<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | anatolant's 'cinema' clips</title><link>http://clipmarks.com/clipper/anatolant/tag/cinema/</link><feedUrl>http://rss.clipmarks.com/clipper/anatolant/tag/cinema/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Bio Peek : Ingmar Bergman</title><link>http://clipmarks.com/clipmark/CB3B4569-F8F7-4763-AC45-8F3864C925FC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/suryasunder/"&gt;suryasunder&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://newsblog.aol.in/2007/08/04/in-memoriam-ingmar-bergman-michelangelo-antonioni/" title="http://newsblog.aol.in/2007/08/04/in-memoriam-ingmar-bergman-michelangelo-antonioni/"&gt;newsblog.aol.in&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Bergman stormed both the Academy Awards ceremonies and world's top film festivals with each of his films year after year. Three of his films won the Oscars for the Best Foreign Films - Virgin Spring in 1961, Through A Glass Darkly in 1962, and Fanny and Alexander in 1984. He was honoured with the Irving Thalberg Memorial Award by the Academy in 1971. But, ask any Film and Television Institute graduate and he would swear by the magic of Bergman in films like Summer with Monika (1953), Smiles of a Summer Night (1955), The Seventh Seal, Wild Strawberries (1957) Persona (1966), Cries and Whispers (1973), Autumn Sonata ( 1978). He directed a total of 62 films and 170 plays, giving world cinema actors like Liv Ullman, Max von Sydow. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/bio/" rel="tag"&gt;bio&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://newsblog.aol.in/2007/08/04/in-memoriam-ingmar-bergman-michelangelo-antonioni/</clipSource><pubDate>Wed, 19 Sep 2007 17:53:27 GMT</pubDate></item><item><title>RIP: film director Michelangelo Antonioni</title><link>http://clipmarks.com/clipmark/DBAB3B8D-799F-45B0-9555-87FC6A3EFE84/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Mohir/"&gt;Mohir&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  2 great directors on the same day &lt;img src="http://clipmarks.com/images/icons/smilies/sad.gif" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.boingboing.net/2007/07/31/rip_film_director_mi.html" title="http://www.boingboing.net/2007/07/31/rip_film_director_mi.html"&gt;www.boingboing.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A _moz-rs-heading="" name="036536"&gt;RIP: film director Michelangelo Antonioni&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/Mohir/512/2AA3FCB4-67B8-4244-A1D6-546FE6DC7A25.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A name="036536"&gt;The 94-year-old director died in Rome on the &lt;/A&gt;&lt;A href="http://www.boingboing.net/2007/07/30/rip_ingmar_bergman.html" linkindex="44"&gt;same day as Ingmar Bergman&lt;/A&gt;:

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE&gt;Tall, cerebral and resolutely serious, Mr. Antonioni harkens back to a time in the middle of the last century when cinema-going was an intellectual pursuit, when purposely opaque passages in famously difficult films spurred long nights of smoky argument at sidewalk cafes, and when fashionable directors like Mr. Antonioni, Alain Resnais and Jean-Luc Godard were chased down the Cannes waterfront by camera-wielding cineastes demanding to know what on earth they meant by their latest outrage.&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cinema/" rel="tag"&gt;cinema&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.boingboing.net/2007/07/31/rip_film_director_mi.html</clipSource><pubDate>Wed, 01 Aug 2007 15:29:41 GMT</pubDate></item><item><title>Ingmar Bergman</title><link>http://clipmarks.com/clipmark/B38BF560-8041-42B8-A99F-EC7E5D2ED6D1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/tayoulevy/"&gt;tayoulevy&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  what were you doing when you knew Bergman died? &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://ronsilliman.blogspot.com/2007/07/ingmar-bergman-1918-2007.html" title="http://ronsilliman.blogspot.com/2007/07/ingmar-bergman-1918-2007.html"&gt;ronsilliman.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center" class="MsoNormal"&gt;&lt;BR /&gt;
&lt;IMG width="400" height="278" src="http://moviemasterworks.com/blog/wp-content/PostImages/seventhsealblog1.jpg" id="_x0000_i1025" /&gt;&lt;BR /&gt; &lt;BR /&gt;&lt;B&gt;&lt;SPAN&gt;&lt;A href="http://en.wikipedia.org/wiki/Ingmar_Bergman" linkindex="1"&gt;&lt;SPAN&gt;Ingmar&lt;/SPAN&gt;&lt;/A&gt; &lt;A href="http://www.imdb.com/name/nm0000005/" linkindex="2"&gt;&lt;SPAN&gt;Bergman&lt;/SPAN&gt;&lt;/A&gt;&lt;BR /&gt;
&lt;/SPAN&gt;&lt;/B&gt;&lt;SPAN&gt;&lt;BR /&gt;
&lt;/SPAN&gt;&lt;SPAN&gt;&lt;DIV&gt;&lt;A href="http://www.kirjasto.sci.fi/bergman.htm" linkindex="3"&gt;&lt;SPAN&gt;1918&lt;/SPAN&gt;&lt;/A&gt; &lt;A href="http://www.bergmanorama.com/" linkindex="4"&gt;&lt;SPAN&gt;–&lt;/SPAN&gt;&lt;/A&gt; &lt;A href="http://www.nytimes.com/aponline/world/AP-Obit-Bergman.html?_r=1&amp;hp&amp;oref=slogin"&gt;&lt;SPAN&gt;2007&lt;/SPAN&gt;&lt;/A&gt;&lt;/DIV&gt; &lt;BR /&gt; &lt;/SPAN&gt;&lt;SPAN&gt;&lt;O:P _moz-userdefined=""&gt;&lt;/O:P&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://ronsilliman.blogspot.com/2007/07/ingmar-bergman-1918-2007.html#336692228349202683" title="http://ronsilliman.blogspot.com/2007/07/ingmar-bergman-1918-2007.html#336692228349202683"&gt;ronsilliman.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="blogComment"&gt;
				&lt;A name="336692228349202683"&gt;&lt;/A&gt; 
				A great loss.&lt;BR /&gt;
				&lt;DIV class="byline"&gt;&lt;A title="permanent link" href="http://ronsilliman.blogspot.com/2007/07/ingmar-bergman-1918-2007.html#336692228349202683" linkindex="10"&gt;#&lt;/A&gt; posted by &lt;A rel="nofollow" href="http://www.blogger.com/profile/07411056504894017518" linkindex="11"&gt;Editors&lt;/A&gt; : July 30, 2007 &lt;/DIV&gt;
				&lt;SPAN class="item-control blog-admin pid-2139461834"&gt;&lt;A title="Delete Comment" href="http://www.blogger.com/delete-comment.g?blogID=3738579&amp;postID=336692228349202683" linkindex="12"&gt;&lt;SPAN class="delete-comment-icon"&gt; &lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;
			&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/cinema/" rel="tag"&gt;cinema&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://ronsilliman.blogspot.com/2007/07/ingmar-bergman-1918-2007.html</clipSource><pubDate>Mon, 30 Jul 2007 21:35:21 GMT</pubDate></item><item><title>Tarkovsky wiki : join &amp; contribute!</title><link>http://clipmarks.com/clipmark/A5089104-D414-4078-9280-31639A7B537C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/anatolant/"&gt;anatolant&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  new addition to Tarkovsky Pages @ &lt;a href="http://film.vtheatre.net/tarkovsky.html" rel="nofollow" target="_blank"&gt;http://film.vtheatre.net/tarkovsky.html&lt;/a&gt;  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://tarkovsky.wetpaint.com/" title="http://tarkovsky.wetpaint.com/"&gt;tarkovsky.wetpaint.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="wikiContent"&gt;
				&lt;A  href="http://tarkovsky.wetpaint.com/page/film.vtheatre.net%2Ftarkovsky.html"&gt;&lt;IMG width="80" height="90" align="left" title="Home - filmplus.org" src="http://image.wetpaint.com/image/1/kpairP7BsrOoJYdWc88Y7A19667/GW80H90" alt="Home - filmplus.org" /&gt;&lt;/A&gt;Tarkovsky 75&lt;BR /&gt;&lt;A title="Tarkovsky @ Film-North" target="_blank" rel="nofollow" href="http://afronord.tripod.com/tarkov.html" class="external"&gt;http://afronord.tripod.com/tarkov.html&lt;/A&gt;&lt;BR /&gt;7.0 films&lt;BR /&gt;&lt;A  href="http://tarkovsky.wetpaint.com/page/film.vtheatre.net%2Fmirror.html"&gt;Mirror&lt;/A&gt;&lt;BR /&gt;&lt;DIV&gt;POV Files &lt;/DIV&gt;&lt;BR /&gt;This is a new place to study film as thought. A &lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/tarkovsky/" rel="tag"&gt;tarkovsky&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/film/" rel="tag"&gt;film&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/wiki/" rel="tag"&gt;wiki&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cinema/" rel="tag"&gt;cinema&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://tarkovsky.wetpaint.com/</clipSource><pubDate>Sat, 14 Jul 2007 19:50:36 GMT</pubDate></item><item><title>tarkovsky : time-pressure</title><link>http://clipmarks.com/clipmark/A61DA521-D83A-41E9-A402-E4437D482A1F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/anatolant/"&gt;anatolant&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  deleuzian POV? film.vtheatre.net/tarkovsky.html  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:#00CC00"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.horschamp.qc.ca/new_offscreen/deleuzian_pressure.html" title="http://www.horschamp.qc.ca/new_offscreen/deleuzian_pressure.html"&gt;www.horschamp.qc.ca&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;SPAN&gt;Tarkovsky explains that editing cannot be 
    the dominant structural element of a film, as the protagonists of Soviet montage 
    cinema (Kuleshov and Eisenstein) maintained in the 1920’s. The film image 
    comes into being during shooting, and exists within the frame. As Donato Totaro 
    explains, editing brings together shots which are already filled with time 
    (1992, 24). The function of editing is to organize the &lt;I&gt;time-images&lt;/I&gt; 
    into a wave structure inherent to film, that is, the &lt;I&gt;time-pressure&lt;/I&gt; 
    wave. Tarkovsky’s concept of &lt;I&gt;time-pressure&lt;/I&gt; is like a meteorological 
    &lt;I&gt;time-front&lt;/I&gt; that propagates from shot-to-shot and throughout the film, 
    or a cardiopulmonary &lt;I&gt;time-pulse&lt;/I&gt; that thrust against the arterial walls 
    of the scenes, bringing temporal oxygenation to the shots and overall meaning 
    to the film-form.&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/tarkovsky/" rel="tag"&gt;tarkovsky&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/film/" rel="tag"&gt;film&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/analysis/" rel="tag"&gt;analysis&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.horschamp.qc.ca/new_offscreen/deleuzian_pressure.html</clipSource><pubDate>Sat, 14 Jul 2007 18:12:57 GMT</pubDate></item><item><title>blogs'07</title><link>http://clipmarks.com/clipmark/6A647E51-3067-4535-8C86-648A5EB1ADB0/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/anatolant/"&gt;anatolant&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  anatolant.tumblr.com -- Anatoly's all blogs &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:#000000"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://anatolant.tumblr.com/post/3729265" title="http://anatolant.tumblr.com/post/3729265"&gt;anatolant.tumblr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/tarkovsky/" rel="tag"&gt;tarkovsky&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cinema/" rel="tag"&gt;cinema&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/film/" rel="tag"&gt;film&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/russian/" rel="tag"&gt;russian&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://anatolant.tumblr.com/post/3729265</clipSource><pubDate>Mon, 18 Jun 2007 17:06:15 GMT</pubDate></item><item><title>The exploratory films of Andrei Tarkovsky</title><link>http://clipmarks.com/clipmark/BE388AA7-F856-4D8C-A12D-21DCE5C515BE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Torley/"&gt;Torley&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I've never ever seen any of these, but it's on my to-do-someday; which is why I'm clipping it! Apparently, I found out the Richie Hawtin video for We(All)Search, which features telekinesis and an unsettling vibe, uses footage from Tarkovsky's Stalker. He's also known for the earlier cinematic adaptation of Solaris. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://tarkovsky01a.webcindario.com/" title="http://tarkovsky01a.webcindario.com/"&gt;tarkovsky01a.webcindario.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/Torley/512/72EB7B47-856C-4541-A7F7-DA95A50C0AA0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/Torley/512/508E7348-F700-42A6-9159-E4D60FE3FD1C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/Torley/512/BA08E751-7C4C-47CB-977D-C954FD7DA38A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/Torley/512/047688FC-4189-4B26-9D8F-ED1CFE9F5BF0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/film/" rel="tag"&gt;film&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movie/" rel="tag"&gt;movie&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/andrei/" rel="tag"&gt;andrei&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tarkovsky/" rel="tag"&gt;tarkovsky&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sci-fi/" rel="tag"&gt;sci-fi&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cinema/" rel="tag"&gt;cinema&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/director/" rel="tag"&gt;director&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://tarkovsky01a.webcindario.com/</clipSource><pubDate>Mon, 22 Jan 2007 00:06:29 GMT</pubDate></item><item><title>A Vocabulary Of Culture</title><link>http://clipmarks.com/clipmark/980C8D26-ECB3-4D16-B4B7-55D0C9C8EA4B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;   Welcome to Jahsonic.com, a nobrow website for the loftiest of intellectuals and the most jaded hedonists; Jahsonic explores the hidden links between "mainstream" and "underground" culture. [Nov 2006] &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.jahsonic.com/" title="http://www.jahsonic.com/"&gt;www.jahsonic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE&gt;
&lt;H1&gt;&lt;FONT size="-1" face="verdana" _moz-rs-heading=""&gt;Jahsonic.com: a vocabulary of culture&lt;/FONT&gt;&lt;/H1&gt;


&lt;P align="center"&gt;
&lt;FONT size="-1" face="verdana"&gt;&lt;A href="http://www.jahsonic.com/Culture.html"&gt;&lt;IMG border="0" alt="" src="http://www.jahsonic.com/OdalisqueSmall.jpg" /&gt;&lt;/A&gt;

&lt;/FONT&gt;&lt;/P&gt;&lt;P align="center"&gt;&lt;FONT size="-1" face="verdana"&gt; Welcome to Jahsonic.com, a &lt;A href="http://www.jahsonic.com/Nobrow.html"&gt;nobrow&lt;/A&gt; website for the loftiest of intellectuals and the most jaded hedonists; Jahsonic explores the hidden links between "mainstream" and "underground" &lt;A href="http://www.jahsonic.com/Culture.html"&gt;culture&lt;/A&gt;. [Nov 2006]

&lt;/FONT&gt;&lt;/P&gt;&lt;P align="center"&gt;&lt;FONT size="-1" face="verdana"&gt; "Wanting &lt;A href="http://www.jahsonic.com/Connection.html"&gt;connections&lt;/A&gt;, we found connections — always, everywhere, and between everything. The world exploded in a whirling network of kinships, where everything pointed to everything else, everything explained everything else ..." &lt;SMALL&gt;-- From &lt;I&gt;Foucault's Pendulum&lt;/I&gt;, Umberto Eco, 1988&lt;/SMALL&gt;

&lt;/FONT&gt;&lt;/P&gt;&lt;CENTER&gt;
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&lt;P align="center"&gt;&lt;FONT size="-1" face="verdana"&gt; Current research interests: 
&lt;A href="http://www.jahsonic.com/RomanticAgony.html"&gt;&lt;I&gt;The Romantic Agony&lt;/I&gt;&lt;/A&gt; by Mario Praz and &lt;A href="http://www.jahsonic.com/Theme.html"&gt;thematic literary criticism&lt;/A&gt;


&lt;/FONT&gt;&lt;/P&gt;&lt;P&gt;&lt;FONT size="-1" face="verdana"&gt;&lt;A href="http://www.jahsonic.com/About.html"&gt;ABOUT&lt;/A&gt;
A formal introduction

&lt;/FONT&gt;&lt;/P&gt;&lt;P&gt;&lt;FONT size="-1" face="verdana"&gt;&lt;A href="http://www.jahsonic.com/2006Feb.html"&gt;A SHORT INDEX&lt;/A&gt; and a &lt;A href="http://www.jahsonic.com/index2.html"&gt;A LONG INDEX&lt;/A&gt;
&lt;BR /&gt;Topics range from architecture to art, cinema, design, literature, music and photography.

&lt;/FONT&gt;&lt;/P&gt;&lt;P&gt;&lt;FONT size="-1" face="verdana"&gt;&lt;A href="http://jahsonic.wordpress.com/"&gt;THE BLOG&lt;/A&gt;
New articles appear here first. 

&lt;/FONT&gt;&lt;/P&gt;&lt;P&gt;&lt;FONT size="-1" face="verdana"&gt;&lt;A href="http://www.jahsonic.com/1.html"&gt;THE SANDBOX&lt;/A&gt;
Where I play. 

&lt;/FONT&gt;&lt;/P&gt;&lt;P&gt;&lt;FONT size="-1" face="verdana"&gt;&lt;A href="http://www.jahsonic.com/Search.html"&gt;MORE SEARCH&lt;/A&gt;
Advanced search using IMDb, Wikipedia, Google, Amazon.

&lt;/FONT&gt;&lt;/P&gt;&lt;P&gt;&lt;FONT size="-1" face="verdana"&gt;&lt;A href="http://www.jahsonic.com/Home.html"&gt;INTERACTIVE FICTION&lt;/A&gt;
Read Jahsonic as a piece of interactive fiction/faction


&lt;/FONT&gt;&lt;/P&gt;&lt;P&gt;&lt;FONT size="-1" face="verdana"&gt;&lt;A href="http://www.jahsonic.com/Comments.html"&gt;IN THE PRESS&lt;/A&gt;
What others have said on- and offline.

&lt;/FONT&gt;&lt;/P&gt;&lt;P&gt;&lt;FONT size="-1" face="verdana"&gt;&lt;A href="http://jahsonic.wordpress.com/about/"&gt;COMMENTS&lt;/A&gt;
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Get in touch

&lt;/FONT&gt;&lt;/P&gt;&lt;P&gt;&lt;FONT size="-1" face="verdana"&gt;Jahsonic 1996-2006





&lt;/FONT&gt;&lt;/P&gt;&lt;P&gt;


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&lt;/FONT&gt;&lt;/P&gt;&lt;/CENTER&gt;&lt;/CENTER&gt;&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literary+criticism/" rel="tag"&gt;literary criticism&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.jahsonic.com/</clipSource><pubDate>Sun, 17 Dec 2006 23:52:07 GMT</pubDate></item><item><title>The Most Overrated Movies of All Time (at least in their opinion)</title><link>http://clipmarks.com/clipmark/FF742A97-01F8-4812-8133-2E199712C081/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/EricDenby/"&gt;EricDenby&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mentalfloss.com/blogs/archives/3132" title="http://www.mentalfloss.com/blogs/archives/3132"&gt;www.mentalfloss.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="blog_frontentry"&gt;&lt;DIV&gt;
			
			&lt;SPAN class="small"&gt;
				Monday, November 27th, 2006 
			&lt;/SPAN&gt;&lt;/DIV&gt;&lt;BR /&gt;

			&lt;H4&gt;

				The Most Overrated Movies of All Time
			&lt;/H4&gt;
			&lt;P&gt;&lt;A target="_blank" href="http://www.premiere.com/feature/3268/20-most-overrated.html"&gt;&lt;IMG width="125" height="166" src="http://www.mentalfloss.com/wp-content/uploads/2006/11/102420061556298117.jpg" alt="102420061556298117.jpg" id="image3131" /&gt;Premiere&lt;/A&gt; recently published its list of the 20 Most Overrated Movies of All Time and the list is sure to tick some folks off. In fact, most of the flicks on the list are more frequently found on ”Greatest Movies” lists. Here are a few listed:&lt;/P&gt;
&lt;P&gt;&lt;EM&gt;American Beauty&lt;/EM&gt;&lt;BR /&gt;
&lt;EM&gt;Clerks&lt;BR /&gt;
Fantasia&lt;BR /&gt;
Chariots of Fire&lt;BR /&gt;
Good Will Hunting&lt;BR /&gt;
Forrest Gump&lt;BR /&gt;
A Beautiful Mind&lt;BR /&gt;
Mystic River&lt;BR /&gt;
Moonstruck&lt;BR /&gt;
Easy Rider&lt;BR /&gt;
Gone with the Wind&lt;/EM&gt;&lt;/P&gt;
&lt;P&gt;Agree? Disagree? What movies would you put on the most overrated list?&lt;/P&gt;
&lt;P&gt;Link via &lt;A target="_blank" href="http://blogs.usatoday.com/popcandy/"&gt;Pop Candy&lt;/A&gt;&lt;EM&gt;&lt;BR /&gt;
&lt;/EM&gt;
&lt;/P&gt;
&lt;BR /&gt;&lt;SPAN class="posted_by"&gt;Will&lt;/SPAN&gt;&lt;P class="sendemail"&gt;&lt;A href="javascript:alert('This link contains javascript. Please visit the clip source to follow this link.');" target="_self"&gt;Send this Post »&lt;/A&gt;&lt;/P&gt;
			
			&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cinema/" rel="tag"&gt;cinema&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.mentalfloss.com/blogs/archives/3132</clipSource><pubDate>Tue, 28 Nov 2006 00:48:32 GMT</pubDate></item><item><title>Art or Porn: Can you tell the difference?</title><link>http://clipmarks.com/clipmark/2A83BDF8-DC4E-48F1-A07F-7C763EFD09F9/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I correctly answered 7 out of 10. That'll do, I guess. &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt;&lt;br/&gt;&lt;br/&gt;More film quizzes can be found here: &lt;a href="http://film.guardian.co.uk/games" rel="nofollow" target="_blank"&gt;http://film.guardian.co.uk/games&lt;/a&gt;/  This site is so much fun! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://film.guardian.co.uk/quiz/questions/0,,1196044,00.html" title="http://film.guardian.co.uk/quiz/questions/0,,1196044,00.html"&gt;film.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;p&gt;&lt;font face="Arial,Helvetica,sans-serif" size="3"&gt;The Good Old Naughty Days is a smorgasbord of amateur porn from cinema's infancy. But can you tell it apart from the highest expressions of the seventh art? Have a look at these ten pictures, and for each case answer one simple question: art, or porn?&lt;/font&gt;&lt;/p&gt;&lt;p&gt;
&lt;/p&gt;&lt;form method="get" action="http://film.guardian.co.uk/quiz/results/0,,1196049,00.html"&gt;
&lt;input name="QUIZ_ID" value="4905948" type="hidden"&gt;
&lt;input name="SITE_NAME" value="film" type="hidden"&gt;

&lt;table border="0" cellpadding="0" cellspacing="0" width="100%"&gt;

	&lt;tbody&gt;&lt;tr&gt;
		
		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artorpornV42362622.jpg" alt="Art or porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
		&lt;td&gt;&lt;img alt="" src="http://image.guardian.co.uk/global/grid/hspacer.gif" border="0" height="1" width="11"&gt;&lt;/td&gt;
		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;1. A young filly, glimpsed in her undies through the keyhole. Is it art (Claude Chabrol's 1959 À Double Tour)? Or porn?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
	&lt;/tr&gt;
	&lt;tr&gt;
		
		&lt;td colspan="3" valign="top"&gt;&amp;nbsp;&lt;/td&gt;
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						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Porn&lt;/font&gt;&lt;/td&gt;
					
				&lt;/tr&gt;
				
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					&lt;td&gt;&amp;nbsp;&lt;/td&gt;
							
						&lt;td valign="top"&gt;
							 &lt;input name="Q_16986" value="165860" type="radio"&gt;
						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Art&lt;/font&gt;&lt;/td&gt;
					
				&lt;/tr&gt;
				
	&lt;tr&gt;
		&lt;td colspan="4"&gt;&amp;nbsp;&lt;/td&gt;
	&lt;/tr&gt;
	&lt;tr&gt;
		
		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artpornV333262626.jpg" alt="Art or porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
		&lt;td&gt;&lt;img alt="" src="http://image.guardian.co.uk/global/grid/hspacer.gif" border="0" height="1" width="11"&gt;&lt;/td&gt;
		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;2. More through-the-keyhole fun. Is it art (Jacques Tati's 1953 film M Hulot's Holiday)? Or porn?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
	&lt;/tr&gt;
	&lt;tr&gt;
		
		&lt;td colspan="3" valign="top"&gt;&amp;nbsp;&lt;/td&gt;
	&lt;/tr&gt;

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						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Porn&lt;/font&gt;&lt;/td&gt;
					
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						&lt;td valign="top"&gt;
							 &lt;input name="Q_16988" value="165858" type="radio"&gt;
						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Art&lt;/font&gt;&lt;/td&gt;
					
				&lt;/tr&gt;
				
	&lt;tr&gt;
		&lt;td colspan="4"&gt;&amp;nbsp;&lt;/td&gt;
	&lt;/tr&gt;
	&lt;tr&gt;
		
		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artpornV2222232.jpg" alt="Art or porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
		&lt;td&gt;&lt;img alt="" src="http://image.guardian.co.uk/global/grid/hspacer.gif" border="0" height="1" width="11"&gt;&lt;/td&gt;
		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;3. A convivial scene, and no mistake. Again: art (Buster Keaton's Our Hospitality, 1923)? Or porn?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
	&lt;/tr&gt;
	&lt;tr&gt;
		
		&lt;td colspan="3" valign="top"&gt;&amp;nbsp;&lt;/td&gt;
	&lt;/tr&gt;

				&lt;tr&gt;
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						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Art&lt;/font&gt;&lt;/td&gt;
					
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						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Porn&lt;/font&gt;&lt;/td&gt;
					
				&lt;/tr&gt;
				
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	&lt;/tr&gt;
	&lt;tr&gt;
		
		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artpornV47272.jpg" alt="Art or porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
		&lt;td&gt;&lt;img alt="" src="http://image.guardian.co.uk/global/grid/hspacer.gif" border="0" height="1" width="11"&gt;&lt;/td&gt;
		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;4. A glimpse of stocking. Is it art (Marlene Dietrich in 1930's The Blue Angel)? Or porn?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
	&lt;/tr&gt;
	&lt;tr&gt;
		
		&lt;td colspan="3" valign="top"&gt;&amp;nbsp;&lt;/td&gt;
	&lt;/tr&gt;

				&lt;tr&gt;
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						&lt;td valign="top"&gt;
							 &lt;input name="Q_16992" value="165864" type="radio"&gt;
						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Art&lt;/font&gt;&lt;/td&gt;
					
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						&lt;td valign="top"&gt;
							 &lt;input name="Q_16992" value="165865" type="radio"&gt;
						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Porn&lt;/font&gt;&lt;/td&gt;
					
				&lt;/tr&gt;
				
	&lt;tr&gt;
		&lt;td colspan="4"&gt;&amp;nbsp;&lt;/td&gt;
	&lt;/tr&gt;
	&lt;tr&gt;
		
		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artorpornV3263262.jpg" alt="Art or porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
		&lt;td&gt;&lt;img alt="" src="http://image.guardian.co.uk/global/grid/hspacer.gif" border="0" height="1" width="11"&gt;&lt;/td&gt;
		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;5. Bad habits. Art (Audrey Hepburn and Peggy Ashcroft in The Nun's Story, 1959)? Or porn?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
	&lt;/tr&gt;
	&lt;tr&gt;
		
		&lt;td colspan="3" valign="top"&gt;&amp;nbsp;&lt;/td&gt;
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							 &lt;input name="Q_16994" value="165866" type="radio"&gt;
						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Art&lt;/font&gt;&lt;/td&gt;
					
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						&lt;td valign="top"&gt;
							 &lt;input name="Q_16994" value="165867" type="radio"&gt;
						&lt;/td&gt;
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	&lt;/tr&gt;
	&lt;tr&gt;
		
		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artorpornV2626.jpg" alt="Art or porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
		&lt;td&gt;&lt;img alt="" src="http://image.guardian.co.uk/global/grid/hspacer.gif" border="0" height="1" width="11"&gt;&lt;/td&gt;
		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;6. Can this sort of thing really be art (Kurosawa's Scandal, 1950)? Or is it porn?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
	&lt;/tr&gt;
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						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Art&lt;/font&gt;&lt;/td&gt;
					
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		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artorpornV2532.jpg" alt="Art or porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
		&lt;td&gt;&lt;img alt="" src="http://image.guardian.co.uk/global/grid/hspacer.gif" border="0" height="1" width="11"&gt;&lt;/td&gt;
		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;7. Is this saucy young lady the silver screen icon Louise Brooks? Or is this just yet more porn?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
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						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Porn&lt;/font&gt;&lt;/td&gt;
					
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						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Art&lt;/font&gt;&lt;/td&gt;
					
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		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artpornV26278773444.jpg" alt="Art or porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
		&lt;td&gt;&lt;img alt="" src="http://image.guardian.co.uk/global/grid/hspacer.gif" border="0" height="1" width="11"&gt;&lt;/td&gt;
		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;8. Do you recognise this lady as the great comic actor of silent cinema Mabel Normand? Or is she a dilettante of the early porn scene?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
	&lt;/tr&gt;
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		&lt;td colspan="3" valign="top"&gt;&amp;nbsp;&lt;/td&gt;
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							 &lt;input name="Q_17000" value="165872" type="radio"&gt;
						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Art&lt;/font&gt;&lt;/td&gt;
					
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							 &lt;input name="Q_17000" value="165873" type="radio"&gt;
						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Porn&lt;/font&gt;&lt;/td&gt;
					
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		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artporn23622.jpg" alt="Art of porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
		&lt;td&gt;&lt;img alt="" src="http://image.guardian.co.uk/global/grid/hspacer.gif" border="0" height="1" width="11"&gt;&lt;/td&gt;
		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;9. Nothing too scandalous here ... yet. Is this about to degenerate into art (Pandora's Box, 1929)? Or porn?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
	&lt;/tr&gt;
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		&lt;td colspan="3" valign="top"&gt;&amp;nbsp;&lt;/td&gt;
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						&lt;/td&gt;
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						&lt;/td&gt;
						&lt;td valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;Art&lt;/font&gt;&lt;/td&gt;
					
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	&lt;/tr&gt;
	&lt;tr&gt;
		
		    &lt;td rowspan="4" valign="top"&gt;&lt;img src="http://image.guardian.co.uk/sys-images/Film/Pix/pictures/2004/04/20/artpornV209722.jpg" alt="Art or porn?" border="0" height="128" width="128"&gt;&lt;/td&gt;
		
		&lt;td&gt;&lt;img alt="" src="http://image.guardian.co.uk/global/grid/hspacer.gif" border="0" height="1" width="11"&gt;&lt;/td&gt;
		&lt;td colspan="2" valign="top"&gt;&lt;font face="Geneva,Arial,sans-serif" size="2"&gt;&lt;b&gt;10. A femme-bot with pointy conical breasts. Art (Fritz Lang's Metropolis, 1926)? Or porn?&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;
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						&lt;/td&gt;
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	&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/form&gt;
&lt;!-- interp: /Com/Up_Button/0,,,00.html --&gt;&lt;br&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/porn/" rel="tag"&gt;porn&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/quiz/" rel="tag"&gt;quiz&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/film/" rel="tag"&gt;film&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://film.guardian.co.uk/quiz/questions/0,,1196044,00.html</clipSource><pubDate>Wed, 13 Sep 2006 16:00:07 GMT</pubDate></item><item><title>History of Cinema by Decade</title><link>http://clipmarks.com/clipmark/2915804E-33F3-41C4-8003-9E68B0FF7A47/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/clipette/"&gt;clipette&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.filmsite.org/filmh.html" title="http://www.filmsite.org/filmh.html"&gt;www.filmsite.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width='42%'&gt; &lt;center&gt;
        &lt;p&gt;&lt;font size="3"&gt;&lt;b&gt;The History of Motion Pictures&lt;br&gt;
          - By Decade - &lt;/b&gt;&lt;/font&gt;&lt;/p&gt;
      &lt;/center&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt; &lt;p align="left"&gt; &lt;i&gt;&lt;font size="2"&gt;&lt;a href="http://www.filmsite.org/pre20sintro.html"&gt;&lt;img src="http://www.filmsite.org/images/1910sfilms.gif" align="middle" border="0" height="32" width="32"&gt; 
        Pre-1920s Film History&lt;/a&gt; &lt;/font&gt;&lt;/i&gt;
      &lt;/p&gt;&lt;p align="left"&gt;&lt;font size="2"&gt;Early Cinematic Origins, the Infancy of Film&lt;/font&gt;&lt;/p&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt; &lt;p align="left"&gt; &lt;i&gt;&lt;font size="2"&gt;&lt;a href="http://www.filmsite.org/20sintro.html"&gt;&lt;img src="http://www.filmsite.org/images/1920sfilms.gif" align="middle" border="0" height="32" width="32"&gt; 
        1920s Film History&lt;/a&gt; &lt;/font&gt;&lt;/i&gt;
      &lt;/p&gt;&lt;p align="left"&gt;&lt;font size="2"&gt;The Pre-Talkies and Silent Era &lt;/font&gt;&lt;/p&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt; &lt;div align="left"&gt; 
        &lt;p&gt;&lt;i&gt;&lt;font size="2"&gt;&lt;a href="http://www.filmsite.org/30sintro.html"&gt;&lt;img src="http://www.filmsite.org/images/1930sfilms.gif" align="middle" border="0" height="32" width="32"&gt; 
          1930s Film History&lt;/a&gt; &lt;/font&gt;&lt;/i&gt;&lt;/p&gt;
        &lt;p&gt;&lt;font size="2"&gt;The Talkies, the Growth of the Studios and 'The Golden 
          Age of Hollywood'&lt;/font&gt;&lt;/p&gt;
      &lt;/div&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align='left'&gt; 
        &lt;p&gt;&lt;i&gt;&lt;font size="2"&gt;&lt;a href="http://www.filmsite.org/40sintro.html"&gt;&lt;img src="http://www.filmsite.org/images/1940sfilms.gif" align="middle" border="0" height="32" width="32"&gt; 
          1940s Film History&lt;/a&gt; &lt;/font&gt;&lt;/i&gt;&lt;/p&gt;
        &lt;p&gt;&lt;font size="2"&gt;The War and Post-War Years, the Beginnings of Film Noir&lt;/font&gt;&lt;/p&gt;
      &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align='left'&gt; 
        &lt;p&gt;&lt;i&gt;&lt;font size="2"&gt;&lt;a href="http://www.filmsite.org/50sintro.html"&gt;&lt;img src="http://www.filmsite.org/images/1950sfilms.gif" align="middle" border="0" height="32" width="32"&gt; 
          1950s Film History&lt;/a&gt;&lt;/font&gt; &lt;/i&gt;&lt;/p&gt;
        &lt;p&gt;&lt;font size="2"&gt;The Cold War and Post-Classical Era, the Era of Epic 
          Films and the Threat of Television&lt;/font&gt;&lt;/p&gt;
      &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align='left'&gt; 
        &lt;p&gt;&lt;i&gt;&lt;font size="2"&gt;&lt;a href="http://www.filmsite.org/60sintro.html"&gt;&lt;img src="http://www.filmsite.org/images/1960sfilms.gif" align="middle" border="0" height="33" width="32"&gt; 
          1960s Film History&lt;/a&gt;&lt;/font&gt; &lt;/i&gt;&lt;/p&gt;
        &lt;p&gt;&lt;font size="2"&gt;The End of the Hollywood Studio System, and the Era 
          of Independent, Underground Cinema&lt;/font&gt; &lt;/p&gt;
      &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align='left'&gt; 
        &lt;p&gt;&lt;i&gt;&lt;font size="2"&gt;&lt;a href="http://www.filmsite.org/70sintro.html"&gt;&lt;img src="http://www.filmsite.org/images/1970sfilms.gif" align="middle" border="0" height="32" width="32"&gt; 
          1970s Film History&lt;/a&gt;&lt;/font&gt; &lt;/i&gt;&lt;/p&gt;
        &lt;p&gt;&lt;font size="2"&gt;The Last Golden Age of American Cinema (the American 
          "New Wave"), and the Advent of the Block-buster Film&lt;/font&gt;&lt;/p&gt;
      &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align='left'&gt; 
        &lt;p&gt;&lt;i&gt;&lt;font size="2"&gt;&lt;a href="http://www.filmsite.org/80sintro.html"&gt;&lt;img src="http://www.filmsite.org/images/1980sfilms.gif" align="middle" border="0" height="32" width="32"&gt; 
          1980s Film History&lt;/a&gt;&lt;/font&gt; &lt;/i&gt;&lt;/p&gt;
        &lt;p&gt;&lt;font size="2"&gt;Teen-Oriented Angst Films, and the Dawn of the Sequel, 
          with More Blockbusters&lt;/font&gt;&lt;/p&gt;
      &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align='left'&gt; 
        &lt;p&gt;&lt;i&gt;&lt;font size="2"&gt;&lt;a href="http://www.filmsite.org/90sintro.html"&gt;&lt;img src="http://www.filmsite.org/images/1990sfilms.gif" align="middle" border="0" height="32" width="32"&gt; 
          1990s Film History&lt;/a&gt; &lt;/font&gt;&lt;/i&gt;&lt;/p&gt;
        &lt;p&gt;&lt;font size="2"&gt;The Era of Mainstream Films and Alternative or Independent 
          ("Indie") Cinema; and the Rise of Computer-Generated Films; 
          also the Decade of Remakes, Re-releases, and More Sequels&lt;/font&gt;&lt;/p&gt;
      &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt; &lt;p align="left"&gt;&lt;i&gt;&lt;font size="2"&gt;&lt;img src="http://www.filmsite.org/images/filmscroll.gif" align="middle" border="0" height="32" width="32"&gt;2000s 
        Films&lt;/font&gt; &lt;/i&gt;&lt;/p&gt;
      &lt;p align="left"&gt;&lt;font size="2"&gt;The New Millenium, an Age of Advanced Special 
        Effects, and the Search for the Perfect Blockbuster&lt;/font&gt; &lt;/p&gt;
    &lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/film+history/" rel="tag"&gt;film history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/film/" rel="tag"&gt;film&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cinema/" rel="tag"&gt;cinema&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cinema+history/" rel="tag"&gt;cinema history&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.filmsite.org/filmh.html</clipSource><pubDate>Fri, 31 Mar 2006 00:09:15 GMT</pubDate></item></channel></rss>