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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | balthazarus's Pops</title><link>http://clipmarks.com/clipper/balthazarus/pops/</link><feedUrl>http://rss.clipmarks.com/clipper/balthazarus/pops/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>How Concepts Affect Consumption</title><link>http://clipmarks.com/clipmark/53BF855E-062D-407C-84CE-5F5FB7097824/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  fascinating, go read &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.predictablyirrational.com/?p=639" title="http://www.predictablyirrational.com/?p=639"&gt;www.predictablyirrational.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Our prehistoric ancestors spent much of their waking hours foraging for and consuming food, an instinct that obviously paid off. Today this instinct is no less powerful, but for billions of us it’s satisfied in the minutes it takes to swing by the store and pop a meal in the microwave. With our physical needs sated and time on our hands, increasingly we’re finding psychological outlets for this drive, by seeking out and consuming concepts.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Conceptual consumption strongly influences physical consumption. Keeping up with the Joneses is an obvious example. The SUV in the driveway is only partly about the need for transport; the concept consumed is status. Dozens of studies tease out the many ways in which concepts  influence people’s consumption, independent of the physical thing being consumed. Here are just three of the classes of conceptual consumption that we and others have identified.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;by Dan Ariely and Michael I. Norton&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A target="_blank" href="http://www.people.hbs.edu/mnorton/ariely norton 2009.pdf"&gt;The full paper on which this article is based is available here&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/concepts/" rel="tag"&gt;concepts&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/consumption/" rel="tag"&gt;consumption&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.predictablyirrational.com/?p=639</clipSource><pubDate>Thu, 30 Jul 2009 17:00:05 GMT</pubDate></item><item><title>THE SYNCHRONIZATION OF BRAINS</title><link>http://clipmarks.com/clipmark/4C62F0C4-D338-41B8-AFB9-9D6E7E786056/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  JAMSHED BHARUCHA &lt;br/&gt;Professor of Psychology, Provost, Senior Vice President, Tufts University&lt;br/&gt;&lt;br/&gt;"An understanding of how brains synchronize " or fail to do so " will be a game-changing scientific development."&lt;br/&gt;&lt;br/&gt;Highly recommended, go read it all &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.edge.org/q2009/q09_14.html" title="http://www.edge.org/q2009/q09_14.html"&gt;www.edge.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Few behavioral forces are as strong as the delineation of in-groups and out-groups: 'us' and 'them'. Group affiliation requires alignment, coupling or synchronization of the brain states of members. Synchronization yields cooperative behavior, promotes group cohesion, and creates a sense of group agency greater than the sum of the individuals in the group. In the extreme, synchronization yields herding behavior. The absence of synchronization yields conflict.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;People come under the grip of ideologies, emotions and moods are infectious, and memes spread rapidly through populations. Ethnic, religious, and political groups act as monolithic forces. Mobs, cults and militias are characterized by the melding of large numbers of individuals into larger units, such that the brains of individuals operate in lockstep – a single organism controlled by a single — distributed — nervous system. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/brains/" rel="tag"&gt;brains&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/synchronization/" rel="tag"&gt;synchronization&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.edge.org/q2009/q09_14.html</clipSource><pubDate>Sat, 18 Jul 2009 11:01:12 GMT</pubDate></item><item><title>Can Computers Decipher a 5,000-Year-Old Language? </title><link>http://clipmarks.com/clipmark/E59B1539-3C2D-4A93-8B15-A8DBD6D26CED/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.smithsonianmag.com/history-archaeology/Can-Computers-Decipher-a-5000-Year-Old-Language.html?c=y&amp;page=1" title="http://www.smithsonianmag.com/history-archaeology/Can-Computers-Decipher-a-5000-Year-Old-Language.html?c=y&amp;page=1"&gt;www.smithsonianmag.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 id="subHead"&gt;						A computer scientist is helping to uncover the secrets of the inscribed symbols of the Indus
									&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/wildcat/512/E9F32D76-068C-44D6-8D8C-83F4F7729772.jpg" alt="Indus script" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The Indus civilization, which flourished throughout much of the third millennium B.C., was the most extensive society of its time. At its height, it encompassed an area of more than half a million square miles centered on what is today the India-Pakistan border. Remnants of the Indus have been found as far north as the Himalayas and as far south as Mumbai. It was the earliest known urban culture of the subcontinent and it boasted two large cities, one at Harappa and one at Mohenjo-daro. Yet despite its size and longevity, and despite nearly a century of archaeological investigations, much about the Indus remains shrouded in mystery.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A few years later, Rao entered the fray. Until then, people studying the script were archaeologists, historians, linguists or cryptologists. But Rao decided to coax out the secrets of the Indus script using the tool he knew best—computer science.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/symbols/" rel="tag"&gt;symbols&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.smithsonianmag.com/history-archaeology/Can-Computers-Decipher-a-5000-Year-Old-Language.html?c=y&amp;page=1</clipSource><pubDate>Tue, 21 Jul 2009 10:06:58 GMT</pubDate></item><item><title>The Possibility of Impossible cultures</title><link>http://clipmarks.com/clipmark/1230E82A-DAF0-4B18-88D7-319751EB7D9F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Heuser suggests that only humans have evolved four computational capacities, constituting a phylogenetic mind gap between humans and other animals.&lt;br/&gt;&lt;br/&gt;An important perspective, go read all of it &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://mindblog.dericbownds.net/2009/07/possibility-of-impossible-cultures.html" title="http://mindblog.dericbownds.net/2009/07/possibility-of-impossible-cultures.html"&gt;mindblog.dericbownds.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Marc Hauser &lt;A href="http://www.nature.com/nature/journal/v460/n7252/full/460190a.html"&gt;offers an essay&lt;/A&gt; in the 9 July issue of Nature, in which he suggests points of contact between work in the generative tradition of linguistics (Chomsky, etc.) and evolutionary developmental biology research on animal forms. Just as a developing animal form faces a massive range of possible variation:&lt;BR /&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;...children are born with the capacity to acquire a wide range of possible languages, as opposed to specific languages such as English, Korean or French. This implies that a child is equipped with an abstract acquisition device, allowing the 'growth' of many different languages. Furthermore, as the child's acquisition device generates a space of possible languages, something internal or external to the device creates a space of impossible languages — forms that are never entertained by the child because they are poorly designed for acquisition and externalization in linguistic communication.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/wildcat/512/2D9B16EC-D41E-4F29-A949-A717969F8AE2.png" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Generative computation&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Mental symbols&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Promiscuous interfaces&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Abstract thought&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://mindblog.dericbownds.net/2009/07/possibility-of-impossible-cultures.html</clipSource><pubDate>Wed, 22 Jul 2009 09:35:28 GMT</pubDate></item><item><title> 12 Steampunk Gadgets and Designs</title><link>http://clipmarks.com/clipmark/21FC7B03-01D1-44CA-AB45-EAB8E0FC463D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Silkweaver/"&gt;Silkweaver&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.toxel.com/tech/2009/07/12/12-steampunk-gadgets-and-designs/" title="http://www.toxel.com/tech/2009/07/12/12-steampunk-gadgets-and-designs/"&gt;www.toxel.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Steampunk PS3&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/Silkweaver/512/1EBC030C-ADA9-4A46-AF95-E94E25A474B9.jpg" alt="Steampunk PS3" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Steampunk Segway (Legway)&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/Silkweaver/512/00025983-7420-40AE-A809-DC7F57BA2CAF.jpg" alt="Steampunk Segway Legway" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Steampunk Computer Mouse&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/Silkweaver/512/BB91685F-0851-46C9-B2AA-ABC5200624D6.jpg" alt="Steampunk Computer Mouse" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Steampunk iPod Mini&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/Silkweaver/512/7F1C321E-A4A0-4BD5-B6A3-8F89741FF345.jpg" alt="Steampunk iPod Mini" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Steampunk Laptop&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/Silkweaver/512/DCBFE523-9C3D-4653-A355-2FCBC4216E4C.jpg" alt="Steampunk Laptop" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/Silkweaver/512/593FA6CE-5E77-4807-95D6-FE31C08E61BA.jpg" alt="Steampunk Notebook" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Steampunk Headphones&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/Silkweaver/512/D41EF9C9-2344-4FF9-A72F-4EF4D1C4F322.jpg" alt="Steampunk Headphones" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Steampunk Watch&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/Silkweaver/512/F8B329E9-BC4C-4787-83BA-96C3E2578406.jpg" alt="Steampunk Watch" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Steampunk USB Flash Drive&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/Silkweaver/512/1C127060-F413-4E9B-8F6F-459CCA7266D7.jpg" alt="Steampunk USB Flash Drive" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Steampunk Computer Keyboard&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/Silkweaver/512/BE1C8A8A-2935-4766-A340-87D6FF7A9544.jpg" alt="Steampunk Computer Keyboard" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Steampunk Guitar&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/Silkweaver/512/57A3DE5B-C89D-41B3-9F0E-7FF8C773B247.jpg" alt="Steampunk Guitar" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Steampunk LCD Monitor&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/Silkweaver/512/31FEF9AB-6A66-449D-AB15-479DC8D29E39.jpg" alt="Steampunk LCD Monitor" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/Silkweaver/512/782FA1DC-2DF1-4465-A448-B9BDFC15181B.jpg" alt="Steampunk Monitor" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Steampunk Goggles&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/Silkweaver/512/80CF6964-E4E5-4C86-8678-1CD98CC4BB76.jpg" alt="Steampunk Goggles" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/steampunk/" rel="tag"&gt;steampunk&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/design/" rel="tag"&gt;design&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.toxel.com/tech/2009/07/12/12-steampunk-gadgets-and-designs/</clipSource><pubDate>Thu, 23 Jul 2009 23:14:34 GMT</pubDate></item><item><title>Art with clothes</title><link>http://clipmarks.com/clipmark/C628F124-45D7-41AF-A7B6-0A3539963466/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.crookedbrains.net/2009/07/art.html" title="http://www.crookedbrains.net/2009/07/art.html"&gt;www.crookedbrains.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="post-title"&gt;&lt;A href="http://www.crookedbrains.net/2009/07/art.html"&gt;Art With Clothes.&lt;/A&gt;
&lt;/H3&gt;
&lt;DIV class="post-header-line-1"&gt;&lt;/DIV&gt;
&lt;DIV class="post-body"&gt;
&lt;P&gt;
&lt;/P&gt;
&lt;P&gt;&lt;FONT size="3" face="'Times New Roman'"&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;DIV align="left"&gt;&lt;FONT size="3" face="'Times New Roman'"&gt;&lt;DIV&gt;In past we have seen quite a few posts on art using clothes and other materials. But what we have here is really exceptional; using daily wear clothes like jeans, jackets, shirts, faces are made. And each of these faces looks really impressive and incredibly cool. Though no information is available about the artist/artists who created these, but they did a really fantastic job! (Thanks &lt;A rel="nofollow" href="http://www.flickr.com/photos/iam_ted/"&gt;Ted&lt;/A&gt;) &lt;/DIV&gt;&lt;/FONT&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/Aribeth/512/0EF65DBB-3CC8-44A4-81E5-A15B5705A239.jpg" alt="Art With Clothes (8) 1" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/Aribeth/512/D3141BC1-8077-46AB-A86E-47F1D18D1786.jpg" alt="Art With Clothes (8) 2" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/Aribeth/512/46D5ED1F-2A23-4257-9EED-824912244164.jpg" alt="Art With Clothes (8) 3" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/Aribeth/512/D6AC1712-6D68-4867-8B4C-28B7E13DE082.jpg" alt="Art With Clothes (8) 4" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/Aribeth/512/FB044DDB-BDEB-45B4-8CAA-9B2BA13DCA3A.jpg" alt="Art With Clothes (8) 5" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/Aribeth/512/B525490F-7DE7-4B87-994D-6700D3076DBB.jpg" alt="Art With Clothes (8) 6" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/Aribeth/512/610A5D68-A463-4909-A213-1F75F8D50C5B.jpg" alt="Art With Clothes (8) 7" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/Aribeth/512/AB4101EB-B958-455B-A700-6EEC140BFE8C.jpg" alt="Art With Clothes (8) 8" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/cool/" rel="tag"&gt;cool&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.crookedbrains.net/2009/07/art.html</clipSource><pubDate>Thu, 16 Jul 2009 20:13:34 GMT</pubDate></item><item><title>Open source gets its first legal journal: "International Free and Open Source Software Law Review"</title><link>http://clipmarks.com/clipmark/491D2B44-039E-4416-990E-3AF77AA683A3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Quoted from the first article:&lt;br/&gt;&lt;blockquote&gt;Free and Open Source software, though now a robust business proposition, evokes for many, memories of the days when it was seen as crusade. Its proponents as well as its opponents still occasionally address the subject as though they were engaging in a philosophical debate. There are also differences of emphasis, and a whiff of sectarianism amongst the proponents of the various standard licences.&lt;br/&gt;It is for others to address these theological disputes. It is, rather, the purpose of this Review to take one step back and look behind the rhetoric in a rigorous and objective fashion, to probe, to analyse, to question received wisdom, and to bring proper academic discipline to the study of Free and Open Source software in its legal and wider context.&lt;br/&gt;Free and Open Source Software has become a serious player. It deserves serious analysis.&lt;/blockquote&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.cnet.com/8618-13505_3-10286202.html?communityId=2016&amp;targetCommunityId=2016&amp;blogId=16&amp;messageId=8168289" title="http://news.cnet.com/8618-13505_3-10286202.html?communityId=2016&amp;targetCommunityId=2016&amp;blogId=16&amp;messageId=8168289"&gt;news.cnet.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;This week, in a sign of just how far open source has come in the past decade, the International Free and Open Source Software Law Review (IFOSSLR) &lt;A href="http://www.ifosslr.org/ifosslr/announcement/view/1"&gt;was launched&lt;/A&gt;, aiming to "bring the highest standards to bear in analysis and comment on all aspects of Free and Open Source software."
&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The first issue is &lt;A href="http://www.ifosslr.org/ifosslr/issue/1/showToc"&gt;now available online&lt;/A&gt;.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ifosslr.org/ifosslr/issue/1/showToc" title="http://www.ifosslr.org/ifosslr/issue/1/showToc"&gt;www.ifosslr.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
	International Free and Open Source Software Law Review
&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="breadcrumb"&gt;
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		&lt;A class="current" href="http://www.ifosslr.org/index.php/ifosslr/issue/1/showToc"&gt;Vol 1, No 1 (2009)&lt;/A&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL class="menu"&gt;
		&lt;LI&gt;&lt;A href="http://www.ifosslr.org/ifosslr/issue/current/showToc"&gt;Table of Contents&lt;/A&gt;&lt;/LI&gt;
	&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ifosslr.org/ifosslr/issue/current/showToc" title="http://www.ifosslr.org/ifosslr/issue/current/showToc"&gt;www.ifosslr.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD class="tocTitle"&gt;&lt;A href="http://www.ifosslr.org/ifosslr/article/view/13"&gt;Foreword and statement of purpose: an introduction to IFOSS L. Rev.&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD class="tocGalleys"&gt;
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			&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD class="tocTitle"&gt;&lt;A href="http://www.ifosslr.org/ifosslr/article/view/6"&gt;The Fiduciary Licence Agreement: Appointing legal guardians for Free Software Projects&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD class="tocGalleys"&gt;
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			&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD class="tocTitle"&gt;&lt;A href="http://www.ifosslr.org/ifosslr/article/view/9"&gt;Collaborative Approach: Peer-to-Patent and the Open Source Movement&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD class="tocGalleys"&gt;
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			&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD class="tocTitle"&gt;&lt;A href="http://www.ifosslr.org/ifosslr/article/view/5"&gt;Bad Facts Make Good Law: The Jacobsen Case and Open Source&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD class="tocGalleys"&gt;
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			&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD class="tocTitle"&gt;&lt;A href="http://www.ifosslr.org/ifosslr/article/view/10"&gt;Introducing The Risk Grid&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD class="tocGalleys"&gt;
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			&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/academic/" rel="tag"&gt;academic&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/journal/" rel="tag"&gt;journal&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/law/" rel="tag"&gt;law&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/legal/" rel="tag"&gt;legal&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/open+source/" rel="tag"&gt;open source&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/papers/" rel="tag"&gt;papers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/resource/" rel="tag"&gt;resource&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/review/" rel="tag"&gt;review&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://news.cnet.com/8618-13505_3-10286202.html?communityId=2016&amp;targetCommunityId=2016&amp;blogId=16&amp;messageId=8168289</clipSource><pubDate>Wed, 15 Jul 2009 15:43:42 GMT</pubDate></item><item><title>Tents as Powerful Symbols</title><link>http://clipmarks.com/clipmark/31824B44-31F2-41A3-B39C-6ECFC60105FA/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JackieDel/"&gt;JackieDel&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://australiansforpalestine.com/tents-as-powerful-symbols-of-palestinians-fates" title="http://australiansforpalestine.com/tents-as-powerful-symbols-of-palestinians-fates"&gt;australiansforpalestine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;How would you feel if you were suddenly told that your house was about to be demolished by the government and you had five minutes to get out – no time to gather belongings, no time to get dressed, no time to appeal?  How would you explain it to your distraught children if you yourself cannot understand such a wanton, cruel and senseless act?   What justification can any government or council give when destroying family homes and belongings?  Is the answer “building without a permit” good enough?  How would you feel if you could not get a permit to build because of your race and religion? Would you accept that your house has to go because it stands in the way of a Wall that will separate you from your farming lands community and livelihood? &lt;/STRONG&gt; &lt;STRONG&gt;Would you accept that another people of another religion have priority over your rights and want your land to build their houses even though they were not born in your land?&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JackieDel/512/DDA15E87-F7C5-452F-9283-6B4826D35D33.jpg" alt="Palestinians often live in tents next to their demolished homes." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="wp-caption-text"&gt;Palestinians often live in tents next to their demolished homes.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/israel/" rel="tag"&gt;israel&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/palestine/" rel="tag"&gt;palestine&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://australiansforpalestine.com/tents-as-powerful-symbols-of-palestinians-fates</clipSource><pubDate>Wed, 15 Jul 2009 11:01:48 GMT</pubDate></item><item><title>Unusual Evolution</title><link>http://clipmarks.com/clipmark/689EE9DC-2453-4AA9-AE58-3DC7D2CC623B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Anangeli/"&gt;Anangeli&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I wonder if we could do the same!!!  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/2/hi/sci/tech/7998931.stm" title="http://news.bbc.co.uk/2/hi/sci/tech/7998931.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
					Ants inhabit 'world without sex'
				&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;An Amazonian ant has dispensed with sex and developed into an all-female species, researchers have found.&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The ants reproduce via cloning - the queen ants copy themselves to produce genetically identical daughters. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This species - the first ever to be shown to reproduce entirely without sex - cultivates a garden of fungus, which also reproduces asexually. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The finding of the ants' "world without sex" is published in the journal Proceedings of the Royal Society B. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;Unusual evolution&lt;/B&gt;
	
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;And when they dissected the female insects, they found them to be physically incapable of mating, as an essential part of their reproductive system known as the "mussel organ" had degenerated.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Asexual reproduction of males from unfertilised eggs is a normal part of some insect reproduction, but asexual reproduction of females is "exceedingly rare in ants", wrote the researchers. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;But this particular species is able to grow "a greater number of crops than other ant species",&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://news.bbc.co.uk/2/hi/sci/tech/7998931.stm</clipSource><pubDate>Wed, 15 Jul 2009 16:56:55 GMT</pubDate></item><item><title>Selective Memories/Creating an evocative user experience involves tapping into our most powerful method of recall and recognition.</title><link>http://clipmarks.com/clipmark/18EFE388-0409-47C1-A9C7-3D0DBCB1313D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "So if memory rules perception, where does that leave the 21st-century product designer? The obvious answer"go out and create objects capable of evoking vivid memories"comes loaded with an inherent problem: memories exist in the mind of the user. The object, however well conceived, is merely a tool"&lt;br/&gt;&lt;br/&gt;A fascinating read &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metropolismag.com/story/20090318/selective-memories" title="http://www.metropolismag.com/story/20090318/selective-memories"&gt;www.metropolismag.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
In my book &lt;I&gt;Emotional Design&lt;/I&gt;, I argue that the interplay between cognition and emotion occurs on three levels: the visceral, the behavioral, and the reflective. The lowest level, the visceral, is unconsciously triggered by the environment and driven by involuntary, biologically determined reactions (a fear of heights, say, or a yen for sweets). Vis­ceral design is about appearances. Expert skills operate at the behavioral level. These are so well learned, so automatic (language, for example), that they’re performed with little or no conscious effort. The reflec­tive level is where our conscious­ness resides, where we ponder the past and contemplate the future. Despite the sensual pull of the visceral, and our utter dependence on the behavioral, the reflective level ultimately dominates our perception. Why? Life is a series of temporary, fleeting experiences. The rest is, literally, memory.  &lt;BR /&gt;
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/design/" rel="tag"&gt;design&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/experience/" rel="tag"&gt;experience&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/recall/" rel="tag"&gt;recall&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/recognition/" rel="tag"&gt;recognition&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.metropolismag.com/story/20090318/selective-memories</clipSource><pubDate>Wed, 15 Jul 2009 11:10:24 GMT</pubDate></item><item><title>Military experiments on civilians?</title><link>http://clipmarks.com/clipmark/D8D6C6A4-9D8A-481D-922F-E0B9DF4A074D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/kareval/"&gt;kareval&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.brasschecktv.com/page/662.html" title="http://www.brasschecktv.com/page/662.html"&gt;www.brasschecktv.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;CENTER aria-level="0" aria-posinset="0" aria-setsize="0"&gt;&lt;P aria-level="0" aria-posinset="0" aria-setsize="0"&gt;&lt;FONT aria-level="0" aria-posinset="0" aria-setsize="0" color="#996633" face="Tahoma"&gt;&lt;B aria-level="0" aria-posinset="0" aria-setsize="0"&gt;Military experiments&lt;BR aria-level="0" aria-posinset="0" aria-setsize="0" /&gt;on civilians?&lt;/B&gt; &lt;/FONT&gt;&lt;/P&gt;&lt;/EMBED aria-level="0" aria-posinset="0" aria-setsize="0"&gt;&lt;//EMBED&gt;&lt;BR aria-level="0" aria-posinset="0" aria-setsize="0" /&gt;&lt;BR aria-level="0" aria-posinset="0" aria-setsize="0" /&gt;&lt;CENTER aria-level="0" aria-posinset="0" aria-setsize="0"&gt;&lt;INS aria-level="0" aria-posinset="0" aria-setsize="0"&gt;&lt;INS aria-level="0" aria-posinset="0" aria-setsize="0"&gt;&lt;/INS&gt;&lt;/INS&gt;&lt;/CENTER&gt;&lt;P aria-level="0" aria-posinset="0" aria-setsize="0"&gt;&lt;FONT aria-level="0" aria-posinset="0" aria-setsize="0" face="Tahoma"&gt;&lt;B aria-level="0" aria-posinset="0" aria-setsize="0"&gt;Who could do this? &lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/CENTER&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B aria-level="0" aria-posinset="0" aria-setsize="0"&gt;Brasscheck TV&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.brasschecktv.com/page/662.html</clipSource><pubDate>Wed, 08 Jul 2009 14:01:10 GMT</pubDate></item><item><title>Cloud Patterns</title><link>http://clipmarks.com/clipmark/59D170DA-F2B7-46A8-A18B-B4CC7A8CFA43/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/kareval/"&gt;kareval&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Have you ever been made fun of or scorned for&lt;br/&gt;pointing out the strange "cloud" patterns in the&lt;br/&gt;sky?&lt;br/&gt; &lt;br/&gt;Well, now, after all these years, you have good&lt;br/&gt;company.&lt;br/&gt; &lt;br/&gt;Some weather reporters on mainstream TV are not only&lt;br/&gt;acknowledging them, but also admitting they're&lt;br/&gt;military made.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://co120w.col120.mail.live.com/mail/InboxLight.aspx?n=238748293" title="http://co120w.col120.mail.live.com/mail/InboxLight.aspx?n=238748293"&gt;co120w.col120.mail.live.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;A target="_blank" href="http://www.brasschecktv.com/page/667.html"&gt;http://www.brasschecktv.com/page/667.html&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://co120w.col120.mail.live.com/mail/InboxLight.aspx?n=238748293</clipSource><pubDate>Wed, 15 Jul 2009 13:50:13 GMT</pubDate></item><item><title>A bank robbery caught on Tweet (@ TravelingAnna you are one cool customer)</title><link>http://clipmarks.com/clipmark/C12D1394-7531-4021-9C69-CEEEC2DAE641/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/egoldstein/"&gt;egoldstein&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  yet another twitter first (i believe)... &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://twitter.com/TravelingAnna" title="http://twitter.com/TravelingAnna"&gt;twitter.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 class="thumb clearfix"&gt;
              &lt;A href="http://twitter.com/account/profile_image/TravelingAnna?hreflang=en"&gt;&lt;IMG height="73" width="73" border="0" valign="middle" src="http://s3.amazonaws.com/twitter_production/profile_images/294463640/3678564366_7b3163ec24_bigger.jpg" id="profile-image" alt="" /&gt;&lt;/A&gt;
      
      TravelingAnna
    &lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="status-body"&gt;&lt;SPAN class="entry-content"&gt;my bank was just held up- with me in it. HSBC 34 and 8. also my whole trackball is GONE!!! im locked in the bank still.&lt;/SPAN&gt;&lt;SPAN class="meta entry-meta"&gt;&lt;A rel="bookmark" class="entry-date" href="http://twitter.com/TravelingAnna/status/2631976962"&gt;&lt;SPAN class="published"&gt;about 2 hours ago&lt;/SPAN&gt;&lt;/A&gt; &lt;SPAN&gt;from &lt;A href="http://twitterhelp.blogspot.com/2008/05/twitter-via-mobile-web-mtwittercom.html"&gt;mobile web&lt;/A&gt;&lt;/SPAN&gt; &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="status-body"&gt;&lt;SPAN class="entry-content"&gt;they wont let us leave the bank.&lt;/SPAN&gt;&lt;SPAN class="meta entry-meta"&gt;&lt;A rel="bookmark" class="entry-date" href="http://twitter.com/TravelingAnna/status/2631982899"&gt;&lt;SPAN class="published"&gt;about 2 hours ago&lt;/SPAN&gt;&lt;/A&gt; &lt;SPAN&gt;from &lt;A href="http://twitterhelp.blogspot.com/2008/05/twitter-via-mobile-web-mtwittercom.html"&gt;mobile web&lt;/A&gt;&lt;/SPAN&gt; &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="status-body"&gt;&lt;SPAN class="entry-content"&gt;cant figure out how to call work without a trackball... police just arrived. maybe theyll let me go now.&lt;/SPAN&gt;&lt;SPAN class="meta entry-meta"&gt;&lt;A rel="bookmark" class="entry-date" href="http://twitter.com/TravelingAnna/status/2631995943"&gt;&lt;SPAN class="published"&gt;about 2 hours ago&lt;/SPAN&gt;&lt;/A&gt; &lt;SPAN&gt;from &lt;A href="http://twitterhelp.blogspot.com/2008/05/twitter-via-mobile-web-mtwittercom.html"&gt;mobile web&lt;/A&gt;&lt;/SPAN&gt; &lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/bank+robbery/" rel="tag"&gt;bank robbery&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/twitter/" rel="tag"&gt;twitter&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://twitter.com/TravelingAnna</clipSource><pubDate>Tue, 14 Jul 2009 16:03:45 GMT</pubDate></item><item><title> Wired Science News for Your Neurons Self-Irrigating Desert Plant Discovered</title><link>http://clipmarks.com/clipmark/4978170A-4155-4E6D-9E2C-71A54B35B684/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/LisPark/"&gt;LisPark&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/wiredscience/2009/07/irrigatingplant/" title="http://www.wired.com/wiredscience/2009/07/irrigatingplant/"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/LisPark/512/6F3BD293-33B7-4B8B-80E1-1B9AD2EDCE85.jpg" alt="rhubarb" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A desert plant has apparently figured out how to water itself.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Ecologists had been puzzling over the desert rhubarb for years: Instead of the tiny, spiky leaves found on most desert plants, this rare rhubarb boasts lush green leaves up to a meter wide. Now scientists from the University of Haifa-Oranim in Israel have discovered that ridges in the plant’s giant leaves actually collect water and channel it down to the plant’s root system, harvesting up to 16 times more water than any other plant in the region.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;“It is the first example of a self-irrigating plant,” said plant biologist Gidi Ne’eman, a co-author on the paper published in March in &lt;EM&gt;Naturwissenschaften&lt;/EM&gt;, a German journal of ecology. “This is the only case we know, but in other places in the world there might be additional plants that use the same adaptions.”&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/LisPark/512/DCD95359-B0BD-4F6F-ACFA-1A733E9DCDA5.jpg" alt="rhubarb_vertical" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/plants/" rel="tag"&gt;plants&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.wired.com/wiredscience/2009/07/irrigatingplant/</clipSource><pubDate>Mon, 13 Jul 2009 21:40:11 GMT</pubDate></item><item><title>Does Free &amp; Open Video Equal Change/Democracy?</title><link>http://clipmarks.com/clipmark/593649D6-DD72-4745-A3D5-9E4AEAC3BAD9/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Found this via wildcat.&lt;br/&gt;&lt;br/&gt;In my opinion, it does not equal democracy or establish an utopia. But surely it can help &amp;amp; support it if done the right way.&lt;br/&gt;&lt;br/&gt;&lt;a href="http://openvideoconference.org/videos" rel="nofollow" target="_blank"&gt;http://openvideoconference.org/videos&lt;/a&gt;/ &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://rhizome.org/editorial/2739" title="http://rhizome.org/editorial/2739"&gt;rhizome.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Does free video uploading and downloading equal democracy?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The mission statement for the conference reads, &lt;A href="http://openvideoconference.org/"&gt;“Open Video is a movement to promote free expression and innovation in online video."&lt;/A&gt; The conference and its affiliates aimed to respond to outdated copyright law in an attempt to open the limits on the circulation and distribution of copyrighted material.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The situation is nicely summed up by media scholar Geert Lovink, in his recent &lt;A href="http://networkcultures.org/wpmu/geert/2009/06/15/the-digital-given-10-web-20-theses-by-ippolita-geert-lovink-ned-rossiter/"&gt;manifesto&lt;/A&gt; written with Ned Rossiter.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;he utopianism of “open and free” video culture, it seems, is correct in that it allows people to do things they could not do before. But this does not automatically equal change or democracy in itself. Any proclamation of social utopia deserves a second look&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;As &lt;A href="http://www.nd.edu/~alb/"&gt;László Barabási&lt;/A&gt; points out, the majority of internet traffic still flows through major hubs—hubs like Amazon and Yahoo, which means that online content generally continues to rely on traditional media channels for distribution.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/change/" rel="tag"&gt;change&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/democracy/" rel="tag"&gt;democracy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/free/" rel="tag"&gt;free&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/innovation/" rel="tag"&gt;innovation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/open/" rel="tag"&gt;open&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/copyright/" rel="tag"&gt;copyright&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://rhizome.org/editorial/2739</clipSource><pubDate>Tue, 14 Jul 2009 23:29:55 GMT</pubDate></item></channel></rss>