<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | arresi's clips</title><link>http://clipmarks.com/clipper/arresi/</link><feedUrl>http://rss.clipmarks.com/clipper/arresi/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Celtic Calendar/Trees</title><link>http://clipmarks.com/clipmark/CF406F6E-C7FA-4BD0-81B5-1C290E563492/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arresi/"&gt;arresi&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  From JK Rowling's site. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.jkrowling.com/textonly/en/extrastuff_view.cfm?id=18" title="http://www.jkrowling.com/textonly/en/extrastuff_view.cfm?id=18"&gt;www.jkrowling.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;December 24 - January 20 = Birch (Beth)&lt;BR /&gt;January 21 - February 17 = Rowan (Luis)&lt;BR /&gt;February 18 - March 17 = Ash (Nion)&lt;BR /&gt;March 18 - April 14 = Alder (Fearn)&lt;BR /&gt;April 15 - May 12 = Willow (Saille)&lt;BR /&gt;May 13 - June 9 = Hawthorn (Huath)&lt;BR /&gt;June 10 - July 7 = Oak (Duir)&lt;BR /&gt;July 8 - August 4 = Holly (Tinne)&lt;BR /&gt;August 5 - September 1 = Hazel (Coll)&lt;BR /&gt;September 2 - September 29 = Vine (Muin)&lt;BR /&gt;September 30 - October 27 = Ivy (Gort)&lt;BR /&gt;October 28 - November 24 = Reed (Ngetal)&lt;BR /&gt;November 25 - December 23 = Elder (Ruis)&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/celtic/" rel="tag"&gt;celtic&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/folklore/" rel="tag"&gt;folklore&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.jkrowling.com/textonly/en/extrastuff_view.cfm?id=18</clipSource><pubDate>Fri, 29 Aug 2008 23:18:35 GMT</pubDate></item><item><title>African-American authors</title><link>http://clipmarks.com/clipmark/3C3D8CA5-73D4-4E71-BE50-8BBAE9FFEBA8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arresi/"&gt;arresi&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  from a comment in Smart Bitches, Trashy Books &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.smartbitchestrashybooks.com/index.php/weblog/comments/the_subtleties_of_race_culture/" title="http://www.smartbitchestrashybooks.com/index.php/weblog/comments/the_subtleties_of_race_culture/"&gt;www.smartbitchestrashybooks.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Zane: top erotica author
&lt;BR /&gt;
Noire: urban erotica author
&lt;BR /&gt;
Beverly Jenkins: AA Romance historicals
&lt;BR /&gt;
Francis Ray: AA Romance
&lt;BR /&gt;
Donna Hill: AA Romance
&lt;BR /&gt;
Niobia Bryant: AA Romance
&lt;BR /&gt;
Steven Barnes: Sci-Fi/Spec
&lt;BR /&gt;
Tananarive Due: Spec/Horror
&lt;BR /&gt;
Brandon Massey: Horror/Suspense
&lt;BR /&gt;
L.A. Banks: (Great Vampire Huntress series)
&lt;BR /&gt;
Sharon Cullars: IR Romance
&lt;BR /&gt;
Kimberla Lawson Roby: Urban Comtemporary
&lt;BR /&gt;
Carl Weber: Urban Contemporary
&lt;BR /&gt;
Eric Jerome Dickey: Comtemporary
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
And my personal favorite: Octavia Butler.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/books/" rel="tag"&gt;books&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.smartbitchestrashybooks.com/index.php/weblog/comments/the_subtleties_of_race_culture/</clipSource><pubDate>Sun, 17 Aug 2008 08:31:15 GMT</pubDate></item><item><title>Accademia dei Lincei [Academy of the Lynx-Eyed] (1603-1630)</title><link>http://clipmarks.com/clipmark/AE237428-F93E-4795-B3D0-D74E1907FF49/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arresi/"&gt;arresi&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://eee.uci.edu/clients/bjbecker/RevoltingIdeas/lecture11.html" title="http://eee.uci.edu/clients/bjbecker/RevoltingIdeas/lecture11.html"&gt;eee.uci.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="-1"&gt;The Lincean Academy desires as its members philosophers who are eager for real knowledge, and who will give themselves to the study of nature, and especially to mathematics.  At the same time, it will not neglect the ornaments of elegant literature and philology, which like graceful garments, adorn the whole body of science.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.care2.com/greenliving/guidance-from-lynx-in-your-life.html" title="http://www.care2.com/greenliving/guidance-from-lynx-in-your-life.html"&gt;www.care2.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Italian scholars (including Galileo) formed the Academy of Lynxes in 1603, dedicated to searching for truth and fighting against superstition. Their symbol was a lynx battling with Cerberus, the gatekeeper of the underworld, the implication being that clear vision would triumph over lack of consciousness, ignorance, and suffering.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://eee.uci.edu/clients/bjbecker/RevoltingIdeas/lecture11.html" title="http://eee.uci.edu/clients/bjbecker/RevoltingIdeas/lecture11.html"&gt;eee.uci.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;founded by Prince Federigo Cesi (1585-1630)&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;Cesi (&lt;I&gt;Il Celivago&lt;/I&gt;--the heaven-wanderer) &lt;/LI&gt;
            &lt;LI&gt;Johannes Van Heeck (&lt;I&gt;L'Illuminato&lt;/I&gt;--the enlightened one) &lt;/LI&gt;
            &lt;LI&gt;Anastasio Di Filiis (&lt;I&gt;L'Eclissato&lt;/I&gt;--the eclipsed one) &lt;/LI&gt;
            &lt;LI&gt;Francesco Stelluti (&lt;I&gt;Il Tardigrado&lt;/I&gt;--the slow one) &lt;/LI&gt;
            &lt;LI&gt;Galileo Galilei &lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arresi/512/16B83A54-7299-4C35-BD55-FC7AFE4542EB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/lynx/" rel="tag"&gt;lynx&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sym/" rel="tag"&gt;sym&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/symbolism%2fassociations/" rel="tag"&gt;symbolism/associations&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/animal/" rel="tag"&gt;animal&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reference/" rel="tag"&gt;reference&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://eee.uci.edu/clients/bjbecker/RevoltingIdeas/lecture11.html</clipSource><pubDate>Sat, 23 Jun 2007 05:34:01 GMT</pubDate></item><item><title>Multi-cultural Symbolism of the Lynx</title><link>http://clipmarks.com/clipmark/3C451D46-86B5-491A-B727-9A64B2866070/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arresi/"&gt;arresi&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.care2.com/greenliving/guidance-from-lynx-in-your-life.html" title="http://www.care2.com/greenliving/guidance-from-lynx-in-your-life.html"&gt;www.care2.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The very name of the lynx is related to the idea of sight, and indeed, the animal’s sharp vision has been considered almost supernatural. As a result, the lynx was credited with the ability to see error and falsehood.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;

The ancient Greeks, among others, believed it could see through solid objects.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;

In northern mythologies, lynx were sacred to the goddess Freyja, in charge of love, fertility, battle, and death, and drew her chariot.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;

For Native Americans, the lynx is a keeper of secrets and occult knowledge, a revealer of mysteries.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;

The image of the lynx can symbolize vision, particularly the kind of inner sight that is associated with shamanism.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Adapted from &lt;I&gt;Animal Life in Nature, Myth and Dreams,&lt;/I&gt; by Elizabeth Caspari (Chiron Publications, 2003).&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/lynx/" rel="tag"&gt;lynx&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/animal/" rel="tag"&gt;animal&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/symbolism%2fassociations/" rel="tag"&gt;symbolism/associations&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reference/" rel="tag"&gt;reference&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.care2.com/greenliving/guidance-from-lynx-in-your-life.html</clipSource><pubDate>Sat, 23 Jun 2007 05:24:41 GMT</pubDate></item><item><title>The Barbary Treaties : Treaty of Peace and Friendship, Signed at Tripoli November 4, 1796</title><link>http://clipmarks.com/clipmark/7A9BB798-0268-4DE0-A6E0-35CC557681E3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arresi/"&gt;arresi&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Musselmen = Muslim; Mehomitan=Mohammedan, or Islamic. Signed into law under the administration of President and Founding Father John Adams. Some debate remains as to the exact nature of this article, but this is the version that was ratified by the US Senate. Treaty was broken in 1801 by the Pasha of Tripoli. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.yale.edu/lawweb/avalon/diplomacy/barbary/bar1796t.htm" title="http://www.yale.edu/lawweb/avalon/diplomacy/barbary/bar1796t.htm"&gt;www.yale.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A name="art11"&gt;ARTICLE 11.&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;As the government of the United States of America is not in any sense founded on the Christian Religion,-as it has in itself no character of enmity against the laws, religion or tranquility of Musselmen,-and as the said States never have entered into any war or act of hostility against any Mehomitan nation, it is declared by the parties that no pretext arising from religious opinions shall ever produce an interruption of the harmony existing between the two countries. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/diplomacy/" rel="tag"&gt;diplomacy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/us-muslim/" rel="tag"&gt;us-muslim&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.yale.edu/lawweb/avalon/diplomacy/barbary/bar1796t.htm</clipSource><pubDate>Fri, 05 Jan 2007 03:40:31 GMT</pubDate></item><item><title>Strangest Land by Tom McRae</title><link>http://clipmarks.com/clipmark/24114E8B-A6A1-40B9-9F21-FF26FFB7A064/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arresi/"&gt;arresi&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Lyrics to the song "Strangest Land" by Tom McRae, from the album "All Maps Welcome" (2005). &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.searchanylyrics.com/lyrics-247453-TomMcRae-StrangestLand.htm" title="http://www.searchanylyrics.com/lyrics-247453-TomMcRae-StrangestLand.htm"&gt;www.searchanylyrics.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;Another dead dog highway &lt;BR /&gt;
The road to paradise &lt;BR /&gt;
Is littered with your saviours &lt;BR /&gt;
The lines are growing faint &lt;BR /&gt;&lt;DIV&gt;
Another paper saint has put us all in danger &lt;/DIV&gt;
&lt;BR /&gt;
So take my hand &lt;BR /&gt;
I'm a stranger in the strangest land &lt;BR /&gt;
I'll return the favour &lt;BR /&gt;
Slide into my heart &lt;BR /&gt;&lt;DIV&gt;
We'll hide there in the dark &lt;/DIV&gt;
&lt;BR /&gt;
I catch you in my lights &lt;BR /&gt;
I'm reaching for a knife &lt;BR /&gt;
For halo girls and dreamers &lt;BR /&gt;
A statue comes to life &lt;BR /&gt;
Another roadside shrine &lt;BR /&gt;&lt;DIV&gt;
For hypocrites and bleeders &lt;/DIV&gt;
&lt;BR /&gt;
So take my hand &lt;BR /&gt;
I'm a stranger in the strangest land &lt;BR /&gt;
I'll return the favour &lt;BR /&gt;
Slide into my heart &lt;BR /&gt;&lt;DIV&gt;
We'll hide there in the dark &lt;/DIV&gt;
&lt;BR /&gt;
A bullet from a stolen gun &lt;BR /&gt;
How much I'll miss you when you're gone &lt;BR /&gt;&lt;DIV&gt;
But now I think it's time you went away &lt;/DIV&gt;
&lt;BR /&gt;
So take my hand &lt;BR /&gt;
I'm a stranger in the strangest land &lt;BR /&gt;
I'll return the favour &lt;BR /&gt;
Slide into my heart &lt;BR /&gt;
We'll hide there in the dark &lt;BR /&gt;
In the dark &lt;BR /&gt;
In the dark&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/strangest+land/" rel="tag"&gt;strangest land&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tom+mcrae/" rel="tag"&gt;tom mcrae&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/lyrics/" rel="tag"&gt;lyrics&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.searchanylyrics.com/lyrics-247453-TomMcRae-StrangestLand.htm</clipSource><pubDate>Mon, 11 Dec 2006 13:54:37 GMT</pubDate></item><item><title>The Changing Workplace: Smashing the Clock</title><link>http://clipmarks.com/clipmark/CAD7F70E-DAFA-45C2-AC34-7F623CE9011B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arresi/"&gt;arresi&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Part of an article on Best Buy's radical new policy on employee schedules. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://biz.yahoo.com/special/allbiz120606_article1.html" title="http://biz.yahoo.com/special/allbiz120606_article1.html"&gt;biz.yahoo.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;At
most companies, going AWOL during daylight hours would be grounds for a pink slip. Not at Best Buy. The nation's leading electronics retailer has embarked on a radical--if risky--experiment to transform a culture once known for killer hours and herd-riding bosses. The endeavor, called ROWE, for "results-only work environment," seeks to demolish decades-old business dogma that equates physical presence with productivity. The goal at Best Buy is to judge performance on output instead of hours.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Best
Buy did not invent the post-geographic office. Tech companies have been going bedouin for several years. At IBM, 40% of the workforce has no official office; at AT&amp;T, a third of managers are untethered. Sun Microsystems Inc. calculates that it's saved $400 million over six years in real estate costs by allowing nearly half of all employees to work anywhere they want. And this trend seems to have legs. A recent Boston Consulting Group study found that 85% of executives expect a big rise in the number of unleashed workers over the next five years. In fact, at many companies the most innovative new product may be the structure of the workplace itself.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;But
arguably no big business has smashed the clock quite so resolutely as Best Buy. The official policy for this post-face-time, location-agnostic way of working is that people are free to work wherever they want, whenever they want, as long as they get their work done. "This is like TiVo for your work," says the program's co-founder, Jody Thompson. By the end of 2007, all 4,000 staffers working at corporate will be on ROWE. Starting in February, the new work environment will become an official part of Best Buy's recruiting pitch as well as its orientation for new hires. And the company plans to take its clockless campaign to its stores--a high-stakes challenge that no company has tried before in a retail environment.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/business/" rel="tag"&gt;business&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/best+buy/" rel="tag"&gt;best buy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/work+environment/" rel="tag"&gt;work environment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rowe/" rel="tag"&gt;rowe&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/schedule/" rel="tag"&gt;schedule&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://biz.yahoo.com/special/allbiz120606_article1.html</clipSource><pubDate>Mon, 11 Dec 2006 12:42:43 GMT</pubDate></item><item><title>Cornish Surname Elements</title><link>http://clipmarks.com/clipmark/F9EAE730-D4CF-4806-890E-B449057A4581/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arresi/"&gt;arresi&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Common elements in Cornish surnames and what they mean. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://members.ozemail.com.au/~kevrenor/csnames.htm" title="http://members.ozemail.com.au/~kevrenor/csnames.htm"&gt;members.ozemail.com.au&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;Tre = Homestead,  Pol = Pool,  Pen = Head,  Ros = Heath, Car = Camp,  Lan = Churchyard&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/surnames/" rel="tag"&gt;surnames&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/names/" rel="tag"&gt;names&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cornwall/" rel="tag"&gt;cornwall&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reference/" rel="tag"&gt;reference&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/etymology/" rel="tag"&gt;etymology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/onomastics/" rel="tag"&gt;onomastics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writing/" rel="tag"&gt;writing&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://members.ozemail.com.au/~kevrenor/csnames.htm</clipSource><pubDate>Mon, 11 Dec 2006 06:16:29 GMT</pubDate></item><item><title>Cornish Surnames</title><link>http://clipmarks.com/clipmark/FD4D47DA-5F1E-45A0-8BE5-EC037B5B56A6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arresi/"&gt;arresi&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A list of common Cornish surnames &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://members.ozemail.com.au/~kevrenor/csnames.htm" title="http://members.ozemail.com.au/~kevrenor/csnames.htm"&gt;members.ozemail.com.au&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TABLE width="5" height="5" cellspacing="5" cellpadding="5" border="5" colspec="100"&gt;
&lt;TBODY&gt;&lt;TR&gt;&lt;TD width="2" valign="top" bgcolor="gold" align="left" rowspan="5" colspan="25"&gt;&lt;STRONG&gt;
Ahearn&lt;BR /&gt;
Andrewartha&lt;BR /&gt;
Angove&lt;BR /&gt;
Anning&lt;BR /&gt;
Annear&lt;BR /&gt;
Arthur&lt;BR /&gt;
Baragwaneth&lt;BR /&gt;
Bastian&lt;BR /&gt;
Bell&lt;BR /&gt;
Berryman&lt;BR /&gt;
Blamey&lt;BR /&gt;
Boden&lt;BR /&gt;
Bolitho&lt;BR /&gt;
Bonython&lt;BR /&gt;
Bosanko&lt;BR /&gt;
Bray&lt;BR /&gt;
Brock&lt;BR /&gt;
Burrows&lt;BR /&gt;
Cass&lt;BR /&gt;
Causley&lt;BR /&gt;
Collis&lt;BR /&gt;
Chegwidden&lt;BR /&gt;
Chynoweth&lt;BR /&gt;
Climo&lt;BR /&gt;
Clews&lt;BR /&gt;
Colenso&lt;BR /&gt;
Colley&lt;BR /&gt;
Connor&lt;BR /&gt;
Couch&lt;BR /&gt;
Craddick&lt;BR /&gt;
Crago&lt;BR /&gt;
Crocker&lt;BR /&gt;
Curnow/Kerno&lt;BR /&gt;
Deane&lt;BR /&gt;
Dobell&lt;BR /&gt;
Drew&lt;BR /&gt;
&lt;/STRONG&gt;
&lt;/TD&gt;&lt;TD width="2" valign="top" bgcolor="white" align="left" rowspan="5" colspan="25"&gt;&lt;STRONG&gt;
Eddy&lt;BR /&gt;
Endean&lt;BR /&gt;
Ellery&lt;BR /&gt;
Ellis&lt;BR /&gt;
Elliott&lt;BR /&gt;
Evans&lt;BR /&gt;
Faull&lt;BR /&gt;
Fenton&lt;BR /&gt;
Frayne&lt;BR /&gt;
Fry&lt;BR /&gt;
Gay&lt;BR /&gt;
Geake&lt;BR /&gt;
Gee&lt;BR /&gt;
Glasson&lt;BR /&gt;
Godden&lt;BR /&gt;
Goldsworthy&lt;BR /&gt;
Goninan&lt;BR /&gt;
Goss&lt;BR /&gt;
Grose&lt;BR /&gt;
Grigg&lt;BR /&gt;
Gundry&lt;BR /&gt;
Hain/Haines&lt;BR /&gt;
Hale&lt;BR /&gt;
Hancock&lt;BR /&gt;
Hannaford&lt;BR /&gt;
Hart&lt;BR /&gt;
Hannah&lt;BR /&gt;
Harvey&lt;BR /&gt;
Hawke&lt;BR /&gt;
Hellyer&lt;BR /&gt;
Hendry/Hendy&lt;BR /&gt;
Hocking&lt;BR /&gt;
Hosking Hoskins&lt;BR /&gt;
Hutchens&lt;BR /&gt;
Inch&lt;BR /&gt;
Isbel&lt;BR /&gt;&lt;/STRONG&gt;
&lt;/TD&gt;&lt;TD width="2" valign="top" bgcolor="gold" align="left" rowspan="5" colspan="25"&gt;&lt;STRONG&gt;
Jago/Jacka&lt;BR /&gt;
James&lt;BR /&gt;
Jewell&lt;BR /&gt;
Johns&lt;BR /&gt;
Joliffe&lt;BR /&gt;
Jolly&lt;BR /&gt;
Jory/Jose&lt;BR /&gt;
Julian&lt;BR /&gt;
Keast&lt;BR /&gt;
Keen&lt;BR /&gt;
Kemp&lt;BR /&gt;
Kent&lt;BR /&gt;
Kersey&lt;BR /&gt;
Kinsey&lt;BR /&gt;
Kirby&lt;BR /&gt;
Kitto&lt;BR /&gt;
Laity&lt;BR /&gt;
Lander&lt;BR /&gt;
Lawry/Lowry&lt;BR /&gt;
Lean&lt;BR /&gt;
Leggo&lt;BR /&gt;
Lock&lt;BR /&gt;
Lyon&lt;BR /&gt;
May&lt;BR /&gt;
Mayne&lt;BR /&gt;
Menadue&lt;BR /&gt;
Moon&lt;BR /&gt;
Moyle&lt;BR /&gt;
Mundey&lt;BR /&gt;
Nance&lt;BR /&gt;
Nankervis&lt;BR /&gt;
Negus&lt;BR /&gt;
Nicholls/Nicholas&lt;BR /&gt;
Odgers&lt;BR /&gt;
Otes/Oates&lt;BR /&gt;
Olver&lt;BR /&gt;
&lt;/STRONG&gt;
&lt;/TD&gt;&lt;TD width="2" valign="top" bgcolor="white" align="left" rowspan="5" colspan="25"&gt;&lt;STRONG&gt;
Pascoe&lt;BR /&gt;
Pawley&lt;BR /&gt;
Perrin&lt;BR /&gt;
Phillips&lt;BR /&gt;
Prowse&lt;BR /&gt;
Quick&lt;BR /&gt;
Richards/Rickard&lt;BR /&gt;
Roach&lt;BR /&gt;
Roberts&lt;BR /&gt;
Rogers/Rodgers&lt;BR /&gt;
Rodda&lt;BR /&gt;
Ruse/Rouse&lt;BR /&gt;
Sara&lt;BR /&gt;
Sanders&lt;BR /&gt;
Skewes&lt;BR /&gt;
Symons/Simmons&lt;BR /&gt;
Stevens/Stephens&lt;BR /&gt;
Tangye&lt;BR /&gt;
Teague&lt;BR /&gt;
Terrill&lt;BR /&gt;
Thorne&lt;BR /&gt;
Tonkin/Tink&lt;BR /&gt;
Truscott&lt;BR /&gt;
Tyack&lt;BR /&gt;
Uren&lt;BR /&gt;
Veale/Vial&lt;BR /&gt;
Vivian&lt;BR /&gt;
Vosper&lt;BR /&gt;
Voss&lt;BR /&gt;
Warren&lt;BR /&gt;
Warne/Wearne&lt;BR /&gt;
&lt;/STRONG&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/surnames/" rel="tag"&gt;surnames&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/names/" rel="tag"&gt;names&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cornwall/" rel="tag"&gt;cornwall&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reference/" rel="tag"&gt;reference&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writing/" rel="tag"&gt;writing&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://members.ozemail.com.au/~kevrenor/csnames.htm</clipSource><pubDate>Mon, 11 Dec 2006 06:14:29 GMT</pubDate></item><item><title>***Google’s Gmail: Still far from perfect***</title><link>http://clipmarks.com/clipmark/FD648F17-2626-4AEC-B157-D13ECB3BBB46/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mingkymomo/"&gt;mingkymomo&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://blogs.zdnet.com/micro-markets/?p=752" title="http://blogs.zdnet.com/micro-markets/?p=752"&gt;blogs.zdnet.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;&lt;A title="Permanent%20Link%20to%20Google%u2019s%20Gmail:%20Still%20far%20from%20perfect" rel="bookmark" href="http://blogs.zdnet.com/micro-markets/?p=752"&gt;Google’s Gmail: Still far from perfect&lt;/A&gt;&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="entry"&gt;
					&lt;P&gt;&lt;IMG width="175" hspace="5" height="124" border="0" align="left" src="http://blogs.zdnet.com/images/DMM91006GD.jpg" /&gt;Does Google’s new “Mail Fetcher” signify that Gmail just “became perfect,” as &lt;A href="http://www.techcrunch.com/2006/12/09/uh-oh-gmail-just-got-perfect/"&gt;Michael Arrington gushes&lt;/A&gt;? NO.&lt;/P&gt;
&lt;P&gt;Why not? Because nothing has changed in Google’s fundamental “your data is Google’s data” philosophy, which I put forth in “&lt;A href="http://blogs.zdnet.com/micro-markets/?p=428"&gt;Free Google Gmail: The high price you pay&lt;/A&gt;”:&lt;/P&gt;
&lt;BLOCKQUOTE&gt;&lt;P&gt;Do you believe the contents of every personal and business email you ever write or send should be recorded and permanently archived on third party servers located in countries throughout the world, to which you have no access?&lt;/P&gt;
&lt;P&gt;If you are one of the millions of Gmail users, you have indicated to Google that you most certainly do.&lt;/P&gt;
&lt;/BLOCKQUOTE&gt;
&lt;P&gt;Arrington describes the new Mail Fetcher feature:&lt;/P&gt;
&lt;BLOCKQUOTE&gt;&lt;P&gt;Allows users to access non-Gmail email accounts from within the Gmail interface. If you have a Yahoo email account, and a work email account, etc., you can simply access that email from within Gmail, using POP settings.&lt;/P&gt;
&lt;/BLOCKQUOTE&gt;
&lt;P&gt;What does that mean? Google has access to more of your data, to make their data, forever!&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;TAKE THE POLL: &lt;/STRONG&gt;&lt;A title="Microsoft%20vs.%20Google:%20Who%20wins?" href="http://blogs.zdnet.com/micro-markets/?p=750"&gt;&lt;STRONG&gt;MICROSOFT vs. GOOGLE: WHO WINS?&lt;/STRONG&gt;&lt;/A&gt;&lt;STRONG&gt; &lt;/STRONG&gt;&lt;/P&gt;

				&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/google/" rel="tag"&gt;google&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/gmail/" rel="tag"&gt;gmail&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mail/" rel="tag"&gt;mail&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/email/" rel="tag"&gt;email&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/internet/" rel="tag"&gt;internet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://blogs.zdnet.com/micro-markets/?p=752</clipSource><pubDate>Sun, 10 Dec 2006 12:59:33 GMT</pubDate></item><item><title>F-Shaped Pattern For Reading Web Content</title><link>http://clipmarks.com/clipmark/149335AE-1D08-49E4-A625-405CFCD38850/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Useful info for web developers. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.useit.com/alertbox/reading_pattern.html" title="http://www.useit.com/alertbox/reading_pattern.html"&gt;www.useit.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE&gt;
&lt;STRONG&gt;Summary:&lt;/STRONG&gt;
&lt;BR /&gt;
Eyetracking visualizations show that users often read Web pages in an F-shaped pattern: two horizontal stripes followed by a vertical stripe.
&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

F for &lt;EM&gt;fast&lt;/EM&gt;. That's how users read your precious content. In a few seconds, their eyes move at amazing speeds across your website’s words in a pattern that's very different from what you learned in school.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
In our new &lt;A class="new" title="Overview%20of%20study%20findings" href="http://www.useit.com/eyetracking/"&gt;eyetracking study&lt;/A&gt;, we recorded how 232 users looked at thousands of Web pages. We found that users' main reading behavior was fairly consistent across many different sites and tasks. This &lt;STRONG&gt;dominant reading pattern&lt;/STRONG&gt; looks somewhat like an F and has the following three components:
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL&gt;
&lt;LI&gt;Users first read in a &lt;STRONG&gt;horizontal movement&lt;/STRONG&gt;, usually across the upper part of the content area. This initial element forms the F's top bar.
&lt;/LI&gt;&lt;LI&gt;Next, users move down the page a bit and then read across in a &lt;STRONG&gt;second horizontal movement&lt;/STRONG&gt; that typically covers a shorter area than the previous movement. This additional element forms the F's lower bar.
&lt;/LI&gt;&lt;LI&gt;Finally, users scan the content's left side in a &lt;STRONG&gt;vertical movement&lt;/STRONG&gt;. Sometimes this is a fairly slow and systematic scan that appears as a solid stripe on an eyetracking heatmap. Other times users move faster, creating a spottier heatmap. This last element forms the F's stem.
&lt;/LI&gt;&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/C5F6DE62-3ECB-4B54-8DAF-9170166FC871.jpg" alt="Three screenshots from Nielsen Norman Group's recent eyetracking study." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Heatmaps from user eyetracking studies of three websites. The areas where users looked the most are colored red; the yellow areas indicate fewer views, followed by the least-viewed blue areas. Gray areas didn't attract any fixations.&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Implications of the F Pattern&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Users won't read your text thoroughly&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;The first two paragraphs must state the most important information&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Start subheads, paragraphs, and bullet points with information-carrying words&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/web/" rel="tag"&gt;web&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/content/" rel="tag"&gt;content&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/internet/" rel="tag"&gt;internet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reading/" rel="tag"&gt;reading&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/patterns/" rel="tag"&gt;patterns&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/study/" rel="tag"&gt;study&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/information/" rel="tag"&gt;information&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/eye+tracking/" rel="tag"&gt;eye tracking&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/eye+movement/" rel="tag"&gt;eye movement&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tools/" rel="tag"&gt;tools&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.useit.com/alertbox/reading_pattern.html</clipSource><pubDate>Tue, 28 Nov 2006 12:53:40 GMT</pubDate></item></channel></rss>