.html"&gt;Eutropius&lt;/A&gt; &lt;/TD&gt;&lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thelatinlibrary.com/medieval.html" title="http://www.thelatinlibrary.com/medieval.html"&gt;www.thelatinlibrary.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR&gt;
		
			&lt;TD&gt;&lt;A href="http://www.thelatinlibrary.com/ein.html"&gt;Einhard&lt;/A&gt;&lt;/TD&gt;
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			&lt;TD&gt;&lt;A href="http://www.thelatinlibrary.com/erchempert.html"&gt;Erchempert&lt;/A&gt;&lt;/TD&gt;
			&lt;TD&gt;&lt;A href="http://www.thelatinlibrary.com/fabe.html"&gt;Fabe&lt;/A&gt;&lt;/TD&gt;
		&lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thelatinlibrary.com/neo.html" title="http://www.thelatinlibrary.com/neo.html"&gt;www.thelatinlibrary.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR&gt;
			&lt;TD&gt;&lt;A href="http://www.thelatinlibrary.com/addison.html"&gt;Addison&lt;/A&gt;&lt;/TD&gt;
			&lt;TD&gt;&lt;A href="http://www.thelatinlibrary.com/bacon.html"&gt;Bacon&lt;/A&gt;&lt;/TD&gt;
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			&lt;TD&gt;&lt;A href="http://www.thelatinlibrary.com/bebel.html"&gt;Bebel&lt;/A&gt;&lt;/TD&gt;
		
		&lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/primary_source/" rel="tag"&gt;primary_source&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/text/" rel="tag"&gt;text&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/etext/" rel="tag"&gt;etext&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/latin/" rel="tag"&gt;latin&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/classical/" rel="tag"&gt;classical&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.thelatinlibrary.com/index.html</clipSource><pubDate>Sat, 23 Feb 2008 05:13:34 GMT</pubDate></item><item><title>Haeckel's "Art Forms in Nature" (1899) on the web</title><link>http://clipmarks.com/clipmark/1CD48449-D43A-42E0-B599-6E56A696E850/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  An incredible collection of illustrations of strange and beautiful shapes taken from nature: microscopic organisms, fungi, sea animals, etc. Hard to describe, but worth a look.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/natur.html" title="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/natur.html"&gt;caliban.mpiz-koeln.mpg.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TABLE border="0"&gt;

&lt;TBODY&gt;&lt;TR&gt;

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&lt;/TD&gt;&lt;TD&gt;
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&lt;/TD&gt;&lt;TD&gt;
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&lt;/TD&gt;&lt;TD&gt;
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_031.html"&gt;
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&lt;TD&gt;
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_017.html"&gt;
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&lt;/TD&gt;&lt;TD colspan="3" rowspan="2"&gt;
&lt;CENTER&gt;
&lt;H1&gt;Ernst Haeckel:&lt;BR /&gt;
Kunstformen der Natur&lt;BR /&gt;
1899-1904&lt;/H1&gt;&lt;BR /&gt;
HTML-Version herausgegeben von 
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/stueber.html"&gt;
Kurt Stüber&lt;/A&gt;, 1999&lt;BR /&gt;
&lt;P&gt;
Vollständige elektronische
Faksimile-Ausgabe.
&lt;/P&gt;&lt;P&gt;
&lt;/P&gt;&lt;H1&gt;
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/liste.html"&gt;
Index aller 100 Tafeln&lt;/A&gt;&lt;/H1&gt;
Dieses Buch ist ein Teil von&lt;BR /&gt; 
Kurt Stübers&lt;BR /&gt;&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/stueber_library.html"&gt;online-Library&lt;/A&gt;.


&lt;/CENTER&gt;
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&lt;/TD&gt;&lt;TD&gt;
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&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_047.html"&gt;
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&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_077.html"&gt;
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&lt;/TD&gt;&lt;TD&gt;
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_085.html"&gt;
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&lt;/TD&gt;&lt;TD&gt;
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_078.html"&gt;
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&lt;/TD&gt;&lt;TD&gt;
&lt;A href="http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/Tafel_053.html"&gt;
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&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/random_sh!t/" rel="tag"&gt;random_sh!t&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cool/" rel="tag"&gt;cool&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/image/" rel="tag"&gt;image&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/post%3afacebook(clip)/" rel="tag"&gt;post:facebook(clip)&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://caliban.mpiz-koeln.mpg.de/~stueber/haeckel/kunstformen/natur.html</clipSource><pubDate>Tue, 12 Feb 2008 06:06:33 GMT</pubDate></item><item><title>Debating Mark Lilla on secularism: America magazine</title><link>http://clipmarks.com/clipmark/9BB138E1-FF7D-4A4D-A4A4-B7144B3B5CFB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Two contemporary Catholic thinkers take on Mark Lilla's indictment of secularism in the pages of the Catholic periodical America.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.americamagazine.org/content/article.cfm?article_id=10439" title="http://www.americamagazine.org/content/article.cfm?article_id=10439"&gt;www.americamagazine.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/58B7D10F-4606-4DD7-849A-01052806906D.gif" alt="America: The National Catholic Weekly" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Debating 'The Stillborn God'&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="deck"&gt;Is Mark Lilla right about religion?&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="byline"&gt; 
	
		By &lt;A href="http://www.americamagazine.org/content/searchresults.cfm?search=Drew Christiansen and Jose V. Casanova&amp;startrow=1&amp;searchby=author"&gt;Drew Christiansen and Jose V. Casanova&lt;/A&gt;
	| NOVEMBER 26, 2007 &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/C039A4E3-7CD7-429F-9B0B-D60D04DBB340.gif" alt="the cover of America, the Catholic magazine" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; 

Lilla argues that the Enlightenment made a radical break between religion and politics that haunts us till this day. For millennia, there had been a generally accepted pattern of meaning across cultures linking the cosmic order, the political system and the individual soul, in which political order was dictated by revelation. The one exception to that linkage is the modern secular West. There, following the wars of religion, Thomas Hobbes achieved a “Great Separation” by making religion the projection of a fear-filled individual psychology and government the instrument of human desire.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.americamagazine.org/content/article.cfm?article_id=10440" title="http://www.americamagazine.org/content/article.cfm?article_id=10440"&gt;www.americamagazine.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;Dear Drew,&lt;/B&gt;&lt;/P&gt;&lt;P&gt; 

You are absolutely right that Lilla's construction of a "great separation" is based on a misleading contrast between theocratic political theology and secular political philosophy. This is purely an analytical device, which Lilla superimposes upon real history. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/christianity/" rel="tag"&gt;christianity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/roman_catholicism/" rel="tag"&gt;roman_catholicism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/church_and_state/" rel="tag"&gt;church_and_state&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/!toread/" rel="tag"&gt;!toread&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.americamagazine.org/content/article.cfm?article_id=10439</clipSource><pubDate>Wed, 09 Jan 2008 20:56:15 GMT</pubDate></item><item><title>Fritz Eichenberg, Quaker artist: an oral history</title><link>http://clipmarks.com/clipmark/B6C5A07A-0AA7-4F43-A73E-0C1DD3AFA1EB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Eichenberg is famous for his illustrations of Russian novels and for his friendship and collaboration with Dorothy Day. He died in 1990; this interview was done in 1979 for the Smithsonian.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.aaa.si.edu/collections/oralhistories/tranSCRIPTs/eichen79.htm" title="http://www.aaa.si.edu/collections/oralhistories/tranSCRIPTs/eichen79.htm"&gt;www.aaa.si.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/71A925A0-F03F-4EDF-917D-71177F14FBD1.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;B&gt;Interview with Fritz Eichenberg&lt;BR /&gt;
  Conducted by Robert Brown&lt;BR /&gt;
  At the artist's home in Peace Dale, Rhode Island&lt;BR /&gt;
  May 14 1979 and December 7, 1979&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;ROBERT BROWN: What do they see in it now, do you think?&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;FRITZ EICHENBERG: They see what I saw in the beginning: the redemption through suffering. 
  You don't necessarily look for suffering but it's built in. Man is a very fragile 
  being. He does his best to corrupt the environment in which he lives. We have 
  now the problems of pollution and nuclear energy and we have gone through a 
  disastrous war. We lost more than the war. We lost our integrity and our standing 
  in the world to a large degree. Whatever I could do as a kind of conciliator 
  coming from the other side I tried to do. That's one of the reasons why I was 
  picked out to go to the Soviet Union for the State Department, at the time. 
  I met thousands of Russians and shook hands with them. They saw my work and 
  they saw I understood "the Russian soul," as they said.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/interview/" rel="tag"&gt;interview&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/oral_history/" rel="tag"&gt;oral_history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/social_justice/" rel="tag"&gt;social_justice&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/christianity/" rel="tag"&gt;christianity&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.aaa.si.edu/collections/oralhistories/tranSCRIPTs/eichen79.htm</clipSource><pubDate>Sun, 06 Jan 2008 07:41:36 GMT</pubDate></item><item><title>A list of historical e-text hosting sites (a little out of date)</title><link>http://clipmarks.com/clipmark/5C03C846-717A-4A31-B12D-8EAC1E156212/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  From the Internet Medieval Sourcebook, a list of resources for finding historical texts online. Not sure how reliable it is -- looks like it hasn't been updated in a long time, but a lot of stuff like this never changes. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.fordham.edu/halsall/search.html" title="http://www.fordham.edu/halsall/search.html"&gt;www.fordham.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Historical eText Sites&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;SMALL&gt;The Internet History  Sourcebooks Project: www.fordham.edu [Medieval, Modern
            European] &lt;/SMALL&gt;&lt;/LI&gt;
          &lt;LI&gt;&lt;SMALL&gt;ORB Main Site: orb.rhodes.edu [General Medieval] &lt;/SMALL&gt;&lt;/LI&gt;
          &lt;LI&gt;&lt;SMALL&gt;Online Medieval and Classical Libary: sunsite.berkeley.edu [Medieval] &lt;/SMALL&gt;&lt;/LI&gt;
          &lt;LI&gt;&lt;SMALL&gt;Christian Cassics Ethereal Library: ccel.wheaton.edu [Early Christian] &lt;/SMALL&gt;&lt;/LI&gt;
          &lt;LI&gt;&lt;SMALL&gt;New Advent: www.knight.org, www.csn.net [Early Christian, Aquinas] &lt;/SMALL&gt;&lt;/LI&gt;
          &lt;LI&gt;&lt;SMALL&gt;Virginia Etext Center: etext.lib.virginia.edu [General Etexts] &lt;/SMALL&gt;&lt;/LI&gt;
          &lt;LI&gt;&lt;SMALL&gt;St. Michael's Depot: abbey.apana.org.au [Church Councils] &lt;/SMALL&gt;&lt;/LI&gt;
          &lt;LI&gt;&lt;SMALL&gt;Hanover College Historical Text Project: history.hanover.edu [General] &lt;/SMALL&gt;&lt;/LI&gt;
          &lt;LI&gt;&lt;SMALL&gt;Eternal Word Television Network: www.ewtn.com [Roman Catholic Material] &lt;/SMALL&gt;&lt;/LI&gt;
          &lt;LI&gt;&lt;SMALL&gt;American Universoty Catholic Files: listserv.american.edu [Early Christian] &lt;/SMALL&gt;&lt;/LI&gt;
          &lt;LI&gt;&lt;SMALL&gt;Benedictine Pages: www.osb.org [Monastic Texts] &lt;/SMALL&gt;&lt;/LI&gt;
          &lt;LI&gt;&lt;SMALL&gt;St. Pachomias Library: www.ocf.org [Orthodox Text] &lt;/SMALL&gt;&lt;/LI&gt;
          &lt;LI&gt;&lt;SMALL&gt;Wesley Center for Applied Theology: wesley.nnc.edu [noncanonical texts, Josephus]
            &lt;/SMALL&gt;&lt;/LI&gt;
          &lt;LI&gt;&lt;SMALL&gt;University of Pennsylvania Site: ccat.sas.upenn.edu [Christian, Late Antique
            Texts]&lt;/SMALL&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/teaching/" rel="tag"&gt;teaching&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/education/" rel="tag"&gt;education&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/resources/" rel="tag"&gt;resources&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/primary_source/" rel="tag"&gt;primary_source&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/search/" rel="tag"&gt;search&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/links/" rel="tag"&gt;links&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/check_this_out/" rel="tag"&gt;check_this_out&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.fordham.edu/halsall/search.html</clipSource><pubDate>Thu, 03 Jan 2008 04:23:28 GMT</pubDate></item></channel></rss>