<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | djenne's clips</title><link>http://clipmarks.com/clipper/djenne/</link><feedUrl>http://rss.clipmarks.com/clipper/djenne/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>food stamps: the economics of eating well</title><link>http://clipmarks.com/clipmark/FAFFC8D2-3A66-44C0-83AE-C490FD60C7BE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/djenne/"&gt;djenne&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://roomfordebate.blogs.nytimes.com/2009/12/07/food-stamps-the-economics-of-eating-well/" title="http://roomfordebate.blogs.nytimes.com/2009/12/07/food-stamps-the-economics-of-eating-well/"&gt;roomfordebate.blogs.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 class="entry-title"&gt;Food Stamps: The Economics of Eating Well&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/djenne/512/957C8D01-87E5-4534-919D-F5B071DC1FC8.jpg" alt="food stamps" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A &lt;A href="http://www.nytimes.com/2009/11/29/us/29foodstamps.html"&gt;recent article in The Times&lt;/A&gt; by Jason DeParle and Robert Gebeloff detailed the effects of the soaring dependence on government food stamps in the United States. The social stigma of using them has faded, the Times writers found, yet judgments are still made. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;If people buy fresh vegetables or other relatively expensive though nutritious foods, they are considered to be living high on the hog at the taxpayers’ expense. But if they buy cheap foods like hot dogs they are criticized for poor health habits. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Despite these common complaints, does the system work? Are the current rules fair in regulating what people can buy and not buy?  Or should the requirements be changed? Should un-nutritious products like soda be banned? Is there a better way to distribute free food and promote nutrition in this country? &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/poverty/" rel="tag"&gt;poverty&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/capitalism/" rel="tag"&gt;capitalism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/have%2fhavenots/" rel="tag"&gt;have/havenots&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://roomfordebate.blogs.nytimes.com/2009/12/07/food-stamps-the-economics-of-eating-well/</clipSource><pubDate>Tue, 08 Dec 2009 18:36:01 GMT</pubDate></item><item><title>why fake optimism is the worst way to deal with life's problems</title><link>http://clipmarks.com/clipmark/76E3CFF8-2065-4069-9E34-72406A73197A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/djenne/"&gt;djenne&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.alternet.org/sex/144425/why_fake_optimism_is_the_worst_way_to_deal_with_life%27s_problems/?page=2" title="http://www.alternet.org/sex/144425/why_fake_optimism_is_the_worst_way_to_deal_with_life%27s_problems/?page=2"&gt;www.alternet.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="storyheadline"&gt;Why Fake Optimism Is the Worst Way to Deal with Life's Problems&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="teaserleft"&gt;
			Looking at crap and calling it candy has become a growth industry. But experts say there are better ways to deal with crisis.
		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.alternet.org/sex/144425/why_fake_optimism_is_the_worst_way_to_deal_with_life%27s_problems/?page=entire" title="http://www.alternet.org/sex/144425/why_fake_optimism_is_the_worst_way_to_deal_with_life%27s_problems/?page=entire"&gt;www.alternet.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Barbara Ehrenreich takes a long, comprehensive look at positive thinking in her most recent book, &lt;EM&gt;&lt;A href="http://www.amazon.com/gp/product/0805087494/ref=pd_lpo_k2_dp_sr_1?pf_rd_p=486539851&amp;pf_rd_s=lpo-top-stripe-1&amp;pf_rd_t=201&amp;pf_rd_i=1427208360&amp;pf_rd_m=ATVPDKIKX0DER&amp;pf_rd_r=13VAEWAJWC3D5AV354AD"&gt;Bright Sided&lt;/A&gt;: How the Relentless Promotion of Positive Thinking Has Undermined America&lt;/EM&gt;. Ehrenreich delves into our country's religious history, the way positive thinking has been absorbed into religion, psychology and economics, the ubiquity of motivational speakers, and why it might not be such a good thing to, say, avoid the news because it brings you down. One of the most memorable passages in the book is a call center worker who describes having to simulate happiness as "the kind of feeling you might get from getting a hand job when your soul is dying."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/fake+optimism/" rel="tag"&gt;fake optimism&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.alternet.org/sex/144425/why_fake_optimism_is_the_worst_way_to_deal_with_life%27s_problems/?page=2</clipSource><pubDate>Tue, 08 Dec 2009 17:53:40 GMT</pubDate></item><item><title>three ways the comcast-nbc merger could change television</title><link>http://clipmarks.com/clipmark/8802AB88-9CAB-4D31-B567-D2A307F7F4DF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/djenne/"&gt;djenne&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  just what we need, comcast with even more power! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://features.csmonitor.com/economyrebuild/2009/12/02/three-ways-the-comcast-nbc-merger-could-change-television/" title="http://features.csmonitor.com/economyrebuild/2009/12/02/three-ways-the-comcast-nbc-merger-could-change-television/"&gt;features.csmonitor.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/djenne/512/E57548EB-FB18-4220-9830-F165B55635D2.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/djenne/512/CCE88D9C-1C35-4CAB-B56F-CC7FEDAC487F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
    Three ways the Comcast-NBC merger could change television    &lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;As Americans' media habits shift toward the Internet, cable companies are being marginalized. The potential Comcast-NBC Universal deal is Comcast's bid to remain relevant.&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A pending merger between cable giant Comcast and NBC Universal is a sign that media providers like Comcast are moving toward a new business model that gives them authority over content – a development that is expected to change how viewers will watch their favorite TV shows and movies in the future.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The deal would give Comcast control of several cable networks (such as CNBC, Bravo, and the USA Network), a leading Hollywood movie studio (Universal Pictures), and a major broadcast television network (NBC).&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;• &lt;STRONG&gt;More content, fewer subscriptions.&lt;/STRONG&gt; Since NBC Universal owns the leading online video site (Hulu) and Comcast owns the third largest (Fancast), a merger would mean a boost in content, fueling this new platform for how users access shows or movies.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/comcast%2fnbc+merger/" rel="tag"&gt;comcast/nbc merger&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://features.csmonitor.com/economyrebuild/2009/12/02/three-ways-the-comcast-nbc-merger-could-change-television/</clipSource><pubDate>Tue, 08 Dec 2009 02:12:31 GMT</pubDate></item><item><title>in job hunt, college degree can't close racial gap</title><link>http://clipmarks.com/clipmark/7C0185D7-ED84-439D-AF79-13EA3B3131D5/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/djenne/"&gt;djenne&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  nothing new here. speak up! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2009/12/01/us/01race.html?_r=1&amp;em#" title="http://www.nytimes.com/2009/12/01/us/01race.html?_r=1&amp;em#"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;NYT_HEADLINE type=" " version="1.0"&gt;
In Job Hunt, College Degree Can’t Close Racial Gap
&lt;/NYT_HEADLINE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/djenne/512/4C4895F7-CF96-4C5F-9692-22B0E24E6A64.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="caption"&gt;
Johnny Williams has scrubbed his résumé of any details that might tip off his skin color.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Johnny R. Williams, 30, would appear to be an unlikely person to have to fret about the impact of race on his job search, with companies like &lt;A title="More information about Morgan, J. P., Chase &amp; Company" href="http://topics.nytimes.com/top/news/business/companies/morgan_j_p_chase_and_company/index.html?inline=nyt-org"&gt;JPMorgan Chase&lt;/A&gt; and an M.B.A. from the &lt;A title="More articles about the University of Chicago." href="http://topics.nytimes.com/top/reference/timestopics/organizations/u/university_of_chicago/index.html?inline=nyt-org"&gt;University of Chicago&lt;/A&gt; on his résumé.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/djenne/512/AE6D3FF9-43CF-4EF3-B372-CD4FF4A3A4E9.jpg" alt="Racial Differences in Joblessness" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;But there is ample evidence that racial inequities remain  when it comes to employment. Black joblessness has long far outstripped that of whites. And strikingly, the disparity for the first 10 months of this year, as the &lt;A title="More articles about the recession." href="http://topics.nytimes.com/top/reference/timestopics/subjects/r/recession_and_depression/index.html?inline=nyt-classifier"&gt;recession&lt;/A&gt; has dragged on, has been even more pronounced for those  with college degrees, compared with those without. Education, it seems, does not level the playing field — in fact, it appears to have made it more uneven.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; A more &lt;A title="Study on race in hirings (PDF)." href="http://moya.bus.miami.edu/~lgiuliano/Hires.pdf"&gt;recent study&lt;/A&gt;, published this year in The Journal of Labor Economics found white, Asian and Hispanic managers tended to hire more whites and fewer blacks than black managers did. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/racism/" rel="tag"&gt;racism&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2009/12/01/us/01race.html?_r=1&amp;em#</clipSource><pubDate>Fri, 04 Dec 2009 19:17:52 GMT</pubDate></item><item><title>disused call-box turned into world's smallest lending library</title><link>http://clipmarks.com/clipmark/0F095657-842D-42D5-B82A-CB72F8A60646/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/djenne/"&gt;djenne&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  very cool! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.boingboing.net/2009/11/30/disused-call-box-tur.html?utm_source=feedburner&amp;utm_medium=email&amp;utm_campaign=Feed%3A+boingboing%2FiBag+%28Boing+Boing%29&amp;utm_content=Yahoo%21+Mail" title="http://www.boingboing.net/2009/11/30/disused-call-box-tur.html?utm_source=feedburner&amp;utm_medium=email&amp;utm_campaign=Feed%3A+boingboing%2FiBag+%28Boing+Boing%29&amp;utm_content=Yahoo%21+Mail"&gt;www.boingboing.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="asset-name entry-title" id="page-title"&gt;Disused call-box turned into world's smallest lending library&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/djenne/512/1AE33194-1522-43D2-A26A-85DF5422A9A1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
"This facility has turned a piece of street furniture into a community service in constant use."
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
A resident dreamed up the idea when the village lost its phone box and mobile library in quick succession. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Users simply stock it with a book they have read, swapping it for one they have not... 
&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="previously2"&gt;
&lt;EM&gt;Previously:&lt;/EM&gt;&lt;UL&gt;&lt;LI&gt;&lt;A href="http://www.boingboing.net/2009/10/29/library-101-project.html#previouspost"&gt;Library 101: project on the future of libraries - Boing Boing&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.boingboing.net/2009/09/13/philadelphia-free-li.html#previouspost"&gt;Philadelphia Free Library System is shutting down - Boing Boing&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.boingboing.net/2009/05/24/kid-keeping-a-lendin.html#previouspost"&gt;Kid keeping a lending library of banned books in his her locker ...&lt;/A&gt;&lt;/LI&gt;
&lt;/UL&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
(&lt;I&gt;Image: &lt;A href="http://www.flickr.com/photos/mikecattell/3990128869/"&gt;Phone box and bus stop, Cheriton, Hampshire&lt;/A&gt;, a Creative Commons Attribution photo from  Mike Cattell's photostream&lt;/I&gt;)
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Steve sez, "A traditional red phone box has been recycled into one of the UK's smallest lending libraries - stocking 100 books, CDs, and DVDs.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.boingboing.net/2009/11/30/disused-call-box-tur.html?utm_source=feedburner&amp;utm_medium=email&amp;utm_campaign=Feed%3A+boingboing%2FiBag+%28Boing+Boing%29&amp;utm_content=Yahoo%21+Mail</clipSource><pubDate>Wed, 02 Dec 2009 19:21:46 GMT</pubDate></item><item><title>is binge eating a psychiatric disorder</title><link>http://clipmarks.com/clipmark/8B0676C2-756E-4D87-AF98-FAA70EDA7741/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/djenne/"&gt;djenne&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  hmmmmmmmm &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.latimes.com/features/health/la-he-binge23-2009nov23,0,2869829.story" title="http://www.latimes.com/features/health/la-he-binge23-2009nov23,0,2869829.story"&gt;www.latimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Is binge eating a psychiatric disorder?&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;As the American Psychiatrics Assn. considers including it in its diagnotic manual, skeptics object and possible treatments are debated.&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
                
                    
                    Rina Silverman's refrigerator is almost always empty. She keeps it that way to avert episodes of frantic food consumption, often at night after a full meal, in which she tastes nothing and feels nothing but can polish off a party-sized bag of chips or a container of ice cream, maybe a whole box of cereal. The food she's eating at these moments hardly matters.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
In short order, the nothing that Silverman feels and tastes will give way to nauseating fullness, and a bitter backwash of guilt, shame and self-reproach.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
Silverman, a 43-year-old executive assistant from Sherman Oaks, is one of the 145 million Americans who are overweight or obese. But the frenzies of consumption put her in a far smaller category of Americans, not all of whom are even overweight.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/binge+eating/" rel="tag"&gt;binge eating&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.latimes.com/features/health/la-he-binge23-2009nov23,0,2869829.story</clipSource><pubDate>Mon, 30 Nov 2009 01:15:22 GMT</pubDate></item><item><title>surgery for mental ills offers both hope and risk</title><link>http://clipmarks.com/clipmark/7AE6D14E-3F30-4F56-A632-67C7D9513B9E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/djenne/"&gt;djenne&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  hmmmmm &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2009/11/27/health/research/27brain.html?em#" title="http://www.nytimes.com/2009/11/27/health/research/27brain.html?em#"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;NYT_HEADLINE type=" " version="1.0"&gt;
Surgery for Mental Ills Offers Both Hope and Risk
&lt;/NYT_HEADLINE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="inlineLeft" id="articleInline"&gt;
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&lt;DIV class="credit"&gt;Christopher Capozziello for The New York Times&lt;/DIV&gt;
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Karen Quintal, with a Leksell frame screwed into her skull before surgery for a tumor. 
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&lt;H3 class="promo"&gt;&lt;A href="http://topics.nytimes.com/top/news/science/series/brain_power/index.html"&gt;Brain Power&lt;/A&gt;&lt;/H3&gt;
&lt;EM&gt;The New Psychosurgery&lt;/EM&gt;
&lt;P class="summary"&gt;For all that scientists have studied it, the brain remains the most complex and mysterious human organ — and, now, the focus of billions of dollars’ worth of research to penetrate its secrets. &lt;/P&gt;
&lt;P class="summary"&gt;This is the fifth article in a series that is looking in depth at some of the insights these projects are producing.&lt;/P&gt;
&lt;A href="http://topics.nytimes.com/top/news/science/series/brain_power/index.html" class="more"&gt;Previous Articles in the Series »&lt;/A&gt;
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&lt;IMG height="126" border="0" width="190" alt="Psychiatric Neurosurgery" src="http://graphics8.nytimes.com/images/2009/11/26/health/research/27brain-graphic/thumbWide.jpg" /&gt;&lt;SPAN class="mediaType graphic"&gt;Graphic&lt;/SPAN&gt;
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&lt;DIV class="credit"&gt;Nicole Bengiveno/The New York Times&lt;/DIV&gt;
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Before Ross, 21, had brain surgery two years ago, his obsessive-compulsive disorder kept him from leaving the house. “It saved my life,” he said. 
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&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2009/11/27/health/research/27brain.html?em#</clipSource><pubDate>Fri, 27 Nov 2009 19:20:52 GMT</pubDate></item><item><title>shaking off the shame</title><link>http://clipmarks.com/clipmark/926538E6-3B7A-4733-83C9-088B4D3A42BD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/djenne/"&gt;djenne&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2009/11/26/garden/26cousins.html?ref=style#" title="http://www.nytimes.com/2009/11/26/garden/26cousins.html?ref=style#"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;NYT_HEADLINE type=" " version="1.0"&gt;
Shaking Off the Shame
&lt;/NYT_HEADLINE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="byline"&gt;By &lt;A title="More Articles by Sarah Kershaw" href="http://topics.nytimes.com/top/reference/timestopics/people/k/sarah_kershaw/index.html?inline=nyt-per"&gt;SARAH KERSHAW&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;“It’s wrong, it’s taboo, nobody does that,” she recalled her mother saying.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; But shortly after the conversation, Ms. Spring-Winters, 29, decided to marry the man she loved: her first cousin. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="inlineLeft" id="articleInline"&gt;
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&lt;B&gt;FAMILY TIES&lt;/B&gt; Shane Winters and Kimberly Spring-Winters, first cousins, married this year despite her mother’s concerns. 
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&lt;IMG height="126" border="0" width="190" alt="The Laws, State by State" src="http://graphics8.nytimes.com/images/2009/11/25/garden/26cousins-map/thumbWide.jpg" /&gt;&lt;SPAN class="mediaType graphic"&gt;Graphic&lt;/SPAN&gt;
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&lt;DIV class="credit"&gt;Erik S. Lesser for The New York Times&lt;/DIV&gt;
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&lt;B&gt;TOGETHER&lt;/B&gt; Kathy and Dale Hollenbach, first cousins, hardly knew each other until his wife died in 2007 and she sent her condolences. “What I tell everyone is that you don’t choose who you fall in love with,” she said. 
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&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In the United States, the percentage is thought to be much smaller, although it is difficult to estimate, since such marriages have long been an underground phenomenon, because of laws forbidding them and because of the lingering incest-related stigma. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/marrying+first+cousins/" rel="tag"&gt;marrying first cousins&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2009/11/26/garden/26cousins.html?ref=style#</clipSource><pubDate>Fri, 27 Nov 2009 19:07:21 GMT</pubDate></item><item><title>from footnote to fame in civil rights history</title><link>http://clipmarks.com/clipmark/10ADB9D0-C829-47A2-AEA2-153A43C67ABF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/djenne/"&gt;djenne&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2009/11/26/books/26colvin.html?em#" title="http://www.nytimes.com/2009/11/26/books/26colvin.html?em#"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;NYT_HEADLINE type=" " version="1.0"&gt;
From Footnote to Fame in Civil Rights History
&lt;/NYT_HEADLINE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="byline"&gt;By &lt;A title="More Articles by Brooks Barnes" href="http://topics.nytimes.com/top/reference/timestopics/people/b/brooks_barnes/index.html?inline=nyt-per"&gt;BROOKS BARNES&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;On that supercharged day in 1955, when &lt;A title="More articles about Rosa Parks" href="http://topics.nytimes.com/top/reference/timestopics/people/p/rosa_parks/index.html?inline=nyt-per"&gt;Rosa Parks&lt;/A&gt; refused to give up her bus seat to a white passenger in Montgomery, Ala., she rode her way into history books, credited with helping to ignite the civil rights movement.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="inlineBox"&gt;&lt;A class="jumpLink" href="#secondParagraph"&gt;Skip to next paragraph&lt;/A&gt;
  
   
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&lt;DIV class="credit"&gt;Nicole Bengiveno/The New York Times (left), The Montgomery Advertiser, via Melanie Kroupa Books/Farrar, Straus &amp; Giroux&lt;/DIV&gt;
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Claudette Colvin in a portrait taken in November (left) and as a child around 1953. 
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&lt;DIV class="credit"&gt;Nicole Bengiveno/The New York Times&lt;/DIV&gt;
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Claudette Colvin's historic stand preceded that of Rosa Parks. 
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&lt;DIV class="credit"&gt;Michael Appleton for The New York Times&lt;/DIV&gt;
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Phillip Hoose, with Claudette Colvin, accepting a National Book Award last week  for “Claudette Colvin: Twice Toward Justice.” 
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&lt;DIV class="credit"&gt;The Montgomery Advertiser, via Melanie Kroupa Books/Farrar, Straus &amp; Giroux&lt;/DIV&gt;
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Ms. Colvin around 1953. 
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&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/claudette+colvin/" rel="tag"&gt;claudette colvin&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2009/11/26/books/26colvin.html?em#</clipSource><pubDate>Fri, 27 Nov 2009 19:01:26 GMT</pubDate></item><item><title>intimate ella fitzgerald, rediscovered</title><link>http://clipmarks.com/clipmark/97DCE987-B48B-4855-ADA2-337CEACA6FE3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/djenne/"&gt;djenne&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  yes! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2009/11/29/arts/music/29ella.html?ref=arts#" title="http://www.nytimes.com/2009/11/29/arts/music/29ella.html?ref=arts#"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;NYT_HEADLINE type=" " version="1.0"&gt;
Intimate Ella Fitzgerald, Rediscovered
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&lt;DIV class="credit"&gt;Herman Leonard Photography L.L.C./CTSimages.com&lt;/DIV&gt;
&lt;P class="caption"&gt;
A Herman Leonard photograph of Ella Fitzgerald performing at the New York nightclub Downbeat in 1948. Watching rapturously are Duke Ellington, center, and Benny Goodman, in glasses behind Ellington.  
&lt;/P&gt;
&lt;/DIV&gt;
  
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&lt;H4&gt;Multimedia&lt;/H4&gt;


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&lt;P class="summary"&gt;
The latest on the arts, coverage of live events, critical reviews, multimedia extravaganzas and much more.&lt;A href="http://artsbeat.blogs.nytimes.com/"&gt; Join the discussion.&lt;/A&gt;&lt;/P&gt;&lt;/DIV&gt;
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&lt;DIV class="credit"&gt;Yale Joel/Life Magazine/Time &amp; Life Pictures/Getty Images&lt;/DIV&gt;
&lt;P class="caption"&gt;
Ella Fitzgerald performing in Chicago in 1958. A new four-disc boxed set on Verve captures her onstage in a small club setting. 
&lt;/P&gt;
&lt;/DIV&gt;
  
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; Why these tapes stayed locked in the vault for nearly half a century — and what it took to set them free — is a tale of a producer’s neglect, a jazz sleuth’s obsession and a string of happy coincidences.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/ella+fitzgerald/" rel="tag"&gt;ella fitzgerald&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/jazz/" rel="tag"&gt;jazz&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2009/11/29/arts/music/29ella.html?ref=arts#</clipSource><pubDate>Fri, 27 Nov 2009 18:50:42 GMT</pubDate></item><item><title>poetry series spurs debate on the use of an old slur against latinos</title><link>http://clipmarks.com/clipmark/9C2EAA72-D557-4FA9-82EC-BFC29F543E37/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/djenne/"&gt;djenne&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2009/11/21/nyregion/21poets.html?emc=tnt&amp;tntemail1=y#" title="http://www.nytimes.com/2009/11/21/nyregion/21poets.html?emc=tnt&amp;tntemail1=y#"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
&lt;NYT_HEADLINE type=" " version="1.0"&gt;
Poetry Series Spurs Debate on the Use of an Old Slur Against Latinos
&lt;/NYT_HEADLINE&gt;
&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="byline"&gt;By &lt;A title="More Articles by David Gonzalez" href="http://topics.nytimes.com/top/reference/timestopics/people/g/david_gonzalez/index.html?inline=nyt-per"&gt;DAVID GONZALEZ&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The word sounds retro, but its corrosive power lingers. Once a cruelly common taunt that mocked the way Spanish speakers pronounced “speak,” it set off fights, shattered friendships and trampled feelings.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Now that word forms the title of a poetry series — “Spic Up/Speak Out” — at, of all places, &lt;A title="museum’s page on the event" href="http://www.elmuseo.org/en/event/spic-upspeak-out-emanuel-xavier-spics"&gt;El Museo del Barrio&lt;/A&gt; in East Harlem, on Saturday.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/djenne/512/22EE657B-160D-40CD-A6B5-F78867F44915.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="caption"&gt;
Sandra María Estevez is participating in El Museo's poetry series, although she dislikes its title. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In the weeks since Ms. Girmay declined to take part in the series, she has discussed her concerns with other poets. She was especially concerned about how the word could be used by the young people she encounters in her after-school workshops in the Bronx.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2009/11/21/nyregion/21poets.html?emc=tnt&amp;tntemail1=y#</clipSource><pubDate>Mon, 23 Nov 2009 05:41:33 GMT</pubDate></item><item><title>chicken soup for the soul</title><link>http://clipmarks.com/clipmark/CBFE977A-2562-4038-9823-D743B914FF58/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/djenne/"&gt;djenne&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2009/11/22/nyregion/22soup.html?ref=nyregion#" title="http://www.nytimes.com/2009/11/22/nyregion/22soup.html?ref=nyregion#"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;NYT_HEADLINE type=" " version="1.0"&gt;
For the Soul
&lt;/NYT_HEADLINE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/djenne/512/85F432F4-69CF-4F36-A9F1-D7D2674801AC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="inlineBox"&gt;&lt;A class="jumpLink" href="#secondParagraph"&gt;Skip to next paragraph&lt;/A&gt;
  
  
&lt;DIV id="inlineReadersOpinion"&gt;
&lt;H4&gt;Readers’ Opinions&lt;/H4&gt;
&lt;DIV class="story"&gt;
&lt;/DIV&gt;
&lt;H2&gt;&lt;A href="http://community.nytimes.com/comments/dinersjournal.blogs.nytimes.com/2009/11/20/whats-your-favorite-chicken-soup/#postComment" class="more"&gt;&lt;IMG height="11" border="0" width="9" alt="Comment" src="http://graphics8.nytimes.com/images/section/opinion/comment_icon.gif" /&gt; What's Your Favorite Chicken Soup?&lt;/A&gt;&lt;/H2&gt;
&lt;/DIV&gt;
   
&lt;DIV class="image"&gt;
&lt;IMG height="190" border="0" width="190" alt="" src="http://graphics8.nytimes.com/images/2009/11/22/nyregion/22soup_russ/articleInline-v2.jpg" /&gt;
&lt;DIV class="credit"&gt;Fred R. Conrad/The New York Times&lt;/DIV&gt;
&lt;P class="caption"&gt;
&lt;STRONG&gt;RUSS &amp; DAUGHTERS&lt;/STRONG&gt; (179 East Houston Street ), makes chicken soup with carrots, celery, dill and egg noodles from a century-old family recipe ($4.95). 
&lt;/P&gt;
&lt;/DIV&gt;
  
&lt;DIV class="image"&gt;
&lt;IMG height="190" border="0" width="190" alt="" src="http://graphics8.nytimes.com/images/2009/11/22/nyregion/22soup_CA1/articleInline.jpg" /&gt;
&lt;DIV class="credit"&gt;Fred R. Conrad/The New York Times&lt;/DIV&gt;
&lt;P class="caption"&gt;
&lt;STRONG&gt;GRAND SICHUAN &lt;/STRONG&gt;(229 Ninth Avenue) has shredded chicken and pea-shoot soup ($9.50). 
&lt;/P&gt;
&lt;/DIV&gt;
  
&lt;DIV class="image"&gt;
&lt;IMG height="190" border="0" width="190" alt="" src="http://graphics8.nytimes.com/images/2009/11/22/nyregion/22soup_CA2/articleInline.jpg" /&gt;
&lt;DIV class="credit"&gt;Hiroko Masuike for The New York Times&lt;/DIV&gt;
&lt;P class="caption"&gt;
&lt;STRONG&gt;YUEN YUEN &lt;/STRONG&gt;(61-A Bayard Street) offers black chicken soup with ginseng ($7.95). 
&lt;/P&gt;
&lt;/DIV&gt;
  
&lt;DIV class="image"&gt;
&lt;IMG height="190" border="0" width="190" alt="" src="http://graphics8.nytimes.com/images/2009/11/22/nyregion/22soup_CA3/articleInline.jpg" /&gt;
&lt;DIV class="credit"&gt;Hiroko Masuike for The New York Times&lt;/DIV&gt;
&lt;P class="caption"&gt;
&lt;STRONG&gt;PYLOS&lt;/STRONG&gt; (128 East Seventh Street) makes avgolemono, Greek egg-lemon soup ($6, or $5 at lunch). 
&lt;/P&gt;
&lt;/DIV&gt;
  
&lt;DIV class="image"&gt;
&lt;IMG height="190" border="0" width="190" alt="" src="http://graphics8.nytimes.com/images/2009/11/22/nyregion/22soup_CA4/articleInline.jpg" /&gt;
&lt;DIV class="credit"&gt;Hiroko Masuike for The New York Times&lt;/DIV&gt;
&lt;P class="caption"&gt;
&lt;STRONG&gt;EL MALECÓN &lt;/STRONG&gt;(4141 Broadway, at 175th Street) offers sopa de pollo ($4.50). 
&lt;/P&gt;
&lt;/DIV&gt;
   
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/chicken+soup/" rel="tag"&gt;chicken soup&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2009/11/22/nyregion/22soup.html?ref=nyregion#</clipSource><pubDate>Sun, 22 Nov 2009 20:34:33 GMT</pubDate></item><item><title>there once lived  woman who tried to kill her neighbor's baby-ludmilla petrushevskaya</title><link>http://clipmarks.com/clipmark/138216C0-121E-4723-B9E5-84F6E3791E50/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/djenne/"&gt;djenne&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2009/11/22/books/review/Schillinger-t.html?ref=books#" title="http://www.nytimes.com/2009/11/22/books/review/Schillinger-t.html?ref=books#"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
&lt;NYT_HEADLINE type=" " version="1.0"&gt;
Disturbing the Comfortable
&lt;/NYT_HEADLINE&gt;
&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="byline"&gt;By &lt;A title="More Articles by Liesl Schillinger" href="http://query.nytimes.com/search/query?ppds=bylL&amp;v1=LIESL SCHILLINGER&amp;fdq=19960101&amp;td=sysdate&amp;sort=newest&amp;ac=LIESL SCHILLINGER&amp;inline=nyt-per"&gt;LIESL SCHILLINGER&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/djenne/512/1A2E94D5-2D83-4C76-AD07-1B4E2DB5A25E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="sectionPromo"&gt;
&lt;DIV id="reviewInfo"&gt;
&lt;DIV class="story"&gt;
&lt;H4&gt;&lt;P class="nitf"&gt;THERE ONCE LIVED A WOMAN WHO TRIED TO KILL HER NEIGHBOR’S BABY&lt;/P&gt;&lt;/H4&gt;
&lt;H5&gt;&lt;P class="nitf"&gt;Scary Fairy Tales&lt;/P&gt;&lt;/H5&gt;
&lt;P class="summary"&gt;By Ludmilla Petrushevskaya&lt;/P&gt;
&lt;P class="summary"&gt;Selected and translated by Keith Gessen and Anna Summers&lt;/P&gt;
&lt;P class="summary"&gt;206 pp. Penguin Books. Paper, $15&lt;/P&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Every one of the 19 stories in Petrushev­skaya’s “There Once Lived a Woman Who Tried to Kill Her Neighbor’s Baby” presents an arresting parable of this kind. Timeless and troubling, these “scary fairy tales” grapple with accidents of fate and weaknesses of human nature that exact a heavy penance. While each story seizes the imagination in its own manner, one called “Revenge” features a woman who could be the double of Grushenka’s spiteful peasant. Jealous of her neighbor in a communal apartment — an unmarried woman, like herself, whose pregnancy has disrupted their friendship — she booby-­traps their common space with boxes of needles and buckets of bleach and &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/ludmilla+petrushevskys/" rel="tag"&gt;ludmilla petrushevskys&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2009/11/22/books/review/Schillinger-t.html?ref=books#</clipSource><pubDate>Sun, 22 Nov 2009 20:17:13 GMT</pubDate></item><item><title>'fela' broadway? dance!</title><link>http://clipmarks.com/clipmark/6C317B06-03F5-4DD7-9F70-2E6D0C7B59FC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/djenne/"&gt;djenne&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  fela ransome-kuti, baby! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2009/11/22/theater/22fela.html#" title="http://www.nytimes.com/2009/11/22/theater/22fela.html#"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
&lt;NYT_HEADLINE type=" " version="1.0"&gt;
‘Fela!’ Broadway? Dance!
&lt;/NYT_HEADLINE&gt;
&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/djenne/512/E7798091-5043-4894-A09B-4C5BB78C0959.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="caption"&gt;
Sahr Ngaujah, one of the alternating leads, in a scene from the musical “Fela!,” drawn from the life of the bandleader Fela Anikulapo Kuti.
&lt;A href="http://www.nytimes.com/slideshow/2008/08/06/theater/20080806_FELA_SLIDESHOW_index.html"&gt;More Photos &amp;gt;&lt;/A&gt;
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="inlineLeft" id="articleInline"&gt;
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&lt;H4&gt;Multimedia&lt;/H4&gt;
&lt;DIV class="story first"&gt;







&lt;A href="http://www.nytimes.com/slideshow/2008/08/06/theater/20080806_FELA_SLIDESHOW_index.html"&gt;
&lt;IMG height="126" border="0" width="190" alt="The King of Afrobeat" src="http://graphics8.nytimes.com/images/2008/08/06/theater/FelaM.jpg" /&gt;&lt;SPAN class="mediaType photo"&gt;Slide Show&lt;/SPAN&gt;
&lt;/A&gt;


&lt;H2&gt;

&lt;A href="http://www.nytimes.com/slideshow/2008/08/06/theater/20080806_FELA_SLIDESHOW_index.html"&gt;The King of Afrobeat&lt;/A&gt; 

&lt;/H2&gt;
&lt;DIV class="clear"&gt;&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;A target="new" href="http://www.youtube.com/profile?user=FelaMusical"&gt;&lt;IMG height="10" width="13" alt="Audio" src="http://graphics8.nytimes.com/images/multimedia/icons/audio_icon.gif" /&gt; Music and Videos From 'Fela!' (YouTube.com)&lt;/A&gt;
&lt;/DIV&gt;
&lt;DIV id="sidebarArticles"&gt;
&lt;H4&gt;Related&lt;/H4&gt;
&lt;H2&gt;




&lt;A href="http://theater2.nytimes.com/2008/09/05/theater/reviews/05fela.html?ref=theater"&gt;Theater Review | 'Fela!': Afrobeat’s King, Recrowned&lt;/A&gt; 

(September 5, 2008)
&lt;/H2&gt;
&lt;H2&gt;




&lt;A href="http://www.nytimes.com/2008/08/06/theater/06fela.html?ref=theater"&gt;Summoning Afrobeat’s Rhythmic, Rebellious Force to the Stage&lt;/A&gt; 

(August 6, 2008)
&lt;/H2&gt;
&lt;/DIV&gt;

   
&lt;DIV class="image"&gt;
&lt;IMG height="294" border="0" width="190" alt="" src="http://graphics8.nytimes.com/images/2009/11/22/arts/22fela_CA2/articleInline.jpg" /&gt;
&lt;DIV class="credit"&gt;Leon Morris/Redferns, via Getty Images&lt;/DIV&gt;
&lt;P class="caption"&gt;
Mr. Kuti performing in 1990. 
&lt;A href="http://www.nytimes.com/slideshow/2008/08/06/theater/20080806_FELA_SLIDESHOW_index.html"&gt;More Photos »&lt;/A&gt;
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&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Fela was defiant by both instinct and ideology, and he was repeatedly arrested, beaten and imprisoned for his opposition to a succession of Nigerian regimes. In 1977 soldiers burned down the compound where he lived with his wives, musicians and entourage — a pivotal episode in the Broadway show. Afterward Fela changed his name from Fela Ransome Kuti to Fela Anikulapo Kuti; “Anikulapo” means “he who carries death in his pouch.”&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/fela+ransome-kuti/" rel="tag"&gt;fela ransome-kuti&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/african+music/" rel="tag"&gt;african music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nigeria/" rel="tag"&gt;nigeria&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2009/11/22/theater/22fela.html#</clipSource><pubDate>Sun, 22 Nov 2009 19:41:20 GMT</pubDate></item><item><title>fire + fire: hungarian gypsy and black american music</title><link>http://clipmarks.com/clipmark/0E81BA6D-18AB-40AE-97C8-42ED274DEB6E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/djenne/"&gt;djenne&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://extremelyhungary.org/index00.php" title="http://extremelyhungary.org/index00.php"&gt;extremelyhungary.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/djenne/512/B5515CEF-D058-4197-BDFB-82E0ED861126.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;Fire + Fire: Hungarian Gypsy and Black American Music — Peter Norton Symphony Space — 11/19/2009&lt;/STRONG&gt;&lt;BR /&gt;NOVEMBER 19th &amp; 21st
Please Click Here to See the Fire+Fire Website, Complete with Artist Bios, Music Clips, and Videos. 
FIRE + FIRE is a collaborative and conceptual music-theatre work that... &lt;BR /&gt;&lt;A href="http://extremelyhungary.org/events.php?id=22"&gt;Read more&lt;/A&gt; &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;From Budapest to the Bauhaus — Hungarian Cultural Center — 11/12/2009&lt;/STRONG&gt;&lt;BR /&gt;OPENING RECEPTION: November 12 from 6:00-8:00 pm
A selection of prints, drawings, illustrated books and photographs from the collections of Gallery Erdész in Szentendre, Hungary. From... &lt;BR /&gt;&lt;A href="http://extremelyhungary.org/events.php?id=179"&gt;Read more&lt;/A&gt; &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/djenne/512/10F60D3E-7F2B-463E-90A6-E11271CC7576.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="18%" valign="top"&gt;&lt;A href="http://extremelyhungary.org/fire"&gt;&lt;IMG height="150" border="0" width="147" href="http://extremelyhungary.org/special.html#opera" src="http://extremelyhungary.org/images/fire_fire2.jpg" /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="18%" valign="top"&gt;&lt;A href="http://extremelyhungary.org/rebel.php"&gt;&lt;IMG height="150" border="0" width="147" href="http://extremelyhungary.org/special.html#opera" src="http://extremelyhungary.org/images/rebel_logo.jpg" /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD align="center" valign="top"&gt;       
              &lt;A href="http://extremelyhungary.org/media.php"&gt;&lt;IMG height="173" border="0" align="top" width="173" vspace="5" alt="ehmedia" src="http://extremelyhungary.org/images/ehmedia.jpg" /&gt;&lt;/A&gt;           &lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;THE HUNGARIAN CULTURAL CENTER 447 BROADWAY, NYC 10013 TEL 212.750.4450&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://extremelyhungary.org/index00.php</clipSource><pubDate>Fri, 20 Nov 2009 17:46:30 GMT</pubDate></item></channel></rss>